The Count of Monte Cristo, by Alexandre Dumas

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Chapter 30 - The Fifth Of September

The extension provided for by the agent of Thomson & French, at the moment when Morrel expected it least, was to the poor shipowner so decided a stroke of good fortune that he almost dared to believe that fate was at length grown weary of wasting her spite upon him. The same day he told his wife, Emmanuel, and his daughter all that had occurred; and a ray of hope, if not of tranquillity, returned to the family. Unfortunately, however, Morrel had not only engagements with the house of Thomson & French, who had shown themselves so considerate towards him; and, as he had said, in business he had correspondents, and not friends. When he thought the matter over, he could by no means account for this generous conduct on the part of Thomson & French towards him; and could only attribute it to some such selfish argument as this: - "We had better help a man who owes us nearly 300,000 francs, and have those 300,000 francs at the end of three months than hasten his ruin, and get only six or eight per cent of our money back again." Unfortunately, whether through envy or stupidity, all Morrel's correspondents did not take this view; and some even came to a contrary decision. The bills signed by Morrel were presented at his office with scrupulous exactitude, and, thanks to the delay granted by the Englishman, were paid by Cocles with equal punctuality. Cocles thus remained in his accustomed tranquillity. It was Morrel alone who remembered with alarm, that if he had to repay on the 15th the 50,000 francs of M. de Boville, and on the 30th the 32,500 francs of bills, for which, as well as the debt due to the inspector of prisons, he had time granted, he must be a ruined man.

The opinion of all the commercial men was that, under the reverses which had successively weighed down Morrel, it was impossible for him to remain solvent. Great, therefore, was the astonishment when at the end of the month, he cancelled all his obligations with his usual punctuality. Still confidence was not restored to all minds, and the general opinion was that the complete ruin of the unfortunate shipowner had been postponed only until the end of the month. The month passed, and Morrel made extraordinary efforts to get in all his resources. Formerly his paper, at any date, was taken with confidence, and was even in request. Morrel now tried to negotiate bills at ninety days only, and none of the banks would give him credit. Fortunately, Morrel had some funds coming in on which he could rely; and, as they reached him, he found himself in a condition to meet his engagements when the end of July came. The agent of Thomson & French had not been again seen at Marseilles; the day after, or two days after his visit to Morrel, he had disappeared; and as in that city he had had no intercourse but with the mayor, the inspector of prisons, and M. Morrel, his departure left no trace except in the memories of these three persons. As to the sailors of the Pharaon, they must have found snug berths elsewhere, for they also had disappeared.

Captain Gaumard, recovered from his illness, had returned from Palma. He delayed presenting himself at Morrel's, but the owner, hearing of his arrival, went to see him. The worthy shipowner knew, from Penelon's recital, of the captain's brave conduct during the storm, and tried to console him. He brought him also the amount of his wages, which Captain Gaumard had not dared to apply for. As he descended the staircase, Morrel met Penelon, who was going up. Penelon had, it would seem, made good use of his money, for he was newly clad. When he saw his employer, the worthy tar seemed much embarrassed, drew on one side into the corner of the landing-place, passed his quid from one cheek to the other, stared stupidly with his great eyes, and only acknowledged the squeeze of the hand which Morrel as usual gave him by a slight pressure in return. Morrel attributed Penelon's embarrassment to the elegance of his attire; it was evident the good fellow had not gone to such an expense on his own account; he was, no doubt, engaged on board some other vessel, and thus his bashfulness arose from the fact of his not having, if we may so express ourselves, worn mourning for the Pharaon longer. Perhaps he had come to tell Captain Gaumard of his good luck, and to offer him employment from his new master. "Worthy fellows!" said Morrel, as he went away, "may your new master love you as I loved you, and be more fortunate than I have been!"

August rolled by in unceasing efforts on the part of Morrel to renew his credit or revive the old. On the 20th of August it was known at Marseilles that he had left town in the mailcoach, and then it was said that the bills would go to protest at the end of the month, and that Morrel had gone away and left his chief clerk Emmanuel, and his cashier Cocles, to meet the creditors. But, contrary to all expectation, when the 31st of August came, the house opened as usual, and Cocles appeared behind the grating of the counter, examined all bills presented with the usual scrutiny, and, from first to last, paid all with the usual precision. There came in, moreover, two drafts which M. Morrel had fully anticipated, and which Cocles paid as punctually as the bills which the shipowner had accepted. All this was incomprehensible, and then, with the tenacity peculiar to prophets of bad news, the failure was put off until the end of September. On the 1st, Morrel returned; he was awaited by his family with extreme anxiety, for from this journey to Paris they hoped great things. Morrel had thought of Danglars, who was now immensely rich, and had lain under great obligations to Morrel in former days, since to him it was owing that Danglars entered the service of the Spanish banker, with whom he had laid the foundations of his vast wealth. It was said at this moment that Danglars was worth from six to eight millions of francs, and had unlimited credit. Danglars, then, without taking a crown from his pocket, could save Morrel; he had but to pass his word for a loan, and Morrel was saved. Morrel had long thought of Danglars, but had kept away from some instinctive motive, and had delayed as long as possible availing himself of this last resource. And Morrel was right, for he returned home crushed by the humiliation of a refusal. Yet, on his arrival, Morrel did not utter a complaint, or say one harsh word. He embraced his weeping wife and daughter, pressed Emmanuel's hand with friendly warmth, and then going to his private room on the second floor had sent for Cocles. "Then," said the two women to Emmanuel, "we are indeed ruined."

It was agreed in a brief council held among them, that Julie should write to her brother, who was in garrison at Nimes, to come to them as speedily as possible. The poor women felt instinctively that they required all their strength to support the blow that impended. Besides, Maximilian Morrel, though hardly two and twenty, had great influence over his father. He was a strong-minded, upright young man. At the time when he decided on his profession his father had no desire to choose for him, but had consulted young Maximilian's taste. He had at once declared for a military life, and had in consequence studied hard, passed brilliantly through the Polytechnic School, and left it as sub-lieutenant of the 53d of the line. For a year he had held this rank, and expected promotion on the first vacancy. In his regiment Maximilian Morrel was noted for his rigid observance, not only of the obligations imposed on a soldier, but also of the duties of a man; and he thus gained the name of "the stoic." We need hardly say that many of those who gave him this epithet repeated it because they had heard it, and did not even know what it meant. This was the young man whom his mother and sister called to their aid to sustain them under the serious trial which they felt they would soon have to endure. They had not mistaken the gravity of this event, for the moment after Morrel had entered his private office with Cocles, Julie saw the latter leave it pale, trembling, and his features betraying the utmost consternation. She would have questioned him as he passed by her, but the worthy creature hastened down the staircase with unusual precipitation, and only raised his hands to heaven and exclaimed, "Oh, mademoiselle, mademoiselle, what a dreadful misfortune! Who could ever have believed it!" A moment afterwards Julie saw him go up-stairs carrying two or three heavy ledgers, a portfolio, and a bag of money.

Morrel examined the ledgers, opened the portfolio, and counted the money. All his funds amounted to 6,000, or 8,000 francs, his bills receivable up to the 5th to 4,000 or 5,000, which, making the best of everything, gave him 14,000 francs to meet debts amounting to 287,500 francs. He had not even the means for making a possible settlement on account. However, when Morrel went down to his dinner, he appeared very calm. This calmness was more alarming to the two women than the deepest dejection would have been. After dinner Morrel usually went out and used to take his coffee at the Phocaean club, and read the Semaphore; this day he did not leave the house, but returned to his office.

As to Cocles, he seemed completely bewildered. For part of the day he went into the court-yard, seated himself on a stone with his head bare and exposed to the blazing sun. Emmanuel tried to comfort the women, but his eloquence faltered. The young man was too well acquainted with the business of the house, not to feel that a great catastrophe hung over the Morrel family. Night came, the two women had watched, hoping that when he left his room Morrel would come to them, but they heard him pass before their door, and trying to conceal the noise of his footsteps. They listened; he went into his sleeping-room, and fastened the door inside. Madame Morrel sent her daughter to bed, and half an hour after Julie had retired, she rose, took off her shoes, and went stealthily along the passage, to see through the keyhole what her husband was doing. In the passage she saw a retreating shadow; it was Julie, who, uneasy herself, had anticipated her mother. The young lady went towards Madame Morrel.

"He is writing," she said. They had understood each other without speaking. Madame Morrel looked again through the keyhole, Morrel was writing; but Madame Morrel remarked, what her daughter had not observed, that her husband was writing on stamped paper. The terrible idea that he was writing his will flashed across her; she shuddered, and yet had not strength to utter a word. Next day M. Morrel seemed as calm as ever, went into his office as usual, came to his breakfast punctually, and then, after dinner, he placed his daughter beside him, took her head in his arms, and held her for a long time against his bosom. In the evening, Julie told her mother, that although he was apparently so calm, she had noticed that her father's heart beat violently. The next two days passed in much the same way. On the evening of the 4th of September, M. Morrel asked his daughter for the key of his study. Julie trembled at this request, which seemed to her of bad omen. Why did her father ask for this key which she always kept, and which was only taken from her in childhood as a punishment? The young girl looked at Morrel.

"What have I done wrong, father," she said, "that you should take this key from me?"

"Nothing, my dear," replied the unhappy man, the tears starting to his eyes at this simple question, - "nothing, only I want it." Julie made a pretence to feel for the key. "I must have left it in my room," she said. And she went out, but instead of going to her apartment she hastened to consult Emmanuel. "Do not give this key to your father," said he, "and to-morrow morning, if possible, do not quit him for a moment." She questioned Emmanuel, but he knew nothing, or would not say what he knew. During the night, between the 4th and 5th of September, Madame Morrel remained listening for every sound, and, until three o'clock in the morning, she heard her husband pacing the room in great agitation. It was three o'clock when he threw himself on the bed. The mother and daughter passed the night together. They had expected Maximilian since the previous evening. At eight o'clock in the morning Morrel entered their chamber. He was calm; but the agitation of the night was legible in his pale and careworn visage. They did not dare to ask him how he had slept. Morrel was kinder to his wife, more affectionate to his daughter, than he had ever been. He could not cease gazing at and kissing the sweet girl. Julie, mindful of Emmanuel's request, was following her father when he quitted the room, but he said to her quickly, - "Remain with your mother, dearest." Julie wished to accompany him. "I wish you to do so," said he.

This was the first time Morrel had ever so spoken, but he said it in a tone of paternal kindness, and Julie did not dare to disobey. She remained at the same spot standing mute and motionless. An instant afterwards the door opened, she felt two arms encircle her, and a mouth pressed her forehead. She looked up and uttered an exclamation of joy.

"Maximilian, my dearest brother!" she cried. At these words Madame Morrel rose, and threw herself into her son's arms. "Mother," said the young man, looking alternately at Madame Morrel and her daughter, "what has occurred - what has happened? Your letter has frightened me, and I have come hither with all speed."

"Julie," said Madame Morrel, making a sign to the young man, "go and tell your father that Maximilian has just arrived." The young lady rushed out of the apartment, but on the first step of the staircase she found a man holding a letter in his hand.

"Are you not Mademoiselle Julie Morrel?" inquired the man, with a strong Italian accent.

"Yes, sir," replied Julie with hesitation; "what is your pleasure? I do not know you."

"Read this letter," he said, handing it to her. Julie hesitated. "It concerns the best interests of your father," said the messenger.

The young girl hastily took the letter from him. She opened it quickly and read: -

"Go this moment to the Allees de Meillan, enter the house No. 15, ask the porter for the key of the room on the fifth floor, enter the apartment, take from the corner of the mantelpiece a purse netted in red silk, and give it to your father. It is important that he should receive it before eleven o'clock. You promised to obey me implicitly. Remember your oath.

"Sinbad the Sailor."

The young girl uttered a joyful cry, raised her eyes, looked round to question the messenger, but he had disappeared. She cast her eyes again over the note to peruse it a second time, and saw there was a postscript. She read: -

"It is important that you should fulfil this mission in person and alone. If you go accompanied by any other person, or should any one else go in your place, the porter will reply that he does not know anything about it."

This postscript decreased greatly the young girl's happiness. Was there nothing to fear? Was there not some snare laid for her? Her innocence had kept her in ignorance of the dangers that might assail a young girl of her age. But there is no need to know danger in order to fear it; indeed, it may be observed, that it is usually unknown perils that inspire the greatest terror.

Julie hesitated, and resolved to take counsel. Yet, through a singular impulse, it was neither to her mother nor her brother that she applied, but to Emmanuel. She hastened down and told him what had occurred on the day when the agent of Thomson & French had come to her father's, related the scene on the staircase, repeated the promise she had made, and showed him the letter. "You must go, then, mademoiselle," said Emmanuel.

"Go there?" murmured Julie.

"Yes; I will accompany you."

"But did you not read that I must be alone?" said Julie.

"And you shall be alone," replied the young man. "I will await you at the corner of the Rue de Musee, and if you are so long absent as to make me uneasy, I will hasten to rejoin you, and woe to him of whom you shall have cause to complain to me!"

"Then, Emmanuel?" said the young girl with hesitation, "it is your opinion that I should obey this invitation?"

"Yes. Did not the messenger say your father's safety depended upon it?"

"But what danger threatens him, then, Emmanuel?" she asked.

Emmanuel hesitated a moment, but his desire to make Julie decide immediately made him reply.

"Listen," he said; "to-day is the 5th of September, is it not?"

"Yes."

"To-day, then, at eleven o'clock, your father has nearly three hundred thousand francs to pay?"

"Yes, we know that."

"Well, then," continued Emmanuel, "we have not fifteen thousand francs in the house."

"What will happen then?"

"Why, if to-day before eleven o'clock your father has not found someone who will come to his aid, he will be compelled at twelve o'clock to declare himself a bankrupt."

"Oh, come, then, come!" cried she, hastening away with the young man. During this time, Madame Morrel had told her son everything. The young man knew quite well that, after the succession of misfortunes which had befallen his father, great changes had taken place in the style of living and housekeeping; but he did not know that matters had reached such a point. He was thunderstruck. Then, rushing hastily out of the apartment, he ran up-stairs, expecting to find his father in his study, but he rapped there in vain.

While he was yet at the door of the study he heard the bedroom door open, turned, and saw his father. Instead of going direct to his study, M. Morrel had returned to his bed-chamber, which he was only this moment quitting. Morrel uttered a cry of surprise at the sight of his son, of whose arrival he was ignorant. He remained motionless on the spot, pressing with his left hand something he had concealed under his coat. Maximilian sprang down the staircase, and threw his arms round his father's neck; but suddenly he recoiled, and placed his right hand on Morrel's breast. "Father," he exclaimed, turning pale as death, "what are you going to do with that brace of pistols under your coat?"

"Oh, this is what I feared!" said Morrel.

"Father, father, in heaven's name," exclaimed the young man, "what are these weapons for?"

"Maximilian," replied Morrel, looking fixedly at his son, "you are a man, and a man of honor. Come, and I will explain to you."

And with a firm step Morrel went up to his study, while Maximilian followed him, trembling as he went. Morrel opened the door, and closed it behind his son; then, crossing the anteroom, went to his desk on which he placed the pistols, and pointed with his finger to an open ledger. In this ledger was made out an exact balance-sheet of his affair's. Morrel had to pay, within half an hour, 287,500 francs. All he possessed was 15,257 francs. "Read!" said Morrel.

The young man was overwhelmed as he read. Morrel said not a word. What could he say? What need he add to such a desperate proof in figures? "And have you done all that is possible, father, to meet this disastrous result?" asked the young man, after a moment's pause. "I have," replied Morrel.

"You have no money coming in on which you can rely?"

"None."

"You have exhausted every resource?"

"All."

"And in half an hour," said Maximilian in a gloomy voice, "our name is dishonored!"

"Blood washes out dishonor," said Morrel.

"You are right, father; I understand you." Then extending his hand towards one of the pistols, he said, "There is one for you and one for me - thanks!" Morrel caught his hand. "Your mother - your sister! Who will support them?" A shudder ran through the young man's frame. "Father," he said, "do you reflect that you are bidding me to live?"

"Yes, I do so bid you," answered Morrel, "it is your duty. You have a calm, strong mind, Maximilian. Maximilian, you are no ordinary man. I make no requests or commands; I only ask you to examine my position as if it were your own, and then judge for yourself."

The young man reflected for a moment, then an expression of sublime resignation appeared in his eyes, and with a slow and sad gesture he took off his two epaulets, the insignia of his rank. "Be it so, then, my father," he said, extending his hand to Morrel, "die in peace, my father; I will live." Morrel was about to cast himself on his knees before his son, but Maximilian caught him in his arms, and those two noble hearts were pressed against each other for a moment. "You know it is not my fault," said Morrel. Maximilian smiled. "I know, father, you are the most honorable man I have ever known."

"Good, my son. And now there is no more to be said; go and rejoin your mother and sister."

"My father," said the young man, bending his knee, "bless me!" Morrel took the head of his son between his two hands, drew him forward, and kissing his forehead several times said, "Oh, yes, yes, I bless you in my own name, and in the name of three generations of irreproachable men, who say through me, `The edifice which misfortune has destroyed, providence may build up again.' On seeing me die such a death, the most inexorable will have pity on you. To you, perhaps, they will accord the time they have refused to me. Then do your best to keep our name free from dishonor. Go to work, labor, young man, struggle ardently and courageously; live, yourself, your mother and sister, with the most rigid economy, so that from day to day the property of those whom I leave in your hands may augment and fructify. Reflect how glorious a day it will be, how grand, how solemn, that day of complete restoration, on which you will say in this very office, `My father died because he could not do what I have this day done; but he died calmly and peaceably, because in dying he knew what I should do.'"

"My father, my father!" cried the young man, "why should you not live?"

"If I live, all would be changed; if I live, interest would be converted into doubt, pity into hostility; if I live I am only a man who has broken his word, failed in his engagements - in fact, only a bankrupt. If, on the contrary, I die, remember, Maximilian, my corpse is that of an honest but unfortunate man. Living, my best friends would avoid my house; dead, all Marseilles will follow me in tears to my last home. Living, you would feel shame at my name; dead, you may raise your head and say, `I am the son of him you killed, because, for the first time, he has been compelled to break his word.'"

The young man uttered a groan, but appeared resigned.

"And now," said Morrel, "leave me alone, and endeavor to keep your mother and sister away."

"Will you not see my sister once more?" asked Maximilian. A last but final hope was concealed by the young man in the effect of this interview, and therefore he had suggested it. Morrel shook his head. "I saw her this morning, and bade her adieu."

"Have you no particular commands to leave with me, my father?" inquired Maximilian in a faltering voice.

"Yes; my son, and a sacred command."

"Say it, my father."

"The house of Thomson & French is the only one who, from humanity, or, it may be, selfishness - it is not for me to read men's hearts - has had any pity for me. Its agent, who will in ten minutes present himself to receive the amount of a bill of 287,500 francs, I will not say granted, but offered me three months. Let this house be the first repaid, my son, and respect this man."

"Father, I will," said Maximilian.

"And now, once more, adieu," said Morrel. "Go, leave me; I would be alone. You will find my will in the secretary in my bedroom."

The young man remained standing and motionless, having but the force of will and not the power of execution.

"Hear me, Maximilian," said his father. "Suppose I was a soldier like you, and ordered to carry a certain redoubt, and you knew I must be killed in the assault, would you not say to me, as you said just now, `Go, father; for you are dishonored by delay, and death is preferable to shame!'"

"Yes, yes," said the young man, "yes;" and once again embracing his father with convulsive pressure, he said, "Be it so, my father."

And he rushed out of the study. When his son had left him, Morrel remained an instant standing with his eyes fixed on the door; then putting forth his arm, he pulled the bell. After a moment's interval, Cocles appeared.

It was no longer the same man - the fearful revelations of the three last days had crushed him. This thought - the house of Morrel is about to stop payment - bent him to the earth more than twenty years would otherwise have done.

"My worthy Cocles," said Morrel in a tone impossible to describe, "do you remain in the ante-chamber. When the gentleman who came three months ago - the agent of Thomson & French - arrives, announce his arrival to me." Cocles made no reply; he made a sign with his head, went into the anteroom, and seated himself. Morrel fell back in his chair, his eyes fixed on the clock; there were seven minutes left, that was all. The hand moved on with incredible rapidity, he seemed to see its motion.

What passed in the mind of this man at the supreme moment of his agony cannot be told in words. He was still comparatively young, he was surrounded by the loving care of a devoted family, but he had convinced himself by a course of reasoning, illogical perhaps, yet certainly plausible, that he must separate himself from all he held dear in the world, even life itself. To form the slightest idea of his feelings, one must have seen his face with its expression of enforced resignation and its tear-moistened eyes raised to heaven. The minute hand moved on. The pistols were loaded; he stretched forth his hand, took one up, and murmured his daughter's name. Then he laid it down seized his pen, and wrote a few words. It seemed to him as if he had not taken a sufficient farewell of his beloved daughter. Then he turned again to the clock, counting time now not by minutes, but by seconds. He took up the deadly weapon again, his lips parted and his eyes fixed on the clock, and then shuddered at the click of the trigger as he cocked the pistol. At this moment of mortal anguish the cold sweat came forth upon his brow, a pang stronger than death clutched at his heart-strings. He heard the door of the staircase creak on its hinges - the clock gave its warning to strike eleven - the door of his study opened; Morrel did not turn round - he expected these words of Cocles, "The agent of Thomson & French."

He placed the muzzle of the pistol between his teeth. Suddenly he heard a cry - it was his daughter's voice. He turned and saw Julie. The pistol fell from his hands. "My father!" cried the young girl, out of breath, and half dead with joy - "saved, you are saved!" And she threw herself into his arms, holding in her extended hand a red, netted silk purse.

"Saved, my child!" said Morrel; "what do you mean?"

"Yes, saved - saved! See, see!" said the young girl.

Morrel took the purse, and started as he did so, for a vague remembrance reminded him that it once belonged to himself. At one end was the receipted bill for the 287,000 francs, and at the other was a diamond as large as a hazel-nut, with these words on a small slip of parchment: - Julie's Dowry.

Morrel passed his hand over his brow; it seemed to him a dream. At this moment the clock struck eleven. He felt as if each stroke of the hammer fell upon his heart. "Explain, my child," he said, "Explain, my child," he said, "explain - where did you find this purse?"

"In a house in the Allees de Meillan, No. 15, on the corner of a mantelpiece in a small room on the fifth floor."

"But," cried Morrel, "this purse is not yours!" Julie handed to her father the letter she had received in the morning.

"And did you go alone?" asked Morrel, after he had read it.

"Emmanuel accompanied me, father. He was to have waited for me at the corner of the Rue de Musee, but, strange to say, he was not there when I returned."

"Monsieur Morrel!" exclaimed a voice on the stairs. - "Monsieur Morrel!"

"It is his voice!" said Julie. At this moment Emmanuel entered, his countenance full of animation and joy. "The Pharaon!" he cried; "the Pharaon!"

"What - what - the Pharaon! Are you mad, Emmanuel? You know the vessel is lost."

"The Pharaon, sir - they signal the Pharaon! The Pharaon is entering the harbor!" Morrel fell back in his chair, his strength was failing him; his understanding weakened by such events, refused to comprehend such incredible, unheard-of, fabulous facts. But his son came in. "Father," cried Maximilian, "how could you say the Pharaon was lost? The lookout has signalled her, and they say she is now coming into port."

"My dear friends," said Morrel, "if this be so, it must be a miracle of heaven! Impossible, impossible!"

But what was real and not less incredible was the purse he held in his hand, the acceptance receipted - the splendid diamond.

"Ah, sir," exclaimed Cocles, "what can it mean? - the Pharaon?"

"Come, dear ones," said Morrel, rising from his seat, "let us go and see, and heaven have pity upon us if it be false intelligence!" They all went out, and on the stairs met Madame Morrel, who had been afraid to go up into the study. In a moment they were at the Cannebiere. There was a crowd on the pier. All the crowd gave way before Morrel. "The Pharaon, the Pharaon!" said every voice.

And, wonderful to see, in front of the tower of Saint-Jean, was a ship bearing on her stern these words, printed in white letters, "The Pharaon, Morrel & Son, of Marseilles." She was the exact duplicate of the other Pharaon, and loaded, as that had been, with cochineal and indigo. She cast anchor, clued up sails, and on the deck was Captain Gaumard giving orders, and good old Penelon making signals to M. Morrel. To doubt any longer was impossible; there was the evidence of the senses, and ten thousand persons who came to corroborate the testimony. As Morrel and his son embraced on the pier-head, in the presence and amid the applause of the whole city witnessing this event, a man, with his face half-covered by a black beard, and who, concealed behind the sentry-box, watched the scene with delight, uttered these words in a low tone: "Be happy, noble heart, be blessed for all the good thou hast done and wilt do hereafter, and let my gratitude remain in obscurity like your good deeds."

And with a smile expressive of supreme content, he left his hiding-place, and without being observed, descended one of the flights of steps provided for debarkation, and hailing three times, shouted "Jacopo, Jacopo, Jacopo!" Then a launch came to shore, took him on board, and conveyed him to a yacht splendidly fitted up, on whose deck he sprung with the activity of a sailor; thence he once again looked towards Morrel, who, weeping with joy, was shaking hands most cordially with all the crowd around him, and thanking with a look the unknown benefactor whom he seemed to be seeking in the skies. "And now," said the unknown, "farewell kindness, humanity, and gratitude! Farewell to all the feelings that expand the heart! I have been heaven's substitute to recompense the good - now the god of vengeance yields to me his power to punish the wicked!" At these words he gave a signal, and, as if only awaiting this signal, the yacht instantly put out to sea.

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Chapter 31 - Italy: Sinbad The Sailor

Towards the beginning of the year 1838, two young men belonging to the first society of Paris, the Vicomte Albert de Morcerf and the Baron Franz d'Epinay, were at Florence. They had agreed to see the Carnival at Rome that year, and that Franz, who for the last three or four years had inhabited Italy, should act as cicerone to Albert. As it is no inconsiderable affair to spend the Carnival at Rome, especially when you have no great desire to sleep on the Piazza del Popolo, or the Campo Vaccino, they wrote to Signor Pastrini, the proprietor of the Hotel de Londres, Piazza di Spagna, to reserve comfortable apartments for them. Signor Pastrini replied that he had only two rooms and a parlor on the third floor, which he offered at the low charge of a louis per diem. They accepted his offer; but wishing to make the best use of the time that was left, Albert started for Naples. As for Franz, he remained at Florence, and after having passed a few days in exploring the paradise of the Cascine, and spending two or three evenings at the houses of the Florentine nobility, he took a fancy into his head (having already visited Corsica, the cradle of Bonaparte) to visit Elba, the waiting-place of Napoleon.

One evening he cast off the painter of a sailboat from the iron ring that secured it to the dock at Leghorn, wrapped himself in his coat and lay down, and said to the crew, - "To the Island of Elba!" The boat shot out of the harbor like a bird and the next morning Franz disembarked at Porto-Ferrajo. He traversed the island, after having followed the traces which the footsteps of the giant have left, and re-embarked for Marciana. Two hours after he again landed at Pianosa, where he was assured that red partridges abounded. The sport was bad; Franz only succeeded in killing a few partridges, and, like every unsuccessful sportsman, he returned to the boat very much out of temper. "Ah, if your excellency chose," said the captain, "you might have capital sport."

"Where?"

"Do you see that island?" continued the captain, pointing to a conical pile rising from the indigo sea.

"Well, what is this island?"

"The Island of Monte Cristo."

"But I have no permission to shoot over this island."

"Your excellency does not require a permit, for the island is uninhabited."

"Ah, indeed!" said the young man. "A desert island in the midst of the Mediterranean must be a curiosity."

"It is very natural; this island is a mass of rocks, and does not contain an acre of land capable of cultivation."

"To whom does this island belong?"

"To Tuscany."

"What game shall I find there!"

"Thousands of wild goats."

"Who live upon the stones, I suppose," said Franz with an incredulous smile.

"No, but by browsing the shrubs and trees that grow out of the crevices of the rocks."

"Where can I sleep?"

"On shore in the grottos, or on board in your cloak; besides, if your excellency pleases, we can leave as soon as you like - we can sail as well by night as by day, and if the wind drops we can use our oars."

As Franz had sufficient time, and his apartments at Rome were not yet available, he accepted the proposition. Upon his answer in the affirmative, the sailors exchanged a few words together in a low tone. "Well," asked he, "what now? Is there any difficulty in the way?"

"No," replied the captain, "but we must warn your excellency that the island is an infected port."

"What do you mean?"

"Monte Cristo although uninhabited, yet serves occasionally as a refuge for the smugglers and pirates who come from Corsica, Sardinia, and Africa, and if it becomes known that we have been there, we shall have to perform quarantine for six days on our return to Leghorn."

"The deuce! That puts a different face on the matter. Six days! Why, that's as long as the Almighty took to make the world! Too long a wait - too long."

"But who will say your excellency has been to Monte Cristo?"

"Oh, I shall not," cried Franz.

"Nor I, nor I," chorused the sailors.

"Then steer for Monte Cristo."

The captain gave his orders, the helm was put up, and the boat was soon sailing in the direction of the island. Franz waited until all was in order, and when the sail was filled, and the four sailors had taken their places - three forward, and one at the helm - he resumed the conversation. "Gaetano," said he to the captain, "you tell me Monte Cristo serves as a refuge for pirates, who are, it seems to me, a very different kind of game from the goats."

"Yes, your excellency, and it is true."

"I knew there were smugglers, but I thought that since the capture of Algiers, and the destruction of the regency, pirates existed only in the romances of Cooper and Captain Marryat."

"Your excellency is mistaken; there are pirates, like the bandits who were believed to have been exterminated by Pope Leo XII., and who yet, every day, rob travellers at the gates of Rome. Has not your excellency heard that the French charge d'affaires was robbed six months ago within five hundred paces of Velletri?"

"Oh, yes, I heard that."

"Well, then, if, like us, your excellency lived at Leghorn, you would hear, from time to time, that a little merchant vessel, or an English yacht that was expected at Bastia, at Porto-Ferrajo, or at Civita Vecchia, has not arrived; no one knows what has become of it, but, doubtless, it has struck on a rock and foundered. Now this rock it has met has been a long and narrow boat, manned by six or eight men, who have surprised and plundered it, some dark and stormy night, near some desert and gloomy island, as bandits plunder a carriage in the recesses of a forest."

"But," asked Franz, who lay wrapped in his cloak at the bottom of the boat, "why do not those who have been plundered complain to the French, Sardinian, or Tuscan governments?"

"Why?" said Gaetano with a smile.

"Yes, why?"

"Because, in the first place, they transfer from the vessel to their own boat whatever they think worth taking, then they bind the crew hand and foot, they attach to every one's neck a four and twenty pound ball, a large hole is chopped in the vessel's bottom, and then they leave her. At the end of ten minutes the vessel begins to roll heavily and settle down. First one gun'l goes under, then the other. Then they lift and sink again, and both go under at once. All at once there's a noise like a cannon - that's the air blowing up the deck. Soon the water rushes out of the scupper-holes like a whale spouting, the vessel gives a last groan, spins round and round, and disappears, forming a vast whirlpool in the ocean, and then all is over, so that in five minutes nothing but the eye of God can see the vessel where she lies at the bottom of the sea. Do you understand now," said the captain, "why no complaints are made to the government, and why the vessel never reaches port?"

