Part 3 of 3
Definitions John Ruskin in the 1850s, photo from Life magazine.• Pathetic fallacy: Ruskin coined this term in Modern Painters III (1856) to describe the ascription of human emotions to inanimate objects and impersonal natural forces, as in "Nature must be gladsome when I was so happy" (Charlotte Brontë, Jane Eyre).[260]
• Fors Clavigera: Ruskin gave this title to a series of letters he wrote "to the workmen and labourers of Great Britain" (1871–84). The name was intended to signify three great powers that fashion human destiny, as Ruskin explained at length in Letter 2 (February 1871). These were: force, symbolised by the club (clava) of Hercules; Fortitude, symbolised by the key (clavis) of Ulysses; and Fortune, symbolised by the nail (clavus) of Lycurgus. These three powers (the "fors") together represent human talents and abilities to choose the right moment and then to strike with energy. The concept is derived from Shakespeare's phrase "There is a tide in the affairs of men/ Which, taken at the flood, leads on to fortune" (Brutus in Julius Caesar). Ruskin believed that the letters were inspired by the Third Fors: striking out at the right moment.[261][262]
• Theoria: Ruskin's 'theoretic' faculty – theoretic, as opposed to aesthetic – enables a vision of the beautiful as intimating a reality deeper than the everyday, at least in terms of the kind of transcendence generally seen as immanent in things of this world.[263] For an example of the influence of Ruskin's concept of theoria, see Peter Fuller.[264]
• Modern Atheism: Ruskin applied this label to "the unfortunate persistence of the clergy in teaching children what they cannot understand, and in employing young consecrate persons to assert in pulpits what they do not know."
• Illth: Used by Ruskin as the antithesis of wealth, which he defined as life itself; broadly, where wealth is 'well-being', illth is "ill-being".
• Excrescence: Ruskin defined an "excrescence" as an outgrowth of the main body of a building that does not harmonise well with the main body. He originally used the term to describe certain gothic revival features[265] also for later additions to cathedrals and various other public buildings, especially from the Gothic period.[266]
Fictional portrayals• Ruskin figures as Mr Herbert in The New Republic (1878), a novel by one of his Oxford undergraduates, William Mallock (1849–1923).[267]
• The Love of John Ruskin (1912) a silent movie about Ruskin, Effie and Millais.[268]
• Edith Wharton's False Dawn novella, the first in the 1924 Old New York series has the protagonist meet John Ruskin.
• Ruskin was the inspiration for either the Drawling Master or the Gryphon in Alice's Adventures in Wonderland.[269][270]
• Dante's Inferno (1967) Ken Russell's biopic for television of Rossetti, in which Ruskin is played by Clive Goodwin[271]
• The Love School (1975) a BBC TV series about the Pre-Raphaelites, starring David Collings (Ruskin), Anne Kidd (Effie), Peter Egan (Millais).[272]
• McDonald, Eva (1979). John Ruskin's Wife. Chivers. ISBN 978-0745113005. A novel about the marriage of John Ruskin.
• Dear Countess (1983) a radio play by Elizabeth Morgan, with Derek Jacobi (Ruskin), Bridget McCann (Gray), Timothy West (Old Mr Ruskin) Michael Fenner (Millais). The author played Ruskin's mother.[273]
• Peter Hoyle's novel, Brantwood: The Story of an Obsession (1986, ISBN 9780856356377) is about two cousins who pursue their interest in Ruskin to his Coniston home.
• The Passion of John Ruskin (1994), a film directed by Alex Chapple.[274]
• Modern Painters (1995) an opera about Ruskin by David Lang.[275]
• Parrots and Owls (1994) a radio play by John Purser about Ruskin's attempt to revive Gothic architecture and his connection to the O'Shea brothers.[272]
• The Countess (1995), a play written by Gregory Murphy, dealing with Ruskin's marriage.[276]
• Morazzoni, Marta (1995). The Invention of Truth. Ecco Pr. ISBN 978-0880013765. A novel in which Ruskin makes his last visit to Amiens cathedral in 1879.
• The Order of Release (1998), a radio play by Robin Brooks about Ruskin (Bob Peck), Effie (Sharon Small) and Millais (David Tennant).[277]
• Ruskin and the Hinksey diggings form the backdrop to Ann Harries' novel, Manly Pursuits (1999).[278]
• Donoghue, Emma (2002). The Woman Who Gave Birth to Rabbits. Virago. ISBN 978-1860499548. A collection of short stories that includes Come, Gentle Nightabout Ruskin and Effie's wedding night.
• Mrs Ruskin (2003), a play by Kim Morrissey dealing with Ruskin's marriage.[279]
• "Sesame and Roses" (2007), a short story by Grace Andreacchi that explores Ruskin's twin obsessions with Venice and Rose La Touche.[280]
• Desperate Romantics (2009), a six-part BBC drama serial about the Pre-Raphaelite Brotherhood. Ruskin is played by Tom Hollander.[272]
• Benjamin, Melanie (2010). Alice I Have Been. ISBN 0385344139. A fictionalized account of the life of Alice Liddell Hargreaves, the inspiration for Lewis Carroll's Alice's Adventures in Wonderland and Through the Looking Glass.
• Mr. Turner (2014), a biopic of J. M. W. Turner with Ruskin portrayed as a precocious prig by Joshua McGuire.[281]
• Effie Gray (2014), a biopic about the Ruskin/Gray/Millais love triangle, written by Emma Thompson and featuring Greg Wise (Ruskin), Dakota Fanning (Gray) and Tom Sturridge (Millais).[282]
• Light, Descending[283] (2014) is a biographical novel about John Ruskin by Octavia Randolph.
