Mysticism at the Dawn of the Modern Age, by Rudolf Steiner

That's French for "the ancient system," as in the ancient system of feudal privileges and the exercise of autocratic power over the peasants. The ancien regime never goes away, like vampires and dinosaur bones they are always hidden in the earth, exercising a mysterious influence. It is not paranoia to believe that the elites scheme against the common man. Inform yourself about their schemes here.

Re: Mysticism at the Dawn of the Modern Age, by Rudolf Stein

Postby admin » Tue Mar 27, 2018 3:03 am

Valentin Weigel and Jacob Boehme

Paracelsus was primarily concerned with developing ideas about nature that breathe the spirit of the higher cognition he advocated. A kindred thinker who applied the same way of thinking to man's own nature in particular is Valentin Weigel (1533–1588). He grew out of Protestant theology as Eckhart, Tauler, and Suso grew out of Catholic theology. He had precursors in Sebastian Frank and Caspar Schwenckfeldt. They emphasized the deepening of the inner life, in contrast to the church dogma with its attachment to an external creed. For them it is not the Jesus whom the Gospels preach who is of value, but the Christ who can be born in every man out of his deeper nature, and who is to be his deliverer from the lower life and his leader in the ascent to the ideal. Weigel quietly and modestly administered his incumbency in Zschopau. It is only from his posthumous writings printed in the seventeenth century that one discovers something about the significant ideas he had developed concerning the nature of man. (Of his writings we shall mention here: Der güldene Griff, Alle Ding ohne Irrthumb zu erkennen, vielen Hochgelährten unbekannt, und doch allen Menschen nothwendig zu wissen, The Golden art of Knowing Everything without Error, unknown to Many of the Learned, and yet Necessary for all Men to Know. — Erkenne dich selber, Know Thyself. — Vom Ort der Welt, Of the Place of the World.) Weigel is anxious to come to a clear idea of his relationship to the teachings of the Church. This leads him to investigate the foundations of all cognition. Man can only decide whether he can know something through a creed if he understands how he knows. Weigel takes his departure from the lowest kind of cognition. He asks himself, How do I apprehend a sensory thing when it confronts me? From there he hopes to be able to ascend to the point where he can give an account of the highest cognition. — In sensory apprehension the instrument (sense organ) and the thing, the “counterpart,” confront each other. “Since in natural perception there must be two things, namely the object or counterpart, which is to be perceived and seen by the eye, and the eye, or the perceiver, which sees and perceives the object, therefore, consider the question, Does the perception come from the object into the eye, or does the judgment, and the perception, flow from the eye into the object.” (Der güldene Griff, chap. 9) Now Weigel says to himself, If the perception flowed from the counterpart (thing) into the eye, then, of one and the same thing, the same complete perception would of necessity have to arise in all eyes. But this is not the case; rather, everyone sees according to his eyes. Only the eyes, not the counterpart, can be responsible for the fact that many different conceptions of one and the same thing are possible. In order to make the matter clear, Weigel compares seeing with reading. If the book did not exist of course I could not read it; but it could be there, and I would still not be able to read anything in it if I did not know the art of reading. Thus the book must be there, but of itself it cannot give me anything at all; everything that I read I must bring forth out of myself. That is also the nature of natural (sensory) perception. Color exists as a “counterpart;” but out of itself it cannot give the eye anything. On its own, the eye must perceive what color is. The color is no more in the eye than the content of the book is in the reader. If the content of the book were in the reader, he would not have to read it. Nevertheless, in reading, this content does not flow out of the book, but out of the reader. It is the same with the sensory object. What this sensory object is outside, does not flow into man from the outside, but rather from the inside. — On the basis of these ideas one could say, If all perception flows from man into the object, then one does not perceive what is in the object, but only what is in man himself. A detailed elaboration of this train of thought is presented in the views of Immanuel Kant (1724–1804). (I have shown the erroneous aspect of this train of thought in my book, Die Philosophie der Freiheit, Philosophy of Spiritual Activity. Here I must confine myself to saying that with this simple, straightforward way of thinking Valentin Weigel stands on a much higher level than Kant.) — Weigel says to himself, Although perception flows from man yet it is only the nature of the counterpart which emerges from the latter by way of man. As it is the content of the book which I discover by reading and not my own, so it is the color of the counterpart which I discover through the eye, not the color which is in the eye, or in me. On his own path Weigel thus comes to a conclusion which we have already encountered in the thinking of Nicolas of Cusa. In his way Weigel has elucidated the nature of sensory perception for himself. He has attained the conviction that everything external things have to tell us can only flow out from within ourselves. Man cannot remain passive if he wants to perceive the things of the senses, and be content with letting them act upon him; he must be active, and bring this perception out of himself. The counterpart alone awakens the perception in the spirit. Man ascends to higher cognition when the spirit becomes its own object. In considering sensory perception, one can see that no cognition can flow into man from the outside. Therefore the higher cognition cannot come from the outside, but can only be awakened within man. Hence there can be no external revelation, but only an inner awakening. And as the external counterpart waits until man confronts it, in whom it can express its nature, so must man wait, when he wants to be his own counterpart, until the cognition of his nature is awakened in him. While in the sensory perception man must be active in order to present the counterpart with its nature, in the higher cognition he must remain passive, because now he is the counterpart. He must receive his nature within himself. Because of this the cognition of the spirit appears to him as an illumination from on high. In contrast with the sensory perception, Weigel therefore calls the higher cognition the “light of grace.” This “light of grace” is in reality nothing but the self-cognition of the spirit in man, or the rebirth of knowledge on the higher level of seeing. — As Nicolas of Cusa, in pursuing his road from knowing to seeing, does not really let the knowledge acquired by him be reborn on a higher level, but is deceived into regarding the church creed, in which he had been educated, as this rebirth, so is this the case with Weigel too. He finds his way to the right road, and loses it again at the moment he enters upon it. One who wants to walk the road which Weigel indicates can regard the latter as a leader only up to its starting-point.