It is probable that if Gaetano had related this previous to proposing the expedition, Franz would have hesitated, but now that they had started, he thought it would be cowardly to draw back. He was one of those men who do not rashly court danger, but if danger presents itself, combat it with the most unalterable coolness. Calm and resolute, he treated any peril as he would an adversary in a duel, - calculated its probable method of approach; retreated, if at all, as a point of strategy and not from cowardice; was quick to see an opening for attack, and won victory at a single thrust. "Bah!" said he, "I have travelled through Sicily and Calabria - I have sailed two months in the Archipelago, and yet I never saw even the shadow of a bandit or a pirate."

"I did not tell your excellency this to deter you from your project," replied Gaetano, "but you questioned me, and I have answered; that's all."

"Yes, and your conversation is most interesting; and as I wish to enjoy it as long as possible, steer for Monte Cristo."

The wind blew strongly, the boat made six or seven knots an hour, and they were rapidly reaching the end of their voyage. As they drew near the island seemed to lift from the sea, and the air was so clear that they could already distinguish the rocks heaped on one another, like cannon balls in an arsenal, with green bushes and trees growing in the crevices. As for the sailors, although they appeared perfectly tranquil yet it was evident that they were on the alert, and that they carefully watched the glassy surface over which they were sailing, and on which a few fishing-boats, with their white sails, were alone visible. They were within fifteen miles of Monte Cristo when the sun began to set behind Corsica, whose mountains appeared against the sky, showing their rugged peaks in bold relief; this mass of rock, like the giant Adamastor, rose dead ahead, a formidable barrier, and intercepting the light that gilded its massive peaks so that the voyagers were in shadow. Little by little the shadow rose higher and seemed to drive before it the last rays of the expiring day; at last the reflection rested on the summit of the mountain, where it paused an instant, like the fiery crest of a volcano, then gloom gradually covered the summit as it had covered the base, and the island now only appeared to be a gray mountain that grew continually darker; half an hour after, the night was quite dark.

Fortunately, the mariners were used to these latitudes, and knew every rock in the Tuscan Archipelago; for in the midst of this obscurity Franz was not without uneasiness - Corsica had long since disappeared, and Monte Cristo itself was invisible; but the sailors seemed, like the lynx, to see in the dark, and the pilot who steered did not evince the slightest hesitation. An hour had passed since the sun had set, when Franz fancied he saw, at a quarter of a mile to the left, a dark mass, but he could not precisely make out what it was, and fearing to excite the mirth of the sailors by mistaking a floating cloud for land, he remained silent; suddenly a great light appeared on the strand; land might resemble a cloud, but the fire was not a meteor. "What is this light?" asked he.

"Hush!" said the captain; "it is a fire."

"But you told me the island was uninhabited?"

"l said there were no fixed habitations on it, but I said also that it served sometimes as a harbor for smugglers."

"And for pirates?"

"And for pirates," returned Gaetano, repeating Franz's words. "It is for that reason I have given orders to pass the island, for, as you see, the fire is behind us."

"But this fire?" continued Franz. "It seems to me rather reassuring than otherwise; men who did not wish to be seen would not light a fire."

"Oh, that goes for nothing," said Gaetano. "If you can guess the position of the island in the darkness, you will see that the fire cannot be seen from the side or from Pianosa, but only from the sea."

"You think, then, this fire indicates the presence of unpleasant neighbors?"

"That is what we must find out," returned Gaetano, fixing his eyes on this terrestrial star.

"How can you find out?"

"You shall see." Gaetano consulted with his companions, and after five minutes' discussion a manoeuvre was executed which caused the vessel to tack about, they returned the way they had come, and in a few minutes the fire disappeared, hidden by an elevation of the land. The pilot again changed the course of the boat, which rapidly approached the island, and was soon within fifty paces of it. Gaetano lowered the sail, and the boat came to rest. All this was done in silence, and from the moment that their course was changed not a word was spoken.

Gaetano, who had proposed the expedition, had taken all the responsibility on himself; the four sailors fixed their eyes on him, while they got out their oars and held themselves in readiness to row away, which, thanks to the darkness, would not be difficult. As for Franz, he examined his arms with the utmost coolness; he had two double-barrelled guns and a rifle; he loaded them, looked at the priming, and waited quietly. During this time the captain had thrown off his vest and shirt, and secured his trousers round his waist; his feet were naked, so he had no shoes and stockings to take off; after these preparations he placed his finger on his lips, and lowering himself noiselessly into the sea, swam towards the shore with such precaution that it was impossible to hear the slightest sound; he could only be traced by the phosphorescent line in his wake. This track soon disappeared; it was evident that he had touched the shore. Every one on board remained motionless for half an hour, when the same luminous track was again observed, and the swimmer was soon on board. "Well?" exclaimed Franz and the sailors in unison.

"They are Spanish smugglers," said he; "they have with them two Corsican bandits."

"And what are these Corsican bandits doing here with Spanish smugglers?"

"Alas," returned the captain with an accent of the most profound pity, "we ought always to help one another. Very often the bandits are hard pressed by gendarmes or carbineers; well, they see a vessel, and good fellows like us on board, they come and demand hospitality of us; you can't refuse help to a poor hunted devil; we receive them, and for greater security we stand out to sea. This costs us nothing, and saves the life, or at least the liberty, of a fellow-creature, who on the first occasion returns the service by pointing out some safe spot where we can land our goods without interruption."

"Ah!" said Franz, "then you are a smuggler occasionally, Gaetano?"

"Your excellency, we must live somehow," returned the other, smiling impenetrably.

"Then you know the men who are now on Monte Cristo?"

"Oh, yes, we sailors are like freemasons, and recognize each other by signs."

"And do you think we have nothing to fear if we land?"

"Nothing at all; smugglers are not thieves."

"But these two Corsican bandits?" said Franz, calculating the chances of peril.

"It is not their fault that they are bandits, but that of the authorities."

"How so?"

"Because they are pursued for having made a stiff, as if it was not in a Corsican's nature to revenge himself."

"What do you mean by having made a stiff? - having assassinated a man?" said Franz, continuing his investigation.

"I mean that they have killed an enemy, which is a very different thing," returned the captain.

"Well," said the young man, "let us demand hospitality of these smugglers and bandits. Do you think they will grant it?"

"Without doubt."

"How many are they?"

"Four, and the two bandits make six."

"Just our number, so that if they prove troublesome, we shall be able to hold them in check; so, for the last time, steer to Monte Cristo."

"Yes, but your excellency will permit us to take all due precautions."

"By all means, be as wise as Nestor and as prudent as Ulysses; I do more than permit, I exhort you."

"Silence, then!" said Gaetano.

Every one obeyed. For a man who, like Franz, viewed his position in its true light, it was a grave one. He was alone in the darkness with sailors whom he did not know, and who had no reason to be devoted to him; who knew that he had several thousand francs in his belt, and who had often examined his weapons, - which were very beautiful, - if not with envy, at least with curiosity. On the other hand, he was about to land, without any other escort than these men, on an island which had, indeed, a very religious name, but which did not seem to Franz likely to afford him much hospitality, thanks to the smugglers and bandits. The history of the scuttled vessels, which had appeared improbable during the day, seemed very probable at night; placed as he was between two possible sources of danger, he kept his eye on the crew, and his gun in his hand. The sailors had again hoisted sail, and the vessel was once more cleaving the waves. Through the darkness Franz, whose eyes were now more accustomed to it, could see the looming shore along which the boat was sailing, and then, as they rounded a rocky point, he saw the fire more brilliant than ever, and about it five or six persons seated. The blaze illumined the sea for a hundred paces around. Gaetano skirted the light, carefully keeping the boat in the shadow; then, when they were opposite the fire, he steered to the centre of the circle, singing a fishing song, of which his companions sung the chorus. At the first words of the song the men seated round the fire arose and approached the landing-place, their eyes fixed on the boat, evidently seeking to know who the new-comers were and what were their intentions. They soon appeared satisfied and returned (with the exception of one, who remained at the shore) to their fire, at which the carcass of a goat was roasting. When the boat was within twenty paces of the shore, the man on the beach, who carried a carbine, presented arms after the manner of a sentinel, and cried, "Who comes there?" in Sardinian. Franz coolly cocked both barrels. Gaetano then exchanged a few words with this man which the traveller did not understand, but which evidently concerned him. "Will your excellency give your name, or remain incognito?" asked the captain.

"My name must rest unknown, - merely say I am a Frenchman travelling for pleasure." As soon as Gaetano had transmitted this answer, the sentinel gave an order to one of the men seated round the fire, who rose and disappeared among the rocks. Not a word was spoken, every one seemed occupied, Franz with his disembarkment, the sailors with their sails, the smugglers with their goat; but in the midst of all this carelessness it was evident that they mutually observed each other. The man who had disappeared returned suddenly on the opposite side to that by which he had left; he made a sign with his head to the sentinel, who, turning to the boat, said, "S'accommodi." The Italian s'accommodi is untranslatable; it means at once, "Come, enter, you are welcome; make yourself at home; you are the master." It is like that Turkish phrase of Moliere's that so astonished the bourgeois gentleman by the number of things implied in its utterance. The sailors did not wait for a second invitation; four strokes of the oar brought them to land; Gaetano sprang to shore, exchanged a few words with the sentinel, then his comrades disembarked, and lastly came Franz. One of his guns was swung over his shoulder, Gaetano had the other, and a sailor held his rifle; his dress, half artist, half dandy, did not excite any suspicion, and, consequently, no disquietude. The boat was moored to the shore, and they advanced a few paces to find a comfortable bivouac; but, doubtless, the spot they chose did not suit the smuggler who filled the post of sentinel, for he cried out, "Not that way, if you please."

Gaetano faltered an excuse, and advanced to the opposite side, while two sailors kindled torches at the fire to light them on their way. They advanced about thirty paces, and then stopped at a small esplanade surrounded with rocks, in which seats had been cut, not unlike sentry-boxes. Around in the crevices of the rocks grew a few dwarf oaks and thick bushes of myrtles. Franz lowered a torch, and saw by the mass of cinders that had accumulated that he was not the first to discover this retreat, which was, doubtless, one of the halting-places of the wandering visitors of Monte Cristo. As for his suspicions, once on terra firma, once that he had seen the indifferent, if not friendly, appearance of his hosts, his anxiety had quite disappeared, or rather, at sight of the goat, had turned to appetite. He mentioned this to Gaetano, who replied that nothing could be more easy than to prepare a supper when they had in their boat, bread, wine, half a dozen partridges, and a good fire to roast them by. "Besides," added he, "if the smell of their roast meat tempts you, I will go and offer them two of our birds for a slice."

"You are a born diplomat," returned Franz; "go and try."

Meanwhile the sailors had collected dried sticks and branches with which they made a fire. Franz waited impatiently, inhaling the aroma of the roasted meat, when the captain returned with a mysterious air.

"Well," said Franz, "anything new? - do they refuse?"

"On the contrary," returned Gaetano, "the chief, who was told you were a young Frenchman, invites you to sup with him."

"Well," observed Franz, "this chief is very polite, and I see no objection - the more so as I bring my share of the supper."

"Oh, it is not that; he has plenty, and to spare, for supper; but he makes one condition, and rather a peculiar one, before he will receive you at his house."

"His house? Has he built one here, then?"

"No; but he has a very comfortable one all the same, so they say."

"You know this chief, then?"

"I have heard talk of him."

"Favorably or otherwise?"

"Both."

"The deuce! - and what is this condition?"

"That you are blindfolded, and do not take off the bandage until he himself bids you." Franz looked at Gaetano, to see, if possible, what he thought of this proposal. "Ah," replied he, guessing Franz's thought, "I know this is a serious matter."

"What should you do in my place?"

"I, who have nothing to lose, - I should go."

"You would accept?"

"Yes, were it only out of curiosity."

"There is something very peculiar about this chief, then?"

"Listen," said Gaetano, lowering his voice, "I do not know if what they say is true" - he stopped to see if any one was near.

"What do they say?"

"That this chief inhabits a cavern to which the Pitti Palace is nothing."

"What nonsense!" said Franz, reseating himself.

"It is no nonsense; it is quite true. Cama, the pilot of the Saint Ferdinand, went in once, and he came back amazed, vowing that such treasures were only to be heard of in fairy tales."

"Do you know," observed Franz, "that with such stories you make me think of Ali Baba's enchanted cavern?"

"I tell you what I have been told."

"Then you advise me to accept?"

"Oh, I don't say that; your excellency will do as you please; I should be sorry to advise you in the matter." Franz pondered the matter for a few moments, concluded that a man so rich could not have any intention of plundering him of what little he had, and seeing only the prospect of a good supper, accepted. Gaetano departed with the reply. Franz was prudent, and wished to learn all he possibly could concerning his host. He turned towards the sailor, who, during this dialogue, had sat gravely plucking the partridges with the air of a man proud of his office, and asked him how these men had landed, as no vessel of any kind was visible.

"Never mind that," returned the sailor, "I know their vessel."

"Is it a very beautiful vessel?"

"I would not wish for a better to sail round the world."

"Of what burden is she?"

"About a hundred tons; but she is built to stand any weather. She is what the English call a yacht."

"Where was she built?"

"I know not; but my own opinion is she is a Genoese."

"And how did a leader of smugglers," continued Franz, "venture to build a vessel designed for such a purpose at Genoa?"

"I did not say that the owner was a smuggler," replied the sailor.

"No; but Gaetano did, I thought."

"Gaetano had only seen the vessel from a distance, he had not then spoken to any one."

"And if this person be not a smuggler, who is he?"

"A wealthy signor, who travels for his pleasure."

"Come," thought Franz, "he is still more mysterious, since the two accounts do not agree."

"What is his name?"

"If you ask him he says Sinbad the Sailor; but I doubt if it be his real name."

"Sinbad the Sailor?"

"Yes."

"And where does he reside?"

"On the sea."

"What country does he come from?"

"I do not know."

"Have you ever seen him?"

"Sometimes."

"What sort of a man is he?"

"Your excellency will judge for yourself."

"Where will he receive me?"

"No doubt in the subterranean palace Gaetano told you of."

"Have you never had the curiosity, when you have landed and found this island deserted, to seek for this enchanted palace?"

"Oh, yes, more than once, but always in vain; we examined the grotto all over, but we never could find the slightest trace of any opening; they say that the door is not opened by a key, but a magic word."

"Decidedly," muttered Franz, "this is an Arabian Nights' adventure."

"His excellency waits for you," said a voice, which he recognized as that of the sentinel. He was accompanied by two of the yacht's crew. Franz drew his handkerchief from his pocket, and presented it to the man who had spoken to him. Without uttering a word, they bandaged his eyes with a care that showed their apprehensions of his committing some indiscretion. Afterwards he was made to promise that he would not make the least attempt to raise the bandage. He promised. Then his two guides took his arms, and he went on, guided by them, and preceded by the sentinel. After going about thirty paces, he smelt the appetizing odor of the kid that was roasting, and knew thus that he was passing the bivouac; they then led him on about fifty paces farther, evidently advancing towards that part of the shore where they would not allow Gaetano to go - a refusal he could now comprehend. Presently, by a change in the atmosphere, he knew that they were entering a cave; after going on for a few seconds more he heard a crackling, and it seemed to him as though the atmosphere again changed, and became balmy and perfumed. At length his feet touched on a thick and soft carpet, and his guides let go their hold of him. There was a moment's silence, and then a voice, in excellent French, although, with a foreign accent, said, "Welcome, sir. I beg you will remove your bandage." It may be supposed, then, Franz did not wait for a repetition of this permission, but took off the handkerchief, and found himself in the presence of a man from thirty-eight to forty years of age, dressed in a Tunisian costume - that is to say, a red cap with a long blue silk tassel, a vest of black cloth embroidered with gold, pantaloons of deep red, large and full gaiters of the same color, embroidered with gold like the vest, and yellow slippers; he had a splendid cashmere round his waist, and a small sharp and crooked cangiar was passed through his girdle. Although of a paleness that was almost livid, this man had a remarkably handsome face; his eyes were penetrating and sparkling; his nose, quite straight, and projecting direct from the brow, was of the pure Greek type, while his teeth, as white as pearls, were set off to admiration by the black mustache that encircled them.

His pallor was so peculiar, that it seemed to pertain to one who had been long entombed, and who was incapable of resuming the healthy glow and hue of life. He was not particularly tall, but extremely well made, and, like the men of the south, had small hands and feet. But what astonished Franz, who had treated Gaetano's description as a fable, was the splendor of the apartment in which he found himself. The entire chamber was lined with crimson brocade, worked with flowers of gold. In a recess was a kind of divan, surmounted with a stand of Arabian swords in silver scabbards, and the handles resplendent with gems; from the ceiling hung a lamp of Venetian glass, of beautiful shape and color, while the feet rested on a Turkey carpet, in which they sunk to the instep; tapestry hung before the door by which Franz had entered, and also in front of another door, leading into a second apartment which seemed to be brilliantly illuminated. The host gave Franz time to recover from his surprise, and, moreover, returned look for look, not even taking his eyes off him. "Sir," he said, after a pause, "a thousand excuses for the precaution taken in your introduction hither; but as, during the greater portion of the year, this island is deserted, if the secret of this abode were discovered. I should doubtless, find on my return my temporary retirement in a state of great disorder, which would be exceedingly annoying, not for the loss it occasioned me, but because I should not have the certainty I now possess of separating myself from all the rest of mankind at pleasure. Let me now endeavor to make you forget this temporary unpleasantness, and offer you what no doubt you did not expect to find here - that is to say, a tolerable supper and pretty comfortable beds."

"Ma foi, my dear sir," replied Franz, "make no apologies. I have always observed that they bandage people's eyes who penetrate enchanted palaces, for instance, those of Raoul in the `Huguenots,' and really I have nothing to complain of, for what I see makes me think of the wonders of the `Arabian Nights.'"

"Alas, I may say with Lucullus, if I could have anticipated the honor of your visit, I would have prepared for it. But such as is my hermitage, it is at your disposal; such as is my supper, it is yours to share, if you will. Ali, is the supper ready?" At this moment the tapestry moved aside, and a Nubian, black as ebony, and dressed in a plain white tunic, made a sign to his master that all was prepared in the dining-room. "Now," said the unknown to Franz, "I do not know if you are of my opinion, but I think nothing is more annoying than to remain two or three hours together without knowing by name or appellation how to address one another. Pray observe, that I too much respect the laws of hospitality to ask your name or title. I only request you to give me one by which I may have the pleasure of addressing you. As for myself, that I may put you at your ease, I tell you that I am generally called `Sinbad the Sailor.'"

"And I," replied Franz, "will tell you, as I only require his wonderful lamp to make me precisely like Aladdin, that I see no reason why at this moment I should not be called Aladdin. That will keep us from going away from the East whither I am tempted to think I have been conveyed by some good genius."

"Well, then, Signor Aladdin," replied the singular amphitryon, "you heard our repast announced, will you now take the trouble to enter the dining-room, your humble servant going first to show the way?" At these words, moving aside the tapestry, Sinbad preceded his guest. Franz now looked upon another scene of enchantment; the table was splendidly covered, and once convinced of this important point he cast his eyes around him. The dining-room was scarcely less striking than the room he had just left; it was entirely of marble, with antique bas-reliefs of priceless value; and at the four corners of this apartment, which was oblong, were four magnificent statues, having baskets in their hands. These baskets contained four pyramids of most splendid fruit; there were Sicily pine-apples, pomegranates from Malaga, oranges from the Balearic Isles, peaches from France, and dates from Tunis. The supper consisted of a roast pheasant garnished with Corsican blackbirds; a boar's ham with jelly, a quarter of a kid with tartar sauce, a glorious turbot, and a gigantic lobster. Between these large dishes were smaller ones containing various dainties. The dishes were of silver, and the plates of Japanese china.

Franz rubbed his eyes in order to assure himself that this was not a dream. Ali alone was present to wait at table, and acquitted himself so admirably, that the guest complimented his host thereupon. "Yes," replied he, while he did the honors of the supper with much ease and grace - "yes, he is a poor devil who is much devoted to me, and does all he can to prove it. He remembers that I saved his life, and as he has a regard for his head, he feels some gratitude towards me for having kept it on his shoulders." Ali approached his master, took his hand, and kissed it.

"Would it be impertinent, Signor Sinbad," said Franz, "to ask you the particulars of this kindness?"

"Oh, they are simple enough," replied the host. "It seems the fellow had been caught wandering nearer to the harem of the Bey of Tunis than etiquette permits to one of his color, and he was condemned by the bey to have his tongue cut out, and his hand and head cut off; the tongue the first day, the hand the second, and the head the third. I always had a desire to have a mute in my service, so learning the day his tongue was cut out, I went to the bey, and proposed to give him for Ali a splendid double-barreled gun which I knew he was very desirous of having. He hesitated a moment, he was so very desirous to complete the poor devil's punishment. But when I added to the gun an English cutlass with which I had shivered his highness's yataghan to pieces, the bey yielded, and agreed to forgive the hand and head, but on condition that the poor fellow never again set foot in Tunis. This was a useless clause in the bargain, for whenever the coward sees the first glimpse of the shores of Africa, he runs down below, and can only be induced to appear again when we are out of sight of that quarter of the globe."

Franz remained a moment silent and pensive, hardly knowing what to think of the half-kindness, half-cruelty, with which his host related the brief narrative. "And like the celebrated sailor whose name you have assumed," he said, by way of changing the conversation, "you pass your life in travelling?"

"Yes. I made a vow at a time when I little thought I should ever be able to accomplish it," said the unknown with a singular smile; "and I made some others also which I hope I may fulfil in due season." Although Sinbad pronounced these words with much calmness, his eyes gave forth gleams of extraordinary ferocity.

"You have suffered a great deal, sir?" said Franz inquiringly.

Sinbad started and looked fixedly at him, as he replied, "What makes you suppose so?"

"Everything," answered Franz, - "your voice, your look, your pallid complexion, and even the life you lead."

"I? - I live the happiest life possible, the real life of a pasha. I am king of all creation. I am pleased with one place, and stay there; I get tired of it, and leave it; I am free as a bird and have wings like one; my attendants obey my slightest wish. Sometimes I amuse myself by delivering some bandit or criminal from the bonds of the law. Then I have my mode of dispensing justice, silent and sure, without respite or appeal, which condemns or pardons, and which no one sees. Ah, if you had tasted my life, you would not desire any other, and would never return to the world unless you had some great project to accomplish there."

"Revenge, for instance!" observed Franz.

The unknown fixed on the young man one of those looks which penetrate into the depth of the heart and thoughts. "And why revenge?" he asked.

"Because," replied Franz, "you seem to me like a man who, persecuted by society, has a fearful account to settle with it."

"Ah," responded Sinbad, laughing with his singular laugh which displayed his white and sharp teeth. "You have not guessed rightly. Such as you see me I am, a sort of philosopher, and one day perhaps I shall go to Paris to rival Monsieur Appert, and the little man in the blue cloak."

"And will that be the first time you ever took that journey?"

"Yes; it will. I must seem to you by no means curious, but I assure you that it is not my fault I have delayed it so long - it will happen one day or the other."

"And do you propose to make this journey very shortly?"

"I do not know; it depends on circumstances which depend on certain arrangements."

"I should like to be there at the time you come, and I will endeavor to repay you, as far as lies in my power, for your liberal hospitality displayed to me at Monte Cristo."

"I should avail myself of your offer with pleasure," replied the host, "but, unfortunately, if I go there, it will be, in all probability, incognito."

The supper appeared to have been supplied solely for Franz, for the unknown scarcely touched one or two dishes of the splendid banquet to which his guest did ample justice. Then Ali brought on the dessert, or rather took the baskets from the hands of the statues and placed them on the table. Between the two baskets he placed a small silver cup with a silver cover. The care with which Ali placed this cup on the table roused Franz's curiosity. He raised the cover and saw a kind of greenish paste, something like preserved angelica, but which was perfectly unknown to him. He replaced the lid, as ignorant of what the cup contained as he was before he had looked at it, and then casting his eyes towards his host he saw him smile at his disappointment. "You cannot guess," said he, "what there is in that small vase, can you?"

"No, I really cannot."

"Well, then, that green preserve is nothing less than the ambrosia which Hebe served at the table of Jupiter."

"But," replied Franz, "this ambrosia, no doubt, in passing through mortal hands has lost its heavenly appellation and assumed a human name; in vulgar phrase, what may you term this composition, for which, to tell the truth, I do not feel any particular desire?"

"Ah, thus it is that our material origin is revealed," cried Sinbad; "we frequently pass so near to happiness without seeing, without regarding it, or if we do see and regard it, yet without recognizing it. Are you a man for the substantials, and is gold your god? Taste this, and the mines of Peru, Guzerat, and Golconda are opened to you. Are you a man of imagination - a poet? Taste this, and the boundaries of possibility disappear; the fields of infinite space open to you, you advance free in heart, free in mind, into the boundless realms of unfettered revery. Are you ambitious, and do you seek after the greatnesses of the earth? Taste this, and in an hour you will be a king, not a king of a petty kingdom hidden in some corner of Europe like France, Spain, or England, but king of the world, king of the universe, king of creation; without bowing at the feet of Satan, you will be king and master of all the kingdoms of the earth. Is it not tempting what I offer you, and is it not an easy thing, since it is only to do thus? Look!" At these words he uncovered the small cup which contained the substance so lauded, took a teaspoonful of the magic sweetmeat, raised it to his lips, and swallowed it slowly with his eyes half shut and his head bent backwards. Franz did not disturb him whilst he absorbed his favorite sweetmeat, but when he had finished, he inquired, - "What, then, is this precious stuff?"

"Did you ever hear," he replied, "of the Old Man of the Mountain, who attempted to assassinate Philip Augustus?"

"Of course I have."

"Well, you know he reigned over a rich valley which was overhung by the mountain whence he derived his picturesque name. In this valley were magnificent gardens planted by Hassen-ben-Sabah, and in these gardens isolated pavilions. Into these pavilions he admitted the elect, and there, says Marco Polo, gave them to eat a certain herb, which transported them to Paradise, in the midst of ever-blooming shrubs, ever-ripe fruit, and ever-lovely virgins. What these happy persons took for reality was but a dream; but it was a dream so soft, so voluptuous, so enthralling, that they sold themselves body and soul to him who gave it to them, and obedient to his orders as to those of a deity, struck down the designated victim, died in torture without a murmur, believing that the death they underwent was but a quick transition to that life of delights of which the holy herb, now before you had given them a slight foretaste."

"Then," cried Franz, "it is hashish! I know that - by name at least."

"That is it precisely, Signor Aladdin; it is hashish - the purest and most unadulterated hashish of Alexandria, - the hashish of Abou-Gor, the celebrated maker, the only man, the man to whom there should be built a palace, inscribed with these words, `A grateful world to the dealer in happiness.'"

"Do you know," said Franz, "I have a very great inclination to judge for myself of the truth or exaggeration of your eulogies."

"Judge for yourself, Signor Aladdin - judge, but do not confine yourself to one trial. Like everything else, we must habituate the senses to a fresh impression, gentle or violent, sad or joyous. There is a struggle in nature against this divine substance, - in nature which is not made for joy and clings to pain. Nature subdued must yield in the combat, the dream must succeed to reality, and then the dream reigns supreme, then the dream becomes life, and life becomes the dream. But what changes occur! It is only by comparing the pains of actual being with the joys of the assumed existence, that you would desire to live no longer, but to dream thus forever. When you return to this mundane sphere from your visionary world, you would seem to leave a Neapolitan spring for a Lapland winter - to quit paradise for earth - heaven for hell! Taste the hashish, guest of mine - taste the hashish."

Franz's only reply was to take a teaspoonful of the marvellous preparation, about as much in quantity as his host had eaten, and lift it to his mouth. "Diable!" he said, after having swallowed the divine preserve. "I do not know if the result will be as agreeable as you describe, but the thing does not appear to me as palatable as you say."

"Because your palate has not yet been attuned to the sublimity of the substances it flavors. Tell me, the first time you tasted oysters, tea, porter, truffles, and sundry other dainties which you now adore, did you like them? Could you comprehend how the Romans stuffed their pheasants with assafoetida, and the Chinese eat swallows' nests? Eh? no! Well, it is the same with hashish; only eat for a week, and nothing in the world will seem to you to equal the delicacy of its flavor, which now appears to you flat and distasteful. Let us now go into the adjoining chamber, which is your apartment, and Ali will bring us coffee and pipes." They both arose, and while he who called himself Sinbad - and whom we have occasionally named so, that we might, like his guest, have some title by which to distinguish him - gave some orders to the servant, Franz entered still another apartment. It was simply yet richly furnished. It was round, and a large divan completely encircled it. Divan, walls, ceiling, floor, were all covered with magnificent skins as soft and downy as the richest carpets; there were heavy-maned lion-skins from Atlas, striped tiger-skins from Bengal; panther-skins from the Cape, spotted beautifully, like those that appeared to Dante; bear-skins from Siberia, fox-skins from Norway, and so on; and all these skins were strewn in profusion one on the other, so that it seemed like walking over the most mossy turf, or reclining on the most luxurious bed. Both laid themselves down on the divan; chibouques with jasmine tubes and amber mouthpieces were within reach, and all prepared so that there was no need to smoke the same pipe twice. Each of them took one, which Ali lighted and then retired to prepare the coffee. There was a moment's silence, during which Sinbad gave himself up to thoughts that seemed to occupy him incessantly, even in the midst of his conversation; and Franz abandoned himself to that mute revery, into which we always sink when smoking excellent tobacco, which seems to remove with its fume all the troubles of the mind, and to give the smoker in exchange all the visions of the soul. Ali brought in the coffee. "How do you take it?" inquired the unknown; "in the French or Turkish style, strong or weak, sugar or none, cool or boiling? As you please; it is ready in all ways."

"I will take it in the Turkish style," replied Franz.

"And you are right," said his host; "it shows you have a tendency for an Oriental life. Ah, those Orientals; they are the only men who know how to live. As for me," he added, with one of those singular smiles which did not escape the young man, "when I have completed my affairs in Paris, I shall go and die in the East; and should you wish to see me again, you must seek me at Cairo, Bagdad, or Ispahan."

"Ma foi," said Franz, "it would be the easiest thing in the world; for I feel eagle's wings springing out at my shoulders, and with those wings I could make a tour of the world in four and twenty hours."

"Ah, yes, the hashish is beginning its work. Well, unfurl your wings, and fly into superhuman regions; fear nothing, there is a watch over you; and if your wings, like those of Icarus, melt before the sun, we are here to ease your fall." He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, - songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, - he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city.

At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream.

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Chapter 32 - The Waking

When Franz returned to himself, he seemed still to be in a dream. He thought himself in a sepulchre, into which a ray of sunlight in pity scarcely penetrated. He stretched forth his hand, and touched stone; he rose to his seat, and found himself lying on his bournous in a bed of dry heather, very soft and odoriferous. The vision had fled; and as if the statues had been but shadows from the tomb, they had vanished at his waking. He advanced several paces towards the point whence the light came, and to all the excitement of his dream succeeded the calmness of reality. He found that he was in a grotto, went towards the opening, and through a kind of fanlight saw a blue sea and an azure sky. The air and water were shining in the beams of the morning sun; on the shore the sailors were sitting, chatting and laughing; and at ten yards from them the boat was at anchor, undulating gracefully on the water. There for some time he enjoyed the fresh breeze which played on his brow, and listened to the dash of the waves on the beach, that left against the rocks a lace of foam as white as silver. He was for some time without reflection or thought for the divine charm which is in the things of nature, specially after a fantastic dream; then gradually this view of the outer world, so calm, so pure, so grand, reminded him of the illusiveness of his vision, and once more awakened memory. He recalled his arrival on the island, his presentation to a smuggler chief, a subterranean palace full of splendor, an excellent supper, and a spoonful of hashish. It seemed, however, even in the very face of open day, that at least a year had elapsed since all these things had passed, so deep was the impression made in his mind by the dream, and so strong a hold had it taken of his imagination. Thus every now and then he saw in fancy amid the sailors, seated on a rock, or undulating in the vessel, one of the shadows which had shared his dream with looks and kisses. Otherwise, his head was perfectly clear, and his body refreshed; he was free from the slightest headache; on the contrary, he felt a certain degree of lightness, a faculty for absorbing the pure air, and enjoying the bright sunshine more vividly than ever.

