May 30, 2016
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Oedipus (US /ˈidᵻpəs/ or /ˈɛdᵻpəs/ or UK /ˈiːdᵻpəs/; Ancient Greek: Οἰδίπους Oidípous meaning "swollen foot") was a mythical Greek king of Thebes. A tragic hero in Greek mythology, Oedipus accidentally fulfilled a prophecy that he would end up killing his father and marrying his mother, thereby bringing disaster to his city and family.
The story of Oedipus is the subject of Sophocles's tragedy Oedipus the King, which was followed by Oedipus at Colonus and then Antigone. Together, these plays make up Sophocles's three Theban plays. Oedipus represents two enduring themes of Greek myth and drama: the flawed nature of humanity and an individual's role in the course of destiny in a harsh universe.
In the most well-known version of the myth, Oedipus was born to King Laius and Queen Jocasta. Laius wished to thwart a prophecy, so he left Oedipus to die on a mountainside. However, the baby was found by shepherds and raised by King Polybus and Queen Merope as their own. Oedipus learned from the oracle at Delphi of the prophecy that he would end up killing his father and marrying his mother but, unaware of his true parentage, believed he was fated to murder Polybus and marry Merope, so left for Thebes. On his way he met an older man and quarrelled, and Oedipus killed the stranger. Continuing on to Thebes, he found that the king of the city (Laius) had been recently killed, and that the city was at the mercy of the Sphinx. Oedipus answered the monster's riddle correctly, defeating it and winning the throne of the dead king -- and the hand in marriage of the king's widow, and (unbeknownst to him) his mother Jocasta.
Years later, to end a plague on Thebes, Oedipus searched to find who had killed Laius, and discovered that he himself was responsible. Jocasta, upon realizing that she had married both her own son, and her husband's murderer, hanged herself. Oedipus then seized two pins from her dress and blinded himself with them.
The legend of Oedipus has been retold in many versions, and was used by Sigmund Freud to name and give mythic precedent to the Oedipus complex.
Basics of the myth
Variations on the legend of Oedipus are mentioned in fragments by several ancient Greek poets including Homer, Hesiod, Pindar, Aeschylus and Euripides. However, the most popular version of the legend comes from the set of Theban plays by Sophocles: Oedipus the King, Oedipus at Colonus, and Antigone.
Oedipus was the son of Laius and Jocasta, king and queen of Thebes. Having been childless for some time, Laius consulted the Oracle of Apollo at Delphi. The Oracle prophesied that any son born to Laius would kill him. In an attempt to prevent this prophecy's fulfillment, when Jocasta indeed bore a son, Laius had his ankles pierced and tethered together so that he could not crawl; Jocasta then gave the boy to a servant to abandon ("expose") on the nearby mountain. However, rather than leave the child to die of exposure, as Laius intended, the servant passed the baby on to a shepherd from Corinth and who then gave the child to another shepherd.
The infant Oedipus eventually came to the house of Polybus, king of Corinth and his queen, Merope, who adopted him, as they were without children of their own. Little Oedipus/Oidipous was named after the swelling from the injuries to his feet and ankles ("swollen foot"). The word "oedema" (British English) or "edema" (American English) is from this same Greek word for swelling: οἴδημα, oroedēma.
After many years, Oedipus was told by a drunk that he was a "bastard", meaning at that time that he was not of the same blood to them. Oedipus confronted his parents with the news, but they denied this. Oedipus went to the same oracle in Delphi that his birth parents had consulted. The oracle informed him he was destined to murder his father and marry his mother. In an attempt to avoid such a fate, he decided to not return home to Corinth, but to travel to Thebes, as it was near Delphi.
On the way, Oedipus came to Davlia, where three roads crossed each other. There he encountered a chariot driven by his birth-father, King Laius. They fought over who had the right to go first and Oedipus killed Laius when the charioteer tried to run him over. The only witness of the King's death was a slave who fled from a caravan of slaves also traveling on the road at the time.