What we encounter in the works of the master shoemaker of Görlitz, Jacob Boehme (1575–1624), is like the jubilation of nature, which, at the peak of its development, admires its essence. Before us appears a man whose words have wings, woven out of the blissful feeling that he sees the knowledge in himself shining as higher wisdom. Jacob Boehme describes his condition as a devotion which only desires to be wisdom, and as a wisdom which desires to live in devotion alone: “When I wrestled and fought, with God's assistance, there arose a wondrous light in my soul which was altogether foreign to wild nature, and by which I first understood what God and man are, and what God has to do with man.” Jacob Boehme no longer feels himself to be a separate personality which utters its insights; he feels himself to be an organ of the great universal spirit which speaks in him. The limits of his personality do not appear to him as limits of the spirit which speaks out of him. For him this spirit is omnipresent. He knows that “the sophist will censure him” when he speaks of the beginning of the world and of its creation, “since I was not there and did not see it myself. Let him be told that in the essence of my soul and body, when I was not yet the I, but Adam's essence, I was indeed there, and that I myself have forfeited my felicity in Adam.” It is only in external similes that Boehme can intimate how the light broke forth within himself. When as a boy he once is on the summit of a mountain, above where great red stones seem to close the mountain off, he sees an open entrance, and in its depths a vessel containing gold. He is overcome with awe, and goes his way without touching the treasure. Later he is serving his apprenticeship with a shoemaker in Görlitz. A stranger walks into the store and asks for a pair of shoes. Boehme is not allowed to sell them to him in the master's absence. The stranger leaves, but after a while calls the apprentice outside and says to him, Jacob, you are little, but one day you will become an altogether different man, at whom the world will be filled with astonishment. At a more mature period of his life Jacob Boehme sees the sunshine reflected in a burnished pewter vessel; the sight which confronts him seems to him to reveal a profound mystery. From the time he experiences this manifestation he believes himself to be in possession of the key to the mysterious language of nature. — He lives as a spiritual hermit, supporting himself modestly by his trade, and at the same time setting down, as if for his own memory, the notes which sound in him when he feels the spirit within himself. The zealotry of priestly fanaticism makes his life difficult. He wants to read only that scripture which the light within himself illuminates for him, but is pursued and tormented by those to whom only the external scripture, the rigid, dogmatic creed, is accessible.