He went gayly up to the sailors, who rose as soon as they perceived him; and the patron, accosting him, said, "The Signor Sinbad has left his compliments for your excellency, and desires us to express the regret he feels at not being able to take his leave in person; but he trusts you will excuse him, as very important business calls him to Malaga."

"So, then, Gaetano," said Franz, "this is, then, all reality; there exists a man who has received me in this island, entertained me right royally, and has departed while I was asleep?"

"He exists as certainly as that you may see his small yacht with all her sails spread; and if you will use your glass, you will, in all probability, recognize your host in the midst of his crew." So saying, Gaetano pointed in a direction in which a small vessel was making sail towards the southern point of Corsica. Franz adjusted his telescope, and directed it towards the yacht. Gaetano was not mistaken. At the stern the mysterious stranger was standing up looking towards the shore, and holding a spy-glass in his hand. He was attired as he had been on the previous evening, and waved his pocket-handkerchief to his guest in token of adieu. Franz returned the salute by shaking his handkerchief as an exchange of signals. After a second, a slight cloud of smoke was seen at the stern of the vessel, which rose gracefully as it expanded in the air, and then Franz heard a slight report. "There, do you hear?" observed Gaetano; "he is bidding you adieu." The young man took his carbine and fired it in the air, but without any idea that the noise could be heard at the distance which separated the yacht from the shore.

"What are your excellency's orders?" inquired Gaetano.

"In the first place, light me a torch."

"Ah, yes, I understand," replied the patron, "to find the entrance to the enchanted apartment. With much pleasure, your excellency, if it would amuse you; and I will get you the torch you ask for. But I too have had the idea you have, and two or three times the same fancy has come over me; but I have always given it up. Giovanni, light a torch," he added, "and give it to his excellency."

Giovanni obeyed. Franz took the lamp, and entered the subterranean grotto, followed by Gaetano. He recognized the place where he had awaked by the bed of heather that was there; but it was in vain that he carried his torch all round the exterior surface of the grotto. He saw nothing, unless that, by traces of smoke, others had before him attempted the same thing, and, like him, in vain. Yet he did not leave a foot of this granite wall, as impenetrable as futurity, without strict scrutiny; he did not see a fissure without introducing the blade of his hunting sword into it, or a projecting point on which he did not lean and press in the hopes it would give way. All was vain; and he lost two hours in his attempts, which were at last utterly useless. At the end of this time he gave up his search, and Gaetano smiled.

When Franz appeared again on the shore, the yacht only seemed like a small white speck on the horizon. He looked again through his glass, but even then he could not distinguish anything. Gaetano reminded him that he had come for the purpose of shooting goats, which he had utterly forgotten. He took his fowling-piece, and began to hunt over the island with the air of a man who is fulfilling a duty, rather than enjoying a pleasure; and at the end of a quarter of an hour he had killed a goat and two kids. These animals, though wild and agile as chamois, were too much like domestic goats, and Franz could not consider them as game. Moreover, other ideas, much more enthralling, occupied his mind. Since, the evening before, he had really been the hero of one of the tales of the "Thousand and One Nights," and he was irresistibly attracted towards the grotto. Then, in spite of the failure of his first search, he began a second, after having told Gaetano to roast one of the two kids. The second visit was a long one, and when he returned the kid was roasted and the repast ready. Franz was sitting on the spot where he was on the previous evening when his mysterious host had invited him to supper; and he saw the little yacht, now like a sea-gull on the wave, continuing her flight towards Corsica. "Why," he remarked to Gaetano, "you told me that Signor Sinbad was going to Malaga, while it seems he is in the direction of Porto-Vecchio."

"Don't you remember," said the patron, "I told you that among the crew there were two Corsican brigands?"

"True; and he is going to land them," added Franz.

"Precisely so," replied Gaetano. "Ah, he is one who fears neither God nor Satan, they say, and would at any time run fifty leagues out of his course to do a poor devil a service."

"But such services as these might involve him with the authorities of the country in which he practices this kind of philanthropy," said Franz.

"And what cares he for that," replied Gaetano with a laugh, "or any authorities? He smiles at them. Let them try to pursue him! Why, in the first place, his yacht is not a ship, but a bird, and he would beat any frigate three knots in every nine; and if he were to throw himself on the coast, why, is he not certain of finding friends everywhere?"

It was perfectly clear that the Signor Sinbad, Franz's host, had the honor of being on excellent terms with the smugglers and bandits along the whole coast of the Mediterranean, and so enjoyed exceptional privileges. As to Franz, he had no longer any inducement to remain at Monte Cristo. He had lost all hope of detecting the secret of the grotto; he consequently despatched his breakfast, and, his boat being ready, he hastened on board, and they were soon under way. At the moment the boat began her course they lost sight of the yacht, as it disappeared in the gulf of Porto-Vecchio. With it was effaced the last trace of the preceding night; and then supper, Sinbad, hashish, statues, - all became a dream for Franz. The boat sailed on all day and all night, and next morning, when the sun rose, they had lost sight of Monte Cristo. When Franz had once again set foot on shore, he forgot, for the moment at least, the events which had just passed, while he finished his affairs of pleasure at Florence, and then thought of nothing but how he should rejoin his companion, who was awaiting him at Rome.

He set out, and on the Saturday evening reached the Eternal City by the mail-coach. An apartment, as we have said, had been retained beforehand, and thus he had but to go to Signor Pastrini's hotel. But this was not so easy a matter, for the streets were thronged with people, and Rome was already a prey to that low and feverish murmur which precedes all great events; and at Rome there are four great events in every year, - the Carnival, Holy Week, Corpus Christi, and the Feast of St. Peter. All the rest of the year the city is in that state of dull apathy, between life and death, which renders it similar to a kind of station between this world and the next - a sublime spot, a resting-place full of poetry and character, and at which Franz had already halted five or six times, and at each time found it more marvellous and striking. At last he made his way through the mob, which was continually increasing and getting more and more turbulent, and reached the hotel. On his first inquiry he was told, with the impertinence peculiar to hired hackney-coachmen and inn-keepers with their houses full, that there was no room for him at the Hotel de Londres. Then he sent his card to Signor Pastrini, and asked for Albert de Morcerf. This plan succeeded; and Signor Pastrini himself ran to him, excusing himself for having made his excellency wait, scolding the waiters, taking the candlestick from the porter, who was ready to pounce on the traveller and was about to lead him to Albert, when Morcerf himself appeared.

The apartment consisted of two small rooms and a parlor. The two rooms looked onto the street - a fact which Signor Pastrini commented upon as an inappreciable advantage. The rest of the floor was hired by a very rich gentleman who was supposed to be a Sicilian or Maltese; but the host was unable to decide to which of the two nations the traveller belonged. "Very good, signor Pastrini," said Franz; "but we must have some supper instantly, and a carriage for tomorrow and the following days."

"As to supper," replied the landlord, "you shall be served immediately; but as for the carriage" -

"What as to the carriage?" exclaimed Albert. "Come, come, Signor Pastrini, no joking; we must have a carriage."

"Sir," replied the host, "we will do all in our power to procure you one - this is all I can say."

"And when shall we know?" inquired Franz.

"To-morrow morning," answered the inn-keeper.

"Oh, the deuce! Then we shall pay the more, that's all, I see plainly enough. At Drake's or Aaron's one pays twenty-five lire for common days, and thirty or thirty-five lire a day more for Sundays and feast days; add five lire a day more for extras, that will make forty, and there's an end of it."

"I am afraid if we offer them double that we shall not procure a carriage."

"Then they must put horses to mine. It is a little worse for the journey, but that's no matter."

"There are no horses." Albert looked at Franz like a man who hears a reply he does not understand.

"Do you understand that, my dear Franz - no horses?" he said, "but can't we have post-horses?"

"They have been all hired this fortnight, and there are none left but those absolutely requisite for posting."

"What are we to say to this?" asked Franz.

"I say, that when a thing completely surpasses my comprehension, I am accustomed not to dwell on that thing, but to pass to another. Is supper ready, Signor Pastrini?"

"Yes, your excellency."

"Well, then, let us sup."

"But the carriage and horses?" said Franz.

"Be easy, my dear boy; they will come in due season; it is only a question of how much shall be charged for them." Morcerf then, with that delighted philosophy which believes that nothing is impossible to a full purse or well-lined pocketbook, supped, went to bed, slept soundly, and dreamed he was racing all over Rome at Carnival time in a coach with six horses.

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PART 1 OF 2

Chapter 33 - Roman Bandits

The next morning Franz woke first, and instantly rang the bell. The sound had not yet died away when Signor Pastrini himself entered.

"Well, excellency," said the landlord triumphantly, and without waiting for Franz to question him, "I feared yesterday, when I would not promise you anything, that you were too late - there is not a single carriage to be had - that is, for the last three days of the carnival."

"Yes," returned Franz, "for the very three days it is most needed."

"What is the matter?" said Albert, entering; "no carriage to be had?"

"Just so," returned Franz, "you have guessed it."

"Well, your Eternal City is a nice sort of place."

"That is to say, excellency," replied Pastrini, who was desirous of keeping up the dignity of the capital of the Christian world in the eyes of his guest, "that there are no carriages to be had from Sunday to Tuesday evening, but from now till Sunday you can have fifty if you please."

"Ah, that is something," said Albert; "to-day is Thursday, and who knows what may arrive between this and Sunday?"

"Ten or twelve thousand travellers will arrive," replied Franz, "which will make it still more difficult."

"My friend," said Morcerf, "let us enjoy the present without gloomy forebodings for the future."

"At least we can have a window?"

"Where?"

"In the Corso."

"Ah, a window!" exclaimed Signor Pastrini, - "utterly impossible; there was only one left on the fifth floor of the Doria Palace, and that has been let to a Russian prince for twenty sequins a day."

The two young men looked at each other with an air of stupefaction.

"Well," said Franz to Albert, "do you know what is the best thing we can do? It is to pass the Carnival at Venice; there we are sure of obtaining gondolas if we cannot have carriages."

"Ah, the devil, no," cried Albert; "I came to Rome to see the Carnival, and I will, though I see it on stilts."

"Bravo! an excellent idea. We will disguise ourselves as monster pulchinellos or shepherds of the Landes, and we shall have complete success."

"Do your excellencies still wish for a carriage from now to Sunday morning?"

"Parbleu!" said Albert, "do you think we are going to run about on foot in the streets of Rome, like lawyer's clerks?"

"I hasten to comply with your excellencies' wishes; only, I tell you beforehand, the carriage will cost you six piastres a day."

"And, as I am not a millionaire, like the gentleman in the next apartments," said Franz, "I warn you, that as I have been four times before at Rome, I know the prices of all the carriages; we will give you twelve piastres for to-day, tomorrow, and the day after, and then you will make a good profit."

"But, excellency" - said Pastrini, still striving to gain his point.

"Now go," returned Franz, "or I shall go myself and bargain with your affettatore, who is mine also; he is an old friend of mine, who has plundered me pretty well already, and, in the hope of making more out of me, he will take a less price than the one I offer you; you will lose the preference, and that will be your fault."

"Do not give yourselves the trouble, excellency," returned Signor Pastrini, with the smile peculiar to the Italian speculator when he confesses defeat; "I will do all I can, and I hope you will be satisfied."

"And now we understand each other."

"When do you wish the carriage to be here?"

"In an hour."

"In an hour it will be at the door."

An hour after the vehicle was at the door; it was a hack conveyance which was elevated to the rank of a private carriage in honor of the occasion, but, in spite of its humble exterior, the young men would have thought themselves happy to have secured it for the last three days of the Carnival. "Excellency," cried the cicerone, seeing Franz approach the window, "shall I bring the carriage nearer to the palace?"

Accustomed as Franz was to the Italian phraseology, his first impulse was to look round him, but these words were addressed to him. Franz was the "excellency," the vehicle was the "carriage," and the Hotel de Londres was the "palace." The genius for laudation characteristic of the race was in that phrase.

Franz and Albert descended, the carriage approached the palace; their excellencies stretched their legs along the seats; the cicerone sprang into the seat behind. "Where do your excellencics wish to go?" asked he.

"To Saint Peter's first, and then to the Colosseum," returned Albert. But Albert did not know that it takes a day to see Saint Peter's, and a month to study it. The day was passed at Saint Peter's alone. Suddenly the daylight began to fade away; Franz took out his watch - it was half-past four. They returned to the hotel; at the door Franz ordered the coachman to be ready at eight. He wished to show Albert the Colosseum by moonlight, as he had shown him Saint Peter's by daylight. When we show a friend a city one has already visited, we feel the same pride as when we point out a woman whose lover we have been. He was to leave the city by the Porta del Popolo, skirt the outer wall, and re-enter by the Porta San Giovanni; thus they would behold the Colosseum without finding their impressions dulled by first looking on the Capitol, the Forum, the Arch of Septimus Severus, the Temple of Antoninus and Faustina, and the Via Sacra. They sat down to dinner. Signor Pastrini had promised them a banquet; he gave them a tolerable repast. At the end of the dinner he entered in person. Franz thought that he came to hear his dinner praised, and began accordingly, but at the first words he was interrupted. "Excellency," said Pastrini, "I am delighted to have your approbation, but it was not for that I came."

"Did you come to tell us you have procured a carriage?" asked Albert, lighting his cigar.

"No; and your excellencies will do well not to think of that any longer; at Rome things can or cannot be done; when you are told anything cannot be done, there is an end of it."

"It is much more convenient at Paris, - when anything cannot be done, you pay double, and it is done directly."

"That is what all the French say," returned Signor Pastrini, somewhat piqued; "for that reason, I do not understand why they travel."

"But," said Albert, emitting a volume of smoke and balancing his chair on its hind legs, "only madmen, or blockheads like us, ever do travel. Men in their senses do not quit their hotel in the Rue du Helder, their walk on the Boulevard de Gand, and the Cafe de Paris." It is of course understood that Albert resided in the aforesaid street, appeared every day on the fashionable walk, and dined frequently at the only restaurant where you can really dine, that is, if you are on good terms with its frequenters. Signor Pastrini remained silent a short time; it was evident that he was musing over this answer, which did not seem very clear. "But," said Franz, in his turn interrupting his host's meditations, "you had some motive for coming here, may I beg to know what it was?"

"Ah, yes; you have ordered your carriage at eight o'clock precisely?"

"I have."

"You intend visiting Il Colosseo."

"You mean the Colosseum?"

"It is the same thing. You have told your coachman to leave the city by the Porta del Popolo, to drive round the walls, and re-enter by the Porta San Giovanni?"

"These are my words exactly."

"Well, this route is impossible."

"Impossible!"

"Very dangerous, to say the least."

"Dangerous! - and why?"

"On account of the famous Luigi Vampa."

"Pray, who may this famous Luigi Vampa be?" inquired Albert; "he may be very famous at Rome, but I can assure you he is quite unknown at Paris."

"What! do you not know him?"

"I have not that honor."

"You have never heard his name?"

"Never."

"Well, then, he is a bandit, compared to whom the Decesaris and the Gasparones were mere children."

"Now then, Albert," cried Franz, "here is a bandit for you at last."

"I forewarn you, Signor Pastrini, that I shall not believe one word of what you are going to tell us; having told you this, begin."

"Once upon a time" -

"Well, go on." Signor Pastrini turned toward Franz, who seemed to him the more reasonable of the two; we must do him justice, - he had had a great many Frenchmen in his house, but had never been able to comprehend them. "Excellency," said he gravely, addressing Franz, "if you look upon me as a liar, it is useless for me to say anything; it was for your interest I" -

"Albert does not say you are a liar, Signor Pastrini," said Franz, "but that he will not believe what you are going to tell us, - but I will believe all you say; so proceed."

"But if your excellency doubt my veracity" -

"Signor Pastrini," returned Franz, "you are more susceptible than Cassandra, who was a prophetess, and yet no one believed her; while you, at least, are sure of the credence of half your audience. Come, sit down, and tell us all about this Signor Vampa."

"I had told your excellency he is the most famous bandit we have had since the days of Mastrilla."

"Well, what has this bandit to do with the order I have given the coachman to leave the city by the Porta del Popolo, and to re-enter by the Porta San Giovanni?"

"This," replied Signor Pastrini, "that you will go out by one, but I very much doubt your returning by the other."

"Why?" asked Franz.

"Because, after nightfall, you are not safe fifty yards from the gates."

"On your honor is that true?" cried Albert.

"Count," returned Signor Pastrini, hurt at Albert's repeated doubts of the truth of his assertions, "I do not say this to you, but to your companion, who knows Rome, and knows, too, that these things are not to be laughed at."

"My dear fellow," said Albert, turning to Franz, "here is an admirable adventure; we will fill our carriage with pistols, blunderbusses, and double-barrelled guns. Luigi Vampa comes to take us, and we take him - we bring him back to Rome, and present him to his holiness the Pope, who asks how he can repay so great a service; then we merely ask for a carriage and a pair of horses, and we see the Carnival in the carriage, and doubtless the Roman people will crown us at the Capitol, and proclaim us, like Curtius and the veiled Horatius, the preservers of their country." Whilst Albert proposed this scheme, Signor Pastrini's face assumed an expression impossible to describe.

"And pray," asked Franz, "where are these pistols, blunderbusses, and other deadly weapons with which you intend filling the carriage?"

"Not out of my armory, for at Terracina I was plundered even of my hunting-knife."

"I shared the same fate at Aquapendente."

"Do you know, Signor Pastrini," said Albert, lighting a second cigar at the first, "that this practice is very convenient for bandits, and that it seems to be due to an arrangement of their own." Doubtless Signor Pastrini found this pleasantry compromising, for he only answered half the question, and then he spoke to Franz, as the only one likely to listen with attention. "Your excellency knows that it is not customary to defend yourself when attacked by bandits."

"What!" cried Albert, whose courage revolted at the idea of being plundered tamely, "not make any resistance!"

"No, for it would be useless. What could you do against a dozen bandits who spring out of some pit, ruin, or aqueduct, and level their pieces at you?"

"Eh, parbleu! - they should kill me."

The inn-keeper turned to Franz with an air that seemed to say, "Your friend is decidedly mad."

"My dear Albert," returned Franz, "your answer is sublime, and worthy the `Let him die,' of Corneille, only, when Horace made that answer, the safety of Rome was concerned; but, as for us, it is only to gratify a whim, and it would be ridiculous to risk our lives for so foolish a motive." Albert poured himself out a glass of lacryma Christi, which he sipped at intervals, muttering some unintelligible words.

"Well, Signor Pastrini," said Franz, "now that my companion is quieted, and you have seen how peaceful my intentions are, tell me who is this Luigi Vampa. Is he a shepherd or a nobleman? - young or old? - tall or short? Describe him, in order that, if we meet him by chance, like Bugaboo John or Lara, we may recognize him."

"You could not apply to any one better able to inform you on all these points, for I knew him when he was a child, and one day that I fell into his hands, going from Ferentino to Alatri, he, fortunately for me, recollected me, and set me free, not only without ransom, but made me a present of a very splendid watch, and related his history to me."

"Let us see the watch," said Albert.

Signor Pastrini drew from his fob a magnificent Breguet, bearing the name of its maker, of Parisian manufacture, and a count's coronet.

"Here it is," said he.

"Peste," returned Albert, "I compliment you on it; I have its fellow" - he took his watch from his waistcoat pocket - "and it cost me 3,000 francs."

"Let us hear the history," said Franz, motioning Signor Pastrini to seat himself.

"Your excellencies permit it?" asked the host.

"Pardieu!" cried Albert, "you are not a preacher, to remain standing!"

The host sat down, after having made each of them a respectful bow, which meant that he was ready to tell them all they wished to know concerning Luigi Vampa. "You tell me," said Franz, at the moment Signor Pastrini was about to open his mouth, "that you knew Luigi Vampa when he was a child - he is still a young man, then?"

"A young man? he is only two and twenty; - he will gain himself a reputation."

"What do you think of that, Albert? - at two and twenty to be thus famous?"

"Yes, and at his age, Alexander, Caesar, and Napoleon, who have all made some noise in the world, were quite behind him."

"So," continued Franz, "the hero of this history is only two and twenty?"

"Scarcely so much."

"Is he tall or short?"

"Of the middle height - about the same stature as his excellency," returned the host, pointing to Albert.

"Thanks for the comparison," said Albert, with a bow.

"Go on, Signor Pastrini," continued Franz, smiling at his friend's susceptibility. "To what class of society does he belong?"

"He was a shepherd-boy attached to the farm of the Count of San-Felice, situated between Palestrina and the lake of Gabri; he was born at Pampinara, and entered the count's service when he was five years old; his father was also a shepherd, who owned a small flock, and lived by the wool and the milk, which he sold at Rome. When quite a child, the little Vampa displayed a most extraordinary precocity. One day, when he was seven years old, he came to the curate of Palestrina, and asked to be taught to read; it was somewhat difficult, for he could not quit his flock; but the good curate went every day to say mass at a little hamlet too poor to pay a priest and which, having no other name, was called Borgo; he told Luigi that he might meet him on his return, and that then he would give him a lesson, warning him that it would be short, and that he must profit as much as possible by it. The child accepted joyfully. Every day Luigi led his flock to graze on the road that leads from Palestrina to Borgo; every day, at nine o'clock in the morning, the priest and the boy sat down on a bank by the wayside, and the little shepherd took his lesson out of the priest's breviary. At the end of three months he had learned to read. This was not enough - he must now learn to write. The priest had a writing teacher at Rome make three alphabets - one large, one middling, and one small; and pointed out to him that by the help of a sharp instrument he could trace the letters on a slate, and thus learn to write. The same evening, when the flock was safe at the farm, the little Luigi hastened to the smith at Palestrina, took a large nail, heated and sharpened it, and formed a sort of stylus. The next morning he gathered an armful of pieces of slate and began. At the end of three months he had learned to write. The curate, astonished at his quickness and intelligence, made him a present of pens, paper, and a penknife. This demanded new effort, but nothing compared to the first; at the end of a week he wrote as well with this pen as with the stylus. The curate related the incident to the Count of San-Felice, who sent for the little shepherd, made him read and write before him, ordered his attendant to let him eat with the domestics, and to give him two piastres a month. With this, Luigi purchased books and pencils. He applied his imitative powers to everything, and, like Giotto, when young, he drew on his slate sheep, houses, and trees. Then, with his knife, he began to carve all sorts of objects in wood; it was thus that Pinelli, the famous sculptor, had commenced.

"A girl of six or seven - that is, a little younger than Vampa - tended sheep on a farm near Palestrina; she was an orphan, born at Valmontone and was named Teresa. The two children met, sat down near each other, let their flocks mingle together, played, laughed, and conversed together; in the evening they separated the Count of San-Felice's flock from those of Baron Cervetri, and the children returned to their respective farms, promising to meet the next morning. The next day they kept their word, and thus they grew up together. Vampa was twelve, and Teresa eleven. And yet their natural disposition revealed itself. Beside his taste for the fine arts, which Luigi had carried as far as he could in his solitude, he was given to alternating fits of sadness and enthusiasm, was often angry and capricious, and always sarcastic. None of the lads of Pampinara, Palestrina, or Valmontone had been able to gain any influence over him or even to become his companion. His disposition (always inclined to exact concessions rather than to make them) kept him aloof from all friendships. Teresa alone ruled by a look, a word, a gesture, this impetuous character, which yielded beneath the hand of a woman, and which beneath the hand of a man might have broken, but could never have been bended. Teresa was lively and gay, but coquettish to excess. The two piastres that Luigi received every month from the Count of San-Felice's steward, and the price of all the little carvings in wood he sold at Rome, were expended in ear-rings, necklaces, and gold hairpins. So that, thanks to her friend's generosity, Teresa was the most beautiful and the best-attired peasant near Rome. The two children grew up together, passing all their time with each other, and giving themselves up to the wild ideas of their different characters. Thus, in all their dreams, their wishes, and their conversations, Vampa saw himself the captain of a vessel, general of an army, or governor of a province. Teresa saw herself rich, superbly attired, and attended by a train of liveried domestics. Then, when they had thus passed the day in building castles in the air, they separated their flocks, and descended from the elevation of their dreams to the reality of their humble position.

"One day the young shepherd told the count's steward that he had seen a wolf come out of the Sabine mountains, and prowl around his flock. The steward gave him a gun; this was what Vampa longed for. This gun had an excellent barrel, made at Breschia, and carrying a ball with the precision of an English rifle; but one day the count broke the stock, and had then cast the gun aside. This, however, was nothing to a sculptor like Vampa; he examined the broken stock, calculated what change it would require to adapt the gun to his shoulder, and made a fresh stock, so beautifully carved that it would have fetched fifteen or twenty piastres, had he chosen to sell it. But nothing could be farther from his thoughts. For a long time a gun had been the young man's greatest ambition. In every country where independence has taken the place of liberty, the first desire of a manly heart is to possess a weapon, which at once renders him capable of defence or attack, and, by rendering its owner terrible, often makes him feared. From this moment Vampa devoted all his leisure time to perfecting himself in the use of his precious weapon; he purchased powder and ball, and everything served him for a mark - the trunk of some old and moss-grown olive-tree, that grew on the Sabine mountains; the fox, as he quitted his earth on some marauding excursion; the eagle that soared above their heads: and thus he soon became so expert, that Teresa overcame the terror she at first felt at the report, and amused herself by watching him direct the ball wherever he pleased, with as much accuracy as if he placed it by hand.

"One evening a wolf emerged from a pine-wood hear which they were usually stationed, but the wolf had scarcely advanced ten yards ere he was dead. Proud of this exploit, Vampa took the dead animal on his shoulders, and carried him to the farm. These exploits had gained Luigi considerable reputation. The man of superior abilities always finds admirers, go where he will. He was spoken of as the most adroit, the strongest, and the most courageous contadino for ten leagues around; and although Teresa was universally allowed to be the most beautiful girl of the Sabines, no one had ever spoken to her of love, because it was known that she was beloved by Vampa. And yet the two young people had never declared their affection; they had grown together like two trees whose roots are mingled, whose branches intertwined, and whose intermingled perfume rises to the heavens. Only their wish to see each other had become a necessity, and they would have preferred death to a day's separation. Teresa was sixteen, and Vampa seventeen. About this time, a band of brigands that had established itself in the Lepini mountains began to be much spoken of. The brigands have never been really extirpated from the neighborhood of Rome. Sometimes a chief is wanted, but when a chief presents himself he rarely has to wait long for a band of followers.

"The celebrated Cucumetto, pursued in the Abruzzo, driven out of the kingdom of Naples, where he had carried on a regular war, had crossed the Garigliano, like Manfred, and had taken refuge on the banks of the Amasine between Sonnino and Juperno. He strove to collect a band of followers, and followed the footsteps of Decesaris and Gasperone, whom he hoped to surpass. Many young men of Palestrina, Frascati, and Pampinara had disappeared. Their disappearance at first caused much disquietude; but it was soon known that they had joined Cucumetto. After some time Cucumetto became the object of universal attention; the most extraordinary traits of ferocious daring and brutality were related of him. One day he carried off a young girl, the daughter of a surveyor of Frosinone. The bandit's laws are positive; a young girl belongs first to him who carries her off, then the rest draw lots for her, and she is abandoned to their brutality until death relieves her sufferings. When their parents are sufficiently rich to pay a ransom, a messenger is sent to negotiate; the prisoner is hostage for the security of the messenger; should the ransom be refused, the prisoner is irrevocably lost. The young girl's lover was in Cucumetto's troop; his name was Carlini. When she recognized her lover, the poor girl extended her arms to him, and believed herself safe; but Carlini felt his heart sink, for he but too well knew the fate that awaited her. However, as he was a favorite with Cucumetto, as he had for three years faithfully served him, and as he had saved his life by shooting a dragoon who was about to cut him down, he hoped the chief would have pity on him. He took Cucumetto one side, while the young girl, seated at the foot of a huge pine that stood in the centre of the forest, made a veil of her picturesque head-dress to hide her face from the lascivious gaze of the bandits. There he told the chief all - his affection for the prisoner, their promises of mutual fidelity, and how every night, since he had been near, they had met in some neighboring ruins.

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PART 2 OF 2 (CH. 33 CONT'D.)

"It so happened that night that Cucumetto had sent Carlini to a village, so that he had been unable to go to the place of meeting. Cucumetto had been there, however, by accident, as he said, and had carried the maiden off. Carlini besought his chief to make an exception in Rita's favor, as her father was rich, and could pay a large ransom. Cucumetto seemed to yield to his friend's entreaties, and bade him find a shepherd to send to Rita's father at Frosinone. Carlini flew joyfully to Rita, telling her she was saved, and bidding her write to her father, to inform him what had occurred, and that her ransom was fixed at three hundred piastres. Twelve hours' delay was all that was granted - that is, until nine the next morning. The instant the letter was written, Carlini seized it, and hastened to the plain to find a messenger. He found a young shepherd watching his flock. The natural messengers of the bandits are the shepherds who live between the city and the mountains, between civilized and savage life. The boy undertook the commission, promising to be in Frosinone in less than an hour. Carlini returned, anxious to see his mistress, and announce the joyful intelligence. He found the troop in the glade, supping off the provisions exacted as contributions from the peasants; but his eye vainly sought Rita and Cucumetto among them. He inquired where they were, and was answered by a burst of laughter. A cold perspiration burst from every pore, and his hair stood on end. He repeated his question. One of the bandits rose, and offered him a glass filled with Orvietto, saying, `To the health of the brave Cucumetto and the fair Rita.' At this moment Carlini heard a woman's cry; he divined the truth, seized the glass, broke it across the face of him who presented it, and rushed towards the spot whence the cry came. After a hundred yards he turned the corner of the thicket; he found Rita senseless in the arms of Cucumetto. At the sight of Carlini, Cucumetto rose, a pistol in each hand. The two brigands looked at each other for a moment - the one with a smile of lasciviousness on his lips, the other with the pallor of death on his brow. A terrible battle between the two men seemed imminent; but by degrees Carlini's features relaxed, his hand, which had grasped one of the pistols in his belt, fell to his side. Rita lay between them. The moon lighted the group.

"`Well,' said Cucumetto, `have you executed your commission?'

"`Yes, captain,' returned Carlini. `At nine o'clock to-morrow Rita's father will be here with the money.' - `It is well; in the meantime, we will have a merry night; this young girl is charming, and does credit to your taste. Now, as I am not egotistical, we will return to our comrades and draw lots for her.' - `You have determined, then, to abandon her to the common law?" said Carlini.

"`Why should an exception be made in her favor?'

"`I thought that my entreaties' -

"`What right have you, any more than the rest, to ask for an exception?' - `It is true.' - `But never mind,' continued Cucumetto, laughing, `sooner or later your turn will come.' Carlini's teeth clinched convulsively.

"`Now, then,' said Cucumetto, advancing towards the other bandits, `are you coming?' - `I follow you.'

