by Dr. Terry Watkins, Th.D.
Excerpt
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Where did Santa come from?
Nearly all Santa researchers agree that some traits of Santa was borrowed from Norse [Scandinavian] mythology.
Encyclopedia Britannica describes the role of Nordic mythology in the life of Santa:
Sinterklaas was adopted by the country's English-speaking majority under the name Santa Claus, and his legend of a kindly old man was united with old Nordic folktales of a magician who punished naughty children and rewarded good children with presents. ("Santa Claus" Encyclopaedia Britannica 99)
Some Santa researchers associate Santa with the Norse "god" of Odin or Woden. Crichton describes Odin as riding through the sky on an eight-legged, white horse name Sleipnir. (Santa originally had eight reindeers, Rudolph was nine). Odin lived in Valhalla (the North) and had a long white beard. Odin would fly through the sky during the winter solstice (December 21-25) rewarding the good children and punishing the naughty. (Crichton, Robin. Who is Santa Claus? The Truth Behind a Living Legend. Bath: The Bath Press, 1987, pp. 55-56)
Mythologist Helene Adeline Guerber presents a very convincing case tracing Santa to the Norse god Thor in Myths of Northern Lands:
Thor was the god of the peasants and the common people. He was represented as an elderly man, jovial and friendly, of heavy build, with a long white beard. His element was the fire, his color red. The rumble and roar of thunder were said to be caused by the rolling of his chariot, for he alone among the gods never rode on horseback but drove in a chariot drawn by two white goats (called Cracker and Gnasher). He was fighting the giants of ice and snow, and thus became the Yule-god. He was said to live in the "Northland" where he had his palace among icebergs. By our pagan forefathers he was considered as the cheerful and friendly god, never harming the humans but rather helping and protecting them. The fireplace in every home was especially sacred to him, and he was said to come down through the chimney into his element, the fire. (Guerber, H.A. Myths of Northern Lands. New York: American Book Company, 1895, p. 61)
The unusual and common characteristics of Santa and Thor are too close to ignore.
• An elderly man, jovial and friendly and of heavy build.
• With a long white beard.
• His element was the fire and his color red.
• Drove a chariot drawn by two white goats, named called Cracker and Gnasher.
• He was the Yule-god. (Yule is Christmas time).
• He lived in the Northland (North Pole).
• He was considered the cheerful and friendly god.
• He was benevolent to humans.
• The fireplace was especially sacred to him.
• He came down through the chimney into his element, the fire.
Even today in Sweden, Thor represents Santa Claus. The book, The Story of the Christmas Symbols, records:
Swedish children wait eagerly for Jultomten, a gnome whose sleigh is drawn by the Julbocker, the goats of the thunder god Thor. With his red suit and cap, and a bulging sack on his back, he looks much like the American Santa Claus. (Barth, Edna. Holly, Reindeer, and Colored Lights, The Story of the Christmas Symbols. New York: Clarion Books, 1971, p. 49)
Thor was probably history’s most celebrated and worshipped pagan god. His widespread influence is particularly obvious in the fifth day of the week, which is named after him – Thursday (a.k.a. Thor’s Day).
It is ironic that Thor’s symbol was a hammer. A hammer is also the symbolic tool of the carpenter – Santa Claus. It is also worth mentioning that Thor’s helpers were elves and like Santa’s elves, Thor’s elves were skilled craftsman. It was the elves who created Thor’s magic hammer.
