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Mandarin Oriental, Bangkok
by Wikipedia
Accessed: 5/29/20

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Mandarin Oriental, Bangkok
View of Mandarin Oriental, Bangkok
from the Chao Phraya River
Mandarin Oriental, Bangkok is located in BangkokMandarin Oriental, Bangkok
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Location within Bangkok
General information
Location 48 Oriental Avenue, Bangkok 10500, Thailand
Coordinates 13°43′25″N 100°30′52″E
Opening 1876
Management Mandarin Oriental Hotel Group
Other information
Number of rooms: 393
Number of suites: 35
Number of restaurants: 8
Website: MandarinOriental.com/bangkok

Mandarin Oriental, Bangkok is a five-star hotel in Bangkok owned in part and managed by Mandarin Oriental Hotel Group. Located on the banks of the Chao Phraya River, the original structure was the first hotel built in Thailand when it opened as The Oriental in 1876. Today, the hotel is one of two flagship properties of Mandarin Oriental Hotel Group.

History

When Siam opened to foreign trade after the signing of the Bowring Treaty the sailors that manned the ships which conveyed this trade though Bangkok required accommodation on shore. To meet this demand, Captain Dyers, an American and his partner J.E. Barnes opened a hotel called the Oriental Hotel. This burnt down in 1865.[1]

Several years later a partnership of Danish captains opened a replacement hotel.[2] In the 1870s the board of the Oriental Hotel decided with the opening of the new River Wing, upon 1876 as the official establishment date of the Oriental Hotel.

H. N. Andersen

In 1881 29-year-old Hans Niels Andersen, a Danish businessman, bought the premises.[3] His various business ventures led to him becoming a much respected member of the Western community in Siam. Andersen identified a need for a respectable hotel with good accommodation, a bar and a western menu to meet the needs of travellers and businessmen visiting to Siam.

Encouraged by Prince Prisdang Jumsai, Hans Niels Andersen formed a partnership with Peter Andersen and Frederick Kinch to build a luxury hotel. Designed by Cardu & Rossi, a team of local Italian architects, the Oriental was the first luxury hotel in Siam. The hotel opened on 19 May 1887 with 40 rooms and features which at the time had never been seen in Siam outside of a royal palace: a second floor (during a time of single-storey bungalows), carpeted hallways, smoking and ladies rooms, a billiards room and a bar capable of seating 50 patrons.[4] To ensure the success of the restaurant and a satisfactory level of service the owners lured the chef and butler away from the French Consulate to work at the hotel.

The first major event that the hotel hosted was a grand banquet on 24 May 1888 to celebrate the Golden Jubilee of Queen Victoria. After personally inspecting the hotel’s facilities in December 1890, King Chulalongkorn decided the hotel was up to the standard necessary to host visiting royalty. The hotel's first royal guests were the entourage of Crown Prince Nicholas of Russia, (later Tsar Nicholas) in April 1891.

A succession of owners followed until Marie Maire took over the ownership in 1910. She immediately went to work revamping the hotel. She sold it in 1932. During the Second World War the hotel was leased to the Japanese Army who used it as an officers club (under the management of the Imperial Hotel of Tokyo). At the end of the war it was used to house liberated Allied prisoners of war, who in the belief that it was a Japanese property ransacked the building.[2][5]

Germaine Krull

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The original 19th century Authors' Wing

At the end of the war a six-person partnership each contributed US$250 to buy the hotel, badly run down from its wartime service. The partnership consisted of Germaine Krull (1897–1985),...

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Germaine Luise Krull (20 November 1897 – 31 July 1985) was a photographer, political activist, and hotel owner. Her nationality has been categorized as German, French, and Dutch, but she spent years in Brazil, Republic of the Congo, Thailand, and India. Described as "an especially outspoken example" of a group of early 20th-century female photographers who "could lead lives free from convention", she is best known for photographically-illustrated books such as her 1928 portfolio Métal.

Krull was born in Posen-Wilda, a district of Posen (then in Germany; now Poznań, Poland), of an affluent German family. In her early years, the family moved around Europe frequently; she did not receive a formal education, but instead received homeschooling from her father, an accomplished engineer and a free thinker (whom some characterized as a "ne'er-do-well"). Her father let her dress as a boy when she was young, which may have contributed to her ideas about women's roles later in her life. In addition, her father's views on social justice "seem to have predisposed her to involvement with radical politics."