Paintings Lion's profile View of Amalfi Self Portrait with Blue Neckcloth River Seine and its Islands Falls of Schaffhausen Rocks in Unrest Fribourg Suisse ZermattSelect bibliography• Cook, E. T.; Wedderburn, Alexander (eds.). The Works of John Ruskin. (39 vols.). George Allen, 1903–12. It is the standard scholarly edition of Ruskin's work, the Library Edition, sometimes called simply Cook and Wedderburn. The volume in which the following works can be found is indicated in the form: (Works [followed by the volume number]).[284]
Works by Ruskin• Poems (written 1835–46; collected 1850) (Works 2)
• The Poetry of Architecture (serialised The Architectural Magazine 1837–38; authorised book, 1893) (Works 1)
• Letters to a College Friend (written 1840–45; published 1894) (Works 1)
• The King of the Golden River, or the Black Brothers. A Legend of Stiria (written 1841; published 1850) (Works 1)
• Modern Painters (5 vols.) (1843–60) (Works 3–7)
o Vol. I (1843) (Parts I and II) Of General Principles and of Truth (Works 3)
o Vol. II (1846) (Part III) Of the Imaginative and Theoretic Faculties (Works 4)
o Vol. III (1856) (Part IV) Of Many Things (Works 5)
o Vol. IV (1856) (Part V) Mountain Beauty (Works 6)
o Vol. V (1860) (Part VI) Of Leaf Beauty (Part VII) Of Cloud Beauty (Part VIII) Of Ideas of Relation (1) Of Invention Formal (Part IX) Of Ideas of Relation (2) Of Invention Spiritual (Works 7)
• The Seven Lamps of Architecture (1849) (Works 8)
• The Stones of Venice (3 vols) (1851–53)
o Vol. I. The Foundations (1851) (Works 9)
o Vol. II. The Sea–Stories (1853) (Works 10) – containing the chapter "The Nature of Gothic"
o Vol. III. The Fall (1853) (Works 11)
• Notes on the Construction of Sheepfolds (1851) (Works 12)
• Pre-Raphaelitism (1851) (Works 12)
• Letters to the Times on the Pre-Raphaelite Artists (1851, 1854) (Works 12)
• Lectures on Architecture and Painting (Edinburgh, 1853) (1854) (Works 12)
• Academy Notes (Annual Reviews of the June Royal Academy Exhibitions) (1855–59, 1875) (Works 14)
• The Harbours of England (1856) (Works 13)
• The Elements of Drawing, in Three Letters to Beginners (1857) (Works 15)
• 'A Joy Forever' and Its Price in the Market: being the substance (with additions) of two lectures on The Political Economy of Art (1857, 1880) (Works 16)
• The Two Paths: being Lectures on Art, and Its Application to Decoration and Manufacture, Delivered in 1858–9 (1859) (Works 16)
• The Elements of Perspective, Arranged for the Use of Schools and Intended to be Read in Connection with the First Three Books of Euclid (1859) (Works 15)
• Unto This Last: Four Essays on the First Principles of Political Economy (serialised Cornhill Magazine 1860, book 1862) (Works 17)
• Munera Pulveris: Six Essays on the Elements of Political Economy (serialised Fraser's Magazine 1862–63, book 1872) (Works 17)
• The Cestus of Aglaia (serialised Art Journal 1864–64, incorporated (revised) in On the Old Road (1882) (Works 19)
• Sesame and Lilies: Two Lectures delivered at Manchester in 1864 (1865) (i.e., "Of Queens' Gardens" and "Of Kings' Treasuries" to which was added, in a later edition of 1871, "The Mystery of Life and Its Arts") (Works 18)
• The Ethics of the Dust: Ten Lectures to Little Housewives on the Elements of Crystallisation (1866) (Works 18)
• The Crown of Wild Olive: Three Lectures on Work, Traffic and War (1866) (to a later edition was added a fourth lecture (delivered 1869), called "The Future of England") (1866) (Works 18)
• Time and Tide, by Weare and Tyne: Twenty-five Letters to a Working Man of Sunderland on the Laws of Work (1867) (Works 17)
• The Queen of the Air: A Study of the Greek Myths of Cloud and Storm (1869) (Works 19)
• Lectures on Art, Delivered before the University of Oxford in Hilary term, 1870 (Works 20)
• Aratra Pentelici: Six Lectures on the Elements of Sculpture Given before the University of Oxford in Michaelmas term, 1870 (1872) (Works 20)
• Lectures on Landscape, Delivered at Oxford in [Lent term| Lent Term], 1871 (1898) ("Works" 22)
• Fors Clavigera: Letters to the Workmen and Labourers of Great Britain (1871–84) ("Works" 27–29) (originally collected in 8 vols., vols. 1–7 covering annually 1871–1877, and vol. 8, Letters 85–96, covering 1878–84)
o Volume I. Letters 1–36 (1871–73) (Works 27)
o Volume II. Letters 37–72 (1874–76) (Works 28)
o Volume III. Letters 73–96 (1877–84) (Works 29)
• The Eagle's Nest: Ten Lectures on the Relation of Natural science to Art, Given before the University of Oxford in Lent term, 1872 (1872) (Works 22)
• Ariadne Florentina': Six Lectures on Wood and Metal Engraving, with Appendix, Given before the University of Oxford, in Michaelmas Term, 1872 (1876) (Works 22)
• Love's Meinie: Lectures on Greek and English Birds (1873–81) (Works 25)
• Val d'Arno: Ten Lectures on the Tuscan Art, directly antecedent to the Florentine Year of Victories, given before the University of Oxford in Michaelmas Term, 1873 (1874) (Works 23)
• The Aesthetic and Mathematic School of Art in Florence: Lectures Given before the University of Oxford in Michaelmas Term, 1874 (first published 1906) (Works 23)
• Mornings in Florence: Simple Studies of Christian Art, for English Travellers (1875–77) (Works 23)
• Deucalion: Collected Studies of the Lapse of Waves, and Life of Stones (1875–83) (Works 26)
• Proserpina: Studies of Wayside Flowers, While the Air was Yet Pure Among the Alps, and in the Scotland and England Which My Father Knew (1875–86) (Works 25)
• Bibliotheca Pastorum (i.e., 'Shepherd's Library', consisting ofmultiple volumes) (ed. John Ruskin) (1876–88) (Works 31–32)
• Laws of Fésole: A Familiar Treatise on the Elementary Principles and Practice of Drawing and Painting as Determined by the Tuscan Masters (arranaged for the use of schools) (1877–78) (Works 15)
• St Mark's Rest (1877–84, book 1884) (Works 24)
• Fiction, Fair and Foul (serialised Nineteenth Century 1880–81, incorporated in On the Old Road (1885)) (Works 34)
• The Bible of Amiens (the first part of Our Fathers Have Told Us) (1880–85) (Works 33)
• The Art of England: Lectures Given in Oxford, During his Second Tenure of the Slade Professorship (delivered 1883, book 1884) (Works 33)
• The Storm-Cloud of the Nineteenth Century: Two Lectures Delivered at the London Institution, 4 and 11 February 1884 (1884) (Works 34)
• The Pleasures of England: Lectures Given in Oxford, During his Second Tenure of the Slade Professorship (delivered 1884, published 1884–85) (Works 33)