In the Handbook of Christian Feasts and Customs, author Francis Weiser traces the origin of Santa to Thor: "Behind the name Santa Claus actually stands the figure of the pagan Germanic god Thor." (Weiser, Francis X. Handbook of Christian Feasts and Customs. New York: Harcourt, Brace & World, Inc., 1952, p. 113)
After listing some the common attributes of Thor and Santa, Weiser concludes:
Here, [Thor] then, is the true origin of our "Santa Claus." ... With the Christian saint whose name he still bears, however, this Santa Claus has really nothing to do. (Weiser, Francis X. Handbook of Christian Feasts and Customs. New York: Harcourt, Brace & World, Inc., 1952, p. 114)
Another interesting trait of Thor is recorded by H.R. Ellis Davidson in Scandinavian Mythology, "It was Thor who in the last days of heathenism was regarded as the chief antagonist of Christ." (Davidson, H.R. Ellis. Scandinavian Mythology. New York: Peter Bedrick Books, 1982, p. 133) In case you are not aware, an "antagonist" is an enemy, adversary or replacement.
The bizarre and mutual attributes of Thor and Santa are no accident.
While the pagan brush strokes of Norse mythology has painted some of the traits of Santa Claus, there exists another brush stroke coloring Santa that bids our inspection.
There is a little-known piece in the life of Santa that time and tradition has silently erased. Few people are aware that for most of his life, St. Nicholas (Sinter Klaas, Christkind, et. al.) had an unusual helper or companion. This mysterious sidekick had many names or aliases. He was known as Knecht Rupprecht; Pelznickle; Ru-Klas; Swarthy; Dark One; Dark Helper; Black Peter; Hans Trapp; Krampus; Grampus; Zwarte Piets; Furry Nicholas; Rough Nicholas; Schimmelreiter; Klapperbock; Julebuk; et. al.
Though his name changed, he was always there.
Some other well known titles given to St. Nick’s bizarre companion is a demon, evil one, the devil and Satan. One of his dark duties was to punish children and "gleefully drag them to hell."
The following references are provided to demonstrate the "devil" who accompanies St. Nicholas is a well documented fact. In every forerunner of Santa this dark and diabolic character appears.
It is the Christkind who brings the presents, accompanied by one of its many devilish companions, Knecht Rupprecht, Pelznickle, Ru-Klas. . . (Del Re, Gerard and Patricia. The Christmas Almanack. New York: Random House, 2004, p. 70)
In many areas of Germany, Hans Trapp is the demon who accompanies Christkind on its gift-giving round. . . (Del Re, Gerard and Patricia. The Christmas Almanack. New York: Random House, 2004, p. 75)
Another Christmas demon from lower Austria, Krampus or Grampus, accompanies St. Nicholas on December 6. (Del Re, Gerard and Patricia. The Christmas Almanack. New York: Random House, 2004, p. 94)
Like Santa, Sinterklaas and the Dark Helper were also supposed to have the peculiar habit of entering homes through the chimney. . . (Renterghem, Tony van. When Santa Was a Shaman. St. Paul: Llewellyn Publications, 1995, p. 102)
In Sarajevo in Bosnia, Saint Nickolas appears with gifts for the children in spite of the war and shelling. He is assisted by a small black devil who scares the children. (Renterghem, Tony van. When Santa Was a Shaman. St. Paul: Llewellyn Publications, 1995, p. 102)
Ruprecht here plays the part of bogeyman, a black, hairy, horned, cannibalistic, stick-carrying nightmare. His role and character are of unmitigated evil, the ultimate horror that could befall children who had been remiss in learning their prayers and doing their lessons. He was hell on earth. (Siefker, Phyllis. Santa Claus, Last of the Wild Men: The Origins and Evolution of Saint Nicholas. Jefferson: McFarland & Company, Inc., 1997, p. 155)
In Holland, Sinterklaas (Santa Claus) wore a red robe while riding a white horse and carried a bag of gifts to fill the children's stockings. A sinister assistant called Black Pete proceeded Sinterklaas in the Holland tradition to seek out the naughty boys and girls who would not receive gifts. ("History of Santa Claus," <www.christmas-decorations-gifts-store.com/history_of_santa.htm?>)
The Christian figure of Saint Nicholas replaced or incorporated various pagan gift-giving figures such as the Roman Befana and the Germanic Berchta and Knecht Ruprecht. . . He was depicted wearing a bishop's robes and was said to be accompanied at times by Black Peter, an elf whose job was to whip the naughty children.("Santa Claus" Microsoft Encarta Encyclopedia 99)
Christmas historian Miles Clement relates that no "satisfactory account has yet been given" to the origins of these demons and devils that appear with St. Nicholas.