Between 1915 and 1917 or 1918 she attended the Lehr- und Versuchsanstalt für Photographie, a photography school in Munich, Germany, at which Frank Eugene's teaching of pictorialism in 1907–1913 had been influential. She opened a studio in Munich in approximately 1918, took portraits of Kurt Eisner ...

Kurt Eisner (14 May 1867 – 21 February 1919) was a politician, revolutionary, journalist and theatre critic from Germany. As a socialist journalist, he organised the Socialist Revolution that overthrew the Wittelsbach monarchy in Bavaria in November 1918, which led to his being described as "the symbol of the Bavarian revolution". He is used as an example of charismatic authority by Max Weber. Eisner subsequently proclaimed the People's State of Bavaria, but was assassinated by far-right German nationalist Anton Graf von Arco auf Valley in Munich on 21 February 1919.

-- Kurt Eisner, by Wikipedia


and others, and befriended prominent people such as Rainer Maria Rilke, Friedrich Pollock, and Max Horkheimer.

Krull was politically active between 1918 and 1921. In 1919 she switched from the Independent Socialist Party of Bavaria to the Communist Party of Germany, and was arrested and imprisoned for assisting a Bolshevik emissary's attempted escape to Austria. She was expelled from Bavaria in 1920 for her Communist activities, and traveled to Russia with lover Samuel Levit. After Levit abandoned her in 1921, Krull was imprisoned as an "anti-Bolshevik" and expelled from Russia.

She lived in Berlin between 1922 and 1925 where she resumed her photographic career. She and Kurt Hübschmann (later to be known as Kurt Hutton) worked together in a Berlin studio between 1922 and 1924. Among other photographs Krull produced in Berlin were a series of nudes (recently disparaged by an unimpressed 21st-century critic as "almost like satires of lesbian pornography").

Having met Dutch filmmaker and communist Joris Ivens in 1923, she moved to Amsterdam in 1925. After Krull returned to Paris in 1926, Ivens and Krull entered into a marriage of convenience between 1927 and 1943 so that Krull could hold a Dutch passport and could have a "veneer of married respectability without sacrificing her autonomy."

In Paris between 1926 and 1928, Krull became friends with Sonia Delaunay, Robert Delaunay, Eli Lotar, André Malraux, Colette, Jean Cocteau, André Gide and others; her commercial work consisted of fashion photography, nudes, and portraits....

By 1928 Krull was considered one of the best photographers in Paris, along with André Kertész and Man Ray. Between 1928 and 1933, her photographic work consisted primarily of photojournalism, such as her photographs for Vu, a French magazine; also in the early 1930s,she also made a pioneering study of employment black spots in Britain for Weekly Illustrated (most of her ground-breaking reportage work from this period remains immured in press archives and she has never received the credit which is her due for this work). Her book Études de Nu ("Studies of Nudes") published in 1930 is still well-known today. Between 1930 and 1935 she contributed photographs for a number of travel and detective fiction books.

In 1935–1940, Krull lived in Monte Carlo where she had a photographic studio. Among her subjects during this period were buildings (such as casinos and palaces), automobiles, celebrities, and common people. She may have been a member of the Black Star photojournalism agency which had been founded in 1935, but "no trace of her work appears in the press with that label."

... Henry Luce, the largest publisher of the day, with periodicals such as Time and Fortune. Luce collaborated with Black Star to produce a new weekly magazine called Life. Life would use artistic photos in a new format. These pictures would be large and take up the majority of the page. They could capture not only a moment in time, but an emotion and story that would be paramount to the text. Prior to this, photojournalism in the U.S. was relegated to regional newspapers where text was more important than photos...

Kornfeld became Black Star's best picture agent. He had a talent for creating rapport between client and artist. Therefore, Kornfeld handled their most important client, Life magazine, providing up to 200 photos a week.

-- Black Star (photo agency), by Wikipedia


In World War II, she became disenchanted with the Vichy France government, and sought to join the Free French Forces in Africa. Due to her Dutch passport and her need to obtain proper visas, her journey to Africa included over a year (1941–1942) in Brazil where she photographed the city of Ouro Preto. Between 1942 and 1944 she was in Brazzaville in French Equatorial Africa, after which she spent several months in Algiers and then returned to France.