• Præterita: Outlines of Scenes and Thoughts Perhaps Worthy of Memory in My Past Life (3 vols.) (1885–89) (Works 35)
• Dilecta: Correspondence, Diary Notes, and Extracts from Books, Illustrating 'Praeterita' (1886, 1887, 1900) (Works 35)
Selected diaries and letters• The Diaries of John Ruskin eds. Joan Evans and John Howard Whitehouse (Clarendon Press, 1956–59)
• The Brantwood Diary of John Ruskin ed. Helen Gill Viljoen (Yale University Press, 1971)
• A Tour of the Lakes in Cumbria. John Ruskin's Diary for 1830 eds. Van Akin Burd and James S. Dearden (Scolar, 1990)
• The Winnington Letters: John Ruskin‟s correspondence with Margaret Alexis Bell and the children at Winnington Hall ed. Van Akin Burd (Harvard University Press, 1969)
• The Ruskin Family Letters: The Correspondence of John James Ruskin, his wife, and their son John, 1801–1843 ed. Van Akin Burd (2 vols.) (Cornell University Press, 1973)
• The Correspondence of John Ruskin and Charles Eliot Norton ed. John Lewis Bradley and Ian Ousby (Cambridge University Press, 1987)
• The Correspondence of Thomas Carlyle and John Ruskin ed. George Allen Cate (Stanford University Press, 1982)
• John Ruskin's Correspondence with Joan Severn: Sense and Nonsense Letters ed. Rachel Dickinson (Legenda, 2008)
Selected editions of Ruskin still in print• Praeterita [Ruskin's autobiography] ed. Francis O' Gorman (Oxford University Press, 2012)
• Unto this Last: Four essays on the First Principles of Political Economy intro. Andrew Hill (Pallas Athene, 2010)
• Unto This Last And Other Writings ed. Clive Wilmer (Penguin, 1986)
• Fors Clavigera: Letters to the Workmen and Labourers of Great Britain ed. Dinah Birch (Edinburgh University Press, 1999)
• The Storm-Cloud of the Nineteenth-Century preface by Clive Wilmer and intro. Peter Brimblecombe (Pallas Athene, 2012)
• The Nature of Gothic (Pallas Athene, 2011) [facsimile reprint of Morris's Kelmscott Edition with essays by Robert Hewison and Tony Pinkney]
• Selected Writings ed. Dinah Birch (Oxford University Press, 2009)
• Selected Writings (originally Ruskin Today) ed. Kenneth Clark (Penguin, 1964 and later impressions)
• The Genius of John Ruskin: Selections from his Writings ed. John D. Rosenberg (George Allen and Unwin, 1963)
• Athena: Queen of the Air (Annotated) (originally The Queen of the Air: A Study of the Greek Myths of Cloud and Storm) ed. Na Ding, foreword by Tim Kavi, brief literary bio by Kelli M. Webert (TiLu Press, 2013 electronic book version, paper forthcoming)
See also• John Henry Devereux
• Ruskin, Nebraska
• Ruskin's diggers in Ferry Hinksey (1874)
• Ruskin's Ride, a bridleway in Oxford
• Trenton, Missouri, home of the first Ruskin College in the United States
• Charles Augustus Howell
• The English House
References1. Hewison, Robert. Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/24291. Missing or empty |title= (help)(Subscription or UK public library membership required.)
2. Helen Gill Viljoen, Ruskin's Scottish Heritage: A Prelude (University of Illinois Press, 1956)[page needed].
3. Helen Gill Viljoen, Ruskin's Scottish Heritage (University of Illinois Press, 1956)[page needed]
4. ODNB (2004) "Childhood and education"
5. [1][permanent dead link]
6. Lemon, Rebecca, et al., eds. The Blackwell Companion to the Bible in English Literature. Vol. 36. John Wiley & Sons, 2010. p. 523
7. J. S. Dearden, John Ruskin's Camberwell (Brentham Press for Guild of St George, 1990)[page needed].
8. "UCL Bloomsbury Project". Ucl.ac.uk. Retrieved 18 July 2017.
9. "King's College London – John Keats". Kcl.ac.uk. Retrieved 18 July 2017.
10. "John Ruskin Biography >> Classic Stories". Pookpress.co.uk. Retrieved 18 July 2017.
11. John Ruskin, Iteriad, or Three Weeks Among the Lakes, ed. James S. Dearden (Frank Graham, 1969)[page needed]
12. Robert Hewison, Ruskin and Venice: The Paradise of Cities (Yale University Press, 2009)[page needed]
13. Cook and Wedderburn, 1.453n2.
14. Cook and Wedderburn, Introduction.
15. Cook and Wedderburn, 2.265-8.
16. Cook and Wedderburn, 1.191-6.
17. Cook and Wedderburn, 1.4-188.
18. Cook and Wedderburn, 1.206-10.
19. "Archived copy". Archived from the original on 17 October 2011. Retrieved 5 September 2011.
20. Cynthia Gamble, John Ruskin, Henry James and the Shropshire Lads (New European Publications, 2008) chapters 3–4.
21. For his winning poem, "Salsette and Elephanata", Cook and Wedderburn 2.90–100.
22. Derrick Leon, Ruskin: The Great Victorian (Routledge and Kegan Paul, 1949), pp. 54–56.
23. Cook and Wedderburn, 1.VI.305-54.
24. James S. Dearden, "The King of the Golden River: A Bio-Bibliographival Study" in Robert E. Rhodes and Del Ivan Janik, Studies in Ruskin: Essays in Honor of Van Akin Burd (Ohio University Press, 1982), pp. 32–59.
25. Dinah Birch (ed.) Ruskin on Turner (Cassell, 1990)[page needed]
26. "the electronic edition of John Ruskin's "Modern Painters" Volume I". Lancs.ac.uk. 28 June 2002. Retrieved 18 July2017.
27. Cook and Wedderburn, 3.104.
28. Tim Hilton, John Ruskin: The Early Years (Yale University Press, 1985) p. 73.
29. Q. in Harold I. Shapiro (ed.), Ruskin in Italy: Letters to His Parents 1845 (Clarendon Press, 1972), pp.200–01.
30. Cook and Wedderburn, 4.25-218.
31. Cook and Wedderburn, 4.47 (Modern Painters II).
32. See J. L. Bradley (ed.), Ruskin: The Critical Heritage (Routledge and Kegan Paul, 1984), pp. 88–95.
33. "NPG 5160; Effie Gray (Lady Millais) – Portrait". Npg.org.uk. National Portrait Gallery. 26 December 2016. Retrieved 18 July 2017.
34. "May 7th 1828". Perthshire Diary. Retrieved 18 July 2017.
35. For the wider context, see Robert Brownell, A Marriage of Inconvenience: John Ruskin, Effie Gray, John Everett Millais and the surprising truth about the most notorious marriage of the nineteenth century (Pallas Athene, 2013).
36. Cook and Wedderburn, 8.3-274.
37. Mary Lutyens, Effie in Venice (John Murray, 1965); reprinted as Young Mrs. Ruskin in Venice: Unpublished Letters of Mrs. John Ruskin written from Venice, between 1849–1852 (Vanguard Press, 1967; new edition: Pallas Athene, 2001).
38. "Ruskin's Venetian Notebooks 1849–50". Lancs.ac.uk. 20 March 2008. Retrieved 18 July 2017.
39. For The Stones of Venice see Cook and Wedderburn vols. 9–11.
40. Cook and Wedderburn, 10.180–269.
41. Fiona MacCarthy, William Morris (Faber and Faber, 1994) pp. 69–70, 87.
42. Grieve, Alastair (1996). "Ruskin and Millais at Glenfinals". The Burlington Magazine. 138 (1117): 228–234. JSTOR 886970.