It can hardly be said that any satisfactory account has yet been given of the origins of this personage, or of his relation to St. Nicholas, Pelzmarte, and monstrous creatures like the Klapperbock. (Miles, Clement A. Christmas in Ritual and Tradition Christian and Pagan. New York: Frederick A. Stokes Company, 1912, p. 232)
Maybe a satisfactory account has been given. Let us keep reading.
Previously, we established the peculiar fact that today’s Santa Claus and St. Nicholas are not the same. They never have been. Santa Claus is dressed in a long shaggy beard, furs, short, burly and obese. The legends of St. Nicholas portrayed a thin, tall, neatly dressed man in religious apparel. You could not possibly find two different characters.
If Nicholas, the ascetic bishop of fourth-century Asia Manor, could see Santa Claus, he would not know who he was. (Del Re, Gerard and Patricia. The Christmas Almanack. New York: Random House, 2004, pp. 138,141)
So the legends of Saint Nicholas afford but a slight clew to the origin of Santa Klaus,–alike, indeed, in name but so unlike in all other respects. (Walsh, William S. The Story of Santa Klaus. Detroit: Gale Research Company, 1970, p. 54)
The startling fact is, Santa Claus is not the Bishop St. Nicholas – but his Dark Helper!
In certain German children’s games, the Saint Nicholas figure itself is the Dark Helper, a devil who wants to punish children, but is stopped from doing so by Christ. (Renterghem, Tony van. When Santa Was a Shaman. St. Paul: Llewellyn Publications, 1995, p. 105)
Black Pete, the ‘grandfather’ of our modern Santa Claus. Known in Holland as Zwarte Piet, this eighteenth-century German version, is—like his ancient shamanic ancestor—still horned, fur-clad, scary, and less than kind to children. Although portrayed as the slave helper of Saint Nicholas, the two are, in many villages, blended into one character. This figure often has the name Nikolass or Klaus, but has the swarthy appearance of the Dark Helper. (Renterghem, Tony van. When Santa Was a Shaman. St. Paul: Llewellyn Publications, 1995, p. 98)
Artist Thomas Nast is rightfully credited for conceiving the image of our modern day Santa, but Nast’s model for Santa was not the Bishop St. Nicholas but his dark companion, the evil Pelznickle.
The Christmas demon Knecht Rupprecht first appeared in a play in 1668 and was condemned by the Roman Catholic as being a devil in 1680. . . To the Pennsylvania Dutch, he is known as Belsnickel. Other names for the same character are Pelznickle, "Furry Nicholas," and Ru-Klas, "Rough Nicholas." From these names, it is easy to see that he is looked upon as not merely a companion to St. Nicholas, but almost another version of him. (Del Re, Gerard and Patricia. The Christmas Almanack. New York: Random House, 2004, pp. 93,94)
In Thomas Nast: His Period and His Pictures, biographer Albert Bigelow Paine, documents that Nast’s Santa was Pelznickle.
But on Christmas Eve, to Protestant and Catholic alike, came the German Santa Claus, Pelze-Nicol, leading a child dressed as the Christkind, and distributing toys and cakes, or switches, according as the parents made report. It was this Pelze-Nicol – a fat, fur-clad, bearded old fellow, at whose hands he doubtless received many benefits – that the boy in later years was to present to us as his conception of the true Santa Claus – a pictorial type which shall lone endure. (Paine, Albert Bigelow. Thomas Nast: His Period and His Pictures. New York: Chelsea House, 1980, p. 6)
Santa historian and author, Tony van Renterghem also documents Nast’s Santa Claus was not Saint Nicholas, but the evil Black Pete–the devil.