After World War II, she traveled to Southeast Asia as a war correspondent, but by 1946 had become a co-owner of the Oriental Hotel in Bangkok, Thailand, a role that she undertook until 1966. She published three books with photographs during this period, and also collaborated with Malraux on a project concerning the sculpture and architecture of Southeast Asia.

After retiring from the hotel business in 1966, she briefly lived near Paris, then moved to Northern India and converted to the Sakya school of Tibetan Buddhism. Her final major photographic project was the publication of a 1968 book Tibetans in India that included a portrait of the Dalai Lama. After a stroke, she moved to a nursing home in Wetzlar, Germany, where she died in 1985.

-- Germaine Krull, by Wikipedia


Prince Bhanu [Prince Bhanubandhu Yugala],

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Prince Bhanubandhu Yugala (Thai: พระเจ้าวรวงศ์เธอ พระองค์เจ้าภาณุพันธุ์ยุคล; RTGS: Phanuphan Yukhon, born 27 November 1910 in Songkhla Province, Thailand, died 5 February 1995 in Bangkok) was a Thai film director, producer and screenwriter, playwright, composer and author.

He was a grandson of King Chulalongkorn,...

Chulalongkorn, also known as King Rama V, reigning title Phra Chula Chom Klao Chao Yu Hua[a] (Thai: จุฬาลงกรณ์; RTGS: Chunlalongkon; 20 September 1853 – 23 October 1910), was the fifth monarch of Siam under the House of Chakri. He was known to the Siamese of his time as Phra Phuttha Chao Luang (พระพุทธเจ้าหลวง, the Royal Buddha). His reign was characterized by the modernisation of Siam, governmental and social reforms, and territorial concessions to the British and French. As Siam was threatened by Western expansionism, Chulalongkorn, through his policies and acts, managed to save Siam from colonization. All his reforms were dedicated to ensuring Siam's survival in the face of Western colonialism, so that Chulalongkorn earned the epithet Phra Piya Maharat (พระปิยมหาราช, the Great Beloved King).

-- Chulalongkorn, by Wikipedia


the maternal grandfather of Princess Soamsawali Kitiyakara and an uncle of director Chatrichalerm Yukol....

Prince Bhanubandhu was the eldest of three children of Prince Yugala Dighambara ...

Yugala Dighambara, Prince of Lopburi (March 17, 1882 – April 8, 1932) (Thai: สมเด็จพระเจ้าบรมวงศ์เธอ เจ้าฟ้ายุคลฑิฆัมพร กรมหลวงลพบุรีราเมศร์, RTGS: Chao Fa Yukhon Thikhamphon Krom Luang Lopburi Ramet), was a son of King Chulalongkorn of Siam.

The Prince graduated from Cambridge University. He served as Viceroy of the South during the reign of his half-brother King Vajiravhud and as the Minister of the Interior in the government of King Prajadhipok.

He married Princess Chalermkhetra Mangala (Bhanubandh), a daughter of Prince Bhanurangsi Savangwongse. Their grandson is the filmmaker Prince Chatrichalerm Yugala.

-- Yugala Dighambara, by Wikipedia


and Princess Chalermkhet Mongkhol. He was a grandson of King Chulalongkorn. He was educated in Thailand at Thepsirin School, and then in France. He also lived abroad in his youth in England and the United States. In his 20s, he returned to Thailand and enlisted in the Royal Thai Army's cavalry division. While in the army, he studied filmmaking in his spare time....

Prince Bhanubandhu founded his own company, the Thai Film Company, in 1938, first producing the film, Tharn Fai Kao (The Old Flame). Four other films followed: Wan Phen, Mae Sue Sao (Girl Matchmaker), Pid Thong Lang Phru and Look Thung (The Folks). The company was disbanded during World War II, with its assets sold to the Royal Thai Air Force....

After the war ended, Bhanubandhu formed a new production company, Assawin Pictures.

Bhanubandhu also composed the score for his films. One of his songs from 1938's Tharn Fai Kao, was selected in 1979 by UNESCO as a "Song of Asia".

-- Bhanubandhu Yugala, Wikipedia


General Chai Prateepasen,...