Jacob Boehme is filled with a restlessness which impels him toward cognition, because a universal mystery lives in his soul. He feels himself to be immersed in a divine harmony with his spirit, but when he looks around him he sees disharmony everywhere in the divine works. To man belongs the light of wisdom, yet he is exposed to error; there lives in him the impulse toward the good, and yet the dissonance of evil can be heard throughout the course of human development. Nature is governed by great natural laws, and yet its harmony is disturbed by superfluities and by the wild struggle of the elements. How is the disharmony in the harmonious, universal whole to be understood? This question torments Jacob Boehme. It comes to occupy the center of his world of ideas. He wants to attain a conception of the universal whole which includes the inharmonious too. For how can a conception explain the world which leaves the existing inharmonious elements aside, unexplained? Disharmony must be explained through harmony, evil through good itself. In speaking of these things, let us limit ourselves to good and evil; in the latter, disharmony in the narrower sense finds its expression in human life. For this is what Jacob Boehme basically limits himself to. He can do this, for to him nature and man appear as one essence. He sees similar laws and processes in both. The non-functional is for him an evil in nature, just as the evil is for him something non-functional in human destiny. Here and there it is the same basic forces which are at work. To one who has understood the origin of evil in man, the origin of evil in nature is also plain. — How is it possible for evil as well as for good to flow out of the same primordial essence? If one speaks in the spirit of Jacob Boehme, one gives the following answer: The primordial essence does not exist in itself alone. The diversity of the world participates in this existence. As the human body does not live its life as a single part, but as a multiplicity of parts, so too does the primordial essence. And as human life is poured into this multiplicity of parts, so is the primordial essence poured into the diversity of the things of this world. Just as it is true that the whole man has one life, so is it true that each part has its own life. And it no more contradicts the whole harmonious life of man that his hand should turn against his own body and wound it, than it is impossible that the things of the world, which live the life of the primordial essence in their own way, should turn against one another. Thus the primordial life, in distributing itself over different lives, bestows upon each life the capacity of turning itself against the whole. It is not out of the good that the evil flows, but out of the manner in which the good lives. As the light can only shine when it penetrates the darkness, so the good can only come to life when it permeates its opposite. Out of the “abyss” of darkness shines the light; out of the “abyss” of the indifferent, the good brings itself forth. And as in the shadow it is only brightness which requires a reference to light, while the darkness is felt to be self-evident, as something that weakens the light, so too in the world it is only the lawfulness in all things which is sought, and the evil, the non-functional, which is accepted as the self-evident. Hence, although for Jacob Boehme the primordial essence is the All, nothing in the world can be understood unless one keeps in sight both the primordial essence and its opposite. “The good has swallowed the evil or the repugnant into itself ... Every being has good and evil within itself; and in its development, having to decide between them, it becomes an opposition of qualities, since one of them seeks to overcome the other.” It is therefore entirely in the spirit of Jacob Boehme to see both good and evil in every object and process of the world; but it is not in his spirit to seek the primordial essence without further ado in the mixture of the good with the evil. The primordial essence had to swallow the evil, but the evil is not a part of the primordial essence. Jacob Boehme seeks the primordial foundation of the world, but the world itself arose out of the abyss by means of the primordial foundation. “The external world is not God, and in eternity is not to be called God, but is only a being in which God reveals Himself ... When one says, God is everything, God is heaven and earth and also the external world, then this is true; for everything has its origin from Him and in Him. But what am I to do with such a saying that is not a religion?” — With this conception as a background, his ideas about the nature of the world developed in Jacob Boehme's spirit in such a way that he lets the lawful world arise out of the abyss in a succession of stages. This world is built up in seven natural forms. The primordial essence receives a form in dark acerbity, silently enclosed within itself and motionless. It is under the symbol of salt that Boehme conceives this acerbity. With such designations he leans upon Paracelsus, who has borrowed the names for the process of nature from the chemical processes (cf. above). By swallowing its opposite, the first natural form takes on the shape of the second; the harsh and motionless takes on motion; energy and life enter into it. Mercury is the symbol for this second form. In the struggle of stillness with motion, of death with life, the third natural form (sulphur) appears. This life, with its internal struggle, is revealed to itself; henceforth it does not live in an external struggle of its parts; like a uniformly shining lightning, illuminating itself, it thrills through its own being (fire). This fourth natural form ascends to the fifth, the living struggle of the parts reposing within itself (water). On this level exists an inner acerbity and silence as on the first, only it is not an absolute quiet, a silence of the inner contrasts, but an inner movement of the contrasts. It is not the quiet which reposes within itself, but which has motion, which was kindled by the fiery lightning of the fourth stage. On the sixth level, the primordial essence itself becomes aware of itself as such an inner life; it perceives itself through sense organs. It is the living organisms, endowed with senses, which represent this natural form. Jacob Boehme calls it sound or resonance, and thus sets up the sensory impression of hearing as a symbol for sensory perception in general. The seventh natural form is the spirit elevating itself by virtue of its sensory perceptions (wisdom). It finds itself again as itself, as the primordial foundation, within the world which has grown out of the abyss and shaped itself out of harmonious and inharmonious elements. “The Holy Ghost brings the splendor of majesty into the entity in which the Divinity stands revealed.” — With such conceptions Jacob Boehme seeks to fathom that world which, in accordance with the knowledge of his time, appears to him as the real one. For him facts are what the natural science of his time and the Bible regard as such. His way of thinking is one thing, his world of facts another. One can imagine the former as applied to a quite different factual knowledge. And thus there appears before our mind a Jacob Boehme who could also be living at the turn of the nineteenth to the twentieth century. Such a man would not penetrate with his thinking the biblical story of the Creation and the struggle of the angels with the devils, but rather Lyell's geological insights and the “natural history of creation” of Haeckel. One who penetrates to the spirit of Jacob Boehme's writings must come to this conviction.* (We shall mention the most important of these writings: Die Morgenröthe im Aufgang, The Coming of the Dawn. Die drei Prinzipien göttlichen Wesens, The Three Principles of the Divine Essence. Vom dreifachen Leben des Menschen, Of the Threefold Life of Man. Das umgewandte Auge, The Eye Turned Upon Itself. Signatura rerum oder von der Geburt und Bezeichnung aller Wesen, Signatura rerum or of the birth and designation of all beings. Mysterium magnum.)

* This sentence must not be understood as meaning that the investigation of the Bible and of the spiritual world would be an aberration at the present time; what is meant is that a “Jacob Boehme of the nineteenth century” would be led by paths similar to those which led the one of the sixteenth century to the Bible, to the “natural history of creation.” But from there he would press forward to the spiritual world.
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Re: Mysticism at the Dawn of the Modern Age, by Rudolf Stein

Postby admin » Tue Mar 27, 2018 3:03 am

Giordano Bruno and Angelus Silesius

In the first decade of the sixteenth century, at Castle Heilsberg in Prussia, the scientific genius of Nicolas Copernicus (1473–1543) is erecting an edifice of ideas which will compel men of succeeding epochs to look up to the starry heavens with conceptions different from those which their ancestors had in antiquity and in the Middle Ages. To the latter, the earth was a dwelling-place resting at the center of the universe. The stars, on the other hand, were for them entities of a perfect nature, the movement of which proceeded in circles because the circle is the image of perfection. — In what the stars showed to the human senses one saw something belonging directly to the soul or the spirit. The objects and events of the earth spoke one language to man; another language was spoken by the shining stars which, in the pure ether beyond the moon, seemed to be a spiritual being that filled space. Nicolas of Cusa had already formed different ideas. Through Copernicus the earth became for man a fellow creation among the other heavenly bodies, a star that moved like others. Everything in the earth which appeared to man as being different, he could now attribute only to the fact that it is his dwelling-place. He was compelled to stop thinking in different ways about the phenomena of this earth and about those of the remainder of the universe. His sensory world had expanded into furthest space. What reached his eye from the ether he now had to accept as belonging to the sensory world, like the things of the earth. He could no longer seek the spirit in the ether in a sensory fashion.