Thomas Nast was assigned to draw this Santa Claus, but having no idea what he looked like, drew him as the fur-clad, small, troll-like figure he had known in Bavaria when he was a child. This figure was quite unlike the tall Dutch Sinterklaas, who was traditionally depicted as a Catholic bishop. Who he drew was Saint Nicholas’ dark helper, Swarthy, or Black Pete (a slang name for the devil in medieval Dutch). . . (Renterghem, Tony van. When Santa Was a Shaman. St. Paul: Llewellyn Publications, 1995, pp. 95-96)
Santa researcher, Phyllis Siefker, echoes Renterghem’s conclusion:
It seems obvious, therefore, that Santa Claus can be neither the alter ego of Saint Nicholas nor the brainchild of Washington Irving. . . If we peek behind the imposing Saint Nicholas, we see, glowering in the shadows, the saint’s reprobate companion, Black Pete. He, like Santa, has a coat of hair, a disheveled beard, a bag, and ashes on his face. . . In fact, it is this creature, rather than Irving’s creation or an Asian saint, who fathered Santa Claus. (Siefker, Phyllis. Santa Claus, Last of the Wild Men: The Origins and Evolution of Saint Nicholas. Jefferson: McFarland & Company, Inc., 1997, p. 15)
By the way, St. Nicholas did not come down the chimney. It was his fur-clad, dark companion that came down the chimney. One of the reasons his sidekick was called the "Dark One" or "Black Peter" was because he was normally covered in soot and ashes from his chimney travels. The "dark companion" also carried the bag, distributed the goodies and punished the bad boys and girls.
Children [in Holland] are told that Black Peter enters the house through the chimney, which also explained his black face and hands, and would leave a bundle of sticks or a small bag with salt in the shoe instead of candy when the child had been bad. ("Saint Nicholas," Wikipedia Encyclopedia. <en.wikipedia.org/wiki/Saint_Nicholas>)
It is significant that Black Peter, Pelze-Nicol, Knecht Rupprecht and all of St. Nicholas companions are openly identified as the devil.
To the medieval Dutch, Black Peter was another name for the devil. Somewhere along the way, he was subdued by St. Nicholas and forced to be his servant. (Del Re, Gerard and Patricia. The Christmas Almanack. New York: Random House, 2004, p. 44)
In Denmark, Sweden, and Norway creatures resembling both the Schimmelreiter and the Klapperbock are or were to be met with at Christmas. . . People seem to have had a bad conscience about these things, for there are stories connecting them with the Devil. A girl, for instance, who danced at midnight with a straw Julebuk, found that her partner was no puppet but the Evil One himself. (Miles, Clement A. Christmas in Ritual and Tradition Christian and Pagan. New York: Frederick A. Stokes Company, 1912, p. 202)
Thus, in parts of Europe, the Church turned Herne into Saint Nicholas’ captive, chained Dark Helper, none other than Satan, the Dark One, symbolic of all evil. (Renterghem, Tony van. When Santa Was a Shaman. St. Paul: Llewellyn Publications, 1995, p. 97)
One of the bizarre jobs of St. Nick’s devilish helper was to "gleefully drag sinners" to hell!
On the eve of December 6, the myth told that this bearded, white-haired old ‘saint,’ clad in a wide mantel, rode through the skies on a white horse, together with his slave, the swarthy Dark Helper. This reluctant helper had to disperse gifts to good people, but much preferred to threaten them with his broom-like scourge, and, at a sign of his master, would gleefully drag sinners away to a place of eternal suffering. (Renterghem, Tony van. When Santa Was a Shaman. St. Paul: Llewellyn Publications, 1995, p. 111)
It is also alarming that Santa’s popular title, "Nick," is also a common name for "the devil."