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Major General Chai Prateepasen
Secretary General of the Cabinet: February 18, 1943 - August 5, 1944

-- Long Live the King: Government Officials and Employees of the Secretariat of the Cabinet, by soc.go.th


Pote Sarasin (prominent businessman and lawyer)

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Pote Sarasin (Thai: พจน์ สารสิน, RTGS: Phot Sarasin, pronounced [pʰót sǎː.rā.sǐn]; 25 March 1905 – 28 September 2000) was a Thai diplomat and politician from the influential Sarasin family. He served as foreign minister from 1949 to 1951 and then served as ambassador to the United States. In September 1957 when Sarit Thanarat seized power in a military coup, he appointed Pote to be the acting prime minister. He resigned in December 1957. Pote also served as the first Secretary General of the Southeast Asia Treaty Organization from September 1957 until 1964....

Pote was a scion of the Sarasin family, one of Bangkok's oldest and wealthiest assimilated Chinese families. The Sarasins had always cultivated good relations with the bureaucratic elite of the 19th century, and by the early 1950s held substantial interests in real estate and rice trading. His father, Thian Hee (Chinese: 黄天喜, whose official title was Phraya Sarasinsawamiphakh), was the son of a traditional Chinese doctor and pharmacist who had immigrated from Hainan to Siam in the early 19th century.

Pote's sons are Pong, a leading businessman, Police General Pao, who once served as the Chief of the Royal Thai Police, and Arsa, who, like his father, was also one of the former foreign ministers of Thailand and was serving as the late King Bhumibol's Principal Private Secretary. All three sons–Pong, Arsa and Pao Sarasin had all served as the Deputy Prime Ministers of Thailand.

-- Pote Sarasin, by Wikipedia


and John Webster and Jim Thompson, two Americans who had served in the Office of Strategic Services (OSS) and who had stayed on in Thailand.

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James Harrison Wilson Thompson (March 21, 1906 – March 26, 1967 disappeared) was an American businessman who helped revitalise the Thai silk industry in the 1950s and 1960s. At the time of his disappearance he was one of the most famous Americans living in Asia. Time magazine claimed he "almost singlehanded(ly) saved Thailand's vital silk industry from extinction".

Jim Thompson was born in Greenville, Delaware in 1906. He was the youngest of five children of Henry and Mary Thompson. His father was a wealthy textile manufacturer; his mother was the daughter of James Harrison Wilson (1837–1925), a noted Union general during the American Civil War....

From 1931 to 1940, he practised in New York City with Holden, McLaughlin & Associates, designing homes for the East Coast rich. During this period, he led an active social life and sat on the board of the Ballet Russe de Monte Carlo.

The Original Ballet Russe (originally named Ballets Russes de Monte-Carlo) was a ballet company established in 1931 by René Blum and Colonel Wassily de Basil as a successor to the Ballets Russes, founded in 1909 by Sergei Diaghilev. The company assumed the new name Original Ballet Russe after a split between de Basil and Blum. De Basil led the renamed company, while Blum and others founded a new company under the name Ballet Russe de Monte-Carlo. It was a large scale professional ballet company which toured extensively in Europe, Australia and New Zealand, the United States, and Central and South America. It closed down operations in 1947.

-- Original Ballet Russe, by Wikipedia


In 1941, he quit his job and enlisted with the Delaware National Guard. Before the outbreak of the Second World War, he was transferred to a military outpost in Fort Monroe, Virginia. While he was here, he got to know Second Lieutenant Edwin Fahey Black, a fresh graduate from the US Military Academy, West Point. It was Black who encouraged him to join the Office of Strategic Services (OSS), the forerunner of the Central Intelligence Agency.

At the height of the Second World War, Thompson was recruited by major general William Joseph Donovan (1883–1959) to serve as an operative in the OSS.

His first assignment was with the French Resistance in North Africa. He was then sent to Europe. After Victory in Europe Day (May 7–8, 1945), he was transferred to Ceylon (now Sri Lanka) to work with the pro-Allied Seri Thai (Free Thai Movement). Their mission was to help liberate Thailand from the occupying Japanese Army
. The group had the support of Pridi Panomyong, the regent to King Ananda Mahidol of Thailand, and Seni Pramoj, the Thai ambassador to the United States.

In August 1945, Thompson was about to be sent into Thailand, when the Surrender of Japan officially ended World War II. He arrived in Thailand shortly after Victory over Japan Day and organised the Bangkok OSS office. It was here he got to know Constance (Connie) Mangskau, an Allied Services translator, who later became one of his closest friends.