"Cucumetto departed, without losing sight of Carlini, for, doubtless, he feared lest he should strike him unawares; but nothing betrayed a hostile design on Carlini's part. He was standing, his arms folded, near Rita, who was still insensible. Cucumetto fancied for a moment the young man was about to take her in his arms and fly; but this mattered little to him now Rita had been his; and as for the money, three hundred piastres distributed among the band was so small a sum that he cared little about it. He continued to follow the path to the glade; but, to his great surprise, Carlini arrived almost as soon as himself. `Let us draw lots! let us draw lots!' cried all the brigands, when they saw the chief.

"Their demand was fair, and the chief inclined his head in sign of acquiescence. The eyes of all shone fiercely as they made their demand, and the red light of the fire made them look like demons. The names of all, including Carlini, were placed in a hat, and the youngest of the band drew forth a ticket; the ticket bore the name of Diovolaccio. He was the man who had proposed to Carlini the health of their chief, and to whom Carlini replied by breaking the glass across his face. A large wound, extending from the temple to the mouth, was bleeding profusely. Diovalaccio, seeing himself thus favored by fortune, burst into a loud laugh. `Captain,' said he, `just now Carlini would not drink your health when I proposed it to him; propose mine to him, and let us see if he will be more condescending to you than to me.' Every one expected an explosion on Carlini's part; but to their great surprise, he took a glass in one hand and a flask in the other, and filling it, - `Your health, Diavolaccio,' said he calmly, and he drank it off, without his hand trembling in the least. Then sitting down by the fire, `My supper,' said he; `my expedition has given me an appetite.' - `Well done, Carlini!' cried the brigands; `that is acting like a good fellow;' and they all formed a circle round the fire, while Diavolaccio disappeared. Carlini ate and drank as if nothing had happened. The bandits looked on with astonishment at this singular conduct until they heard footsteps. They turned round, and saw Diavolaccio bearing the young girl in his arms. Her head hung back, and her long hair swept the ground. As they entered the circle, the bandits could perceive, by the firelight, the unearthly pallor of the young girl and of Diavolaccio. This apparition was so strange and so solemn, that every one rose, with the exception of Carlini, who remained seated, and ate and drank calmly. Diavolaccio advanced amidst the most profound silence, and laid Rita at the captain's feet. Then every one could understand the cause of the unearthly pallor in the young girl and the bandit. A knife was plunged up to the hilt in Rita's left breast. Every one looked at Carlini; the sheath at his belt was empty. `Ah, ah,' said the chief, `I now understand why Carlini stayed behind.' All savage natures appreciate a desperate deed. No other of the bandits would, perhaps, have done the same; but they all understood what Carlini had done. `Now, then,' cried Carlini, rising in his turn, and approaching the corpse, his hand on the butt of one of his pistols, `does any one dispute the possession of this woman with me?' - `No,' returned the chief, `she is thine.' Carlini raised her in his arms, and carried her out of the circle of firelight. Cucumetto placed his sentinels for the night, and the bandits wrapped themselves in their cloaks, and lay down before the fire. At midnight the sentinel gave the alarm, and in an instant all were on the alert. It was Rita's father, who brought his daughter's ransom in person. `Here,' said he, to Cucumetto, `here are three hundred piastres; give me back my child. But the chief, without taking the money, made a sign to him to follow. The old man obeyed. They both advanced beneath the trees, through whose branches streamed the moonlight. Cucumetto stopped at last, and pointed to two persons grouped at the foot of a tree.

"`There,' said he, `demand thy child of Carlini; he will tell thee what has become of her;' and he returned to his companions. The old man remained motionless; he felt that some great and unforeseen misfortune hung over his head. At length he advanced toward the group, the meaning of which he could not comprehend. As he approached, Carlini raised his head, and the forms of two persons became visible to the old man's eyes. A woman lay on the ground, her head resting on the knees of a man, who was seated by her; as he raised his head, the woman's face became visible. The old man recognized his child, and Carlini recognized the old man. `I expected thee,' said the bandit to Rita's father. - `Wretch!' returned the old man, `what hast thou done?' and he gazed with terror on Rita, pale and bloody, a knife buried in her bosom. A ray of moonlight poured through the trees, and lighted up the face of the dead. - `Cucumetto had violated thy daughter,' said the bandit; `I loved her, therefore I slew her; for she would have served as the sport of the whole band.' The old man spoke not, and grew pale as death. `Now,' continued Carlini, `if I have done wrongly, avenge her;' and withdrawing the knife from the wound in Rita's bosom, he held it out to the old man with one hand, while with the other he tore open his vest. - `Thou hast done well!' returned the old man in a hoarse voice; `embrace me, my son.' Carlini threw himself, sobbing like a child, into the arms of his mistress's father. These were the first tears the man of blood had ever wept. `Now,' said the old man, `aid me to bury my child.' Carlini fetched two pickaxes; and the father and the lover began to dig at the foot of a huge oak, beneath which the young girl was to repose. When the grave was formed, the father kissed her first, and then the lover; afterwards, one taking the head, the other the feet, they placed her in the grave. Then they knelt on each side of the grave, and said the prayers of the dead. Then, when they had finished, they cast the earth over the corpse, until the grave was filled. Then, extending his hand, the old man said; `I thank you, my son; and now leave me alone.' - `Yet' - replied Carlini. - `Leave me, I command you.' Carlini obeyed, rejoined his comrades, folded himself in his cloak, and soon appeared to sleep as soundly as the rest. It had been resolved the night before to change their encampment. An hour before daybreak, Cucumetto aroused his men, and gave the word to march. But Carlini would not quit the forest, without knowing what had become of Rita's father. He went toward the place where he had left him. He found the old man suspended from one of the branches of the oak which shaded his daughter's grave. He then took an oath of bitter vengeance over the dead body of the one and the tomb of the other. But he was unable to complete this oath, for two days afterwards, in an encounter with the Roman carbineers, Carlini was killed. There was some surprise, however, that, as he was with his face to the enemy, he should have received a ball between his shoulders. That astonishment ceased when one of the brigands remarked to his comrades that Cucumetto was stationed ten paces in Carlini's rear when he fell. On the morning of the departure from the forest of Frosinone he had followed Carlini in the darkness, and heard this oath of vengeance, and, like a wise man, anticipated it. They told ten other stories of this bandit chief, each more singular than the other. Thus, from Fondi to Perusia, every one trembles at the name of Cucumetto.

"These narratives were frequently the theme of conversation between Luigi and Teresa. The young girl trembled very much at hearing the stories; but Vampa reassured her with a smile, tapping the butt of his good fowling-piece, which threw its ball so well; and if that did not restore her courage, he pointed to a crow, perched on some dead branch, took aim, touched the trigger, and the bird fell dead at the foot of the tree. Time passed on, and the two young people had agreed to be married when Vampa should be twenty and Teresa nineteen years of age. They were both orphans, and had only their employers' leave to ask, which had been already sought and obtained. One day when they were talking over their plans for the future, they heard two or three reports of firearms, and then suddenly a man came out of the wood, near which the two young persons used to graze their flocks, and hurried towards them. When he came within hearing, he exclaimed. `I am pursued; can you conceal me?' They knew full well that this fugitive must be a bandit; but there is an innate sympathy between the Roman brigand and the Roman peasant and the latter is always ready to aid the former. Vampa, without saying a word, hastened to the stone that closed up the entrance to their grotto, drew it away, made a sign to the fugitive to take refuge there, in a retreat unknown to every one, closed the stone upon him, and then went and resumed his seat by Teresa. Instantly afterwards four carbineers, on horseback, appeared on the edge of the wood; three of them appeared to be looking for the fugitive, while the fourth dragged a brigand prisoner by the neck. The three carbineers looked about carefully on every side, saw the young peasants, and galloping up, began to question them. They had seen no one. `That is very annoying,' said the brigadier; for the man we are looking for is the chief.' - `Cucumetto?' cried Luigi and Teresa at the same moment.

"`Yes,' replied the brigadier; `and as his head is valued at a thousand Roman crowns, there would have been five hundred for you, if you had helped us to catch him.' The two young persons exchanged looks. The brigadier had a moment's hope. Five hundred Roman crowns are three thousand lire, and three thousand lire are a fortune for two poor orphans who are going to be married.

"`Yes, it is very annoying,' said Vampa; `but we have not seen him.'

"Then the carbineers scoured the country in different directions, but in vain; then, after a time, they disappeared. Vampa then removed the stone, and Cucumetto came out. Through the crevices in the granite he had seen the two young peasants talking with the carbineers, and guessed the subject of their parley. He had read in the countenances of Luigi and Teresa their steadfast resolution not to surrender him, and he drew from his pocket a purse full of gold, which he offered to them. But Vampa raised his head proudly; as to Teresa, her eyes sparkled when she thought of all the fine gowns and gay jewellery she could buy with this purse of gold.

"Cucumetto was a cunning fiend, and had assumed the form of a brigand instead of a serpent, and this look from Teresa showed to him that she was a worthy daughter of Eve, and he returned to the forest, pausing several times on his way, under the pretext of saluting his protectors. Several days elapsed, and they neither saw nor heard of Cucumetto. The time of the Carnival was at hand. The Count of San-Felice announced a grand masked ball, to which all that were distinguished in Rome were invited. Teresa had a great desire to see this ball. Luigi asked permission of his protector, the steward, that she and he might be present amongst the servants of the house. This was granted. The ball was given by the Count for the particular pleasure of his daughter Carmela, whom he adored. Carmela was precisely the age and figure of Teresa, and Teresa was as handsome as Carmela. On the evening of the ball Teresa was attired in her best, her most brilliant ornaments in her hair, and gayest glass beads, - she was in the costume of the women of Frascati. Luigi wore the very picturesque garb of the Roman peasant at holiday time. They both mingled, as they had leave to do, with the servants and peasants.

"The festa was magnificent; not only was the villa brilliantly illuminated, but thousands of colored lanterns were suspended from the trees in the garden; and very soon the palace overflowed to the terraces, and the terraces to the garden-walks. At each cross-path was an orchestra, and tables spread with refreshments; the guests stopped, formed quadrilles, and danced in any part of the grounds they pleased. Carmela was attired like a woman of Sonnino. Her cap was embroidered with pearls, the pins in her hair were of gold and diamonds, her girdle was of Turkey silk, with large embroidered flowers, her bodice and skirt were of cashmere, her apron of Indian muslin, and the buttons of her corset were of jewels. Two of her companions were dressed, the one as a woman of Nettuno, and the other as a woman of La Riccia. Four young men of the richest and noblest families of Rome accompanied them with that Italian freedom which has not its parallel in any other country in the world. They were attired as peasants of Albano, Velletri, Civita-Castellana, and Sora. We need hardly add that these peasant costumes, like those of the young women, were brilliant with gold and jewels.

"Carmela wished to form a quadrille, but there was one lady wanting. Carmela looked all around her, but not one of the guests had a costume similar to her own, or those of her companions. The Count of San-Felice pointed out Teresa, who was hanging on Luigi's arm in a group of peasants. `Will you allow me, father?' said Carmela. - `Certainly,' replied the count, `are we not in Carnival time?' - Carmela turned towards the young man who was talking with her, and saying a few words to him, pointed with her finger to Teresa. The young man looked, bowed in obedience, and then went to Teresa, and invited her to dance in a quadrille directed by the count's daughter. Teresa felt a flush pass over her face; she looked at Luigi, who could not refuse his assent. Luigi slowly relinquished Teresa's arm, which he had held beneath his own, and Teresa, accompanied by her elegant cavalier, took her appointed place with much agitation in the aristocratic quadrille. Certainly, in the eyes of an artist, the exact and strict costume of Teresa had a very different character from that of Carmela and her companions; and Teresa was frivolous and coquettish, and thus the embroidery and muslins, the cashmere waist-girdles, all dazzled her, and the reflection of sapphires and diamonds almost turned her giddy brain.

"Luigi felt a sensation hitherto unknown arising in his mind. It was like an acute pain which gnawed at his heart, and then thrilled through his whole body. He followed with his eye each movement of Teresa and her cavalier; when their hands touched, he felt as though he should swoon; every pulse beat with violence, and it seemed as though a bell were ringing in his ears. When they spoke, although Teresa listened timidly and with downcast eyes to the conversation of her cavalier, as Luigi could read in the ardent looks of the good-looking young man that his language was that of praise, it seemed as if the whole world was turning round with him, and all the voices of hell were whispering in his ears ideas of murder and assassination. Then fearing that his paroxysm might get the better of him, he clutched with one hand the branch of a tree against which he was leaning, and with the other convulsively grasped the dagger with a carved handle which was in his belt, and which, unwittingly, he drew from the scabbard from time to time. Luigi was jealous! He felt that, influenced by her ambitions and coquettish disposition, Teresa might escape him.

"The young peasant girl, at first timid and scared, soon recovered herself. We have said that Teresa was handsome, but this is not all; Teresa was endowed with all those wild graces which are so much more potent than our affected and studied elegancies. She had almost all the honors of the quadrille, and if she were envious of the Count of San-Felice's daughter, we will not undertake to say that Carmela was not jealous of her. And with overpowering compliments her handsome cavalier led her back to the place whence he had taken her, and where Luigi awaited her. Twice or thrice during the dance the young girl had glanced at Luigi, and each time she saw that he was pale and that his features were agitated, once even the blade of his knife, half drawn from its sheath, had dazzled her eyes with its sinister glare. Thus, it was almost tremblingly that she resumed her lover's arm. The quadrille had been most perfect, and it was evident there was a great demand for a repetition, Carmela alone objecting to it, but the Count of San-Felice besought his daughter so earnestly, that she acceded. One of the cavaliers then hastened to invite Teresa, without whom it was impossible for the quadrille to be formed, but the young girl had disappeared. The truth was, that Luigi had not felt the strength to support another such trial, and, half by persuasion and half by force, he had removed Teresa toward another part of the garden. Teresa had yielded in spite of herself, but when she looked at the agitated countenance of the young man, she understood by his silence and trembling voice that something strange was passing within him. She herself was not exempt from internal emotion, and without having done anything wrong, yet fully comprehended that Luigi was right in reproaching her. Why, she did not know, but yet she did not the less feel that these reproaches were merited. However, to Teresa's great astonishment, Luigi remained mute, and not a word escaped his lips the rest of the evening. When the chill of the night had driven away the guests from the gardens, and the gates of the villa were closed on them for the festa in-doors, he took Teresa quite away, and as he left her at her home, he said, -

"`Teresa, what were you thinking of as you danced opposite the young Countess of San-Felice?' - `I thought,' replied the young girl, with all the frankness of her nature, `that I would give half my life for a costume such as she wore.'

"`And what said your cavalier to you?' - `He said it only depended on myself to have it, and I had only one word to say.'

"`He was right,' said Luigi. `Do you desire it as ardently as you say?' - `Yes.' - `Well, then, you shall have it!'

"The young girl, much astonished, raised her head to look at him, but his face was so gloomy and terrible that her words froze to her lips. As Luigi spoke thus, he left her. Teresa followed him with her eyes into the darkness as long as she could, and when he had quite disappeared, she went into the house with a sigh.

"That night a memorable event occurred, due, no doubt, to the imprudence of some servant who had neglected to extinguish the lights. The Villa of San-Felice took fire in the rooms adjoining the very apartment of the lovely Carmela. Awakened in the night by the light of the flames, she sprang out of bed, wrapped herself in a dressing-gown, and attempted to escape by the door, but the corridor by which she hoped to fly was already a prey to the flames. She then returned to her room, calling for help as loudly as she could, when suddenly her window, which was twenty feet from the ground, was opened, a young peasant jumped into the chamber, seized her in his arms, and with superhuman skill and strength conveyed her to the turf of the grass-plot, where she fainted. When she recovered, her father was by her side. All the servants surrounded her, offering her assistance. An entire wing of the villa was burnt down; but what of that, as long as Carmela was safe and uninjured? Her preserver was everywhere sought for, but he did not appear; he was inquired after, but no one had seen him. Carmela was greatly troubled that she had not recognized him. As the count was immensely rich, excepting the danger Carmela had run, - and the marvellous manner in which she had escaped, made that appear to him rather a favor of providence than a real misfortune, - the loss occasioned by the conflagration was to him but a trifle.

"The next day, at the usual hour, the two young peasants were on the borders of the forest. Luigi arrived first. He came toward Teresa in high spirits, and seemed to have completely forgotten the events of the previous evening. The young girl was very pensive, but seeing Luigi so cheerful, she on her part assumed a smiling air, which was natural to her when she was not excited or in a passion. Luigi took her arm beneath his own, and led her to the door of the grotto. Then he paused. The young girl, perceiving that there was something extraordinary, looked at him steadfastly. `Teresa,' said Luigi, `yesterday evening you told me you would give all the world to have a costume similar to that of the count's daughter.' - `Yes,' replied Teresa with astonishment; `but I was mad to utter such a wish.' - `And I replied, "Very well, you shall have it."' - `Yes,' replied the young girl, whose astonishment increased at every word uttered by Luigi, `but of course your reply was only to please me.'

"`I have promised no more than I have given you, Teresa,' said Luigi proudly. `Go into the grotto and dress yourself.' At these words he drew away the stone, and showed Teresa the grotto, lighted up by two wax lights, which burnt on each side of a splendid mirror; on a rustic table, made by Luigi, were spread out the pearl necklace and the diamond pins, and on a chair at the side was laid the rest of the costume.

"Teresa uttered a cry of joy, and, without inquiring whence this attire came, or even thanking Luigi, darted into the grotto, transformed into a dressing-room. Luigi pushed the stone behind her, for on the crest of a small adjacent hill which cut off the view toward Palestrina, he saw a traveller on horseback, stopping a moment, as if uncertain of his road, and thus presenting against the blue sky that perfect outline which is peculiar to distant objects in southern climes. When he saw Luigi, he put his horse into a gallop and advanced toward him. Luigi was not mistaken. The traveller, who was going from Palestrina to Tivoli, had mistaken his way; the young man directed him; but as at a distance of a quarter of a mile the road again divided into three ways, and on reaching these the traveller might again stray from his route, he begged Luigi to be his guide. Luigi threw his cloak on the ground, placed his carbine on his shoulder, and freed from his heavy covering, preceded the traveller with the rapid step of a mountaineer, which a horse can scarcely keep up with. In ten minutes Luigi and the traveller reached the cross-roads. On arriving there, with an air as majestic as that of an emperor, he stretched his hand towards that one of the roads which the traveller was to follow. - "That is your road, excellency, and now you cannot again mistake.' - `And here is your recompense,' said the traveller, offering the young herdsman some small pieces of money.

"`Thank you,' said Luigi, drawing back his hand; `I render a service, I do not sell it.' - `Well,' replied the traveller, who seemed used to this difference between the servility of a man of the cities and the pride of the mountaineer, `if you refuse wages, you will, perhaps, accept a gift.' - `Ah, yes, that is another thing.' - `Then,' said the traveller, `take these two Venetian sequins and give them to your bride, to make herself a pair of earrings.'

"`And then do you take this poniard,' said the young herdsman; `you will not find one better carved between Albano and Civita-Castellana.'

"`I accept it,' answered the traveller, `but then the obligation will be on my side, for this poniard is worth more than two sequins.' - `For a dealer perhaps; but for me, who engraved it myself, it is hardly worth a piastre.'

"`What is your name?' inquired the traveller. - `Luigi Vampa,' replied the shepherd, with the same air as he would have replied, Alexander, King of Macedon. - `And yours?' - `I,' said the traveller, `am called Sinbad the Sailor.'" Franz d'Epinay started with surprise.

"Sinbad the Sailor." he said.

"Yes," replied the narrator; "that was the name which the traveller gave to Vampa as his own."

"Well, and what may you have to say against this name?" inquired Albert; "it is a very pretty name, and the adventures of the gentleman of that name amused me very much in my youth, I must confess." - Franz said no more. The name of Sinbad the Sailor, as may well be supposed, awakened in him a world of recollections, as had the name of the Count of Monte Cristo on the previous evening.

"Proceed!" said he to the host.

"Vampa put the two sequins haughtily into his pocket, and slowly returned by the way he had gone. As he came within two or three hundred paces of the grotto, he thought he heard a cry. He listened to know whence this sound could proceed. A moment afterwards he thought he heard his own name pronounced distinctly. The cry proceeded from the grotto. He bounded like a chamois, cocking his carbine as he went, and in a moment reached the summit of a hill opposite to that on which he had perceived the traveller. Three cries for help came more distinctly to his ear. He cast his eyes around him and saw a man carrying off Teresa, as Nessus, the centaur, carried Dejanira. This man, who was hastening towards the wood, was already three-quarters of the way on the road from the grotto to the forest. Vampa measured the distance; the man was at least two hundred paces in advance of him, and there was not a chance of overtaking him. The young shepherd stopped, as if his feet had been rooted to the ground; then he put the butt of his carbine to his shoulder, took aim at the ravisher, followed him for a second in his track, and then fired. The ravisher stopped suddenly, his knees bent under him, and he fell with Teresa in his arms. The young girl rose instantly, but the man lay on the earth struggling in the agonies of death. Vampa then rushed towards Teresa; for at ten paces from the dying man her legs had failed her, and she had dropped on her knees, so that the young man feared that the ball that had brought down his enemy, had also wounded his betrothed. Fortunately, she was unscathed, and it was fright alone that had overcome Teresa. When Luigi had assured himself that she was safe and unharmed, he turned towards the wounded man. He had just expired, with clinched hands, his mouth in a spasm of agony, and his hair on end in the sweat of death. His eyes remained open and menacing. Vampa approached the corpse, and recognized Cucumetto. From the day on which the bandit had been saved by the two young peasants, he had been enamoured of Teresa, and had sworn she should be his. From that time he had watched them, and profiting by the moment when her lover had left her alone, had carried her off, and believed he at length had her in his power, when the ball, directed by the unerring skill of the young herdsman, had pierced his heart. Vampa gazed on him for a moment without betraying the slightest emotion; while, on the contrary, Teresa, shuddering in every limb, dared not approach the slain ruffian but by degrees, and threw a hesitating glance at the dead body over the shoulder of her lover. Suddenly Vampa turned toward his mistress: - `Ah,' said he - `good, good! You are dressed; it is now my turn to dress myself.'

"Teresa was clothed from head to foot in the garb of the Count of San-Felice's daughter. Vampa took Cucumetto's body in his arms and conveyed it to the grotto, while in her turn Teresa remained outside. If a second traveller had passed, he would have seen a strange thing, - a shepherdess watching her flock, clad in a cashmere grown, with ear-rings and necklace of pearls, diamond pins, and buttons of sapphires, emeralds, and rubies. He would, no doubt, have believed that he had returned to the times of Florian, and would have declared, on reaching Paris, that he had met an Alpine shepherdess seated at the foot of the Sabine Hill. At the end of a quarter of an hour Vampa quitted the grotto; his costume was no less elegant than that of Teresa. He wore a vest of garnet-colored velvet, with buttons of cut gold; a silk waistcoat covered with embroidery; a Roman scarf tied round his neck; a cartridge-box worked with gold, and red and green silk; sky-blue velvet breeches, fastened above the knee with diamond buckles; garters of deerskin, worked with a thousand arabesques, and a hat whereon hung ribbons of all colors; two watches hung from his girdle, and a splendid poniard was in his belt. Teresa uttered a cry of admiration. Vampa in this attire resembled a painting by Leopold Robert, or Schnetz. He had assumed the entire costume of Cucumetto. The young man saw the effect produced on his betrothed, and a smile of pride passed over his lips. - `Now,' he said to Teresa, `are you ready to share my fortune, whatever it may be?' - `Oh, yes!' exclaimed the young girl enthusiastically. - `And follow me wherever I go?' - `To the world's end.' - `Then take my arm, and let us on; we have no time to lose.' - The young girl did so without questioning her lover as to where he was conducting her, for he appeared to her at this moment as handsome, proud, and powerful as a god. They went towards the forest, and soon entered it. We need scarcely say that all the paths of the mountain were known to Vampa; he therefore went forward without a moment's hesitation, although there was no beaten track, but he knew his path by looking at the trees and bushes, and thus they kept on advancing for nearly an hour and a half. At the end of this time they had reached the thickest of the forest. A torrent, whose bed was dry, led into a deep gorge. Vampa took this wild road, which, enclosed between two ridges, and shadowed by the tufted umbrage of the pines, seemed, but for the difficulties of its descent, that path to Avernus of which Virgil speaks. Teresa had become alarmed at the wild and deserted look of the plain around her, and pressed closely against her guide, not uttering a syllable; but as she saw him advance with even step and composed countenance, she endeavored to repress her emotion. Suddenly, about ten paces from them, a man advanced from behind a tree and aimed at Vampa. - `Not another step,' he said, `or you are a dead man.' - `What, then,' said Vampa, raising his hand with a gesture of disdain, while Teresa, no longer able to restrain her alarm, clung closely to him, `do wolves rend each other?' - `Who are you?' inquired the sentinel. - `I am Luigi Vampa, shepherd of the San-Felice farm.' - `What do you want?' - `I would speak with your companions who are in the glade at Rocca Bianca.' - `Follow me, then,' said the sentinel; `or, as you know your way, go first.' - Vampa smiled disdainfully at this precaution on the part of the bandit, went before Teresa, and continued to advance with the same firm and easy step as before. At the end of ten minutes the bandit made them a sign to stop. The two young persons obeyed. Then the bandit thrice imitated the cry of a crow; a croak answered this signal. - `Good!' said the sentry, `you may now go on.' - Luigi and Teresa again set forward; as they went on Teresa clung tremblingly to her lover at the sight of weapons and the glistening of carbines through the trees. The retreat of Rocca Bianca was at the top of a small mountain, which no doubt in former days had been a volcano - an extinct volcano before the days when Remus and Romulus had deserted Alba to come and found the city of Rome. Teresa and Luigi reached the summit, and all at once found themselves in the presence of twenty bandits. `Here is a young man who seeks and wishes to speak to you,' said the sentinel. - `What has he to say?' inquired the young man who was in command in the chief's absence. - `I wish to say that I am tired of a shepherd's life,' was Vampa's reply. - `Ah, I understand,' said the lieutenant; `and you seek admittance into our ranks?' - `Welcome!' cried several bandits from Ferrusino, Pampinara, and Anagni, who had recognized Luigi Vampa. - `Yes, but I came to ask something more than to be your companion.' - `And what may that be?' inquired the bandits with astonishment. - `I come to ask to be your captain,' said the young man. The bandits shouted with laughter. `And what have you done to aspire to this honor?' demanded the lieutenant. - `I have killed your chief, Cucumetto, whose dress I now wear; and I set fire to the villa San-Felice to procure a wedding-dress for my betrothed.' An hour afterwards Luigi Vampa was chosen captain, vice Cucumetto deceased."

"Well, my dear Albert," said Franz, turning towards his friend; "what think you of citizen Luigi Vampa?"

"I say he is a myth," replied Albert, "and never had an existence."

"And what may a myth be?" inquired Pastrini.

"The explanation would be too long, my dear landlord," replied Franz.

"And you say that Signor Vampa exercises his profession at this moment in the environs of Rome?"

"And with a boldness of which no bandit before him ever gave an example."

"Then the police have vainly tried to lay hands on him?"

"Why, you see, he has a good understanding with the shepherds in the plains, the fishermen of the Tiber, and the smugglers of the coast. They seek for him in the mountains, and he is on the waters; they follow him on the waters, and he is on the open sea; then they pursue him, and he has suddenly taken refuge in the islands, at Giglio, Guanouti, or Monte Cristo; and when they hunt for him there, he reappears suddenly at Albano, Tivoli, or La Riccia."

"And how does he behave towards travellers?"

"Alas! his plan is very simple. It depends on the distance he may be from the city, whether he gives eight hours, twelve hours, or a day wherein to pay their ransom; and when that time has elapsed he allows another hour's grace. At the sixtieth minute of this hour, if the money is not forthcoming, he blows out the prisoner's brains with a pistol-shot, or plants his dagger in his heart, and that settles the account."

"Well, Albert," inquired Franz of his companion, "are you still disposed to go to the Colosseum by the outer wall?"

"Quite so," said Albert, "if the way be picturesque." The clock struck nine as the door opened, and a coachman appeared. "Excellencies," said he, "the coach is ready."

"Well, then," said Franz, "let us to the Colosseum."

"By the Porta del Popolo or by the streets, your excellencies?"

"By the streets, morbleu, by the streets!" cried Franz.

"Ah, my dear fellow," said Albert, rising, and lighting his third cigar, "really, I thought you had more courage." So saying, the two young men went down the staircase, and got into the carriage.

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PART 1 OF 2

Chapter 34 - The Colosseum

Franz had so managed his route, that during the ride to the Colosseum they passed not a single ancient ruin, so that no preliminary impression interfered to mitigate the colossal proportions of the gigantic building they came to admire. The road selected was a continuation of the Via Sistina; then by cutting off the right angle of the street in which stands Santa Maria Maggiore and proceeding by the Via Urbana and San Pietro in Vincoli, the travellers would find themselves directly opposite the Colosseum. This itinerary possessed another great advantage, - that of leaving Franz at full liberty to indulge his deep reverie upon the subject of Signor Pastrini's story, in which his mysterious host of Monte Cristo was so strangely mixed up. Seated with folded arms in a corner of the carriage, he continued to ponder over the singular history he had so lately listened to, and to ask himself an interminable number of questions touching its various circumstances without, however, arriving at a satisfactory reply to any of them. One fact more than the rest brought his friend "Sinbad the Sailor" back to his recollection, and that was the mysterious sort of intimacy that seemed to exist between the brigands and the sailors; and Pastrini's account of Vampa's having found refuge on board the vessels of smugglers and fishermen, reminded Franz of the two Corsican bandits he had found supping so amicably with the crew of the little yacht, which had even deviated from its course and touched at Porto-Vecchio for the sole purpose of landing them. The very name assumed by his host of Monte Cristo and again repeated by the landlord of the Hotel de Londres, abundantly proved to him that his island friend was playing his philanthropic part on the shores of Piombino, Civita-Vecchio, Ostia, and Gaeta, as on those of Corsica, Tuscany, and Spain; and further, Franz bethought him of having heard his singular entertainer speak both of Tunis and Palermo, proving thereby how largely his circle of acquaintances extended.

But however the mind of the young man might be absorbed in these reflections, they were at once dispersed at the sight of the dark frowning ruins of the stupendous Colosseum, through the various openings of which the pale moonlight played and flickered like the unearthly gleam from the eyes of the wandering dead. The carriage stopped near the Meta Sudans; the door was opened, and the young men, eagerly alighting, found themselves opposite a cicerone, who appeared to have sprung up from the ground, so unexpected was his appearance.

The usual guide from the hotel having followed them, they had paid two conductors, nor is it possible, at Rome, to avoid this abundant supply of guides; besides the ordinary cicerone, who seizes upon you directly you set foot in your hotel, and never quits you while you remain in the city, there is also a special cicerone belonging to each monument - nay, almost to each part of a monument. It may, therefore, be easily imagined there is no scarcity of guides at the Colosseum, that wonder of all ages, which Martial thus eulogizes: "Let Memphis cease to boast the barbarous miracles of her pyramids, and the wonders of Babylon be talked of no more among us; all must bow to the superiority of the gigantic labor of the Caesars, and the many voices of Fame spread far and wide the surpassing merits of this incomparable monument."