All who henceforth strove for higher cognition had to come to terms with this expanded sensory world. In earlier centuries, the meditating spirit of man had stood before another world of facts. Now it was given a new task. It was no longer the things of this earth alone which could express their nature out of the interior of man. This interior had to enfold the spirit of a sensory world, which fills the spatial universe everywhere in an identical fashion. — It was such a task that confronted the thinker from Nola, Philotheo Giordano Bruno (1548–1600). The senses have conquered the spatial universe for themselves; now the spirit is no longer to be found in space. Thus man was directed from outside to seek the spirit henceforth only where, on the basis of deep inner experiences, it had been sought by the glorious thinkers who have been discussed in the preceding expositions. These thinkers draw out of themselves a conception of the world to which men later are to be compelled by a more advanced natural science. The sun of ideas which later is to fall upon a new conception of nature, with them is still beneath the horizon, but its light already appears as a dawn in a time when men's thoughts about nature are still enveloped in the darkness of night. — For the purposes of science the sixteenth century gave the heavens to that world of the senses to which they rightfully belong; up to the end of the nineteenth century this science had progressed so far that from among the phenomena of plant, animal, and human life also it could give to the world of sensory facts what belongs to it. Neither up in the ether nor in the development of living organisms can this science henceforth look for anything but factual-sensory processes. As the thinker of the sixteenth century had to say: The earth is a star among stars, subject to the same laws as other stars, so the thinker of the nineteenth century must say, “Whatever his origin and his future may be, for anthropology man is only a mammal; specifically he is that mammal whose organization, needs, and diseases are the most complicated, and whose brain with its wonderful capacity, has reached the highest degree of development.” (Paul Topinard, Anthropologie, Anthropology, Leipzig, 1888, p. 528.) — On the basis of this point of view attained by science, a confusion of the spiritual with the sensory can no longer take place, if man understands himself aright. An advanced science makes it impossible to seek in nature a spirit conceived along the lines of the material, just as sound thinking forces us to seek the cause of the advance of the hands of a clock in the laws of mechanics (the spirit of inorganic nature), not in a special demon who causes the movement of the hands. As a scientist, Ernst Haeckel justifiably had to reject the clumsy conception of a God thought of in the same way as something material. “In the higher and more abstract forms of religion this corporeal manifestation is abandoned, and God is worshiped only as ‘pure spirit,’ without body. ‘God is a spirit and he who worships Him must worship Him in spirit and in truth.’ Nevertheless, the spiritual activity of this pure spirit is exactly the same as that of the anthropomorphous, divine personality. In reality this immaterial spirit too is not thought of as incorporeal, but as invisible, gaseous. We thus come to the paradoxical conception of God as a gaseous vertebrate.” (Haeckel, Welträtsel, The Riddle of the Universe, p. 333.) In reality, a sensory-factual existence of something spiritual can only be assumed where an immediate sensory experience shows the spiritual; and only that degree of the spiritual can be assumed which is perceived in this manner. The excellent thinker, B. Carneri, could say (in the work, Empfindung und Bewusstsein, Sensation and Consciousness, p. 15): “The sentence, No spirit without matter, but also no matter without spirit — would justify us in extending the problem also to plants, or even to the first rock we come across, where hardly anything could be said in favor of this correlation.” Spiritual processes, as facts, are the results of different functions of an organism; the spirit of the world does not exist in the world in a material manner, but only in a spiritual manner. The soul of man is a sum of processes in which the spirit appears most immediately as a fact. But it is only in man that the spirit exists in the form of such a soul. And to seek the spirit in the form of a soul elsewhere than in man, to think of other beings as endowed with a soul like man, is to misunderstand the spirit; it is to commit the most grievous sin against the spirit. One who does this, only shows that he has not experienced the spirit itself within him; he has only experienced the external manifestation of the spirit that holds sway in him: that is, the soul. But this is just as if somebody were to mistake a circle drawn in pencil for the true mathematical-ideal circle. One who does not experience within himself anything but the soul-form of the spirit, feels impelled to assume such a soul-form also in non-human things, in order not to have to stop at gross sensory materiality. Instead of thinking of the primordial foundation of the world as spirit, he thinks of it as a world soul, and assumes a general animation of nature.