In the spring of 1946, Thompson went to work as military attaché at the United States legation for his former Princeton classmate Charles Woodruff Yost, the US Minister to Thailand. Thompson used his contacts with the Free Thai and Free Lao groups to gather information and defuse conflicts on Thailand's borders. Working with him in the Legation was Kenneth Landon, an American missionary whose wife, Margaret Landon, was the author of Anna and the King of Siam, which was the inspiration for a 1946 film of the same name, and The King and I in 1956.


In late 1946, Thompson headed for home to seek his discharge from the army. After his divorce from Patricia Thraves (1920–1969), he returned to Thailand to join a group of investors to buy The Oriental Hotel in Bangkok. While working on its restoration, he had some differences with his associates and this resulted in him giving up his shares. He subsequently switched his focus to silk.

In 1948,[13] he partnered with George Barrie to found the Thai Silk Company Limited. It was capitalised at US$25,000. They each bought eighteen percent of the shares. The remaining sixty-four percent were sold to Thai and foreign investors.

The firm achieved a coup in 1951 when designer Irene Sharaff made use of Thai silk fabrics for the Rodgers and Hammerstein musical, The King and I. From then on, the company prospered.... It was only after Thompson's disappearance that the Thai Silk Company relocated its weaving operations to Korat, a city which serves as a base of operations for the Royal Thai Army....

In 1958, he began what was to be the pinnacle of his architectural achievement – the construction of a new home to showcase his objets d'art.

Using parts of old up-country houses – some as old as a hundred years – he succeeded in constructing a masterpiece that involved the reassembling of six Thai dwellings on his estate. Most of the units were dismantled and brought over by river from Ayutthaya, but the largest – a weaver's house (now the living room) – came from Bangkrua. On arrival, the woodwork was offloaded and pieced together....

After he was through with its creation, he filled his home with the items he had collected in the past. Decorating his rooms were Chinese blue-and-white Ming pieces, Belgian glass, Cambodian carvings, Victorian-era chandeliers, Benjarong earthenware, Thai stone images, Burmese statues, and a dining table which was once used by King Rama V of Thailand....

Thompson disappeared from Malaysia's Cameron Highlands on Sunday, March 26, 1967. His disappearance from the hill station generated one of the largest land searches in Southeast Asian history, and is one of the most famous mysteries in the region.

-- Jim Thompson (designer), by Wikipedia


Krull took the position of manager in 1947, despite no prior experience in the hotel field. Born in Germany, she had been best known as a photographer during the 1920s before service in the Pacific as a war correspondent for Agence France Presse. The hotel's restoration and restocking offered Thompson an opportunity to put to use his architectural and artistic abilities.

The hotel reopened for business on 12 June 1947. Krull turned out to be a natural hotelier and during her reign restored the hotel to its position as the premier hotel in Thailand. Thompson soon left the partnership over a plan to build a new wing, though he stayed on in residence at the hotel for some time. To compete with popular clubs and a new local bar called Chez Eve, Krull established the Bamboo Bar, which soon became one of the leading bars in Bangkok.[6]

In 1958 the ten-storey Garden Wing was built. It featured the city’s first elevator and was home to the Le Normandie Restaurant.[2] In 1967, fearful that Thailand would fall to the communists, Krull sold her share to Italthai which at the time was well on its way to becoming one of the country’s most significant mercantile groups eventually totally some 60 companies involved in almost all aspects of the Thai economy.

Italthai

Italthai had been founded in the mid-fifties by Giorgio Berlingieri, an Italian born in Genoa and Dr Chaijudh Karnasuta, a Thai. Berlingieri felt that the Oriental had begun to rest on its laurels and had dropped behind its competitors. He wanted to develop the Oriental into one of the best hotels in the world. Too involved with his various businesses to devote time to the project, Berlingieri in November 1967 appointed 30-year-old Kurt Wachtveitl (1937– ), at that time manager of Nipa Lodge (a hotel that Italthai owned in Pattaya), as general manager of the Oriental.

In 1972 the hotel acquired an adjacent property upon which it erected the 350-room River Wing.[2]

ACC [Asian Cultural Council] is both a grantmaking and grantseeking organization. It is supported by funding from individuals, foundations, and corporations including The Andrew W. Mellon Foundation, Beijing Contemporary Art Foundation, Ford Foundation, the Henry Luce Foundation, Mandarin Oriental Hotel Group, Newman’s Own Foundation and The Starr Foundation

-- Asian Cultural Council, by Wikipedia


Mandarin Oriental Hotel Group and Mandarin Oriental, Bangkok

Mandarin Oriental, Hong Kong is a five-star hotel located on Connaught Road in Central, Hong Kong, owned and managed by Mandarin Oriental Hotel Group....