Continuing his journey to Thebes, Oedipus encountered a Sphinx, who would stop all travelers to Thebes and ask them a riddle. If the travelers were unable to answer her correctly, they would be killed and eaten; if they were successful, they would be free to continue on their journey. The riddle was: "What walks on four feet in the morning, two in the afternoon and three at night?". Oedipus answered: "Man: as an infant, he crawls on all fours; as an adult, he walks on two legs and; in old age, he uses a 'walking' stick". Oedipus was the first to answer the riddle correctly and, having heard Oedipus' answer, the Sphinx allowed him to carry on forward.
Queen Jocasta's brother, Creon, had announced that any man who could rid the city of the Sphinx would be made king of Thebes, and given the recently widowed Queen Jocasta's hand in marriage. This marriage of Oedipus to Jocasta fulfilled the rest of the prophecy. Oedipus and Jocasta had four children: two sons, Eteocles and Polynices (see Seven Against Thebes), and two daughters,Antigone and Ismene.
Many years after the marriage of Oedipus and Jocasta, a plague of infertility struck the city of Thebes, affecting crops, livestock and the people. Oedipus asserted that he would end the pestilence. He sent his uncle, Creon, to the Oracle at Delphi, seeking guidance. When Creon returned, Oedipus learned that the murderer of the former King Laius must be brought to justice, and Oedipus himself cursed the killer of his wife's late husband, saying that he would be exiled. Creon also suggested that they try to find the blind prophet,Tiresias who was widely respected. Oedipus sent for Tiresias, who warned him not to seek Laius' killer. In a heated exchange, Tiresias was provoked into exposing Oedipus himself as the killer, and the fact that Oedipus was living in shame because he did not know who his true parents were. Oedipus angrily blamed Creon for the false accusations, and the two argued. Jocasta entered and tried to calm Oedipus by telling him the story of her first-born son and his supposed death. Oedipus became nervous as he realized that he may have murdered Laius and so brought about the plague. Suddenly, a messenger arrived from Corinth with the news that King Polybus had died. Oedipus was relieved for the prophecy could no longer be fulfilled if Polybus, whom he considered his birth father, was now dead.
Still, he knew that his mother was still alive and refused to attend the funeral at Corinth. To ease the tension, the messenger then said that Oedipus was, in fact, adopted. Jocasta, finally realizing that he was her son, begged him to stop his search for Laius' murderer. Oedipus misunderstood her motivation, thinking that she was ashamed of him because he might have been born of low birth. Jocasta in great distress went into the palace where she hanged herself. Oedipus sought verification of the messenger's story from the very same herdsman who was supposed to have left Oedipus to die as a baby. From the herdsman, Oedipus learned that the infant raised as the adopted son of Polybus and Merope was the son of Laius and Jocasta. Thus, Oedipus finally realized that the man he had killed so many years before, at the place where the three roads met, was his own father, King Laius, and that he had married his mother, Jocasta.
Events after the revelation depend on the source. In Sophocles' plays, Oedipus went in search of Jocasta and found she had killed herself. Using the pin from a brooch he took off Jocasta's gown, Oedipus blinded himself and was then exiled. His daughter Antigoneacted as his guide as he wandered through the country, finally dying at Colonus where they had been welcomed by King Theseus of Athens. However, in Euripides' plays on the subject, Jocasta did not kill herself upon learning of Oedipus' birth, and Oedipus was blinded by a servant of Laius. The blinding of Oedipus does not appear in sources earlier than Aeschylus. Some older sources of the myth, including Homer, state that Oedipus continued to rule Thebes after the revelations and after Jocasta's death.
Oedipus' two sons, Eteocles and Polynices, arranged to share the kingdom, each taking an alternating one-year reign. However, Eteocles refused to cede his throne after his year as king. Polynices brought in an army to oust Eteocles from his position and a battle ensued. At the end of the battle the brothers killed each other after which Jocasta's brother, Creon, took the throne. He decided that Polynices was a "traitor," and should not be given burial rites. Defying this edict, Antigone attempted to bury her brother. In Sophocles'Antigone, Creon had her buried in a rock cavern for defying him, whereupon she hanged herself. However, in Euripides' lost version of the story, it appears that Antigone survives.