As for Albert and Franz, they essayed not to escape from their ciceronian tyrants; and, indeed, it would have been so much the more difficult to break their bondage, as the guides alone are permitted to visit these monuments with torches in their hands. Thus, then, the young men made no attempt at resistance, but blindly and confidingly surrendered themselves into the care and custody of their conductors. Albert had already made seven or eight similar excursions to the Colosseum, while his less favored companion trod for the first time in his life the classic ground forming the monument of Flavius Vespasian; and, to his credit be it spoken, his mind, even amid the glib loquacity of the guides, was duly and deeply touched with awe and enthusiastic admiration of all he saw; and certainly no adequate notion of these stupendous ruins can be formed save by such as have visited them, and more especially by moonlight, at which time the vast proportions of the building appear twice as large when viewed by the mysterious beams of a southern moonlit sky, whose rays are sufficiently clear and vivid to light the horizon with a glow equal to the soft twilight of an eastern clime. Scarcely, therefore, had the reflective Franz walked a hundred steps beneath the interior porticoes of the ruin, than, abandoning Albert to the guides (who would by no means yield their prescriptive right of carrying their victims through the routine regularly laid down, and as regularly followed by them, but dragged the unconscious visitor to the various objects with a pertinacity that admitted of no appeal, beginning, as a matter of course, with the Lions' Den, and finishing with Caesar's "Podium,"), to escape a jargon and mechanical survey of the wonders by which he was surrounded, Franz ascended a half-dilapidated staircase, and, leaving them to follow their monotonous round, seated himself at the foot of a column, and immediately opposite a large aperture, which permitted him to enjoy a full and undisturbed view of the gigantic dimensions of the majestic ruin.

Franz had remained for nearly a quarter of an hour perfectly hidden by the shadow of the vast column at whose base he had found a resting-place, and from whence his eyes followed the motions of Albert and his guides, who, holding torches in their hands, had emerged from a vomitarium at the opposite extremity of the Colosseum, and then again disappeared down the steps conducting to the seats reserved for the Vestal virgins, resembling, as they glided along, some restless shades following the flickering glare of so many ignes-fatui. All at once his ear caught a sound resembling that of a stone rolling down the staircase opposite the one by which he had himself ascended. There was nothing remarkable in the circumstance of a fragment of granite giving way and falling heavily below; but it seemed to him that the substance that fell gave way beneath the pressure of a foot, and also that some one, who endeavored as much as possible to prevent his footsteps from being heard, was approaching the spot where he sat. Conjecture soon became certainty, for the figure of a man was distinctly visible to Franz, gradually emerging from the staircase opposite, upon which the moon was at that moment pouring a full tide of silvery brightness.

The stranger thus presenting himself was probably a person who, like Franz, preferred the enjoyment of solitude and his own thoughts to the frivolous gabble of the guides. And his appearance had nothing extraordinary in it; but the hesitation with which he proceeded, stopping and listening with anxious attention at every step he took, convinced Franz that he expected the arrival of some person. By a sort of instinctive impulse, Franz withdrew as much as possible behind his pillar. About ten feet from the spot where he and the stranger were, the roof had given way, leaving a large round opening, through which might be seen the blue vault of heaven, thickly studded with stars. Around this opening, which had, possibly, for ages permitted a free entrance to the brilliant moonbeams that now illumined the vast pile, grew a quantity of creeping plants, whose delicate green branches stood out in bold relief against the clear azure of the firmament, while large masses of thick, strong fibrous shoots forced their way through the chasm, and hung floating to and fro, like so many waving strings. The person whose mysterious arrival had attracted the attention of Franz stood in a kind of half-light, that rendered it impossible to distinguish his features, although his dress was easily made out. He wore a large brown mantle, one fold of which, thrown over his left shoulder, served likewise to mask the lower part of his countenance, while the upper part was completely hidden by his broad-brimmed hat. The lower part of his dress was more distinctly visible by the bright rays of the moon, which, entering through the broken ceiling, shed their refulgent beams on feet cased in elegantly made boots of polished leather, over which descended fashionably cut trousers of black cloth.

From the imperfect means Franz had of judging, he could only come to one conclusion, - that the person whom he was thus watching certainly belonged to no inferior station of life. Some few minutes had elapsed, and the stranger began to show manifest signs of impatience, when a slight noise was heard outside the aperture in the roof, and almost immediately a dark shadow seemed to obstruct the flood of light that had entered it, and the figure of a man was clearly seen gazing with eager scrutiny on the immense space beneath him; then, as his eye caught sight of him in the mantle, he grasped a floating mass of thickly matted boughs, and glided down by their help to within three or four feet of the ground, and then leaped lightly on his feet. The man who had performed this daring act with so much indifference wore the Transtevere costume. "I beg your excellency's pardon for keeping you waiting," said the man, in the Roman dialect, "but I don't think I'm many minutes after my time, ten o'clock has just struck on the Lateran."

"Say not a word about being late," replied the stranger in purest Tuscan; "'tis I who am too soon. But even if you had caused me to wait a little while, I should have felt quite sure that the delay was not occasioned by any fault of yours."

"Your excellency is perfectly right in so thinking," said the man; "I came here direct from the Castle of St. Angelo, and I had an immense deal of trouble before I could get a chance to speak to Beppo."

"And who is Beppo?"

"Oh, Beppo is employed in the prison, and I give him so much a year to let me know what is going on within his holiness's castle."

"Indeed! You are a provident person, I see."

"Why, you see, no one knows what may happen. Perhaps some of these days I may be entrapped, like poor Peppino and may be very glad to have some little nibbling mouse to gnaw the meshes of my net, and so help me out of prison."

"Briefly, what did you glean?"

"That two executions of considerable interest will take place the day after to-morrow at two o'clock, as is customary at Rome at the commencement of all great festivals. One of the culprits will be mazzolato; [1] he is an atrocious villain, who murdered the priest who brought him up, and deserves not the smallest pity. The other sufferer is sentenced to be decapitato; [2] and he, your excellency, is poor Peppino."

"The fact is, that you have inspired not only the pontifical government, but also the neighboring states, with such extreme fear, that they are glad of all opportunity of making an example."

"But Peppino did not even belong to my band: he was merely a poor shepherd, whose only crime consisted in furnishing us with provisions."

"Which makes him your accomplice to all intents and purposes. But mark the distinction with which he is treated; instead of being knocked on the head as you would be if once they caught hold of you, he is simply sentenced to be guillotined, by which means, too, the amusements of the day are diversified, and there is a spectacle to please every spectator."

"Without reckoning the wholly unexpected one I am preparing to surprise them with."

"My good friend," said the man in the cloak, "excuse me for saying that you seem to me precisely in the mood to commit some wild or extravagant act."

"Perhaps I am; but one thing I have resolved on, and that is, to stop at nothing to restore a poor devil to liberty, who has got into this scrape solely from having served me. I should hate and despise myself as a coward did I desert the brave fellow in his present extremity."

"And what do you mean to do?"

"To surround the scaffold with twenty of my best men, who, at a signal from me, will rush forward directly Peppino is brought for execution, and, by the assistance of their stilettos, drive back the guard, and carry off the prisoner."

"That seems to me as hazardous as uncertain, and convinces me that my scheme is far better than yours."

"And what is your excellency's project?"

"Just this. I will so advantageously bestow 2,000 piastres, that the person receiving them shall obtain a respite till next year for Peppino; and during that year, another skilfully placed 1,000 piastres will afford him the means of escaping from his prison."

"And do you feel sure of succeeding?"

"Pardieu!" exclaimed the man in the cloak, suddenly expressing himself in French.

"What did your excellency say?" inquired the other.

"I said, my good fellow, that I would do more single-handed by the means of gold than you and all your troop could effect with stilettos, pistols, carbines, and blunderbusses included. Leave me, then, to act, and have no fears for the result."

"At least, there can be no harm in myself and party being in readiness, in case your excellency should fail."

"None whatever. Take what precautions you please, if it is any satisfaction to you to do so; but rely upon my obtaining the reprieve I seek."

"Remember, the execution is fixed for the day after tomorrow, and that you have but one day to work in."

"And what of that? Is not a day divided into twenty-four hours, each hour into sixty minutes, and every minute sub-divided into sixty seconds? Now in 86,400 seconds very many things can be done."

"And how shall I know whether your excellency has succeeded or not."

"Oh, that is very easily arranged. I have engaged the three lower windows at the Cafe Rospoli; should I have obtained the requisite pardon for Peppino, the two outside windows will be hung with yellow damasks, and the centre with white, having a large cross in red marked on it."

"And whom will you employ to carry the reprieve to the officer directing the execution?"

"Send one of your men, disguised as a penitent friar, and I will give it to him. His dress will procure him the means of approaching the scaffold itself, and he will deliver the official order to the officer, who, in his turn, will hand it to the executioner; in the meantime, it will be as well to acquaint Peppino with what we have determined on, if it be only to prevent his dying of fear or losing his senses, because in either case a very useless expense will have been incurred."

"Your excellency," said the man, "you are fully persuaded of my entire devotion to you, are you not?"

"Nay, I flatter myself that there can be no doubt of it," replied the cavalier in the cloak.

"Well, then, only fulfil your promise of rescuing Peppino, and henceforward you shall receive not only devotion, but the most absolute obedience from myself and those under me that one human being can render to another."

"Have a care how far you pledge yourself, my good friend, for I may remind you of your promise at some, perhaps, not very distant period, when I, in my turn, may require your aid and influence."

"Let that day come sooner or later, your excellency will find me what I have found you in this my heavy trouble; and if from the other end of the world you but write me word to do such or such a thing, you may regard it as done, for done it shall be, on the word and faith of" -

"Hush!" interrupted the stranger; "I hear a noise."

"'Tis some travellers, who are visiting the Colosseum by torchlight."

"'Twere better we should not be seen together; those guides are nothing but spies, and might possibly recognize you; and, however I may be honored by your friendship, my worthy friend, if once the extent of our intimacy were known, I am sadly afraid both my reputation and credit would suffer thereby."

"Well, then, if you obtain the reprieve?"

"The middle window at the Cafe Rospoli will be hung with white damask, bearing a red cross."

"And if you fail?"

"Then all three windows will have yellow draperies."

"And then?"

"And then, my good fellow, use your daggers in any way you please, and I further promise you to be there as a spectator of your prowess."

"We understand each other perfectly, then. Adieu, your excellency; depend upon me as firmly as I do upon you."

Saying these words, the Transteverin disappeared down the staircase, while his companion, muffling his features more closely than before in the folds of his mantle, passed almost close to Franz, and descended to the arena by an outward flight of steps. The next minute Franz heard himself called by Albert, who made the lofty building re-echo with the sound of his friend's name. Franz, however, did not obey the summons till he had satisfied himself that the two men whose conversation he had overheard were at a sufficient distance to prevent his encountering them in his descent. In ten minutes after the strangers had departed, Franz was on the road to the Piazza de Spagni, listening with studied indifference to the learned dissertation delivered by Albert, after the manner of Pliny and Calpurnius, touching the iron-pointed nets used to prevent the ferocious beasts from springing on the spectators. Franz let him proceed without interruption, and, in fact, did not hear what was said; he longed to be alone, and free to ponder over all that had occurred. One of the two men, whose mysterious meeting in the Colosseum he had so unintentionally witnessed, was an entire stranger to him, but not so the other; and though Franz had been unable to distinguish his features, from his being either wrapped in his mantle or obscured by the shadow, the tones of his voice had made too powerful an impression on him the first time he had heard them for him ever again to forget them, hear them when or where he might. It was more especially when this man was speaking in a manner half jesting, half bitter, that Franz's ear recalled most vividly the deep sonorous, yet well-pitched voice that had addressed him in the grotto of Monte Cristo, and which he heard for the second time amid the darkness and ruined grandeur of the Colosseum. And the more he thought, the more entire was his conviction, that the person who wore the mantle was no other than his former host and entertainer, "Sinbad the Sailor."

Under any other circumstances, Franz would have found it impossible to resist his extreme curiosity to know more of so singular a personage, and with that intent have sought to renew their short acquaintance; but in the present instance, the confidential nature of the conversation he had overheard made him, with propriety, judge that his appearance at such a time would be anything but agreeable. As we have seen, therefore, he permitted his former host to retire without attempting a recognition, but fully promising himself a rich indemnity for his present forbearance should chance afford him another opportunity. In vain did Franz endeavor to forget the many perplexing thoughts which assailed him; in vain did he court the refreshment of sleep. Slumber refused to visit his eyelids and the night was passed in feverish contemplation of the chain of circumstances tending to prove the identity of the mysterious visitant to the Colosseum with the inhabitant of the grotto of Monte Cristo; and the more he thought, the firmer grew his opinion on the subject. Worn out at length, he fell asleep at daybreak, and did not awake till late. Like a genuine Frenchman, Albert had employed his time in arranging for the evening's diversion; he had sent to engage a box at the Teatro Argentino; and Franz, having a number of letters to write, relinquished the carriage to Albert for the whole of the day. At five o'clock Albert returned, delighted with his day's work; he had been occupied in leaving his letters of introduction, and had received in return more invitations to balls and routs than it would be possible for him to accept; besides this, he had seen (as he called it) all the remarkable sights at Rome. Yes, in a single day he had accomplished what his more serious-minded companion would have taken weeks to effect. Neither had he neglected to ascertain the name of the piece to be played that night at the Teatro Argentino, and also what performers appeared in it.

The opera of "Parisina" was announced for representation, and the principal actors were Coselli, Moriani, and La Specchia. The young men, therefore, had reason to consider themselves fortunate in having the opportunity of hearing one of the best works by the composer of "Lucia di Lammermoor," supported by three of the most renowned vocalists of Italy. Albert had never been able to endure the Italian theatres, with their orchestras from which it is impossible to see, and the absence of balconies, or open boxes; all these defects pressed hard on a man who had had his stall at the Bouffes, and had shared a lower box at the Opera. Still, in spite of this, Albert displayed his most dazzling and effective costumes each time he visited the theatres; but, alas, his elegant toilet was wholly thrown away, and one of the most worthy representatives of Parisian fashion had to carry with him the mortifying reflection that he had nearly overrun Italy without meeting with a single adventure.

Sometimes Albert would affect to make a joke of his want of success; but internally he was deeply wounded, and his self-love immensely piqued, to think that Albert de Morcerf, the most admired and most sought after of any young person of his day, should thus be passed over, and merely have his labor for his pains. And the thing was so much the more annoying, as, according to the characteristic modesty of a Frenchman, Albert had quitted Paris with the full conviction that he had only to show himself in Italy to carry all before him, and that upon his return he should astonish the Parisian world with the recital of his numerous love-affairs. Alas, poor Albert! none of those interesting adventures fell in his way; the lovely Genoese, Florentines, and Neapolitans were all faithful, if not to their husbands, at least to their lovers, and thought not of changing even for the splendid appearance of Albert de Morcerf; and all he gained was the painful conviction that the ladies of Italy have this advantage over those of France, that they are faithful even in their infidelity. Yet he could not restrain a hope that in Italy, as elsewhere, there might be an exception to the general rule. Albert, besides being an elegant, well-looking young man, was also possessed of considerable talent and ability; moreover, he was a viscount - a recently created one, certainly, but in the present day it is not necessary to go as far back as Noah in tracing a descent, and a genealogical tree is equally estimated, whether dated from 1399 or merely 1815; but to crown all these advantages, Albert de Morcerf commanded an income of 50,000 livres, a more than sufficient sum to render him a personage of considerable importance in Paris. It was therefore no small mortification to him to have visited most of the principal cities in Italy without having excited the most trifling observation. Albert, however, hoped to indemnify himself for all these slights and indifferences during the Carnival, knowing full well that among the different states and kingdoms in which this festivity is celebrated, Rome is the spot where even the wisest and gravest throw off the usual rigidity of their lives, and deign to mingle in the follies of this time of liberty and relaxation.

The Carnival was to commence on the morrow; therefore Albert had not an instant to lose in setting forth the programme of his hopes, expectations, and claims to notice. With this design he had engaged a box in the most conspicuous part of the theatre, and exerted himself to set off his personal attractions by the aid of the most rich and elaborate toilet. The box taken by Albert was in the first circle; although each of the three tiers of boxes is deemed equally aristocratic, and is, for this reason, generally styled the "nobility's boxes," and although the box engaged for the two friends was sufficiently capacious to contain at least a dozen persons, it had cost less than would be paid at some of the French theatres for one admitting merely four occupants. Another motive had influenced Albert's selection of his seat, - who knew but that, thus advantageously placed, he might not in truth attract the notice of some fair Roman, and an introduction might ensue that would procure him the offer of a seat in a carriage, or a place in a princely balcony, from which he might behold the gayeties of the Carnival? These united considerations made Albert more lively and anxious to please than he had hitherto been. Totally disregarding the business of the stage, he leaned from his box and began attentively scrutinizing the beauty of each pretty woman, aided by a powerful opera-glass; but, alas, this attempt to attract notice wholly failed; not even curiosity had been excited, and it was but too apparent that the lovely creatures, into whose good graces he was desirous of stealing, were all so much engrossed with themselves, their lovers, or their own thoughts, that they had not so much as noticed him or the manipulation of his glass.

The truth was, that the anticipated pleasures of the Carnival, with the "holy week" that was to succeed it, so filled every fair breast, as to prevent the least attention being bestowed even on the business of the stage. The actors made their entries and exits unobserved or unthought of; at certain conventional moments, the spectators would suddenly cease their conversation, or rouse themselves from their musings, to listen to some brilliant effort of Moriani's, a well-executed recitative by Coselli, or to join in loud applause at the wonderful powers of La Specchia; but that momentary excitement over, they quickly relapsed into their former state of preoccupation or interesting conversation. Towards the close of the first act, the door of a box which had been hitherto vacant was opened; a lady entered to whom Franz had been introduced in Paris, where indeed, he had imagined she still was. The quick eye of Albert caught the involuntary start with which his friend beheld the new arrival, and, turning to him, he said hastily, "Do you know the woman who has just entered that box?"

"Yes; what do you think of her?"

"Oh, she is perfectly lovely - what a complexion! And such magnificent hair! Is she French?"

"No; a Venetian."

"And her name is - "

"Countess G - - ."

"Ah, I know her by name!" exclaimed Albert; "she is said to possess as much wit and cleverness as beauty. I was to have been presented to her when I met her at Madame Villefort's ball."

"Shall I assist you in repairing your negligence?" asked Franz.

"My dear fellow, are you really on such good terms with her as to venture to take me to her box?"

"Why, I have only had the honor of being in her society and conversing with her three or four times in my life; but you know that even such an acquaintance as that might warrant my doing what you ask." At that instant, the countess perceived Franz, and graciously waved her hand to him, to which he replied by a respectful inclination of the head. "Upon my word," said Albert, "you seem to be on excellent terms with the beautiful countess."

"You are mistaken in thinking so," returned Franz calmly; "but you merely fall into the same error which leads so many of our countrymen to commit the most egregious blunders, - I mean that of judging the habits and customs of Italy and Spain by our Parisian notions; believe me, nothing is more fallacious than to form any estimate of the degree of intimacy you may suppose existing among persons by the familiar terms they seem upon; there is a similarity of feeling at this instant between ourselves and the countess - nothing more."

"Is there, indeed, my good fellow? Pray tell me, is it sympathy of heart?"

"No; of taste," continued Franz gravely.

"And in what manner has this congeniality of mind been evinced?"

"By the countess's visiting the Colosseum, as we did last night, by moonlight, and nearly alone."

"You were with her, then?"

"I was."

"And what did you say to her?"

"Oh, we talked of the illustrious dead of whom that magnificent ruin is a glorious monument!"

"Upon my word," cried Albert, "you must have been a very entertaining companion alone, or all but alone, with a beautiful woman in such a place of sentiment as the Colosseum, and yet to find nothing better to talk about than the dead! All I can say is, if ever I should get such a chance, the living should be my theme."

"And you will probably find your theme ill-chosen."

"But," said Albert, breaking in upon his discourse, "never mind the past; let us only remember the present. Are you not going to keep your promise of introducing me to the fair subject of our remarks?"

"Certainly, directly the curtain falls on the stage."

"What a confounded time this first act takes. I believe, on my soul, that they never mean to finish it."

"Oh, yes, they will; only listen to that charming finale. How exquisitely Coselli sings his part."

"But what an awkward, inelegant fellow he is."

"Well, then, what do you say to La Specchia? Did you ever see anything more perfect than her acting?"

"Why, you know, my dear fellow, when one has been accustomed to Malibran and Sontag, such singers as these don't make the same impression on you they perhaps do on others."

"At least, you must admire Moriani's style and execution."

"I never fancied men of his dark, ponderous appearance singing with a voice like a woman's."

"My good friend," said Franz, turning to him, while Albert continued to point his glass at every box in the theatre, "you seem determined not to approve; you are really too difficult to please." The curtain at length fell on the performances, to the infinite satisfaction of the Viscount of Morcerf, who seized his hat, rapidly passed his fingers through his hair, arranged his cravat and wristbands, and signified to Franz that he was waiting for him to lead the way. Franz, who had mutely interrogated the countess, and received from her a gracious smile in token that he would be welcome, sought not to retard the gratification of Albert's eager impatience, but began at once the tour of the house, closely followed by Albert, who availed himself of the few minutes required to reach the opposite side of the theatre to settle the height and smoothness of his collar, and to arrange the lappets of his coat. This important task was just completed as they arrived at the countess's box. At the knock, the door was immediately opened, and the young man who was seated beside the countess, in obedience to the Italian custom, instantly rose and surrendered his place to the strangers, who, in turn, would be expected to retire upon the arrival of other visitors.

________________

Notes:

1. Knocked on the head.

2. Beheaded.

[admin]

PART 2 OF 2 (CH. 34 CONT'D.)

Franz presented Albert as one of the most distinguished young men of the day, both as regarded his position in society and extraordinary talents; nor did he say more than the truth, for in Paris and the circle in which the viscount moved, he was looked upon and cited as a model of perfection. Franz added that his companion, deeply grieved at having been prevented the honor of being presented to the countess during her sojourn in Paris, was most anxious to make up for it, and had requested him (Franz) to remedy the past misfortune by conducting him to her box, and concluded by asking pardon for his presumption in having taken it upon himself to do so. The countess, in reply, bowed gracefully to Albert, and extended her hand with cordial kindness to Franz; then, inviting Albert to take the vacant seat beside her, she recommended Franz to take the next best, if he wished to view the ballet, and pointed to the one behind her own chair. Albert was soon deeply engrossed in discoursing upon Paris and Parisian matters, speaking to the countess of the various persons they both knew there. Franz perceived how completely he was in his element; and, unwilling to interfere with the pleasure he so evidently felt, took up Albert's glass, and began in his turn to survey the audience. Sitting alone, in the front of a box immediately opposite, but situated on the third row, was a woman of exquisite beauty, dressed in a Greek costume, which evidently, from the ease and grace with which she wore it, was her national attire. Behind her, but in deep shadow, was the outline of a masculine figure; but the features of this latter personage it was not possible to distinguish. Franz could not forbear breaking in upon the apparently interesting conversation passing between the countess and Albert, to inquire of the former if she knew who was the fair Albanian opposite, since beauty such as hers was well worthy of being observed by either sex. "All I can tell about her," replied the countess, "is, that she has been at Rome since the beginning of the season; for I saw her where she now sits the very first night of the season, and since then she has never missed a performance. Sometimes she is accompanied by the person who is now with her, and at others she is merely attended by a black servant."

"And what do you think of her personal appearance?"

"Oh, I consider her perfectly lovely - she is just my idea of what Medora must have been."

Franz and the countess exchanged a smile, and then the latter resumed her conversation with Albert, while Franz returned to his previous survey of the house and company. The curtain rose on the ballet, which was one of those excellent specimens of the Italian school, admirably arranged and put on the stage by Henri, who has established for himself a great reputation throughout Italy for his taste and skill in the choregraphic art - one of those masterly productions of grace, method, and elegance in which the whole corps de ballet, from the principal dancers to the humblest supernumerary, are all engaged on the stage at the same time; and a hundred and fifty persons may be seen exhibiting the same attitude, or elevating the same arm or leg with a simultaneous movement, that would lead you to suppose that but one mind, one act of volition, influenced the moving mass - the ballet was called "Poliska." However much the ballet might have claimed his attention, Franz was too deeply occupied with the beautiful Greek to take any note of it; while she seemed to experience an almost childlike delight in watching it, her eager, animated looks contrasting strongly with the utter indifference of her companion, who, during the whole time the piece lasted, never even moved, not even when the furious, crashing din produced by the trumpets, cymbals, and Chinese bells sounded their loudest from the orchestra. Of this he took no heed, but was, as far as appearances might be trusted, enjoying soft repose and bright celestial dreams. The ballet at length came to a close, and the curtain fell amid the loud, unanimous plaudits of an enthusiastic and delighted audience.

Owing to the very judicious plan of dividing the two acts of the opera with a ballet, the pauses between the performances are very short, the singers in the opera having time to repose themselves and change their costume, when necessary, while the dancers are executing their pirouettes and exhibiting their graceful steps. The overture to the second act began; and, at the first sound of the leader's bow across his violin, Franz observed the sleeper slowly arise and approach the Greek girl, who turned around to say a few words to him, and then, leaning forward again on the railing of her box, she became as absorbed as before in what was going on. The countenance of the person who had addressed her remained so completely in the shade, that, though Franz tried his utmost, he could not distinguish a single feature. The curtain rose, and the attention of Franz was attracted by the actors; and his eyes turned from the box containing the Greek girl and her strange companion to watch the business of the stage.

Most of my readers are aware that the second act of "Parisina" opens with the celebrated and effective duet in which Parisina, while sleeping, betrays to Azzo the secret of her love for Ugo. The injured husband goes through all the emotions of jealousy, until conviction seizes on his mind, and then, in a frenzy of rage and indignation, he awakens his guilty wife to tell her that he knows her guilt and to threaten her with his vengeance. This duet is one of the most beautiful, expressive and terrible conceptions that has ever emanated from the fruitful pen of Donizetti. Franz now listened to it for the third time; yet it's notes, so tenderly expressive and fearfully grand as the wretched husband and wife give vent to their different griefs and passions, thrilled through the soul of Franz with an effect equal to his first emotions upon hearing it. Excited beyond his usual calm demeanor, Franz rose with the audience, and was about to join the loud, enthusiastic applause that followed; but suddenly his purpose was arrested, his hands fell by his sides, and the half-uttered "bravos" expired on his lips. The occupant of the box in which the Greek girl sat appeared to share the universal admiration that prevailed; for he left his seat to stand up in front, so that, his countenance being fully revealed, Franz had no difficulty in recognizing him as the mysterious inhabitant of Monte Cristo, and the very same person he had encountered the preceding evening in the ruins of the Colosseum, and whose voice and figure had seemed so familiar to him. All doubt of his identity was now at an end; his singular host evidently resided at Rome. The surprise and agitation occasioned by this full confirmation of Franz's former suspicion had no doubt imparted a corresponding expression to his features; for the countess, after gazing with a puzzled look at his face, burst into a fit of laughter, and begged to know what had happened. "Countess," returned Franz, totally unheeding her raillery, "I asked you a short time since if you knew any particulars respecting the Albanian lady opposite; I must now beseech you to inform me who and what is her husband?"

"Nay," answered the countess, "I know no more of him than yourself."

"Perhaps you never before noticed him?"

"What a question - so truly French! Do you not know that we Italians have eyes only for the man we love?"

"True," replied Franz.

"All I call say is," continued the countess, taking up the lorgnette, and directing it toward the box in question, "that the gentleman, whose history I am unable to furnish, seems to me as though he had just been dug up; he looks more like a corpse permitted by some friendly grave-digger to quit his tomb for a while, and revisit this earth of ours, than anything human. How ghastly pale he is!"

"Oh, he is always as colorless as you now see him," said Franz.

"Then you know him?" almost screamed the countess. "Oh, pray do, for heaven's sake, tell us all about - is he a vampire, or a resuscitated corpse, or what?"

"I fancy I have seen him before; and I even think he recognizes me."

"And I can well understand," said the countess, shrugging up her beautiful shoulders, as though an involuntary shudder passed through her veins, "that those who have once seen that man will never be likely to forget him." The sensation experienced by Franz was evidently not peculiar to himself; another, and wholly uninterested person, felt the same unaccountable awe and misgiving. "Well." inquired Franz, after the countess had a second time directed her lorgnette at the box, "what do you think of our opposite neighbor?"

"Why, that he is no other than Lord Ruthven himself in a living form." This fresh allusion to Byron [1] drew a smile to Franz's countenance; although he could but allow that if anything was likely to induce belief in the existence of vampires, it would be the presence of such a man as the mysterious personage before him.

"I must positively find out who and what he is," said Franz, rising from his seat.

"No, no," cried the countess; "you must not leave me. I depend upon you to escort me home. Oh, indeed, I cannot permit you to go."

"Is it possible," whispered Franz, "that you entertain any fear?"

"I'll tell you," answered the countess. "Byron had the most perfect belief in the existence of vampires, and even assured me that he had seen them. The description he gave me perfectly corresponds with the features and character of the man before us. Oh, he is the exact personification of what I have been led to expect! The coal-black hair, large bright, glittering eyes, in which a wild, unearthly fire seems burning, - the same ghastly paleness. Then observe, too, that the woman with him is altogether unlike all others of her sex. She is a foreigner - a stranger. Nobody knows who she is, or where she comes from. No doubt she belongs to the same horrible race he does, and is, like himself, a dealer in magical arts. I entreat of you not to go near him - at least to-night; and if to-morrow your curiosity still continues as great, pursue your researches if you will; but to-night you neither can nor shall. For that purpose I mean to keep you all to myself." Franz protested he could not defer his pursuit till the following day, for many reasons. "Listen to me," said the countess, "and do not be so very headstrong. I am going home. I have a party at my house to-night, and therefore cannot possibly remain till the end of the opera. Now, I cannot for one instant believe you so devoid of gallantry as to refuse a lady your escort when she even condescends to ask you for it."

There was nothing else left for Franz to do but to take up his hat, open the door of the box, and offer the countess his arm. It was quite evident, by her manner, that her uneasiness was not feigned; and Franz himself could not resist a feeling of superstitious dread - so much the stronger in him, as it arose from a variety of corroborative recollections, while the terror of the countess sprang from an instinctive belief, originally created in her mind by the wild tales she had listened to till she believed them truths. Franz could even feel her arm tremble as he assisted her into the carriage. Upon arriving at her hotel, Franz perceived that she had deceived him when she spoke of expecting company; on the contrary, her own return before the appointed hour seemed greatly to astonish the servants. "Excuse my little subterfuge," said the countess, in reply to her companion's half-reproachful observation on the subject; "but that horrid man had made me feel quite uncomfortable, and I longed to be alone, that I might compose my startled mind." Franz essayed to smile. "Nay," said she, "do not smile; it ill accords with the expression of your countenance, and I am sure it does not spring from your heart. however, promise me one thing."

"What is it?"

"Promise me, I say."

"I will do anything you desire, except relinquish my determination of finding out who this man is. I have more reasons than you can imagine for desiring to know who he is, from whence he came, and whither he is going."

"Where he comes from I am ignorant; but I can readily tell you where he is going to, and that is down below, without the least doubt."

"Let us only speak of the promise you wished me to make," said Franz.

"Well, then, you must give me your word to return immediately to your hotel, and make no attempt to follow this man to-night. There are certain affinities between the persons we quit and those we meet afterwards. For heaven's sake, do not serve as a conductor between that man and me. Pursue your chase after him to-morrow as eagerly as you please; but never bring him near me, if you would not see me die of terror. And now, good-night; go to your rooms, and try to sleep away all recollections of this evening. For my own part, I am quite sure I shall not be able to close my eyes." So saying, the countess quitted Franz, leaving him unable to decide whether she were merely amusing herself at his expense, or whether her fears and agitations were genuine.

