Beyond the Pleasure Principle
by Sigmund Freud, M.D., LL.D.
authorized translation from the second German edition by C.J.M. Hubback
1922
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EDITORIAL PREFACE
I have revised this translation, so carefully made by Miss Hubback, several times, but I feel that it calls for special indulgence on the part of the reader. On account, doubtless, of the extreme complexity and re-markable novelty of the ideas which Professor Freud here expounds, comprising as they do his thoughts on the ultimate problems of life, the style is one of exceptional difficulty. As it is more important to render his ideas precisely than to clothe them in another
garb, we decided to adhere faithfully to the original even at the expense of some uncouthness as regards the English.
The word Unlust, as in the phrase pleasure-pain principle, has been translated as 'pain‘; pain without inverted commas signifies Schmerz in the original. The word Besetzung (literally: state of being occupied), as in the expressions Besetzungsenergie and Energiebesetzung has been rendered by the words 'investment‘ or 'charge‘, the latter being taken from the analogy of electricity. These and other technical terms will be discussed in a Glossary which it is intended to publish as a supplement to the International Journal of Psycho-Analysis.
BEYOND THE PLEASURE PRINCIPLE
I
In the psycho-analytical theory of the mind we take it for granted that the course of mental processes is automatically regulated by the 'pleasure-principle‘: that is to say, we believe that any given process originates in an unpleasant state of tension and thereupon determines for itself such a path that its ultimate issue coincides with a relaxation of this tension, i.e. with avoidance of 'pain‘ or with production of pleasure.
When we consider the psychic processes under observation in reference to such a sequence we are introducing into our work the economic point of view. In our opinion a presentation which seeks to estimate, not only the topographical and dynamic, but also the economic element is the most complete that we can at present imagine, and deserves to be distinguished by the term meta-psychological.
We are not interested in examining how far in our assertion of the pleasure-principle we have approached to or adopted any given philosophical system historically established. Our approach to such speculative hypotheses is by way of our endeavour to describe and account for the facts falling within our daily sphere of observation. Priority and originality are not among the aims which psycho-analysis sets itself, and the impressions on which the statement of this principle is founded are of so unmistakable a kind that it is scarcely possible to overlook them. On the other hand, we should willingly acknowledge our indebtedness to any philosophical or psychological theory that could tell us the meaning of these feelings of pleasure and 'pain‘ which affect us so powerfully. Unfortunately no theory of any value is forthcoming. It is the obscurest and least penetrable region of psychic life and, while it is impossible for us to avoid touching on it, the most elastic hypothesis will be, to my mind, the best. We have decided to consider pleasure and 'pain‘ in relation to the quantity of excitation present in the psychic life—and not confined in any way—along such lines that 'pain‘ corresponds with an increase and pleasure with a decrease in this quantity. We do not thereby commit ourselves to a simple relationship between the strength of the feelings and the changes corresponding with them, least of all, judging from psycho-physiological experiences, to any view of a direct proportion existing between them; probably the amount of diminution or increase in a given time is the decisive factor for feeling. Possibly there is room here for experimental work, but it is inadvisable for us analysts to go further into these problems until we can be guided by quite definite observations.
