Leaves of Grass, by Walt Whitman

That's French for "the ancient system," as in the ancient system of feudal privileges and the exercise of autocratic power over the peasants. The ancien regime never goes away, like vampires and dinosaur bones they are always hidden in the earth, exercising a mysterious influence. It is not paranoia to believe that the elites scheme against the common man. Inform yourself about their schemes here.

Leaves of Grass, by Walt Whitman

Postby admin » Sun Sep 20, 2015 5:44 am

LEAVES OF GRASS
by Walt Whitman

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Come, said my soul,
Such verses for my Body let us write, (for we are one,)
That should I after return,
Or, long, long hence, in other spheres,
There to some group of mates the chants resuming,
(Tallying Earth's soil, trees, winds, tumultuous waves,)
Ever with pleas'd smile I may keep on,
Ever and ever yet the verses owning—as, first, I here and now
Signing for Soul and Body, set to them my name,
-- Walt Whitman


Table of Contents

• Book 1
• Book 2
• Book 3
• Book 4
• Book 5
• Book 6
• Book 7
• Book 8
• Book 9
• Book 10
• Book 11
• Book 12
• Book 13
• Book 14
• Book 15
• Book 16
• Book 17
• Book 18
• Book 19
• Book 20
• Book 21
• Book 22
• Book 23
• Book 24
• Book 25
• Book 26
• Book 27
• Book 28
• Book 29
• Book 30
• Book 31
• Book 32
• Book 33
• Book 34
• Book 35

Victory, union, faith, identity, time,
The indissoluble compacts, riches, mystery,
Eternal progress, the kosmos, and the modern reports.
This then is life.

***

Americanos! conquerors! marches humanitarian!
Foremost! century marches! Libertad! masses!
For you a programme of chants.
Chants of the prairies,
Chants of the long-running Mississippi, and down to the Mexican sea,
Chants of Ohio, Indiana, Illinois, Iowa, Wisconsin and Minnesota,
Chants going forth from the centre from Kansas, and thence equidistant,
Shooting in pulses of fire ceaseless to vivify all.

***

Yes here comes my mistress the soul.
The soul,
Forever and forever—longer than soil is brown and solid—longer than water ebbs and flows.

***

I will make a song for these States that no one State may under any circumstances be subjected to another State,
And I will make a song that there shall be comity by day and by
night between all the States, and between any two of them,
And I will make a song for the ears of the President, full of weapons with menacing points,
And behind the weapons countless dissatisfied faces;
And a song make I of the One form'd out of all,
The fang'd and glittering One whose head is over all,
Resolute warlike One including and over all,
(However high the head of any else that head is over all.)

***

Omnes! omnes! let others ignore what they may,
I make the poem of evil also, I commemorate that part also,
I am myself just as much evil as good, and my nation is—and I say there is in fact no evil,
(Or if there is I say it is just as important to you, to the land or to me, as any thing else.)

I too, following many and follow'd by many, inaugurate a religion, I descend into the arena,
(It may be I am destin'd to utter the loudest cries there, the winner's pealing shouts,
Who knows? they may rise from me yet, and soar above every thing.)

Each is not for its own sake,
I say the whole earth and all the stars in the sky are for religion's sake.

I say no man has ever yet been half devout enough,
None has ever yet adored or worship'd half enough,
None has begun to think how divine he himself is, and how certain the future is.

I say that the real and permanent grandeur of these States must be their religion,
Otherwise there is just no real and permanent grandeur;
(Nor character nor life worthy the name without religion,
Nor land nor man or woman without religion.)

***

Know you, solely to drop in the earth the germs of a greater religion,
The following chants each for its kind I sing.
My comrade!
For you to share with me two greatnesses, and a third one rising inclusive and more resplendent,
The greatness of Love and Democracy, and the greatness of Religion.

Melange mine own, the unseen and the seen,
Mysterious ocean where the streams empty,
Prophetic spirit of materials shifting and flickering around me,
Living beings, identities now doubtless near us in the air that we know not of,
Contact daily and hourly that will not release me,
These selecting, these in hints demanded of me.

***

I will make the true poem of riches,
To earn for the body and the mind whatever adheres and goes forward and is not dropt by death;
I will effuse egotism and show it underlying all, and I will be the bard of personality,
And I will show of male and female that either is but the equal of the other,
And sexual organs and acts! do you concentrate in me, for I am determin'd to tell you with courageous clear voice to prove you illustrious,
And I will show that there is no imperfection in the present, and can be none in the future,
And I will show that whatever happens to anybody it may be turn'd to beautiful results,
And I will show that nothing can happen more beautiful than death,
And I will thread a thread through my poems that time and events are compact,
And that all the things of the universe are perfect miracles, each as profound as any.

I will not make poems with reference to parts,
But I will make poems, songs, thoughts, with reference to ensemble,
And I will not sing with reference to a day, but with reference to all days,
And I will not make a poem nor the least part of a poem but has reference to the soul,
Because having look'd at the objects of the universe, I find there is no one nor any particle of one but has reference to the soul.

***

And for the past I pronounce what the air holds of the red aborigines.
The red aborigines,
Leaving natural breaths, sounds of rain and winds, calls as of birds
and animals in the woods, syllabled to us for names,
Okonee, Koosa, Ottawa, Monongahela, Sauk, Natchez, Chattahoochee, Kaqueta, Oronoco,
Wabash, Miami, Saginaw, Chippewa, Oshkosh, Walla-Walla,
Leaving such to the States they melt, they depart, charging the water and the land with names.
Expanding and swift, henceforth,
Elements, breeds, adjustments, turbulent, quick and audacious,
A world primal again, vistas of glory incessant and branching,
A new race dominating previous ones and grander far, with new contests,
New politics, new literatures and religions, new inventions and arts.

***

Welcome is every organ and attribute of me, and of any man hearty and clean,
Not an inch nor a particle of an inch is vile, and none shall be less familiar than the rest.
I am satisfied—I see, dance, laugh, sing;
As the hugging and loving bed-fellow sleeps at my side through the night,
and withdraws at the peep of the day with stealthy tread,
Leaving me baskets cover'd with white towels swelling the house with their plenty.

***

What do you think has become of the young and old men?
And what do you think has become of the women and children?
They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the end to arrest it,
And ceas'd the moment life appear'd.
All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.
Has any one supposed it lucky to be born?
I hasten to inform him or her it is just as lucky to die, and I know it.

***

I do not despise you priests, all time, the world over,
My faith is the greatest of faiths and the least of faiths,
Enclosing worship ancient and modern and all between ancient and modern,
Believing I shall come again upon the earth after five thousand years,
Waiting responses from oracles, honoring the gods, saluting the sun,
Making a fetich of the first rock or stump, powowing with sticks in the circle of obis,
Helping the llama or brahmin as he trims the lamps of the idols,
Dancing yet through the streets in a phallic procession, rapt and austere in the woods a gymnosophist,
Drinking mead from the skull-cap, to Shastas and Vedas admirant, minding the Koran,
Walking the teokallis, spotted with gore from the stone and knife, beating the serpent-skin drum,
Accepting the Gospels, accepting him that was crucified, knowing assuredly that he is divine,
To the mass kneeling or the puritan's prayer rising, or sitting patiently in a pew,
Ranting and frothing in my insane crisis, or waiting dead-like till my spirit arouses me,
Looking forth on pavement and land, or outside of pavement and land,
Belonging to the winders of the circuit of circuits.

***

The spotted hawk swoops by and accuses me, he complains of my gab and my loitering.
I too am not a bit tamed, I too am untranslatable,
I sound my barbaric yawp over the roofs of the world.
The last scud of day holds back for me,
It flings my likeness after the rest and true as any on the shadow'd wilds,
It coaxes me to the vapor and the dusk.
I depart as air, I shake my white locks at the runaway sun,
I effuse my flesh in eddies, and drift it in lacy jags.
I bequeath myself to the dirt to grow from the grass I love,
If you want me again look for me under your boot-soles.
You will hardly know who I am or what I mean,
But I shall be good health to you nevertheless,
And filter and fibre your blood.

***

From my own voice resonant, singing the phallus,
Singing the song of procreation,
Singing the need of superb children and therein superb grown people,
Singing the muscular urge and the blending.

***

Without shame the man I like knows and avows the deliciousness of his sex,
Without shame the woman I like knows and avows hers.
Now I will dismiss myself from impassive women,
I will go stay with her who waits for me, and with those women that are warm-blooded and sufficient for me,
I see that they understand me and do not deny me,
I see that they are worthy of me, I will be the robust husband of those women.
They are not one jot less than I am,
They are tann'd in the face by shining suns and blowing winds,
Their flesh has the old divine suppleness and strength,
They know how to swim, row, ride, wrestle, shoot, run, strike, retreat, advance, resist, defend themselves,
They are ultimate in their own right—they are calm, clear, well-possess'd of themselves.
I draw you close to me, you women,
I cannot let you go, I would do you good,
I am for you, and you are for me, not only for our own sake, but for others' sakes,
Envelop'd in you sleep greater heroes and bards,
They refuse to awake at the touch of any man but me.
It is I, you women, I make my way,
I am stern, acrid, large, undissuadable, but I love you,
I do not hurt you any more than is necessary for you,
I pour the stuff to start sons and daughters fit for these States, I press with slow rude muscle,
I brace myself effectually, I listen to no entreaties,
I dare not withdraw till I deposit what has so long accumulated within me.

Through you I drain the pent-up rivers of myself,
In you I wrap a thousand onward years,
On you I graft the grafts of the best-beloved of me and America,
The drops I distil upon you shall grow fierce and athletic girls, new artists, musicians, and singers,
The babes I beget upon you are to beget babes in their turn,
I shall demand perfect men and women out of my love-spendings,
I shall expect them to interpenetrate with others, as I and you inter-penetrate now,
I shall count on the fruits of the gushing showers of them, as I count on the fruits of the gushing showers I give now,
I shall look for loving crops from the birth, life, death, immortality, I plant so lovingly now.

***

Give me now libidinous joys only,
Give me the drench of my passions, give me life coarse and rank,
To-day I go consort with Nature's darlings, to-night too,
I am for those who believe in loose delights, I share the midnight orgies of young men,
I dance with the dancers and drink with the drinkers,
The echoes ring with our indecent calls, I pick out some low person for my dearest friend,
He shall be lawless, rude, illiterate, he shall be one condemn'd by others for deeds done,
I will play a part no longer, why should I exile myself from my companions?
O you shunn'd persons, I at least do not shun you,
I come forthwith in your midst, I will be your poet,
I will be more to you than to any of the rest.

***

[Y]ou make me
think of death,
Death is beautiful from you, (what indeed is finally beautiful except death and love?)
O I think it is not for life I am chanting here my chant of lovers,
I think it must be for death,
For how calm, how solemn it grows to ascend to the atmosphere of lovers,
Death or life I am then indifferent, my soul declines to prefer,
(I am not sure but the high soul of lovers welcomes death most,)
Indeed O death, I think now these leaves mean precisely the same as you mean,
Grow up taller sweet leaves that I may see! grow up out of my breast!
Spring away from the conceal'd heart there!
Do not fold yourself so in your pink-tinged roots timid leaves!
Do not remain down there so ashamed, herbage of my breast!
Come I am determin'd to unbare this broad breast of mine, I have long enough stifled and choked;
Emblematic and capricious blades I leave you, now you serve me not,
I will say what I have to say by itself,
I will sound myself and comrades only, I will never again utter a call only their call,
I will raise with it immortal reverberations through the States,
I will give an example to lovers to take permanent shape and will through the States,
Through me shall the words be said to make death exhilarating,
Give me your tone therefore O death, that I may accord with it,
Give me yourself, for I see that you belong to me now above all, and are folded inseparably together, you love and death are,
Nor will I allow you to balk me any more with what I was calling life,
For now it is convey'd to me that you are the purports essential,
That you hide in these shifting forms of life, for reasons, and that they are mainly for you,
That you beyond them come forth to remain, the real reality,
That behind the mask of materials you patiently wait, no matter how long,
That you will one day perhaps take control of all,
That you will perhaps dissipate this entire show of appearance,
That may-be you are what it is all for, but it does not last so very long,
But you will last very long.

***

Having studied the new and antique, the Greek and Germanic systems,
Kant having studied and stated, Fichte and Schelling and Hegel,
Stated the lore of Plato, and Socrates greater than Plato,
And greater than Socrates sought and stated, Christ divine having studied long,
I see reminiscent to-day those Greek and Germanic systems,
See the philosophies all, Christian churches and tenets see,
Yet underneath Socrates clearly see, and underneath Christ the divine I see,
The dear love of man for his comrade, the attraction of friend to friend,
Of the well-married husband and wife, of children and parents,
Of city for city and land for land.

***

Singing the song of These, my ever-united lands—my body no more
inevitably united, part to part, and made out of a thousand
diverse contributions one identity, any more than my lands
are inevitably united and made ONE IDENTITY.

***

O to work in mines, or forging iron,
Foundry casting, the foundry itself, the rude high roof, the ample and shadow'd space,
The furnace, the hot liquid pour'd out and running.

O to resume the joys of the soldier!
To feel the presence of a brave commanding officer—to feel his sympathy!
To behold his calmness—to be warm'd in the rays of his smile!
To go to battle—to hear the bugles play and the drums beat!
To hear the crash of artillery—to see the glittering of the bayonets and musket-barrels in the sun!

To see men fall and die and not complain!
To taste the savage taste of blood—to be so devilish!
To gloat so over the wounds and deaths of the enemy.

O the whaleman's joys! O I cruise my old cruise again!
I feel the ship's motion under me, I feel the Atlantic breezes fanning me,
I hear the cry again sent down from the mast-head, There—she blows!
Again I spring up the rigging to look with the rest—we descend, wild with excitement,
I leap in the lower'd boat, we row toward our prey where he lies,
We approach stealthy and silent, I see the mountainous mass, lethargic, basking,
I see the harpooneer standing up, I see the weapon dart from his vigorous arm;
O swift again far out in the ocean the wounded whale, settling, running to windward, tows me,
Again I see him rise to breathe, we row close again,
I see a lance driven through his side, press'd deep, turn'd in the wound,
Again we back off, I see him settle again, the life is leaving him fast,
As he rises he spouts blood, I see him swim in circles narrower and narrower, swiftly cutting the water—I see him die,
He gives one convulsive leap in the centre of the circle, and then falls flat and still in the bloody foam.

O the old manhood of me, my noblest joy of all!
My children and grand-children, my white hair and beard,
My largeness, calmness, majesty, out of the long stretch of my life.

O ripen'd joy of womanhood! O happiness at last!
I am more than eighty years of age, I am the most venerable mother,
How clear is my mind—how all people draw nigh to me!
What attractions are these beyond any before? what bloom more
than the bloom of youth?
What beauty is this that descends upon me and rises out of me?

O the orator's joys!
To inflate the chest, to roll the thunder of the voice out from the ribs and throat,
To make the people rage, weep, hate, desire, with yourself,
To lead America—to quell America with a great tongue.

***

Mightier than Egypt's tombs,
Fairer than Grecia's, Roma's temples,
Prouder than Milan's statued, spired cathedral,
More picturesque than Rhenish castle-keeps,
We plan even now to raise, beyond them all,
Thy great cathedral sacred industry, no tomb,
A keep for life for practical invention.

***

I raise a voice for far superber themes for poets and for art,
To exalt the present and the real,
To teach the average man the glory of his daily walk and trade,
To sing in songs how exercise and chemical life are never to be baffled,
To manual work for each and all, to plough, hoe, dig,
To plant and tend the tree, the berry, vegetables, flowers,
For every man to see to it that he really do something, for every woman too;
To use the hammer and the saw, (rip, or cross-cut,)
To cultivate a turn for carpentering, plastering, painting,
To work as tailor, tailoress, nurse, hostler, porter,
To invent a little, something ingenious, to aid the washing, cooking, cleaning,
And hold it no disgrace to take a hand at them themselves....
Whatever forms the average, strong, complete, sweet-blooded man or woman, the perfect longeve personality,
And helps its present life to health and happiness, and shapes its soul,
For the eternal real life to come.

***

Thou, also thou, a World,
With all thy wide geographies, manifold, different, distant,
Rounded by thee in one—one common orbic language,
One common indivisible destiny for All.

***
When the materials are all prepared and ready, the architects shall appear.
I swear to you the architects shall appear without fail,
I swear to you they will understand you and justify you,
The greatest among them shall be he who best knows you, and encloses all and is faithful to all,
He and the rest shall not forget you, they shall perceive that you are not an iota less than they,
You shall be fully glorified in them.

***

Did you ask dulcet rhymes from me?
Did you seek the civilian's peaceful and languishing rhymes?
Did you find what I sang erewhile so hard to follow?
Why I was not singing erewhile for you to follow, to understand—nor am I now;
(I have been born of the same as the war was born,
The drum-corps' rattle is ever to me sweet music, I love well the martial dirge,
With slow wail and convulsive throb leading the officer's funeral;)
What to such as you anyhow such a poet as I? therefore leave my works,
And go lull yourself with what you can understand, and with piano-tunes,
For I lull nobody, and you will never understand me.

***

Piety and conformity to them that like,
Peace, obesity, allegiance, to them that like,
I am he who tauntingly compels men, women, nations,
Crying, Leap from your seats and contend for your lives!

***

Of these States the poet is the equable man,
Not in him but off from him things are grotesque, eccentric, fail of their full returns,
Nothing out of its place is good, nothing in its place is bad,
He bestows on every object or quality its fit proportion, neither more nor less,
He is the arbiter of the diverse, he is the key,
He is the equalizer of his age and land,
He supplies what wants supplying, he checks what wants checking,
In peace out of him speaks the spirit of peace, large, rich,
thrifty, building populous towns, encouraging agriculture, arts,
commerce, lighting the study of man, the soul, health, immortality, government,
In war he is the best backer of the war, he fetches artillery as
good as the engineer's, he can make every word he speaks draw blood,
The years straying toward infidelity he withholds by his steady faith,
He is no arguer, he is judgment, (Nature accepts him absolutely,)
He judges not as the judge judges but as the sun failing round helpless thing,
As he sees the farthest he has the most faith,
His thoughts are the hymns of the praise of things,
In the dispute on God and eternity he is silent,
He sees eternity less like a play with a prologue and denouement,
He sees eternity in men and women, he does not see men and women as dreams or dots.

***

(Not songs of loyalty alone are these,
But songs of insurrection also,
For I am the sworn poet of every dauntless rebel the world over,
And he going with me leaves peace and routine behind him,
And stakes his life to be lost at any moment.)

***

With all thy gifts America,
Standing secure, rapidly tending, overlooking the world,
Power, wealth, extent, vouchsafed to thee—with these and like of these vouchsafed to thee,
What if one gift thou lackest? (the ultimate human problem never solving,)
The gift of perfect women fit for thee—what if that gift of gifts thou lackest?
The towering feminine of thee? the beauty, health, completion, fit for thee?
The mothers fit for thee?

***

You felons on trial in courts,
You convicts in prison-cells, you sentenced assassins chain'd and handcuff'd with iron,
Who am I too that I am not on trial or in prison?
Me ruthless and devilish as any, that my wrists are not chain'd with iron, or my ankles with iron?

***

After the seas are all cross'd, (as they seem already cross'd,)
After the great captains and engineers have accomplish'd their work,
After the noble inventors, after the scientists, the chemist, the geologist, ethnologist,
Finally shall come the poet worthy that name,
The true son of God shall come singing his songs.
Then not your deeds only O voyagers, O scientists and inventors, shall be justified,
All these hearts as of fretted children shall be sooth'd,
All affection shall be fully responded to, the secret shall be told,
All these separations and gaps shall be taken up and hook'd and link'd together,
The whole earth, this cold, impassive, voiceless earth, shall be completely Justified,
Trinitas divine shall be gloriously accomplish'd and compacted by the true son of God, the poet,
(He shall indeed pass the straits and conquer the mountains,
He shall double the cape of Good Hope to some purpose,)
Nature and Man shall be disjoin'd and diffused no more,
The true son of God shall absolutely fuse them.

***

Well do they do their jobs those journeymen divine,
Only from me can they hide nothing, and would not if they could,
I reckon I am their boss and they make me a pet besides,
And surround me and lead me and run ahead when I walk,
To lift their cunning covers to signify me with stretch'd arms, and resume the way;
Onward we move, a gay gang of blackguards! with mirth-shouting
music and wild-flapping pennants of joy!

***

Meditating among liars and retreating sternly into myself, I see that there are really no liars or lies after all,
And that nothing fails its perfect return, and that what are called lies are perfect returns,
And that each thing exactly represents itself and what has preceded it,
And that the truth includes all, and is compact just as much as space is compact,
And that there is no flaw or vacuum in the amount of the truth—but that all is truth without exception;
And henceforth I will go celebrate any thing I see or am,
And sing and laugh and deny nothing.

-- Leaves of Grass, by Walt Whitman
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Re: Leaves of Grass, by Walt Whitman

Postby admin » Sun Sep 20, 2015 5:45 am

BOOK 1. INSCRIPTIONS

One's-Self I Sing

One's-self I sing, a simple separate person,
Yet utter the word Democratic, the word En-Masse.

Of physiology from top to toe I sing,
Not physiognomy alone nor brain alone is worthy for the Muse, I say
the Form complete is worthier far,
The Female equally with the Male I sing.

Of Life immense in passion, pulse, and power,
Cheerful, for freest action form'd under the laws divine,
The Modern Man I sing.

As I Ponder'd in Silence

As I ponder'd in silence,
Returning upon my poems, considering, lingering long,
A Phantom arose before me with distrustful aspect,
Terrible in beauty, age, and power,
The genius of poets of old lands,
As to me directing like flame its eyes,
With finger pointing to many immortal songs,
And menacing voice, What singest thou? it said,
Know'st thou not there is but one theme for ever-enduring bards?
And that is the theme of War, the fortune of battles,
The making of perfect soldiers.

Be it so, then I answer'd,
I too haughty Shade also sing war, and a longer and greater one than any,
Waged in my book with varying fortune, with flight, advance
and retreat, victory deferr'd and wavering,
(Yet methinks certain, or as good as certain, at the last,) the
field the world,
For life and death, for the Body and for the eternal Soul,
Lo, I too am come, chanting the chant of battles,
I above all promote brave soldiers.

In Cabin'd Ships at Sea

In cabin'd ships at sea,
The boundless blue on every side expanding,
With whistling winds and music of the waves, the large imperious waves,
Or some lone bark buoy'd on the dense marine,
Where joyous full of faith, spreading white sails,
She cleaves the ether mid the sparkle and the foam of day, or under
many a star at night,
By sailors young and old haply will I, a reminiscence of the land, be read,
In full rapport at last.

Here are our thoughts, voyagers' thoughts,
Here not the land, firm land, alone appears, may then by them be said,
The sky o'erarches here, we feel the undulating deck beneath our feet,
We feel the long pulsation, ebb and flow of endless motion,
The tones of unseen mystery, the vague and vast suggestions of the
briny world, the liquid-flowing syllables,
The perfume, the faint creaking of the cordage, the melancholy rhythm,
The boundless vista and the horizon far and dim are all here,
And this is ocean's poem.

Then falter not O book, fulfil your destiny,
You not a reminiscence of the land alone,
You too as a lone bark cleaving the ether, purpos'd I know not
whither, yet ever full of faith,
Consort to every ship that sails, sail you!
Bear forth to them folded my love, (dear mariners, for you I fold it
here in every leaf;)
Speed on my book! spread your white sails my little bark athwart the
imperious waves,
Chant on, sail on, bear o'er the boundless blue from me to every sea,
This song for mariners and all their ships.

To Foreign Lands

I heard that you ask'd for something to prove this puzzle the New World,
And to define America, her athletic Democracy,
Therefore I send you my poems that you behold in them what you wanted.

To a Historian

You who celebrate bygones,
Who have explored the outward, the surfaces of the races, the life
that has exhibited itself,
Who have treated of man as the creature of politics, aggregates,
rulers and priests,
I, habitan of the Alleghanies, treating of him as he is in himself
in his own rights,
Pressing the pulse of the life that has seldom exhibited itself,
(the great pride of man in himself,)
Chanter of Personality, outlining what is yet to be,
I project the history of the future.

To Thee Old Cause

To thee old cause!
Thou peerless, passionate, good cause,
Thou stern, remorseless, sweet idea,
Deathless throughout the ages, races, lands,
After a strange sad war, great war for thee,
(I think all war through time was really fought, and ever will be
really fought, for thee,)
These chants for thee, the eternal march of thee.

(A war O soldiers not for itself alone,
Far, far more stood silently waiting behind, now to advance in this book.)

Thou orb of many orbs!
Thou seething principle! thou well-kept, latent germ! thou centre!
Around the idea of thee the war revolving,
With all its angry and vehement play of causes,
(With vast results to come for thrice a thousand years,)
These recitatives for thee,—my book and the war are one,
Merged in its spirit I and mine, as the contest hinged on thee,
As a wheel on its axis turns, this book unwitting to itself,
Around the idea of thee.

Eidolons

I met a seer,
Passing the hues and objects of the world,
The fields of art and learning, pleasure, sense,
To glean eidolons.

Put in thy chants said he,
No more the puzzling hour nor day, nor segments, parts, put in,
Put first before the rest as light for all and entrance-song of all,
That of eidolons.

Ever the dim beginning,
Ever the growth, the rounding of the circle,
Ever the summit and the merge at last, (to surely start again,)
Eidolons! eidolons!

Ever the mutable,
Ever materials, changing, crumbling, re-cohering,
Ever the ateliers, the factories divine,
Issuing eidolons.

Lo, I or you,
Or woman, man, or state, known or unknown,
We seeming solid wealth, strength, beauty build,
But really build eidolons.

The ostent evanescent,
The substance of an artist's mood or savan's studies long,
Or warrior's, martyr's, hero's toils,
To fashion his eidolon.

Of every human life,
(The units gather'd, posted, not a thought, emotion, deed, left out,)
The whole or large or small summ'd, added up,
In its eidolon.

The old, old urge,
Based on the ancient pinnacles, lo, newer, higher pinnacles,
From science and the modern still impell'd,
The old, old urge, eidolons.

The present now and here,
America's busy, teeming, intricate whirl,
Of aggregate and segregate for only thence releasing,
To-day's eidolons.

These with the past,
Of vanish'd lands, of all the reigns of kings across the sea,
Old conquerors, old campaigns, old sailors' voyages,
Joining eidolons.

Densities, growth, facades,
Strata of mountains, soils, rocks, giant trees,
Far-born, far-dying, living long, to leave,
Eidolons everlasting.

Exalte, rapt, ecstatic,
The visible but their womb of birth,
Of orbic tendencies to shape and shape and shape,
The mighty earth-eidolon.

All space, all time,
(The stars, the terrible perturbations of the suns,
Swelling, collapsing, ending, serving their longer, shorter use,)
Fill'd with eidolons only.

The noiseless myriads,
The infinite oceans where the rivers empty,
The separate countless free identities, like eyesight,
The true realities, eidolons.

Not this the world,
Nor these the universes, they the universes,
Purport and end, ever the permanent life of life,
Eidolons, eidolons.

Beyond thy lectures learn'd professor,
Beyond thy telescope or spectroscope observer keen, beyond all mathematics,
Beyond the doctor's surgery, anatomy, beyond the chemist with his chemistry,
The entities of entities, eidolons.

Unfix'd yet fix'd,
Ever shall be, ever have been and are,
Sweeping the present to the infinite future,
Eidolons, eidolons, eidolons.

The prophet and the bard,
Shall yet maintain themselves, in higher stages yet,
Shall mediate to the Modern, to Democracy, interpret yet to them,
God and eidolons.

And thee my soul,
Joys, ceaseless exercises, exaltations,
Thy yearning amply fed at last, prepared to meet,
Thy mates, eidolons.

Thy body permanent,
The body lurking there within thy body,
The only purport of the form thou art, the real I myself,
An image, an eidolon.

Thy very songs not in thy songs,
No special strains to sing, none for itself,
But from the whole resulting, rising at last and floating,
A round full-orb'd eidolon.

For Him I Sing

For him I sing,
I raise the present on the past,
(As some perennial tree out of its roots, the present on the past,)
With time and space I him dilate and fuse the immortal laws,
To make himself by them the law unto himself.

When I Read the Book

When I read the book, the biography famous,
And is this then (said I) what the author calls a man's life?
And so will some one when I am dead and gone write my life?
(As if any man really knew aught of my life,
Why even I myself I often think know little or nothing of my real life,
Only a few hints, a few diffused faint clews and indirections
I seek for my own use to trace out here.)

Beginning My Studies

Beginning my studies the first step pleas'd me so much,
The mere fact consciousness, these forms, the power of motion,
The least insect or animal, the senses, eyesight, love,
The first step I say awed me and pleas'd me so much,
I have hardly gone and hardly wish'd to go any farther,
But stop and loiter all the time to sing it in ecstatic songs.

Beginners

How they are provided for upon the earth, (appearing at intervals,)
How dear and dreadful they are to the earth,
How they inure to themselves as much as to any—what a paradox
appears their age,
How people respond to them, yet know them not,
How there is something relentless in their fate all times,
How all times mischoose the objects of their adulation and reward,
And how the same inexorable price must still be paid for the same
great purchase.

To the States

To the States or any one of them, or any city of the States, Resist
much, obey little,
Once unquestioning obedience, once fully enslaved,
Once fully enslaved, no nation, state, city of this earth, ever
afterward resumes its liberty.

On Journeys Through the States

On journeys through the States we start,
(Ay through the world, urged by these songs,
Sailing henceforth to every land, to every sea,)
We willing learners of all, teachers of all, and lovers of all.

We have watch'd the seasons dispensing themselves and passing on,
And have said, Why should not a man or woman do as much as the
seasons, and effuse as much?

We dwell a while in every city and town,
We pass through Kanada, the North-east, the vast valley of the
Mississippi, and the Southern States,
We confer on equal terms with each of the States,
We make trial of ourselves and invite men and women to hear,
We say to ourselves, Remember, fear not, be candid, promulge the
body and the soul,
Dwell a while and pass on, be copious, temperate, chaste, magnetic,
And what you effuse may then return as the seasons return,
And may be just as much as the seasons.

To a Certain Cantatrice

Here, take this gift,
I was reserving it for some hero, speaker, or general,
One who should serve the good old cause, the great idea, the
progress and freedom of the race,
Some brave confronter of despots, some daring rebel;
But I see that what I was reserving belongs to you just as much as to any.