Giordano Bruno, under the impact of the new Copernican conception of nature, could grasp the spirit in the world, from which it had been expelled in its old form, only as a world soul. When one immerses oneself in Bruno's writings (especially in his profound book, Of the Cause, the Principle, and the One) one has the impression that he thought of things as being animated, although in different degrees. He has not in reality experienced the spirit within himself; therefore he imagines it in terms of the human soul, in which form alone it has confronted him. When he speaks of the spirit he understands it in this way. “The universal reason is the innermost, most real, and most characteristic faculty, and is a potential part of the world soul; it is something everywhere identical, which fills the All, illuminates the universe, and instructs nature in bringing forth its species as they should be.” It is true that in these sentences the spirit is not described as a “gaseous vertebrate,” but as a being like the human soul. “A thing however small and minute, has within itself a portion of spiritual substance which, if it finds the substratum to be suitable, strives to become a plant or an animal, and organizes itself into a body of some kind, which is generally called animated. For spirit is to be found in all things, and there is not the most minute body which does not contain such a portion of it that it animates itself.” — Because Giordano Bruno had not really experienced the spirit as spirit within himself, he could confuse the life of the spirit with the external mechanical functions by means of which Raimon Lull (1235–1315), in his so-called Great Art had attempted to unveil the mysteries of the spirit. A modern philosopher, Franz Brentano, describes this Great Art as follows: “On concentric, individually turnable circular disks various concepts were inscribed, and then the most diverse combinations were produced by this means.” What coincidence superimposed upon a particular turn, was formed into a judgment about the highest truths. And in his many wanderings about Europe, Giordano Bruno appeared at various universities as a teacher of this Great Art. He had the boldness to think of the stars as worlds that are completely analogous to our earth; he enlarged the vision of scientific thinking beyond the earth; he no longer thought of the heavenly bodies as corporeal spirits, but he still thought of them as spirits of the soul. One must not do an injustice to this man whom the Catholic church made to atone for his advanced ideas with death. It was an enormous achievement to enfold the whole heavens in the same conception of the world that up to that time had been applied only to the things of the earth, even though Bruno still thought of the sensory as of something belonging to the soul. —

As a personality that made what Tauler, Weigel, Jacob Boehme and others had prepared shine once more in a great spiritual harmony, Johann Scheffler, called Angelus Silesius (1624–1677) appeared in the seventeenth century. The ideas of the above-mentioned thinkers appear in his book, Cherubinischer Wandersmann, Geistreiche Sinn-und Schlussreime, Cherubinic Wanderer, Ingenious Aphorisms in Rhymes, as though gathered in a spiritual focus and shining with a heightened luminosity. And everything Angelus Silesius utters appears as such an immediate, spontaneous revelation of his personality that it is as though this man had been destined by a special providence to embody wisdom in a personal form. The spontaneous way in which he lives his wisdom is shown by the fact that he expresses it in sayings which are also admirable for their artistic form. He floats above all earthly existence like a spiritual being, and what he utters is like the breath of another world, cleansed from the very beginning of all those coarse and impure elements from which human wisdom can free itself at other times only with difficulty. — In the sense of Angelus Silesius only he partakes of true cognition who makes the eye of the All to see within himself; only he sees his acts in their true light who feels them to be performed within himself by the hand of the All: “God is the fire in me, and I the light in Him: do we not intimately belong to each other?” — “I am as rich as God; there is no grain of dust that I (Believe me, O Man) do not have in common with Him.” — “God loves me above Himself; if I love Him above myself I give Him as much as He gives me out of Himself.” — “The bird is in the air, the stone lies on the land; the fish lives in the water, my spirit in God's Hand.” — “If you are born of God, then God blossoms in you; and His divinity is your sap and your ornament.” — “Stop, whither are you running; Heaven is in you; if you seek God elsewhere you will forever miss Him.” — For one who feels himself to exist in the All in this way, every separation between himself and another being ceases; he no longer feels himself to be a separate individual; on the contrary, he feels everything about himself to be a part of the world, while his true essence is identical with this universe itself. “The world does not hold you; you yourself are the world that, in you and with you, keeps you so strongly prisoner.” — “Man does not have perfect bliss till the oneness has swallowed the otherness.” — “Man is all things: if he lacks one, he himself truly does not know his wealth.” — As a sensory being man is a thing among other things, and his sensory organs bring to him, as to a sensory