We cannot however profess the like indifference when we find that an investigator of such penetration as G.Th. Fechner has advocated a conception of pleasure and 'pain‘ which in essentials coincides with that forced upon us by psycho-analytic work. Fechner‘s pronouncement is to be found in his short work 'Einige Ideen zur Schöpfungs- und Entwicklungsgeschichte der Organismen‘, 1873 (Section XI, Note p. 94) and reads as follows: 'In so far as conscious impulses always bear a relation to pleasure or ―pain‖, pleasure or ―pain‖ may be thought of in psycho-physical relationship to conditions of stability and instability, and upon this may be based the hypothesis I intend to develop elsewhere, viz.: that every psycho-physical movement rising above the threshold of consciousness is charged with pleasure in proportion as it approximates—beyond a certain limit—to complete equilibrium, and with ―pain‖ in proportion as it departs from it beyond a certain limit; while between the two limits which may be described as the qualitative thresholds of ―pain‖ or pleasure, there is a certain area of aesthetic indifference.‘
The facts that have led us to believe in the supremacy of the pleasure-principle in psychic life also find expression in the hypothesis that there is an attempt on the part of the psychic apparatus to keep the quantity of excitation present as low as possible, or at least constant. This is the same supposition only put into another form, for, if the psychic apparatus operates in the direction of keeping down the quantity of excitation, all that tends to increase it must be felt to be contrary to function, that is to say painful. The pleasure-principle is deduced from the principle of constancy; in reality the principle of constancy was inferred from the facts that necessitated our assumption of the pleasure-principle. On more detailed discussion we shall find further that this tendency on the part of the psychic apparatus postulated by us may be classified as a special case of Fechner‘s principle of the tendency towards stability to which he has related the pleasure-pain feelings.
In that event, however, it must be affirmed that it is not strictly correct to speak of a supremacy of the pleasure-principle over the course of psychic processes. If such existed, then the vast majority of our psychic processes would necessarily be accompanied by pleasure or would conduce to it, while the most ordinary experience emphatically contradicts any such conclusion. One can only say that a strong tendency towards the pleasure-principle exists in the psyche, to which, however, certain other forces or conditions are opposed, so that the ultimate issue cannot always be in accordance with the pleasure-tendency. Compare the comment of Fechner in a similar connection.1 ''Therewithal it is to be noted that the tendency towards the goal does not imply the attainment of it and that in general the goal is only approximately attainable . . . .‘ If we now address ourselves to the question of what circumstances have the power to frustrate the successful carrying out of the pleasure-principle we shall be treading on safer and better-known ground, and we can draw in abundant measure on our analytical experiences for the answer.
The first case of such a check on the pleasure-principle is perfectly familiar to us in the regularity of its occurrence. We know that the pleasure-principle is adjusted to a primary mode of operation on the part of the psychic apparatus, and that for the preservation of the organism amid the difficulties of the external world it is ab initio useless and indeed extremely dangerous. Under the influence of the instinct of the ego for self-preservation it is replaced by the 'reality principle‘, which without giving up the intention of ultimately attaining pleasure yet demands and enforces the postponement of satisfaction, the renunciation of manifold possibilities of it, and the temporary endurance of 'pain‘ on the long and circuitous road to pleasure. The pleasure-principle however remains for a long time the method of operation of the sex impulses, which are not so easily educable, and it happens over and over again that whether acting through these impulses or operating in the ego itself it prevails over the reality-principle to the detriment of the whole organism.
It is at the same time indubitable that the replacement of the pleasure-principle by the reality-principle can account only for a small part, and that not the most intense, of painful experiences. Another, and no less regular source of 'pain‘ proceeds from the conflicts and dissociations in the psychic apparatus during the development of the ego towards a more highly co-ordinated organisation. Nearly all the energy with which the apparatus is charged comes from the inborn instincts, but not all of these are allowed to develop to the same stage. On the way it over and again happens that particular instincts, or portions of them, prove irreconcilable in their aims or demands with others which can be welded into the comprehensive unity of the ego. They are thereupon split off from this unity by the process of repression, retained on lower stages of psychic development, and for the time being cut off from all possibility of gratification. If they then succeed, as so easily happens with the repressed sex-impulses, in fighting their way through—along circuitous routes—to a direct or a substitutive gratification, this success, which might otherwise have brought pleasure, is experienced by the ego as 'pain‘. In consequence of the old conflict which ended in repression the pleasure-principle has been violated anew, just at the moment when certain impulses were at work on the achievement of fresh pleasure in pursuance of the principle. The details of the process by which repression changes a possibility of pleasure into a source of 'pain‘ are not yet fully understood, or are not yet capable of clear presentation, but it is certain that all neurotic 'pain‘ is of this kind, is pleasure which cannot be experienced as such.