Me Imperturbe

Me imperturbe, standing at ease in Nature,
Master of all or mistress of all, aplomb in the midst of irrational things,
Imbued as they, passive, receptive, silent as they,
Finding my occupation, poverty, notoriety, foibles, crimes, less
important than I thought,
Me toward the Mexican sea, or in the Mannahatta or the Tennessee,
or far north or inland,
A river man, or a man of the woods or of any farm-life of these
States or of the coast, or the lakes or Kanada,
Me wherever my life is lived, O to be self-balanced for contingencies,
To confront night, storms, hunger, ridicule, accidents, rebuffs, as
the trees and animals do.

Savantism

Thither as I look I see each result and glory retracing itself and
nestling close, always obligated,
Thither hours, months, years—thither trades, compacts,
establishments, even the most minute,
Thither every-day life, speech, utensils, politics, persons, estates;
Thither we also, I with my leaves and songs, trustful, admirant,
As a father to his father going takes his children along with him.

The Ship Starting

Lo, the unbounded sea,
On its breast a ship starting, spreading all sails, carrying even
her moonsails.
The pennant is flying aloft as she speeds she speeds so stately—
below emulous waves press forward,
They surround the ship with shining curving motions and foam.

I Hear America Singing

I hear America singing, the varied carols I hear,
Those of mechanics, each one singing his as it should be blithe and strong,
The carpenter singing his as he measures his plank or beam,
The mason singing his as he makes ready for work, or leaves off work,
The boatman singing what belongs to him in his boat, the deckhand
singing on the steamboat deck,
The shoemaker singing as he sits on his bench, the hatter singing as
he stands,
The wood-cutter's song, the ploughboy's on his way in the morning,
or at noon intermission or at sundown,
The delicious singing of the mother, or of the young wife at work,
or of the girl sewing or washing,
Each singing what belongs to him or her and to none else,
The day what belongs to the day—at night the party of young
fellows, robust, friendly,
Singing with open mouths their strong melodious songs.

What Place Is Besieged?

What place is besieged, and vainly tries to raise the siege?
Lo, I send to that place a commander, swift, brave, immortal,
And with him horse and foot, and parks of artillery,
And artillery-men, the deadliest that ever fired gun.

Still Though the One I Sing

Still though the one I sing,
(One, yet of contradictions made,) I dedicate to Nationality,
I leave in him revolt, (O latent right of insurrection! O
quenchless, indispensable fire!)

Shut Not Your Doors

Shut not your doors to me proud libraries,
For that which was lacking on all your well-fill'd shelves, yet
needed most, I bring,
Forth from the war emerging, a book I have made,
The words of my book nothing, the drift of it every thing,
A book separate, not link'd with the rest nor felt by the intellect,
But you ye untold latencies will thrill to every page.

Poets to Come

Poets to come! orators, singers, musicians to come!
Not to-day is to justify me and answer what I am for,
But you, a new brood, native, athletic, continental, greater than
before known,
Arouse! for you must justify me.

I myself but write one or two indicative words for the future,
I but advance a moment only to wheel and hurry back in the darkness.

I am a man who, sauntering along without fully stopping, turns a
casual look upon you and then averts his face,
Leaving it to you to prove and define it,
Expecting the main things from you.

To You

Stranger, if you passing meet me and desire to speak to me, why
should you not speak to me?
And why should I not speak to you?

Thou Reader

Thou reader throbbest life and pride and love the same as I,
Therefore for thee the following chants.
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Re: Leaves of Grass, by Walt Whitman

Postby admin » Sun Sep 20, 2015 5:47 am

BOOK 2

Starting from Paumanok

1

Starting from fish-shape Paumanok where I was born,
Well-begotten, and rais'd by a perfect mother,
After roaming many lands, lover of populous pavements,
Dweller in Mannahatta my city, or on southern savannas,
Or a soldier camp'd or carrying my knapsack and gun, or a miner
in California,
Or rude in my home in Dakota's woods, my diet meat, my drink from
the spring,
Or withdrawn to muse and meditate in some deep recess,
Far from the clank of crowds intervals passing rapt and happy,
Aware of the fresh free giver the flowing Missouri, aware of
mighty Niagara,
Aware of the buffalo herds grazing the plains, the hirsute and
strong-breasted bull,
Of earth, rocks, Fifth-month flowers experienced, stars, rain, snow,
my amaze,
Having studied the mocking-bird's tones and the flight of the
mountain-hawk,
And heard at dawn the unrivall'd one, the hermit thrush from the
swamp-cedars,
Solitary, singing in the West, I strike up for a New World.

2

Victory, union, faith, identity, time,
The indissoluble compacts, riches, mystery,
Eternal progress, the kosmos, and the modern reports.
This then is life,
Here is what has come to the surface after so many throes and convulsions.

How curious! how real!
Underfoot the divine soil, overhead the sun.

See revolving the globe,
The ancestor-continents away group'd together,
The present and future continents north and south, with the isthmus
between.

See, vast trackless spaces,
As in a dream they change, they swiftly fill,
Countless masses debouch upon them,
They are now cover'd with the foremost people, arts, institutions, known.

See, projected through time,
For me an audience interminable.

With firm and regular step they wend, they never stop,
Successions of men, Americanos, a hundred millions,
One generation playing its part and passing on,
Another generation playing its part and passing on in its turn,
With faces turn'd sideways or backward towards me to listen,
With eyes retrospective towards me.

3

Americanos! conquerors! marches humanitarian!
Foremost! century marches! Libertad! masses!
For you a programme of chants.

Chants of the prairies,
Chants of the long-running Mississippi, and down to the Mexican sea,
Chants of Ohio, Indiana, Illinois, Iowa, Wisconsin and Minnesota,
Chants going forth from the centre from Kansas, and thence equidistant,
Shooting in pulses of fire ceaseless to vivify all.

4

Take my leaves America, take them South and take them North,
Make welcome for them everywhere, for they are your own off-spring,
Surround them East and West, for they would surround you,
And you precedents, connect lovingly with them, for they connect
lovingly with you.

I conn'd old times,
I sat studying at the feet of the great masters,
Now if eligible O that the great masters might return and study me.

In the name of these States shall I scorn the antique?
Why these are the children of the antique to justify it.

5

Dead poets, philosophs, priests,
Martyrs, artists, inventors, governments long since,
Language-shapers on other shores,
Nations once powerful, now reduced, withdrawn, or desolate,
I dare not proceed till I respectfully credit what you have left
wafted hither,
I have perused it, own it is admirable, (moving awhile among it,)
Think nothing can ever be greater, nothing can ever deserve more
than it deserves,
Regarding it all intently a long while, then dismissing it,
I stand in my place with my own day here.

Here lands female and male,
Here the heir-ship and heiress-ship of the world, here the flame of
materials,
Here spirituality the translatress, the openly-avow'd,
The ever-tending, the finale of visible forms,
The satisfier, after due long-waiting now advancing,
Yes here comes my mistress the soul.

6

The soul,
Forever and forever—longer than soil is brown and solid—longer
than water ebbs and flows.
I will make the poems of materials, for I think they are to be the
most spiritual poems,
And I will make the poems of my body and of mortality,
For I think I shall then supply myself with the poems of my soul and
of immortality.

I will make a song for these States that no one State may under any
circumstances be subjected to another State,
And I will make a song that there shall be comity by day and by
night between all the States, and between any two of them,
And I will make a song for the ears of the President, full of
weapons with menacing points,
And behind the weapons countless dissatisfied faces;
And a song make I of the One form'd out of all,
The fang'd and glittering One whose head is over all,
Resolute warlike One including and over all,
(However high the head of any else that head is over all.)

I will acknowledge contemporary lands,
I will trail the whole geography of the globe and salute courteously
every city large and small,
And employments! I will put in my poems that with you is heroism
upon land and sea,
And I will report all heroism from an American point of view.

I will sing the song of companionship,
I will show what alone must finally compact these,
I believe these are to found their own ideal of manly love,
indicating it in me,
I will therefore let flame from me the burning fires that were
threatening to consume me,
I will lift what has too long kept down those smouldering fires,
I will give them complete abandonment,
I will write the evangel-poem of comrades and of love,
For who but I should understand love with all its sorrow and joy?
And who but I should be the poet of comrades?

7

I am the credulous man of qualities, ages, races,
I advance from the people in their own spirit,
Here is what sings unrestricted faith.

Omnes! omnes! let others ignore what they may,
I make the poem of evil also, I commemorate that part also,
I am myself just as much evil as good, and my nation is—and I say
there is in fact no evil,
(Or if there is I say it is just as important to you, to the land or
to me, as any thing else.)

I too, following many and follow'd by many, inaugurate a religion, I
descend into the arena,
(It may be I am destin'd to utter the loudest cries there, the
winner's pealing shouts,
Who knows? they may rise from me yet, and soar above every thing.)

Each is not for its own sake,
I say the whole earth and all the stars in the sky are for religion's sake.

I say no man has ever yet been half devout enough,
None has ever yet adored or worship'd half enough,
None has begun to think how divine he himself is, and how certain
the future is.

I say that the real and permanent grandeur of these States must be
their religion,
Otherwise there is just no real and permanent grandeur;
(Nor character nor life worthy the name without religion,
Nor land nor man or woman without religion.)

8

What are you doing young man?
Are you so earnest, so given up to literature, science, art, amours?
These ostensible realities, politics, points?
Your ambition or business whatever it may be?

It is well—against such I say not a word, I am their poet also,
But behold! such swiftly subside, burnt up for religion's sake,
For not all matter is fuel to heat, impalpable flame, the essential
life of the earth,
Any more than such are to religion.

9

What do you seek so pensive and silent?
What do you need camerado?
Dear son do you think it is love?

Listen dear son—listen America, daughter or son,
It is a painful thing to love a man or woman to excess, and yet it
satisfies, it is great,
But there is something else very great, it makes the whole coincide,
It, magnificent, beyond materials, with continuous hands sweeps and
provides for all.

10

Know you, solely to drop in the earth the germs of a greater religion,
The following chants each for its kind I sing.

My comrade!
For you to share with me two greatnesses, and a third one rising
inclusive and more resplendent,
The greatness of Love and Democracy, and the greatness of Religion.

Melange mine own, the unseen and the seen,
Mysterious ocean where the streams empty,
Prophetic spirit of materials shifting and flickering around me,
Living beings, identities now doubtless near us in the air that we
know not of,
Contact daily and hourly that will not release me,
These selecting, these in hints demanded of me.

Not he with a daily kiss onward from childhood kissing me,
Has winded and twisted around me that which holds me to him,
Any more than I am held to the heavens and all the spiritual world,
After what they have done to me, suggesting themes.

O such themes—equalities! O divine average!
Warblings under the sun, usher'd as now, or at noon, or setting,
Strains musical flowing through ages, now reaching hither,
I take to your reckless and composite chords, add to them, and
cheerfully pass them forward.

11

As I have walk'd in Alabama my morning walk,
I have seen where the she-bird the mocking-bird sat on her nest in
the briers hatching her brood.

That Anthony also overcomes this temptation, and that this is very salutary for his soul is clearly shown by the event that is painted above his head, to which we will return in Section 16. This portion of the picture is dominated by the mocking bird that is sitting above on the withered twig. If this symbol of mockery, this becoming aware of one's own folly after the event, is not recognised, much will remain obscure. We shall show that this motif of the mocking bird occurs in several parts of the right inner wing.

Image
11. THE MOTIF OF SELF-MOCKERY

On the left, facing the picture of Anthony, a curtain is being drawn aside. The naked woman, who now appears within a dead rotted tree, is often regarded as the "temptation of St. Anthony". If this figure were to represent a temptation, she would need to be painted as a young seductive beauty. In that case she would certainly stand in a different posture, and within different surroundings. (See Fig. 67 and Plate E).

We can find this woman in all the stages of Anthony's life. We believe we recognise her in the little house, that the young Anthony was trying to guard when he was still bowed down under the burden of his lands. She is painted kneeling beside Anthony on the middle panel of the altar-piece, and also appears in mid air riding on the fish, on the right inner wing. If we take all these aspects of the woman together, her meaning for Anthony becomes obvious as "the woman in his life". Whether this woman did in reality enter his life or not is not the most important thing. For a painter like Bosch the important factor is the nature of femininity. As has already been said, the soul always presents itself to the imaginative vision in female guise, while the ego of the human being with its active aspect, always appears as masculine. To this extent every person bears the two polarities of the male and the female within himself. If the soul-battles of a St. Anthony are to be depicted therefore) this feminine aspect must also appear. We must again mention however that it is perfectly possible that a real woman was also present in his life. Here too Bosch lifts outer events into the inner picture.

Here he experiences the woman as his sexual opposite. This is shown by the toad which is sitting beneath her figure, at the edge of the water. (See Note 9.) As the Saint (also Bosch himself) recognises the human body as withered through the fall, it is not surprising that the painter represents it as a dead tree. Above all the picture of the mocking bird in the tree is important. Anthony regards this whole aspect of life self-mockingly. For this reason the bird is sitting above the woman. It shows that Anthony is mocking the impotence of his own soul.

-- The Pictorial Language of Hieronymus Bosch, by Clement A. Wertheim Aymes


I have seen the he-bird also,
I have paus'd to hear him near at hand inflating his throat and
joyfully singing.

And while I paus'd it came to me that what he really sang for was
not there only,
Nor for his mate nor himself only, nor all sent back by the echoes,
But subtle, clandestine, away beyond,
A charge transmitted and gift occult for those being born.

12

Democracy! near at hand to you a throat is now inflating itself and
joyfully singing.

Ma femme! for the brood beyond us and of us,
For those who belong here and those to come,
I exultant to be ready for them will now shake out carols stronger
and haughtier than have ever yet been heard upon earth.

I will make the songs of passion to give them their way,
And your songs outlaw'd offenders, for I scan you with kindred eyes,
and carry you with me the same as any.

I will make the true poem of riches,
To earn for the body and the mind whatever adheres and goes forward
and is not dropt by death;
I will effuse egotism and show it underlying all, and I will be the
bard of personality,
And I will show of male and female that either is but the equal of
the other,
And sexual organs and acts! do you concentrate in me, for I am determin'd
to tell you with courageous clear voice to prove you illustrious,
And I will show that there is no imperfection in the present, and
can be none in the future,
And I will show that whatever happens to anybody it may be turn'd to
beautiful results,
And I will show that nothing can happen more beautiful than death,
And I will thread a thread through my poems that time and events are
compact,
And that all the things of the universe are perfect miracles, each
as profound as any.

It is an occult maxim that the oftener we die the better we are able to live, for every birth gives us a new chance.

-- The Rosicrucian Cosmo-Conception, by Max Heindel


I will not make poems with reference to parts,
But I will make poems, songs, thoughts, with reference to ensemble,
And I will not sing with reference to a day, but with reference to
all days,

The inclusion of physiological viewpoints in the teaching of biology leads to a specific technical procedure, to an elaboration of biology as subject matter for the school based on instructive work-experience. In this sense there has already been a great improvement in the past few years. But this is not the essential problem. It is not just a question of improving the teaching procedure, but rather of transforming the content of our subject, of guiding the student to a new conception of nature! To accomplish this, teachings taken from physiology must be introduced. Consequently, this purpose is not served if a number of physiological experiments are carried out and interpreted as postscripts or appendices, so to speak. Here, too, from the very beginning the student must be guided to an over-all, total view, and not, say, to one that is encyclopedic. He should perceive and feel that behind the individual achievement there is a meaningful plan, that behind it stands the whole organism. Let us take, for example, an experiment showing the action of saliva in changing starch into sugar. This is not just a random interesting fact, but a real accomplishment, a process in the service of the preservation of the whole organism. Or, let us consider the process of seeing: the eye by itself is not able to produce any visual images but requires the cooperation of a number of organs. Thus, the act of seeing is also an accomplishment achieved by the entire organism.

These examples show us two ways in which physiology considers the whole: first, in that the accomplishment is in the service of the whole; second, in that it is achieved by the whole. Hence these two methods of observing an event from the standpoint of the whole organism are intimately connected: the conception that every occurrence is planned, as a part of the total accomplishment, and the conception of the organism as a totality, in which everything that occurs is conditioned and regulated by a meaningful plan. If we guide the student to this conception of nature as a unified totality by way of repeated concrete examples, we shall have helped to provide him, at least in this branch of biology, with a modern method of observation and he will have acquired the basis for an organic Volkish-based thinking....

The concept of the total view will come to the fore in the study of living plant or animal communities more than it will in any other branch of biology teaching.... Unfortunately this idea has been understood by many methodologists in a purely external way as a principle of the organization of matter. It is more than that. Behind it stands a repudiation of an outmoded tendency in research; the aim should be to present a view of the whole, to apply methods of instruction relevant to the subject matter, to arrive at a national formulation of biology teaching and the discovery of internal interconnections in the occurrences of life. The metabolic changes in a closed biotic community reveal a meaningful plan in the greater occurrences of nature, and when we come to understand that the whole world is a living space for one biotic community, we can then discover ultimate interconnections, and finally arrive at a concept of nature that does not conflict with religious experience, whereas this was necessarily the case with the former purely mechanistic [Darwinian] attitude.

Introducing the student to this mode of observation is in the spirit of a Volkish education. On the basis of the elaboration of the laws of biology we turn to the emotional life of the student: he must come to see Germany as his "living space" and himself as a link in the German biotic community and the German destiny; and he must regard all Germans as his blood relations, his brothers. If we reach this goal, then all party and class divisions sink into nothingness, and more is accomplished for education in citizenship than is done by studying governmental and administrative structures.

For the very reason that the theory of the biotic community is so important for the development of biological knowledge and for education in organic Volkish thinking, it would be expedient to base the school curriculum on this idea. When we go into the free, open spaces we always come upon animals and plants in their specific living space in which they form biotic communities. It is not a mechanical system which orders the natural arrangement of organisms, but the living space. This living space not only presents an external frame of community but links its inhabitants to each other with indissoluble bonds. Whoever, in teaching the concept of the biotic community, utilizes it only as a principle of the organization of matter has not grasped the deeper meaning of bionomics. He stands, as it were, in front of a deep well of precious water and draws nothing from it although his companions are dying of thirst. Thus it is a question of opening up Volkish values to the students.

At the same time this produces effects which, from a didactic point of view, are not to be scorned. For one thing, instruction along the lines of the concept of the living community compels the teacher to take his students on frequent trips outside the classroom and to collect observations for later evaluation. Thus a true teaching of life is striven for, not just an accumulation of knowledge acquired by studying "animal skeletons and dead bones." There is little justification for a "museum" biology in the instruction which we are striving to establish. Even the illustrative specimens, which in many school lessons still must serve as a substitute for nature, can be dispensed with in most cases. They may still serve as a supplement to what has been seen in a living context, but they can no longer be the source for the formation of views.

It is not enough to make one visit to a biotic community, such as a beech wood. Rather, it must be visited at least once every season. How different is the effect which a beech wood, for example, makes on us in early spring, when the ground is covered with a carpet of anemones, from that which it makes on us in midsummer, when a mysterious penumbra prevails, when it looks to us like a cathedral with high, slender columns! Anyone who absorbs the atmosphere of the landscape, its soul, begins to love his homeland, and it is precisely love of the homeland which we want to arouse and can arouse with the help of the concept of the biotic community. It is almost self-evident that educational hikes to the biotic communities in his regional environment provide the student with a knowledge that is not limited to the field of biology but includes knowledge about the homeland....

Still more important, it seems to me, is the fact that the task of biology teaching, briefly referred to above, can be fulfilled by an orientation toward the concept of the biotic community. It must be grasped here once more on the basis of another idea. We have said that the student must be led to the conception that Germany is his living space to which he is linked by the bond of blood. We have explained in detail that the bionomic approach teaches that the organisms within a living space are dependent on each other as well as dependent upon the whole, and that each link must perform an indispensable function in the total accomplishment. When this insight is applied to the human biotic community, when the future German racial-comrade feels himself to be a link in the German biotic community, and when he is imbued with the idea of the blood relationship of all Germans, then class differences and class hatred cannot take acute forms, as was often the case in the past due to a misunderstanding of the actual bond that unites all estates together. Once every German regards Germany as his living space and feels himself to be a link in the German biotic community, he will be fully conscious of the fact that every individual within the metabolism of the biotic community into which he was born must fulfill his own important task. Thus a supra-individualistic attitude is created which constitutes the best possible foundation for training in citizenship. Indeed, it can be said that it has achieved its deepest fulfillment once this attitude is transformed into action....

This is also the place for discussing, from a biological viewpoint, the family as a value, and the improvement of the sense of family which has been sorely neglected by many modern pedagogues. The family, after all, is the smallest biotic community since it forms the germ cell of the state. If we take up these questions, the fields of individual hygiene and racial eugenics, of genetics and sex education, combine to form a meaningful unit, just as, generally, the teaching of biology, which in the past was fragmented into many unrelated individual fields, will be fused into a unified whole once our efforts achieve fruition. In these discussions on the family we are less concerned with the student's enlarging his knowledge and more with the aim that he be imbued with a sense of responsibility, that he begin to sense that the deepest meaning of human life is to grow beyond himself in his children, and that nothing he could leave to them would be more valuable than the German heritage which he has received from his ancestors, and that, through race mixing, he could taint and impair his progeny in a most unfavorable way.

From Paul Brohmer, Biologieunterricht und volkische Erziehung (Frankfurt: Verlag Moritz Diesterweg, 1933), pp. 8-10, 68-72, 74-80.

-- Nazi Culture: Intellectual, Cultural and Social Life in the Third Reich, by George L. Mosse


And I will not make a poem nor the least part of a poem but has
reference to the soul,
Because having look'd at the objects of the universe, I find there
is no one nor any particle of one but has reference to the soul.

13

Was somebody asking to see the soul?
See, your own shape and countenance, persons, substances, beasts,
the trees, the running rivers, the rocks and sands.

All hold spiritual joys and afterwards loosen them;
How can the real body ever die and be buried?

Of your real body and any man's or woman's real body,
Item for item it will elude the hands of the corpse-cleaners and
pass to fitting spheres,
Carrying what has accrued to it from the moment of birth to the
moment of death.

Not the types set up by the printer return their impression, the
meaning, the main concern,
Any more than a man's substance and life or a woman's substance and
life return in the body and the soul,
Indifferently before death and after death.

Behold, the body includes and is the meaning, the main concern and
includes and is the soul;
Whoever you are, how superb and how divine is your body, or any part
of it!

14

Whoever you are, to you endless announcements!

Daughter of the lands did you wait for your poet?
Did you wait for one with a flowing mouth and indicative hand?
Toward the male of the States, and toward the female of the States,
Exulting words, words to Democracy's lands.

Interlink'd, food-yielding lands!
Land of coal and iron! land of gold! land of cotton, sugar, rice!
Land of wheat, beef, pork! land of wool and hemp! land of the apple
and the grape!
Land of the pastoral plains, the grass-fields of the world! land of
those sweet-air'd interminable plateaus!
Land of the herd, the garden, the healthy house of adobie!
Lands where the north-west Columbia winds, and where the south-west
Colorado winds!
Land of the eastern Chesapeake! land of the Delaware!
Land of Ontario, Erie, Huron, Michigan!
Land of the Old Thirteen! Massachusetts land! land of Vermont and
Connecticut!
Land of the ocean shores! land of sierras and peaks!
Land of boatmen and sailors! fishermen's land!
Inextricable lands! the clutch'd together! the passionate ones!
The side by side! the elder and younger brothers! the bony-limb'd!
The great women's land! the feminine! the experienced sisters and
the inexperienced sisters!
Far breath'd land! Arctic braced! Mexican breez'd! the diverse! the
compact!
The Pennsylvanian! the Virginian! the double Carolinian!
O all and each well-loved by me! my intrepid nations! O I at any
rate include you all with perfect love!
I cannot be discharged from you! not from one any sooner than another!
O death! O for all that, I am yet of you unseen this hour with
irrepressible love,
Walking New England, a friend, a traveler,
Splashing my bare feet in the edge of the summer ripples on
Paumanok's sands,
Crossing the prairies, dwelling again in Chicago, dwelling in every town,
Observing shows, births, improvements, structures, arts,
Listening to orators and oratresses in public halls,
Of and through the States as during life, each man and woman my neighbor,
The Louisianian, the Georgian, as near to me, and I as near to him and her,
The Mississippian and Arkansian yet with me, and I yet with any of them,
Yet upon the plains west of the spinal river, yet in my house of adobie,
Yet returning eastward, yet in the Seaside State or in Maryland,
Yet Kanadian cheerily braving the winter, the snow and ice welcome to me,
Yet a true son either of Maine or of the Granite State, or the
Narragansett Bay State, or the Empire State,
Yet sailing to other shores to annex the same, yet welcoming every
new brother,
Hereby applying these leaves to the new ones from the hour they
unite with the old ones,
Coming among the new ones myself to be their companion and equal,
coming personally to you now,
Enjoining you to acts, characters, spectacles, with me.

15

With me with firm holding, yet haste, haste on.
For your life adhere to me,
(I may have to be persuaded many times before I consent to give
myself really to you, but what of that?
Must not Nature be persuaded many times?)

No dainty dolce affettuoso I,
Bearded, sun-burnt, gray-neck'd, forbidding, I have arrived,
To be wrestled with as I pass for the solid prizes of the universe,
For such I afford whoever can persevere to win them.

16

On my way a moment I pause,
Here for you! and here for America!
Still the present I raise aloft, still the future of the States I
harbinge glad and sublime,
And for the past I pronounce what the air holds of the red aborigines.

The red aborigines,
Leaving natural breaths, sounds of rain and winds, calls as of birds
and animals in the woods, syllabled to us for names,
Okonee, Koosa, Ottawa, Monongahela, Sauk, Natchez, Chattahoochee,
Kaqueta, Oronoco,
Wabash, Miami, Saginaw, Chippewa, Oshkosh, Walla-Walla,
Leaving such to the States they melt, they depart, charging the
water and the land with names.

17

Expanding and swift, henceforth,
Elements, breeds, adjustments, turbulent, quick and audacious,
A world primal again, vistas of glory incessant and branching,
A new race dominating previous ones and grander far, with new contests,
New politics, new literatures and religions, new inventions and arts.

When a race is born, the forms are ensouled by a certain group of spirits and have inherent capability of evolving to a certain stage of completion and no further. There can be no standing still in nature, therefore when the limit of attainment has been reached, the bodies or forms of that race begin to degenerate, sinking lower and lower until at last the race dies out.

The reason is not far to seek. New race bodies are particularly flexible and plastic, affording great scope for the Egos who are reborn in them to improve these vehicles and progress thereby. The most advanced Egos are brought to birth in such bodies and improve them to the best of their ability. These Egos, however, are only apprentices as yet, and they cause the bodies to gradually crystallize and harden until the limit of improvement of that particular kind of body has been reached. Then forms for another new race are created, to afford the advancing Egos further scope for more extended experience and greater development. They discard the old race bodies for the new, their discarded bodies becoming the habitations for less advanced Egos who, in their turn, use them as stepping-stones on the path of progress. Thus the old race bodies are used by Egos of increasing inferiority, gradually degenerating until at last there are no Egos low enough to profit by rebirth in such bodies. The women then become sterile and the race-forms die.

We may easily trace this process by certain examples. The Teutonic-Anglo-Saxon race (particularly the American branch of it) has a softer, more flexible body and a more high-strung nervous system than any other race on earth at the present time. The Indian and Negro have much harder bodies and, because of the duller nervous system, are much less sensitive to lacerations. An Indian will continue to fight after receiving wounds the shock of which would prostrate or kill a white man, whereas the Indian will quickly recover. The Australian aborigines or Bushmen furnish an example of a race dying out on account of sterility, notwithstanding all that the British government is doing to perpetuate them. It has been said by white men against the white race, that wherever it goes the other races dies out. The whites have been guilty of fearful oppression against those other races, having in many cases massacred multitudes of the defenseless and unsuspecting natives -- as witness the conduct of the Spaniards towards the ancient Peruvians and Mexicans, to specify but one of many instances. The obligations resulting from such betrayal of confidence and abuse of superior intellect will be paid -- yea, the last, least iota! -- by those incurring them. It is equally true, however, that even had the whites not massacred, starved, enslaved, expatriated and otherwise maltreated those older races, the latter would nevertheless have died out just as surely, though more slowly, because such is the Law of Evolution -- the Order of Nature. At some future time the white race-bodies when they become inhabited by the Egos who are now embodied in red, black, yellow or brown skins, will have degenerated so far that they also will disappear, to give place to other and better vehicles.

-- The Rosicrucian Cosmo-Conception, by Max Heindel


These, my voice announcing—I will sleep no more but arise,
You oceans that have been calm within me! how I feel you,
fathomless, stirring, preparing unprecedented waves and storms.

18

See, steamers steaming through my poems,
See, in my poems immigrants continually coming and landing,
See, in arriere, the wigwam, the trail, the hunter's hut, the flat-boat,
the maize-leaf, the claim, the rude fence, and the backwoods village,
See, on the one side the Western Sea and on the other the Eastern Sea,
how they advance and retreat upon my poems as upon their own shores,
See, pastures and forests in my poems—see, animals wild and tame—see,
beyond the Kaw, countless herds of buffalo feeding on short curly grass,
See, in my poems, cities, solid, vast, inland, with paved streets,
with iron and stone edifices, ceaseless vehicles, and commerce,
See, the many-cylinder'd steam printing-press—see, the electric
telegraph stretching across the continent,
See, through Atlantica's depths pulses American Europe reaching,
pulses of Europe duly return'd,
See, the strong and quick locomotive as it departs, panting, blowing
the steam-whistle,
See, ploughmen ploughing farms—see, miners digging mines—see,
the numberless factories,
See, mechanics busy at their benches with tools—see from among them
superior judges, philosophs, Presidents, emerge, drest in
working dresses,
See, lounging through the shops and fields of the States, me
well-belov'd, close-held by day and night,
Hear the loud echoes of my songs there—read the hints come at last.

19

O camerado close! O you and me at last, and us two only.
O a word to clear one's path ahead endlessly!
O something ecstatic and undemonstrable! O music wild!
O now I triumph—and you shall also;
O hand in hand—O wholesome pleasure—O one more desirer and lover!
O to haste firm holding—to haste, haste on with me.
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Re: Leaves of Grass, by Walt Whitman

Postby admin » Sun Sep 20, 2015 5:49 am

Part 1 of 2

BOOK 3

Song of Myself

1

I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

My tongue, every atom of my blood, form'd from this soil, this air,
Born here of parents born here from parents the same, and their
parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.

Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.

2

Houses and rooms are full of perfumes, the shelves are crowded with
perfumes,
I breathe the fragrance myself and know it and like it,
The distillation would intoxicate me also, but I shall not let it.

The atmosphere is not a perfume, it has no taste of the
distillation, it is odorless,
It is for my mouth forever, I am in love with it,
I will go to the bank by the wood and become undisguised and naked,
I am mad for it to be in contact with me.

The smoke of my own breath,
Echoes, ripples, buzz'd whispers, love-root, silk-thread, crotch and vine,
My respiration and inspiration, the beating of my heart, the passing
of blood and air through my lungs,
The sniff of green leaves and dry leaves, and of the shore and
dark-color'd sea-rocks, and of hay in the barn,

The sound of the belch'd words of my voice loos'd to the eddies of
the wind,
A few light kisses, a few embraces, a reaching around of arms,
The play of shine and shade on the trees as the supple boughs wag,
The delight alone or in the rush of the streets, or along the fields
and hill-sides,
The feeling of health, the full-noon trill, the song of me rising
from bed and meeting the sun.

Have you reckon'd a thousand acres much? have you reckon'd the earth much?
Have you practis'd so long to learn to read?
Have you felt so proud to get at the meaning of poems?

Stop this day and night with me and you shall possess the origin of
all poems,
You shall possess the good of the earth and sun, (there are millions
of suns left,)
You shall no longer take things at second or third hand, nor look through
the eyes of the dead, nor feed on the spectres in books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from your self.

3

I have heard what the talkers were talking, the talk of the
beginning and the end,
But I do not talk of the beginning or the end.

There was never any more inception than there is now,
Nor any more youth or age than there is now,
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now.

Urge and urge and urge,
Always the procreant urge of the world.

Out of the dimness opposite equals advance, always substance and
increase, always sex,
Always a knit of identity, always distinction, always a breed of life.
To elaborate is no avail, learn'd and unlearn'd feel that it is so.

Sure as the most certain sure, plumb in the uprights, well
entretied, braced in the beams,
Stout as a horse, affectionate, haughty, electrical,
I and this mystery here we stand.

The gods were not only living electrical receiving stations, they were also electrical power, and broadcasting stations. Electrical fish still exist, which is well-known. Strange deep-sea fish even have electric organs of illumination. Dinosaurs, which are especially to be taken into account here, are conspicuous for their apparently quite useless armor plates and spines. Obviously they served as electrical induction antennae and surfaces -- another purpose cannot be found and nature creates nothing without a purpose. The wings of the issuri could also easily have served to generate electrical power in a way very similar to a Wimhurst induction-machine. It is notable that dinosaurs had a large swelling in the spinal cord in the haunch area -- and this has to be accounted for in some way. -- Very serious investigators have recently proven the existence of a kind of radiation that is emitted from human beings (N-rays). Even magnetic forces are supposed to be active. Job V.7 expressly speaks of "lightning-men." The Devil descends like a bolt of lightning. The cherubim defend the Tree of life with blazing bolts of lightning. (Gen. III.24) The gods slumber in bestialized human bodies, but the day is coming when they will rise up again. We were electric, we will be electric, to be electric and to be divine is the same thing! By means of the electric eye primitive man was omniscient, through inner electrical power they were omnipotent.

-- Theozoology, or the Science of the Sodomite Apelings and the Divine Electron, by Dr. Jorg Lanz von Liebenfels


Clear and sweet is my soul, and clear and sweet is all that is not my soul.

Lack one lacks both, and the unseen is proved by the seen,
Till that becomes unseen and receives proof in its turn.

Showing the best and dividing it from the worst age vexes age,
Knowing the perfect fitness and equanimity of things, while they
discuss I am silent, and go bathe and admire myself.

Welcome is every organ and attribute of me, and of any man hearty and clean,
Not an inch nor a particle of an inch is vile, and none shall be
less familiar than the rest.

I am satisfied—I see, dance, laugh, sing;
As the hugging and loving bed-fellow sleeps at my side through the night,
and withdraws at the peep of the day with stealthy tread,
Leaving me baskets cover'd with white towels swelling the house with
their plenty,
Shall I postpone my acceptation and realization and scream at my eyes,
That they turn from gazing after and down the road,
And forthwith cipher and show me to a cent,
Exactly the value of one and exactly the value of two, and which is ahead?

4

Trippers and askers surround me,
People I meet, the effect upon me of my early life or the ward and
city I live in, or the nation,
The latest dates, discoveries, inventions, societies, authors old and new,
My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks or of myself, or ill-doing or loss
or lack of money, or depressions or exaltations,
Battles, the horrors of fratricidal war, the fever of doubtful news,
the fitful events;
These come to me days and nights and go from me again,
But they are not the Me myself.

Apart from the pulling and hauling stands what I am,
Stands amused, complacent, compassionating, idle, unitary,
Looks down, is erect, or bends an arm on an impalpable certain rest,
Looking with side-curved head curious what will come next,
Both in and out of the game and watching and wondering at it.

Backward I see in my own days where I sweated through fog with
linguists and contenders,
I have no mockings or arguments, I witness and wait.

5

I believe in you my soul, the other I am must not abase itself to you,
And you must not be abased to the other.

Loafe with me on the grass, loose the stop from your throat,
Not words, not music or rhyme I want, not custom or lecture, not
even the best,
Only the lull I like, the hum of your valved voice.

I mind how once we lay such a transparent summer morning,
How you settled your head athwart my hips and gently turn'd over upon me,
And parted the shirt from my bosom-bone, and plunged your tongue
to my bare-stript heart,
And reach'd till you felt my beard, and reach'd till you held my feet.

Swiftly arose and spread around me the peace and knowledge that pass
all the argument of the earth,
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own,
And that all the men ever born are also my brothers, and the women
my sisters and lovers,
And that a kelson of the creation is love,
And limitless are leaves stiff or drooping in the fields,
And brown ants in the little wells beneath them,
And mossy scabs of the worm fence, heap'd stones, elder, mullein and
poke-weed.

6

A child said What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is any more than he.

I guess it must be the flag of my disposition, out of hopeful green
stuff woven.

Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropt,
Bearing the owner's name someway in the corners, that we may see
and remark, and say Whose?

Or I guess the grass is itself a child, the produced babe of the vegetation.

Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I
receive them the same.

And now it seems to me the beautiful uncut hair of graves.

Tenderly will I use you curling grass,
It may be you transpire from the breasts of young men,
It may be if I had known them I would have loved them,
It may be you are from old people, or from offspring taken soon out
of their mothers' laps,
And here you are the mothers' laps.

This grass is very dark to be from the white heads of old mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.

O I perceive after all so many uttering tongues,
And I perceive they do not come from the roofs of mouths for nothing.

I wish I could translate the hints about the dead young men and women,
And the hints about old men and mothers, and the offspring taken
soon out of their laps.

What do you think has become of the young and old men?
And what do you think has become of the women and children?

They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the
end to arrest it,
And ceas'd the moment life appear'd.

All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.

7

Has any one supposed it lucky to be born?
I hasten to inform him or her it is just as lucky to die, and I know it.

I pass death with the dying and birth with the new-wash'd babe, and
am not contain'd between my hat and boots,
And peruse manifold objects, no two alike and every one good,
The earth good and the stars good, and their adjuncts all good.

I am not an earth nor an adjunct of an earth,
I am the mate and companion of people, all just as immortal and
fathomless as myself,
(They do not know how immortal, but I know.)

Every kind for itself and its own, for me mine male and female,
For me those that have been boys and that love women,
For me the man that is proud and feels how it stings to be slighted,
For me the sweet-heart and the old maid, for me mothers and the
mothers of mothers,
For me lips that have smiled, eyes that have shed tears,
For me children and the begetters of children.

Undrape! you are not guilty to me, nor stale nor discarded,
I see through the broadcloth and gingham whether or no,
And am around, tenacious, acquisitive, tireless, and cannot be shaken away.

8

The little one sleeps in its cradle,
I lift the gauze and look a long time, and silently brush away flies
with my hand.

The youngster and the red-faced girl turn aside up the bushy hill,
I peeringly view them from the top.

The suicide sprawls on the bloody floor of the bedroom,
I witness the corpse with its dabbled hair, I note where the pistol
has fallen.

The blab of the pave, tires of carts, sluff of boot-soles, talk of
the promenaders,
The heavy omnibus, the driver with his interrogating thumb, the
clank of the shod horses on the granite floor,
The snow-sleighs, clinking, shouted jokes, pelts of snow-balls,
The hurrahs for popular favorites, the fury of rous'd mobs,
The flap of the curtain'd litter, a sick man inside borne to the hospital,
The meeting of enemies, the sudden oath, the blows and fall,
The excited crowd, the policeman with his star quickly working his
passage to the centre of the crowd,
The impassive stones that receive and return so many echoes,
What groans of over-fed or half-starv'd who fall sunstruck or in fits,
What exclamations of women taken suddenly who hurry home and
give birth to babes,
What living and buried speech is always vibrating here, what howls
restrain'd by decorum,
Arrests of criminals, slights, adulterous offers made, acceptances,
rejections with convex lips,
I mind them or the show or resonance of them—I come and I depart.

9

The big doors of the country barn stand open and ready,
The dried grass of the harvest-time loads the slow-drawn wagon,
The clear light plays on the brown gray and green intertinged,
The armfuls are pack'd to the sagging mow.

I am there, I help, I came stretch'd atop of the load,
I felt its soft jolts, one leg reclined on the other,
I jump from the cross-beams and seize the clover and timothy,
And roll head over heels and tangle my hair full of wisps.

10

Alone far in the wilds and mountains I hunt,
Wandering amazed at my own lightness and glee,
In the late afternoon choosing a safe spot to pass the night,
Kindling a fire and broiling the fresh-kill'd game,
Falling asleep on the gather'd leaves with my dog and gun by my side.

The Yankee clipper is under her sky-sails, she cuts the sparkle and scud,
My eyes settle the land, I bend at her prow or shout joyously from the deck.

The boatmen and clam-diggers arose early and stopt for me,
I tuck'd my trowser-ends in my boots and went and had a good time;
You should have been with us that day round the chowder-kettle.

I saw the marriage of the trapper in the open air in the far west,
the bride was a red girl,
Her father and his friends sat near cross-legged and dumbly smoking,
they had moccasins to their feet and large thick blankets
hanging from their shoulders,
On a bank lounged the trapper, he was drest mostly in skins, his luxuriant
beard and curls protected his neck, he held his bride by the hand,
She had long eyelashes, her head was bare, her coarse straight locks
descended upon her voluptuous limbs and reach'd to her feet.

The runaway slave came to my house and stopt outside,
I heard his motions crackling the twigs of the woodpile,
Through the swung half-door of the kitchen I saw him limpsy and weak,
And went where he sat on a log and led him in and assured him,
And brought water and fill'd a tub for his sweated body and bruis'd feet,
And gave him a room that enter'd from my own, and gave him some
coarse clean clothes,
And remember perfectly well his revolving eyes and his awkwardness,
And remember putting plasters on the galls of his neck and ankles;
He staid with me a week before he was recuperated and pass'd north,
I had him sit next me at table, my fire-lock lean'd in the corner.

11

Twenty-eight young men bathe by the shore,
Twenty-eight young men and all so friendly;
Twenty-eight years of womanly life and all so lonesome.

She owns the fine house by the rise of the bank,
She hides handsome and richly drest aft the blinds of the window.

Which of the young men does she like the best?
Ah the homeliest of them is beautiful to her.

Where are you off to, lady? for I see you,
You splash in the water there, yet stay stock still in your room.

Dancing and laughing along the beach came the twenty-ninth bather,
The rest did not see her, but she saw them and loved them.

The beards of the young men glisten'd with wet, it ran from their long hair,
Little streams pass'd all over their bodies.

An unseen hand also pass'd over their bodies,
It descended tremblingly from their temples and ribs.

The young men float on their backs, their white bellies bulge to the
sun, they do not ask who seizes fast to them,
They do not know who puffs and declines with pendant and bending arch,
They do not think whom they souse with spray.

12

The butcher-boy puts off his killing-clothes, or sharpens his knife
at the stall in the market,
I loiter enjoying his repartee and his shuffle and break-down.

Blacksmiths with grimed and hairy chests environ the anvil,
Each has his main-sledge, they are all out, there is a great heat in
the fire.

From the cinder-strew'd threshold I follow their movements,
The lithe sheer of their waists plays even with their massive arms,
Overhand the hammers swing, overhand so slow, overhand so sure,
They do not hasten, each man hits in his place.

13

The negro holds firmly the reins of his four horses, the block swags
underneath on its tied-over chain,
The negro that drives the long dray of the stone-yard, steady and
tall he stands pois'd on one leg on the string-piece,
His blue shirt exposes his ample neck and breast and loosens over
his hip-band,
His glance is calm and commanding, he tosses the slouch of his hat
away from his forehead,
The sun falls on his crispy hair and mustache, falls on the black of
his polish'd and perfect limbs.

I behold the picturesque giant and love him, and I do not stop there,
I go with the team also.

In me the caresser of life wherever moving, backward as well as
forward sluing,
To niches aside and junior bending, not a person or object missing,
Absorbing all to myself and for this song.

Oxen that rattle the yoke and chain or halt in the leafy shade, what
is that you express in your eyes?
It seems to me more than all the print I have read in my life.

My tread scares the wood-drake and wood-duck on my distant and
day-long ramble,
They rise together, they slowly circle around.

I believe in those wing'd purposes,
And acknowledge red, yellow, white, playing within me,
And consider green and violet and the tufted crown intentional,
And do not call the tortoise unworthy because she is not something else,
And the jay in the woods never studied the gamut, yet trills pretty well to me,
And the look of the bay mare shames silliness out of me.

14

The wild gander leads his flock through the cool night,
Ya-honk he says, and sounds it down to me like an invitation,
The pert may suppose it meaningless, but I listening close,
Find its purpose and place up there toward the wintry sky.

The sharp-hoof'd moose of the north, the cat on the house-sill, the
chickadee, the prairie-dog,
The litter of the grunting sow as they tug at her teats,
The brood of the turkey-hen and she with her half-spread wings,
I see in them and myself the same old law.

The press of my foot to the earth springs a hundred affections,
They scorn the best I can do to relate them.

I am enamour'd of growing out-doors,
Of men that live among cattle or taste of the ocean or woods,
Of the builders and steerers of ships and the wielders of axes and
mauls, and the drivers of horses,
I can eat and sleep with them week in and week out.

What is commonest, cheapest, nearest, easiest, is Me,
Me going in for my chances, spending for vast returns,
Adorning myself to bestow myself on the first that will take me,
Not asking the sky to come down to my good will,
Scattering it freely forever.

15

The pure contralto sings in the organ loft,
The carpenter dresses his plank, the tongue of his foreplane
whistles its wild ascending lisp,
The married and unmarried children ride home to their Thanksgiving dinner,
The pilot seizes the king-pin, he heaves down with a strong arm,
The mate stands braced in the whale-boat, lance and harpoon are ready,
The duck-shooter walks by silent and cautious stretches,
The deacons are ordain'd with cross'd hands at the altar,
The spinning-girl retreats and advances to the hum of the big wheel,
The farmer stops by the bars as he walks on a First-day loafe and
looks at the oats and rye,
The lunatic is carried at last to the asylum a confirm'd case,
(He will never sleep any more as he did in the cot in his mother's
bed-room;)
The jour printer with gray head and gaunt jaws works at his case,
He turns his quid of tobacco while his eyes blurr with the manuscript;
The malform'd limbs are tied to the surgeon's table,
What is removed drops horribly in a pail;
The quadroon girl is sold at the auction-stand, the drunkard nods by
the bar-room stove,
The machinist rolls up his sleeves, the policeman travels his beat,
the gate-keeper marks who pass,
The young fellow drives the express-wagon, (I love him, though I do
not know him;)
The half-breed straps on his light boots to compete in the race,
The western turkey-shooting draws old and young, some lean on their
rifles, some sit on logs,
Out from the crowd steps the marksman, takes his position, levels his piece;
The groups of newly-come immigrants cover the wharf or levee,
As the woolly-pates hoe in the sugar-field, the overseer views them
from his saddle,
The bugle calls in the ball-room, the gentlemen run for their
partners, the dancers bow to each other,
The youth lies awake in the cedar-roof'd garret and harks to the
musical rain,
The Wolverine sets traps on the creek that helps fill the Huron,
The squaw wrapt in her yellow-hemm'd cloth is offering moccasins and
bead-bags for sale,
The connoisseur peers along the exhibition-gallery with half-shut
eyes bent sideways,
As the deck-hands make fast the steamboat the plank is thrown for
the shore-going passengers,
The young sister holds out the skein while the elder sister winds it
off in a ball, and stops now and then for the knots,
The one-year wife is recovering and happy having a week ago borne
her first child,
The clean-hair'd Yankee girl works with her sewing-machine or in the
factory or mill,
The paving-man leans on his two-handed rammer, the reporter's lead
flies swiftly over the note-book, the sign-painter is lettering
with blue and gold,
The canal boy trots on the tow-path, the book-keeper counts at his
desk, the shoemaker waxes his thread,
The conductor beats time for the band and all the performers follow him,
The child is baptized, the convert is making his first professions,
The regatta is spread on the bay, the race is begun, (how the white
sails sparkle!)
The drover watching his drove sings out to them that would stray,
The pedler sweats with his pack on his back, (the purchaser higgling
about the odd cent;)
The bride unrumples her white dress, the minute-hand of the clock
moves slowly,
The opium-eater reclines with rigid head and just-open'd lips,
The prostitute draggles her shawl, her bonnet bobs on her tipsy and
pimpled neck,
The crowd laugh at her blackguard oaths, the men jeer and wink to
each other,
(Miserable! I do not laugh at your oaths nor jeer you;)
The President holding a cabinet council is surrounded by the great
Secretaries,
On the piazza walk three matrons stately and friendly with twined arms,
The crew of the fish-smack pack repeated layers of halibut in the hold,
The Missourian crosses the plains toting his wares and his cattle,
As the fare-collector goes through the train he gives notice by the
jingling of loose change,
The floor-men are laying the floor, the tinners are tinning the
roof, the masons are calling for mortar,
In single file each shouldering his hod pass onward the laborers;
Seasons pursuing each other the indescribable crowd is gather'd, it
is the fourth of Seventh-month, (what salutes of cannon and small arms!)
Seasons pursuing each other the plougher ploughs, the mower mows,
and the winter-grain falls in the ground;
Off on the lakes the pike-fisher watches and waits by the hole in
the frozen surface,
The stumps stand thick round the clearing, the squatter strikes deep
with his axe,
Flatboatmen make fast towards dusk near the cotton-wood or pecan-trees,
Coon-seekers go through the regions of the Red river or through
those drain'd by the Tennessee, or through those of the Arkansas,
Torches shine in the dark that hangs on the Chattahooche or Altamahaw,
Patriarchs sit at supper with sons and grandsons and great-grandsons
around them,
In walls of adobie, in canvas tents, rest hunters and trappers after
their day's sport,
The city sleeps and the country sleeps,
The living sleep for their time, the dead sleep for their time,
The old husband sleeps by his wife and the young husband sleeps by his wife;
And these tend inward to me, and I tend outward to them,
And such as it is to be of these more or less I am,
And of these one and all I weave the song of myself.

16

I am of old and young, of the foolish as much as the wise,
Regardless of others, ever regardful of others,
Maternal as well as paternal, a child as well as a man,
Stuff'd with the stuff that is coarse and stuff'd with the stuff
that is fine,
One of the Nation of many nations, the smallest the same and the
largest the same,
A Southerner soon as a Northerner, a planter nonchalant and
hospitable down by the Oconee I live,
A Yankee bound my own way ready for trade, my joints the limberest
joints on earth and the sternest joints on earth,
A Kentuckian walking the vale of the Elkhorn in my deer-skin
leggings, a Louisianian or Georgian,
A boatman over lakes or bays or along coasts, a Hoosier, Badger, Buckeye;
At home on Kanadian snow-shoes or up in the bush, or with fishermen
off Newfoundland,
At home in the fleet of ice-boats, sailing with the rest and tacking,
At home on the hills of Vermont or in the woods of Maine, or the
Texan ranch,
Comrade of Californians, comrade of free North-Westerners, (loving
their big proportions,)
Comrade of raftsmen and coalmen, comrade of all who shake hands
and welcome to drink and meat,
A learner with the simplest, a teacher of the thoughtfullest,
A novice beginning yet experient of myriads of seasons,
Of every hue and caste am I, of every rank and religion,
A farmer, mechanic, artist, gentleman, sailor, quaker,
Prisoner, fancy-man, rowdy, lawyer, physician, priest.

The fundamental principle, is the reconciliation of the opposites. We cannot choose one opposite over another. We must experience the relationship between the two and reconcile them into a higher synthesis. This does not mean to be in the middle. For instance, the proper balance between wealth and poverty is not the mathematical average between $1,000,000 and $1, i.e. $500,000. There are people who are poor at $1,000,000, others who are rich at $1. Reconciling the opposites is not that simple. It would be a great help if someone who has gone before us would describe the experience. What would he say of himself if he had reconciled the opposites? I AM the bread of life (John 6:35); I AM the light of the world (John 8:12); I AM the door of the sheepfold (John 10:7); I AM the good shepherd (John 10:11); I AM the resurrection and the life (John 11:25); I AM the way the truth and the life (John 14:6); I AM the true vine (John 15:1). "I AM" is the most powerful statement any person can make.

-- Reconciliation, Orientation and Unity, by Jack Courtis, Kabala Series, Rosicrucian Archive


I resist any thing better than my own diversity,
Breathe the air but leave plenty after me,
And am not stuck up, and am in my place.

(The moth and the fish-eggs are in their place,
The bright suns I see and the dark suns I cannot see are in their place,
The palpable is in its place and the impalpable is in its place.)

17

These are really the thoughts of all men in all ages and lands, they
are not original with me,
If they are not yours as much as mine they are nothing, or next to nothing,
If they are not the riddle and the untying of the riddle they are nothing,
If they are not just as close as they are distant they are nothing.

This is the grass that grows wherever the land is and the water is,
This the common air that bathes the globe.

18

With music strong I come, with my cornets and my drums,
I play not marches for accepted victors only, I play marches for
conquer'd and slain persons.

Have you heard that it was good to gain the day?
I also say it is good to fall, battles are lost in the same spirit
in which they are won.

I beat and pound for the dead,
I blow through my embouchures my loudest and gayest for them.

Vivas to those who have fail'd!
And to those whose war-vessels sank in the sea!
And to those themselves who sank in the sea!
And to all generals that lost engagements, and all overcome heroes!
And the numberless unknown heroes equal to the greatest heroes known!

19

This is the meal equally set, this the meat for natural hunger,
It is for the wicked just same as the righteous, I make appointments
with all,
I will not have a single person slighted or left away,
The kept-woman, sponger, thief, are hereby invited,
The heavy-lipp'd slave is invited, the venerealee is invited;
There shall be no difference between them and the rest.

This is the press of a bashful hand, this the float and odor of hair,
This the touch of my lips to yours, this the murmur of yearning,
This the far-off depth and height reflecting my own face,
This the thoughtful merge of myself, and the outlet again.

Do you guess I have some intricate purpose?
Well I have, for the Fourth-month showers have, and the mica on the
side of a rock has.

Do you take it I would astonish?
Does the daylight astonish? does the early redstart twittering
through the woods?
Do I astonish more than they?

This hour I tell things in confidence,
I might not tell everybody, but I will tell you.

20

Who goes there? hankering, gross, mystical, nude;
How is it I extract strength from the beef I eat?

What is a man anyhow? what am I? what are you?

All I mark as my own you shall offset it with your own,
Else it were time lost listening to me.

I do not snivel that snivel the world over,
That months are vacuums and the ground but wallow and filth.

Whimpering and truckling fold with powders for invalids, conformity
goes to the fourth-remov'd,
I wear my hat as I please indoors or out.

Why should I pray? why should I venerate and be ceremonious?

Having pried through the strata, analyzed to a hair, counsel'd with
doctors and calculated close,
I find no sweeter fat than sticks to my own bones.

In all people I see myself, none more and not one a barley-corn less,
And the good or bad I say of myself I say of them.

I know I am solid and sound,
To me the converging objects of the universe perpetually flow,
All are written to me, and I must get what the writing means.

I know I am deathless,
I know this orbit of mine cannot be swept by a carpenter's compass,
I know I shall not pass like a child's carlacue cut with a burnt
stick at night.

I know I am august,
I do not trouble my spirit to vindicate itself or be understood,
I see that the elementary laws never apologize,
(I reckon I behave no prouder than the level I plant my house by,
after all.)

I exist as I am, that is enough,
If no other in the world be aware I sit content,
And if each and all be aware I sit content.

One world is aware and by far the largest to me, and that is myself,
And whether I come to my own to-day or in ten thousand or ten
million years,
I can cheerfully take it now, or with equal cheerfulness I can wait.

My foothold is tenon'd and mortis'd in granite,
I laugh at what you call dissolution,
And I know the amplitude of time.

21

I am the poet of the Body and I am the poet of the Soul,
The pleasures of heaven are with me and the pains of hell are with me,
The first I graft and increase upon myself, the latter I translate
into new tongue.

I am the poet of the woman the same as the man,
And I say it is as great to be a woman as to be a man,
And I say there is nothing greater than the mother of men.

I chant the chant of dilation or pride,
We have had ducking and deprecating about enough,
I show that size is only development.

Have you outstript the rest? are you the President?
It is a trifle, they will more than arrive there every one, and
still pass on.

I am he that walks with the tender and growing night,
I call to the earth and sea half-held by the night.

Press close bare-bosom'd night—press close magnetic nourishing night!
Night of south winds—night of the large few stars!
Still nodding night—mad naked summer night.

Smile O voluptuous cool-breath'd earth!
Earth of the slumbering and liquid trees!
Earth of departed sunset—earth of the mountains misty-topt!
Earth of the vitreous pour of the full moon just tinged with blue!
Earth of shine and dark mottling the tide of the river!
Earth of the limpid gray of clouds brighter and clearer for my sake!
Far-swooping elbow'd earth—rich apple-blossom'd earth!
Smile, for your lover comes.

Prodigal, you have given me love—therefore I to you give love!
O unspeakable passionate love.

22

You sea! I resign myself to you also—I guess what you mean,
I behold from the beach your crooked fingers,
I believe you refuse to go back without feeling of me,
We must have a turn together, I undress, hurry me out of sight of the land,
Cushion me soft, rock me in billowy drowse,
Dash me with amorous wet, I can repay you.

Sea of stretch'd ground-swells,
Sea breathing broad and convulsive breaths,
Sea of the brine of life and of unshovell'd yet always-ready graves,
Howler and scooper of storms, capricious and dainty sea,
I am integral with you, I too am of one phase and of all phases.

Partaker of influx and efflux I, extoller of hate and conciliation,
Extoller of amies and those that sleep in each others' arms.

I am he attesting sympathy,
(Shall I make my list of things in the house and skip the house that
supports them?)

I am not the poet of goodness only, I do not decline to be the poet
of wickedness also.

What blurt is this about virtue and about vice?
Evil propels me and reform of evil propels me, I stand indifferent,
My gait is no fault-finder's or rejecter's gait,
I moisten the roots of all that has grown.

Did you fear some scrofula out of the unflagging pregnancy?
Did you guess the celestial laws are yet to be work'd over and rectified?

I find one side a balance and the antipedal side a balance,
Soft doctrine as steady help as stable doctrine,
Thoughts and deeds of the present our rouse and early start.

This minute that comes to me over the past decillions,
There is no better than it and now.

What behaved well in the past or behaves well to-day is not such wonder,
The wonder is always and always how there can be a mean man or an infidel.

23

Endless unfolding of words of ages!
And mine a word of the modern, the word En-Masse.

A word of the faith that never balks,
Here or henceforward it is all the same to me, I accept Time absolutely.

It alone is without flaw, it alone rounds and completes all,
That mystic baffling wonder alone completes all.

I accept Reality and dare not question it,
Materialism first and last imbuing.

Hurrah for positive science! long live exact demonstration!
Fetch stonecrop mixt with cedar and branches of lilac,
This is the lexicographer, this the chemist, this made a grammar of
the old cartouches,
These mariners put the ship through dangerous unknown seas.
This is the geologist, this works with the scalper, and this is a
mathematician.

Gentlemen, to you the first honors always!
Your facts are useful, and yet they are not my dwelling,
I but enter by them to an area of my dwelling.

Less the reminders of properties told my words,
And more the reminders they of life untold, and of freedom and extrication,
And make short account of neuters and geldings, and favor men and
women fully equipt,
And beat the gong of revolt, and stop with fugitives and them that
plot and conspire.

24

Walt Whitman, a kosmos, of Manhattan the son,
Turbulent, fleshy, sensual, eating, drinking and breeding,
No sentimentalist, no stander above men and women or apart from them,
No more modest than immodest.

Unscrew the locks from the doors!
Unscrew the doors themselves from their jambs!

Whoever degrades another degrades me,
And whatever is done or said returns at last to me.

Through me the afflatus surging and surging, through me the current
and index.

I speak the pass-word primeval, I give the sign of democracy,
By God! I will accept nothing which all cannot have their
counterpart of on the same terms.

Through me many long dumb voices,
Voices of the interminable generations of prisoners and slaves,
Voices of the diseas'd and despairing and of thieves and dwarfs,
Voices of cycles of preparation and accretion,
And of the threads that connect the stars, and of wombs and of the
father-stuff,
And of the rights of them the others are down upon,
Of the deform'd, trivial, flat, foolish, despised,
Fog in the air, beetles rolling balls of dung.

Through me forbidden voices,
Voices of sexes and lusts, voices veil'd and I remove the veil,
Voices indecent by me clarified and transfigur'd.

I do not press my fingers across my mouth,
I keep as delicate around the bowels as around the head and heart,
Copulation is no more rank to me than death is.

I believe in the flesh and the appetites,
Seeing, hearing, feeling, are miracles, and each part and tag of me
is a miracle.

Divine am I inside and out, and I make holy whatever I touch or am
touch'd from,
The scent of these arm-pits aroma finer than prayer,
This head more than churches, bibles, and all the creeds.