5th century BC
Most writing on Oedipus comes from the 5th century BC, though the stories deal mostly with Oedipus' downfall. Various details appear on how Oedipus rose to power.
Laius hears of a prophecy that his son will kill him. Fearing the prophecy, Laius pierces Oedipus' feet and leaves him out to die, but a herdsman finds him and takes him away from Thebes. Oedipus, not knowing he was adopted, leaves home in fear of the same prophecy that he will kill his father and marry his mother. Laius, meanwhile, ventures out to find a solution to the Sphinx's riddle. As prophesied, Oedipus crosses paths with Laius and this leads to a fight where Oedipus slays Laius and most of his guards. Oedipus then defeats the Sphinx by solving a mysterious riddle to become king. He marries the widow queen Jocasta not knowing she is his mother. A plague falls on the people of Thebes. Upon discovery of the truth, Oedipus blinds himself and Jocasta hangs herself. After Oedipus is no longer king, Oedipus' brother-sons kill each other.
Some differences with older stories emerge. The curse of the Oedipus' sons is expanded backward to include Oedipus and his father, Laius. Oedipus now steps down from the throne instead of dying in battle. Additionally, rather than his children being by a second wife, Oedipus' children are now by Jocasta.
Pindar's Second Olympian Ode
In the Second Olympians Ode Pindar wrote: Laius' tragic son, crossing his father's path, killed him and fulfilled the oracle spoken of old at Pytho. And sharp-eyed Erinys saw and slew his warlike children at each other's hands. Yet Thersandros survived fallen Polyneikes and won honor in youthful contests and the brunt of war, a scion of aid to the house of Adrastos.
Aeschylus' Oedipus trilogy
In 467 BC the Athenian playwright, Aeschylus, is known to have presented an entire trilogy based upon the Oedipus myth, winning the first prize at the City Dionysia. The First play was Laius, the second was Oedipus, and the third was Seven against Thebes. Only the third play survives, in which Oedipus' sons Eteocles and Polynices kill each other warring over the throne. Much like his Oresteia, this trilogy would have detailed the tribulations of a House over three successive generations. The satyr play that followed the trilogy was called The Sphinx.
Sophocles' Oedipus the King
As Sophocles' Oedipus the King begins, the people of Thebes are begging the king for help, begging him to discover the cause of the plague. Oedipus stands before them and swears to find the root of their suffering and to end it. Just then, Creon returns to Thebes from a visit to the oracle. Apollo has made it known that Thebes is harboring a terrible abomination and that the plague will only be lifted when the true murderer of old King Laius is discovered and punished for his crime. Oedipus swears to do this, not realizing of course that he himself is the abomination that he has sworn to exorcise. The stark truth emerges slowly over the course of the play, as Oedipus clashes with the blind seer Tiresias, who senses the truth. Oedipus remains in strict denial, though, becoming convinced that Tiresias is somehow plotting with Creon to usurp the throne.
Realization begins to slowly dawn in Scene II of the play when Jocasta mentions out of hand that Laius was slain at a place where three roads meet. This stirs something in Oedipus' memory and he suddenly remembers the men that he fought and killed one day long ago at a place where three roads met. He realizes, horrified, that he might be the man he's seeking. One household servant survived the attack and now lives out his old age in a frontier district of Thebes. Oedipus sends immediately for the man to either confirm or deny his guilt. At the very worst, though, he expects to find himself to be the unsuspecting murderer of a man unknown to him. The truth has not yet been made clear.