The two sources of 'pain‘ here indicated still do not nearly cover the majority of our painful experiences, but as to the rest one may say with a fair show of reason that their presence does not impugn the supremacy of the pleasure-principle. Most of the 'pain‘ we experience is of a perceptual order, perception either of the urge of unsatisfied instincts or of something in the external world which may be painful in itself or may arouse painful anticipations in the psychic apparatus and is recognised by it as 'danger‘. The reaction to these claims of impulse and these threats of danger, a reaction in which the real activity of the psychic apparatus is manifested, may be guided correctly by the pleasure-principle or by the reality-principle which modifies this. It seems thus unnecessary to recognise a still more far-reaching limitation of the pleasure-principle, and nevertheless it is precisely the investigation of the psychic reaction to external danger that may supply new material and new questions in regard to the problem here treated.
II
After severe shock of a mechanical nature, railway collision or other accident in which danger to life is involved, a condition may arise which has long been recognised and to which the name 'traumatic neurosis‘ is attached. The terrible war that is just over has been responsible for an immense number of such maladies and at least has put an end to the inclination to explain them on the basis of organic injury to the nervous system due to the operation of mechanical force.2 The clinical picture of traumatic neurosis approaches that of hysteria in its wealth of similar motor symptoms, but usually surpasses it in its strongly marked signs of subjective suffering—in this resembling rather hypochondria or melancholia—and in the evidences of a far more comprehensive general weakening and shattering of the mental functions. Neither the war neuroses nor the traumatic neuroses of peace are as yet fully understood. With the war neuroses some light was contributed, but also on the other hand a certain confusion introduced, by the fact that the same type of malady could occasionally occur without the interposition of gross mechanical force. In the traumatic neuroses there are two outstanding features which might serve as clues for further reflection: first that the chief causal factor seemed to lie in the element of surprise, in the fright; and secondly that an injury or wound sustained at the same time generally tended to prevent the occurrence of the neurosis. Fright, fear, apprehension are incorrectly used as synonymous expressions: in their relation to danger they admit of quite clear distinction. Apprehension (Angst) denotes a certain condition as of expectation of danger and preparation for it, even though it be an unknown one; fear (Furcht) requires a definite object of which one is afraid; fright (Schreck) is the name of the condition to which one is reduced if one encounters a danger without being prepared for it; it lays stress on the element of surprise. In my opinion apprehension cannot produce a traumatic neurosis; in apprehension there is something which protects against fright and therefore against the fright-neurosis. We shall return later to this dictum.
The study of dreams may be regarded as the most trustworthy approach to the exploration of the deeper psychic processes. Now in the traumatic neuroses the dream life has this peculiarity: it continually takes the patient back to the situation of his disaster, from which he awakens in renewed terror. This fact has caused less surprise than it merits. The obtrusion on the patient over and again, even in sleep, of the impression made by the traumatic experience is taken as being merely a proof of its strength. The patient has so to speak undergone a psychical fixation as to the trauma. Fixations of this kind on the experience which has brought about the malady have long been known to us in connection with hysteria. Breuer and Freud stated in 1893 that hysterics suffer for the most part from reminiscences. In the war neuroses, observers, such as Ferenczi and Simmel, have been able to explain a number of motor symptoms as fixation on the factor of the trauma.
But I am not aware that the patients suffering from traumatic neuroses are much occupied in waking life with the recollection of what happened to them. They perhaps strive rather not to think of it. To regard it as self-evident that the dream at night takes them back to the situation which has caused the trouble is to misunderstand the nature of dreams. It would be more in correspondence with that nature if the patient were presented (in sleep) with images from the time of his normal health or of his hoped-for recovery. If we are not to go thoroughly astray as to the wish-fulfilment tendency of the dream in consequence of these dreams of the shock neuroses, perhaps the expedient is left us of supposing that in this condition the dream function suffers dislocation along with the others and is diverted from its usual ends, or else we should have to think of the enigmatic masochistic tendencies of the ego.