43. Cook and Wedderburn, 12.357n.
44. Derrick Leon, Ruskin: The Great Victorian (Routledge and Kegan Paul, 1949), pp. 137–49.
45. Cook and Wedderburn, 12.319–335.
46. Mary Lutyens, Millais and the Ruskins (John Murray, 1968) p. 236.
47. Sir William James, The Order of Release, the story of John Ruskin, Effie Gray and John Everett Millais, 1946, p. 237
48. Phyllis Rose, Parallel Lives: Five Victorian Marriages, 1983, p. 87
49. Mary Lutyens, Millais and the Ruskins (John Murray, 1968) p. 192.
50. ODNB: "Critic of Contemporary Art".
51. W. G. Collingwood, Life and Work of John Ruskin (Methuen, 1900) p. 402.
52. Cook and Wedderburn, vol. 14.
53. [2][dead link]
54. "Fitzwilliam Museum Collections Explorer". Fitzmuseum.cam.ac.uk. Archived from the original on 3 September 2014. Retrieved 18 July 2017.
55. The relation between Ruskin, his art and criticism, was explored in the exhibition Ruskin, Turner and the Pre-Raphaelites (Tate Britain, 2000), curated by Robert Hewison, Stephen Wildman and Ian Warrell.
56. Malcolm Low & Julie Graham, The stained glass window of the Little Church of St. Francis, private publication August 2002 & April 2006, for viewing Fareham Library reference Section or the Westbury Manor Museum Ref: section Fareham, hants; The stained glass window of the Church of St. Francis. Funtley, Fareham, Hampshire Archived 30 September 2007 at the Wayback Machine
57. J. Mordaunt Crook, "Ruskinian Gothic" in The Ruskin Polygon: Essays on the Imagination of John Ruskin ed. John Dixon Hunt and Faith M. Holland (Manchester University Press, 1982), pp. 65–93.
58. Michael Brooks, John Ruskin and Victorian Architecture (Thames and Hudson, 1991), p. 127.
59. "John Ruskin on education". Infed.org. Retrieved 18 July 2017.
60. "Archived copy". Archived from the original on 5 August 2011. Retrieved 5 September 2011.
61. Cook and Wedderburn, 13.553.
62. Cook and Wedderburn, 15.23-232.
63. ODNB.
64. Robert Hewison, Ruskin and Oxford: The Art of Education (Clarendon Press, 1996), p. 226.
65. The Winnington Letters: John Ruskin's correspondence with Margaret Alexis Bell and the children at Winnington Halled. Van Akin Burd (Harvard University Press, 1969)[page needed]
66. Cook and Wedderburn, 18.197–372.
67. Malcolm Cole, "Be Like Daisies": John Ruskin and the Cultivation of Beauty at Whitelands College (Guild of St George Ruskin Lecture 1992) (Brentham Press for The Guild of St George, 1992).
68. Manuel, Anne (2013). Breaking New Ground: A History of Somerville College as seen through its Buildings. Oxford: Somerville College. p. 12.
69. "Archived copy". Archived from the original on 8 January 2015. Retrieved 15 September 2014.
70. Respectively, Cook and Wedderburn vols. 5 and 6.
71. Cook and Wedderburn, 5.69.
72. Francis O'Gorman, "Ruskin's Mountain Gloom" in Rachel Dickinson and Keith Hanley (eds), Ruskin's Struggle for Coherence: Self-Representation through Art, Place and Society (Cambridge Scholars Press, 2006), pp. 76–89.
73. Cook and Wedderburn, 5.385–417, 418–68.
74. Alan Davis, "Ruskin's Dialectic: Mountain Gloom and Mountain Glory" in Ruskin Programme Bulletin, no. 25 (January 2001), pp. 6–8
75. Cook and Wedderburn, 16.9-174.
76. J. L. Bradley (ed.), Ruskin: The Critical Heritage (Routledge & Kegan Paul, 1984), pp. 202–205.
77. Most of Viljoen's work remains unpublished, but has been explored by Van Akin Burd and James L. Spates. An Introduction to Helen Gill Viljoen's Unpublished Biography of Ruskin by Van Akin Burd; Editor's Introductory Comments on Viljoen's Chapter by James L. Spates and Ruskin in Milan, 1862": A Chapter from Dark Star, Helen Gill Viljoen's Unpublished Biography of John Ruskin by James L. Spates.
78. For the address itself, see Cook and Wedderburn 16.177–206, and for the wider context: Clive Wilmer, "Ruskin and Cambridge" in The Companion (Newsletter of The Guild of St. George) no.7 (2007), pp.8–10. [Revised version of inaugural Ruskin Lecture, Anglia Ruskin University, 11 October 2006)]
79. Cook and Wedderburn, 16.251–426.
80. Cook and Wedderburn, 16.251.
81. Cook and Wedderburn, 13.9–80.
82. Cook and Wedderburn, 13.95–186.
83. For the catalogues, Cook and Wedderburn 19.187–230 and 351–538. For letters, see 13.329-50 and further notes, 539–646.
84. Ian Warrell "Exploring the 'Dark Side': Ruskin and the Problem of Turner's Erotica", British Art Journal, vol. IV, no. 1 (Spring 2003), pp. 15–46.
85. Alan Davis, "Misinterpreting Ruskin: New light on the 'dark clue' in the basement of the National Gallery, 1857–58" in Nineteenth-Century Prose, vol. 38, no. 2 (Fall 2011), pp. 35–64.
86. Cook and Wedderburn, 29.89.
87. Michael Wheeler, Ruskin's God (Cambridge University Press, 1999)[page needed].
88. Cook and Wedderburn, 36.115.
89. "Chapter Four, Section II. Loss of Belief". Victorianweb.org. 25 July 2005. Retrieved 18 July 2017.
90.
http://www.victorianweb.org/authors/rus ... s/4.3.html91. E. T. Cook, The Life of John Ruskin (2 vols., 2nd edn., George Allen, 1912), vol. 2, p. 2.
92. On the importance of words and language: Cook and Wedderburn 18.65, 18.64, and 20.75.
93. For the sources of Ruskin's social and political analysis: James Clark Sherburne, John Ruskin or The Ambiguities of Abundance: A Study in Social and Economic Criticism (Harvard University Press, 1972[page needed]
94. Cook and Wedderburn, 17.15–118.
95. Cook and Wedderburn 4.122n. For the press reaction: J. L. Bradley (ed.) Ruskin: The Critical Heritage (Routledge & Kegan Paul, 1984), pp. 273–89.
96. Cook and Wedderburn, 36.415.
97. Q. in James S. Dearden, John Ruskin (Shire Publications Ltd., 2004), pp. 34–35.
98. For the influence of Ruskin's social and political thought: Gill Cockram, Ruskin and Social Reform: Ethics and Economics in the Victorian Age (I.B. Tauris, 2007) and Stuart Eagles, After Ruskin: The Social and Political Legacies of a Victorian Prophet, 1870–1920 (Oxford University Press, 2011).
99. Cook and Wedderburn 27.167 and 35.13.
100. "Ruskin MP I Notes". Lancs.ac.uk. 6 July 2002. Archived from the original on 8 October 2012. Retrieved 18 July 2017.