The moment of epiphany comes late in the play. At the beginning of Scene III, Oedipus is still waiting for the servant to be brought into the city, when a messenger arrives from Corinth to declare that King Polybus of Corinth is dead. Oedipus, when he hears this news, feels much relieved, because he believed that Polybus was the father whom the oracle had destined him to murder, and he momentarily believes himself to have escaped fate. He tells this all to the present company, including the messenger, but the messenger knows that it is not true. He is the man who found Oedipus as a baby in the pass of Cithaeron and gave him to King Polybus to raise. He reveals, furthermore that the servant who is being brought to the city as they speak is the very same man who took Oedipus up into the mountains as a baby. Jocasta realizes now all that has happened. She begs Oedipus not to pursue the matter further. He refuses, and she withdraws into the palace as the servant is arriving. The old man arrives, and it is clear at once that he knows everything. At the behest of Oedipus, he tells it all.
Overwhelmed with the knowledge of all his crimes, Oedipus rushes into the palace where he finds his mother-wife, dead by her own hand. Ripping a brooch from her dress, Oedipus blinds himself with it. Bleeding from the eyes, he begs his uncle and brother-in-law Creon, who has just arrived on the scene, to exile him forever from Thebes. Creon agrees to this request. Oedipus begs to hold his two daughters Antigone and Ismene with his hands one more time to have their eyes fill of tears and Creon out of pity sends the girls in to see Oedipus one more time.
Sophocles' Oedipus at Colonus
In Sophocles' Oedipus at Colonus, Oedipus becomes a wanderer, pursued by Creon and his men. He finally finds refuge at the holy wilderness right outside of Athens, where it is said thatTheseus took care of Oedipus and his daughter, Antigone. Creon eventually catches up to Oedipus. He asks Oedipus to come back from Colonus to bless his son, Eteocles. Angry that his son did not love him enough to take care of him, he curses both Eteocles and his brother, condemning them both to kill each other in battle. Oedipus dies a peaceful death; his grave is said to be sacred to the gods.
In Sophocles' Antigone, when Oedipus stepped down as king of Thebes, he gave the kingdom to his two sons, Eteocles and Polynices, both of whom agreed to alternate the throne every year. However, they showed no concern for their father, who cursed them for their negligence. After the first year, Eteocles refused to step down and Polynices attacked Thebes with his supporters (as portrayed in the Seven Against Thebes byAeschylus and the Phoenician Women by Euripides). The two brothers killed each other in battle. King Creon, who ascended to the throne of Thebes, decreed that Polynices was not to be buried. Antigone, Polynices' sister, defied the order, but was caught. Creon decreed that she was to be put into a stone box in the ground, this in spite of her betrothal to his son Haemon. Antigone's sister,Ismene, then declared she had aided Antigone and wanted the same fate, but Creon eventually declined executing her. The gods, through the blind prophet Tiresias, expressed their disapproval of Creon's decision, which convinced him to rescind his order, and he went to bury Polynices himself. However, Antigone had already hanged herself in her tomb, rather than suffering the slow death of being buried alive. When Creon arrived at the tomb where she had been interred, his son Haemon attacked him upon seeing the body of his deceased fiancée, but failing to kill Creon he killed himself. When Creon's wife, Eurydice, was informed of the death of Haemon, she too took her own life.
Euripides' Phoenissae, Chrysippus and Oedipus
In the beginning of Euripides' Phoenissae, Jocasta recalls the story of Oedipus. Generally, the play weaves together the plots of theSeven Against Thebes and Antigone. The play differs from the other tales in two major respects. First, it describes in detail why Laius and Oedipus had a feud: Laius ordered Oedipus out of the road so his chariot could pass, but proud Oedipus refused to move. Second, in the play Jocasta has not killed herself at the discovery of her incest - otherwise she could not play the prologue, for fathomable reasons - nor has Oedipus fled into exile, but they have stayed in Thebes only to delay their doom until the fatal duel of their sons/brothers/nephews Eteocles and Polynices: Jocasta commits suicide over the two men's dead bodies, and Antigone follows Oedipus into exile.