Mandarin Oriental Hotel Group (MOHG; Chinese: 文華東方酒店), a member of the Jardine Matheson Group, is an international hotel investment and management group with luxury hotels, resorts and residences in Asia, Europe and the Americas.

-- Mandarin Oriental Hotel Group, by Wikipedia


Jardine Matheson Holdings Limited (also known as Jardines) is a British conglomerate incorporated in Bermuda and headquartered in Hong Kong, with its primary listing on the London Stock Exchange and secondary listings on the Singapore Exchange and Bermuda Stock Exchange. The majority of its business interests are in Asia, and its subsidiaries include Jardine Pacific, Jardine Motors, Jardine Lloyd Thompson, Hongkong Land, Jardine Strategic Holdings, Dairy Farm, Mandarin Oriental Hotel Group, Jardine Cycle & Carriage and Astra International. It sponsors the Jardine Scholarship.

Jardines was one of the original Hong Kong trading houses or Hongs that date back to Imperial China and, as of December 2010, 41 percent of the company's profits were still earned in China. The company is controlled by the Keswick family, who are descendants of co-founder William Jardine's older sister, Jean Johnstone.

-- Jardine Matheson, by Wikipedia


In the 1920s, the U.S. threw its weight behind Chiang Kai-shek, whose Kuomintang Party was fighting the Communists and several other warlords for control of China. The U.S. was competing with the other colonial nations for control of China, which had a cheap labor force and represented billions in profits for U.S. corporations and investors. The problem was that the Kuomintang supported itself through the opium trade. It's well documented in the diplomatic cables between the U.S. government and its representatives in China. Historians Kinder and Walker said the Commissioner of the Bureau of Narcotics, Harry Anslinger, "clearly knew about the ties between Chiang and opium dealers."

Anslinger knew that Shanghai was "the prime producer and exporter to the illicit world drug markets," through a syndicate controlled by Du Yue-sheng, a crime lord who facilitated Chiang's bloody ascent to power in 1927. As early as 1932, Anslinger knew that Chiang's finance minister was Du's protector. He'd had evidence since 1929 that American t'ongs were receiving Kuomintang narcotics and distributing it to the Mafia. Middlemen worked with opium merchants, gangsters like Du, Japanese occupation forces in Manchuria, and Dr. Lansing Ling, "who supplied narcotics to Chinese officials traveling abroad." In 1938 Chiang Kai-shek appointed Dr. Ling head of his Narcotic Control Department.

In October 1934, the Treasury attache in Shanghai "submitted reports implicating Chiang Kai-shek in the heroin trade to North America." In 1935 the attache reported that the Superintendent of Maritime Customs in Shanghai was "acting as agent for Chiang Kaishek in arranging for the preparation and shipment of the stuff to the United States."

These reports reached Anslinger's desk, so he knew which KMT officials and trade missions were delivering dope to American t'ongs and which American Mafia drug rings were buying it. He knew the t'ongs were kicking back a percentage of the profits to finance Chiang's regime.

After Japanese forces seized Shanghai in August 1937, Anslinger was even less willing to deal honestly with the situation. By then Du was sitting on Shanghai's Municipal Board with William J. Keswick, a director of the Jardine Matheson Shipping Company. Through Keswick, Du found sanctuary in Hong Kong, where he was welcomed by a cabal of free-trading British colonialists whose shipping and banking companies earned huge revenues by allowing Du to push his drugs on the hapless Chinese. The revenues were truly immense: according to Colonel Joseph Stilwell, the U.S. military attache in China, in 1935 there were "eight million Chinese heroin and morphine addicts and another 72 million Chinese opium addicts."

Anslinger tried to minimize the problem by lying and saying that Americans were not affected. But the final decisions were made by his bosses in Washington, and from their national security perspective, the profits enabled the Kuomintang to purchase $31 million worth of fighter planes from arms dealer William Pawley to fight the Communists, and that trumped any moral dilemmas about trading with the Japanese or getting Americans addicted.