If I worship one thing more than another it shall be the spread of
my own body, or any part of it,
Translucent mould of me it shall be you!
Shaded ledges and rests it shall be you!
Firm masculine colter it shall be you!
Whatever goes to the tilth of me it shall be you!
You my rich blood! your milky stream pale strippings of my life!
Breast that presses against other breasts it shall be you!
My brain it shall be your occult convolutions!
Root of wash'd sweet-flag! timorous pond-snipe! nest of guarded
duplicate eggs! it shall be you!
Mix'd tussled hay of head, beard, brawn, it shall be you!
Trickling sap of maple, fibre of manly wheat, it shall be you!
Sun so generous it shall be you!
Vapors lighting and shading my face it shall be you!
You sweaty brooks and dews it shall be you!
Winds whose soft-tickling genitals rub against me it shall be you!
Broad muscular fields, branches of live oak, loving lounger in my
winding paths, it shall be you!
Hands I have taken, face I have kiss'd, mortal I have ever touch'd,
it shall be you.

I dote on myself, there is that lot of me and all so luscious,
Each moment and whatever happens thrills me with joy,
I cannot tell how my ankles bend, nor whence the cause of my faintest wish,
Nor the cause of the friendship I emit, nor the cause of the
friendship I take again.

That I walk up my stoop, I pause to consider if it really be,
A morning-glory at my window satisfies me more than the metaphysics
of books.

To behold the day-break!
The little light fades the immense and diaphanous shadows,
The air tastes good to my palate.

Hefts of the moving world at innocent gambols silently rising
freshly exuding,
Scooting obliquely high and low.

Something I cannot see puts upward libidinous prongs,
Seas of bright juice suffuse heaven.

The earth by the sky staid with, the daily close of their junction,
The heav'd challenge from the east that moment over my head,
The mocking taunt, See then whether you shall be master!

25

Dazzling and tremendous how quick the sun-rise would kill me,
If I could not now and always send sun-rise out of me.

We also ascend dazzling and tremendous as the sun,
We found our own O my soul in the calm and cool of the daybreak.

My voice goes after what my eyes cannot reach,
With the twirl of my tongue I encompass worlds and volumes of worlds.

Speech is the twin of my vision, it is unequal to measure itself,
It provokes me forever, it says sarcastically,
Walt you contain enough, why don't you let it out then?

Come now I will not be tantalized, you conceive too much of
articulation,
Do you not know O speech how the buds beneath you are folded?
Waiting in gloom, protected by frost,
The dirt receding before my prophetical screams,
I underlying causes to balance them at last,
My knowledge my live parts, it keeping tally with the meaning of all things,
Happiness, (which whoever hears me let him or her set out in search
of this day.)

My final merit I refuse you, I refuse putting from me what I really am,
Encompass worlds, but never try to encompass me,
I crowd your sleekest and best by simply looking toward you.

Writing and talk do not prove me,
I carry the plenum of proof and every thing else in my face,
With the hush of my lips I wholly confound the skeptic.

26

Now I will do nothing but listen,
To accrue what I hear into this song, to let sounds contribute toward it.

I hear bravuras of birds, bustle of growing wheat, gossip of flames,
clack of sticks cooking my meals,
I hear the sound I love, the sound of the human voice,
I hear all sounds running together, combined, fused or following,
Sounds of the city and sounds out of the city, sounds of the day and night,
Talkative young ones to those that like them, the loud laugh of
work-people at their meals,
The angry base of disjointed friendship, the faint tones of the sick,
The judge with hands tight to the desk, his pallid lips pronouncing
a death-sentence,
The heave'e'yo of stevedores unlading ships by the wharves, the
refrain of the anchor-lifters,
The ring of alarm-bells, the cry of fire, the whirr of swift-streaking
engines and hose-carts with premonitory tinkles and color'd lights,
The steam-whistle, the solid roll of the train of approaching cars,
The slow march play'd at the head of the association marching two and two,
(They go to guard some corpse, the flag-tops are draped with black muslin.)

I hear the violoncello, ('tis the young man's heart's complaint,)
I hear the key'd cornet, it glides quickly in through my ears,
It shakes mad-sweet pangs through my belly and breast.

I hear the chorus, it is a grand opera,
Ah this indeed is music—this suits me.

A tenor large and fresh as the creation fills me,
The orbic flex of his mouth is pouring and filling me full.

I hear the train'd soprano (what work with hers is this?)
The orchestra whirls me wider than Uranus flies,
It wrenches such ardors from me I did not know I possess'd them,
It sails me, I dab with bare feet, they are lick'd by the indolent waves,
I am cut by bitter and angry hail, I lose my breath,
Steep'd amid honey'd morphine, my windpipe throttled in fakes of death,
At length let up again to feel the puzzle of puzzles,
And that we call Being.
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Re: Leaves of Grass, by Walt Whitman

Postby admin » Sun Sep 20, 2015 5:51 am

Part 2 of 2

27

To be in any form, what is that?
(Round and round we go, all of us, and ever come back thither,)
If nothing lay more develop'd the quahaug in its callous shell were enough.

Mine is no callous shell,
I have instant conductors all over me whether I pass or stop,
They seize every object and lead it harmlessly through me.

I merely stir, press, feel with my fingers, and am happy,
To touch my person to some one else's is about as much as I can stand.

28

Is this then a touch? quivering me to a new identity,
Flames and ether making a rush for my veins,
Treacherous tip of me reaching and crowding to help them,
My flesh and blood playing out lightning to strike what is hardly
different from myself,
On all sides prurient provokers stiffening my limbs,
Straining the udder of my heart for its withheld drip,
Behaving licentious toward me, taking no denial,
Depriving me of my best as for a purpose,
Unbuttoning my clothes, holding me by the bare waist,
Deluding my confusion with the calm of the sunlight and pasture-fields,
Immodestly sliding the fellow-senses away,
They bribed to swap off with touch and go and graze at the edges of me,
No consideration, no regard for my draining strength or my anger,
Fetching the rest of the herd around to enjoy them a while,
Then all uniting to stand on a headland and worry me.

The sentries desert every other part of me,
They have left me helpless to a red marauder,
They all come to the headland to witness and assist against me.

I am given up by traitors,
I talk wildly, I have lost my wits, I and nobody else am the
greatest traitor,
I went myself first to the headland, my own hands carried me there.

You villain touch! what are you doing? my breath is tight in its throat,
Unclench your floodgates, you are too much for me.

29

Blind loving wrestling touch, sheath'd hooded sharp-tooth'd touch!
Did it make you ache so, leaving me?

Parting track'd by arriving, perpetual payment of perpetual loan,
Rich showering rain, and recompense richer afterward.

Sprouts take and accumulate, stand by the curb prolific and vital,
Landscapes projected masculine, full-sized and golden.

30

All truths wait in all things,
They neither hasten their own delivery nor resist it,
They do not need the obstetric forceps of the surgeon,
The insignificant is as big to me as any,
(What is less or more than a touch?)

Logic and sermons never convince,
The damp of the night drives deeper into my soul.

(Only what proves itself to every man and woman is so,
Only what nobody denies is so.)

A minute and a drop of me settle my brain,
I believe the soggy clods shall become lovers and lamps,
And a compend of compends is the meat of a man or woman,
And a summit and flower there is the feeling they have for each other,
And they are to branch boundlessly out of that lesson until it
becomes omnific,
And until one and all shall delight us, and we them.

31

I believe a leaf of grass is no less than the journey work of the stars,
And the pismire is equally perfect, and a grain of sand, and the egg
of the wren,
And the tree-toad is a chef-d'oeuvre for the highest,
And the running blackberry would adorn the parlors of heaven,
And the narrowest hinge in my hand puts to scorn all machinery,
And the cow crunching with depress'd head surpasses any statue,
And a mouse is miracle enough to stagger sextillions of infidels.

I find I incorporate gneiss, coal, long-threaded moss, fruits,
grains, esculent roots,
And am stucco'd with quadrupeds and birds all over,
And have distanced what is behind me for good reasons,
But call any thing back again when I desire it.

In vain the speeding or shyness,
In vain the plutonic rocks send their old heat against my approach,
In vain the mastodon retreats beneath its own powder'd bones,
In vain objects stand leagues off and assume manifold shapes,
In vain the ocean settling in hollows and the great monsters lying low,
In vain the buzzard houses herself with the sky,
In vain the snake slides through the creepers and logs,
In vain the elk takes to the inner passes of the woods,
In vain the razor-bill'd auk sails far north to Labrador,
I follow quickly, I ascend to the nest in the fissure of the cliff.

32

I think I could turn and live with animals, they are so placid and
self-contain'd,
I stand and look at them long and long.

They do not sweat and whine about their condition,
They do not lie awake in the dark and weep for their sins,
They do not make me sick discussing their duty to God,
Not one is dissatisfied, not one is demented with the mania of
owning things,
Not one kneels to another, nor to his kind that lived thousands of
years ago,
Not one is respectable or unhappy over the whole earth.

So they show their relations to me and I accept them,
They bring me tokens of myself, they evince them plainly in their
possession.

I wonder where they get those tokens,
Did I pass that way huge times ago and negligently drop them?

Myself moving forward then and now and forever,
Gathering and showing more always and with velocity,
Infinite and omnigenous, and the like of these among them,
Not too exclusive toward the reachers of my remembrancers,
Picking out here one that I love, and now go with him on brotherly terms.

A gigantic beauty of a stallion, fresh and responsive to my caresses,
Head high in the forehead, wide between the ears,
Limbs glossy and supple, tail dusting the ground,
Eyes full of sparkling wickedness, ears finely cut, flexibly moving.

His nostrils dilate as my heels embrace him,
His well-built limbs tremble with pleasure as we race around and return.

I but use you a minute, then I resign you, stallion,
Why do I need your paces when I myself out-gallop them?
Even as I stand or sit passing faster than you.

33

Space and Time! now I see it is true, what I guess'd at,
What I guess'd when I loaf'd on the grass,
What I guess'd while I lay alone in my bed,
And again as I walk'd the beach under the paling stars of the morning.

My ties and ballasts leave me, my elbows rest in sea-gaps,
I skirt sierras, my palms cover continents,
I am afoot with my vision.

By the city's quadrangular houses—in log huts, camping with lumber-men,
Along the ruts of the turnpike, along the dry gulch and rivulet bed,
Weeding my onion-patch or hosing rows of carrots and parsnips,
crossing savannas, trailing in forests,
Prospecting, gold-digging, girdling the trees of a new purchase,
Scorch'd ankle-deep by the hot sand, hauling my boat down the
shallow river,
Where the panther walks to and fro on a limb overhead, where the
buck turns furiously at the hunter,
Where the rattlesnake suns his flabby length on a rock, where the
otter is feeding on fish,
Where the alligator in his tough pimples sleeps by the bayou,
Where the black bear is searching for roots or honey, where the
beaver pats the mud with his paddle-shaped tall;
Over the growing sugar, over the yellow-flower'd cotton plant, over
the rice in its low moist field,
Over the sharp-peak'd farm house, with its scallop'd scum and
slender shoots from the gutters,
Over the western persimmon, over the long-leav'd corn, over the
delicate blue-flower flax,
Over the white and brown buckwheat, a hummer and buzzer there with
the rest,
Over the dusky green of the rye as it ripples and shades in the breeze;
Scaling mountains, pulling myself cautiously up, holding on by low
scragged limbs,
Walking the path worn in the grass and beat through the leaves of the brush,
Where the quail is whistling betwixt the woods and the wheat-lot,
Where the bat flies in the Seventh-month eve, where the great
goldbug drops through the dark,
Where the brook puts out of the roots of the old tree and flows to
the meadow,
Where cattle stand and shake away flies with the tremulous
shuddering of their hides,
Where the cheese-cloth hangs in the kitchen, where andirons straddle
the hearth-slab, where cobwebs fall in festoons from the rafters;
Where trip-hammers crash, where the press is whirling its cylinders,
Wherever the human heart beats with terrible throes under its ribs,
Where the pear-shaped balloon is floating aloft, (floating in it
myself and looking composedly down,)
Where the life-car is drawn on the slip-noose, where the heat
hatches pale-green eggs in the dented sand,
Where the she-whale swims with her calf and never forsakes it,
Where the steam-ship trails hind-ways its long pennant of smoke,
Where the fin of the shark cuts like a black chip out of the water,
Where the half-burn'd brig is riding on unknown currents,
Where shells grow to her slimy deck, where the dead are corrupting below;
Where the dense-starr'd flag is borne at the head of the regiments,
Approaching Manhattan up by the long-stretching island,
Under Niagara, the cataract falling like a veil over my countenance,
Upon a door-step, upon the horse-block of hard wood outside,
Upon the race-course, or enjoying picnics or jigs or a good game of
base-ball,
At he-festivals, with blackguard gibes, ironical license,
bull-dances, drinking, laughter,
At the cider-mill tasting the sweets of the brown mash, sucking the
juice through a straw,
At apple-peelings wanting kisses for all the red fruit I find,
At musters, beach-parties, friendly bees, huskings, house-raisings;
Where the mocking-bird sounds his delicious gurgles, cackles,
screams, weeps,
Where the hay-rick stands in the barn-yard, where the dry-stalks are
scatter'd, where the brood-cow waits in the hovel,
Where the bull advances to do his masculine work, where the stud to
the mare, where the cock is treading the hen,
Where the heifers browse, where geese nip their food with short jerks,
Where sun-down shadows lengthen over the limitless and lonesome prairie,
Where herds of buffalo make a crawling spread of the square miles
far and near,
Where the humming-bird shimmers, where the neck of the long-lived
swan is curving and winding,
Where the laughing-gull scoots by the shore, where she laughs her
near-human laugh,
Where bee-hives range on a gray bench in the garden half hid by the
high weeds,
Where band-neck'd partridges roost in a ring on the ground with
their heads out,
Where burial coaches enter the arch'd gates of a cemetery,
Where winter wolves bark amid wastes of snow and icicled trees,
Where the yellow-crown'd heron comes to the edge of the marsh at
night and feeds upon small crabs,
Where the splash of swimmers and divers cools the warm noon,
Where the katy-did works her chromatic reed on the walnut-tree over
the well,
Through patches of citrons and cucumbers with silver-wired leaves,
Through the salt-lick or orange glade, or under conical firs,
Through the gymnasium, through the curtain'd saloon, through the
office or public hall;
Pleas'd with the native and pleas'd with the foreign, pleas'd with
the new and old,
Pleas'd with the homely woman as well as the handsome,
Pleas'd with the quakeress as she puts off her bonnet and talks melodiously,
Pleas'd with the tune of the choir of the whitewash'd church,
Pleas'd with the earnest words of the sweating Methodist preacher,
impress'd seriously at the camp-meeting;
Looking in at the shop-windows of Broadway the whole forenoon,
flatting the flesh of my nose on the thick plate glass,
Wandering the same afternoon with my face turn'd up to the clouds,
or down a lane or along the beach,
My right and left arms round the sides of two friends, and I in the middle;
Coming home with the silent and dark-cheek'd bush-boy, (behind me
he rides at the drape of the day,)
Far from the settlements studying the print of animals' feet, or the
moccasin print,
By the cot in the hospital reaching lemonade to a feverish patient,
Nigh the coffin'd corpse when all is still, examining with a candle;
Voyaging to every port to dicker and adventure,
Hurrying with the modern crowd as eager and fickle as any,
Hot toward one I hate, ready in my madness to knife him,
Solitary at midnight in my back yard, my thoughts gone from me a long while,
Walking the old hills of Judaea with the beautiful gentle God by my side,
Speeding through space, speeding through heaven and the stars,
Speeding amid the seven satellites and the broad ring, and the
diameter of eighty thousand miles,
Speeding with tail'd meteors, throwing fire-balls like the rest,
Carrying the crescent child that carries its own full mother in its belly,
Storming, enjoying, planning, loving, cautioning,
Backing and filling, appearing and disappearing,
I tread day and night such roads.

I visit the orchards of spheres and look at the product,
And look at quintillions ripen'd and look at quintillions green.

I fly those flights of a fluid and swallowing soul,
My course runs below the soundings of plummets.

I help myself to material and immaterial,
No guard can shut me off, no law prevent me.

I anchor my ship for a little while only,
My messengers continually cruise away or bring their returns to me.

I go hunting polar furs and the seal, leaping chasms with a
pike-pointed staff, clinging to topples of brittle and blue.

I ascend to the foretruck,
I take my place late at night in the crow's-nest,
We sail the arctic sea, it is plenty light enough,
Through the clear atmosphere I stretch around on the wonderful beauty,
The enormous masses of ice pass me and I pass them, the scenery is
plain in all directions,
The white-topt mountains show in the distance, I fling out my
fancies toward them,
We are approaching some great battle-field in which we are soon to
be engaged,
We pass the colossal outposts of the encampment, we pass with still
feet and caution,
Or we are entering by the suburbs some vast and ruin'd city,
The blocks and fallen architecture more than all the living cities
of the globe.

I am a free companion, I bivouac by invading watchfires,
I turn the bridegroom out of bed and stay with the bride myself,
I tighten her all night to my thighs and lips.

My voice is the wife's voice, the screech by the rail of the stairs,
They fetch my man's body up dripping and drown'd.

I understand the large hearts of heroes,
The courage of present times and all times,
How the skipper saw the crowded and rudderless wreck of the
steamship, and Death chasing it up and down the storm,
How he knuckled tight and gave not back an inch, and was faithful of
days and faithful of nights,
And chalk'd in large letters on a board, Be of good cheer, we will
not desert you;
How he follow'd with them and tack'd with them three days and
would not give it up,
How he saved the drifting company at last,
How the lank loose-gown'd women look'd when boated from the
side of their prepared graves,
How the silent old-faced infants and the lifted sick, and the
sharp-lipp'd unshaved men;
All this I swallow, it tastes good, I like it well, it becomes mine,
I am the man, I suffer'd, I was there.

The disdain and calmness of martyrs,
The mother of old, condemn'd for a witch, burnt with dry wood, her
children gazing on,
The hounded slave that flags in the race, leans by the fence,
blowing, cover'd with sweat,
The twinges that sting like needles his legs and neck, the murderous
buckshot and the bullets,
All these I feel or am.

I am the hounded slave, I wince at the bite of the dogs,
Hell and despair are upon me, crack and again crack the marksmen,
I clutch the rails of the fence, my gore dribs, thinn'd with the
ooze of my skin,
I fall on the weeds and stones,
The riders spur their unwilling horses, haul close,
Taunt my dizzy ears and beat me violently over the head with whip-stocks.

Agonies are one of my changes of garments,
I do not ask the wounded person how he feels, I myself become the
wounded person,
My hurts turn livid upon me as I lean on a cane and observe.

I am the mash'd fireman with breast-bone broken,
Tumbling walls buried me in their debris,
Heat and smoke I inspired, I heard the yelling shouts of my comrades,
I heard the distant click of their picks and shovels,
They have clear'd the beams away, they tenderly lift me forth.

I lie in the night air in my red shirt, the pervading hush is for my sake,
Painless after all I lie exhausted but not so unhappy,
White and beautiful are the faces around me, the heads are bared
of their fire-caps,
The kneeling crowd fades with the light of the torches.

Distant and dead resuscitate,
They show as the dial or move as the hands of me, I am the clock myself.

I am an old artillerist, I tell of my fort's bombardment,
I am there again.

Again the long roll of the drummers,
Again the attacking cannon, mortars,
Again to my listening ears the cannon responsive.

I take part, I see and hear the whole,
The cries, curses, roar, the plaudits for well-aim'd shots,
The ambulanza slowly passing trailing its red drip,
Workmen searching after damages, making indispensable repairs,
The fall of grenades through the rent roof, the fan-shaped explosion,
The whizz of limbs, heads, stone, wood, iron, high in the air.

Again gurgles the mouth of my dying general, he furiously waves
with his hand,
He gasps through the clot Mind not me—mind—the entrenchments.

On February 20, 1917, Jung addresses Phanes as the messenger of Abraxas (ibid., p. 167). On May 20, 1917, Philemon says that he will become Phanes (ibid., p. 195). On September 11, Philemon describes him as follows: "Phanes is the God who rises agleam from the waters. / Phanes is the smile of dawn. / Phanes is the resplendent day / He is the immortal present. / He is the gushing streams. / He is the soughing wind. / He is hunger and satiation. / He is love and lust. / He is mourning and consolation. / He is promise and fulfillment. / He is the light that illuminates every darkness. / He is the eternal day/ He is the silver light of the moon. / He is the flickering stars. / He is the shooting star that flashes and falls and lapses. / He is the stream of shooting stars that returns every year. / He is the returning sun and moon. / He is the trailing star that brings wars and noble wine. / He is the good and fullness of the year. / He fulfills the hours with life-filled enchantment. / He is love's embrace and whisper. / He is the warmth of friendship. / He is the hope that enlivens the void. / He is the magnificence of all renewed suns. / He is the joy at every birth. / He is the blooming flowers. / He is the velvety butterfly's wing. / He is the scent of blooming gardens that fills the nights. / He is the song of joy. / He is the tree of light. / He is perfection, everything done better. / He is everything euphonious. / He is the well-measured. / He is the sacred number. / He is the promise of life. / He is the contract and the sacred pledge. / He is the diversity of sounds and colors. / He is the sanctification of morning, noon, and evening. / He is the benevolent and the gentle. / He is salvation ... / In truth, Phanes is the happy day ... / In truth, Phanes is work and its accomplishment and its remuneration. / He is the troublesome task and the evening calm. / He is the step on the middle way, its beginning, its middle, and its end. / He is foresight. / He is the end of fear. / He is the sprouting seed, the opening bud. / He is the gate of reception, of acceptance and deposition. / He is the spring and the desert. / He is the safe haven and the stormy night. / He is the certainty in desperation./ He is the solid in dissolution. / He is the liberation from imprisonment. / He is counsel and strength in advancement. / He is the friend of man, the light emanating from man, the bright glow that man beholds on his path. / He is the greatness of man, his worth, and his force" (Black Book 7. pp. 16-9).

-- The Red Book: Liber Novus, by C.G. Jung


34

Now I tell what I knew in Texas in my early youth,
(I tell not the fall of Alamo,
Not one escaped to tell the fall of Alamo,
The hundred and fifty are dumb yet at Alamo,)
'Tis the tale of the murder in cold blood of four hundred and twelve
young men.

Retreating they had form'd in a hollow square with their baggage for
breastworks,
Nine hundred lives out of the surrounding enemies, nine times their
number, was the price they took in advance,
Their colonel was wounded and their ammunition gone,
They treated for an honorable capitulation, receiv'd writing and
seal, gave up their arms and march'd back prisoners of war.

They were the glory of the race of rangers,
Matchless with horse, rifle, song, supper, courtship,
Large, turbulent, generous, handsome, proud, and affectionate,
Bearded, sunburnt, drest in the free costume of hunters,
Not a single one over thirty years of age.

The second First-day morning they were brought out in squads and
massacred, it was beautiful early summer,
The work commenced about five o'clock and was over by eight.

None obey'd the command to kneel,
Some made a mad and helpless rush, some stood stark and straight,
A few fell at once, shot in the temple or heart, the living and dead
lay together,
The maim'd and mangled dug in the dirt, the new-comers saw them there,
Some half-kill'd attempted to crawl away,
These were despatch'd with bayonets or batter'd with the blunts of muskets,
A youth not seventeen years old seiz'd his assassin till two more
came to release him,
The three were all torn and cover'd with the boy's blood.

At eleven o'clock began the burning of the bodies;
That is the tale of the murder of the four hundred and twelve young men.

35

Would you hear of an old-time sea-fight?
Would you learn who won by the light of the moon and stars?
List to the yarn, as my grandmother's father the sailor told it to me.

Our foe was no skulk in his ship I tell you, (said he,)
His was the surly English pluck, and there is no tougher or truer,
and never was, and never will be;
Along the lower'd eve he came horribly raking us.

We closed with him, the yards entangled, the cannon touch'd,
My captain lash'd fast with his own hands.

We had receiv'd some eighteen pound shots under the water,
On our lower-gun-deck two large pieces had burst at the first fire,
killing all around and blowing up overhead.

Fighting at sun-down, fighting at dark,
Ten o'clock at night, the full moon well up, our leaks on the gain,
and five feet of water reported,
The master-at-arms loosing the prisoners confined in the after-hold
to give them a chance for themselves.

The transit to and from the magazine is now stopt by the sentinels,
They see so many strange faces they do not know whom to trust.

Our frigate takes fire,
The other asks if we demand quarter?
If our colors are struck and the fighting done?

Now I laugh content, for I hear the voice of my little captain,
We have not struck, he composedly cries, we have just begun our part
of the fighting.

Only three guns are in use,
One is directed by the captain himself against the enemy's main-mast,
Two well serv'd with grape and canister silence his musketry and
clear his decks.

The tops alone second the fire of this little battery, especially
the main-top,
They hold out bravely during the whole of the action.

Not a moment's cease,
The leaks gain fast on the pumps, the fire eats toward the powder-magazine.

One of the pumps has been shot away, it is generally thought we are sinking.

Serene stands the little captain,
He is not hurried, his voice is neither high nor low,
His eyes give more light to us than our battle-lanterns.

Toward twelve there in the beams of the moon they surrender to us.

36

Stretch'd and still lies the midnight,
Two great hulls motionless on the breast of the darkness,
Our vessel riddled and slowly sinking, preparations to pass to the
one we have conquer'd,
The captain on the quarter-deck coldly giving his orders through a
countenance white as a sheet,
Near by the corpse of the child that serv'd in the cabin,
The dead face of an old salt with long white hair and carefully
curl'd whiskers,
The flames spite of all that can be done flickering aloft and below,
The husky voices of the two or three officers yet fit for duty,
Formless stacks of bodies and bodies by themselves, dabs of flesh
upon the masts and spars,
Cut of cordage, dangle of rigging, slight shock of the soothe of waves,
Black and impassive guns, litter of powder-parcels, strong scent,

Black: Deeply stained with dirt; soiled, dirty, foul. Having dark or deadly purposes, malignant; pertaining to or involving death, deadly; baneful, disastrous, sinister. Foul, iniquitous, atrocious, horribly wicked. Indicating disgrace, censure, liability to punishment.

-- Oxford English Dictionary


A few large stars overhead, silent and mournful shining,
Delicate sniffs of sea-breeze, smells of sedgy grass and fields by
the shore, death-messages given in charge to survivors,
The hiss of the surgeon's knife, the gnawing teeth of his saw,
Wheeze, cluck, swash of falling blood, short wild scream, and long,
dull, tapering groan,
These so, these irretrievable.

37

You laggards there on guard! look to your arms!
In at the conquer'd doors they crowd! I am possess'd!
Embody all presences outlaw'd or suffering,
See myself in prison shaped like another man,
And feel the dull unintermitted pain.

For me the keepers of convicts shoulder their carbines and keep watch,
It is I let out in the morning and barr'd at night.

Not a mutineer walks handcuff'd to jail but I am handcuff'd to him
and walk by his side,
(I am less the jolly one there, and more the silent one with sweat
on my twitching lips.)

Not a youngster is taken for larceny but I go up too, and am tried
and sentenced.

Not a cholera patient lies at the last gasp but I also lie at the last gasp,
My face is ash-color'd, my sinews gnarl, away from me people retreat.

Askers embody themselves in me and I am embodied in them,
I project my hat, sit shame-faced, and beg.

38

Enough! enough! enough!
Somehow I have been stunn'd. Stand back!
Give me a little time beyond my cuff'd head, slumbers, dreams, gaping,
I discover myself on the verge of a usual mistake.

That I could forget the mockers and insults!
That I could forget the trickling tears and the blows of the
bludgeons and hammers!
That I could look with a separate look on my own crucifixion and
bloody crowning.

I remember now,
I resume the overstaid fraction,
The grave of rock multiplies what has been confided to it, or to any graves,
Corpses rise, gashes heal, fastenings roll from me.

I troop forth replenish'd with supreme power, one of an average
unending procession,
Inland and sea-coast we go, and pass all boundary lines,
Our swift ordinances on their way over the whole earth,
The blossoms we wear in our hats the growth of thousands of years.

Eleves, I salute you! come forward!
Continue your annotations, continue your questionings.

39

The friendly and flowing savage, who is he?
Is he waiting for civilization, or past it and mastering it?

Is he some Southwesterner rais'd out-doors? is he Kanadian?
Is he from the Mississippi country? Iowa, Oregon, California?
The mountains? prairie-life, bush-life? or sailor from the sea?

Wherever he goes men and women accept and desire him,
They desire he should like them, touch them, speak to them, stay with them.

Behavior lawless as snow-flakes, words simple as grass, uncomb'd
head, laughter, and naivete,
Slow-stepping feet, common features, common modes and emanations,
They descend in new forms from the tips of his fingers,
They are wafted with the odor of his body or breath, they fly out of
the glance of his eyes.

40

Flaunt of the sunshine I need not your bask—lie over!
You light surfaces only, I force surfaces and depths also.

Earth! you seem to look for something at my hands,
Say, old top-knot, what do you want?

Man or woman, I might tell how I like you, but cannot,
And might tell what it is in me and what it is in you, but cannot,
And might tell that pining I have, that pulse of my nights and days.

Behold, I do not give lectures or a little charity,
When I give I give myself.

You there, impotent, loose in the knees,
Open your scarf'd chops till I blow grit within you,
Spread your palms and lift the flaps of your pockets,
I am not to be denied, I compel, I have stores plenty and to spare,
And any thing I have I bestow.

I do not ask who you are, that is not important to me,
You can do nothing and be nothing but what I will infold you.

To cotton-field drudge or cleaner of privies I lean,
On his right cheek I put the family kiss,
And in my soul I swear I never will deny him.

On women fit for conception I start bigger and nimbler babes.
(This day I am jetting the stuff of far more arrogant republics.)

To any one dying, thither I speed and twist the knob of the door.
Turn the bed-clothes toward the foot of the bed,
Let the physician and the priest go home.

I seize the descending man and raise him with resistless will,
O despairer, here is my neck,
By God, you shall not go down! hang your whole weight upon me.

I dilate you with tremendous breath, I buoy you up,
Every room of the house do I fill with an arm'd force,
Lovers of me, bafflers of graves.

Sleep—I and they keep guard all night,
Not doubt, not decease shall dare to lay finger upon you,
I have embraced you, and henceforth possess you to myself,
And when you rise in the morning you will find what I tell you is so.

41

I am he bringing help for the sick as they pant on their backs,
And for strong upright men I bring yet more needed help.

I heard what was said of the universe,
Heard it and heard it of several thousand years;
It is middling well as far as it goes—but is that all?