Upon his return to the hotel, Franz found Albert in his dressing-gown and slippers, listlessly extended on a sofa, smoking a cigar. "My dear fellow." cried he, springing up, "is it really you? Why, I did not expect to see you before to-morrow."

"My dear Albert," replied Franz, "I am glad of this opportunity to tell you, once and forever, that you entertain a most erroneous notion concerning Italian women. I should have thought the continual failures you have met with in all your own love affairs might have taught you better by this time."

"Upon my soul, these women would puzzle the very Devil to read them aright. Why, here - they give you their hand - they press yours in return - they keep up a whispering conversation - permit you to accompany them home. Why, if a Parisian were to indulge in a quarter of these marks of flattering attention, her reputation would be gone forever."

"And the very reason why the women of this fine country put so little restraint on their words and actions, is because they live so much in public, and have really nothing to conceal. Besides, you must have perceived that the countess was really alarmed."

"At what? At the sight of that respectable gentleman sitting opposite to us in the same box with the lovely Greek girl? Now, for my part, I met them in the lobby after the conclusion of the piece; and hang me, if I can guess where you took your notions of the other world from. I can assure you that this hobgoblin of yours is a deuced fine-looking fellow - admirably dressed. Indeed, I feel quite sure, from the cut of his clothes, they are made by a first-rate Paris tailor - probably Blin or Humann. He was rather too pale, certainly; but then, you know, paleness is always looked upon as a strong proof of aristocratic descent and distinguished breeding." Franz smiled; for he well remembered that Albert particularly prided himself on the entire absence of color in his own complexion.

"Well, that tends to confirm my own ideas," said Franz, "that the countess's suspicions were destitute alike of sense and reason. Did he speak in your hearing? and did you catch any of his words?"

"I did; but they were uttered in the Romaic dialect. I knew that from the mixture of Greek words. I don't know whether I ever told you that when I was at college I was rather - rather strong in Greek."

"He spoke the Romaic language, did he?"

"I think so."

"That settles it," murmured Franz. "'Tis he, past all doubt."

"What do you say?"

"Nothing, nothing. But tell me, what were you thinking about when I came in?"

"Oh, I was arranging a little surprise for you."

"Indeed. Of what nature?"

"Why, you know it is quite impossible to procure a carriage."

"Certainly; and I also know that we have done all that human means afforded to endeavor to get one."

"Now, then, in this difficulty a bright idea has flashed across my brain." Franz looked at Albert as though he had not much confidence in the suggestions of his imagination. "I tell you what, Sir Franz," cried Albert, "you deserve to be called out for such a misgiving and incredulous glance as that you were pleased to bestow on me just now."

"And I promise to give you the satisfaction of a gentleman if your scheme turns out as ingenious as you assert."

"Well, then, hearken to me."

"I listen."

"You agree, do you not, that obtaining a carriage is out of the question?"

"I do."

"Neither can we procure horses?"

"True; we have offered any sum, but have failed."

"Well, now, what do you say to a cart? I dare say such a thing might be had."

"Very possibly."

"And a pair of oxen?"

"As easily found as the cart."

"Then you see, my good fellow, with a cart and a couple of oxen our business can be managed. The cart must be tastefully ornamented; and if you and I dress ourselves as Neapolitan reapers, we may get up a striking tableau, after the manner of that splendid picture by Leopold Robert. It would add greatly to the effect if the countess would join us in the costume of a peasant from Puzzoli or Sorrento. Our group would then be quite complete, more especially as the countess is quite beautiful enough to represent a madonna."

"Well," said Franz, "this time, Albert, I am bound to give you credit for having hit upon a most capital idea."

"And quite a national one, too," replied Albert with gratified pride. "A mere masque borrowed from our own festivities. Ha, ha, ye Romans! you thought to make us, unhappy strangers, trot at the heels of your processions, like so many lazzaroni, because no carriages or horses are to be had in your beggarly city. But you don't know us; when we can't have one thing we invent another."

"And have you communicated your triumphant idea to anybody?"

"Only to our host. Upon my return home I sent for him, and I then explained to him what I wished to procure. He assured me that nothing would be easier than to furnish all I desired. One thing I was sorry for; when I bade him have the horns of the oxen gilded, he told me there would not be time, as it would require three days to do that; so you see we must do without this little superfluity."

"And where is he now?"

"Who?"

"Our host."

"Gone out in search of our equipage, by to-morrow it might be too late."

"Then he will be able to give us an answer to-night."

"Oh, I expect him every minute." At this instant the door opened, and the head of Signor Pastrini appeared. "Permesso?" inquired he.

"Certainly - certainly," cried Franz. "Come in, mine host."

"Now, then," asked Albert eagerly, "have you found the desired cart and oxen?"

"Better than that!" replied Signor Pastrini, with the air of a man perfectly well satisfied with himself.

"Take care, my worthy host," said Albert, "better is a sure enemy to well."

"Let your excellencies only leave the matter to me," returned Signor Pastrini in a tone indicative of unbounded self-confidence.

"But what have you done?" asked Franz. "Speak out, there's a worthy fellow."

"Your excellencies are aware," responded the landlord, swelling with importance, "that the Count of Monte Cristo is living on the same floor with yourselves!"

"I should think we did know it," exclaimed Albert, "since it is owing to that circumstance that we are packed into these small rooms, like two poor students in the back streets of Paris."

"When, then, the Count of Monte Cristo, hearing of the dilemma in which you are placed, has sent to offer you seats in his carriage and two places at his windows in the Palazzo Rospoli." The friends looked at each other with unutterable surprise.

"But do you think," asked Albert, "that we ought to accept such offers from a perfect stranger?"

"What sort of person is this Count of Monte Cristo?" asked Franz of his host. "A very great nobleman, but whether Maltese or Sicilian I cannot exactly say; but this I know, that he is noble as a Borghese and rich as a gold-mine."

"It seems to me," said Franz, speaking in an undertone to Albert, "that if this person merited the high panegyrics of our landlord, he would have conveyed his invitation through another channel, and not permitted it to be brought to us in this unceremonious way. He would have written - or" -

At this instant some one knocked at the door. "Come in," said Franz. A servant, wearing a livery of considerable style and richness, appeared at the threshold, and, placing two cards in the landlord's hands, who forthwith presented them to the two young men, he said, "Please to deliver these, from the Count of Monte Cristo to Viscomte Albert de Morcerf and M. Franz d'Epinay. The Count of Monte Cristo," continued the servant, "begs these gentlemen's permission to wait upon them as their neighbor, and he will be honored by an intimation of what time they will please to receive him."

"Faith, Franz," whispered Albert, "there is not much to find fault with here."

"Tell the count," replied Franz, "that we will do ourselves the pleasure of calling on him." The servant bowed and retired.

"That is what I call an elegant mode of attack," said Albert, "You were quite correct in what you said, Signor Pastrini. The Count of Monte Cristo is unquestionably a man of first-rate breeding and knowledge of the world."

"Then you accept his offer?" said the host.

"Of course we do," replied Albert. "Still, I must own I am sorry to be obliged to give up the cart and the group of reapers - it would have produced such an effect! And were it not for the windows at the Palazzo Rospoli, by way of recompense for the loss of our beautiful scheme, I don't know but what I should have held on by my original plan. What say you, Franz?"

"Oh, I agree with you; the windows in the Palazzo Rospoli alone decided me." The truth was, that the mention of two places in the Palazzo Rospoli had recalled to Franz the conversation he had overheard the preceding evening in the ruins of the Colosseum between the mysterious unknown and the Transteverin, in which the stranger in the cloak had undertaken to obtain the freedom of a condemned criminal; and if this muffled-up individual proved (as Franz felt sure he would) the same as the person he had just seen in the Teatro Argentino, then he should be able to establish his identity, and also to prosecute his researches respecting him with perfect facility and freedom. Franz passed the night in confused dreams respecting the two meetings he had already had with his mysterious tormentor, and in waking speculations as to what the morrow would produce. The next day must clear up every doubt; and unless his near neighbor and would-be friend, the Count of Monte Cristo, possessed the ring of Gyges, and by its power was able to render himself invisible, it was very certain he could not escape this time. Eight o'clock found Franz up and dressed, while Albert, who had not the same motives for early rising, was still soundly asleep. The first act of Franz was to summon his landlord, who presented himself with his accustomed obsequiousness.

"Pray, Signor Pastrini," asked Franz, "is not some execution appointed to take place to-day?"

"Yes, your excellency; but if your reason for inquiry is that you may procure a window to view it from, you are much too late."

"Oh, no," answered Franz, "I had no such intention; and even if I had felt a wish to witness the spectacle, I might have done so from Monte Pincio - could I not?"

"Ah!" exclaimed mine host, "I did not think it likely your excellency would have chosen to mingle with such a rabble as are always collected on that hill, which, indeed, they consider as exclusively belonging to themselves."

"Very possibly I may not go," answered Franz; "but in case I feel disposed, give me some particulars of to-day's executions."

"What particulars would your excellency like to hear?"

"Why, the number of persons condemned to suffer, their names, and description of the death they are to die."

"That happens just lucky, your excellency! Only a few minutes ago they brought me the tavolettas."

"What are they?"

"Sort of wooden tablets hung up at the corners of streets the evening before an execution, on which is pasted up a paper containing the names of the condemned persons, their crimes, and mode of punishment. The reason for so publicly announcing all this is, that all good and faithful Catholics may offer up their prayers for the unfortunate culprits, and, above all, beseech of heaven to grant them a sincere repentance."

"And these tablets are brought to you that you may add your prayers to those of the faithful, are they?" asked Franz somewhat incredulously.

"Oh, dear, no, your excellency! I have not time for anybody's affairs but my own and those of my honorable guests; but I make an agreement with the man who pastes up the papers, and he brings them to me as he would the playbills, that in case any person staying at my hotel should like to witness an execution, he may obtain every requisite information concerning the time and place etc."

"Upon my word, that is a most delicate attention on your part, Signor Pastrini," cried Franz.

"Why, your excellency," returned the landlord, chuckling and rubbing his hands with infinite complacency, "I think I may take upon myself to say I neglect nothing to deserve the support and patronage of the noble visitors to this poor hotel."

"I see that plainly enough, my most excellent host, and you may rely upon me to proclaim so striking a proof of your attention to your guests wherever I go. Meanwhile, oblige me by a sight of one of these tavolettas."

"Nothing can be easier than to comply with your excellency's wish," said the landlord, opening the door of the chamber; "I have caused one to be placed on the landing, close by your apartment." Then, taking the tablet from the wall, he handed it to Franz, who read as follows: -

"`The public is informed that on Wednesday, February 23d, being the first day of the Carnival, executions will take place in the Piazza del Popolo, by order of the Tribunal of the Rota, of two persons, named Andrea Rondola, and Peppino, otherwise called Rocca Priori; the former found guilty of the murder of a venerable and exemplary priest, named Don Cesare Torlini, canon of the church of St. John Lateran; and the latter convicted of being an accomplice of the atrocious and sanguinary bandit, Luigi Vampa, and his band. The first-named malefactor will be subjected to the mazzuola, the second culprit beheaded. The prayers of all good Christians are entreated for these unfortunate men, that it may please God to awaken them to a sense of their guilt, and to grant them a hearty and sincere repentance for their crimes.'"

This was precisely what Franz had heard the evening before in the ruins of the Colosseum. No part of the programme differed, - the names of the condemned persons, their crimes, and mode of punishment, all agreed with his previous information. In all probability, therefore, the Transteverin was no other than the bandit Luigi Vampa himself, and the man shrouded in the mantle the same he had known as "Sinbad the Sailor," but who, no doubt, was still pursuing his philanthropic expedition in Rome, as he had already done at Porto-Vecchio and Tunis. Time was getting on, however, and Franz deemed it advisable to awaken Albert; but at the moment he prepared to proceed to his chamber, his friend entered the room in perfect costume for the day. The anticipated delights of the Carnival had so run in his head as to make him leave his pillow long before his usual hour. "Now, my excellent Signor Pastrini," said Franz, addressing his landlord, "since we are both ready, do you think we may proceed at once to visit the Count of Monte Cristo?"

"Most assuredly," replied he. "The Count of Monte Cristo is always an early riser; and I can answer for his having been up these two hours."

"Then you really consider we shall not be intruding if we pay our respects to him directly?"

"Oh, I am quite sure. I will take all the blame on myself if you find I have led you into an error."

"Well, then, if it be so, are you ready, Albert?"

"Perfectly."

"Let us go and return our best thanks for his courtesy."

"Yes, let us do so." The landlord preceded the friends across the landing, which was all that separated them from the apartments of the count, rang at the bell, and, upon the door being opened by a servant, said, "I signori Francesi."

The domestic bowed respectfully, and invited them to enter. They passed through two rooms, furnished in a luxurious manner they had not expected to see under the roof of Signor Pastrini, and were shown into an elegantly fitted-up drawing-room. The richest Turkey carpets covered the floor, and the softest and most inviting couches, easy-chairs, and sofas, offered their high-piled and yielding cushions to such as desired repose or refreshment. Splendid paintings by the first masters were ranged against the walls, intermingled with magnificent trophies of war, while heavy curtains of costly tapestry were suspended before the different doors of the room. "If your excellencies will please to be seated," said the man, "I will let the count know that you are here."

And with these words he disappeared behind one of the tapestried portieres. As the door opened, the sound of a guzla reached the ears of the young men, but was almost immediately lost, for the rapid closing of the door merely allowed one rich swell of harmony to enter. Franz and Albert looked inquiringly at each other, then at the gorgeous furnishings of the apartment. Everything seemed more magnificent at a second view than it had done at their first rapid survey.

"Well," said Franz to his friend, "what think you of all this?"

"Why, upon my soul, my dear fellow, it strikes me that our elegant and attentive neighbor must either be some successful stock-jobber who has speculated in the fall of the Spanish funds, or some prince travelling incog."

"Hush, hush!" replied Franz; "we shall ascertain who and what he is - he comes!" As Franz spoke, he heard the sound of a door turning on its hinges, and almost immediately afterwards the tapestry was drawn aside, and the owner of all these riches stood before the two young men. Albert instantly rose to meet him, but Franz remained, in a manner, spellbound on his chair; for in the person of him who had just entered he recognized not only the mysterious visitant to the Colosseum, and the occupant of the box at the Teatro Argentino, but also his extraordinary host of Monte Cristo.

________________

Notes:

1. Scott, of course: "The son of an ill-fated sire, and the father of a yet more unfortunate family, bore in his looks that cast of inauspicious melancholy by which the physiognomists of that time pretended to distinguish those who were predestined to a violent and unhappy death." - The Abbot, ch. xxii.

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Chapter 35 - La Mazzolata

"Gentlemen," said the Count of Monte Cristo as he entered, "I pray you excuse me for suffering my visit to be anticipated; but I feared to disturb you by presenting myself earlier at your apartments; besides, you sent me word that you would come to me, and I have held myself at your disposal."

"Franz and I have to thank you a thousand times, count," returned Albert; "you extricated us from a great dilemma, and we were on the point of inventing a very fantastic vehicle when your friendly invitation reached us."

"Indeed," returned the count, motioning the two young men to sit down. "It was the fault of that blockhead Pastrini, that I did not sooner assist you in your distress. He did not mention a syllable of your embarrassment to me, when he knows that, alone and isolated as I am, I seek every opportunity of making the acquaintance of my neighbors. As soon as I learned I could in any way assist you, I most eagerly seized the opportunity of offering my services." The two young men bowed. Franz had, as yet, found nothing to say; he had come to no determination, and as nothing in the count's manner manifested the wish that he should recognize him, he did not know whether to make any allusion to the past, or wait until he had more proof; besides, although sure it was he who had been in the box the previous evening, he could not be equally positive that this was the man he had seen at the Colosseum. He resolved, therefore, to let things take their course without making any direct overture to the count. Moreover, he had this advantage, he was master of the count's secret, while the count had no hold on Franz, who had nothing to conceal. However, he resolved to lead the conversation to a subject which might possibly clear up his doubts.

"Count," said he, "you have offered us places in your carriage, and at your windows in the Rospoli Palace. Can you tell us where we can obtain a sight of the Piazza del Popolo?"

"Ah," said the count negligently, looking attentively at Morcerf, "is there not something like an execution upon the Piazza del Popolo?"

"Yes," returned Franz, finding that the count was coming to the point he wished.

"Stay, I think I told my steward yesterday to attend to this; perhaps I can render you this slight service also." He extended his hand, and rang the bell thrice. "Did you ever occupy yourself," said he to Franz, "with the employment of time and the means of simplifying the summoning your servants? I have. When I ring once, it is for my valet; twice, for my majordomo; thrice, for my steward, - thus I do not waste a minute or a word. Here he is." A man of about forty-five or fifty entered, exactly resembling the smuggler who had introduced Franz into the cavern; but he did not appear to recognize him. It was evident he had his orders. "Monsieur Bertuccio," said the count, "you have procured me windows looking on the Piazza del Popolo, as I ordered you yesterday "

"Yes, excellency," returned the steward; "but it was very late."

"Did I not tell you I wished for one?" replied the count, frowning.

"And your excellency has one, which was let to Prince Lobanieff; but I was obliged to pay a hundred" -

"That will do - that will do, Monsieur Bertuccio; spare these gentlemen all such domestic arrangements. You have the window, that is sufficient. Give orders to the coachman; and be in readiness on the stairs to conduct us to it." The steward bowed, and was about to quit the room. "Ah," continued the count, "be good enough to ask Pastrini if he has received the tavoletta, and if he can send us an account of the execution."

"There is no need to do that," said Franz, taking out his tablets; "for I saw the account, and copied it down."

"Very well, you can retire, M. Bertuccio; but let us know when breakfast is ready. These gentlemen," added he, turning to the two friends, "will, I trust, do me the honor to breakfast with me?"

"But, my dear count," said Albert, "we shall abuse your kindness."

"Not at all; on the contrary, you will give me great pleasure. You will, one or other of you, perhaps both, return it to me at Paris. M. Bertuccio, lay covers for three." He then took Franz's tablets out of his hand. "`We announce,' he read, in the same tone with which he would have read a newspaper, `that to-day, the 23d of February, will be executed Andrea Rondolo, guilty of murder on the person of the respected and venerated Don Cesare Torlini, canon of the church of St. John Lateran, and Peppino, called Rocca Priori, convicted of complicity with the detestable bandit Luigi Vampa, and the men of his band.' Hum! `The first will be mazzolato, the second decapitato.' Yes," continued the count, "it was at first arranged in this way; but I think since yesterday some change has taken place in the order of the ceremony."

"Really?" said Franz.

"Yes, I passed the evening at the Cardinal Rospigliosi's, and there mention was made of something like a pardon for one of the two men."

"For Andrea Rondolo?" asked Franz.

"No," replied the count, carelessly; "for the other (he glanced at the tablets as if to recall the name), for Peppino, called Rocca Priori. You are thus deprived of seeing a man guillotined; but the mazzuola still remains, which is a very curious punishment when seen for the first time, and even the second, while the other, as you must know, is very simple. The mandaia [1] never fails, never trembles, never strikes thirty times ineffectually, like the soldier who beheaded the Count of Chalais, and to whose tender mercy Richelieu had doubtless recommended the sufferer. Ah," added the count, in a contemptuous tone, "do not tell me of European punishments, they are in the infancy, or rather the old age, of cruelty."

"Really, count," replied Franz, "one would think that you had studied the different tortures of all the nations of the world."

"There are, at least, few that I have not seen," said the count coldly.

"And you took pleasure in beholding these dreadful spectacles?"

"My first sentiment was horror, the second indifference, the third curiosity."

"Curiosity - that is a terrible word."

"Why so? In life, our greatest preoccupation is death; is it not then, curious to study the different ways by which the soul and body can part; and how, according to their different characters, temperaments, and even the different customs of their countries, different persons bear the transition from life to death, from existence to annihilation? As for myself, I can assure you of one thing, - the more men you see die, the easier it becomes to die yourself; and in my opinion, death may be a torture, but it is not an expiation."

"I do not quite understand you," replied Franz; "pray explain your meaning, for you excite my curiosity to the highest pitch."

"Listen," said the count, and deep hatred mounted to his face, as the blood would to the face of any other. "If a man had by unheard-of and excruciating tortures destroyed your father, your mother, your betrothed, - a being who, when torn from you, left a desolation, a wound that never closes, in your breast, - do you think the reparation that society gives you is sufficient when it interposes the knife of the guillotine between the base of the occiput and the trapezal muscles of the murderer, and allows him who has caused us years of moral sufferings to escape with a few moments of physical pain?"

"Yes, I know," said Franz, "that human justice is insufficient to console us; she can give blood in return for blood, that is all; but you must demand from her only what it is in her power to grant."

"I will put another case to you," continued the count; "that where society, attacked by the death of a person, avenges death by death. But are there not a thousand tortures by which a man may be made to suffer without society taking the least cognizance of them, or offering him even the insufficient means of vengeance, of which we have just spoken? Are there not crimes for which the impalement of the Turks, the augers of the Persians, the stake and the brand of the Iroquois Indians, are inadequate tortures, and which are unpunished by society? Answer me, do not these crimes exist?"

"Yes," answered Franz; "and it is to punish them that duelling is tolerated."

"Ah, duelling," cried the count; "a pleasant manner, upon my soul, of arriving at your end when that end is vengeance! A man has carried off your mistress, a man has seduced your wife, a man has dishonored your daughter; he has rendered the whole life of one who had the right to expect from heaven that portion of happiness God his promised to every one of his creatures, an existence of misery and infamy; and you think you are avenged because you send a ball through the head, or pass a sword through the breast, of that man who has planted madness in your brain, and despair in your heart. And remember, moreover, that it is often he who comes off victorious from the strife, absolved of all crime in the eyes of the world. No, no," continued the count, "had I to avenge myself, it is not thus I would take revenge."

"Then you disapprove of duelling? You would not fight a duel?" asked Albert in his turn, astonished at this strange theory.

"Oh, yes," replied the count; "understand me, I would fight a duel for a trifle, for an insult, for a blow; and the more so that, thanks to my skill in all bodily exercises, and the indifference to danger I have gradually acquired, I should be almost certain to kill my man. Oh, I would fight for such a cause; but in return for a slow, profound, eternal torture, I would give back the same, were it possible; an eye for an eye, a tooth for a tooth, as the Orientalists say, - our masters in everything, - those favored creatures who have formed for themselves a life of dreams and a paradise of realities."

"But," said Franz to the count, "with this theory, which renders you at once judge and executioner of your own cause, it would be difficult to adopt a course that would forever prevent your falling under the power of the law. Hatred is blind, rage carries you away; and he who pours out vengeance runs the risk of tasting a bitter draught."

"Yes, if he be poor and inexperienced, not if he be rich and skilful; besides, the worst that could happen to him would be the punishment of which we have already spoken, and which the philanthropic French Revolution has substituted for being torn to pieces by horses or broken on the wheel. What matters this punishment, as long as he is avenged? On my word, I almost regret that in all probability this miserable Peppino will not be beheaded, as you might have had an opportunity then of seeing how short a time the punishment lasts, and whether it is worth even mentioning; but, really this is a most singular conversation for the Carnival, gentlemen; how did it arise? Ah, I recollect, you asked for a place at my window; you shall have it; but let us first sit down to table, for here comes the servant to inform us that breakfast is ready." As he spoke, a servant opened one of the four doors of the apartment, saying - "Al suo commodo!" The two young men arose and entered the breakfast-room.

During the meal, which was excellent, and admirably served, Franz looked repeatedly at Albert, in order to observe the impressions which he doubted not had been made on him by the words of their entertainer; but whether with his usual carelessness he had paid but little attention to him, whether the explanation of the Count of Monte Cristo with regard to duelling had satisfied him, or whether the events which Franz knew of had had their effect on him alone, he remarked that his companion did not pay the least regard to them, but on the contrary ate like a man who for the last four or five months had been condemned to partake of Italian cookery - that is, the worst in the world. As for the count, he just touched the dishes; he seemed to fulfil the duties of a host by sitting down with his guests, and awaited their departure to be served with some strange or more delicate food. This brought back to Franz, in spite of himself, the recollection of the terror with which the count had inspired the Countess G - - , and her firm conviction that the man in the opposite box was a vampire. At the end of the breakfast Franz took out his watch. "Well," said the count, "what are you doing?"

"You must excuse us, count," returned Franz, "but we have still much to do."

"What may that be?"

"We have no masks, and it is absolutely necessary to procure them."

"Do not concern yourself about that; we have, I think, a private room in the Piazza del Popolo; I will have whatever costumes you choose brought to us, and you can dress there."

"After the execution?" cried Franz.

"Before or after, whichever you please."

"Opposite the scaffold?"

"The scaffold forms part of the fete."

"Count, I have reflected on the matter," said Franz, "I thank you for your courtesy, but I shall content myself with accepting a place in your carriage and at your window at the Rospoli Palace, and I leave you at liberty to dispose of my place at the Piazza del Popolo."

"But I warn you, you will lose a very curious sight," returned the count.

"You will describe it to me," replied Franz, "and the recital from your lips will make as great an impression on me as if I had witnessed it. I have more than once intended witnessing an execution, but I have never been able to make up my mind; and you, Albert?"

"I," replied the viscount, - "I saw Castaing executed, but I think I was rather intoxicated that day, for I had quitted college the same morning, and we had passed the previous night at a tavern."

"Besides, it is no reason because you have not seen an execution at Paris, that you should not see one anywhere else; when you travel, it is to see everything. Think what a figure you will make when you are asked, `How do they execute at Rome?' and you reply, `I do not know'! And, besides, they say that the culprit is an infamous scoundrel, who killed with a log of wood a worthy canon who had brought him up like his own son. Diable, when a churchman is killed, it should be with a different weapon than a log, especially when he has behaved like a father. If you went to Spain, would you not see the bull-fight? Well, suppose it is a bull-fight you are going to see? Recollect the ancient Romans of the Circus, and the sports where they killed three hundred lions and a hundred men. Think of the eighty thousand applauding spectators, the sage matrons who took their daughters, and the charming Vestals who made with the thumb of their white hands the fatal sign that said, `Come, despatch the dying.'"

"Shall you go, then, Albert?" asked Franz.

"Ma foi, yes; like you, I hesitated, but the count's eloquence decides me."

"Let us go, then," said Franz, "since you wish it; but on our way to the Piazza del Popolo, I wish to pass through the Corso. Is this possible, count?"

"On foot, yes, in a carriage, no."

"I will go on foot, then."

"Is it important that you should go that way?"

"Yes, there is something I wish to see."

"Well, we will go by the Corso. We will send the carriage to wait for us on the Piazza del Popolo, by the Strada del Babuino, for I shall be glad to pass, myself, through the Corso, to see if some orders I have given have been executed."

"Excellency," said a servant, opening the door, "a man in the dress of a penitent wishes to speak to you."

"Ah, yes" returned the count, "I know who he is, gentlemen; will you return to the salon? you will find good cigars on the centre table. I will be with you directly." The young men rose and returned into the salon, while the count, again apologizing, left by another door. Albert, who was a great smoker, and who had considered it no small sacrifice to be deprived of the cigars of the Cafe de Paris, approached the table, and uttered a cry of joy at perceiving some veritable puros.

"Well," asked Franz, "what think you of the Count of Monte Cristo?"

"What do I think?" said Albert, evidently surprised at such a question from his companion; "I think he is a delightful fellow, who does the honors of his table admirably; who has travelled much, read much, is, like Brutus, of the Stoic school, and moreover," added he, sending a volume of smoke up towards the ceiling, "that he has excellent cigars." Such was Albert's opinion of the count, and as Franz well knew that Albert professed never to form an opinion except upon long reflection, he made no attempt to change it. "But," said he, "did you observe one very singular thing?"

"What?"

"How attentively he looked at you."

"At me?"

"Yes." - Albert reflected. "Ah," replied he, sighing, "that is not very surprising; I have been more than a year absent from Paris, and my clothes are of a most antiquated cut; the count takes me for a provincial. The first opportunity you have, undeceive him, I beg, and tell him I am nothing of the kind." Franz smiled; an instant after the count entered.

"I am now quite at your service, gentlemen," said he. "The carriage is going one way to the Piazza del Popolo, and we will go another; and, if you please, by the Corso. Take some more of these cigars, M. de Morcerf."

"With all my heart," returned Albert; "Italian cigars are horrible. When you come to Paris, I will return all this."

"I will not refuse; I intend going there soon, and since you allow me, I will pay you a visit. Come, we have not any time to lose, it is half-past twelve - let us set off." All three descended; the coachman received his master's orders, and drove down the Via del Babuino. While the three gentlemen walked along the Piazza de Spagni and the Via Frattina, which led directly between the Fiano and Rospoli palaces, Franz's attention was directed towards the windows of that last palace, for he had not forgotten the signal agreed upon between the man in the mantle and the Transtevere peasant. "Which are your windows?" asked he of the count, with as much indifference as he could assume. "The three last," returned he, with a negligence evidently unaffected, for he could not imagine with what intention the question was put. Franz glanced rapidly towards the three windows. The side windows were hung with yellow damask, and the centre one with white damask and a red cross. The man in the mantle had kept his promise to the Transteverin, and there could now be no doubt that he was the count. The three windows were still untenanted. Preparations were making on every side; chairs were placed, scaffolds were raised, and windows were hung with flags. The masks could not appear; the carriages could not move about; but the masks were visible behind the windows, the carriages, and the doors.

Franz, Albert, and the count continued to descend the Corso. As they approached the Piazza del Popolo, the crowd became more dense, and above the heads of the multitude two objects were visible: the obelisk, surmounted by a cross, which marks the centre of the square, and in front of the obelisk, at the point where the three streets, del Babuino, del Corso, and di Ripetta, meet, the two uprights of the scaffold, between which glittered the curved knife of the mandaia. At the corner of the street they met the count's steward, who was awaiting his master. The window, let at an exorbitant price, which the count had doubtless wished to conceal from his guests, was on the second floor of the great palace, situated between the Via del Babuino and the Monte Pincio. It consisted, as we have said, of a small dressing-room, opening into a bedroom, and, when the door of communication was shut, the inmates were quite alone. On chairs were laid elegant masquerade costumes of blue and white satin. "As you left the choice of your costumes to me," said the count to the two friends, "I have had these brought, as they will be the most worn this year; and they are most suitable, on account of the confetti (sweetmeats), as they do not show the flour."