Old Nick: A well-known British name of the Devil. It seems probable that this name is derived from the Dutch Nikken, the devil..." (Shepard, Leslie A. Encyclopedia of Occultism and Parapsychology. New York: Gale Research Inc. 1991, p. 650)
Nick, the devil. (Skeat, Walter W. Concise Dictionary of English Etymology. Ware: Wordsworth Editions Ltd, 1993, p. 304)
Devil: Besides the name Satan, he is also called Beelzebub, Lucifer . . . and in popular or rustic speech by many familiar terms as Old Nick . . . (Oxford English Dictionary)
Nicholas is one of the most common devil’s names in German, a name that remains today when Satan is referred as Old Nick. (Siefker, Phyllis. Santa Claus, Last of the Wild Men: The Origins and Evolution of Saint Nicholas. Jefferson: McFarland & Company, Inc., 1997, p. 69)
The shocking truth is Santa Claus originated from a character identified as the devil or Satan.
Something else that fashioned our modern day Santa was the popular medieval Christmas plays of the tenth through the sixteenth century. These miracle, moral, mystery and passion dramas acted out scenes from the scriptures and the liturgy of the Roman Catholic Church. Combining humor and religion, they flourished during the fifteenth century. It is significant that St. Nicholas was a dominant theme among these plays. Much of the myth and outlandish miracles of St. Nicholas originated from these dramas. And much of the bizarre characteristics of Santa were planted in these Christmas plays.
In the classic, Teutonic Mythology, author Jacob Grimm provides us with some revealing detail into St, Nicholas’s transformation into Santa. Notice in the following excerpt from Teutonic Mythology where Nicholas converts himself into the Knecht Ruprecht [the devil], a "man of Clobes" or a "man of Claus." Grimm states, the characters of Nicholas and Knecht Ruprecht "get mixed, and Clobes [Claus] himself is the "man."
The Christmas plays sometimes present the Saviour with His usual attendant Peter or else with Niclas [St. Nicholas]. At other times however Mary with Gabriel, or with her aged Joseph, who, disguised as a peasant, acts the part of Knecht Ruprecht Nicholas again has converted himself into a "man Clobes" or Rupert; as a rule there is still a Niclas, a saintly bishop and benevolent being distinct from the "man" who scares children; the characters get mixed, and Clobes himself acts the "man." (qtd. in Siefker, Phyllis. Santa Claus, Last of the Wild Men: The Origins and Evolution of Saint Nicholas. Jefferson: McFarland & Company, Inc., 1997, p. 69)
From Grimm’s account, in the early 1100’s, the transformation of St. Nicholas into Santa Claus from the devil Knecht Ruprecht was in full throttle.
There is not enough space in this book to adequately document the influence and inspiration of the medieval plays into the making of Santa, but let us examine Santa’s trademark "Ho! Ho! Ho!". Most people have no idea where this came from, and more important whom it came from. . .
In The Drama Before Shakespeare - A Sketch, author Frank Ireson, describes the popular Miracle Play. Notice the description of the devil as "shaggy, hairy," etc. (as Santa), and notice the devil’s trademark "exclamation on entering was ho, ho, ho!":
Besides allegorical personages, there were two standing characters very prominent in Moral Plays—the Devil and Vice. The Devil was, no doubt, introduced from the Miracle Plays, where he had figured so amusingly; he was made as hideous as possible by his mask and dress, the latter being generally of a shaggy and hairy character, and he was duly provided with a tail: his ordinary exclamation on entering was, "Ho, ho, ho! what a felowe [sic] am I."(Ireson, Frank. "The Drama Before Shakespeare - A Sketch." 1920 )
Siefker also collaborates the devil’s trademark "ho, ho, ho."