Magnifying and applying come I,
Outbidding at the start the old cautious hucksters,
Taking myself the exact dimensions of Jehovah,
Lithographing Kronos, Zeus his son, and Hercules his grandson,
Buying drafts of Osiris, Isis, Belus, Brahma, Buddha,
In my portfolio placing Manito loose, Allah on a leaf, the crucifix
engraved,
With Odin and the hideous-faced Mexitli and every idol and image,
Taking them all for what they are worth and not a cent more,
Admitting they were alive and did the work of their days,
(They bore mites as for unfledg'd birds who have now to rise and fly
and sing for themselves,)
Accepting the rough deific sketches to fill out better in myself,
bestowing them freely on each man and woman I see,
Discovering as much or more in a framer framing a house,
Putting higher claims for him there with his roll'd-up sleeves
driving the mallet and chisel,
Not objecting to special revelations, considering a curl of smoke or
a hair on the back of my hand just as curious as any revelation,
Lads ahold of fire-engines and hook-and-ladder ropes no less to me
than the gods of the antique wars,
Minding their voices peal through the crash of destruction,
Their brawny limbs passing safe over charr'd laths, their white
foreheads whole and unhurt out of the flames;
By the mechanic's wife with her babe at her nipple interceding for
every person born,
Three scythes at harvest whizzing in a row from three lusty angels
with shirts bagg'd out at their waists,
The snag-tooth'd hostler with red hair redeeming sins past and to come,
Selling all he possesses, traveling on foot to fee lawyers for his
brother and sit by him while he is tried for forgery;
What was strewn in the amplest strewing the square rod about me, and
not filling the square rod then,
The bull and the bug never worshipp'd half enough,
Dung and dirt more admirable than was dream'd,
The supernatural of no account, myself waiting my time to be one of
the supremes,
The day getting ready for me when I shall do as much good as the
best, and be as prodigious;
By my life-lumps! becoming already a creator,
Putting myself here and now to the ambush'd womb of the shadows.

42

A call in the midst of the crowd,
My own voice, orotund sweeping and final.

Come my children,
Come my boys and girls, my women, household and intimates,
Now the performer launches his nerve, he has pass'd his prelude on
the reeds within.

Easily written loose-finger'd chords—I feel the thrum of your
climax and close.

My head slues round on my neck,
Music rolls, but not from the organ,
Folks are around me, but they are no household of mine.

Ever the hard unsunk ground,
Ever the eaters and drinkers, ever the upward and downward sun, ever
the air and the ceaseless tides,
Ever myself and my neighbors, refreshing, wicked, real,
Ever the old inexplicable query, ever that thorn'd thumb, that
breath of itches and thirsts,
Ever the vexer's hoot! hoot! till we find where the sly one hides
and bring him forth,
Ever love, ever the sobbing liquid of life,
Ever the bandage under the chin, ever the trestles of death.

Here and there with dimes on the eyes walking,
To feed the greed of the belly the brains liberally spooning,
Tickets buying, taking, selling, but in to the feast never once going,
Many sweating, ploughing, thrashing, and then the chaff for payment
receiving,
A few idly owning, and they the wheat continually claiming.

This is the city and I am one of the citizens,
Whatever interests the rest interests me, politics, wars, markets,
newspapers, schools,
The mayor and councils, banks, tariffs, steamships, factories,
stocks, stores, real estate and personal estate.

The little plentiful manikins skipping around in collars and tail'd coats
I am aware who they are, (they are positively not worms or fleas,)
I acknowledge the duplicates of myself, the weakest and shallowest
is deathless with me,
What I do and say the same waits for them,
Every thought that flounders in me the same flounders in them.

I know perfectly well my own egotism,
Know my omnivorous lines and must not write any less,
And would fetch you whoever you are flush with myself.

Not words of routine this song of mine,
But abruptly to question, to leap beyond yet nearer bring;
This printed and bound book—but the printer and the
printing-office boy?
The well-taken photographs—but your wife or friend close and solid
in your arms?
The black ship mail'd with iron, her mighty guns in her turrets—but
the pluck of the captain and engineers?
In the houses the dishes and fare and furniture—but the host and
hostess, and the look out of their eyes?
The sky up there—yet here or next door, or across the way?
The saints and sages in history—but you yourself?
Sermons, creeds, theology—but the fathomless human brain,
And what is reason? and what is love? and what is life?

43

I do not despise you priests, all time, the world over,
My faith is the greatest of faiths and the least of faiths,
Enclosing worship ancient and modern and all between ancient and modern,
Believing I shall come again upon the earth after five thousand years,
Waiting responses from oracles, honoring the gods, saluting the sun,
Making a fetich of the first rock or stump, powowing with sticks in
the circle of obis,
Helping the llama or brahmin as he trims the lamps of the idols,
Dancing yet through the streets in a phallic procession, rapt and
austere in the woods a gymnosophist,
Drinking mead from the skull-cap, to Shastas and Vedas admirant,
minding the Koran,
Walking the teokallis, spotted with gore from the stone and knife,
beating the serpent-skin drum,
Accepting the Gospels, accepting him that was crucified, knowing
assuredly that he is divine,
To the mass kneeling or the puritan's prayer rising, or sitting
patiently in a pew,
Ranting and frothing in my insane crisis, or waiting dead-like till
my spirit arouses me,
Looking forth on pavement and land, or outside of pavement and land,
Belonging to the winders of the circuit of circuits.

One of that centripetal and centrifugal gang I turn and talk like
man leaving charges before a journey.

Down-hearted doubters dull and excluded,
Frivolous, sullen, moping, angry, affected, dishearten'd, atheistical,
I know every one of you, I know the sea of torment, doubt, despair
and unbelief.

How the flukes splash!
How they contort rapid as lightning, with spasms and spouts of blood!

Be at peace bloody flukes of doubters and sullen mopers,
I take my place among you as much as among any,
The past is the push of you, me, all, precisely the same,
And what is yet untried and afterward is for you, me, all, precisely
the same.

I do not know what is untried and afterward,
But I know it will in its turn prove sufficient, and cannot fail.

Each who passes is consider'd, each who stops is consider'd, not
single one can it fall.

It cannot fall the young man who died and was buried,
Nor the young woman who died and was put by his side,
Nor the little child that peep'd in at the door, and then drew back
and was never seen again,
Nor the old man who has lived without purpose, and feels it with
bitterness worse than gall,
Nor him in the poor house tubercled by rum and the bad disorder,
Nor the numberless slaughter'd and wreck'd, nor the brutish koboo
call'd the ordure of humanity,
Nor the sacs merely floating with open mouths for food to slip in,
Nor any thing in the earth, or down in the oldest graves of the earth,
Nor any thing in the myriads of spheres, nor the myriads of myriads
that inhabit them,
Nor the present, nor the least wisp that is known.

44

It is time to explain myself—let us stand up.

What is known I strip away,
I launch all men and women forward with me into the Unknown.

The clock indicates the moment—but what does eternity indicate?

We have thus far exhausted trillions of winters and summers,
There are trillions ahead, and trillions ahead of them.

Births have brought us richness and variety,
And other births will bring us richness and variety.

I do not call one greater and one smaller,
That which fills its period and place is equal to any.

Were mankind murderous or jealous upon you, my brother, my sister?
I am sorry for you, they are not murderous or jealous upon me,
All has been gentle with me, I keep no account with lamentation,
(What have I to do with lamentation?)

I am an acme of things accomplish'd, and I an encloser of things to be.

My feet strike an apex of the apices of the stairs,
On every step bunches of ages, and larger bunches between the steps,
All below duly travel'd, and still I mount and mount.

Rise after rise bow the phantoms behind me,
Afar down I see the huge first Nothing, I know I was even there,
I waited unseen and always, and slept through the lethargic mist,
And took my time, and took no hurt from the fetid carbon.

Long I was hugg'd close—long and long.

Immense have been the preparations for me,
Faithful and friendly the arms that have help'd me.

Cycles ferried my cradle, rowing and rowing like cheerful boatmen,
For room to me stars kept aside in their own rings,
They sent influences to look after what was to hold me.

Before I was born out of my mother generations guided me,
My embryo has never been torpid, nothing could overlay it.

For it the nebula cohered to an orb,
The long slow strata piled to rest it on,
Vast vegetables gave it sustenance,
Monstrous sauroids transported it in their mouths and deposited it
with care.

All forces have been steadily employ'd to complete and delight me,
Now on this spot I stand with my robust soul.

45

O span of youth! ever-push'd elasticity!
O manhood, balanced, florid and full.

My lovers suffocate me,
Crowding my lips, thick in the pores of my skin,
Jostling me through streets and public halls, coming naked to me at night,
Crying by day, Ahoy! from the rocks of the river, swinging and
chirping over my head,
Calling my name from flower-beds, vines, tangled underbrush,
Lighting on every moment of my life,
Bussing my body with soft balsamic busses,
Noiselessly passing handfuls out of their hearts and giving them to be mine.

Old age superbly rising! O welcome, ineffable grace of dying days!

Every condition promulges not only itself, it promulges what grows
after and out of itself,
And the dark hush promulges as much as any.

I open my scuttle at night and see the far-sprinkled systems,
And all I see multiplied as high as I can cipher edge but the rim of
the farther systems.

Wider and wider they spread, expanding, always expanding,
Outward and outward and forever outward.

My sun has his sun and round him obediently wheels,
He joins with his partners a group of superior circuit,
And greater sets follow, making specks of the greatest inside them.

There is no stoppage and never can be stoppage,
If I, you, and the worlds, and all beneath or upon their surfaces,
were this moment reduced back to a pallid float, it would
not avail the long run,
We should surely bring up again where we now stand,
And surely go as much farther, and then farther and farther.

A few quadrillions of eras, a few octillions of cubic leagues, do
not hazard the span or make it impatient,
They are but parts, any thing is but a part.

See ever so far, there is limitless space outside of that,
Count ever so much, there is limitless time around that.

My rendezvous is appointed, it is certain,
The Lord will be there and wait till I come on perfect terms,
The great Camerado, the lover true for whom I pine will be there.

46

I know I have the best of time and space, and was never measured and
never will be measured.

I tramp a perpetual journey, (come listen all!)
My signs are a rain-proof coat, good shoes, and a staff cut from the woods,
No friend of mine takes his ease in my chair,
I have no chair, no church, no philosophy,
I lead no man to a dinner-table, library, exchange,
But each man and each woman of you I lead upon a knoll,
My left hand hooking you round the waist,
My right hand pointing to landscapes of continents and the public road.

Not I, not any one else can travel that road for you,
You must travel it for yourself.

It is not far, it is within reach,
Perhaps you have been on it since you were born and did not know,
Perhaps it is everywhere on water and on land.

Shoulder your duds dear son, and I will mine, and let us hasten forth,
Wonderful cities and free nations we shall fetch as we go.

If you tire, give me both burdens, and rest the chuff of your hand
on my hip,
And in due time you shall repay the same service to me,
For after we start we never lie by again.

This day before dawn I ascended a hill and look'd at the crowded heaven,
And I said to my spirit When we become the enfolders of those orbs,
and the pleasure and knowledge of every thing in them, shall we
be fill'd and satisfied then?
And my spirit said No, we but level that lift to pass and continue beyond.

You are also asking me questions and I hear you,
I answer that I cannot answer, you must find out for yourself.

Sit a while dear son,
Here are biscuits to eat and here is milk to drink,
But as soon as you sleep and renew yourself in sweet clothes, I kiss you
with a good-by kiss and open the gate for your egress hence.

Long enough have you dream'd contemptible dreams,
Now I wash the gum from your eyes,
You must habit yourself to the dazzle of the light and of every
moment of your life.

Long have you timidly waded holding a plank by the shore,
Now I will you to be a bold swimmer,
To jump off in the midst of the sea, rise again, nod to me, shout,
and laughingly dash with your hair.

47

I am the teacher of athletes,
He that by me spreads a wider breast than my own proves the width of my own,
He most honors my style who learns under it to destroy the teacher.

The boy I love, the same becomes a man not through derived power,
but in his own right,
Wicked rather than virtuous out of conformity or fear,
Fond of his sweetheart, relishing well his steak,
Unrequited love or a slight cutting him worse than sharp steel cuts,
First-rate to ride, to fight, to hit the bull's eye, to sail a
skiff, to sing a song or play on the banjo,
Preferring scars and the beard and faces pitted with small-pox over
all latherers,
And those well-tann'd to those that keep out of the sun.

I teach straying from me, yet who can stray from me?
I follow you whoever you are from the present hour,
My words itch at your ears till you understand them.

I do not say these things for a dollar or to fill up the time while
I wait for a boat,
(It is you talking just as much as myself, I act as the tongue of you,
Tied in your mouth, in mine it begins to be loosen'd.)

I swear I will never again mention love or death inside a house,
And I swear I will never translate myself at all, only to him or her
who privately stays with me in the open air.

If you would understand me go to the heights or water-shore,
The nearest gnat is an explanation, and a drop or motion of waves key,
The maul, the oar, the hand-saw, second my words.

No shutter'd room or school can commune with me,
But roughs and little children better than they.

The young mechanic is closest to me, he knows me well,
The woodman that takes his axe and jug with him shall take me with
him all day,
The farm-boy ploughing in the field feels good at the sound of my voice,
In vessels that sail my words sail, I go with fishermen and seamen
and love them.

The soldier camp'd or upon the march is mine,
On the night ere the pending battle many seek me, and I do not fail them,
On that solemn night (it may be their last) those that know me seek me.
My face rubs to the hunter's face when he lies down alone in his blanket,
The driver thinking of me does not mind the jolt of his wagon,
The young mother and old mother comprehend me,
The girl and the wife rest the needle a moment and forget where they are,
They and all would resume what I have told them.

48

I have said that the soul is not more than the body,
And I have said that the body is not more than the soul,
And nothing, not God, is greater to one than one's self is,
And whoever walks a furlong without sympathy walks to his own
funeral drest in his shroud,
And I or you pocketless of a dime may purchase the pick of the earth,
And to glance with an eye or show a bean in its pod confounds the
learning of all times,
And there is no trade or employment but the young man following it
may become a hero,
And there is no object so soft but it makes a hub for the wheel'd universe,
And I say to any man or woman, Let your soul stand cool and composed
before a million universes.

And I say to mankind, Be not curious about God,
For I who am curious about each am not curious about God,
(No array of terms can say how much I am at peace about God and
about death.)

I hear and behold God in every object, yet understand God not in the least,
Nor do I understand who there can be more wonderful than myself.

Why should I wish to see God better than this day?
I see something of God each hour of the twenty-four, and each moment then,
In the faces of men and women I see God, and in my own face in the glass,
I find letters from God dropt in the street, and every one is sign'd
by God's name,
And I leave them where they are, for I know that wheresoe'er I go,
Others will punctually come for ever and ever.

49

And as to you Death, and you bitter hug of mortality, it is idle to
try to alarm me.

To his work without flinching the accoucheur comes,
I see the elder-hand pressing receiving supporting,
I recline by the sills of the exquisite flexible doors,
And mark the outlet, and mark the relief and escape.

And as to you Corpse I think you are good manure, but that does not
offend me,
I smell the white roses sweet-scented and growing,
I reach to the leafy lips, I reach to the polish'd breasts of melons.

And as to you Life I reckon you are the leavings of many deaths,
(No doubt I have died myself ten thousand times before.)

I hear you whispering there O stars of heaven,
O suns—O grass of graves—O perpetual transfers and promotions,
If you do not say any thing how can I say any thing?

Of the turbid pool that lies in the autumn forest,
Of the moon that descends the steeps of the soughing twilight,
Toss, sparkles of day and dusk—toss on the black stems that decay
in the muck,
Toss to the moaning gibberish of the dry limbs.

I ascend from the moon, I ascend from the night,
I perceive that the ghastly glimmer is noonday sunbeams reflected,
And debouch to the steady and central from the offspring great or small.

50

There is that in me—I do not know what it is—but I know it is in me.

Wrench'd and sweaty—calm and cool then my body becomes,
I sleep—I sleep long.

I do not know it—it is without name—it is a word unsaid,
It is not in any dictionary, utterance, symbol.

Something it swings on more than the earth I swing on,
To it the creation is the friend whose embracing awakes me.

Perhaps I might tell more. Outlines! I plead for my brothers and sisters.

Do you see O my brothers and sisters?
It is not chaos or death—it is form, union, plan—it is eternal
life—it is Happiness.

51

The past and present wilt—I have fill'd them, emptied them.
And proceed to fill my next fold of the future.

Listener up there! what have you to confide to me?
Look in my face while I snuff the sidle of evening,
(Talk honestly, no one else hears you, and I stay only a minute longer.)

Do I contradict myself?
Very well then I contradict myself,
(I am large, I contain multitudes.)

I concentrate toward them that are nigh, I wait on the door-slab.

Who has done his day's work? who will soonest be through with his supper?
Who wishes to walk with me?

Will you speak before I am gone? will you prove already too late?

52

The spotted hawk swoops by and accuses me, he complains of my gab
and my loitering.

I too am not a bit tamed, I too am untranslatable,
I sound my barbaric yawp over the roofs of the world.

The last scud of day holds back for me,
It flings my likeness after the rest and true as any on the shadow'd wilds,
It coaxes me to the vapor and the dusk.

I depart as air, I shake my white locks at the runaway sun,
I effuse my flesh in eddies, and drift it in lacy jags.

I bequeath myself to the dirt to grow from the grass I love,
If you want me again look for me under your boot-soles.

You will hardly know who I am or what I mean,
But I shall be good health to you nevertheless,
And filter and fibre your blood.

Failing to fetch me at first keep encouraged,
Missing me one place search another,
I stop somewhere waiting for you.
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Re: Leaves of Grass, by Walt Whitman

Postby admin » Sun Sep 20, 2015 5:52 am

BOOK 4. CHILDREN OF ADAM

To the Garden the World

To the garden the world anew ascending,
Potent mates, daughters, sons, preluding,
The love, the life of their bodies, meaning and being,
Curious here behold my resurrection after slumber,
The revolving cycles in their wide sweep having brought me again,
Amorous, mature, all beautiful to me, all wondrous,
My limbs and the quivering fire that ever plays through them, for
reasons, most wondrous,
Existing I peer and penetrate still,
Content with the present, content with the past,
By my side or back of me Eve following,
Or in front, and I following her just the same.

From Pent-Up Aching Rivers

From pent-up aching rivers,
From that of myself without which I were nothing,
From what I am determin'd to make illustrious, even if I stand sole
among men,
From my own voice resonant, singing the phallus,
Singing the song of procreation,
Singing the need of superb children and therein superb grown people,
Singing the muscular urge and the blending,
Singing the bedfellow's song, (O resistless yearning!
O for any and each the body correlative attracting!
O for you whoever you are your correlative body! O it, more than all
else, you delighting!)
From the hungry gnaw that eats me night and day,
From native moments, from bashful pains, singing them,
Seeking something yet unfound though I have diligently sought it
many a long year,
Singing the true song of the soul fitful at random,
Renascent with grossest Nature or among animals,
Of that, of them and what goes with them my poems informing,
Of the smell of apples and lemons, of the pairing of birds,
Of the wet of woods, of the lapping of waves,
Of the mad pushes of waves upon the land, I them chanting,
The overture lightly sounding, the strain anticipating,
The welcome nearness, the sight of the perfect body,
The swimmer swimming naked in the bath, or motionless on his back
lying and floating,
The female form approaching, I pensive, love-flesh tremulous aching,
The divine list for myself or you or for any one making,
The face, the limbs, the index from head to foot, and what it arouses,
The mystic deliria, the madness amorous, the utter abandonment,
(Hark close and still what I now whisper to you,
I love you, O you entirely possess me,
O that you and I escape from the rest and go utterly off, free and lawless,
Two hawks in the air, two fishes swimming in the sea not more
lawless than we;)
The furious storm through me careering, I passionately trembling.
The oath of the inseparableness of two together, of the woman that
loves me and whom I love more than my life, that oath swearing,
(O I willingly stake all for you,
O let me be lost if it must be so!
O you and I! what is it to us what the rest do or think?
What is all else to us? only that we enjoy each other and exhaust
each other if it must be so;)
From the master, the pilot I yield the vessel to,
The general commanding me, commanding all, from him permission taking,
From time the programme hastening, (I have loiter'd too long as it is,)
From sex, from the warp and from the woof,
From privacy, from frequent repinings alone,
From plenty of persons near and yet the right person not near,
From the soft sliding of hands over me and thrusting of fingers
through my hair and beard,
From the long sustain'd kiss upon the mouth or bosom,
From the close pressure that makes me or any man drunk, fainting
with excess,
From what the divine husband knows, from the work of fatherhood,
From exultation, victory and relief, from the bedfellow's embrace in
the night,
From the act-poems of eyes, hands, hips and bosoms,
From the cling of the trembling arm,
From the bending curve and the clinch,
From side by side the pliant coverlet off-throwing,
From the one so unwilling to have me leave, and me just as unwilling
to leave,
(Yet a moment O tender waiter, and I return,)
From the hour of shining stars and dropping dews,
From the night a moment I emerging flitting out,
Celebrate you act divine and you children prepared for,
And you stalwart loins.

I Sing the Body Electric

1

I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul?
And if the body were not the soul, what is the soul?

2

The love of the body of man or woman balks account, the body itself
balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of
his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist
and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the
folds of their dress, their style as we pass in the street, the
contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
the transparent green-shine, or lies with his face up and rolls
silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats, the
horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open
dinner-kettles, and their wives waiting,
The female soothing a child, the farmer's daughter in the garden or
cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six
horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, lusty,
good-natured, native-born, out on the vacant lot at sundown after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine
muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv'd
neck and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother's
breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
the firemen, and pause, listen, count.

3

I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and
beard, the immeasurable meaning of his black eyes, the richness
and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were
massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal love,
He drank water only, the blood show'd like scarlet through the
clear-brown skin of his face,
He was a frequent gunner and fisher, he sail'd his boat himself, he
had a fine one presented to him by a ship-joiner, he had
fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish,
you would pick him out as the most beautiful and vigorous of the gang,
You would wish long and long to be with him, you would wish to sit
by him in the boat that you and he might touch each other.

4

I have perceiv'd that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly
round his or her neck for a moment, what is this then?
I do not ask any more delight, I swim in it as in a sea.

There is something in staying close to men and women and looking
on them, and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5

This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor,
all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what
was expected of heaven or fear'd of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response
likewise ungovernable,
Hair, bosom, hips, bend of legs, negligent falling hands all
diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling
and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of
love, white-blow and delirious nice,
Bridegroom night of love working surely and softly into the prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh'd day.

This the nucleus—after the child is born of woman, man is born of woman,
This the bath of birth, this the merge of small and large, and the
outlet again.

Be not ashamed women, your privilege encloses the rest, and is the
exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil'd, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness,
sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6

The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is
utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to
the test of himself,
Whatever the survey, whatever the sea and the sail he strikes
soundings at last only here,
(Where else does he strike soundings except here?)

The man's body is sacred and the woman's body is sacred,
No matter who it is, it is sacred—is it the meanest one in the
laborers' gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as
much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has
no right to a sight?
Do you think matter has cohered together from its diffuse float, and
the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7

A man's body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one
animal or plant,
For it the revolving cycles truly and steadily roll'd.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in
tendon and nerve,
They shall be stript that you may see them.

Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby,
good-sized arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires,
reachings, aspirations,
(Do you think they are not there because they are not express'd in
parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be
fathers in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring
through the centuries?
(Who might you find you have come from yourself, if you could trace
back through the centuries?)

8

A woman's body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations
and times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more
beautiful than the most beautiful face.

Have you seen the fool that corrupted his own live body? or the fool
that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9

O my body! I dare not desert the likes of you in other men and
women, nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of
the soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and
that they are my poems,
Man's, woman's, child, youth's, wife's, husband's, mother's,
father's, young man's, young woman's poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or
sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the
ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round,
man-balls, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your
body or of any one's body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, nipples, breast-milk, tears, laughter, weeping,
love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked
meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward
toward the knees,
The thin red jellies within you or within me, the bones and the
marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of the soul,
O I say now these are the soul!

A Woman Waits for Me

A woman waits for me, she contains all, nothing is lacking,
Yet all were lacking if sex were lacking, or if the moisture of the
right man were lacking.

Sex contains all, bodies, souls,
Meanings, proofs, purities, delicacies, results, promulgations,
Songs, commands, health, pride, the maternal mystery, the seminal milk,
All hopes, benefactions, bestowals, all the passions, loves,
beauties, delights of the earth,
All the governments, judges, gods, follow'd persons of the earth,
These are contain'd in sex as parts of itself and justifications of itself.

Without shame the man I like knows and avows the deliciousness of his sex,
Without shame the woman I like knows and avows hers.

Now I will dismiss myself from impassive women,
I will go stay with her who waits for me, and with those women that
are warm-blooded and sufficient for me,
I see that they understand me and do not deny me,
I see that they are worthy of me, I will be the robust husband of
those women.

They are not one jot less than I am,
They are tann'd in the face by shining suns and blowing winds,
Their flesh has the old divine suppleness and strength,
They know how to swim, row, ride, wrestle, shoot, run, strike,
retreat, advance, resist, defend themselves,
They are ultimate in their own right—they are calm, clear,
well-possess'd of themselves.

I draw you close to me, you women,
I cannot let you go, I would do you good,
I am for you, and you are for me, not only for our own sake, but for
others' sakes,
Envelop'd in you sleep greater heroes and bards,
They refuse to awake at the touch of any man but me.

It is I, you women, I make my way,
I am stern, acrid, large, undissuadable, but I love you,
I do not hurt you any more than is necessary for you,
I pour the stuff to start sons and daughters fit for these States, I
press with slow rude muscle,
I brace myself effectually, I listen to no entreaties,
I dare not withdraw till I deposit what has so long accumulated within me.

And so, if the Superman is to come, he must be born of Woman by Man’s intentional and well-considered contrivance. Conviction of this will smash everything that opposes it. Even Property and Marriage, which laugh at the laborer’s petty complaint that he is defrauded of “surplus value,” and at the domestic miseries of the slaves of the wedding ring, will themselves be laughed aside as the lightest of trifles if they cross this conception when it becomes a fully realized vital purpose of the race.

That they must cross it becomes obvious the moment we acknowledge the futility of breeding men for special qualities as we breed cocks for game, greyhounds for speed, or sheep for mutton. What is really important in Man is the part of him that we do not yet understand. Of much of it we are not even conscious, just as we are not normally conscious of keeping up our circulation by our heart-pump, though if we neglect it we die. We are therefore driven to the conclusion that when we have carried selection as far as we can by rejecting from the list of eligible parents all persons who are uninteresting, unpromising, or blemished without any set-off, we shall still have to trust to the guidance of fancy (alias Voice of Nature), both in the breeders and the parents, for that superiority in the unconscious self which will be the true characteristic of the Superman....

But pray are we to try to correct our diseased stocks by infecting our healthy stocks with them? Clearly the attraction which disease has for diseased people is beneficial to the race. If two really unhealthy people get married, they will, as likely as not, have a great number of children who will all die before they reach maturity. This is a far more satisfactory arrangement than the tragedy of a union between a healthy and an unhealthy person. Though more costly than sterilization of the unhealthy, it has the enormous advantage that in the event of our notions of health and unhealth being erroneous (which to some extent they most certainly are), the error will be corrected by experience instead of confirmed by evasion.

One fact must be faced resolutely, in spite of the shrieks of the romantic. There is no evidence that the best citizens are the offspring of congenial marriages, or that a conflict of temperament is not a highly important part of what breeders call crossing....But mating such couples must clearly not involve marrying them. But mating such couples must clearly not involve marrying them. In conjugation two complementary persons may supply one another’s deficiencies: in the domestic partnership of marriage they only feel them and suffer from them. Thus the son of a robust, cheerful, eupeptic British country squire, with the tastes and range of his class, and of a clever, imaginative, intellectual, highly civilized Jewess, might be very superior to both his parents; but it is not likely that the Jewess would find the squire an interesting companion, or his habits, his friends, his place and mode of life congenial to her. Therefore marriage, whilst it is made an indispensable condition of mating, will delay the advent of the Superman as effectually as Property, and will be modified by the impulse towards him just as effectually....

At certain moments there may even be a considerable material advance, as when the conquest of political power by the working class produces a better distribution of wealth through the simple action of the selfishness of the new masters; but all this is mere readjustment and reformation: until the heart and mind of the people is changed the very greatest man will no more dare to govern on the assumption that all are as great as he than a drover dare leave his flock to find its way through the streets as he himself would. Until there is an England in which every man is a Cromwell, a France in which every man is a Napoleon, a Rome in which every man is a Caesar, a Germany in which every man is a Luther plus a Goethe, the world will be no more improved by its heroes than a Brixton villa is improved by the pyramid of Cheops. The production of such nations is the only real change possible to us....

The need for the Superman is, in its most imperative aspect, a political one. We have been driven to Proletarian Democracy by the failure of all the alternative systems; for these depended on the existence of Supermen acting as despots or oligarchs; and not only were these Supermen not always or even often forthcoming at the right moment and in an eligible social position, but when they were forthcoming they could not, except for a short time and by morally suicidal coercive methods, impose superhumanity on those whom they governed; so, by mere force of “human nature,” government by consent of the governed has supplanted the old plan of governing the citizen as a public-schoolboy is governed....

The only fundamental and possible Socialism is the socialization of the selective breeding of Man: in other terms, of human evolution. We must eliminate the Yahoo, or his vote will wreck the commonwealth....

That may mean that we must establish a State Department of Evolution, with a seat in the Cabinet for its chief, and a revenue to defray the cost of direct State experiments, and provide inducements to private persons to achieve successful results. It may mean a private society or a chartered company for the improvement of human live stock. But for the present it is far more likely to mean a blatant repudiation of such proposals as indecent and immoral, with, nevertheless, a general secret pushing of the human will in the repudiated direction; so that all sorts of institutions and public authorities will under some pretext or other feel their way furtively towards the Superman. Mr. Graham Wallas has already ventured to suggest, as Chairman of the School Management Committee of the London School Board, that the accepted policy of the Sterilization of the Schoolmistress, however administratively convenient, is open to criticism from the national stock-breeding point of view; and this is as good an example as any of the way in which the drift towards the Superman may operate in spite of all our hypocrisies....