individuality, sensory information about the things in space and time outside of him; but when the spirit speaks in man, then there is no outside and no inside; nothing that is spiritual is here and nothing is there; nothing is earlier, and nothing is later; space and time have disappeared in the contemplation of the universal spirit. It is only as long as man sees as an individual that he is here and the thing is there, and only as long as he sees as an individual, is this earlier and this later. “Man, if you let your spirit rise above place and time you can at every instant be in Eternity.” — “I myself am Eternity when I leave time, and gather myself together in God, and God in myself.” — “The rose which your external eye sees here, has bloomed like this in God through Eternity.” — “Sit down in the center, and you shall see everything at once: what happens now and then, here and in Heaven.” — “As long, my friend, as you have place and time in mind, you shall not grasp what God and Eternity are.” — “When man withdraws from multiplicity and communes with God, he reaches unity.” — With this the height has been climbed where man goes beyond his individual self and abolishes every contrast between the world and himself. A higher life begins for him. The inner experience which takes place in him appears to him like the death of the old life and a resurrection in the new. “When you raise yourself above yourself and let God act, then shall the Ascension take place in your spirit.” — “The body must elevate itself in the spirit, the spirit in God, if you, O Man, wish to live in Him forever in bliss.” — “As much as my I pines away and diminishes in me, so much is the Lord's I strengthened thereby.” — It is from this point of view that man can understand his significance and the significance of all things in the realm of eternal necessity The natural universe appears to him in a direct way as the divine spirit. The thought of a divine, universal spirit which could have its being and continuance above and beside the things of the world, fades away as a concept that has been surmounted. This universal spirit appears to be so poured out into things, to have become so much one nature with them, that it could not be imagined any longer if even a single part of its being were imagined as absent. “There is nothing but I and You; and if we two do not exist, then God is God no more, and the heavens shall fall.” — Man feels himself to be a necessary link in the chain of the world. His acts no longer have any element of arbitrariness or individuality. What he does is necessary in the whole, in the chain of the world, which would fall apart if what he does were taken out of it. “Without me God cannot make a single worm; if I do not preserve it with Him, it must straightway fall to pieces.” — “I know that without me God cannot live for an instant; if I come to nothing then He must needs give up the ghost.” — It is only on this height that man sees things in their true nature. He no longer needs to attribute, from the outside, a spiritual essence to what is smallest, what is grossly sensory. For such as this smallest is, in all its smallness and gross, sensory nature, it is a part of the All. “No dust mote is so poor, no dot is so small, but the wise man sees God in it in His glory.” — “In a mustard-seed, if you can understand it, is the image of all higher and lower things.” — On this height man feels himself free. For coercion exists only where one can still be compelled by something from the outside. But when everything external has flowed into the interior, when the contrast between “I and world,” “outside and inside,” “nature and spirit,” has disappeared, then man feels everything which impels him only as his own impulse. “Fetter me as strictly as you want, in a thousand irons; nevertheless I shall be wholly free and unfettered.” — “When my will is dead, then must God do what I will; I myself prescribe to Him the pattern and the goal.” — Now all externally imposed moral norms cease to exist; man becomes his own measure and goal. He is not subject to any law, for the law too has become his nature. “The law is for the wicked; if no commandment were written, the godly would yet love God and their neighbor.” — On the higher level of cognition the innocence of nature is thus given back to man. He accomplishes the tasks which are set for him with the awareness of an eternal necessity. He says to himself, Through this iron necessity is given into your hand to withdraw that part which is assigned to you from this same eternal necessity. “O Men, learn from the flower of the field how you can please God and be beautiful at the same time.” — “The rose is without why; it blooms because it blooms; it pays no attention to itself, nor asks whether one sees it.” — When man arises to the higher level he feels in himself the eternal and necessary impulse of the universe, just as the flower of the field; he acts as the flower blooms. In all his actions the awareness of his moral responsibility grows into the immeasurable. For what he does not do is withdrawn from the All, is a killing of this All, insofar as the possibility of such a killing lies with him. “What is it not to sin? Do not ask much; go, the silent flowers will tell you.” — “Everything must be slain. If you do not slay yourself for God, eternal death shall at last slay you for the Enemy.”
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Re: Mysticism at the Dawn of the Modern Age, by Rudolf Stein