Franz heard the words of the count but imperfectly, and he perhaps did not fully appreciate this new attention to their wishes; for he was wholly absorbed by the spectacle that the Piazza del Popolo presented, and by the terrible instrument that was in the centre. It was the first time Franz had ever seen a guillotine, - we say guillotine, because the Roman mandaia is formed on almost the same model as the French instrument. [2] The knife, which is shaped like a crescent, that cuts with the convex side, falls from a less height, and that is all the difference. Two men, seated on the movable plank on which the victim is laid, were eating their breakfasts, while waiting for the criminal. Their repast consisted apparently of bread and sausages. One of them lifted the plank, took out a flask of wine, drank some, and then passed it to his companion. These two men were the executioner's assistants. At this sight Franz felt the perspiration start forth upon his brow. The prisoners, transported the previous evening from the Carcere Nuovo to the little church of Santa Maria del Popolo, had passed the night, each accompanied by two priests, in a chapel closed by a grating, before which were two sentinels, who were relieved at intervals. A double line of carbineers, placed on each side of the door of the church, reached to the scaffold, and formed a circle around it, leaving a path about ten feet wide, and around the guillotine a space of nearly a hundred feet. All the rest of the square was paved with heads. Many women held their infants on their shoulders, and thus the children had the best view. The Monte Pincio seemed a vast amphitheatre filled with spectators; the balconies of the two churches at the corner of the Via del Babuino and the Via di Ripetta were crammed; the steps even seemed a parti-colored sea, that was impelled towards the portico; every niche in the wall held its living statue. What the count said was true - the most curious spectacle in life is that of death. And yet, instead of the silence and the solemnity demanded by the occasion, laughter and jests arose from the crowd. It was evident that the execution was, in the eyes of the people, only the commencement of the Carnival. Suddenly the tumult ceased, as if by magic, and the doors of the church opened. A brotherhood of penitents, clothed from head to foot in robes of gray sackcloth, with holes for the eyes, and holding in their hands lighted tapers, appeared first; the chief marched at the head. Behind the penitents came a man of vast stature and proportions. He was naked, with the exception of cloth drawers at the left side of which hung a large knife in a sheath, and he bore on his right shoulder a heavy iron sledge-hammer. This man was the executioner. He had, moreover, sandals bound on his feet by cords. Behind the executioner came, in the order in which they were to die, first Peppino and then Andrea. Each was accompanied by two priests. Neither had his eyes bandaged. Peppino walked with a firm step, doubtless aware of what awaited him. Andrea was supported by two priests. Each of them, from time to time, kissed the crucifix a confessor held out to them. At this sight alone Franz felt his legs tremble under him. He looked at Albert - he was as white as his shirt, and mechanically cast away his cigar, although he had not half smoked it. The count alone seemed unmoved - nay, more, a slight color seemed striving to rise in his pale cheeks. His nostrils dilated like those of a wild beast that scents its prey, and his lips, half opened, disclosed his white teeth, small and sharp like those of a jackal. And yet his features wore an expression of smiling tenderness, such as Franz had never before witnessed in them; his black eyes especially were full of kindness and pity. However, the two culprits advanced, and as they approached their faces became visible. Peppino was a handsome young man of four or five and twenty, bronzed by the sun; he carried his head erect, and seemed on the watch to see on which side his liberator would appear. Andrea was short and fat; his visage, marked with brutal cruelty, did not indicate age; he might be thirty. In prison he had suffered his beard to grow; his head fell on his shoulder, his legs bent beneath him, and his movements were apparently automatic and unconscious.

"I thought," said Franz to the count, "that you told me there would be but one execution."

"I told you true," replied he coldly.

"And yet here are two culprits."

"Yes; but only one of these two is about to die; the other has many years to live."

"If the pardon is to come, there is no time to lose."

"And see, here it is," said the count. At the moment when Peppino reached the foot of the mandaia, a priest arrived in some haste, forced his way through the soldiers, and, advancing to the chief of the brotherhood, gave him a folded paper. The piercing eye of Peppino had noticed all. The chief took the paper, unfolded it, and, raising his hand, "Heaven be praised, and his holiness also," said he in a loud voice; "here is a pardon for one of the prisoners!"

"A pardon!" cried the people with one voice - "a pardon!" At this cry Andrea raised his head. "Pardon for whom?" cried he.

Peppino remained breathless. "A pardon for Peppino, called Rocca Priori," said the principal friar. And he passed the paper to the officer commanding the carbineers, who read and returned it to him.

"For Peppino!" cried Andrea, who seemed roused from the torpor in which he had been plunged. "Why for him and not for me? We ought to die together. I was promised he should die with me. You have no right to put me to death alone. I will not die alone - I will not!" And he broke from the priests struggling and raving like a wild beast, and striving desperately to break the cords that bound his hands. The executioner made a sign, and his two assistants leaped from the scaffold and seized him. "What is going on?" asked Franz of the count; for, as all the talk was in the Roman dialect, he had not perfectly understood it. "Do you not see?" returned the count, "that this human creature who is about to die is furious that his fellow-sufferer does not perish with him? and, were he able, he would rather tear him to pieces with his teeth and nails than let him enjoy the life he himself is about to be deprived of. Oh, man, man - race of crocodiles," cried the count, extending his clinched hands towards the crowd, "how well do I recognize you there, and that at all times you are worthy of yourselves!" Meanwhile Andrea and the two executioners were struggling on the ground, and he kept exclaiming, "He ought to die! - he shall die! - I will not die alone!"

"Look, look," cried the count. seizing the young men's hands - "look, for on my soul it is curious. Here is a man who had resigned himself to his fate, who was going to the scaffold to die - like a coward, it is true, but he was about to die without resistance. Do you know what gave him strength? - do you know what consoled him? It was, that another partook of his punishment - that another partook of his anguish - that another was to die before him. Lead two sheep to the butcher's, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man - man, whom God created in his own image - man, upon whom God has laid his first, his sole commandment, to love his neighbor - man, to whom God has given a voice to express his thoughts - what is his first cry when he hears his fellow-man is saved? A blasphemy. Honor to man, this masterpiece of nature, this king of the creation!" And the count burst into a laugh; a terrible laugh, that showed he must have suffered horribly to be able thus to laugh. However, the struggle still continued, and it was dreadful to witness. The people all took part against Andrea, and twenty thousand voices cried, "Put him to death! put him to death!" Franz sprang back, but the count seized his arm, and held him before the window. "What are you doing?" said he. "Do you pity him? If you heard the cry of `Mad dog!' you would take your gun - you would unhesitatingly shoot the poor beast, who, after all, was only guilty of having been bitten by another dog. And yet you pity a man who, without being bitten by one of his race, has yet murdered his benefactor; and who, now unable to kill any one, because his hands are bound, wishes to see his companion in captivity perish. No, no - look, look!"

The command was needless. Franz was fascinated by the horribly spectacle. The two assistants had borne Andrea to the scaffold, and there, in spite of his struggles, his bites, and his cries, had forced him to his knees. During this time the executioner had raised his mace, and signed to them to get out of the way; the criminal strove to rise, but, ere he had time, the mace fell on his left temple. A dull and heavy sound was heard, and the man dropped like an ox on his face, and then turned over on his back. The executioner let fall his mace, drew his knife, and with one stroke opened his throat, and mounting on his stomach, stamped violently on it with his feet. At every stroke a jet of blood sprang from the wound.

This time Franz could contain himself no longer, but sank, half fainting, into a seat. Albert, with his eyes closed, was standing grasping the window-curtains. The count was erect and triumphant, like the Avenging Angel!

_______________

Notes:

1. Guillotine.

2. Dr. Guillotin got the idea of his famous machine from witnessing an execution in Italy.

[admin]

Chapter 36 - The Carnival At Rome

When Franz recovered his senses, he saw Albert drinking a glass of water, of which, to judge from his pallor, he stood in great need; and the count, who was assuming his masquerade costume. He glanced mechanically towards the square - the scene was wholly changed; scaffold, executioners, victims, all had disappeared; only the people remained, full of noise and excitement. The bell of Monte Citorio, which only sounds on the pope's decease and the opening of the Carnival, was ringing a joyous peal. "Well," asked he of the count, "what has, then, happened?"

"Nothing," replied the count; "only, as you see, the Carnival his commenced. Make haste and dress yourself."

"In fact," said Franz, "this horrible scene has passed away like a dream."

"It is but a dream, a nightmare, that has disturbed you."

"Yes, that I have suffered; but the culprit?"

"That is a dream also; only he has remained asleep, while you have awakened; and who knows which of you is the most fortunate?"

"But Peppino - what has become of him?"

"Peppino is a lad of sense, who, unlike most men, who are happy in proportion as they are noticed, was delighted to see that the general attention was directed towards his companion. He profited by this distraction to slip away among the crowd, without even thanking the worthy priests who accompanied him. Decidedly man is an ungrateful and egotistical animal. But dress yourself; see, M. de Morcerf sets you the example." Albert was drawing on the satin pantaloon over his black trousers and varnished boots. "Well, Albert," said Franz, "do you feel much inclined to join the revels? Come, answer frankly."

"Ma foi, no," returned Albert. "But I am really glad to have seen such a sight; and I understand what the count said - that when you have once habituated yourself to a similar spectacle, it is the only one that causes you any emotion."

"Without reflecting that this is the only moment in which you can study character," said the count; "on the steps of the scaffold death tears off the mask that has been worn through life, and the real visage is disclosed. It must be allowed that Andrea was not very handsome, the hideous scoundrel! Come, dress yourselves, gentlemen, dress yourselves." Franz felt it would be ridiculous not to follow his two companions' example. He assumed his costume, and fastened on the mask that scarcely equalled the pallor of his own face. Their toilet finished, they descended; the carriage awaited them at the door, filled with sweetmeats and bouquets. They fell into the line of carriages. It is difficult to form an idea of the perfect change that had taken place. Instead of the spectacle of gloomy and silent death, the Piazza del Popolo presented a spectacle of gay and noisy mirth and revelry. A crowd of masks flowed in from all sides, emerging from the doors, descending from the windows. From every street and every corner drove carriages filled with clowns, harlequins, dominoes, mummers, pantomimists, Transteverins, knights, and peasants, screaming, fighting, gesticulating, throwing eggs filled with flour, confetti, nosegays, attacking, with their sarcasms and their missiles, friends and foes, companions and strangers, indiscriminately, and no one took offence, or did anything but laugh. Franz and Albert were like men who, to drive away a violent sorrow, have recourse to wine, and who, as they drink and become intoxicated, feel a thick veil drawn between the past and the present. They saw, or rather continued to see, the image of what they had witnessed; but little by little the general vertigo seized them, and they felt themselves obliged to take part in the noise and confusion. A handful of confetti that came from a neighboring carriage, and which, while it covered Morcerf and his two companions with dust, pricked his neck and that portion of his face uncovered by his mask like a hundred pins, incited him to join in the general combat, in which all the masks around him were engaged. He rose in his turn, and seizing handfuls of confetti and sweetmeats, with which the carriage was filled, cast them with all the force and skill he was master of.

The strife had fairly begun, and the recollection of what they had seen half an hour before was gradually effaced from the young men's minds, so much were they occupied by the gay and glittering procession they now beheld. As for the Count of Monte Cristo, he had never for an instant shown any appearance of having been moved. Imagine the large and splendid Corso, bordered from one end to the other with lofty palaces, with their balconies hung with carpets, and their windows with flags. At these balconies are three hundred thousand spectators - Romans, Italians, strangers from all parts of the world, the united aristocracy of birth, wealth, and genius. Lovely women, yielding to the influence of the scene, bend over their balconies, or lean from their windows, and shower down confetti, which are returned by bouquets; the air seems darkened with the falling confetti and flying flowers. In the streets the lively crowd is dressed in the most fantastic costumes - gigantic cabbages walk gravely about, buffaloes' heads below from men's shoulders, dogs walk on their hind legs; in the midst of all this a mask is lifted, and, as in Callot's Temptation of St. Anthony, a lovely face is exhibited, which we would fain follow, but from which we are separated by troops of fiends. This will give a faint idea of the Carnival at Rome. At the second turn the Count stopped the carriage, and requested permission to withdraw, leaving the vehicle at their disposal. Franz looked up - they were opposite the Rospoli Palace. At the centre window, the one hung with white damask with a red cross, was a blue domino, beneath which Franz's imagination easily pictured the beautiful Greek of the Argentina. "Gentlemen," said the count, springing out, "when you are tired of being actors, and wish to become spectators of this scene, you know you have places at my windows. In the meantime, dispose of my coachman, my carriage, and my servants." We have forgotten to mention, that the count's coachman was attired in a bear-skin, exactly resembling Odry's in "The Bear and the Pasha;" and the two footmen behind were dressed up as green monkeys, with spring masks, with which they made grimaces at every one who passed. Franz thanked the count for his attention. As for Albert, he was busily occupied throwing bouquets at a carriage full of Roman peasants that was passing near him. Unfortunately for him, the line of carriages moved on again, and while he descended the Piazza del Popolo, the other ascended towards the Palazzo di Venezia. "Ah, my dear fellow," said he to Franz; "you did not see?"

"What?"

"There, - that calash filled with Roman peasants."

"No."

"Well, I am convinced they are all charming women."

"How unfortunate that you were masked, Albert," said Franz; "here was an opportunity of making up for past disappointments."

"Oh," replied he, half laughing, half serious; "I hope the Carnival will not pass without some amends in one shape or the other."

But, in spite of Albert's hope, the day passed unmarked by any incident, excepting two or three encounters with the carriage full of Roman peasants. At one of these encounters, accidentally or purposely, Albert's mask fell off. He instantly rose and cast the remainder of the bouquets into the carriage. Doubtless one of the charming females Albert had detected beneath their coquettish disguise was touched by his gallantry; for, as the carriage of the two friends passed her, she threw a bunch of violets. Albert seized it, and as Franz had no reason to suppose it was meant for him, he suffered Albert to retain it. Albert placed it in his button-hole, and the carriage went triumphantly on.

"Well," said Franz to him; "there is the beginning of an adventure."

"Laugh if you please - I really think so. So I will not abandon this bouquet."

"Pardieu," returned Franz, laughing, "in token of your ingratitude." The jest, however, soon appeared to become earnest; for when Albert and Franz again encountered the carriage with the contadini, the one who had thrown the violets to Albert, clapped her hands when she beheld them in his button-hole. "Bravo, bravo," said Franz; "things go wonderfully. Shall I leave you? Perhaps you would prefer being alone?"

"No," replied he; "I will not be caught like a fool at a first disclosure by a rendezvous under the clock, as they say at the opera-balls. If the fair peasant wishes to carry matters any further, we shall find her, or rather, she will find us to-morrow; then she will give me some sign or other, and I shall know what I have to do."

"On my word," said Franz, "you are wise as Nestor and prudent as Ulysses, and your fair Circe must be very skilful or very powerful if she succeed in changing you into a beast of any kind." Albert was right; the fair unknown had resolved, doubtless, to carry the intrigue no farther; for although the young men made several more turns, they did not again see the calash, which had turned up one of the neighboring streets. Then they returned to the Rospoli Palace; but the count and the blue domino had also disappeared; the two windows, hung with yellow damask, were still occupied by the persons whom the count had invited. At this moment the same bell that had proclaimed the beginning of the mascherata sounded the retreat. The file on the Corso broke the line, and in a second all the carriages had disappeared. Franz and Albert were opposite the Via delle Maratte; the coachman, without saying a word, drove up it, passed along the Piazza di Spagni and the Rospoli Palace and stopped at the door of the hotel. Signor Pastrini came to the door to receive his guests. Franz hastened to inquire after the count, and to express regret that he had not returned in sufficient time; but Pastrini reassured him by saying that the Count of Monte Cristo had ordered a second carriage for himself, and that it had gone at four o'clock to fetch him from the Rospoli Palace. The count had, moreover, charged him to offer the two friends the key of his box at the Argentina. Franz questioned Albert as to his intentions; but Albert had great projects to put into execution before going to the theatre; and instead of making any answer, he inquired if Signor Pastrini could procure him a tailor. "A tailor," said the host; "and for what?"

"To make us between now and to-morrow two Roman peasant costumes," returned Albert. The host shook his head. "To make you two costumes between now and to-morrow? I ask your excellencies' pardon, but this is quite a French demand; for the next week you will not find a single tailor who would consent to sew six buttons on a waistcoat if you paid him a crown a piece for each button."

"Then I must give up the idea?"

"No; we have them ready-made. Leave all to me; and to-morrow, when you awake, you shall find a collection of costumes with which you will be satisfied."

"My dear Albert," said Franz, "leave all to our host; he has already proved himself full of resources; let us dine quietly, and afterwards go and see `The Algerian Captive.'"

"Agreed," returned Albert; "but remember, Signor Pastrini, that both my friend and myself attach the greatest importance to having to-morrow the costumes we have asked for." The host again assured them they might rely on him, and that their wishes should be attended to; upon which Franz and Albert mounted to their apartments, and proceeded to disencumber themselves of their costumes. Albert, as he took off his dress, carefully preserved the bunch of violets; it was his token reserved for the morrow. The two friends sat down to table; but they could not refrain from remarking the difference between the Count of Monte Cristo's table and that of Signor Pastrini. Truth compelled Franz, in spite of the dislike he seemed to have taken to the count, to confess that the advantage was not on Pastrini's side. During dessert, the servant inquired at what time they wished for the carriage. Albert and Franz looked at each other, fearing really to abuse the count's kindness. The servant understood them. "His excellency the Count of Monte Cristo had," he said, "given positive orders that the carriage was to remain at their lordships' orders all day, and they could therefore dispose of it without fear of indiscretion."

They resolved to profit by the count's courtesy, and ordered the horses to be harnessed, while they substituted evening dress for that which they had on, and which was somewhat the worse for the numerous combats they had sustained. This precaution taken, they went to the theatre, and installed themselves in the count's box. During the first act, the Countess G - - entered. Her first look was at the box where she had seen the count the previous evening, so that she perceived Franz and Albert in the place of the very person concerning whom she had expressed so strange an opinion to Franz. Her opera-glass was so fixedly directed towards them, that Franz saw it would be cruel not to satisfy her curiosity; and, availing himself of one of the privileges of the spectators of the Italian theatres, who use their boxes to hold receptions, the two friends went to pay their respects to the countess. Scarcely had they entered, when she motioned to Franz to assume the seat of honor. Albert, in his turn, sat behind.

"Well," said she, hardly giving Franz time to sit down, "it seems you have nothing better to do than to make the acquaintance of this new Lord Ruthven, and you are already the best friends in the world."

"Without being so far advanced as that, my dear countess," returned Franz, "I cannot deny that we have abused his good nature all day."

"All day?"

"Yes; this morning we breakfasted with him; we rode in his carriage all day, and now we have taken possession of his box."

"You know him, then?"

"Yes, and no."

"How so?"

"It is a long story."

'Tell it to me."

"It would frighten you too much."

"So much the more reason."

"At least wait until the story has a conclusion."

"Very well; I prefer complete histories; but tell me how you made his acquaintance? Did any one introduce you to him?"

"No; it was he who introduced himself to us."

"When?"

"Last night, after we left you."

"Through what medium?"

"The very prosaic one of our landlord."

"He is staying, then, at the Hotel de Londres with you?"

"Not only in the same hotel, but on the same floor."

"What is his name - for, of course, you know?"

"The Count of Monte Cristo."

"That is not a family name?"

"No, it is the name of the island he has purchased."

"And he is a count?"

"A Tuscan count."

"Well, we must put up with that," said the countess, who was herself from one of the oldest Venetian families. "What sort of a man is he?"

"Ask the Vicomte de Morcerf."

"You hear, M. de Morcerf, I am referred to you," said the countess.

"We should be very hard to please, madam," returned Albert, "did we not think him delightful. A friend of ten years' standing could not have done more for us, or with a more perfect courtesy."

"Come," observed the countess, smiling, "I see my vampire is only some millionaire, who has taken the appearance of Lara in order to avoid being confounded with M. de Rothschild; and you have seen her?"

"Her?"

"The beautiful Greek of yesterday."

"No; we heard, I think, the sound of her guzla, but she remained perfectly invisible."

"When you say invisible," interrupted Albert, "it is only to keep up the mystery; for whom do you take the blue domino at the window with the white curtains?"

"Where was this window with white hangings?" asked the countess.

"At the Rospoli Palace."

"The count had three windows at the Rospoli Palace?"

"Yes. Did you pass through the Corso?"

"Yes."

"Well, did you notice two windows hung with yellow damask, and one with white damask with a red cross? Those were the count's windows?"

"Why, he must be a nabob. Do you know what those three windows were worth?"

"Two or three hundred Roman crowns?"

"Two or three thousand."

"The deuce."

"Does his island produce him such a revenue?"

"It does not bring him a baiocco."

"Then why did he purchase it?"

"For a whim."

"He is an original, then?"

"In reality," observed Albert, "he seemed to me somewhat eccentric; were he at Paris, and a frequenter of the theatres, I should say he was a poor devil literally mad. This morning he made two or three exits worthy of Didier or Anthony." At this moment a fresh visitor entered, and, according to custom, Franz gave up his seat to him. This circumstance had, moreover, the effect of changing the conversation; an hour afterwards the two friends returned to their hotel. Signor Pastrini had already set about procuring their disguises for the morrow; and he assured them that they would be perfectly satisfied. The next morning, at nine o'clock, he entered Franz's room, followed by a tailor, who had eight or ten Roman peasant costumes on his arm; they selected two exactly alike, and charged the tailor to sew on each of their hats about twenty yards of ribbon, and to procure them two of the long silk sashes of different colors with which the lower orders decorate themselves on fete-days. Albert was impatient to see how he looked in his new dress - a jacket and breeches of blue velvet, silk stockings with clocks, shoes with buckles, and a silk waistcoat. This picturesque attire set him off to great advantage; and when he had bound the scarf around his waist, and when his hat, placed coquettishly on one side, let fall on his shoulder a stream of ribbons, Franz was forced to confess that costume has much to do with the physical superiority we accord to certain nations. The Turks used to be so picturesque with their long and flowing robes, but are they not now hideous with their blue frocks buttoned up to the chin, and their red caps, which make them look like a bottle of wine with a red seal? Franz complimented Albert, who looked at himself in the glass with an unequivocal smile of satisfaction. They were thus engaged when the Count of Monte Cristo entered.

"Gentlemen," said he, "although a companion is agreeable, perfect freedom is sometimes still more agreeable. I come to say that to-day, and for the remainder of the Carnival, I leave the carriage entirely at your disposal. The host will tell you I have three or four more, so that you will not inconvenience me in any way. Make use of it, I pray you, for your pleasure or your business."

The young men wished to decline, but they could find no good reason for refusing an offer which was so agreeable to them. The Count of Monte Cristo remained a quarter of an hour with them, conversing on all subjects with the greatest ease. He was, as we have already said, perfectly well acquainted with the literature of all countries. A glance at the walls of his salon proved to Franz and Albert that he was a connoisseur of pictures. A few words he let fall showed them that he was no stranger to the sciences, and he seemed much occupied with chemistry. The two friends did not venture to return the count the breakfast he had given them; it would have been too absurd to offer him in exchange for his excellent table the very inferior one of Signor Pastrini. They told him so frankly, and he received their excuses with the air of a man who appreciated their delicacy. Albert was charmed with the count's manners, and he was only prevented from recognizing him for a perfect gentleman by reason of his varied knowledge. The permission to do what he liked with the carriage pleased him above all, for the fair peasants had appeared in a most elegant carriage the preceding evening, and Albert was not sorry to be upon an equal footing with them. At half-past one they descended, the coachman and footman had put on their livery over their disguises, which gave them a more ridiculous appearance than ever, and which gained them the applause of Franz and Albert. Albert had fastened the faded bunch of violets to his button-hole. At the first sound of the bell they hastened into the Corso by the Via Vittoria. At the second turn, a bunch of fresh violets, thrown from a carriage filled with harlequins, indicated to Albert that, like himself and his friend, the peasants had changed their costume, also; and whether it was the result of chance, or whether a similar feeling had possessed them both, while he had changed his costume they had assumed his.

Albert placed the fresh bouquet in his button-hole, but he kept the faded one in his hand; and when he again met the calash, he raised it to his lips, an action which seemed greatly to amuse not only the fair lady who had thrown it, but her joyous companions also. The day was as gay as the preceding one, perhaps even more animated and noisy; the count appeared for an instant at his window. but when they again passed he had disappeared. It is almost needless to say that the flirtation between Albert and the fair peasant continued all day. In the evening, on his return, Franz found a letter from the embassy, informing him that he would have the honor of being received by his holiness the next day. At each previous visit he had made to Rome, he had solicited and obtained the same favor; and incited as much by a religious feeling as by gratitude, he was unwilling to quit the capital of the Christian world without laying his respectful homage at the feet of one of St. Peter's successors who has set the rare example of all the virtues. He did not then think of the Carnival, for in spite of his condescension and touching kindness, one cannot incline one's self without awe before the venerable and noble old man called Gregory XVI. On his return from the Vatican, Franz carefully avoided the Corso; he brought away with him a treasure of pious thoughts, to which the mad gayety of the maskers would have been profanation. At ten minutes past five Albert entered overjoyed. The harlequin had reassumed her peasant's costume, and as she passed she raised her mask. She was charming. Franz congratulated Albert, who received his congratulations with the air of a man conscious that they are merited. He had recognized by certain unmistakable signs, that his fair incognita belonged to the aristocracy. He had made up his mind to write to her the next day. Franz remarked, while he gave these details, that Albert seemed to have something to ask of him, but that he was unwilling to ask it. He insisted upon it, declaring beforehand that he was willing to make any sacrifice the other wished. Albert let himself be pressed just as long as friendship required, and then avowed to Franz that he would do him a great favor by allowing him to occupy the carriage alone the next day. Albert attributed to Franz's absence the extreme kindness of the fair peasant in raising her mask. Franz was not sufficiently egotistical to stop Albert in the middle of an adventure that promised to prove so agreeable to his curiosity and so flattering to his vanity. He felt assured that the perfect indiscretion of his friend would duly inform him of all that happened; and as, during three years that he had travelled all over Italy, a similar piece of good fortune had never fallen to his share, Franz was by no means sorry to learn how to act on such an occasion. He therefore promised Albert that he would content himself the morrow with witnessing the Carnival from the windows of the Rospoli Palace.

The next morning he saw Albert pass and repass, holding an enormous bouquet, which he doubtless meant to make the bearer of his amorous epistle. This belief was changed into certainty when Franz saw the bouquet (conspicuous by a circle of white camellias) in the hand of a charming harlequin dressed in rose-colored satin. The evening was no longer joy, but delirium. Albert nothing doubted but that the fair unknown would reply in the same manner. Franz anticipated his wishes by saying that the noise fatigued him, and that he should pass the next day in writing and looking over his journal. Albert was not deceived, for the next evening Franz saw him enter triumphantly shaking a folded paper which he held by one corner. "Well," said he, "was I mistaken?"

"She has answered you!" cried Franz.

"Read." This word was pronounced in a manner impossible to describe. Franz took the letter, and read: -

Tuesday evening, at seven o'clock, descend from your carriage opposite the Via dei Pontefici, and follow the Roman peasant who snatches your torch from you. When you arrive at the first step of the church of San Giacomo, be sure to fasten a knot of rose-colored ribbons to the shoulder of your harlequin costume, in order that you may be recognized. Until then you will not see me.

Constancy and Discretion.

"Well," asked he, when Franz had finished, "what do you think of that?"

"I think that the adventure is assuming a very agreeable appearance."

"I think so, also," replied Albert; "and I very much fear you will go alone to the Duke of Bracciano's ball." Franz and Albert had received that morning an invitation from the celebrated Roman banker. "Take care, Albert," said Franz. "All the nobility of Rome will be present, and if your fair incognita belong to the higher class of society, she must go there."

"Whether she goes there or not, my opinion is still the same," returned Albert. "You have read the letter?"

"Yes."

"You know how imperfectly the women of the mezzo cito are educated in Italy?" (This is the name of the lower class.)

"Yes."

"Well, read the letter again. Look at the writing, and find if you can, any blemish in the language or orthography." (The writing was, in reality, charming, and the orthography irreproachable.) "You are born to good fortune," said Franz, as he returned the letter.

"Laugh as much as you will," replied Albert, "I am in love."

"You alarm me," cried Franz. "I see that I shall not only go alone to the Duke of Bracciano's, but also return to Florence alone."

"If my unknown be as amiable as she is beautiful," said Albert, "I shall fix myself at Rome for six weeks, at least. I adore Rome, and I have always had a great taste for archaeology."

"Come, two or three more such adventures, and I do not despair of seeing you a member of the Academy." Doubtless Albert was about to discuss seriously his right to the academic chair when they were informed that dinner was ready. Albert's love had not taken away his appetite. He hastened with Franz to seat himself, free to recommence the discussion after dinner. After dinner, the Count of Monte Cristo was announced. They had not seen him for two days. Signor Pastrini informed them that business had called him to Civita Vecchia. He had started the previous evening, and had only returned an hour since. He was charming. Whether he kept a watch over himself, or whether by accident he did not sound the acrimonious chords that in other circumstances had been touched, he was to-night like everybody else. The man was an enigma to Franz. The count must feel sure that Franz recognized him; and yet he had not let fall a single word indicating any previous acquaintance between them. On his side, however great Franz's desire was to allude to their former interview, the fear of being disagreeable to the man who had loaded him and his friend with kindness prevented him from mentioning it. The count had learned that the two friends had sent to secure a box at the Argentina Theatre, and were told they were all let. In consequence, he brought them the key of his own - at least such was the apparent motive of his visit. Franz and Albert made some difficulty, alleging their fear of depriving him of it; but the count replied that, as he was going to the Palli Theatre, the box at the Argentina Theatre would he lost if they did not profit by it. This assurance determined the two friends to accept it.

Franz had by degrees become accustomed to the count's pallor, which had so forcibly struck him at their first meeting. He could not refrain from admiring the severe beauty of his features, the only defect, or rather the principal quality of which was the pallor. Truly, a Byronic hero! Franz could not, we will not say see him, but even think of him without imagining his stern head upon Manfred's shoulders, or beneath Lara's helmet. His forehead was marked with the line that indicates the constant presence of bitter thoughts; he had the fiery eyes that seem to penetrate to the very soul, and the haughty and disdainful upper lip that gives to the words it utters a peculiar character that impresses them on the minds of those to whom they are addressed. The count was no longer young. He was at least forty; and yet it was easy to understand that he was formed to rule the young men with whom he associated at present. And, to complete his resemblance with the fantastic heroes of the English poet, the count seemed to have the power of fascination. Albert was constantly expatiating on their good fortune in meeting such a man. Franz was less enthusiastic; but the count exercised over him also the ascendency a strong mind always acquires over a mind less domineering. He thought several times of the project the count had of visiting Paris; and he had no doubt but that, with his eccentric character, his characteristic face, and his colossal fortune, he would produce a great effect there. And yet he did not wish to be at Paris when the count was there. The evening passed as evenings mostly pass at Italian theatres; that is, not in listening to the music, but in paying visits and conversing. The Countess G - - wished to revive the subject of the count, but Franz announced he had something far newer to tell her, and, in spite of Albert's demonstrations of false modesty, he informed the countess of the great event which had preoccupied them for the last three days. As similar intrigues are not uncommon in Italy, if we may credit travellers, the comtess did not manifest the least incredulity, but congratulated Albert on his success. They promised, upon separating, to meet at the Duke of Bracciano's ball, to which all Rome was invited. The heroine of the bouquet kept her word; she gave Albert no sign of her existence the morrow or the day after.

At length Tuesday came, the last and most tumultuous day of the Carnival. On Tuesday, the theatres open at ten o'clock in the morning, as Lent begins after eight at night. On Tuesday, all those who through want of money, time, or enthusiasm, have not been to see the Carnival before, mingle in the gayety, and contribute to the noise and excitement. From two o'clock till five Franz and Albert followed in the fete, exchanging handfuls of confetti with the other carriages and the pedestrians, who crowded amongst the horses' feet and the carriage wheels without a single accident, a single dispute, or a single fight. The fetes are veritable pleasure days to the Italians. The author of this history, who has resided five or six years in Italy, does not recollect to have ever seen a ceremony interrupted by one of those events so common in other countries. Albert was triumphant in his harlequin costume. A knot of rose-colored ribbons fell from his shoulder almost to the ground. In order that there might be no confusion, Franz wore his peasant's costume.