Even a joint stock human stud farm (piously disguised as a reformed Foundling Hospital or something of that sort) might well, under proper inspection and regulation, produce better results than our present reliance on promiscuous marriage. It may be objected that when an ordinary contractor produces stores for sale to the Government, and the Government rejects them as not up to the required standard, the condemned goods are either sold for what they will fetch or else scrapped: that is, treated as waste material; whereas if the goods consisted of human beings, all that could be done would be to let them loose or send them to the nearest workhouse. But there is nothing new in private enterprise throwing its human refuse on the cheap labor market and the workhouse; and the refuse of the new industry would presumably be better bred than the staple product of ordinary poverty....

It will have to be handled by statesmen with character enough to tell our democracy and plutocracy that statecraft does not consist in flattering their follies or applying their suburban standards of propriety to the affairs of four continents. The matter must be taken up either by the State or by some organization strong enough to impose respect upon the State....

Let those who think the whole conception of intelligent breeding absurd and scandalous ask themselves why George IV was not allowed to choose his own wife whilst any tinker could marry whom he pleased? Simply because it did not matter a rap politically whom the tinker married, whereas it mattered very much whom the king married. The way in which all considerations of the king’s personal rights, of the claims of the heart, of the sanctity of the marriage oath, and of romantic morality crumpled up before this political need shews how negligible all these apparently irresistible prejudices are when they come into conflict with the demand for quality in our rulers. We learn the same lesson from the case of the soldier, whose marriage, when it is permitted at all, is despotically controlled with a view solely to military efficiency....

On the other hand a sense of the social importance of the tinker’s marriage has been steadily growing. We have made a public matter of his wife’s health in the month after her confinement. We have taken the minds of his children out of his hands and put them into those of our State schoolmaster. We shall presently make their bodily nourishment independent of him. But they are still riff-raff; and to hand the country over to riff-raff is national suicide, since riff-raff can neither govern nor will let anyone else govern except the highest bidder of bread and circuses. There is no public enthusiast alive of twenty years’ practical democratic experience who believes in the political adequacy of the electorate or of the bodies it elects. The overthrow of the aristocrat has created the necessity for the Superman. Englishmen hate Liberty and Equality too much to understand them. But every Englishman loves and desires a pedigree....

A conference on the subject is the next step needed. It will be attended by men and women who, no longer believing that they can live for ever, are seeking for some immortal work into which they can build the best of themselves before their refuse is thrown into that arch dust destructor, the cremation furnace.

-- Man and Superman: A Comedy and a Philosophy, by Bernard Shaw


Through you I drain the pent-up rivers of myself,
In you I wrap a thousand onward years,
On you I graft the grafts of the best-beloved of me and America,
The drops I distil upon you shall grow fierce and athletic girls,
new artists, musicians, and singers,
The babes I beget upon you are to beget babes in their turn,
I shall demand perfect men and women out of my love-spendings,
I shall expect them to interpenetrate with others, as I and you
inter-penetrate now,
I shall count on the fruits of the gushing showers of them, as I
count on the fruits of the gushing showers I give now,
I shall look for loving crops from the birth, life, death,
immortality, I plant so lovingly now.

Spontaneous Me

Spontaneous me, Nature,
The loving day, the mounting sun, the friend I am happy with,
The arm of my friend hanging idly over my shoulder,
The hillside whiten'd with blossoms of the mountain ash,
The same late in autumn, the hues of red, yellow, drab, purple, and
light and dark green,
The rich coverlet of the grass, animals and birds, the private
untrimm'd bank, the primitive apples, the pebble-stones,
Beautiful dripping fragments, the negligent list of one after
another as I happen to call them to me or think of them,
The real poems, (what we call poems being merely pictures,)
The poems of the privacy of the night, and of men like me,
This poem drooping shy and unseen that I always carry, and that all
men carry,
(Know once for all, avow'd on purpose, wherever are men like me, are
our lusty lurking masculine poems,)
Love-thoughts, love-juice, love-odor, love-yielding, love-climbers,
and the climbing sap,
Arms and hands of love, lips of love, phallic thumb of love, breasts
of love, bellies press'd and glued together with love,
Earth of chaste love, life that is only life after love,
The body of my love, the body of the woman I love, the body of the
man, the body of the earth,
Soft forenoon airs that blow from the south-west,
The hairy wild-bee that murmurs and hankers up and down, that gripes the
full-grown lady-flower, curves upon her with amorous firm legs, takes
his will of her, and holds himself tremulous and tight till he is
satisfied;
The wet of woods through the early hours,
Two sleepers at night lying close together as they sleep, one with
an arm slanting down across and below the waist of the other,
The smell of apples, aromas from crush'd sage-plant, mint, birch-bark,
The boy's longings, the glow and pressure as he confides to me what
he was dreaming,
The dead leaf whirling its spiral whirl and falling still and
content to the ground,
The no-form'd stings that sights, people, objects, sting me with,
The hubb'd sting of myself, stinging me as much as it ever can any
one,
The sensitive, orbic, underlapp'd brothers, that only privileged
feelers may be intimate where they are,
The curious roamer the hand roaming all over the body, the bashful
withdrawing of flesh where the fingers soothingly pause and
edge themselves,
The limpid liquid within the young man,
The vex'd corrosion so pensive and so painful,
The torment, the irritable tide that will not be at rest,
The like of the same I feel, the like of the same in others,
The young man that flushes and flushes, and the young woman that
flushes and flushes,
The young man that wakes deep at night, the hot hand seeking to
repress what would master him,
The mystic amorous night, the strange half-welcome pangs, visions, sweats,
The pulse pounding through palms and trembling encircling fingers,
the young man all color'd, red, ashamed, angry;
The souse upon me of my lover the sea, as I lie willing and naked,
The merriment of the twin babes that crawl over the grass in the
sun, the mother never turning her vigilant eyes from them,
The walnut-trunk, the walnut-husks, and the ripening or ripen'd
long-round walnuts,
The continence of vegetables, birds, animals,
The consequent meanness of me should I skulk or find myself indecent,
while birds and animals never once skulk or find themselves indecent,
The great chastity of paternity, to match the great chastity of maternity,
The oath of procreation I have sworn, my Adamic and fresh daughters,
The greed that eats me day and night with hungry gnaw, till I saturate
what shall produce boys to fill my place when I am through,
The wholesome relief, repose, content,
And this bunch pluck'd at random from myself,
It has done its work—I toss it carelessly to fall where it may.

One Hour to Madness and Joy

One hour to madness and joy! O furious! O confine me not!
(What is this that frees me so in storms?
What do my shouts amid lightnings and raging winds mean?)
O to drink the mystic deliria deeper than any other man!
O savage and tender achings! (I bequeath them to you my children,
I tell them to you, for reasons, O bridegroom and bride.)

O to be yielded to you whoever you are, and you to be yielded to me
in defiance of the world!
O to return to Paradise! O bashful and feminine!
O to draw you to me, to plant on you for the first time the lips of
a determin'd man.

O the puzzle, the thrice-tied knot, the deep and dark pool, all
untied and illumin'd!
O to speed where there is space enough and air enough at last!
To be absolv'd from previous ties and conventions, I from mine and
you from yours!
To find a new unthought-of nonchalance with the best of Nature!
To have the gag remov'd from one's mouth!
To have the feeling to-day or any day I am sufficient as I am.

O something unprov'd! something in a trance!
To escape utterly from others' anchors and holds!
To drive free! to love free! to dash reckless and dangerous!
To court destruction with taunts, with invitations!
To ascend, to leap to the heavens of the love indicated to me!
To rise thither with my inebriate soul!
To be lost if it must be so!
To feed the remainder of life with one hour of fulness and freedom!
With one brief hour of madness and joy.

Out of the Rolling Ocean the Crowd

Out of the rolling ocean the crowd came a drop gently to me,
Whispering I love you, before long I die,
I have travel'd a long way merely to look on you to touch you,
For I could not die till I once look'd on you,
For I fear'd I might afterward lose you.

Now we have met, we have look'd, we are safe,
Return in peace to the ocean my love,
I too am part of that ocean my love, we are not so much separated,
Behold the great rondure, the cohesion of all, how perfect!
But as for me, for you, the irresistible sea is to separate us,
As for an hour carrying us diverse, yet cannot carry us diverse forever;
Be not impatient—a little space—know you I salute the air, the
ocean and the land,
Every day at sundown for your dear sake my love.

Ages and Ages Returning at Intervals

Ages and ages returning at intervals,
Undestroy'd, wandering immortal,
Lusty, phallic, with the potent original loins, perfectly sweet,
I, chanter of Adamic songs,
Through the new garden the West, the great cities calling,
Deliriate, thus prelude what is generated, offering these, offering myself,
Bathing myself, bathing my songs in Sex,
Offspring of my loins.

We Two, How Long We Were Fool'd

We two, how long we were fool'd,
Now transmuted, we swiftly escape as Nature escapes,
We are Nature, long have we been absent, but now we return,
We become plants, trunks, foliage, roots, bark,
We are bedded in the ground, we are rocks,
We are oaks, we grow in the openings side by side,
We browse, we are two among the wild herds spontaneous as any,
We are two fishes swimming in the sea together,
We are what locust blossoms are, we drop scent around lanes mornings
and evenings,
We are also the coarse smut of beasts, vegetables, minerals,
We are two predatory hawks, we soar above and look down,
We are two resplendent suns, we it is who balance ourselves orbic
and stellar, we are as two comets,
We prowl fang'd and four-footed in the woods, we spring on prey,
We are two clouds forenoons and afternoons driving overhead,
We are seas mingling, we are two of those cheerful waves rolling
over each other and interwetting each other,
We are what the atmosphere is, transparent, receptive, pervious, impervious,
We are snow, rain, cold, darkness, we are each product and influence
of the globe,
We have circled and circled till we have arrived home again, we two,
We have voided all but freedom and all but our own joy.

Do what thou wilt shall be the whole of the Law.

-- The Book of the Law, by Aleister Crowley


O Hymen! O Hymenee!

O hymen! O hymenee! why do you tantalize me thus?
O why sting me for a swift moment only?
Why can you not continue? O why do you now cease?
Is it because if you continued beyond the swift moment you would
soon certainly kill me?

I Am He That Aches with Love

I am he that aches with amorous love;
Does the earth gravitate? does not all matter, aching, attract all matter?
So the body of me to all I meet or know.

Native Moments

Native moments—when you come upon me—ah you are here now,
Give me now libidinous joys only,
Give me the drench of my passions, give me life coarse and rank,
To-day I go consort with Nature's darlings, to-night too,
I am for those who believe in loose delights, I share the midnight
orgies of young men,
I dance with the dancers and drink with the drinkers,
The echoes ring with our indecent calls, I pick out some low person
for my dearest friend,
He shall be lawless, rude, illiterate, he shall be one condemn'd by
others for deeds done,
I will play a part no longer, why should I exile myself from my companions?
O you shunn'd persons, I at least do not shun you,
I come forthwith in your midst, I will be your poet,
I will be more to you than to any of the rest.

Once I Pass'd Through a Populous City

Once I pass'd through a populous city imprinting my brain for future
use with its shows, architecture, customs, traditions,
Yet now of all that city I remember only a woman I casually met
there who detain'd me for love of me,
Day by day and night by night we were together—all else has long
been forgotten by me,
I remember I say only that woman who passionately clung to me,
Again we wander, we love, we separate again,
Again she holds me by the hand, I must not go,
I see her close beside me with silent lips sad and tremulous.

I Heard You Solemn-Sweet Pipes of the Organ

I heard you solemn-sweet pipes of the organ as last Sunday morn I
pass'd the church,
Winds of autumn, as I walk'd the woods at dusk I heard your long-
stretch'd sighs up above so mournful,
I heard the perfect Italian tenor singing at the opera, I heard the
soprano in the midst of the quartet singing;
Heart of my love! you too I heard murmuring low through one of the
wrists around my head,
Heard the pulse of you when all was still ringing little bells last
night under my ear.

Facing West from California's Shores

Facing west from California's shores,
Inquiring, tireless, seeking what is yet unfound,
I, a child, very old, over waves, towards the house of maternity,
the land of migrations, look afar,
Look off the shores of my Western sea, the circle almost circled;
For starting westward from Hindustan, from the vales of Kashmere,
From Asia, from the north, from the God, the sage, and the hero,
From the south, from the flowery peninsulas and the spice islands,
Long having wander'd since, round the earth having wander'd,
Now I face home again, very pleas'd and joyous,
(But where is what I started for so long ago?
And why is it yet unfound?)

As Adam Early in the Morning

As Adam early in the morning,
Walking forth from the bower refresh'd with sleep,
Behold me where I pass, hear my voice, approach,
Touch me, touch the palm of your hand to my body as I pass,
Be not afraid of my body.
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Re: Leaves of Grass, by Walt Whitman

Postby admin » Sun Sep 20, 2015 5:56 am

Part 1 of 2

BOOK 5. CALAMUS

In Paths Untrodden

In paths untrodden,
In the growth by margins of pond-waters,
Escaped from the life that exhibits itself,
From all the standards hitherto publish'd, from the pleasures,
profits, conformities,
Which too long I was offering to feed my soul,
Clear to me now standards not yet publish'd, clear to me that my soul,
That the soul of the man I speak for rejoices in comrades,
Here by myself away from the clank of the world,
Tallying and talk'd to here by tongues aromatic,
No longer abash'd, (for in this secluded spot I can respond as I
would not dare elsewhere,)
Strong upon me the life that does not exhibit itself, yet contains
all the rest,
Resolv'd to sing no songs to-day but those of manly attachment,
Projecting them along that substantial life,
Bequeathing hence types of athletic love,
Afternoon this delicious Ninth-month in my forty-first year,
I proceed for all who are or have been young men,
To tell the secret my nights and days,
To celebrate the need of comrades.

Scented Herbage of My Breast

Scented herbage of my breast,
Leaves from you I glean, I write, to be perused best afterwards,
Tomb-leaves, body-leaves growing up above me above death,
Perennial roots, tall leaves, O the winter shall not freeze you
delicate leaves,
Every year shall you bloom again, out from where you retired you
shall emerge again;
O I do not know whether many passing by will discover you or inhale
your faint odor, but I believe a few will;
O slender leaves! O blossoms of my blood! I permit you to tell in
your own way of the heart that is under you,
O I do not know what you mean there underneath yourselves, you are
not happiness,
You are often more bitter than I can bear, you burn and sting me,
Yet you are beautiful to me you faint tinged roots, you make me
think of death,
Death is beautiful from you, (what indeed is finally beautiful
except death and love?)
O I think it is not for life I am chanting here my chant of lovers,
I think it must be for death,
For how calm, how solemn it grows to ascend to the atmosphere of lovers,
Death or life I am then indifferent, my soul declines to prefer,
(I am not sure but the high soul of lovers welcomes death most,)
Indeed O death, I think now these leaves mean precisely the same as
you mean,
Grow up taller sweet leaves that I may see! grow up out of my breast!
Spring away from the conceal'd heart there!
Do not fold yourself so in your pink-tinged roots timid leaves!
Do not remain down there so ashamed, herbage of my breast!
Come I am determin'd to unbare this broad breast of mine, I have
long enough stifled and choked;
Emblematic and capricious blades I leave you, now you serve me not,
I will say what I have to say by itself,
I will sound myself and comrades only, I will never again utter a
call only their call,
I will raise with it immortal reverberations through the States,
I will give an example to lovers to take permanent shape and will
through the States,
Through me shall the words be said to make death exhilarating,
Give me your tone therefore O death, that I may accord with it,
Give me yourself, for I see that you belong to me now above all, and
are folded inseparably together, you love and death are,
Nor will I allow you to balk me any more with what I was calling life,
For now it is convey'd to me that you are the purports essential,
That you hide in these shifting forms of life, for reasons, and that
they are mainly for you,
That you beyond them come forth to remain, the real reality,
That behind the mask of materials you patiently wait, no matter how long,
That you will one day perhaps take control of all,
That you will perhaps dissipate this entire show of appearance,
That may-be you are what it is all for, but it does not last so very long,
But you will last very long.

Whoever You Are Holding Me Now in Hand

Whoever you are holding me now in hand,
Without one thing all will be useless,
I give you fair warning before you attempt me further,
I am not what you supposed, but far different.

Who is he that would become my follower?
Who would sign himself a candidate for my affections?

The way is suspicious, the result uncertain, perhaps destructive,
You would have to give up all else, I alone would expect to be your
sole and exclusive standard,
Your novitiate would even then be long and exhausting,
The whole past theory of your life and all conformity to the lives
around you would have to be abandon'd,
Therefore release me now before troubling yourself any further, let
go your hand from my shoulders,
Put me down and depart on your way.

Or else by stealth in some wood for trial,
Or back of a rock in the open air,
(For in any roof'd room of a house I emerge not, nor in company,
And in libraries I lie as one dumb, a gawk, or unborn, or dead,)
But just possibly with you on a high hill, first watching lest any
person for miles around approach unawares,
Or possibly with you sailing at sea, or on the beach of the sea or
some quiet island,
Here to put your lips upon mine I permit you,
With the comrade's long-dwelling kiss or the new husband's kiss,
For I am the new husband and I am the comrade.

Or if you will, thrusting me beneath your clothing,
Where I may feel the throbs of your heart or rest upon your hip,
Carry me when you go forth over land or sea;
For thus merely touching you is enough, is best,
And thus touching you would I silently sleep and be carried eternally.

But these leaves conning you con at peril,
For these leaves and me you will not understand,
They will elude you at first and still more afterward, I will
certainly elude you.
Even while you should think you had unquestionably caught me, behold!
Already you see I have escaped from you.

CONNING: 1. obsolete form of CUNNING; 2. Studying or learning, esp. by repetition; poring over, scanning, scrutinizing; 1814 Wordsw. Excursion VIII. From infant-conning of the Christ-criss-row. 1840 Dickens Old C. Shop xxv., The hum of conning over lessons; 1885 Illust. Lond. News 21 Mar. 307/1, Anxious conning of household bills; 3. directing the helm.
-- Oxford English Dictionary

PERIL: L. periculum periclum, experiment, trial, risk, danger. 1. The position or condition of being imminently exposed to the chance of injury, loss or destruction; risk, jeopardy, danger.

-- Oxford English Dictionary


For it is not for what I have put into it that I have written this book,
Nor is it by reading it you will acquire it,
Nor do those know me best who admire me and vauntingly praise me,
Nor will the candidates for my love (unless at most a very few)
prove victorious,
Nor will my poems do good only, they will do just as much evil,
perhaps more,
For all is useless without that which you may guess at many times
and not hit, that which I hinted at;
Therefore release me and depart on your way.

For You, O Democracy

Come, I will make the continent indissoluble,
I will make the most splendid race the sun ever shone upon,
I will make divine magnetic lands,
With the love of comrades,
With the life-long love of comrades.

The only fundamental and possible Socialism is the socialization of the selective breeding of Man: in other terms, of human evolution. We must eliminate the Yahoo, or his vote will wreck the commonwealth.

-- Man and Superman: A Comedy and a Philosophy, by Bernard Shaw


I will plant companionship thick as trees along all the rivers of America,
and along the shores of the great lakes, and all over the prairies,
I will make inseparable cities with their arms about each other's necks,
By the love of comrades,
By the manly love of comrades.

For you these from me, O Democracy, to serve you ma femme!
For you, for you I am trilling these songs.

These I Singing in Spring

These I singing in spring collect for lovers,
(For who but I should understand lovers and all their sorrow and joy?
And who but I should be the poet of comrades?)
Collecting I traverse the garden the world, but soon I pass the gates,
Now along the pond-side, now wading in a little, fearing not the wet,
Now by the post-and-rail fences where the old stones thrown there,
pick'd from the fields, have accumulated,
(Wild-flowers and vines and weeds come up through the stones and
partly cover them, beyond these I pass,)
Far, far in the forest, or sauntering later in summer, before I
think where I go,
Solitary, smelling the earthy smell, stopping now and then in the silence,
Alone I had thought, yet soon a troop gathers around me,
Some walk by my side and some behind, and some embrace my arms or neck,
They the spirits of dear friends dead or alive, thicker they come, a
great crowd, and I in the middle,
Collecting, dispensing, singing, there I wander with them,
Plucking something for tokens, tossing toward whoever is near me,
Here, lilac, with a branch of pine,
Here, out of my pocket, some moss which I pull'd off a live-oak in
Florida as it hung trailing down,
Here, some pinks and laurel leaves, and a handful of sage,
And here what I now draw from the water, wading in the pondside,
(O here I last saw him that tenderly loves me, and returns again
never to separate from me,
And this, O this shall henceforth be the token of comrades, this
calamus-root shall,
Interchange it youths with each other! let none render it back!)
And twigs of maple and a bunch of wild orange and chestnut,
And stems of currants and plum-blows, and the aromatic cedar,
These I compass'd around by a thick cloud of spirits,
Wandering, point to or touch as I pass, or throw them loosely from me,
Indicating to each one what he shall have, giving something to each;
But what I drew from the water by the pond-side, that I reserve,
I will give of it, but only to them that love as I myself am capable
of loving.

Not Heaving from My Ribb'd Breast Only

Not heaving from my ribb'd breast only,
Not in sighs at night in rage dissatisfied with myself,
Not in those long-drawn, ill-supprest sighs,
Not in many an oath and promise broken,
Not in my wilful and savage soul's volition,
Not in the subtle nourishment of the air,
Not in this beating and pounding at my temples and wrists,
Not in the curious systole and diastole within which will one day cease,
Not in many a hungry wish told to the skies only,
Not in cries, laughter, defiancies, thrown from me when alone far in
the wilds,
Not in husky pantings through clinch'd teeth,
Not in sounded and resounded words, chattering words, echoes, dead words,
Not in the murmurs of my dreams while I sleep,
Nor the other murmurs of these incredible dreams of every day,
Nor in the limbs and senses of my body that take you and dismiss you
continually—not there,
Not in any or all of them O adhesiveness! O pulse of my life!
Need I that you exist and show yourself any more than in these songs.

Of the Terrible Doubt of Appearances

Of the terrible doubt of appearances,
Of the uncertainty after all, that we may be deluded,
That may-be reliance and hope are but speculations after all,
That may-be identity beyond the grave is a beautiful fable only,
May-be the things I perceive, the animals, plants, men, hills,
shining and flowing waters,
The skies of day and night, colors, densities, forms, may-be these
are (as doubtless they are) only apparitions, and the real
something has yet to be known,
(How often they dart out of themselves as if to confound me and mock me!
How often I think neither I know, nor any man knows, aught of them,)
May-be seeming to me what they are (as doubtless they indeed but seem)
as from my present point of view, and might prove (as of course they
would) nought of what they appear, or nought anyhow, from entirely
changed points of view;
To me these and the like of these are curiously answer'd by my
lovers, my dear friends,
When he whom I love travels with me or sits a long while holding me
by the hand,
When the subtle air, the impalpable, the sense that words and reason
hold not, surround us and pervade us,
Then I am charged with untold and untellable wisdom, I am silent, I
require nothing further,
I cannot answer the question of appearances or that of identity
beyond the grave,
But I walk or sit indifferent, I am satisfied,
He ahold of my hand has completely satisfied me.

The Base of All Metaphysics

And now gentlemen,
A word I give to remain in your memories and minds,
As base and finale too for all metaphysics.

(So to the students the old professor,
At the close of his crowded course.)

Having studied the new and antique, the Greek and Germanic systems,
Kant having studied and stated, Fichte and Schelling and Hegel,
Stated the lore of Plato, and Socrates greater than Plato,
And greater than Socrates sought and stated, Christ divine having
studied long,
I see reminiscent to-day those Greek and Germanic systems,
See the philosophies all, Christian churches and tenets see,

Esoteric philosophy teaches that everything lives and is conscious, but not that all life and consciousness are similar to those of human or even animal beings. Life we look upon as “the one form of existence,” manifesting in what is called matter; or, as in man, what, incorrectly separating them, we name Spirit, Soul and Matter. Matter is the vehicle for the manifestation of soul on this plane of existence, and soul is the vehicle on a higher plane for the manifestation of spirit, and these three are a trinity synthesized by Life, which pervades them all. The idea of universal life is one of those ancient conceptions which are returning to the human mind in this century, as a consequence of its liberation from anthropomorphic theology...
But what is the belief of the inner esoteric Schools? the reader may ask. What are the doctrines taught on this subject by the Esoteric “Buddhists”? With them “Alaya” has a double and even a triple meaning. [Alaya is literally the “Soul of the World” or Anima Mundi, the “Over-Soul” of Emerson, and according to esoteric teaching it changes periodically its nature.] In the Yogacharya system of the contemplative Mahayana school, Alaya is both the Universal Soul (Anima Mundi) and the Self of a progressed adept. “He who is strong in the Yoga can introduce at will his Alaya by means of meditation into the true Nature of Existence.” The “Alaya has an absolute eternal existence,” says Aryasanga — the rival of Nagarjuna. In one sense it is Pradhana; which is explained in Vishnu Purana as: “that which is the unevolved cause, is emphatically called by the most eminent sages Pradhana, original base, which is subtile Prakriti, viz., that which is eternal, and which at once is (or comprehends) what is and what is not, or is mere process.” “Prakriti,” however, is an incorrect word, and Alaya would explain it better; for Prakriti is not the “uncognizable Brahma.” It is a mistake of those who know nothing of the Universality of the Occult doctrines from the very cradle of the human races, and especially so of those scholars who reject the very idea of a “primordial revelation,” to teach that the Anima Mundi, the One Life or “Universal Soul,” was made known only by Anaxagoras, or during his age. This philosopher brought the teaching forward simply to oppose the too materialistic conceptions on Cosmogony of Democritus, based on his exoteric theory of blindly driven atoms. Anaxagoras of Clazomene was not its inventor but only its propagator, as also was Plato. That which he called Mundane Intelligence, the nous ([[nous]]), the principle that according to his views is absolutely separated and free from matter and acts on design, was called Motion, the one life, or Jivatma, ages before the year 500 B.C. in India. Only the Aryan philosophers never endowed the principle, which with them is infinite, with the finite “attribute” of “thinking.”

This leads the reader naturally to the “Supreme Spirit” of Hegel and the German Transcendentalists as a contrast that it may be useful to point out. The schools of Schelling and Fichte have diverged widely from the primitive archaic conception of an absolute principle, and have mirrored only an aspect of the basic idea of the Vedanta. Even the “Absoluter Geist” shadowed forth by von Hartman in his pessimistic philosophy of the Unconscious, while it is, perhaps, the closest approximation made by European speculation to the Hindu Adwaitee Doctrines, similarly falls far short of the reality. According to Hegel, the “Unconscious” would never have undertaken the vast and laborious task of evolving the Universe, except in the hope of attaining clear Self-consciousness. In this connection it is to be borne in mind that in designating Spirit, which the European Pantheists use as equivalent to Parabrahm, as unconscious, they do not attach to that expression of “Spirit” — one employed in the absence of a better to symbolise a profound mystery — the connotation it usually bears.

The “Absolute Consciousness,” they tell us, “behind” phenomena, which is only termed unconsciousness in the absence of any element of personality, transcends human conception. Man, unable to form one concept except in terms of empirical phenomena, is powerless from the very constitution of his being to raise the veil that shrouds the majesty of the Absolute. Only the liberated Spirit is able to faintly realise the nature of the source whence it sprung and whither it must eventually return. . . . As the highest Dhyan Chohan, however, can but bow in ignorance before the awful mystery of Absolute Being; and since, even in that culmination of conscious existence — “the merging of the individual in the universal consciousness” — to use a phrase of Fichte’s — the Finite cannot conceive the Infinite, nor can it apply to it its own standard of mental experiences, how can it be said that the “Unconscious” and the Absolute can have even an instinctive impulse or hope of attaining clear self-consciousness? A Vedantin would never admit this Hegelian idea; and the Occultist would say that it applies perfectly to the awakened mahat, the Universal Mind already projected into the phenomenal world as the first aspect of the changeless absolute, but never to the latter. “Spirit and Matter, or Purusha and Prakriti are but the two primeval aspects of the One and Secondless,” we are taught.

The matter-moving Nous, the animating Soul, immanent in every atom, manifested in man, latent in the stone, has different degrees of power; and this pantheistic idea of a general Spirit-Soul pervading all Nature is the oldest of all the philosophical notions. Nor was the Archaeus a discovery of Paracelsus nor of his pupil Van Helmont; for it is again the same Archaeus or “Father-Ether,” — the manifested basis and source of the innumerable phenomena of life — localised. The whole series of the numberless speculations of this kind are but variations on this theme, the key-note of which was struck in this primeval Revelation. (See Part II., “Primordial Substance.”)

(b) The term Anupadaka, “parentless,” or without progenitors, is a mystical designation having several meanings in the philosophy. By this name celestial beings, the Dhyan-Chohans or Dhyani-Buddhas, are generally meant. But as these correspond mystically to the human Buddhas and Bodhisattwas, known as the “Manushi (or human) Buddhas,” the latter are also designated “Anupadaka,” once that their whole personality is merged in their compound sixth and seventh principles — or Atma-Buddhi, and that they have become the “diamond-souled” (Vajra-sattvas), the full Mahatmas. The “Concealed Lord” (Sangbai Dag-po), “the one merged with the absolute,” can have no parents since he is Self-existent, and one with the Universal Spirit (Svayambhu), the Svabhavat in the highest aspect. The mystery in the hierarchy of the Anupadaka is great, its apex being the universal Spirit-Soul, and the lower rung the Manushi-Buddha; and even every Soul-endowed man is an Anupadaka in a latent state. Hence, when speaking of the Universe in its formless, eternal, or absolute condition, before it was fashioned by the “Builders” — the expression, “the Universe was Anupadaka.” (See Part II., “Primordial Substance.”)