In Chrysippus, Euripides develops backstory on the curse: Laius' sin was to have kidnapped Chrysippus, Pelops' son, in order to violate him, and this caused the gods' revenge on all his family. Laius was the tutor of Chrysippus, and raping his student was a severe violation of his position as both guest and tutor in the house of the royal family hosting him at the time. Extant vases show a fury hovering over the lecherous Laius as he abducts the rape victim. Furies avenged violations of good order in households, as can be seen most clearly in such texts as The Libation Bearers by Aeschylus.
Euripides wrote also an Oedipus, of which only a few fragments survive. The first line of the prologue recalled Laius' hubristic action of conceiving a son against Apollo's command. At some point in the action of the play, a character engaged in a lengthy and detailed description of the Sphinx and her riddle - preserved in five fragments from Oxyrhynchus, P.Oxy. 2459 (published by Eric Gardner Turner in 1962). The tragedy featured also many moral maxims on the theme of marriage, preserved in the Anthologion ofStobaeus. The most striking lines, however, state that in this play Oedipus was blinded by Laius' attendants, and that this happened before his identity as Laius' son had been discovered, therefore marking important differences with the Sophoclean treatment of the myth, which is now regarded as the 'standard' version. Many attempts have been made to reconstruct the plot of the play, but none of them is more than hypothetical, because of the scanty remains that survive from its text and of the total absence of ancient descriptions or résumés - though it has been suggested that a part of Hyginus' narration of the Oedipus myth might in fact derive from Euripides' play. Some echoes of the Euripidean Oedipus have been traced also in a scene of Seneca's Oedipus (see below), in which Oedipus himself describes to Jocasta his adventure with the Sphinx.
At least three other 5th century BC authors who were younger than Sophocles wrote plays about Oedipus. These include Achaeus of Eretria, Nichomachus and the elder Xenocles.
The Bibliotheca, a Roman-era mythological handbook, includes a riddle for the Sphinx, borrowing the poetry of Hesiod:
What is that which has one voice and yet becomes four-footed and two-footed and three-footed?
Later addition to Aeschylus' Seven against Thebes
Due to the popularity of Sophocles's Antigone (c. 442 BC), the ending (lines 1005-78) of Seven against Thebes was added some fifty years after Aeschylus' death. Whereas the play (and the trilogy of which it is the last play) was meant to end with somber mourning for the dead brothers, the spurious ending features a herald announcing the prohibition against burying Polyneices, and Antigone's declaration that she will defy that edict.
Oedipus in post-Classical literature
Oedipus was a figure who was also used in the Latin literature of ancient Rome. Julius Caesar wrote a play on Oedipus, but it has not survived into modern times. Ovid included Oedipus in Metamorphoses, but only as the person who defeated the Sphinx. He makes no mention of Oedipus' troubled experiences with his father and mother. Seneca the Younger wrote his own play on the story of Oedipus in the first century AD. It differs in significant ways from the work of Sophocles.
Seneca's play on the myth was intended to be recited at private gatherings and not actually performed. It has however been successfully staged since the Renaissance. It was adapted by John Dryden in his very successful heroic drama Oedipus, licensed in 1678. The 1718 Oedipus was also the first play written by Voltaire. A version of Oedipus by Frank McGuinness was performed at theNational Theatre in late 2008, starring Ralph Fiennes and Claire Higgins.
In 1960, Immanuel Velikovsky (1895–1979) published a book called Oedipus and Akhnaton which made a comparison between the stories of the legendary Greek figure, Oedipus, and the historic Egyptian King of Thebes, Akhnaton. The book is presented as a thesis that combines with Velikovsky's series Ages in Chaos, concluding through his revision of Egyptian history that the Greeks who wrote the tragedy of Oedipus may have penned it in likeness of the life and story of Akhnaton, because in the revision Akhnaton would have lived much closer to the time when the legend first surfaced in Greece, providing an historical basis for the story. Each of the major characters in the Greek story are identified with the people involved in Akhnaton's family and court, and some interesting parallels are drawn.