I propose now to leave the obscure and gloomy theme of the traumatic neuroses and to study the way in which the psychic apparatus works in one of its earliest normal activities. I refer to the play of children.
The different theories of child-play have recently been collated by S. Pfeifer in Imago 3 and their analytical value estimated; I may here refer the reader to this work. These theories endeavour to conjecture the motives of children‘s play, though without placing any special stress on the 'economic‘ point of view, i.e. consideration of the attainment of pleasure. Without the intention of making a compre- hensive study of these phenomena I availed myself of an opportunity which offered of elucidating the first game invented by himself of a boy eighteen months old. It was more than a casual observation, for I lived for some weeks under the same roof as the child and his parents, and it was a considerable time before the meaning of his puzzling and continually repeated performance became clear to me.
The child was in no respect forward in his intellectual development; at eighteen months he spoke only a few intelligible words, making besides sundry significant sounds which were understood by those about him. But he made himself understood by his parents and the maid-servant, and had a good reputation for behaving 'properly‘. He did not disturb his parents at night; he scrupulously obeyed orders about not touching various objects and not going into certain rooms; and above all he never cried when his mother went out and left him for hours together, although the tie to his mother was a very close one: she had not only nourished him herself, but had cared for him and brought him up without any outside help. Occasionally, however, this well-behaved child evinced the troublesome habit of flinging into the corner of the room or under the bed all the little things he could lay his hands on, so that to gather up his toys was often no light task. He accompanied this by an expression of interest and gratification, emitting a loud long-drawn-out 'o-o-o-oh‘ which in the judgement of the mother (one that coincided with my own) was not an interjection but meant 'go away‘ (fort). I saw at last that this was a game, and that the child used all his toys only to play 'being gone‘ (fortsein) with them. One day I made an observation that confirmed my view. The child had a wooden reel with a piece of string wound round it. It never occurred to him, for example, to drag this after him on the floor and so play horse and cart with it, but he kept throwing it with considerable skill, held by the string, over the side of his little draped cot, so that the reel disappeared into it, then said his significant 'o-o-o-oh‘ and drew the reel by the string out of the cot again, greeting its reappearance with a joyful 'Da‘ (there). This was therefore the complete game, disappearance and return, the first act being the only one generally observed by the onlookers, and the one untiringly repeated by the child as a game for its own sake, although the greater pleasure unquestionably attached to the second act.4
The meaning of the game was then not far to seek. It was connected with the child‘s remarkable cultural achievement—the foregoing of the satisfaction of an instinct—as the result of which he could let his mother go away without making any fuss. He made it right with himself, so to speak, by dramatising the same disappearance and return with the objects he had at hand. It is of course of no importance for the affective value of this game whether the child invented it himself or adopted it from a suggestion from outside. Our interest will attach itself to another point. The departure of the mother cannot possibly have been pleasant for the child, nor merely a matter of indifference. How then does it accord with the pleasure-principle that he repeats this painful experience as a game? The answer will perhaps be forthcoming that the departure must be played as the necessary prelude to the joyful return, and that in this latter lay the true purpose of the game. As against this, however, there is the observation that the first act, the going away, was played by itself as a game and far more frequently than the whole drama with its joyful conclusion.