-- The Secret Doctrine -- The Synthesis of Science, Religion, and Philosophy, by Helena Petrovna Blavatsky


The book began with an anonymous donation to the author of an 8-inch package of documents in the early 1980s. Nothing less than the membership list and supporting documents for a truly secret society, the Yale Skull and Bones. The late Johnny Johnson, of Phoenix Arizona, was the spark that moved me to write first a four-part series and later, a jumbo volume based on this material. This volume went to several editions with several publishers, even a Russian edition of 12,000 copies. Probably in the past few years, as many copies have been sold in Russia as in the United States. America's Secret Establishment has had little publicity, few reviews ignored by mainline distributors yet, has sold steadily for the past 16 years at a rate of several hundred copies a month. This activity, in turn, has generated other articles and books by other authors. But my real intent, to generate an exploration of Hegelian influence in modern America, has not been fulfilled. In great part, this can be attributed to an educational system based on a statist-Hegelian philosophy, and which has already achieved the "dumbing down" of America. This disastrous, destructive philosophy, the source of both Naziism and Marxism, has infected and corrupted our constitutional republic. Much of the blame for this corruption is with an elitist group of Yalie "Bonesmen." Their symbol of Skull and Bones, and their Hegelian philosophy, says it all, although with typical duplicity, they would have you believe otherwise. Hegelianism glorifies the State, the vehicle for the dissemination of statist and materialist ideas and policies in education, science, politics and economics. Wonder why we have a "dumbed-down" society? Look no further than the Bonesman troika who imported the Prussian education system into the U.S. in the 19th Century. A political philosophy in direct opposition to the classical liberalism nurtured in 19th Century British and American history. In classical liberalism, the State is always subordinate to the individual. In Hegelian Statism, as we see in Naziism and Marxism, the State is supreme, and the individual exists only to serve the State. Our two-party Republican-Democrat (= one Hegelian party, no one else welcome or allowed) system is a reflection of this Hegelianism. A small group -- a very small group -- by using Hegel, can manipulate, and to some extent, control society for its own purposes. More than that, reflect on their pirate flag. An emblem found on poison bottles, the symbol of the Nazi Death Head Division in World War Two. Not only did Skull and Bones become a major force in drug smuggling (the Bush and Prescott families in the 1860s), but in true Hegelian fashion, generated the antithesis, the so-called "war on drugs." This hypocritical policy maintains the price of drugs, controls supply, and puts millions in jail while the gainers, in great part, are none other than the same "Bonesmen" who pass the laws to prohibit (Bonesman Taft, 1904).

For Hegelians, the State is almighty, and seen as "the march of God on earth." Indeed, a State religion. Progress in the Hegelian State is through contrived conflict: the clash of opposites makes for progress. If you can control the opposites, you dominate the nature of the outcome. We trace the extraordinary Skull and Bones influence in a major Hegelian conflict: Naziism vs. Communism. Skull and Bones members were in the dominant decision-making positions -- Bush, Harriman, Stimson, Lovett, and so on -- all Bonesmen, and instrumental in guiding the conflict through use of "right" and "left." They financed and encouraged the growths of both philosophies and controlled the outcome to a significant extent. This was aided by the "reductionist" division in science, the opposite of historical "wholeness." By dividing science and learning into narrower and narrower segments, it became easier to control the whole through the parts. In education, the Dewey system was initiated and promoted by Skull and Bones members. Dewey was an ardent statist, and a believer in the Hegelian idea that the child exists to be trained to serve the State. This requires suppression of individualist tendencies and a careful spoon-feeding of approved knowledge. This "dumbing down" of American education is not easily apparent unless you have studied in both foreign and domestic U.S. universities -- then the contrast becomes crystal clear. This dumbing down is now receiving attention. Two excellent books are The Deliberate Dumbing Down of America, by Charlotte Thomson Iserbyt (Conscience Press, Revenna Ohio, 2001), and The Dumbing Down of America, by John Taylor Gotta. Both books trace this process to the impact of education, and both give remarkable detail of the process. We go further, in that we trace the import of the system to three Yalies members of Skull & Bones. For Iserbyt, in The Deliberate Dumbing Down of America, the American education system begins with Rockefeller and Gates. But in fact, this statist system is a reflection of the Hegelian ideas brought to the United States by the Skull and Bones "troika" of Gilman, White and Dwight, and then financed by Rockefeller.

-- America's Secret Establishment, by Antony C. Sutton


Yet underneath Socrates clearly see, and underneath Christ the divine I see,
The dear love of man for his comrade, the attraction of friend to friend,
Of the well-married husband and wife, of children and parents,
Of city for city and land for land.

The German Volk Is an Interlacing of Families, by LUDWIG LEONHARDT

Deeply perceiving the source of the renewal of the Volk, National Socialism considers the family to be the foundation of the state. In order to grasp the importance of this statement and to evaluate it properly, we must look more closely at the concept of "family." By family we must not understand only parents and children. To a family, in our sense of the word, belong not only those who bear the name or who possess a piece of land or some other property. Neither do legal relationships alone encompass the concept. Rather, the family embraces everything that existed spiritually and psychically as a living patrimony in a definite circle of persons. What we are, what we accomplish, is not due to our own merit; in the last analysis we owe it to our parents and grandparents, our whole line of ancestors, whose heritage we carry within ourselves. In short, we owe it to the spiritual values which have been transmitted to us and which we are to pass on to our children and the children of our children. All this belongs to the family, whose importance in the life of the nation the new state is ready to acknowledge in the fullest sense. And we must always keep in mind that we are not the last configuration of these multiple endowments, that we are destined to pass them on pure and unspoiled in order to continue what we call the family, and to push our heritage ever forward, so that a German Volk may emerge out of an ever-repeated interlacing of families.

In this goal, however, it is clear that each of us bears an enormous responsibility. Just as we cannot let such a precious heritage go to ruin, just as we cannot allow ourselves to be guilty of harming it, so must we strive to extirpate, to overcome, or to destroy the bad and the inferior. How can the individual get a clear idea of just how he represents this responsibility toward the Volk? Can he do this without a precise knowledge of his whole hereditary and physical picture, hence without an exact knowledge of his own being and of the being of his ancestors? No! He who loves only for the day, who is indifferent to the roots from which he sprang, who does not realize the importance of the words "forefathers" and "posterity" in their deepest sense, cannot be regarded as a responsibility-conscious member of the Volk community.

Therefore let us begin by studying our own family picture! It will require a good deal of work in the case of those families where no records of any kind have been made or kept, but it must be done. If we wish to be honest, we must confess that in only the fewest instances is our information adequate for providing even a moderately clear picture. Unfortunately, many people hardly know the color of the eyes of their parents and of their brothers and sisters, much less their grandparents, not to speak of the more important characteristics of mind and disposition. Thus each one of us has the duty to inform himself in the greatest possible detail on this, to find out from which stock he springs....

From Ludwig Leonhardt, Heirat und Rassenpflege: Ein Berater fur Eheanwarter (Munich: J. F. Lehmanns Verlag, 1934), pp. 7-8.

-- Nazi Culture: Intellectual, Cultural and Social Life in the Third Reich, by George L. Mosse
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Re: Leaves of Grass, by Walt Whitman

Postby admin » Sun Sep 20, 2015 5:57 am

Part 2 of 2

Recorders Ages Hence

Recorders ages hence,
Come, I will take you down underneath this impassive exterior, I
will tell you what to say of me,
Publish my name and hang up my picture as that of the tenderest lover,
The friend the lover's portrait, of whom his friend his lover was fondest,
Who was not proud of his songs, but of the measureless ocean of love
within him, and freely pour'd it forth,
Who often walk'd lonesome walks thinking of his dear friends, his lovers,
Who pensive away from one he lov'd often lay sleepless and
dissatisfied at night,
Who knew too well the sick, sick dread lest the one he lov'd might
secretly be indifferent to him,
Whose happiest days were far away through fields, in woods, on hills,
he and another wandering hand in hand, they twain apart from other men,
Who oft as he saunter'd the streets curv'd with his arm the shoulder
of his friend, while the arm of his friend rested upon him also.

When I Heard at the Close of the Day

When I heard at the close of the day how my name had been receiv'd
with plaudits in the capitol, still it was not a happy night for
me that follow'd,
And else when I carous'd, or when my plans were accomplish'd, still
I was not happy,
But the day when I rose at dawn from the bed of perfect health,
refresh'd, singing, inhaling the ripe breath of autumn,
When I saw the full moon in the west grow pale and disappear in the
morning light,
When I wander'd alone over the beach, and undressing bathed,
laughing with the cool waters, and saw the sun rise,
And when I thought how my dear friend my lover was on his way
coming, O then I was happy,
O then each breath tasted sweeter, and all that day my food
nourish'd me more, and the beautiful day pass'd well,
And the next came with equal joy, and with the next at evening came
my friend,
And that night while all was still I heard the waters roll slowly
continually up the shores,
I heard the hissing rustle of the liquid and sands as directed to me
whispering to congratulate me,
For the one I love most lay sleeping by me under the same cover in
the cool night,
In the stillness in the autumn moonbeams his face was inclined toward me,
And his arm lay lightly around my breast—and that night I was happy.

Are You the New Person Drawn Toward Me?

Are you the new person drawn toward me?
To begin with take warning, I am surely far different from what you suppose;
Do you suppose you will find in me your ideal?
Do you think it so easy to have me become your lover?
Do you think the friendship of me would be unalloy'd satisfaction?
Do you think I am trusty and faithful?
Do you see no further than this facade, this smooth and tolerant
manner of me?
Do you suppose yourself advancing on real ground toward a real heroic man?
Have you no thought O dreamer that it may be all maya, illusion?

Roots and Leaves Themselves Alone

Roots and leaves themselves alone are these,
Scents brought to men and women from the wild woods and pond-side,
Breast-sorrel and pinks of love, fingers that wind around tighter
than vines,
Gushes from the throats of birds hid in the foliage of trees as the
sun is risen,
Breezes of land and love set from living shores to you on the living
sea, to you O sailors!
Frost-mellow'd berries and Third-month twigs offer'd fresh to young
persons wandering out in the fields when the winter breaks up,
Love-buds put before you and within you whoever you are,
Buds to be unfolded on the old terms,
If you bring the warmth of the sun to them they will open and bring
form, color, perfume, to you,
If you become the aliment and the wet they will become flowers,
fruits, tall branches and trees.

Not Heat Flames Up and Consumes

Not heat flames up and consumes,
Not sea-waves hurry in and out,
Not the air delicious and dry, the air of ripe summer, bears lightly
along white down-balls of myriads of seeds,
Waited, sailing gracefully, to drop where they may;
Not these, O none of these more than the flames of me, consuming,
burning for his love whom I love,
O none more than I hurrying in and out;
Does the tide hurry, seeking something, and never give up? O I the same,
O nor down-balls nor perfumes, nor the high rain-emitting clouds,
are borne through the open air,
Any more than my soul is borne through the open air,
Wafted in all directions O love, for friendship, for you.

Trickle Drops

Trickle drops! my blue veins leaving!
O drops of me! trickle, slow drops,
Candid from me falling, drip, bleeding drops,
From wounds made to free you whence you were prison'd,
From my face, from my forehead and lips,
From my breast, from within where I was conceal'd, press forth red
drops, confession drops,
Stain every page, stain every song I sing, every word I say, bloody drops,
Let them know your scarlet heat, let them glisten,
Saturate them with yourself all ashamed and wet,
Glow upon all I have written or shall write, bleeding drops,
Let it all be seen in your light, blushing drops.

City of Orgies

City of orgies, walks and joys,
City whom that I have lived and sung in your midst will one day make
Not the pageants of you, not your shifting tableaus, your
spectacles, repay me,
Not the interminable rows of your houses, nor the ships at the wharves,
Nor the processions in the streets, nor the bright windows with
goods in them,
Nor to converse with learn'd persons, or bear my share in the soiree
or feast;
Not those, but as I pass O Manhattan, your frequent and swift flash
of eyes offering me love,
Offering response to my own—these repay me,
Lovers, continual lovers, only repay me.

Behold This Swarthy Face

Behold this swarthy face, these gray eyes,
This beard, the white wool unclipt upon my neck,
My brown hands and the silent manner of me without charm;
Yet comes one a Manhattanese and ever at parting kisses me lightly
on the lips with robust love,
And I on the crossing of the street or on the ship's deck give a
kiss in return,
We observe that salute of American comrades land and sea,
We are those two natural and nonchalant persons.

I Saw in Louisiana a Live-Oak Growing

I saw in Louisiana a live-oak growing,
All alone stood it and the moss hung down from the branches,
Without any companion it grew there uttering joyous of dark green,
And its look, rude, unbending, lusty, made me think of myself,
But I wonder'd how it could utter joyous leaves standing alone there
without its friend near, for I knew I could not,
And I broke off a twig with a certain number of leaves upon it and
twined around it a little moss,
And brought it away, and I have placed it in sight in my room,
It is not needed to remind me as of my own dear friends,
(For I believe lately I think of little else than of them,)
Yet it remains to me a curious token, it makes me think of manly love;
For all that, and though the live-oak glistens there in Louisiana
solitary in a wide in a wide flat space,
Uttering joyous leaves all its life without a friend a lover near,
I know very well I could not.

To a Stranger

Passing stranger! you do not know how longingly I look upon you,
You must be he I was seeking, or she I was seeking, (it comes to me
as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall'd as we flit by each other, fluid, affectionate,
chaste, matured,
You grew up with me, were a boy with me or a girl with me,
I ate with you and slept with you, your body has become not yours
only nor left my body mine only,
You give me the pleasure of your eyes, face, flesh, as we pass, you
take of my beard, breast, hands, in return,
I am not to speak to you, I am to think of you when I sit alone or
wake at night alone,
I am to wait, I do not doubt I am to meet you again,
I am to see to it that I do not lose you.

This Moment Yearning and Thoughtful

This moment yearning and thoughtful sitting alone,
It seems to me there are other men in other lands yearning and thoughtful,
It seems to me I can look over and behold them in Germany, Italy,
France, Spain,
Or far, far away, in China, or in Russia or talking other dialects,
And it seems to me if I could know those men I should become
attached to them as I do to men in my own lands,
O I know we should be brethren and lovers,
I know I should be happy with them.

I Hear It Was Charged Against Me

I hear it was charged against me that I sought to destroy institutions,
But really I am neither for nor against institutions,
(What indeed have I in common with them? or what with the
destruction of them?)
Only I will establish in the Mannahatta and in every city of these
States inland and seaboard,
And in the fields and woods, and above every keel little or large
that dents the water,
Without edifices or rules or trustees or any argument,
The institution of the dear love of comrades.

The Prairie-Grass Dividing

The prairie-grass dividing, its special odor breathing,
I demand of it the spiritual corresponding,
Demand the most copious and close companionship of men,
Demand the blades to rise of words, acts, beings,
Those of the open atmosphere, coarse, sunlit, fresh, nutritious,
Those that go their own gait, erect, stepping with freedom and
command, leading not following,
Those with a never-quell'd audacity, those with sweet and lusty
flesh clear of taint,
Those that look carelessly in the faces of Presidents and governors,
as to say Who are you?
Those of earth-born passion, simple, never constrain'd, never obedient,
Those of inland America.

When I Peruse the Conquer'd Fame

When I peruse the conquer'd fame of heroes and the victories of
mighty generals, I do not envy the generals,
Nor the President in his Presidency, nor the rich in his great house,
But when I hear of the brotherhood of lovers, how it was with them,
How together through life, through dangers, odium, unchanging, long
and long,
Through youth and through middle and old age, how unfaltering, how
affectionate and faithful they were,
Then I am pensive—I hastily walk away fill'd with the bitterest envy.

We Two Boys Together Clinging

We two boys together clinging,
One the other never leaving,
Up and down the roads going, North and South excursions making,
Power enjoying, elbows stretching, fingers clutching,
Arm'd and fearless, eating, drinking, sleeping, loving.
No law less than ourselves owning, sailing, soldiering, thieving,
threatening,
Misers, menials, priests alarming, air breathing, water drinking, on
the turf or the sea-beach dancing,
Cities wrenching, ease scorning, statutes mocking, feebleness chasing,
Fulfilling our foray.

A Promise to California

A promise to California,
Or inland to the great pastoral Plains, and on to Puget sound and Oregon;
Sojourning east a while longer, soon I travel toward you, to remain,
to teach robust American love,
For I know very well that I and robust love belong among you,
inland, and along the Western sea;
For these States tend inland and toward the Western sea, and I will also.

Colonel Ethan Allen Hitchcock, a professional soldier, graduate of the Military Academy, commander of the 3rd Infantry Regiment, a reader of Shakespeare, Chaucer, Hegel, Spinoza, wrote in his diary:

Fort Jesup, La., June 30, 1845. Orders came last evening by express from Washington City directing General Taylor to move without any delay to some point on the coast near the Sabine or elsewhere, and as soon as he shall hear of the acceptance by the Texas convention of the annexation resolutions of our Congress he is immediately to proceed with his whole command to the extreme western border of Texas and take up a position on the banks of or near the Rio Grande, and he is to expel any armed force of Mexicans who may cross that river. Bliss read the orders to me last evening hastily at tattoo. I have scarcely slept a wink, thinking of the needful preparations. I am now noting at reveille by candlelight and waiting the signal for muster.... Violence leads to violence, and if this movement of ours does not lead to others and to bloodshed, I am much mistaken.


Hitchcock was not mistaken. Jefferson's Louisiana Purchase had doubled the territory of the United States, extending it to the Rocky Mountains. To the southwest was Mexico, which had won its independence in a revolutionary war against Spain in 1821 -- a large country which included Texas and what are now New Mexico, Utah, Nevada, Arizona, California, and part of Colorado. After agitation, and aid from the United States, Texas broke off from Mexico in 1836 and declared itself the "Lone Star Republic." In 1845, the U.S. Congress brought it into the Union as a state.

In the White House now was James Polk, a Democrat, an expansionist, who, on the night of his inauguration, confided to his Secretary of the Navy that one of his main objectives was the acquisition of California. His order to General Taylor to move troops to the Rio Grande was a challenge to the Mexicans. It was not at all clear that the Rio Grande was the southern boundary of Texas, although Texas had forced the defeated Mexican general Santa Anna to say so when he was a prisoner. The traditional border between Texas and Mexico had been the Nueces River, about 150 miles to the north, and both Mexico and the United States had recognized that as the border. However, Polk, encouraging the Texans to accept annexation, had assured them he would uphold their claims to the Rio Grande.

Ordering troops to the Rio Grande, into territory inhabited by Mexicans, was clearly a provocation. Taylor had once denounced the idea of the annexation of Texas. But now that he had his marching orders, his attitude seemed to change. His visit to the tent of his aide Hitchcock to discuss the move is described in Hitchcock's diary:

He seems to have lost all respect for Mexican rights and is willing to be an instrument of Mr. Polk for pushing our boundary as far west as possible. When I told him that, if he suggested a movement (which he told me he intended), Mr. Polk would seize upon it and throw the responsibility on him, he at once said he would take it, and added that if the President instructed him to use his discretion, he would ask no orders, but would go upon the Rio Grande as soon as he could get transportation. I think the General wants an additional brevet, and would strain a point to get it.


Taylor moved his troops to Corpus Christi, Texas, just across the Nueces River, and waited further instructions. They came in February 1846 -- to go down the Gulf Coast to the Rio Grande. Taylor's army marched in parallel columns across the open prairie, scouts far ahead and on the flanks, a train of supplies following. Then, along a narrow road, through a belt of thick chaparral, they arrived, March 28, 1846, in cultivated fields and thatched-roof huts hurriedly abandoned by the Mexican occupants, who had fled across the river to the city of Matamoros. Taylor set up camp, began construction of a fort, and implanted his cannons facing the white houses of Matamoros, whose inhabitants stared curiously at the sight of an army on the banks of a quiet river.

The Washington Union, a newspaper expressing the position of President Polk and the Democratic party, had spoken early in 1845 on the meaning of Texas annexation:

Let the great measure of annexation be accomplished, and with it the questions of boundary and claims. For who can arrest the torrent that will pour onward to the West? The road to California will be open to us. Who will stay the march of our western people?


They could have meant a peaceful march westward, except for other words, in the same newspaper: "A corps of properly organized volunteers ... would invade, overrun, and occupy Mexico. They would enable us not only to take California, but to keep it." It was shortly after that, in the summer of 1845, that John O'Sullivan, editor of the Democratic Review, used the phrase that became famous, saying it was "Our manifest destiny to overspread the continent allotted by Providence for the free development of our yearly multiplying millions." Yes, manifest destiny.

Congress then rushed to approve the war message. Schroeder comments: "The disciplined Democratic majority in the House responded with alacrity and high-handed efficiency to Polk's May 11 war recommendations." The bundles of official documents accompanying the war message, supposed to be evidence for Polk's statement, were not examined, but were tabled immediately by the House. Debate on the bill providing volunteers and money for the war was limited to two hours, and most of this was used up reading selected portions of the tabled documents, so that barely a half-hour was left for discussion of the issues.

The Whig party was presumably against the war in Mexico, but it was not against expansion. The Whigs wanted California, but preferred to do it without war. As Schroeder puts it, "theirs was a commercially .oriented expansionism designed to secure frontage on the Pacific without recourse to war." Also, they were not so powerfully against the military action that they would stop it by denying men and money for the operation. They did not want to risk the accusation that they were putting American soldiers in peril by depriving them of the materials necessary to fight. The result was that Whigs joined Democrats in voting overwhelmingly for the war resolution, 174 to 14. The opposition was a small group of strongly antislavery Whigs, or "a little knot of ultraists," as one Massachusetts Congressman who voted for the war measure put it.

In the Senate, there was debate, but it was limited to one day, and "the tactics of stampede were there repeated," according to historian Frederick Merk. The war measure passed, 40 to 2, Whigs joining Democrats. Throughout the war, as Schroeder says, "the politically sensitive Whig minority could only harry the administration with a barrage of verbiage while voting for every appropriation which the military campaigns required." The newspaper of the Whigs, the National Intelligencer of Washington, took this position. John Quincy Adams of Massachusetts, who originally voted with "the stubborn 14," later voted for war appropriations.

Abraham Lincoln of Illinois was not yet in Congress when the war began, but after his election in 1846 he had occasion to vote and speak on the war. His "spot resolutions" became famous -- he challenged Polk to specify the exact spot where American blood was shed "on the American soil." But he would not try to end the war by stopping funds for men and supplies. Speaking in the House on July 27, 1848, in support of the candidacy of General Zachary Taylor for President, he said:

But, as General Taylor is, par excellence, the hero of the Mexican War, and as you Democrats say we Whigs have always opposed the war, you think it must be very awkward and embarrassing for us to go for General Taylor. The declaration that we have always opposed the war is true or false, according as one may understand the term "oppose the war." If to say lithe war was unnecessarily and unconstitutionally commenced by the President" be opposing the war, then the Whigs have very generally opposed it.... The marching an army into the midst of a peaceful Mexican settlement, frightening the inhabitants away, leaving their growing crops and other property to destruction, to you may appear a perfectly amiable, peaceful, unprovoking procedure; but it does not appear so to us.. .. But if, when the war had begun, and had become the cause of the country, the giving of our money and our blood, in common with yours, was support of the war, then it is not true that we have always opposed the war. With few individual exceptions, you have constantly had our votes here for all the necessary supplies....


A handful of antislavery Congressmen voted against all war measures, seeing the Mexican campaign as a means of extending the southern slave territory. One of these was Joshua Giddings of Ohio, a fiery speaker, physically powerful, who called it "an aggressive, unholy, and unjust war." He explained his vote against supplying arms and men: "In the murder of Mexicans upon their own soil, or in robbing them of their country, I can take no part either now or hereafter. The guilt of these crimes must rest on others -- I will not participate in them...." Giddings pointed to the British Whigs who, during the American Revolution, announced in Parliament in 1776 that they would not vote supplies for a war to oppress Americans.

After Congress acted in May of 1846, there were rallies and demonstrations for the war in New York, Baltimore, Indianapolis, Philadelphia, and many other places. Thousands rushed to volunteer for the army. The poet Walt Whitman wrote in the Brooklyn Eagle in the early days of the war: ''Yes: Mexico must be thoroughly chastised' ... Let our arms now be carried with a spirit which shall teach the world that, while we are not forward for a quarrel, America knows how to crush, as well as how to expand!"

Accompanying all this aggressiveness was the idea that the United States would be giving the blessings of liberty and democracy to more people. This was intermingled with ideas of racial superiority, longings for the beautiful lands of New Mexico and California, and thoughts of commercial enterprise across the Pacific.

Speaking of California, the Illinois State Register asked: "Shall this garden of beauty be suffered to lie dormant in its wild and useless luxuriance? ... myriads of enterprising Americans would flock to its rich and inviting prairies; the hum of Anglo-American industry would be heard in its valleys; cities would rise upon its plains and sea-coast; and the resources and wealth of the nation be increased in an incalculable degree." The American Review talked of Mexicans yielding to "a superior population, insensibly oozing into her territories, changing her customs, and out-living, out-trading, exterminating her weaker blood...." The New York Herald was saying, by 1847: "The universal Yankee nation can regenerate and disenthrall the people of Mexico in a few years; and we believe it is a part of our destiny to civilize that beautiful country."

A letter appeared in the New York Journal of Commerce introducing God into the situation: "The supreme Ruler of the universe seems to interpose, and aid the energy of man towards benefiting mankind. His interposition .... seems to me to be identified with the success of our arms.... That the redemption of 7,000,000 of souls from all the vices that infest the human race, is the ostensible object ... appears manifest."

Senator H. V. Johnson said:

I believe we should be recreant to our noble mission, if we refused acquiescence in the high purposes of a wise Providence. War has its evils. In all ages it has been the minister of wholesale death and appalling desolation; but however inscrutable to us, it has also been made, by the Allwise Dispenser of events, the instrumentality of accomplishing the great end of human elevation and human happiness.. .. It is in this view, that I subscribe to the doctrine of "manifest destiny."


The Congressional Globe of February 11, 1847, reported:

Mr. Giles, of Maryland -- I take it for granted, that we shall gain territory, and must gain territory, before we shut the gates of the temple of Janus.... We must march from ocean to ocean.... We must march from Texas straight to the Pacific ocean, and be bounded only by its roaring wave.... It is the destiny of the white race, it is the destiny of the Anglo-Saxon race....

The American Anti-Slavery Society, on the other hand, said the war was "waged solely for the detestable and horrible purpose of extending and perpetuating American slavery throughout the vast territory of Mexico." A twenty-seven-year-old Boston poet and abolitionist, James Russell Lowell, began writing satirical poems in the Boston Courier (they were later collected as the Biglow Papers). In them, a New England farmer, Hosea Biglow, spoke, in his own dialect, on the war:

Ez fer war, I call it murder, -- There you hev it plain an' flat;
I don't want to go no furder
Than my Testyment fer that....
They may talk o' Freedom's airy
Tell they'er pupple in the face, -- It's a grand gret cemetary
Fer the barthrights of our race;
They jest want this Californy
So's to lug new slave-states in
To abuse ye, an' to scorn ye,
An' to plunder ye like sin.


-- A People's History of the United States: 1492-Present, by Howard Zinn


Here the Frailest Leaves of Me

Here the frailest leaves of me and yet my strongest lasting,
Here I shade and hide my thoughts, I myself do not expose them,
And yet they expose me more than all my other poems.

No Labor-Saving Machine

No labor-saving machine,
Nor discovery have I made,
Nor will I be able to leave behind me any wealthy bequest to found
hospital or library,
Nor reminiscence of any deed of courage for America,
Nor literary success nor intellect; nor book for the book-shelf,
But a few carols vibrating through the air I leave,
For comrades and lovers.

A Glimpse

A glimpse through an interstice caught,
Of a crowd of workmen and drivers in a bar-room around the stove
late of a winter night, and I unremark'd seated in a corner,
Of a youth who loves me and whom I love, silently approaching and
seating himself near, that he may hold me by the hand,
A long while amid the noises of coming and going, of drinking and
oath and smutty jest,
There we two, content, happy in being together, speaking little,
perhaps not a word.

A Leaf for Hand in Hand

A leaf for hand in hand;
You natural persons old and young!
You on the Mississippi and on all the branches and bayous of
the Mississippi!
You friendly boatmen and mechanics! you roughs!
You twain! and all processions moving along the streets!
I wish to infuse myself among you till I see it common for you to
walk hand in hand.

Earth, My Likeness

Earth, my likeness,
Though you look so impassive, ample and spheric there,
I now suspect that is not all;
I now suspect there is something fierce in you eligible to burst forth,
For an athlete is enamour'd of me, and I of him,
But toward him there is something fierce and terrible in me eligible
to burst forth,
I dare not tell it in words, not even in these songs.

I Dream'd in a Dream

I dream'd in a dream I saw a city invincible to the attacks of the
whole of the rest of the earth,
I dream'd that was the new city of Friends,
Nothing was greater there than the quality of robust love, it led the rest,
It was seen every hour in the actions of the men of that city,
And in all their looks and words.

What Think You I Take My Pen in Hand?

What think you I take my pen in hand to record?
The battle-ship, perfect-model'd, majestic, that I saw pass the
offing to-day under full sail?
The splendors of the past day? or the splendor of the night that
envelops me?
Or the vaunted glory and growth of the great city spread around me? —no;
But merely of two simple men I saw to-day on the pier in the midst
of the crowd, parting the parting of dear friends,
The one to remain hung on the other's neck and passionately kiss'd him,
While the one to depart tightly prest the one to remain in his arms.

To the East and to the West

To the East and to the West,
To the man of the Seaside State and of Pennsylvania,
To the Kanadian of the north, to the Southerner I love,
These with perfect trust to depict you as myself, the germs are in all men,
I believe the main purport of these States is to found a superb
friendship, exalte, previously unknown,
Because I perceive it waits, and has been always waiting, latent in all men.

[B]y repeated efforts during the first Revolution, the Lords of the Flame succeeded in implanting in the evolving life the germ which has developed our present dense body. This germ was somewhat developed during the remainder of the first six Revolutions, being given the capacity for developing the senses organs, particularly the ear. Therefore, the ear is the most highly developed organ we possess. It is the instrument which carries with the greatest accuracy the impressions of outside conditions to the consciousness. It is less subject to the illusions of the Physical World than the other sense organs.

The consciousness of the evolving life of that Period was like that of the mineral of today -- a state of unconsciousness similar to that attained by mediums in the deepest trance -- yet during the first six Revolutions, the evolving life worked on the germ of the dense body under the direction and with the help of the different creative Hierarchies. In the middle of the seventh Revolution, the Lords of the Flame, Who had been inactive since They gave the germ of the dense body in the first Revolution, again become active, this time to awaken the highest spiritual principle. They aroused the initial activity of the divine spirit in man.

Thus, man owes his highest and lowest vehicles -- the divine spirit and the dense body, to the evolution of the Saturn Period. These, the Lords of the Flame of their own free will helped him to manifest, not being under the slightest compulsion to do so.

The work of the various creative Hierarchies is not started on Globe A, at the commencement of a Period or a Revolution. It commences in the middle of one Revolution, growing in strength and reaching its highest efficiency in the middle of the Cosmic Night -- which is between Revolutions, as well as between Periods. Then it gradually declines, as the life wave sweeps on to the middle of the next Revolution.

Thus the work of the Lords of the Flame in awakening the germinal consciousness, was most active and efficient during the rest Period between the Saturn and Sun Periods.