In the late 1960s Ola Rotimi published a novel and play, The Gods Are Not To Blame, which retell the Oedipus myth happening in theYoruba kingdom.
Oedipus or Oedipais?
It has been suggested by Robert Graves and others that in the earliest Ur-myth of the hero, he was called Oedipais: "child of the swollen sea." He was so named because of the method by which his birth parents tried to abandon him—by placing him in a chest and tossing it into the ocean. The mythic topos of forsaking a child to the sea or a river is well attested, found (e.g.) in the myths ofPerseus, Telephus, Dionysus, Romulus and Remus and Moses. Over the centuries, however, Oedipais seems to have been corrupted into the familiar Oedipus: "swollen foot." And it was this new name that might have inspired the addition of a bizarre element to the story of Oedipus' abandonment on Mt. Cithaeron. Exposure on a mountain was in fact a common method of child abandonment in Ancient Greece. The binding of baby Oedipus' ankles, however, is unique; it can thus be argued that the ankle-binding was inelegantly grafted onto the Oedipus myth simply to explain his new name. This notion, however, does not account for the numerous instances of word-play in the original Greek which relies upon the binding of his ankles.
The Oedipus complex
Sigmund Freud used the name "the Oedipus complex" to explain the origin of certain neuroses in childhood. It is defined as a male child's unconscious desire for the exclusive love of his mother. This desire includes jealousy towards the father and the unconscious wish for that parent's death, as well as the unconscious desire for sexual intercourse with the mother.
After my accusations about Clinton came out, several women who worked in the White House were reportedly upset, refusing to accept his denials. John Harris, author of The Survivor, wrote, "One woman, a senior White House official, had heard from two colleagues who had experiences uncomfortably similar to what Willey described: innocent conversations that pivoted (into) instant fervid advances." 
Robert "Buzz" Patterson wrote that President Clinton once even groped a female steward on Air Force One. Upset, the woman demanded an apology. Remarkably, Clinton did apologize to her. 
The stories about Clinton's degradation of women go on and on. The undeniable fact is that Bill Clinton is not just promiscuous, not just a womanizer, but a habitual abuser of women, a sexual predator and, in fact, a misogynist.
There is something that kicks in for him when he's around a woman to whom he is attracted. Something overtakes him, manifest in his beet red face, his distraction, his detached consciousness of the person in front of him, and a hyperawareness of his surroundings. He seems tuned only to the risk of moving on his urges, sizing up the place, the time, the woman's reaction. This is the weird, dark side of Bill Clinton.
Consider the striking similarities between Clinton's 1991 abuse of Paula Jones and his assault on me two years later. Just as I did, Paula tried to make conversation but felt like Clinton was distracted. Just as I did, Paula tried to retreat when he tried to kiss her. Just as I did, Paula said she needed to leave but Clinton said, "Oh, you don't need to go right now." And, just as I observed, Paula said Clinton's face got "beet red." As Candice Jackson said of Paula, "Partly because of the ... power differential, she didn't leave the room at that point, not wanting to offend him too badly."  My feelings in that moment were similar. Other feelings aside, I was ashamed for the president, and I did not feel not inclined to humiliate him further, even when his behavior was so base.
San Francisco radio talk show host Melanie Morgan once briefly encountered Bill Clinton. In that moment, she also saw his dark side. Clinton was arriving in San Francisco's Pacific Heights neighborhood for a fund-raiser at Gordon Getty's home. To prepare for his arrival, Melanie and a friend organized a unique protest. They emblazoned a neighborhood awareness campaign with a special logo that said, "WARNING: SEXUAL PREDATOR ALERT," with added text about notification requirements for neighborhood sexual predators. Melanie's friend went door-to-door to deliver the information to residents in Pacific Heights. The notoriously liberal San Francisco Chronicle actually covered the protest. The Associated Press picked up the story and it went all around the world.