Postby admin » Tue Mar 27, 2018 3:04 am

Epilogue

Almost two and a half centuries have passed since Angelus Silesius gathered together the profound wisdom of his precursors in his Cherubinic Wanderer. These centuries have brought rich insights into nature. Goethe opened a great perspective into natural science. He sought to pursue the eternal, iron laws of nature's action up to that peak where they bring forth man with the same inevitability with which, on a lower level, they produce a stone (cf. my book, Goethes Weltanschauung, Goethe's Conception of the World). Lamarck, Darwin, Haeckel and others have continued to work in the spirit of this way of thinking. The “question of all questions,” that concerning the natural origin of man, was answered in the nineteenth century. Other problems in the realm of natural processes connected with this question, have been solved. Today one knows that one need not step outside the realm of the factual and sensory in order to understand, in a purely natural fashion, the sequence of beings in its development up to man. — And the nature of the human “I” too has been illuminated by the discernment of J. G. Fichte, which has shown the human soul where it should seek itself and what it is (cf. above, and the section on Fichte in my book, Welt-und Lebensanschauungen im neunzehnten Jahrhundert, Conceptions of the World and of Life in the Nineteenth Century, published in a new edition as Rätsel der Philosophie, Riddles of Philosophy). Hegel has extended the domain of thought over all fields of being, and has endeavored to grasp in thought the external, sensory existence of nature as well as the highest creations of the human spirit, together with the laws by which they are governed (cf. my presentation of Hegel in Rätsel der Philosophie, v. 1) — How do the spirits, whose thoughts have been traced in this work, appear in the light of a conception of the world which takes into account the scientific achievements of the periods succeeding theirs? They still believe in a “supernatural” history of creation. How do their thoughts appear when confronted by the “natural” one which the science of the nineteenth century has developed? — This science has not given anything to nature which does not belong to it; it has only taken from it what does not belong to it. It has banished from it everything which is not to be sought in it, but is to be found only within man. It no longer sees something in nature that resembles the human soul and that acts in the same way as man. It no longer lets the forms of organisms be created by a manlike God; it traces their development in the world of the senses in accordance with purely natural laws. Meister Eckhart as well as Tauler, and Jacob Boehme as well as Angelus Silesius, would needs feel the most profound satisfaction in the contemplation of this natural science. The spirit in which they wished to regard the world has passed in the fullest sense into this conception of nature when it is properly understood. What they could not yet do, that is, to place the facts of nature into that light which had arisen in them, would no doubt have become their desire if this natural science had been accessible to them. They could not do this, for no geology, no “natural history of creation” told them of the processes of nature. The Bible alone, in its own way, told them of such processes. Therefore, as well as they could, they sought the spiritual where alone it is to be found: within the human being. Today they would employ quite different resources than at their time in order to show that, in a form accessible to the senses, the spirit is only to be found in man. Today they would entirely agree with those who seek the spirit as fact, not at the root of nature, but in its fruit. They would admit that the spirit in the sensory body is the result of development, and that such a spirit cannot be sought on lower levels of development. They would understand that no “creative thought” was active in the formation of the spirit in the organism, any more than such a “creative thought” made the ape develop out of the marsupials. — Our present time cannot speak about the facts of nature in the same way as Jacob Boehme spoke about them. But today also there is a point of view which brings the way of thinking of Jacob Boehme close to a conception of the world that takes account of modern science. One need not lose the spirit when one finds in nature only what is natural. It is true that today there are many who think that one must slip into a shallow, dry materialism if one accepts the “facts” discovered by natural science without further ado. I myself stand completely upon the ground of this natural science. I have the definite conviction that with a conception of nature such as that of Ernst Haeckel, only he can become shallow who approaches it with a world of ideas that is already shallow. I feel something higher and more glorious when I let the revelations of the “natural history of creation” act upon me than when I am confronted with the stories of supernatural miracles of the Creed. I know of nothing in any “holy” book that reveals to me anything as sublime as the “dry” fact that, in the womb, every human fetus rapidly goes through a succession of all those forms through which its animal ancestors have evolved. Let us fill our mind with the magnificence of the facts our senses perceive, and we shall care little for the “miracles” which do not lie within the course of nature. If we experience the spirit within ourselves we do not require one in external nature. In my Philosophie der Freiheit I have described my conception of the world, which does not think that it is driving out the spirit because it regards nature in the same way as do Darwin and Haeckel. A plant, an animal, do not gain anything for me if I people them with souls of which my senses tell me nothing. I do not seek a “deeper,” “spiritual” nature of things in the external world, I do not even assume it, because I believe that the cognition which illuminates my inner self preserves me from doing so. I believe that the things of the sensory world are what they appear to us to be, for I see that a true self-knowledge leads us to seek in nature nothing but natural processes. I seek no divine spirit in nature, because I believe that I perceive the essence of the human spirit in myself. I calmly acknowledge my animal ancestors, because I believe I understand that where these animal ancestors have their origin, no soul-like spirit can be active. I can only agree with Ernst Haeckel when he prefers “the eternal stillness of the grave” to such an immortality as many a religion teaches (cf. Haeckel's Welträtsel, The Riddle of the Universe, p. 239). For I find a degradation of the spirit, a repugnant sin against the spirit, in the conception of a soul which continues to exist after the fashion of a sensory being. — I hear a shrill dissonance when the facts of natural science in Haeckel's presentation encounter the “piety” of the creeds of many contemporaries. But in creeds which are in but poor harmony with natural facts, there resounds for me nothing of the spirit of the higher piety which I find in Jacob Boehme and Angelus Silesius. This higher piety is rather in full harmony with the action of the natural. There is no contradiction in becoming penetrated with the insights of modern science and at the same time in entering upon the road which Jacob Boehme and Angelus Silesius pursued in their search for the spirit. One who enters upon this road in the spirit of these thinkers need not fear that he will slip into shallow materialism if he lets the secrets of nature be described to him by a “natural history of creation.” One who interprets my ideas in this sense will understand in the same way as I the last saying of the Cherubinic Wanderer, which shall also sound the last note of this work: “Friend, it is enough now. If you wish to read more, go and become yourself the writing and the essence.”

[Footnote added to the 1923 edition: The last sentences above must not be misinterpreted as expressing an unspiritual conception of nature. Through them I only wanted to emphasize strongly that the spirit which lies at the root of nature must be found in it, and is not to be brought into it from the outside. The rejection of “creative thoughts” refers to an activity which is similar to human activity, and proceeds according to ideas of usefulness. What is to be said about evolutionary history one may find in my book, Erkenntnistheorie der Goetheschen Weltanschauung, The Theory of Knowledge in Goethe's Conception of the World, preface to the new edition.]
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Re: Mysticism at the Dawn of the Modern Age, by Rudolf Stein

Postby admin » Tue Mar 27, 2018 3:04 am

Addenda to the 1923 Edition

Addendum I. The fear of an impoverishment of the life of the soul through an ascent to the spirit is to be found only in those personalities that know the spirit only in a sum of concepts abstracted from sensory perceptions. One who in spiritual seeing raises himself to a life that surpasses the life of the senses in content and in concreteness, cannot know this fear. For it is only in abstractions that the sensory existence grows pale; in the “spiritual seeing,” for the first time it appears in its true light, without losing anything of its sensory richness.