101. Cook and Wedderburn, 17.129–298.
102. Cook and Wedderburn, 17.309–484.
103. Francis O' Gorman gives the figure as £120,000, in idem, John Ruskin (Sutton Publishing Ltd., 1999) p. 62 as does James S. Dearden (who adds that property, including paintings, was valued at £3000), in idem, John Ruskin (Shire Publications Ltd., 2004), p. 37. Robert Hewison's Oxford Dictionary of National Biography entry for Ruskin, however, states £157,000 plus £10,000 in pictures (section: "A Mid-Life Crisis"). The National Probate Calendar states simply, 'under £200,000.
104. Cook and Wedderburn, 17.lxxvii.
105. Gillian Darley, Octavia Hill: A Life (Constable, 1990)[page needed]
106. Cook and Wedderburn, 19.163-94.
107. "Moral Taste in Ruskin's "Traffic"". Victorianweb.org. 13 November 2006. Retrieved 18 July 2017.
108. Cook and Wedderburn, 18.433.
109. Cook and Wedderburn, 18.383–533.
110. Cook and Wedderburn, 18.19-187.
111. Kate Millett, Sexual Politics. New York: Doubleday and Co., 1970, p. 91
112. Tim Hilton, John Ruskin: The Later Years (Yale University Press, 2000), pp. 165–68.
113. Richard Symonds, 'Oxford and the Empire', in M. G. Brock and M. C. Curthoys (eds.), The History of the University of Oxford, vol. VII: Nineteenth-Century Oxford, part 2 (Oxford University Press, 2000), pp. 689–716, specifically p. 691.
114. "Oxford University Archives | Home" (PDF). Oua.ox.ac.uk. Retrieved 18 July 2017.
115. See Robert Hewison, Ruskin and Oxford: The Art of Education (Clarendon Press, 1996)[page needed]
116. Cook and Wedderburn, 29.86.
117. Francis O' Gorman, John Ruskin (Pocket Biographies) (Sutton Publishing Ltd., 1999) p. 78.
118. "John Ruskin green plaque". Open Plaques. Retrieved 18 July 2017.
119. Stuart Eagles, After Ruskin: The Social and Political Legacies of a Victorian Prophet, 1870–1920 (Oxford University Press, 2011), pp. 103–09.
120. Stuart Eagles, "Ruskin the Worker: Hinksey and the Origins of Ruskin Hall, Oxford" in Ruskin Review and Bulletin, vol. 4, no. 3 (Autumn 2008), pp. 19–29.
121. Tim Hilton, John Ruskin: The Latter Years (Yale University Press, 2000), pp. 399–400, 509–10.
122. Jed Mayer, "Ruskin, Vivisection, and Scientific Knowledge" in Nineteenth-Century Prose, vol. 35, no. 1 (Spring 2008) (Guest Editor, Sharon Aronofsky Weltman), pp. 200–22.
123. Cook and Wedderburn, 29.160.
124. Linda Merrill, A Pot of Paint: Aesthetics on Trial in Whistler v. Ruskin. – book review, Art in America, January 1993, by Wendy Steiner Archived 27 August 2006 at the Wayback Machine
125. For an exploration of Ruskin's rejection of dominant artistic trends in his later life, see Clive Wilmer, "Ruskin and the Challenge of Modernity" in Nineteenth-Century Prose, vol. 38, no. 2 (Fall 2011), pp. 13–34.
126. Cook and Wedderburn 29.469, the passage in Sesame and Lilies printed in "blood-red".
127. Cook and Wedderburn, 27–29.
128. For the Guild's original constitution and articles of association: Cook and Wedderburn 30.3–12
129. [3] Archived 24 March 2012 at the Wayback Machine
130. On the origins of the Guild: Mark Frost, The Lost Companions and John Ruskin's Guild of St George, a revisionary history (Anthem Press, 2014); amd Edith Hope Scott, Ruskin's Guild of St George (Methuen, 1931).
131. See Sally Goldsmith, Thirteen Acres: John Ruskin and the Totley Communists (Guild of St George Publications, 2017).
132. See Peter Wardle and Cedric Quayle, Ruskin and Bewdley (Brentham Press, 2007).
133. ' See Liz Mitchell, Treasuring things of the least': Mary Hope Greg, John Ruskin and Westmill, Hertfordshire (Guild of St George Publications, 2017).
134. See Stuart Eagles, Miss Margaret E. Knight and St George's Field, Sheepscombe (Guild of St George Publications, 2015).
135. "Ruskinland". Utopia-britannica.org.uk. Retrieved 18 July 2017.
136. Cook and Wedderburn, 28.417–38 and 28.13–29.
137. Sara Atwood, Ruskin's Educational Ideals (Ashgate, 2011), pp. 151–64.
138. For a short, illustrated history of the Guild: James S. Dearden, John Ruskin's Guild of St George (Guild of St George, 2010).
139. Sara E. Haslam, John Ruskin and the Lakeland Arts Revival, 1880–1920 (Merton Priory Press Ltd., 2004)[page needed]
140. Janet Barnes, Ruskin and Sheffield (Guild of St Georgel, 2018).
141. Cook and Wedderburn, 5.333.
142. "Ruskin at Walkley". Ruskin at Walkley. Retrieved 18 July 2017.
143. "eMuseum". Museums-sheffield.org.uk. Retrieved 18 July 2017.
144. Robert Dunlop, Plantation of Renown: The Story of the La Touche Family of Harristown and the Baptist Church at Brannockstown in Co. Kildare [1970]. Revised and enlarged edition, 1982; "Ruskin‟s "Wild Rose of Kildare", pp. 29–41.
145. See Van Akin Burd, John Ruskin and Rose La Touche: Her unpublished Diaries of 1861 and 1867 (Clarendon Press, 1979).
146. Cook and Wedderburn, 27.344.
147. Cook and Wedderburn 23.293. For further study, see Keith Hanley and John K. Walton, Constructing Cultural Tourism: John Ruskin and the Tourist Gaze (Channel View Publications, 2010).
148. Cook and Wedderburn, 34.265–397.
149. Cook and Wedderburn, 34.7–80.
150. Michael Wheeler (ed.), Ruskin and Environment: The Storm-Cloud of the Nineteenth Century (Manchester University Press, 1995).
151. Cook and Wedderburn, 35.5-562.
152. For an illustrated history of Brantwood, see James S. Dearden, Brantwood: The Story of John Ruskin's Coniston Home (Ruskin Foundation, 2009).
153. [4] Archived 24 March 2012 at the Wayback Machine
154. "Look and Learn History Picture Library". Lookandlearn.com. Retrieved 18 July 2017.
155. For Ruskin's relationship with Joan Severn, see John Ruskin's Correspondence with Joan Severn: Sense and Nonsense Letters ed. Rachel Dickinson (Legenda, 2008).
156. James Spates has written about the effects of this, based on the research work of Helen Viljoen. See James L. Spates, 'John Ruskin‟s Dark Star: New Lights on His Life Based on the Unpublished Biographical Materials and Research of Helen Gill Viljoen', Bulletin of the John Rylands University Library of Manchester, vol. 82, no. 1, Spring 2000 [published 2001], 135–91.