The analysis of a single case of this kind yields no sure conclusion: on impartial consideration one gains the impression that it is from another motive that the child has turned the experience into a game. He was in the first place passive, was overtaken by the experience, but now brings himself in as playing an active part, by repeating the experience as a game in spite of its unpleasing nature. This effort might be ascribed to the impulse to obtain the mastery of a situation (the 'power‘ instinct), which remains independent of any question of whether the recollection was a pleasant one or not. But another interpretation may be attempted. The flinging away of the object so that it is gone might be the gratification of an impulse of revenge suppressed in real life but directed against the mother for going away, and would then have the defiant meaning: 'Yes, you can go, I don‘t want you, I am sending you away myself.‘ The same child a year later than my observations used to throw on the floor a toy which displeased him, and to say 'Go to the war!‘ He had been told that his absent father was at the war, and he did not miss him at all, giving the clearest indications that he did not wish to be disturbed in the sole possession of his mother.5 It is known of other children also that they can give vent to similar hostile feelings by throwing objects away in place of people.6 Thus one is left in doubt whether the compulsion to work over in psychic life what has made a deep impression, to make oneself fully master of it, can express itself primarily and independently of the pleasure-principle. In the case discussed here, however, the child might have repeated a disagreeable impression in play only because with the repetition was bound up a pleasure gain of a different kind but more direct.
Nor does the further pursuit of the question of play resolve our hesitations between two conceptions. We see that children repeat in their play everything that has made a great impression on them in actual life, that they thereby abreact7 the strength of the impression and so to speak make themselves masters of the situation. But on the other hand it is clear enough that all their play is influenced by the dominant wish of their time of life: viz. to be grown-up and to be able to do what grown-up people do. It is also observable that the unpleasing character of the experience does not always prevent its being utilised as a game. If a doctor examines a child‘s throat, or performs a small operation on him, the alarming experience will quite certainly be made the subject of the next game, but in this the pleasure gain from another source is not to be overlooked. In passing from the passivity of experience to the activity of play the child applies to his playfellow the unpleasant occurrence that befell himself and so avenges himself on the person of this proxy.
From this discussion it is at all events evident that it is unnecessary to assume a particular imitation impulse as the motive of play. We may add the reminder that the dramatic and imitative art of adults, which differs from the behaviour of children in being directed towards the spectator, does not however spare the latter the most painful impressions, e.g. in tragedy, and yet can be felt by him as highly enjoyable. This convinces us that even under the domination of the pleasure-principle there are ways and means enough of making what is in itself disagreeable the object of memory and of psychic pre-occupation. A theory of aesthetics with an economic point of view should deal with these cases and situations ending in final pleasure gain: for our purposes they are of no help, since they presuppose the existence and supremacy of the pleasure-principle and bear no witness to the operation of tendencies beyond the pleasure-principle, that is to say, tendencies which might be of earlier origin and independent of this.
III
Five-and-twenty years of intensive work have brought about a complete change in the more immediate aims of psycho-analytic technique. At first the endeavours of the analytic physician were confined to divining the unconscious of which his patient was unaware, effecting a synthesis of its various components and communicating it at the right time. Psychoanalysis was above all an art of interpretation. Since the therapeutic task was not thereby accomplished, the next aim was to compel the patient to confirm the reconstruction through his own memory. In this endeavour the chief emphasis was on the resistances of the patient; the art now lay in unveiling these as soon as possible, in calling the patient‘s attention to them, and by human influence—here came in suggestion acting as 'transference‘—teaching him to abandon the resistances.
It then became increasingly clear, however, that the aim in view, the bringing into consciousness of the unconscious, was not fully attainable by this method either. The patient cannot recall all of what lies repressed, perhaps not even the essential part of it, and so gains no conviction that the conclusion presented to him is correct. He is obliged rather to repeat as a current experience what is repressed, instead of, as the physician would prefer to see him do, recollecting it as a fragment of the past.8 This reproduction appearing with unwelcome fidelity always contains a fragment of the infantile sex-life, therefore of the Oedipus complex and its off-shoots, and is played regularly in the sphere of transference, i.e. the relationship to the physician. When this point in the treatment is reached, it may be said that the earlier neurosis is now replaced by a fresh one, viz. the transference-neurosis. The physician makes it his concern to limit the scope of this transference-neurosis as much as he can, to force into memory as much as possible, and to leave as little as possible to repetition. The relation established between memory and reproduction is different for every case. As a rule the physician cannot spare the patient this phase of the cure; he must let him live through a certain fragment of his forgotten life, and has to see to it that some measure of ascendency remains, in the light of which the apparent reality is always recognised as a reflection of a forgotten past. If this is successfully accomplished then conviction on the part of the patient is attained, and with it the therapeutic result that depends on it.