As the day advanced, the tumult became greater. There was not on the pavement, in the carriages, at the windows, a single tongue that was silent, a single arm that did not move. It was a human storm, made up of a thunder of cries, and a hail of sweetmeats, flowers, eggs, oranges, and nosegays. At three o'clock the sound of fireworks, let off on the Piazza del Popolo and the Piazza di Venezia (heard with difficulty amid the din and confusion) announced that the races were about to begin. The races, like the moccoli, are one of the episodes peculiar to the last days of the Carnival. At the sound of the fireworks the carriages instantly broke ranks, and retired by the adjacent streets. All these evolutions are executed with an inconceivable address and marvellous rapidity, without the police interfering in the matter. The pedestrians ranged themselves against the walls; then the trampling of horses and the clashing of steel were heard. A detachment of carbineers, fifteen abreast, galloped up the Corso in order to clear it for the barberi. When the detachment arrived at the Piazza di Venezia, a second volley of fireworks was discharged, to announce that the street was clear. Almost instantly, in the midst of a tremendous and general outcry, seven or eight horses, excited by the shouts of three hundred thousand spectators, passed by like lightning. Then the Castle of Saint Angelo fired three cannon to indicate that number three had won. Immediately, without any other signal, the carriages moved on, flowing on towards the Corso, down all the streets, like torrents pent up for a while, which again flow into the parent river; and the immense stream again continued its course between its two granite banks.

A new source of noise and movement was added to the crowd. The sellers of moccoletti entered on the scene. The moccoli, or moccoletti, are candles which vary in size from the pascal taper to the rushlight, and which give to each actor in the great final scene of the Carnival two very serious problems to grapple with, - first, how to keep his own moccoletto alight; and secondly, how to extinguish the moccoletti of others. The moccoletto is like life: man has found but one means of transmitting it, and that one comes from God. But he has discovered a thousand means of taking it away, and the devil has somewhat aided him. The moccoletto is kindled by approaching it to a light. But who can describe the thousand means of extinguishing the moccoletto? - the gigantic bellows, the monstrous extinguishers, the superhuman fans. Every one hastened to purchase moccoletti - Franz and Albert among the rest.

The night was rapidly approaching; and already, at the cry of "Moccoletti!" repeated by the shrill voices of a thousand vendors, two or three stars began to burn among the crowd. It was a signal. At the end of ten minutes fifty thousand lights glittered, descending from the Palazzo di Venezia to the Piazza del Popolo, and mounting from the Piazzo del Popolo to the Palazzo di Venezia. It seemed like the fete of jack-o'-lanterns. It is impossible to form any idea of it without having seen it. Suppose that all the stars had descended from the sky and mingled in a wild dance on the face of the earth; the whole accompanied by cries that were never heard in any other part of the world. The facchino follows the prince, the Transteverin the citizen, every one blowing, extinguishing, relighting. Had old AEolus appeared at this moment, he would have been proclaimed king of the moccoli, and Aquilo the heir-presumptive to the throne. This battle of folly and flame continued for two hours; the Corso was light as day; the features of the spectators on the third and fourth stories were visible. Every five minutes Albert took out his watch; at length it pointed to seven. The two friends were in the Via dei Pontefici. Albert sprang out, bearing his moccoletto in his hand. Two or three masks strove to knock his moccoletto out of his hand; but Albert, a first-rate pugilist, sent them rolling in the street, one after the other, and continued his course towards the church of San Giacomo. The steps were crowded with masks, who strove to snatch each other's torches. Franz followed Albert with his eyes, and saw him mount the first step. Instantly a mask, wearing the well-known costume of a peasant woman, snatched his moccoletto from him without his offering any resistance. Franz was too far off to hear what they said; but, without doubt, nothing hostile passed, for he saw Albert disappear arm-in-arm with the peasant girl. He watched them pass through the crowd for some time, but at length he lost sight of them in the Via Macello. Suddenly the bell that gives the signal for the end of the carnival sounded, and at the same instant all the moccoletti were extinguished as if by enchantment. It seemed as though one immense blast of the wind had extinguished every one. Franz found himself in utter darkness. No sound was audible save that of the carriages that were carrying the maskers home; nothing was visible save a few lights that burnt behind the windows. The Carnival was over.

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Chapter 37 - The Catacombs Of Saint Sebastian

In his whole life, perhaps, Franz had never before experienced so sudden an impression, so rapid a transition from gayety to sadness, as in this moment. It seemed as though Rome, under the magic breath of some demon of the night, had suddenly changed into a vast tomb. By a chance, which added yet more to the intensity of the darkness, the moon, which was on the wane, did not rise until eleven o'clock, and the streets which the young man traversed were plunged in the deepest obscurity. The distance was short, and at the end of ten minutes his carriage, or rather the count's, stopped before the Hotel de Londres. Dinner was waiting, but as Albert had told him that he should not return so soon, Franz sat down without him. Signor Pastrini, who had been accustomed to see them dine together, inquired into the cause of his absence, but Franz merely replied that Albert had received on the previous evening an invitation which he had accepted. The sudden extinction of the moccoletti, the darkness which had replaced the light, and the silence which had succeeded the turmoil, had left in Franz's mind a certain depression which was not free from uneasiness. He therefore dined very silently, in spite of the officious attention of his host, who presented himself two or three times to inquire if he wanted anything.

Franz resolved to wait for Albert as late as possible. He ordered the carriage, therefore, for eleven o'clock, desiring Signor Pastrini to inform him the moment that Albert returned to the hotel. At eleven o'clock Albert had not come back. Franz dressed himself, and went out, telling his host that he was going to pass the night at the Duke of Bracciano's. The house of the Duke of Bracciano is one of the most delightful in Rome, the duchess, one of the last heiresses of the Colonnas, does its honors with the most consummate grace, and thus their fetes have a European celebrity. Franz and Albert had brought to Rome letters of introduction to them, and their first question on his arrival was to inquire the whereabouts of his travelling companion. Franz replied that he had left him at the moment they were about to extinguish the moccoli, and that he had lost sight of him in the Via Macello. "Then he has not returned?" said the duke.

"I waited for him until this hour," replied Franz.

"And do you know whither he went?"

"No, not precisely; however, I think it was something very like a rendezvous."

"Diavolo!" said the duke, "this is a bad day, or rather a bad night, to be out late; is it not, countess!" These words were addressed to the Countess G - - , who had just arrived, and was leaning on the arm of Signor Torlonia, the duke's brother.

"I think, on the contrary, that it is a charming night," replied the countess, "and those who are here will complain of but one thing - its too rapid flight."

"I am not speaking," said the duke with a smile, "of the persons who are here; the men run no other danger than that of falling in love with you, and the women of falling ill of jealousy at seeing you so lovely; I meant persons who were out in the streets of Rome."

"Ah," asked the countess, "who is out in the streets of Rome at this hour, unless it be to go to a ball?"

"Our friend, Albert de Morcerf, countess, whom I left in pursuit of his unknown about seven o'clock this evening," said Franz, "and whom I have not seen since."

"And don't you know where he is?"

"Not at all."

"Is he armed?"

"He is in masquerade."

"You should not have allowed him to go," said the duke to Franz; "you, who know Rome better than he does."

"You might as well have tried to stop number three of the barberi, who gained the prize in the race to-day," replied Franz; "and then moreover, what could happen to him?"

"Who can tell? The night is gloomy, and the Tiber is very near the Via Macello." Franz felt a shudder run through his veins at observing that the feeling of the duke and the countess was so much in unison with his own personal disquietude. "I informed them at the hotel that I had the honor of passing the night here, duke," said Franz, "and desired them to come and inform me of his return."

"Ah," replied the duke, "here I think, is one of my servants who is seeking you."

The duke was not mistaken; when he saw Franz, the servant came up to him. "Your excellency," he said, "the master of the Hotel de Londres has sent to let you know that a man is waiting for you with a letter from the Viscount of Morcerf."

"A letter from the viscount!" exclaimed Franz.

"Yes."

"And who is the man?"

"I do not know."

"Why did he not bring it to me here?"

"The messenger did not say."

"And where is the messenger?"

"He went away directly he saw me enter the ball-room to find you."

"Oh," said the countess to Franz, "go with all speed - poor young man! Perhaps some accident has happened to him."

"I will hasten," replied Franz.

"Shall we see you again to give us any information?" inquired the countess.

"Yes, if it is not any serious affair, otherwise I cannot answer as to what I may do myself."

"Be prudent, in any event," said the countess.

"Oh, pray be assured of that." Franz took his hat and went away in haste. He had sent away his carriage with orders for it to fetch him at two o'clock; fortunately the Palazzo Bracciano, which is on one side in the Corso, and on the other in the Square of the Holy Apostles, is hardly ten minutes' walk from the Hotel de Londres. As he came near the hotel, Franz saw a man in the middle of the street. He had no doubt that it was the messenger from Albert. The man was wrapped up in a large cloak. He went up to him, but, to his extreme astonishment, the stranger first addressed him. "What wants your excellency of me?" inquired the man, retreating a step or two, as if to keep on his guard.

"Are not you the person who brought me a letter," inquired Franz, "from the Viscount of Morcerf?"

"Your excellency lodges at Pastrini's hotel?"

"I do."

"Your excellency is the travelling companion of the viscount?"

"I am."

"Your excellency's name" -

"Is the Baron Franz d'Epinay."

"Then it is to your excellency that this letter is addressed."

"Is there any answer?" inquired Franz, taking the letter from him.

"Yes - your friend at least hopes so."

"Come up-stairs with me, and I will give it to you."

"I prefer waiting here," said the messenger, with a smile.

"And why?"

"Your excellency will know when you have read the letter."

"Shall I find you here, then?"

"Certainly."

Franz entered the hotel. On the staircase he met Signor Pastrini. "Well?" said the landlord.

"Well - what?" responded Franz.

"You have seen the man who desired to speak with you from your friend?" he asked of Franz.

"Yes, I have seen him," he replied, "and he has handed this letter to me. Light the candles in my apartment, if you please." The inn-keeper gave orders to a servant to go before Franz with a light. The young man had found Signor Pastrini looking very much alarmed, and this had only made him the more anxious to read Albert's letter; and so he went instantly towards the waxlight, and unfolded it. It was written and signed by Albert. Franz read it twice before he could comprehend what it contained. It was thus worded: -

My Dear Fellow, - The moment you have received this, have the kindness to take the letter of credit from my pocket-book, which you will find in the square drawer of the secretary; add your own to it, if it be not sufficient. Run to Torlonia, draw from him instantly four thousand piastres, and give them to the bearer. It is urgent that I should have this money without delay. I do not say more, relying on you as you may rely on me. Your friend,

Albert de Morcerf.

P.S. - I now believe in Italian banditti.

Below these lines were written, in a strange hand, the following in Italian: -

Se alle sei della mattina le quattro mile piastre non sono nelle mie mani, alla sette il conte Alberto avra cessato di vivere.

Luigi Vampa.

"If by six in the morning the four thousand piastres are not in my hands, by seven o'clock the Count Albert will have ceased to live."

This second signature explained everything to Franz, who now understood the objection of the messenger to coming up into the apartment; the street was safer for him. Albert, then, had fallen into the hands of the famous bandit chief, in whose existence he had for so long a time refused to believe. There was no time to lose. He hastened to open the secretary, and found the pocket-book in the drawer, and in it the letter of credit. There were in all six thousand piastres, but of these six thousand Albert had already expended three thousand. As to Franz, he had no letter of credit, as he lived at Florence, and had only come to Rome to pass seven or eight days; he had brought but a hundred louis, and of these he had not more than fifty left. Thus seven or eight hundred piastres were wanting to them both to make up the sum that Albert required. True, he might in such a case rely on the kindness of Signor Torlonia. He was, therefore, about to return to the Palazzo Bracciano without loss of time, when suddenly a luminous idea crossed his mind. He remembered the Count of Monte Cristo. Franz was about to ring for Signor Pastrini, when that worthy presented himself. "My dear sir," he said, hastily, "do you know if the count is within?"

"Yes, your excellency; he has this moment returned."

"Is he in bed?"

"I should say no."

"Then ring at his door, if you please, and request him to be so kind as to give me an audience." Signor Pastrini did as he was desired, and returning five minutes after, he said, - "The count awaits your excellency." Franz went along the corridor, and a servant introduced him to the count. He was in a small room which Franz had not yet seen, and which was surrounded with divans. The count came towards him. "Well, what good wind blows you hither at this hour?" said he; "have you come to sup with me? It would be very kind of you."

"No; I have come to speak to you of a very serious matter."

"A serious matter," said the count, looking at Franz with the earnestness usual to him; "and what may it be?"

"Are we alone?"

"Yes," replied the count, going to the door, and returning. Franz gave him Albert's letter. "Read that," he said. The count read it.

"Well, well!" said he.

"Did you see the postscript?"

"I did, indeed.

"`Se alle sei della mattina le quattro mile piastre non sono nelle mie mani, alla sette il conte Alberto avra cessato di vivere.

"`Luigi Vampa.'"

"What think you of that?" inquired Franz.

"Have you the money he demands?"

"Yes, all but eight hundred piastres." The count went to his secretary, opened it, and pulling out a drawer filled with gold, said to Franz, - "I hope you will not offend me by applying to any one but myself."

"You see, on the contrary, I come to you first and instantly," replied Franz.

"And I thank you; have what you will; "and he made a sign to Franz to take what he pleased.

"Is it absolutely necessary, then, to send the money to Luigi Vampa?" asked the young man, looking fixedly in his turn at the count.

"Judge for yourself," replied he. "The postscript is explicit."

"I think that if you would take the trouble of reflecting, you could find a way of simplifying the negotiation," said Franz.

"How so?" returned the count, with surprise.

"If we were to go together to Luigi Vampa, I am sure he would not refuse you Albert's freedom."

"What influence can I possibly have over a bandit?"

"Have you not just rendered him a service that can never be forgotten?"

"What is that?"

"Have you not saved Peppino's life?"

"Well, well, said the count, "who told you that?"

"No matter; I know it." The count knit his brows, and remained silent an instant. "And if I went to seek Vampa, would you accompany me?"

"If my society would not be disagreeable."

"Be it so. It is a lovely night, and a walk without Rome will do us both good."

"Shall I take any arms?"

"For what purpose?"

"Any money?"

"It is useless. Where is the man who brought the letter?"

"In the street."

"He awaits the answer?"

"Yes."

"I must learn where we are going. I will summon him hither."

"It is useless; he would not come up."

"To your apartments, perhaps; but he will not make any difficulty at entering mine." The count went to the window of the apartment that looked on to the street, and whistled in a peculiar manner. The man in the mantle quitted the wall, and advanced into the middle of the street. "Salite!" said the count, in the same tone in which he would have given an order to his servant. The messenger obeyed without the least hesitation, but rather with alacrity, and, mounting the steps at a bound, entered the hotel; five seconds afterwards he was at the door of the room. "Ah, it is you, Peppino," said the count. But Peppino, instead of answering, threw himself on his knees, seized the count's hand, and covered it with kisses. "Ah," said the count, "you have, then, not forgotten that I saved your life; that is strange, for it is a week ago."

"No, excellency; and never shall I forget it," returned Peppino, with an accent of profound gratitude.

"Never? That is a long time; but it is something that you believe so. Rise and answer." Peppino glanced anxiously at Franz. "Oh, you may speak before his excellency," said he; "he is one of my friends. You allow me to give you this title?" continued the count in French, "it is necessary to excite this man's confidence."

"You can speak before me," said Franz; "I am a friend of the count's."

"Good!" returned Peppino. "I am ready to answer any questions your excellency may address to me."

"How did the Viscount Albert fall into Luigi's hands?"

"Excellency, the Frenchman's carriage passed several times the one in which was Teresa."

"The chief's mistress?"

"Yes. The Frenchman threw her a bouquet; Teresa returned it - all this with the consent of the chief, who was in the carriage."

"What?" cried Franz, "was Luigi Vampa in the carriage with the Roman peasants?"

"It was he who drove, disguised as the coachman," replied Peppino.

"Well?" said the count.

"Well, then, the Frenchman took off his mask; Teresa, with the chief's consent, did the same. The Frenchman asked for a rendezvous; Teresa gave him one - only, instead of Teresa, it was Beppo who was on the steps of the church of San Giacomo."

"What!" exclaimed Franz, "the peasant girl who snatched his mocoletto from him" -

"Was a lad of fifteen," replied Peppino. "But it was no disgrace to your friend to have been deceived; Beppo has taken in plenty of others."

"And Beppo led him outside the walls?" said the count.

"Exactly so; a carriage was waiting at the end of the Via Macello. Beppo got in, inviting the Frenchman to follow him, and he did not wait to be asked twice. He gallantly offered the right-hand seat to Beppo, and sat by him. Beppo told him he was going to take him to a villa a league from Rome; the Frenchman assured him he would follow him to the end of the world. The coachman went up the Via di Ripetta and the Porta San Paola; and when they were two hundred yards outside, as the Frenchman became somewhat too forward, Beppo put a brace of pistols to his head, the coachman pulled up and did the same. At the same time, four of the band, who were concealed on the banks of the Almo, surrounded the carriage. The Frenchman made some resistance, and nearly strangled Beppo; but he could not resist five armed men. and was forced to yield. They made him get out, walk along the banks of the river, and then brought him to Teresa and Luigi, who were waiting for him in the catacombs of St. Sebastian."

"Well," said the count, turning towards Franz, "it seems to me that this is a very likely story. What do you say to it?"

"Why, that I should think it very amusing," replied Franz, "if it had happened to any one but poor Albert."

"And, in truth, if you had not found me here," said the count, "it might have proved a gallant adventure which would have cost your friend dear; but now, be assured, his alarm will be the only serious consequence."

"And shall we go and find him?" inquired Franz.

"Oh, decidedly, sir. He is in a very picturesque place - do you know the catacombs of St. Sebastian?"

"I was never in them; but I have often resolved to visit them."

"Well, here is an opportunity made to your hand, and it would be difficult to contrive a better. Have you a carriage?"

"No."

"That is of no consequence; I always have one ready, day and night."

"Always ready?"

"Yes. I am a very capricious being, and I should tell you that sometimes when I rise, or after my dinner, or in the middle of the night, I resolve on starting for some particular point, and away I go." The count rang, and a footman appeared. "Order out the carriage," he said, "and remove the pistols which are in the holsters. You need not awaken the coachman; Ali will drive." In a very short time the noise of wheels was heard, and the carriage stopped at the door. The count took out his watch. "Half-past twelve," he said. "We might start at five o'clock and be in time, but the delay may cause your friend to pass an uneasy night, and therefore we had better go with all speed to extricate him from the hands of the infidels. Are you still resolved to accompany me?"

"More determined than ever."

"Well, then, come along."

Franz and the count went downstairs, accompanied by Peppino. At the door they found the carriage. Ali was on the box, in whom Franz recognized the dumb slave of the grotto of Monte Cristo. Franz and the count got into the carriage. Peppino placed himself beside Ali, and they set off at a rapid pace. Ali had received his instructions, and went down the Corso, crossed the Campo Vaccino, went up the Strada San Gregorio, and reached the gates of St. Sebastian. Then the porter raised some difficulties, but the Count of Monte Cristo produced a permit from the governor of Rome, allowing him to leave or enter the city at any hour of the day or night; the portcullis was therefore raised, the porter had a louis for his trouble, and they went on their way. The road which the carriage now traversed was the ancient Appian Way, and bordered with tombs. From time to time, by the light of the moon, which began to rise, Franz imagined that he saw something like a sentinel appear at various points among the ruins, and suddenly retreat into the darkness on a signal from Peppino. A short time before they reached the Baths of Caracalla the carriage stopped, Peppino opened the door, and the count and Franz alighted.

"In ten minutes," said the count to his companion, "we shall be there."

He then took Peppino aside, gave him an order in a low voice, and Peppino went away, taking with him a torch, brought with them in the carriage. Five minutes elapsed, during which Franz saw the shepherd going along a narrow path that led over the irregular and broken surface of the Campagna; and finally he disappeared in the midst of the tall red herbage, which seemed like the bristling mane of an enormous lion. "Now," said the count, "let us follow him." Franz and the count in their turn then advanced along the same path, which, at the distance of a hundred paces, led them over a declivity to the bottom of a small valley. They then perceived two men conversing in the obscurity. "Ought we to go on?" asked Franz of the count; "or shall we wait awhile?"

"Let us go on; Peppino will have warned the sentry of our coming." One of the two men was Peppino, and the other a bandit on the lookout. Franz and the count advanced, and the bandit saluted them. "Your excellency," said Peppino, addressing the count, "if you will follow me, the opening of the catacombs is close at hand."

"Go on, then," replied the count. They came to an opening behind a clump of bushes and in the midst of a pile of rocks, by which a man could scarcely pass. Peppino glided first into this crevice; after they got along a few paces the passage widened. Peppino passed, lighted his torch, and turned to see if they came after him. The count first reached an open space and Franz followed him closely. The passageway sloped in a gentle descent, enlarging as they proceeded; still Franz and the count were compelled to advance in a stooping posture, and were scarcely able to proceed abreast of one another. They went on a hundred and fifty paces in this way, and then were stopped by, "Who comes there?" At the same time they saw the reflection of a torch on a carbine barrel.

"A friend!" responded Peppino; and, advancing alone towards the sentry, he said a few words to him in a low tone; and then he, like the first, saluted the nocturnal visitors, making a sign that they might proceed.

Behind the sentinel was a staircase with twenty steps. Franz and the count descended these, and found themselves in a mortuary chamber. Five corridors diverged like the rays of a star, and the walls, dug into niches, which were arranged one above the other in the shape of coffins, showed that they were at last in the catacombs. Down one of the corridors, whose extent it was impossible to determine, rays of light were visible. The count laid his hand on Franz's shoulder. "Would you like to see a camp of bandits in repose?" he inquired.

"Exceedingly," replied Franz.

"Come with me, then. Peppino, put out the torch." Peppino obeyed, and Franz and the count were in utter darkness, except that fifty paces in advance of them a reddish glare, more evident since Peppino had put out his torch, was visible along the wall. They advanced silently, the count guiding Franz as if he had the singular faculty of seeing in the dark. Franz himself, however, saw his way more plainly in proportion as he went on towards the light, which served in some manner as a guide. Three arcades were before them, and the middle one was used as a door. These arcades opened on one side into the corridor where the count and Franz were, and on the other into a large square chamber, entirely surrounded by niches similar to those of which we have spoken. In the midst of this chamber were four stones, which had formerly served as an altar, as was evident from the cross which still surmounted them. A lamp, placed at the base of a pillar, lighted up with its pale and flickering flame the singular scene which presented itself to the eyes of the two visitors concealed in the shadow. A man was seated with his elbow leaning on the column, and was reading with his back turned to the arcades, through the openings of which the newcomers contemplated him. This was the chief of the band, Luigi Vampa. Around him, and in groups, according to their fancy, lying in their mantles, or with their backs against a sort of stone bench, which went all round the columbarium, were to be seen twenty brigands or more, each having his carbine within reach. At the other end, silent, scarcely visible, and like a shadow, was a sentinel, who was walking up and down before a grotto, which was only distinguishable because in that spot the darkness seemed more dense than elsewhere. When the count thought Franz had gazed sufficiently on this picturesque tableau, he raised his finger to his lips, to warn him to be silent, and, ascending the three steps which led to the corridor of the columbarium, entered the chamber by the middle arcade, and advanced towards Vampa, who was so intent on the book before him that he did not hear the noise of his footsteps.

"Who comes there?" cried the sentinel, who was less abstracted, and who saw by the lamp-light a shadow approaching his chief. At this challenge, Vampa rose quickly, drawing at the same moment a pistol from his girdle. In a moment all the bandits were on their feet, and twenty carbines were levelled at the count. "Well," said he in a voice perfectly calm, and no muscle of his countenance disturbed, "well, my dear Vampa, it appears to me that you receive a friend with a great deal of ceremony."

"Ground arms," exclaimed the chief, with an imperative sign of the hand, while with the other he took off his hat respectfully; then, turning to the singular personage who had caused this scene, he said, "Your pardon, your excellency, but I was so far from expecting the honor of a visit, that I did not really recognize you."

"It seems that your memory is equally short in everything, Vampa," said the count, "and that not only do you forget people's faces, but also the conditions you make with them."

"What conditions have I forgotten, your excellency?" inquired the bandit, with the air of a man who, having committed an error, is anxious to repair it.

"Was it not agreed," asked the count, "that not only my person, but also that of my friends, should be respected by you?"

"And how have I broken that treaty, your excellency?"

"You have this evening carried off and conveyed hither the Vicomte Albert de Morcerf. Well," continued the count, in a tone that made Franz shudder, "this young gentleman is one of my friends - this young gentleman lodges in the same hotel as myself - this young gentleman has been up and down the Corso for eight hours in my private carriage, and yet, I repeat to you, you have carried him off, and conveyed him hither, and," added the count, taking the letter from his pocket, "you have set a ransom on him, as if he were an utter stranger."

"Why did you not tell me all this - you?" inquired the brigand chief, turning towards his men, who all retreated before his look. "Why have you caused me thus to fail in my word towards a gentleman like the count, who has all our lives in his hands? By heavens, if I thought one of you knew that the young gentleman was the friend of his excellency, I would blow his brains out with my own hand!"

"Well," said the count, turning towards Franz, "I told you there was some mistake in this."

"Are you not alone?" asked Vampa with uneasiness.

"I am with the person to whom this letter was addressed, and to whom I desired to prove that Luigi Vampa was a man of his word. Come, your excellency," the count added, turning to Franz, "here is Luigi Vampa, who will himself express to you his deep regret at the mistake he has committed." Franz approached, the chief advancing several steps to meet him. "Welcome among us, your excellency," he said to him; "you heard what the count just said, and also my reply; let me add that I would not for the four thousand piastres at which I had fixed your friend's ransom, that this had happened."

"But," said Franz, looking round him uneasily, "where is the Viscount? - I do not see him."

"Nothing has happened to him, I hope," said the count frowningly.

"The prisoner is there," replied Vampa, pointing to the hollow space in front of which the bandit was on guard, "and I will go myself and tell him he is free." The chief went towards the place he had pointed out as Albert's prison, and Franz and the count followed him. "What is the prisoner doing?" inquired Vampa of the sentinel.

"Ma foi, captain," replied the sentry, "I do not know; for the last hour I have not heard him stir."

"Come in, your excellency," said Vampa. The count and Franz ascended seven or eight steps after the chief, who drew back a bolt and opened a door. Then, by the gleam of a lamp, similar to that which lighted the columbarium, Albert was to be seen wrapped up in a cloak which one of the bandits had lent him, lying in a corner in profound slumber. "Come," said the count, smiling with his own peculiar smile, "not so bad for a man who is to be shot at seven o'clock to-morrow morning." Vampa looked at Albert with a kind of admiration; he was not insensible to such a proof of courage.

"You are right, your excellency," he said; "this must be one of your friends." Then going to Albert, he touched him on the shoulder, saying, "Will your excellency please to awaken?" Albert stretched out his arms, rubbed his eyelids, and opened his eyes. "Oh," said he, "is it you, captain? You should have allowed me to sleep. I had such a delightful dream. I was dancing the galop at Torlonia's with the Countess G - - ." Then he drew his watch from his pocket, that he might see how time sped.

"Half-past one only?" said he. "Why the devil do you rouse me at this hour?"

"To tell you that you are free, your excellency."

"My dear fellow," replied Albert, with perfect ease of mind, "remember, for the future, Napoleon's maxim, `Never awaken me but for bad news;' if you had let me sleep on, I should have finished my galop, and have been grateful to you all my life. So, then, they have paid my ransom?"

"No, your excellency."

"Well, then, how am I free?"

"A person to whom I can refuse nothing has come to demand you."

"Come hither?"

"Yes, hither."

"Really? Then that person is a most amiable person." Albert looked around and perceived Franz. "What," said he, "is it you, my dear Franz, whose devotion and friendship are thus displayed?"

"No, not I," replied Franz, "but our neighbor, the Count of Monte Cristo."

"Oh. my dear count." said Albert gayly, arranging his cravat and wristbands, "you are really most kind, and I hope you will consider me as under eternal obligations to you, in the first place for the carriage, and in the next for this visit," and he put out his hand to the Count, who shuddered as he gave his own, but who nevertheless did give it. The bandit gazed on this scene with amazement; he was evidently accustomed to see his prisoners tremble before him, and yet here was one whose gay temperament was not for a moment altered; as for Franz, he was enchanted at the way in which Albert had sustained the national honor in the presence of the bandit. "My dear Albert," he said, "if you will make haste, we shall yet have time to finish the night at Torlonia's. You may conclude your interrupted galop, so that you will owe no ill-will to Signor Luigi, who has, indeed, throughout this whole affair acted like a gentleman."

"You are decidedly right, and we may reach the Palazzo by two o'clock. Signor Luigi," continued Albert, "is there any formality to fulfil before I take leave of your excellency?"

"None, sir," replied the bandit, "you are as free as air."

"Well, then, a happy and merry life to you. Come, gentlemen, come."

And Albert, followed by Franz and the count, descended the staircase, crossed the square chamber, where stood all the bandits, hat in hand. "Peppino," said the brigand chief, "give me the torch."

"What are you going to do?" inquired the count.

"l will show you the way back myself," said the captain; "that is the least honor that I can render to your excellency." And taking the lighted torch from the hands of the herdsman, he preceded his guests, not as a servant who performs an act of civility, but like a king who precedes ambassadors. On reaching the door, he bowed. "And now, your excellency," added he, "allow me to repeat my apologies, and I hope you will not entertain any resentment at what has occurred."

"No, my dear Vampa," replied the count; "besides, you compensate for your mistakes in so gentlemanly a way, that one almost feels obliged to you for having committed them."

"Gentlemen," added the chief, turning towards the young men, "perhaps the offer may not appear very tempting to you; but if you should ever feel inclined to pay me a second visit, wherever I may be, you shall be welcome." Franz and Albert bowed. The count went out first, then Albert. Franz paused for a moment. "Has your excellency anything to ask me?" said Vampa with a smile.

"Yes, I have," replied Franz; "I am curious to know what work you were perusing with so much attention as we entered."

"Caesar's `Commentaries,'" said the bandit, "it is my favorite work."

"Well, are you coming?" asked Albert.

"Yes," replied Franz, "here I am," and he, in his turn, left the caves. They advanced to the plain. "Ah, your pardon," said Albert, turning round; "will you allow me, captain?" And he lighted his cigar at Vampa's torch. "Now, my dear count," he said, "let us on with all the speed we may. I am enormously anxious to finish my night at the Duke of Bracciano's." They found the carriage where they had left it. The count said a word in Arabic to Ali, and the horses went on at great speed. It was just two o'clock by Albert's watch when the two friends entered into the dancing-room. Their return was quite an event, but as they entered together, all uneasiness on Albert's account ceased instantly. "Madame," said the Viscount of Morcerf, advancing towards the countess, "yesterday you were so condescending as to promise me a galop; I am rather late in claiming this gracious promise, but here is my friend, whose character for veracity you well know, and he will assure you the delay arose from no fault of mine." And as at this moment the orchestra gave the signal for the waltz, Albert put his arm round the waist of the countess, and disappeared with her in the whirl of dancers. In the meanwhile Franz was considering the singular shudder that had passed over the Count of Monte Cristo at the moment when he had been, in some sort, forced to give his hand to Albert.