157. Stuart Eagles, After Ruskin: The Social and Political Legacies of a Victorian Prophet, 1870–1920 (Oxford University Press, 2011), pp. 246–48.
158. See James S. Dearden, Ruskin, Bembridge and Brantwood: the Growth of the Whitehouse Collection (Ryburn, 1994).
159. "Museum, Arts Centre & Self Catering Accommodation Coniston". Brantwood.org.uk. 14 April 2017. Retrieved 18 July 2017.
160. See "The Guild of St George". guildofstgeorge.org.uk. Retrieved 23 January 2019.
161. See "The Ruskin Society". theruskinsociety.com. Retrieved 23 January 2019.
162. See "Ruskin200". ruskin200.com. Retrieved 23 January 2019.
163. Alexander MacEwen, who attended Ruskin's lectures at Oxford, reported that the papers described him thus. See David Smith Cairns, Life and times of Alexander Robertson MacEwen, D.D (Hodder and Stoughton, 1925), pp. 30–31.
164. See H. W. Nevinson, Changes and Chances (James Nisbet, 1923), pp. 53–55 and J. A. Spender, Life, Journalism and Politics (Cassell & Co., 1927), p. 192.
165. Stephen Gwynn, Experiences of a Literary Man, Thornton Butterworth, 1926, pages 39-41
166. Stuart Eagles, Ruskin and Tolstoy (2nd edn) (Guild of St George, 2016) p. 12.
167. Cynthia J. Gamble, Proust as Interpreter of Ruskin. The Seven Lamps of Translation (Summa Publications, 2002)[page needed]
168. Masami Kimura, "Japanese Interest in Ruskin: Some Historical Trends" in Robert E. Rhodes and Del Ivan Janik (eds.), Studies in Ruskin: Essays in Honor of Van Akin Burd (Ohio University Press, 1982), pp. 215–44.
169. Catalogue of the Ryuzo Mikimoto Collection : Ruskin Library, Tokyo 2004. 1 April 2017. OCLC 56923207.
170. Rebecca Daniels and Geoff Brandwood (ed.), Ruskin and Architecture (Spire Books, 2003)[page needed]
171. W. G. Collingwood, Life and Work of John Ruskin (Methuen, 1900) p. 260.
172. Giovanni Cianci and Peter Nicholls (eds.) Ruskin and Modernism (Palgrave, 2001) and Toni Cerutti (ed.) Ruskin and the Twentieth Century: the modernity of Ruskinism (Edizioni Mercurio, 2000).
173. Download Samuel Jones (ed.), The Enduring Relevance of Octavia Hill Archived 18 June 2012 at the Wayback Machine and see specifically, Robert Hewison, "'You are doing some of the work that I ought to do': Octavia Hill and Ruskinian values", pp. 57–66.
174. Michael H. Lang Designing Utopia: John Ruskin's Urban Vision for Britain and America (Black Rose Books Ltd., 1999)[page needed]
175. For a full discussion of Ruskin and education, see Sara Atwood, Ruskin's Educational Ideals (Ashgate, 2011).
176. "The Elements of Drawing". Retrieved 4 August 2017.
177. Arnd Krüger. 'The masses are much more sensitive to the perfection of the whole than to any separate details': The Influence of John Ruskin's Political Economy on Pierre de Coubertin, in: Olympika, 1996 Vol. V, pp. 25–44.
http://www.library.la84.org/SportsLibra ... c.pdf;Arnd Krüger. Coubertin's Ruskianism, in: R. K. BARNEY u. a. (eds): Olympic Perspectives. 3rd International Symposium for Olympic Research. London, Ont.: University of Western Ontario 1996, pp. 31–42.
http://www.library.la84.org/SportsLibra ... R1996h.pdf178. Gill Cockram, Ruskin and Social Reform: Ethics and Economics in the Victorian Age (Tauris, 2007)[page needed]
179. Stuart Eagles, After Ruskin: the social and political legacies of a Victorian prophet, 1870–1920 (Oxford University Press, 2011) and Dinah Birch (ed.), Ruskin and the Dawn of the Modern (Oxford University Press, 1999).
180. Bunting, Madeleine (30 March 2010). "Red Tory intrigues and infuriates". The Guardian.
181. See "Ruskin200". ruskin200.com. Retrieved 21 January 2019.
182. "Ruskin Library". Lancs.ac.uk. Retrieved 18 July 2017.
183. "Museum, Arts Centre & Self Catering Accommodation Coniston". Brantwood.org.uk. 14 April 2017. Retrieved 18 July 2017.
184. "Ruskin Museum". Ruskin Museum. Retrieved 18 July 2017.
185. House, Barony (23 January 2019). "JOHN RUSKIN my famous ancestor, read my story". BARONY HOUSE - Edinburgh Hotel Edinburgh B&B. Retrieved 1 December 2019.
186. "Five-star award for Capital B&B". The Edinburgh Reporter. 19 June 2018. Retrieved 28 August 2018.
187. "Barony House".
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188. "Barony House, Edinburgh – B&B". Retrieved 28 August 2018.
189. "The Ruskin Museum".
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190. "Ruskin Community Mural". YouTube. 4 March 2009. Retrieved 18 July 2017.
191. Keith Hanley and John K. Walton, Constructing Cultural Tourism: John Ruskin and the Tourist Gaze (Channel View Publications, 2010).
192. Katherine Newey and Jeffrey Richards John Ruskin and the Victorian Theatre (Palgrave Macmillan, 2010).
193. David Gauntlett Making Is Connecting: the social meaning of creativity from DIY and knitting to YouTube and Web 2.0(Polity, 2011), pp. 25–36, 217–19; specifically on YouTube, see pp. 85–87.
194. Lars Spuybroek, The Sympathy of Things: Ruskin and the Ecology of Design (V2_NAI Publishers, 2011), pp. 65–68.
195. "Archived copy". Archived from the original on 12 October 2011. Retrieved 22 July 2011.
196. Frank Field spoke at the Art Workers Guild on Ruskin, 6 February 2010. Stuart Eagles, The Economic Symposium. John Ruskin and the Modern World: Art and Economics, 1860–2010 in The Companion no. 10 (2010), pp. 7–10.
197. Omnibus. Ruskin: The Last Visionary , tx. BBC1, 13 March 2000.
198. Robert Hewison (ed.) There is no wealth but life: Ruskin in the 21st Century (Ruskin To-Day, 2006).
199. Andrew Hill, Introduction in John Ruskin, Unto This Last (Pallas Athene, 2010), pp. 9–16.
200. Melvyn Bragg, Foreword in John Ruskin, On Genius (Hesperus, 2011), pp. vii–xiv. He also appeared on an edition of Broadcasting House on BBC Radio 4 on 20 January 2019.
201. "Ruskin MP I Notes". Lancs.ac.uk. Retrieved 18 July 2017.
202. J. A. Hobson, John Ruskin: Social Reformer (J. Nisbet & Co., 1898), p. viii.
203. Clive Wilmer (ed.), Unto This Last and Other Writings (Penguin, 1985; and Kindle), pp. 36–37.
204. "Was Ruskin the most important man of the last 200 years?".