Clinton's limousine arrived at the Getty residence where he encountered a throng of protestors shouting, "Shame! Shame!" They held a fifteen-foot banner that said, "I Believe You Paula, Kathleen, Gennifer, Dolly, Elizabeth, Monica, Juanita ... " and another that said "I BELIEVE JUANITA," (a reference to Juanita Broaddrick and Anita Hill). Melanie Morgan stood in front of the signs with a megaphone, rallying her troops.
Clinton's smoky-glass window was rolled halfway down and Melanie got a clear view of him as the rage welled up in his face. "Clinton looked at the signs the protestors behind me were holding and then he looked at me," she recently told me. "I will never forget the look in his face when he read the banner. His eyes narrowed and he gave me a stare of such hatred and focus and intensity that I could imagine him raping a woman at that moment. I absolutely believed all of the women's stories. There was no question in my mind when I saw that look directed at me that he was entirely capable of it. I kept staring at him as his face raced to a purple rage and I must say that, for a moment, I was scared." 
David Gergen said in a Frontline interview, "Watching Bill Clinton erupt is like watching Mt. Vesuvius. It is something to behold. He gets very red in the face and it goes very quick and it leaves."  A US News and World Report story also said of Clinton, "His rage built on itself, and some of his aides thought he might even get violent..." 
It is interesting to consider that Clinton's sexual arousal and aggressiveness appear to be related to his anger response. It certainly seems plausible that Clinton's deep-seated emotional issues would include a significant amount of anger around his mother's abandonment of him at a young age. Compound this with her overt sexuality in his presence and all the other complex dynamics that turned him into a sexual addict, and it is likely that, in his psyche, sexual arousal might well be associated with anger. Further complicating his internal dynamic, Clinton, a sex addict, likely has a few issues with himself over his behavior with women. Of course, I am no psychiatrist or sexual abuse expert. But, taken together, these clues might indicate that Clinton's anger issues are wound together with his sexual abuse mechanism, all of which expresses itself in the aroused man's beet red face. Twisted in his mind, perhaps inappropriate arousal triggers his anger. Alternatively, deep, subconscious anger might result in inappropriate, uncontrolled arousal. Either way, the ugly association of anger with arousal sounds dangerously close to a frightening and violent interpretation of "sex," namely rape.
Despite whatever crazy, psychosexual mechanism is at work in his mind and body, he is very savvy at the psych-out. He is a master predator. And that is precisely the problem with having Bill Clinton anywhere near the White House -- as president or first spouse. He is and always will be a sexual predator. Period. We have no reason to think otherwise, no evidence that he has received treatment, nor any other indication that his behavior has or will change, especially if he has the full powers of the presidency to enable his pursuits -- again.
As the child of an alcoholic, Clinton was predisposed biologically and socially to develop his own addiction, Levin says, adding that an "inappropriate early exposure to sexuality taught him to prematurely associate sex with excitement, secrecy, conflict, and intense arousal." Clinton's highly sexual mother perpetuated this dynamic and later added to it, promoting her smart and competent son to the role of her hero. As a teenager, Levin says, Bill filled his mother's need for a father-figure for Roger, his troubled younger brother, and served as a substitute "husband to his flirtatious [and near-sexual exhibitionist] mother." As a teenaged male, Bill was the man in his mother's life. Levin concludes, "There was something unhealthy in this -- excessive and somehow erotic." Levin explains that feelings of grandiosity and special status combined with Bill's successes, causing him to suffer a condition called "terminal uniqueness" -- the belief that he is special, absolutely different from other people, superior to them, and therefore powerful. 
For a brief moment in history, Clinton supposedly participated in "counseling" for his sexual addiction. That moment was fleeting. Though it is obvious that nothing has changed, Hillary's presidential campaign would have us believe that it is resolved. But a man with such a deep problem would require extensive intervention and likely even intensive inpatient treatment before he could overcome his lifelong pattern. What's more, his wife would have to contribute to such a recovery, and we have no evidence of that either.