In order to render more comprehensible this 'repetition-compulsion‘ which appears in the psycho-analytic treatment of neurotics, we must above all get entirely rid of the erroneous idea that in this struggle with resistances we are concerned with any resistance on the part of the unconscious. The unconscious, i.e. the 'repressed‘ material, offers no resistance whatever to the curative efforts; indeed it has no other aim than to force its way through the pressure weighing on it, either to consciousness or to discharge by means of some real action. The resistance in the treatment proceeds from the same higher levels and systems in the psychic life that in their time brought about the repression. But since the motives of the resistances, and indeed the resistances themselves, are found in the process of the treatment to be unconscious, we are well advised to amend an inadequacy in our mode of expression. We escape ambiguity if we contrast not the conscious and the unconscious, but the coherent ego and the repressed. Much in the ego is certainly unconscious itself, just what may be called the kernel of the ego; only a part of it comes under the category of preconscious. After thus replacing a purely descriptive method of expression by a systematic or dynamic one, we may say that the resistance on the part of the analysed person proceeds from his ego, and then we at once see that the 'repetition-compulsion‘ must be ascribed to the repressed element in the unconscious. It probably could not find expression till the work of the treatment coming to meet it had loosened the repression.
There is no doubt that the resistance of the conscious and preconscious ego subserves the pleasure-principle; it is trying to avoid the 'pain‘ that would be aroused by the release of the repressed material, and our efforts are directed to effecting an entry for such painful feeling by an appeal to the reality-principle. In what relation to the pleasure-principle then does the repetition-compulsion stand, that which expresses the force of what is repressed? It is plain that most of what is revived by the repetition-compulsion cannot but bring discomfort to the ego, for it promotes the bringing to light of the activities of repressed impulses; but that is a discomfort we have already taken into account and without subversion of the pleasure-principle, since it is 'pain‘ in respect of one system and at the same time satisfaction for the other. The new and remarkable fact, however, that we have now to describe is that the repetition-compulsion also revives experiences of the past that contain no potentiality of pleasure, and which could at no time have been satisfactions, even of impulses since repressed.
The efflorescence of infantile sex-life was, by reason of the irreconcilability of its wishes with reality and the inadequacy of the childhood stage of development reached, destined to pass away. It perished in most painful circumstances and with feelings of a deeply distressing nature. Loss and failure in the sphere of the affections left behind on the ego-feeling marks of injury comparable to a narcissistic scar, which, according to my experience and the exposition given by Marcinowski,9 yields the most important contribution to the 'inferiority complex‘ common among neurotics. The sex-quest to which the physical development of the child set limits could be brought to no satisfying conclusion; hence the plaint in later life: 'I can‘t do anything, I am never successful.‘ The bonds of tenderness linking the child more especially to the parent of the opposite sex succumbed to disappointment, to the vain expectation of satisfaction, and to the jealousy aroused by the birth of a new child, unmistakable proof as it is of the faithlessness of the loved parent; the child‘s attempt, undertaken with tragic seriousness, to produce another such child himself met with humiliating failure; while the partial withdrawal of the tenderness lavished on the little one, the more exacting demands of discipline and education, severe words and an occasional punishment finally revealed to him the whole extent of the disdain which is his portion. Some few regularly recurring types are to be found, according to the way in which the typical love of this period was brought to an end.