Addendum II. In my writings, “mysticism” is spoken of in different ways. The apparent contradiction which some persons have claimed to find in this is elucidated in the annotations to the new edition of my Erkenntnistheorie der Goetheschen Weltanschauung, The Theory of Knowledge in Goethe's Conception of the World.

Addendum III. In a few words I hint here at the road to the cognition of the spirit which I have described in my later writings, especially in Wie erlangt man Erkenntnisse der höheren Welten, How does one Attain Knowledge of the Higher Worlds, Umriss einer Geheimwissenschaft, Outline of a Secret Science, Von Seelenrätseln, Riddles of the Soul.
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Re: Mysticism at the Dawn of the Modern Age, by Rudolf Stein

Postby admin » Tue Mar 27, 2018 3:04 am

Preface to the First Edition, 1901

What I discuss in this work previously formed the content of lectures which I gave in the course of the past winter at the theosophical library in Berlin. I had been invited by Count and Countess Brockdorff to talk on mysticism before an audience to whom the things dealt with in this connection are a vital question of great importance. — Ten years ago I would not yet have dared to comply with such a wish. This must not be taken to mean that the world of ideas to which I give expression today was not alive in me at that time. This world of ideas is already wholly contained in my Philosophie der Freiheit, Philosophy of Spiritual Activity, (Berlin, 1894). But in order so to express this world of ideas as I do today, and thus to make it the basis of a discussion as is done in this work, something is needed in addition to an unshakeable conviction of its conceptual truth. This requires an intimate familiarity with this world of ideas, such as can only be attained in the course of many years of one's life. Only now, after I have acquired this familiarity, do I dare to speak in the way which one will discover in this work.

He who does not encounter my world of ideas with an open mind will discover contradiction upon contradiction in it. Only recently have I dedicated a book on the philosophies of the nineteenth century (Berlin, 1900) to the great scientist Ernst Haeckel, a book which I terminated with a justification of his ideas. In the following expositions I speak with assenting devotion about the mystics from Meister Eckhart to Angelus Silesius. Of other “contradictions” which someone or other might enumerate, I shall not speak at all. — I am not surprised if I am condemned by one side as a “mystic,” by the other as a “materialist.” — If I find that the Jesuit priest Müller has solved a difficult chemical problem, and if I therefore agree with him without reservations in this matter, one can hardly condemn me as an adherent of Jesuitism without being considered a fool by the judicious.

One who like myself goes his own way is bound to be exposed to many misunderstandings. But fundamentally he can bear this easily. Such misunderstandings are generally self-evident for him when he considers the mental make-up of his critics. It is not without humorous feelings that I look back upon many a “critical” judgment I have received in the course of my career as a writer. At the beginning everything went well. I wrote about Goethe and in connection with him. What I said sounded to many as though they could fit it into their preconceived notions. This was done by saying, “A work such as Rudolf Steiner's introductions to the scientific writings of Goethe can be described honestly as the best that has been written on this question.” When later I published an independent work I had already become much more stupid. For now a benevolent critic gave the following advice: “Before he continues to reform and brings his Philosophy of Spiritual Activity into the world, one must urgently advise him first to penetrate to an understanding of those two philosophers (Hume and Kant).” The critic unfortunately knows only what he can manage to read in Kant and Hume; thus he really only advises me to see nothing in these thinkers beyond what he sees. When I shall have achieved this he will be satisfied with me. — When my Philosophie der Freiheit appeared I was in need of being judged like the most ignorant beginner. This judgment I received from a gentleman whom hardly anything forces to write books except the fact that there are innumerable volumes by others, which he has not understood. He informs me with much thoughtfulness that I would have noticed my mistakes if I “had pursued deeper psychological, logical, and epistemological studies;” and he immediately enumerates for me all the books which I should read in order to become as clever as he: “Mill, Sigwart, Wundt, Riehl, Paulsen, B. Erdmann.” — Especially diverting for me was the advice of a man who is so impressed by the way he “understands” Kant that he cannot even imagine someone's having read Kant and nevertheless having an opinion different from his. He therefore indicates to me the chapters in question in Kant's writings from which I might acquire an under standing of Kant as profound as his own.

I have here adduced a few typical judgments concerning my world of ideas. Although they are insignificant in themselves they appear to me to be well suited to indicate symptomatically certain facts which today constitute serious obstacles in the path of one who writes on questions of higher cognition. I must go my way, no matter whether one gives me the good advice to read Kant, or whether another accuses me of heresy because I agree with Haeckel. And so I have written about mysticism without caring what the judgments of a credulous materialist may be. I would only like, so that no printer's ink is quite needlessly wasted, to inform those who may now perhaps advise me to read Haeckel's Welträtsel, The Riddle of the Universe, that in the last months I have given about thirty lectures on this book.

I hope to have shown in my work that one can be a faithful follower of the scientific philosophy and still seek out the paths to the soul into which mysticism, properly understood, leads. I go even further and affirm: Only one who understands the spirit in the sense of true mysticism can attain a full understanding of facts in the realm of nature. One must only beware of confusing true mysticism with the “mysticism” of muddled heads. How mysticism can err I have shown in my Philosophie der Freiheit.

Berlin, September, 1901

Rudolf Steiner
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