In these plays, the devil’s common entry line, known as the "devil’s bluster," was "Ho! Ho! Hoh!"(Siefker, Phyllis. Santa Claus, Last of the Wild Men: The Origins and Evolution of Saint Nicholas. Jefferson: McFarland & Company, Inc., 1997, p. 69)
The devil’s trademark "ho, ho, ho" was carried over from the early medieval Miracle Plays to the popular old English play "Bomelio," as the following lines from the play verify:
What, and a' come? I conjure thee, foul spirit, down to hell! Ho, ho, ho! the devil, the devil! A-comes, a-comes, a-comes upon me,. . .
(Dodsley, Robert. A Select Collection of Old English Plays, Vol. VI. The Project Gutenberg Ebook. <www.gutenberg.org/dirs/etext06/7oep610.txt>)
Another extremely popular character dominating the medieval plays was Robin Goodfellow (Robin Hood was created from him). Robin Goodfellow was a caricature of the devil, dressed with horns, shaggy, furs, and cloven feet.
Author Gillian Mary Edwards in Hobgoblin and Sweet Puck, provides some interesting insight into Robin Goodfellow:
One of the most popular characters in English folklore of the last thousand years has been the faerie, goblin, devil or imp known by the name of Puck or Robin Goodfellow. The Welsh called him Pwca, which is pronounced the same as his Irish incarnation Phouka, Pooka or Puca. Parallel words exist in many ancient languages - puca in Old English, puki in Old Norse, puke in Swedish, puge in Danish, puks in Low German, pukis in Latvia and Lithuania – mostly with the original meaning of a demon, devil or evil and malignant spirit. . . (Edwards, Gillian Mary. Hobgoblin and Sweet Puck. London: Bles Publishers, 1974, p. 143)
In The History of a Hobgoblin, author Allen W. Wright, reveals "Robin itself was a medieval nickname for the devil" and "Robin's trademark laugh is "Ho Ho Ho!":
Robin Goodfellow appeared in more plays around 1600. And there were many 17th century broadside ballads about him. . . Robin's trademark laugh is "Ho Ho Ho!" . . . Robin itself was a medieval nickname for the devil. (Wright, Allen W. "The History of a Hobgoblin." <www.boldoutlaw.com/puckrobin/puckages.html>)
The original author is hidden today, but the devil’s trademark "Ho! Ho! Ho!" was common knowledge before the coming of Santa Claus.
Author Tony Renterghem, concludes his extensive research into the origin of Santa with the following statement:
I can only conclude that the original ancestor of our modern Santa Claus is none other than the mythological Dark Helper-a faint memory of Herne/Pan, the ancient shamanic nature spirit of the Olde Religion. (Renterghem, Tony van. When Santa Was a Shaman. St. Paul: Llewellyn Publications, 1995, p. 93)
Note: Herne or Pan is the horned god. It is common knowledge that Pan and Herne are popular names for Satan. The Satanic Bible lists Pan as one of the Infernal Names of Satan. (LaVey, Anton Szandor. The Satanic Bible. New York: Avon Books, Inc., 1969 p. 144)
After researching scores of books and material on the origin of Santa Claus, by far, the best book on this subject is Santa Claus, Last of the Wild Men: The Origins and Evolution of Saint Nicholas, authored by the late University of Kansas associate, Phyllis Siefker. This is no child’s book, but a scholarly exploration into the origin of Santa Claus. It is published by the prestigious McFarland Publishers, a leading publisher of reference and academic books. This book carries no Christian bias, but is simply a secular, non Christian scholastic study. With that in mind, the following analysis by Siefkler is even more alarming:
The fact is that Santa and Satan are alter egos, brothers; they have the same origin. . . On the surface, the two figures are polar opposites, but underneath they share the same parent, and both retain many of the old symbols associated with their "father" . . . From these two paths, he arrived at both the warmth of our fireplace and in the flames of hell. (Siefker, Phyllis. Santa Claus, Last of the Wild Men: The Origins and Evolution of Saint Nicholas. Jefferson: McFarland & Company, Inc., 1997, p. 6)