All these undesired happenings and painful affective situations are repeated by neurotics in the 'transference‘ stage and re-animated with much ingenuity. They struggle to break off the unfinished treatment, they know how to re-create the feeling of being disdained, how to force the physician to adopt brusque speech and a chilling manner towards them, they find suitable objects for their jealousy, they substitute for the ardently desired child of early days the promise of some great gift which becomes as little real as that was. Nothing of all this could ever have afforded any pleasure; one would suppose it ought to bring somewhat less 'pain‘ if revealed as memory rather than if lived through as a new experience. It is a question naturally of the action of impulses that should lead to satisfaction, but the experience that instead of this they even then brought 'pain‘ has borne no result. The act is repeated in spite of everything; a powerful compulsion insists on it.
That which psycho-analysis reveals in the transference phenomena with neurotics can also be observed in the life of normal persons. It here gives the impression of a pursuing fate, a daemonic trait in their destiny, and psycho-analysis has from the outset regarded such a life history as in a large measure self-imposed and determined by infantile influences. The compulsion which thereby finds expression is in no way different from the repetition-compulsion of neurotics, even though such persons have never shown signs of a neurotic conflict resulting in symptoms. Thus one knows people with whom every human relationship ends in the same way: benefactors whose protégés, however different they may otherwise have been, invariably after a time desert them in ill-will, so that they are apparently condemned to drain to the dregs all the bitterness of ingratitude; men with whom every friendship ends in the friend‘s treachery; others who indefinitely often in their lives invest some other person with authority either in their own eyes or generally, and themselves overthrow such authority after a given time, only to replace it by a new one; lovers whose tender relationships with women each and all run through the same phases and come to the same end, and so on. We are less astonished at this 'endless repetition of the same‘ if there is involved a question of active behaviour on the part of the person concerned, and if we detect in his character an unalterable trait which must always manifest itself in the repetition of identical experiences. Far more striking are those cases where the person seems to be experiencing something passively, without exerting any influence of his own, and yet always meets with the same fate over and over again. One may recall, for example, the story of the woman who married three men in succession, each of whom fell ill after a short time and whom she had to nurse till their death.10 Tasso gives a singularly affecting poetical portrayal of such a trend of fate in the romantic epic: 'Gerusalemme liberata.‘ The hero, Tancred, has unwittingly slain Clorinda, the maiden he loved, who fought with him disguised in the armour of an enemy knight. After her burial he penetrates into the mysterious enchanted wood, the bane of the army of the crusaders. Here he hews down a tall tree with his sword, but from the gash in the trunk blood streams forth and the voice of Clorinda whose soul is imprisoned in the tree cries out to him in reproach that he has once more wrought a baleful deed on his beloved.
In the light of such observations as these, drawn from the behaviour during transference and from the fate of human beings, we may venture to make the assumption that there really exists in psychic life a repetition-compulsion, which goes beyond the pleasure-principle. We shall now also feel disposed to relate to this compelling force the dreams of shock-patients and the play-impulse in children. We must of course remind ourselves that only in rare cases can we recognise the workings of this repetition-compulsion in a pure form, without the co-operation of other motives. As regards children‘s play we have already pointed out what other interpretations its origin permits. The repetition-compulsion and direct pleasurable satisfaction of impulse seem there to be inextricably intertwined. The transference phenomena obviously subserve the purpose of the resistance made by the ego persisting in its repression: the repetition-compulsion is, as it were, called to the aid of the ego, which is resolved to hold fast to the pleasure-principle. In what one might call the destiny compulsion much appears capable of rational explanation, so that no need is felt to establish a new and mysterious impulse. The least suspicious case is perhaps that of the shock-dream, but on closer examination it must be admitted that in the other examples too the state of affairs is not completely explained by the operation of the motives known to us. There remains enough over to justify the assumption of a repetition-compulsion, and this seems to us more primitive, more elementary, more instinctive than the pleasure-principle which is displaced by it. But if there is such a repetition-compulsion in psychic life, we should naturally like to know with what function it corresponds, under what conditions it may appear, and in what relation it stands to the pleasure-principle, to which we have heretofore ascribed the domination over the course of the processes of excitation in the psychic life.