205. Cook and Wedderburn, 3.624.
206. "Ruskin, Turner and The Pre-Raphaelites". Tate.org.uk. 7 January 2000. Retrieved 18 July 2017.
207. Ruskin, The Stones of Venice, iii, ch. iv, §35; Cook and Wedderburn 11.227.
208. John Unrau, Ruskin, the Workman and the Savageness of Gothic, in New Approaches to Ruskin, ed Robert Hewison, 1981, pp. 33–50
209. Cook and Wedderburn 12.417–32. Cynthia J. Gamble, "John Ruskin: conflicting responses to Crystal Palace" in Françoise Dassy and Catherine Hajdenko-Marshall (eds.), Sociétés et conflit: enjeux et représentation (L‟Harmattan et l‟Université de Cergy-Pontoise, 2006), pp. 135–49.
210. Fowler, Alastair (1989). The History of English Literature. Cambridge, MA: Harvard University Press. p. 245. ISBN 0-674-39664-2.
211. Kenneth Clark, "A Note on Ruskin's Writings on Art and Architecture," in idem, Ruskin Today (John Murray, 1964) (reissued as Selected Writings, Penguin, 1991), pp. 133–34.
212. Eugène-Emmanuel Viollet-le-Duc. ([1854] 1990). The foundations of architecture. New York: George Braziller. p. 195. (Translated by Kenneth D. Whitehead from the original French.)
213. Seven Lamps ("The Lamp of Memory") c. 6; Cook and Wedderburn 8.233–34.
214. Cook and Wedderburn, 17.17–24.
215. Jose Harris, "Ruskin and Social Reform" in Dinah Birch (ed.), Ruskin and the Dawn of the Modern (Clarendon Press, 1999), pp. 7–33, specifically p. 8.
216. The Guardian report on the discovery of Turner's drawings. Also see Warrell "Exploring the 'Dark Side': Ruskin and the Problem of Turner's Erotica", British Art Journal, vol. IV, no. 1, Spring 2003, pp. 15–46.
217. Lyall, Sarah (13 January 2005). "A Censorship Story Goes Up in Smoke – No Bonfire Devoured J.M.W. Turner's Erotica". The New York Times. Retrieved 18 July 2017.
218. Mary Lutyens, Millais and the Ruskins, p. 191
219. Lutyens, M., Millais and the Ruskins, p. 156
220. Peter Fuller, Theoria: Art and the Absence of Grace, Chatto & Windus, 1988, pp. 11–12
221. Q. in J. Howard Whitehouse, Vindication of Ruskin (George Allen & Unwin Ltd, 1950), p. 53.
222. See Robert Brownell, A Marriage of Inconvenience: John Ruskin, Effie Gray, John Everett Millais and the surprising truth about the most notorious marriage of the nineteenth century (Pallas Athene, 2013).
223. Current evidence suggests that she was ten when they met, but Ruskin states in his autobiography that she was only nine. Hewison, R, John Ruskin, The Argument of the Eye, p.160; The Guardian, review of Batchelor, J., John Ruskin: No Wealth but Life, 2000
224. Hilton, T. John Ruskin: The Later Years, p. 553, "absolutely under her [Rose's] orders I have asked Tenny Watson to marry me and come abroad with her father."
225. Lurie, Alison (20 July 1998). Don't Tell the Grown-Ups: The Subversive Power of Children's Literature. Little, Brown. ISBN 9780316246255.
226. [5][permanent dead link] Philological Quarterly, Fall, 2007 by Van Akin Burd
227. Pigwiggina is a nickname Ruskin used for the girl as she looked after (lambs and) piglets; c.f. Letters to M. G. and H. G.
228. Hilton, T., John Ruskin: A Life, vol. 1, pp. 253–54; Batchelor, J, John Ruskin: No Wealth but Life, p. 202.
229. Wolfgang Kemp and Jan Van Heurck, The Desire of My Eyes: The Life & Work of John Ruskin , p. 288.
230. John Ruskin. The Last Visionary, tx. 13 March 2000 (BBC1).
231. See James L. Spates, "Ruskin's Sexuality: Correcting Decades of Misperception and Mislabelling" "victoriaweb0". victoriaweb.com. Retrieved 23 January 2019.
232. Fred R. Shapiro (2006). The Yale Book of Quotations. New Haven: Yale University Press. p. 657. ISBN 9780300107982. Retrieved 7 January 2013.
233. Landow, George P. (27 July 2007). "A Ruskin Quotation?". VictorianWeb.org. Retrieved 7 January 2013.
234. Ruskin Library (23 May 2011). "On the present economic situation". Ruskin Library. Archived from the originalon 15 June 2013. Retrieved 28 January 2013.
235. Bell, Kenneth J. (1992). "Go Figure--Some Reflections on John Ruskin, Bid Evaluation, and the Accidental Triumph of Good Engineering". Heat Transfer Engineering. 13 (4): 5. doi:10.1080/01457639208939784.
236. Lewis C. Bowers; Sons, Inc. (9–15 March 1952). "Construction Costs". Town Topics. Princeton, NJ: Donald C. Stuart, Jr. and Dan D. Coyle. p. 11. Retrieved 2 January 2015.
237. Plymouth Cordage, Co. (December 1913). "Mississippi River Improvements". Plymouth Products (21). Retrieved 7 January 2013.
238. Anonymous. (August 1917). "Ain't it the Truth". Northwestern Druggist. 18 (8): 53. Retrieved 23 January 2013.
239. Anonymous. (July 1919). "How an Old Masonry Arch Bridge Was Rebuilt". Railway Maintenance Engineer. 15 (7): 228–30. Retrieved 23 January 2013.
240. Pittsburgh Reflector Co. Permaflector Lighting Catalog. Pittsburgh, Pa.: Pittsburgh Reflector Co. p. 3. Retrieved 2 January 2014.
241. Art's Beauty Salon (1938). Sweet Briar YWCA (ed.). "Advertisement". Students' Handbook: Sweet Briar College. Sweet Briar, Va.: Sweet Briar College. 1938–1939: ii. Retrieved 2 January 2015.
242. F.E.C. [F.E. Charles] (8 February 1933). "Progress of Kansas Press". Kansas Industrialist. Manhattan, Kansas: Kansas State College of Agriculture and Applied Science. 59 (17): 4. Retrieved 2 January 2015.
243. Skoog, Jr., Charles V. (21 April 1958). "Advertising in the Barter Basement: Is Pitch More Potent than Payoff?"(PDF). Broadcasting: The Businessweekly of Television and Radio. Washington, DC: Broadcasting Publications, Inc.: 133. Retrieved 2 January 2015.
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249. Woods, Baldwin M.; Raber, Benedict F. (March 1935). "Air Conditioning for California Homes". Bulletin. Berkeley, Ca.: University of California, College of Agriculture, Agricultural Experiment Station. 589: 43. Retrieved 2 January 2015.