We reiterate that a Cosmic Night is not to be regarded as a time of inactivity. It is not inert existence, as we saw in the case of the individual passing from death to a new birth. So with the great death of all the Globes of a Period. It is a cessation of active manifestation, that a proportionately keener subjective activity may be unfolded.

Perhaps the best idea of the nature of this subjective activity may be gained by observing what happens when a ripe fruit is buried in the ground. Fermentation and decay of the flesh sets in, but out of that chaos comes the new plant, sprouting forth into the air and sunshine. So, when a Period is past, all is resolved into conglomerate chaos, apparently incapable of being reduced to order. At the proper time, however, the Globes of a new period are formed and made ready for occupancy as man-bearing Worlds. Hither the evolving life is transferred from five dark Globes which it traverses during the Cosmic Night, to commence the activities of a new creative day in an altered environment, prepared and externalized during the activities of the Cosmic Night. As the forces of fermentation in the fruit stimulate the seed and fertilize the soil in which it grows, so the Lords of the Flame stimulated the germ of divine spirit, particularly during the Cosmic Night between the Saturn and Sun Periods, continuing their activities until the middle of the first Revolution of the Sun Period.

-- The Rosicrucian Cosmo-Conception, by Max Heindel


Sometimes with One I Love

Sometimes with one I love I fill myself with rage for fear I effuse
unreturn'd love,
But now I think there is no unreturn'd love, the pay is certain one
way or another,
(I loved a certain person ardently and my love was not return'd,
Yet out of that I have written these songs.)

To a Western Boy

Many things to absorb I teach to help you become eleve of mine;
Yet if blood like mine circle not in your veins,
If you be not silently selected by lovers and do not silently select lovers,
Of what use is it that you seek to become eleve of mine?

Fast Anchor'd Eternal O Love!

Fast-anchor'd eternal O love! O woman I love!
O bride! O wife! more resistless than I can tell, the thought of you!
Then separate, as disembodied or another born,
Ethereal, the last athletic reality, my consolation,
I ascend, I float in the regions of your love O man,
O sharer of my roving life.

Among the Multitude

Among the men and women the multitude,
I perceive one picking me out by secret and divine signs,
Acknowledging none else, not parent, wife, husband, brother, child,
any nearer than I am,
Some are baffled, but that one is not—that one knows me.

Ah lover and perfect equal,
I meant that you should discover me so by faint indirections,
And I when I meet you mean to discover you by the like in you.

O You Whom I Often and Silently Come

O you whom I often and silently come where you are that I may be with you,
As I walk by your side or sit near, or remain in the same room with you,
Little you know the subtle electric fire that for your sake is
playing within me.

That Shadow My Likeness

That shadow my likeness that goes to and fro seeking a livelihood,
chattering, chaffering,
How often I find myself standing and looking at it where it flits,
How often I question and doubt whether that is really me;
But among my lovers and caroling these songs,
O I never doubt whether that is really me.

Full of Life Now

Full of life now, compact, visible,
I, forty years old the eighty-third year of the States,
To one a century hence or any number of centuries hence,
To you yet unborn these, seeking you.

When you read these I that was visible am become invisible,
Now it is you, compact, visible, realizing my poems, seeking me,
Fancying how happy you were if I could be with you and become your comrade;
Be it as if I were with you. (Be not too certain but I am now with you.)
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Re: Leaves of Grass, by Walt Whitman

Postby admin » Sun Sep 20, 2015 5:57 am

BOOK 6

Salut au Monde!

1

O take my hand Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join'd unended links, each hook'd to the next,
Each answering all, each sharing the earth with all.

What widens within you Walt Whitman?
What waves and soils exuding?
What climes? what persons and cities are here?
Who are the infants, some playing, some slumbering?
Who are the girls? who are the married women?
Who are the groups of old men going slowly with their arms about
each other's necks?
What rivers are these? what forests and fruits are these?
What are the mountains call'd that rise so high in the mists?
What myriads of dwellings are they fill'd with dwellers?

2

Within me latitude widens, longitude lengthens,
Asia, Africa, Europe, are to the east—America is provided for in the west,
Banding the bulge of the earth winds the hot equator,
Curiously north and south turn the axis-ends,
Within me is the longest day, the sun wheels in slanting rings, it
does not set for months,
Stretch'd in due time within me the midnight sun just rises above
the horizon and sinks again,
Within me zones, seas, cataracts, forests, volcanoes, groups,
Malaysia, Polynesia, and the great West Indian islands.

3

What do you hear Walt Whitman?

I hear the workman singing and the farmer's wife singing,
I hear in the distance the sounds of children and of animals early
in the day,
I hear emulous shouts of Australians pursuing the wild horse,
I hear the Spanish dance with castanets in the chestnut shade, to
the rebeck and guitar,
I hear continual echoes from the Thames,
I hear fierce French liberty songs,
I hear of the Italian boat-sculler the musical recitative of old poems,
I hear the locusts in Syria as they strike the grain and grass with
the showers of their terrible clouds,
I hear the Coptic refrain toward sundown, pensively falling on the
breast of the black venerable vast mother the Nile,
I hear the chirp of the Mexican muleteer, and the bells of the mule,
I hear the Arab muezzin calling from the top of the mosque,
I hear the Christian priests at the altars of their churches, I hear
the responsive base and soprano,
I hear the cry of the Cossack, and the sailor's voice putting to sea
at Okotsk,
I hear the wheeze of the slave-coffle as the slaves march on, as the
husky gangs pass on by twos and threes, fasten'd together
with wrist-chains and ankle-chains,
I hear the Hebrew reading his records and psalms,
I hear the rhythmic myths of the Greeks, and the strong legends of
the Romans,
I hear the tale of the divine life and bloody death of the beautiful
God the Christ,
I hear the Hindoo teaching his favorite pupil the loves, wars,
adages, transmitted safely to this day from poets who wrote three
thousand years ago.

4

What do you see Walt Whitman?
Who are they you salute, and that one after another salute you?
I see a great round wonder rolling through space,
I see diminute farms, hamlets, ruins, graveyards, jails, factories,
palaces, hovels, huts of barbarians, tents of nomads upon the surface,
I see the shaded part on one side where the sleepers are sleeping,
and the sunlit part on the other side,
I see the curious rapid change of the light and shade,
I see distant lands, as real and near to the inhabitants of them as
my land is to me.

I see plenteous waters,
I see mountain peaks, I see the sierras of Andes where they range,
I see plainly the Himalayas, Chian Shahs, Altays, Ghauts,
I see the giant pinnacles of Elbruz, Kazbek, Bazardjusi,
I see the Styrian Alps, and the Karnac Alps,
I see the Pyrenees, Balks, Carpathians, and to the north the
Dofrafields, and off at sea mount Hecla,
I see Vesuvius and Etna, the mountains of the Moon, and the Red
mountains of Madagascar,
I see the Lybian, Arabian, and Asiatic deserts,
I see huge dreadful Arctic and Antarctic icebergs,
I see the superior oceans and the inferior ones, the Atlantic and
Pacific, the sea of Mexico, the Brazilian sea, and the sea of Peru,
The waters of Hindustan, the China sea, and the gulf of Guinea,
The Japan waters, the beautiful bay of Nagasaki land-lock'd in its
mountains,
The spread of the Baltic, Caspian, Bothnia, the British shores, and
the bay of Biscay,
The clear-sunn'd Mediterranean, and from one to another of its islands,
The White sea, and the sea around Greenland.

I behold the mariners of the world,
Some are in storms, some in the night with the watch on the lookout,
Some drifting helplessly, some with contagious diseases.

I behold the sail and steamships of the world, some in clusters in
port, some on their voyages,
Some double the cape of Storms, some cape Verde, others capes
Guardafui, Bon, or Bajadore,
Others Dondra head, others pass the straits of Sunda, others cape
Lopatka, others Behring's straits,
Others cape Horn, others sail the gulf of Mexico or along Cuba or
Hayti, others Hudson's bay or Baffin's bay,
Others pass the straits of Dover, others enter the Wash, others the
firth of Solway, others round cape Clear, others the Land's End,
Others traverse the Zuyder Zee or the Scheld,
Others as comers and goers at Gibraltar or the Dardanelles,
Others sternly push their way through the northern winter-packs,
Others descend or ascend the Obi or the Lena,
Others the Niger or the Congo, others the Indus, the Burampooter
and Cambodia,
Others wait steam'd up ready to start in the ports of Australia,
Wait at Liverpool, Glasgow, Dublin, Marseilles, Lisbon, Naples,
Hamburg, Bremen, Bordeaux, the Hague, Copenhagen,
Wait at Valparaiso, Rio Janeiro, Panama.

5

I see the tracks of the railroads of the earth,
I see them in Great Britain, I see them in Europe,
I see them in Asia and in Africa.

I see the electric telegraphs of the earth,
I see the filaments of the news of the wars, deaths, losses, gains,
passions, of my race.

I see the long river-stripes of the earth,
I see the Amazon and the Paraguay,
I see the four great rivers of China, the Amour, the Yellow River,
the Yiang-tse, and the Pearl,
I see where the Seine flows, and where the Danube, the Loire, the
Rhone, and the Guadalquiver flow,
I see the windings of the Volga, the Dnieper, the Oder,
I see the Tuscan going down the Arno, and the Venetian along the Po,
I see the Greek seaman sailing out of Egina bay.

6

I see the site of the old empire of Assyria, and that of Persia, and
that of India,
I see the falling of the Ganges over the high rim of Saukara.

I see the place of the idea of the Deity incarnated by avatars in
human forms,
I see the spots of the successions of priests on the earth, oracles,
sacrificers, brahmins, sabians, llamas, monks, muftis, exhorters,
I see where druids walk'd the groves of Mona, I see the mistletoe
and vervain,
I see the temples of the deaths of the bodies of Gods, I see the old
signifiers.

I see Christ eating the bread of his last supper in the midst of
youths and old persons,
I see where the strong divine young man the Hercules toil'd
faithfully and long and then died,
I see the place of the innocent rich life and hapless fate of the
beautiful nocturnal son, the full-limb'd Bacchus,
I see Kneph, blooming, drest in blue, with the crown of feathers on
his head,
I see Hermes, unsuspected, dying, well-belov'd, saying to the people
Do not weep for me,
This is not my true country, I have lived banish'd from my true
country, I now go back there,
I return to the celestial sphere where every one goes in his turn.

7

I see the battle-fields of the earth, grass grows upon them and
blossoms and corn,
I see the tracks of ancient and modern expeditions.

I see the nameless masonries, venerable messages of the unknown
events, heroes, records of the earth.

I see the places of the sagas,
I see pine-trees and fir-trees torn by northern blasts,
I see granite bowlders and cliffs, I see green meadows and lakes,
I see the burial-cairns of Scandinavian warriors,
I see them raised high with stones by the marge of restless oceans,
that the dead men's spirits when they wearied of their quiet
graves might rise up through the mounds and gaze on the tossing
billows, and be refresh'd by storms, immensity, liberty, action.

I see the steppes of Asia,
I see the tumuli of Mongolia, I see the tents of Kalmucks and Baskirs,
I see the nomadic tribes with herds of oxen and cows,
I see the table-lands notch'd with ravines, I see the jungles and deserts,
I see the camel, the wild steed, the bustard, the fat-tail'd sheep,
the antelope, and the burrowing wolf

I see the highlands of Abyssinia,
I see flocks of goats feeding, and see the fig-tree, tamarind, date,
And see fields of teff-wheat and places of verdure and gold.

I see the Brazilian vaquero,
I see the Bolivian ascending mount Sorata,
I see the Wacho crossing the plains, I see the incomparable rider of
horses with his lasso on his arm,
I see over the pampas the pursuit of wild cattle for their hides.

8

I see the regions of snow and ice,
I see the sharp-eyed Samoiede and the Finn,
I see the seal-seeker in his boat poising his lance,
I see the Siberian on his slight-built sledge drawn by dogs,
I see the porpoise-hunters, I see the whale-crews of the south
Pacific and the north Atlantic,
I see the cliffs, glaciers, torrents, valleys, of Switzerland—I
mark the long winters and the isolation.

I see the cities of the earth and make myself at random a part of them,
I am a real Parisian,
I am a habitan of Vienna, St. Petersburg, Berlin, Constantinople,
I am of Adelaide, Sidney, Melbourne,
I am of London, Manchester, Bristol, Edinburgh, Limerick,
I am of Madrid, Cadiz, Barcelona, Oporto, Lyons, Brussels, Berne,
Frankfort, Stuttgart, Turin, Florence,
I belong in Moscow, Cracow, Warsaw, or northward in Christiania or
Stockholm, or in Siberian Irkutsk, or in some street in Iceland,
I descend upon all those cities, and rise from them again.

10

I see vapors exhaling from unexplored countries,
I see the savage types, the bow and arrow, the poison'd splint, the
fetich, and the obi.
I see African and Asiatic towns,
I see Algiers, Tripoli, Derne, Mogadore, Timbuctoo, Monrovia,
I see the swarms of Pekin, Canton, Benares, Delhi, Calcutta, Tokio,
I see the Kruman in his hut, and the Dahoman and Ashantee-man in their huts,
I see the Turk smoking opium in Aleppo,
I see the picturesque crowds at the fairs of Khiva and those of Herat,
I see Teheran, I see Muscat and Medina and the intervening sands,
see the caravans toiling onward,
I see Egypt and the Egyptians, I see the pyramids and obelisks.
I look on chisell'd histories, records of conquering kings,
dynasties, cut in slabs of sand-stone, or on granite-blocks,
I see at Memphis mummy-pits containing mummies embalm'd,
swathed in linen cloth, lying there many centuries,
I look on the fall'n Theban, the large-ball'd eyes, the
side-drooping neck, the hands folded across the breast.

I see all the menials of the earth, laboring,
I see all the prisoners in the prisons,
I see the defective human bodies of the earth,
The blind, the deaf and dumb, idiots, hunchbacks, lunatics,
The pirates, thieves, betrayers, murderers, slave-makers of the earth,
The helpless infants, and the helpless old men and women.

I see male and female everywhere,
I see the serene brotherhood of philosophs,
I see the constructiveness of my race,
I see the results of the perseverance and industry of my race,
I see ranks, colors, barbarisms, civilizations, I go among them, I
mix indiscriminately,
And I salute all the inhabitants of the earth.

11

You whoever you are!
You daughter or son of England!
You of the mighty Slavic tribes and empires! you Russ in Russia!
You dim-descended, black, divine-soul'd African, large, fine-headed,
nobly-form'd, superbly destin'd, on equal terms with me!
You Norwegian! Swede! Dane! Icelander! you Prussian!
You Spaniard of Spain! you Portuguese!
You Frenchwoman and Frenchman of France!
You Belge! you liberty-lover of the Netherlands! (you stock whence I
myself have descended;)
You sturdy Austrian! you Lombard! Hun! Bohemian! farmer of Styria!
You neighbor of the Danube!
You working-man of the Rhine, the Elbe, or the Weser! you working-woman too!
You Sardinian! you Bavarian! Swabian! Saxon! Wallachian! Bulgarian!
You Roman! Neapolitan! you Greek!
You lithe matador in the arena at Seville!
You mountaineer living lawlessly on the Taurus or Caucasus!
You Bokh horse-herd watching your mares and stallions feeding!
You beautiful-bodied Persian at full speed in the saddle shooting
arrows to the mark!
You Chinaman and Chinawoman of China! you Tartar of Tartary!
You women of the earth subordinated at your tasks!
You Jew journeying in your old age through every risk to stand once
on Syrian ground!
You other Jews waiting in all lands for your Messiah!
You thoughtful Armenian pondering by some stream of the Euphrates!
you peering amid the ruins of Nineveh! you ascending mount Ararat!
You foot-worn pilgrim welcoming the far-away sparkle of the minarets
of Mecca!
You sheiks along the stretch from Suez to Bab-el-mandeb ruling your
families and tribes!
You olive-grower tending your fruit on fields of Nazareth, Damascus,
or lake Tiberias!
You Thibet trader on the wide inland or bargaining in the shops of Lassa!
You Japanese man or woman! you liver in Madagascar, Ceylon, Sumatra, Borneo!
All you continentals of Asia, Africa, Europe, Australia, indifferent
of place!
All you on the numberless islands of the archipelagoes of the sea!
And you of centuries hence when you listen to me!
And you each and everywhere whom I specify not, but include just the same!
Health to you! good will to you all, from me and America sent!

Each of us inevitable,
Each of us limitless—each of us with his or her right upon the earth,
Each of us allow'd the eternal purports of the earth,
Each of us here as divinely as any is here.

12

You Hottentot with clicking palate! you woolly-hair'd hordes!
You own'd persons dropping sweat-drops or blood-drops!
You human forms with the fathomless ever-impressive countenances of brutes!
You poor koboo whom the meanest of the rest look down upon for all
your glimmering language and spirituality!
You dwarf'd Kamtschatkan, Greenlander, Lapp!
You Austral negro, naked, red, sooty, with protrusive lip,
groveling, seeking your food!
You Caffre, Berber, Soudanese!
You haggard, uncouth, untutor'd Bedowee!
You plague-swarms in Madras, Nankin, Kaubul, Cairo!
You benighted roamer of Amazonia! you Patagonian! you Feejeeman!
I do not prefer others so very much before you either,
I do not say one word against you, away back there where you stand,
(You will come forward in due time to my side.)

13

My spirit has pass'd in compassion and determination around the whole earth,
I have look'd for equals and lovers and found them ready for me in
all lands,
I think some divine rapport has equalized me with them.

You vapors, I think I have risen with you, moved away to distant
continents, and fallen down there, for reasons,
I think I have blown with you you winds;
You waters I have finger'd every shore with you,
I have run through what any river or strait of the globe has run through,
I have taken my stand on the bases of peninsulas and on the high
embedded rocks, to cry thence:

What cities the light or warmth penetrates I penetrate those cities myself,
All islands to which birds wing their way I wing my way myself.

Toward you all, in America's name,
I raise high the perpendicular hand, I make the signal,
To remain after me in sight forever,
For all the haunts and homes of men.
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Re: Leaves of Grass, by Walt Whitman

Postby admin » Sun Sep 20, 2015 5:58 am

BOOK 7

Song of the Open Road

1

Afoot and light-hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose.

Henceforth I ask not good-fortune, I myself am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing,
Done with indoor complaints, libraries, querulous criticisms,
Strong and content I travel the open road.

The earth, that is sufficient,
I do not want the constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to them.

(Still here I carry my old delicious burdens,
I carry them, men and women, I carry them with me wherever I go,
I swear it is impossible for me to get rid of them,
I am fill'd with them, and I will fill them in return.)

2

You road I enter upon and look around, I believe you are not all
that is here,
I believe that much unseen is also here.

Here the profound lesson of reception, nor preference nor denial,
The black with his woolly head, the felon, the diseas'd, the
illiterate person, are not denied;
The birth, the hasting after the physician, the beggar's tramp, the
drunkard's stagger, the laughing party of mechanics,
The escaped youth, the rich person's carriage, the fop, the eloping couple,
The early market-man, the hearse, the moving of furniture into the
town, the return back from the town,
They pass, I also pass, any thing passes, none can be interdicted,
None but are accepted, none but shall be dear to me.

3

You air that serves me with breath to speak!
You objects that call from diffusion my meanings and give them shape!
You light that wraps me and all things in delicate equable showers!
You paths worn in the irregular hollows by the roadsides!
I believe you are latent with unseen existences, you are so dear to me.

You flagg'd walks of the cities! you strong curbs at the edges!
You ferries! you planks and posts of wharves! you timber-lined
side! you distant ships!
You rows of houses! you window-pierc'd facades! you roofs!
You porches and entrances! you copings and iron guards!
You windows whose transparent shells might expose so much!
You doors and ascending steps! you arches!
You gray stones of interminable pavements! you trodden crossings!
From all that has touch'd you I believe you have imparted to
yourselves, and now would impart the same secretly to me,
From the living and the dead you have peopled your impassive surfaces,
and the spirits thereof would be evident and amicable with me.

4

The earth expanding right hand and left hand,
The picture alive, every part in its best light,
The music falling in where it is wanted, and stopping where it is
not wanted,
The cheerful voice of the public road, the gay fresh sentiment of the road.

O highway I travel, do you say to me Do not leave me?
Do you say Venture not—if you leave me you are lost?
Do you say I am already prepared, I am well-beaten and undenied,
adhere to me?

O public road, I say back I am not afraid to leave you, yet I love you,
You express me better than I can express myself,
You shall be more to me than my poem.

I think heroic deeds were all conceiv'd in the open air, and all
free poems also,
I think I could stop here myself and do miracles,
I think whatever I shall meet on the road I shall like, and whoever
beholds me shall like me,
I think whoever I see must be happy.

5

From this hour I ordain myself loos'd of limits and imaginary lines,
Going where I list, my own master total and absolute,
Listening to others, considering well what they say,
Pausing, searching, receiving, contemplating,
Gently, but with undeniable will, divesting myself of the holds that
would hold me.

I inhale great draughts of space,
The east and the west are mine, and the north and the south are mine.

I am larger, better than I thought,
I did not know I held so much goodness.

All seems beautiful to me,
can repeat over to men and women You have done such good to me
I would do the same to you,
I will recruit for myself and you as I go,
I will scatter myself among men and women as I go,
I will toss a new gladness and roughness among them,
Whoever denies me it shall not trouble me,
Whoever accepts me he or she shall be blessed and shall bless me.

6

Now if a thousand perfect men were to appear it would not amaze me,
Now if a thousand beautiful forms of women appear'd it would not
astonish me.

Now I see the secret of the making of the best persons,
It is to grow in the open air and to eat and sleep with the earth.

Here a great personal deed has room,
(Such a deed seizes upon the hearts of the whole race of men,
Its effusion of strength and will overwhelms law and mocks all
authority and all argument against it.)

Here is the test of wisdom,
Wisdom is not finally tested in schools,
Wisdom cannot be pass'd from one having it to another not having it,
Wisdom is of the soul, is not susceptible of proof, is its own proof,
Applies to all stages and objects and qualities and is content,
Is the certainty of the reality and immortality of things, and the
excellence of things;
Something there is in the float of the sight of things that provokes
it out of the soul.

Now I re-examine philosophies and religions,
They may prove well in lecture-rooms, yet not prove at all under the
spacious clouds and along the landscape and flowing currents.

Here is realization,
Here is a man tallied—he realizes here what he has in him,
The past, the future, majesty, love—if they are vacant of you, you
are vacant of them.

Only the kernel of every object nourishes;
Where is he who tears off the husks for you and me?
Where is he that undoes stratagems and envelopes for you and me?

Here is adhesiveness, it is not previously fashion'd, it is apropos;
Do you know what it is as you pass to be loved by strangers?
Do you know the talk of those turning eye-balls?

7

Here is the efflux of the soul,
The efflux of the soul comes from within through embower'd gates,
ever provoking questions,
These yearnings why are they? these thoughts in the darkness why are they?
Why are there men and women that while they are nigh me the sunlight
expands my blood?
Why when they leave me do my pennants of joy sink flat and lank?
Why are there trees I never walk under but large and melodious
thoughts descend upon me?
(I think they hang there winter and summer on those trees and always
drop fruit as I pass;)
What is it I interchange so suddenly with strangers?
What with some driver as I ride on the seat by his side?
What with some fisherman drawing his seine by the shore as I walk by
and pause?
What gives me to be free to a woman's and man's good-will? what
gives them to be free to mine?

8

The efflux of the soul is happiness, here is happiness,
I think it pervades the open air, waiting at all times,
Now it flows unto us, we are rightly charged.

Here rises the fluid and attaching character,
The fluid and attaching character is the freshness and sweetness of
man and woman,
(The herbs of the morning sprout no fresher and sweeter every day
out of the roots of themselves, than it sprouts fresh and sweet
continually out of itself.)

Toward the fluid and attaching character exudes the sweat of the
love of young and old,
From it falls distill'd the charm that mocks beauty and attainments,
Toward it heaves the shuddering longing ache of contact.

9

Allons! whoever you are come travel with me!
Traveling with me you find what never tires.

The earth never tires,
The earth is rude, silent, incomprehensible at first, Nature is rude
and incomprehensible at first,
Be not discouraged, keep on, there are divine things well envelop'd,
I swear to you there are divine things more beautiful than words can tell.

Allons! we must not stop here,
However sweet these laid-up stores, however convenient this dwelling
we cannot remain here,
However shelter'd this port and however calm these waters we must
not anchor here,
However welcome the hospitality that surrounds us we are permitted
to receive it but a little while.

10

Allons! the inducements shall be greater,
We will sail pathless and wild seas,
We will go where winds blow, waves dash, and the Yankee clipper
speeds by under full sail.

Allons! with power, liberty, the earth, the elements,
Health, defiance, gayety, self-esteem, curiosity;
Allons! from all formules!
From your formules, O bat-eyed and materialistic priests.

The stale cadaver blocks up the passage—the burial waits no longer.

Allons! yet take warning!
He traveling with me needs the best blood, thews, endurance,
None may come to the trial till he or she bring courage and health,
Come not here if you have already spent the best of yourself,
Only those may come who come in sweet and determin'd bodies,
No diseas'd person, no rum-drinker or venereal taint is permitted here.

(I and mine do not convince by arguments, similes, rhymes,
We convince by our presence.)

11

Listen! I will be honest with you,
I do not offer the old smooth prizes, but offer rough new prizes,
These are the days that must happen to you:
You shall not heap up what is call'd riches,
You shall scatter with lavish hand all that you earn or achieve,
You but arrive at the city to which you were destin'd, you hardly
settle yourself to satisfaction before you are call'd by an
irresistible call to depart,
You shall be treated to the ironical smiles and mockings of those
who remain behind you,
What beckonings of love you receive you shall only answer with
passionate kisses of parting,
You shall not allow the hold of those who spread their reach'd hands
toward you.

12

Allons! after the great Companions, and to belong to them!
They too are on the road—they are the swift and majestic men—they
are the greatest women,
Enjoyers of calms of seas and storms of seas,
Sailors of many a ship, walkers of many a mile of land,
Habitues of many distant countries, habitues of far-distant dwellings,
Trusters of men and women, observers of cities, solitary toilers,
Pausers and contemplators of tufts, blossoms, shells of the shore,
Dancers at wedding-dances, kissers of brides, tender helpers of
children, bearers of children,
Soldiers of revolts, standers by gaping graves, lowerers-down of coffins,
Journeyers over consecutive seasons, over the years, the curious
years each emerging from that which preceded it,
Journeyers as with companions, namely their own diverse phases,
Forth-steppers from the latent unrealized baby-days,
Journeyers gayly with their own youth, journeyers with their bearded
and well-grain'd manhood,
Journeyers with their womanhood, ample, unsurpass'd, content,
Journeyers with their own sublime old age of manhood or womanhood,
Old age, calm, expanded, broad with the haughty breadth of the universe,
Old age, flowing free with the delicious near-by freedom of death.

13

Allons! to that which is endless as it was beginningless,
To undergo much, tramps of days, rests of nights,
To merge all in the travel they tend to, and the days and nights
they tend to,
Again to merge them in the start of superior journeys,
To see nothing anywhere but what you may reach it and pass it,
To conceive no time, however distant, but what you may reach it and pass it,
To look up or down no road but it stretches and waits for you,
however long but it stretches and waits for you,
To see no being, not God's or any, but you also go thither,
To see no possession but you may possess it, enjoying all without
labor or purchase, abstracting the feast yet not abstracting one
particle of it,
To take the best of the farmer's farm and the rich man's elegant
villa, and the chaste blessings of the well-married couple, and
the fruits of orchards and flowers of gardens,
To take to your use out of the compact cities as you pass through,
To carry buildings and streets with you afterward wherever you go,
To gather the minds of men out of their brains as you encounter
them, to gather the love out of their hearts,
To take your lovers on the road with you, for all that you leave
them behind you,
To know the universe itself as a road, as many roads, as roads for
traveling souls.

All parts away for the progress of souls,
All religion, all solid things, arts, governments—all that was or is
apparent upon this globe or any globe, falls into niches and corners
before the procession of souls along the grand roads of the universe.

Of the progress of the souls of men and women along the grand roads of
the universe, all other progress is the needed emblem and sustenance.

Forever alive, forever forward,
Stately, solemn, sad, withdrawn, baffled, mad, turbulent, feeble,
dissatisfied,
Desperate, proud, fond, sick, accepted by men, rejected by men,
They go! they go! I know that they go, but I know not where they go,
But I know that they go toward the best—toward something great.

Whoever you are, come forth! or man or woman come forth!
You must not stay sleeping and dallying there in the house, though
you built it, or though it has been built for you.

Out of the dark confinement! out from behind the screen!
It is useless to protest, I know all and expose it.

Behold through you as bad as the rest,
Through the laughter, dancing, dining, supping, of people,
Inside of dresses and ornaments, inside of those wash'd and trimm'd faces,
Behold a secret silent loathing and despair.

No husband, no wife, no friend, trusted to hear the confession,
Another self, a duplicate of every one, skulking and hiding it goes,
Formless and wordless through the streets of the cities, polite and
bland in the parlors,
In the cars of railroads, in steamboats, in the public assembly,
Home to the houses of men and women, at the table, in the bedroom,
everywhere,
Smartly attired, countenance smiling, form upright, death under the
breast-bones, hell under the skull-bones,
Under the broadcloth and gloves, under the ribbons and artificial flowers,
Keeping fair with the customs, speaking not a syllable of itself,
Speaking of any thing else but never of itself.

14

Allons! through struggles and wars!
The goal that was named cannot be countermanded.

Have the past struggles succeeded?
What has succeeded? yourself? your nation? Nature?
Now understand me well—it is provided in the essence of things that
from any fruition of success, no matter what, shall come forth
something to make a greater struggle necessary.

My call is the call of battle, I nourish active rebellion,
He going with me must go well arm'd,
He going with me goes often with spare diet, poverty, angry enemies,
desertions.

15

Allons! the road is before us!
It is safe—I have tried it—my own feet have tried it well—be not
detain'd!
Let the paper remain on the desk unwritten, and the book on the
shelf unopen'd!
Let the tools remain in the workshop! let the money remain unearn'd!
Let the school stand! mind not the cry of the teacher!
Let the preacher preach in his pulpit! let the lawyer plead in the
court, and the judge expound the law.

Camerado, I give you my hand!
I give you my love more precious than money,
I give you myself before preaching or law;
Will you give me yourself? will you come travel with me?
Shall we stick by each other as long as we live?
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