When Clinton gave his famous "I have sinned" speech admitting that he had lied about Monica, he claimed to have had prayer breakfasts in the White House every week with Jesse Jackson. But Jackson himself seemed to refute the impact of those prayer sessions on Clinton. As Jackson himself put it, "There is nothing that this man won't do." According to Jackson biographer Marshall Frady, Jackson once said of Clinton, "He is immune to shame. Move past all the nice posturing and get really down in there on him, you find absolutely nothing ... nothing but appetite."  So while he might have had weekly spiritual moments with Jesse Jackson nearly ten years ago, it is highly unlikely that his confessions changed Clinton's behavior in any way.
-- Target: Caught in the Crosshairs of Bill and Hillary Clinton, by Kathleen Willey
Oedipus himself, as portrayed in the myth, did not suffer from this neurosis –- at least, not towards Jocasta, whom he only met as an adult (if anything, such feelings would have been directed at Merope –- but there is no hint of that). Freud reasoned that the ancient Greek audience, which heard the story told or saw the plays based on it, did know that Oedipus was actually killing his father and marrying his mother; the story being continually told and played therefore reflected a preoccupation with the theme.
The term oedipism is used in medicine for serious self-inflicted eye injury, an extremely rare form of severe self-harm.
1. Wilson, Christopher. "Oedipus: The message in the myth", The Open University
2. Euripides, Phoenissae
3. Sophocles, Oedipus the King 1220-1226; Euripides,Phoenissae
4. Sophocles, Oedipus the King 1026-1030; Euripides,Phoenissae
5. Sophocles, Oedipus the King 132-137
6. Pindar, Second Olympian Ode; Sophocles, Oedipus the King 473-488; Euripides, Phoenissae
7. Sophocles, Oedipus the King 136, 1578; Euripides, Phoenissae
8. Sophocles, Oedipus the King 1316
9. Pindar, Second Olympian Ode
10. The Reign of the Phallus: Sexual Politics in Ancient Athenas by Eva Keuls (Berkeley and Los Angeles, 1993) p. 292.
11. R. Kannicht, Tragicorum Graecorum Fragmenta (TrGF) vol. 5.1, Göttingen 2004; see also F. Jouan - H. Van Looy, "Euripide. tome 8.2 - Fragments", Paris 2000
12. Reviewed by Hugh Lloyd-Jones in "Gnomon" 35 (1963), pp. 446-447
13. Joachim Dingel, in "Museum Helveticum" 27 (1970), 90-96
14. Burian, P. (2009). "Inconclusive Conclusion: the Ending(s) ofOedipus Tyrannus". In Goldhill, S. & Hall, E. Sophocles and the Greek Tragic Tradition. Cambridge University Press. p. 100.ISBN 978-0-521-88785-4.
15. Bibliotheca III.5.7
16. See (e.g.) Brown 1976, 206-19.
17. E.F. Watling's Introduction to Seneca: Four Tragedies and Octavia
18. Rotimi O., The Gods are Not to Blame, Three Crown Books, Nigeria 1974
19. See (e.g.) Lowry 1995, 879; Carloni/Nobili 2004, 147 n.1.
20. This version of the Oedipus myth is in fact attested in somescholia (at lines 13 and 26) to Euripides' Phoenician Women.
21. Bruno Bettelheim (1983). Freud and Man's Soul. Knopf. ISBN 0-394-52481-0.
• Brown, A.L. "The End of the Seven against Thebes" The Classical Quarterly 26.2 (1976) 206-19.
• Carloni, Glauco and Nobili, Daniela. La Mamma Cattiva: fenomenologia, antropologia e clinica del figlicidio (Rimini, 2004).
• Dallas, Ian, Oedipus and Dionysus, Freiburg Press, Granada 1991. ISBN 1-874216-02-9.
• Graves, Robert, The Greek Myths
• Lowell, Edmunds, Oedipus. (Gods and Heroes of the Ancient World), London/New York: Routledge, 2006. ISBN 978-0-415-32935-4.
• Smith, William; Dictionary of Greek and Roman Biography and Mythology, London (1873). "Oe'dipus"