250. Charles T. Bainbridge's Sons (February 1965). "Advertisement". Today's Art. New York: Syndicate Magazines, Inc. 13 (2): 3. Retrieved 2 January 2015.
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252. Walker, J. (5 December 2014). "See Ruskin". British Dental Journal. 217 (11): 612. doi:10.1038/sj.bdj.2014.1059. PMID 25476615.
253. Miles, Edward W. (2016). The Past, Present, and Future of the Business School. Palgrave Macmillan. p. 92. ISBN 9783319336398. Retrieved 10 May 2019.
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260. Modern Painters III (see Part VI, "Of Many Things", c. XII, "Of the Paethetic Fallacy") see Works 5.201–220.
261. See Works 27.27–44 and 28.106–7.
262. For a full and concise introduction to the work, see Dinah Birch, "Introduction", in John Ruskin, Fors Clavigera, ed. Dinah Birch (Edinburgh University Press, 2000), pp. xxxiii–xlix.
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264. Peter Fuller, Theoria: Art and the Absence of Grace (Chatto and Windus, 1988).
265. Ruskin, John (1989). The Seven Lamps of Architecture. Dover Publications. p. 210.
266. Ruskin, John (1989). The Seven Lamps of Architecture. Dover Publications. p. 396.
267. Brewer, E. Cobham (1909). "New Republic (The)". The Historic Note-book: With an Appendix on Battles. p. 616.
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270. Hollingsworth, Cristopher (December 2009). Alice Beyond Wonderland: Essays for the Twenty-first Century. University of Iowa Press. p. 70. ISBN 9781587298196.
271. Dante's Inferno at the British Film Institute
272. Johnson, Chloe (2010). "Presenting the Pre-Raphaelites: From Radio Reminiscences to Desperate Romantics". Visual Culture in Britain. 11: 67–92. doi:10.1080/14714780903509847.
273. Morgan, Elizabeth (2 May 1983). "Dear Countess". Retrieved 2 February 2019 – via Archive.org.
274. "The Passion of John Ruskin". Canadian Film Centre. Retrieved 2 February 2019.
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276. "Gregory Murphy". Doollee.com. Retrieved 18 July 2017.
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278. "MANLY PURSUITS by Ann Harries". Kirkus Reviews. 1 March 1999. Retrieved 2 February 2019.
279. Marlowe, Sam (20 September 2003). "Mrs Ruskin". The Times. ISSN 0140-0460. Archived from the original on 3 February 2019. Retrieved 2 February 2019.
280. Grace Andreacchi. "Sesame and Roses". Sites.google.com. Retrieved 18 July 2017.
281. Hoare, Philip (7 October 2014). "John Ruskin: Mike Leigh and Emma Thompson have got him all wrong". The Guardian. London. Retrieved 24 June 2015.
282. Effie Gray at the TCM Movie Database
283. Randolph, Octavia. "Light, Descending, a biographical novel by Octavia Randolph".
284. "The Works of John Ruskin". Lancs.ac.uk. Retrieved 18 July 2017.
Sources• Robert Hewison, "Ruskin, John (1819–1900)", Oxford Dictionary of National Biography (ODNB) Oxford University Press, 2004; online edition.
• Francis O'Gorman (1999) John Ruskin (Pocket Biographies) (Sutton Publishing Ltd.)
• James S. Dearden (2004), John Ruskin (Shire Publications)
Further reading
General• Helen Gill Viljoen, Ruskin‟s Scottish Heritage: A Prelude. University of Illinois Press, 1956.
• John D. Rosenberg, The Darkening Glass: A Portrait of Ruskin's Genius. (Columbia University Press, 1961.
• Robert Hewison, John Ruskin: The Argument of the Eye. Thames and Hudson, 1976.
• Patrick Conner, "Savage Ruskin." New York: Macmillan Press, 1979.
• Sarah Quill, Ruskin's Venice: The Stones Revisited. Ashgate, 2000.
• Kevin Jackson, The Worlds of John Ruskin. Pallas Athene, 2010.
• Carroll Quigley, Tragedy and Hope: A History Of The World In Our Time. GSG & Associates, 1966.
• Hanley, Keith; Hull, Caroline S., eds. (2016). John Ruskin's Continental Tour 1835: The Written Records and Drawings. Cambridge: Legenda. ISBN 978-1-906540-85-2.
• Charles Waldstein, "The Work of John Ruskin: Its Influence Upon Modern Thought and Life," Harper's Magazine, vol. 78, no. 465 (Feb. 1889), pp. 382–418.
• Chisholm, Hugh, ed. (1911). "Ruskin, John" . Encyclopædia Britannica (11th ed.). Cambridge University Press.
• "Ruskin, John" . Dictionary of National Biography (1st supplement). London: Smith, Elder & Co. 1901.
Biographies of Ruskin• W. G. Collingwood (1893) The Life and Work of John Ruskin 1–2. Methuen. (The Life of John Ruskin, sixth edition (1905).) – Note that the title was slightly changed for the 1900 2nd edition and later editions.
• E. T. Cook (1911) The Life of John Ruskin 1–2. George Allen. (The Life of John Ruskin, vol. 1 of the second edition (1912); The Life of John Ruskin, vol. 2 of the second edition (1912))
• Derrick Leon (1949) Ruskin: The Great Victorian (Routledge & Kegan Paul)
• Tim Hilton (1985) John Ruskin: The Early Years (Yale University Press)
• Tim Hilton (2000) John Ruskin: The Later Years (Yale University Press)
• John Batchelor (2000) John Ruskin: No Wealth But Life (Chatto & Windus)
• Robert Hewison (2007) John Ruskin (Oxford University Press)
External links• Ruskin Today
• The Eighth Lamp, Ruskin Studies Today. Ruskin journal
• Portraits of John Ruskin at the National Portrait Gallery, London
Library collections[edit]
• UK Museum, Library and Archive collections relating to Ruskin at Cornucopia.org.uk. Retrieved
• John Ruskin texts in the Baldwin Library of Historical Children's Literature Digital Collection. Retrieved 2010-10-19
Electronic editions• Works by John Ruskin at Project Gutenberg
• Works by John Ruskin at Faded Page (Canada)
• Works by or about John Ruskin at Internet Archive
• Works by John Ruskin at LibriVox (public domain audiobooks)
• Liverpool Museums audio files on Ruskin
Archival material• Ruskin letter to Brantwood at Mount Holyoke College
• Ruskin letter to Simon at Mount Holyoke College
• John Ruskin on In Our Time at the BBC
• Birmingham Museums & Art Gallery's online biography and gallery. Retrieved 2010-10-19
• Sources for the Study of John Ruskin and the Guild of St George. Produced by Sheffield City Council's Libraries and Archives.
• "Archival material relating to John Ruskin". UK National Archives.
• Lewin, Walter (15 July 1893). "Review of The Life and Work of John Ruskin by W. G. Collingwood". The Academy. 44 (1106): 45–46.
• Archival material at Leeds University Library