It's all documented. Check the sources I cite in my books. Plus, U.S. Congressmen and Senators in the China Lobby were profiting from the guns for drugs business too. They got kickbacks in the form of campaign funds and in exchange, they looked away as long as Anslinger told them the dope stayed overseas. After 1949, the China Lobby manipulated public hearings and Anslinger cooked the books to make sure that the Peoples Republic was blamed for all narcotics coming out of the Far East. Everyone made money and after 1949 the operation was run out of Taiwan, with CIA assistance.

-- The CIA as Organized Crime: How Illegal Operations Corrupt America and the World, by Douglas Valentine


The Keswick family (pronounced with a silent "w", "Kezzick") are a business dynasty of Scottish origin associated with the Far East since 1855 and in particular the conglomerate Jardine Matheson.

As tai-pans of Jardine Matheson & Company, the Keswick family have at some time been closely associated with the ownership or management of the Hongkong and Shanghai Banking Corporation, the Indo-China Steam Navigation Company Ltd., the Canton Insurance Office Ltd, (now the HSBC Insurance Co), The Hongkong and Kowloon Wharf and Godown Company Limited, Star Ferry, Hong Kong Tramway, the Hong Kong Land Investment and Agency Co Ltd, and the Hongkong and Whampoa Dock Co Ltd.

The Hon. William Keswick (1834–1912)

The founder of the dynasty, he was born in 1834, in Dumfriesshire in the Scottish Lowlands. His grandmother, Jean Jardine Johnstone was an older sister of Dr. William Jardine, the founder of Jardine Matheson & Company. His father Thomas Keswick had married Margaret Johnstone, Jardine's niece and daughter of Jean, and entered the Jardine business. The company operated as opium traders and had a major influence in the First and Second Opium Wars although the company stopped this trading in 1870 to pursue a broad range of other trading interests including shipping, railways, textiles and property development.

William arrived in China and Hong Kong in 1855, the first of five generations of the Keswick family to be associated with Jardines. He established a Jardine Matheson office in Yokohama, Japan in 1859. He returned to Hong Kong to become a partner of the firm in 1862. He became managing partner (Taipan) from 1874 to 1886. He left Hong Kong in 1886 to work with Matheson & Co. in London as a senior director responsible only to Sir Robert Jardine (1825–1905), a son of David Jardine, William Jardine's older brother and the head of Mathesons in London.

-- Keswick family, by Wikipedia


Originally called The Mandarin, the hotel was built on the former site of the colonial Queen's Building on the waterfront in Central Hong Kong. From the onset, the concept was to create a hotel firmly rooted in Eastern culture, providing gracious service to a standard generally experienced only in the Asia–Pacific region. The original cost of construction totalled HKD 42 million, while the interior design amounted to even 50% more at HKD 66 million, sparing no luxury or detail. John Howarth of Leigh & Orange architectural firm was hired to design the building while the interior was entrusted to Don Ashton, a Hollywood Art Director for such films as The Bridge on the River Kwai, Indiscreet, and Billy Budd. The Mandarin officially opened for business in October 1963, and at 26 storeys, it was the tallest building in Hong Kong. In addition to its record-setting height, the hotel was the first in Hong Kong to have direct dial phones and the first in Asia to include a bath in every guestroom. The hotel quickly drew recognition for its service and elegance, and back in 1967 was listed by Fortune magazine as one of eleven great hotels in the world.

-- Mandarin Oriental, Hong Kong, by Wikipedia


The Group began with the opening of its flagship property, The Mandarin, in Hong Kong in 1963, which soon built up a reputation for luxurious service. In 1974, Mandarin International Hotels Limited was formed as a hotel management company. The Group's intention was to expand into Asia and operate hotels with a standard of service comparable with their property in Hong Kong.[7]

In 1974 the company's hotel interests expanded further through the acquisition of a 49% interest in The Oriental, Bangkok. Through the management of both The Mandarin in Hong Kong and The Oriental, Bangkok, the Group was in an unusual position of having two "flagship" hotels. In 1985, the Company rationalized its corporate structure by combining these two properties under a common name, Mandarin Oriental Hotel Group.[7]

The hotel opened its renowned Oriental Spa in 1993 and finished a complete renovation of its rooms and suites in 2003. In 2006, The Oriental, Bangkok celebrated its 130th anniversary.[8] In September 2008, the hotel formally changed its name from The Oriental, Bangkok to Mandarin Oriental, Bangkok.

Hotel

The hotel has contained 331 rooms, including 60 unique suites. The two-story Authors' Wing, the only remaining structure of the original 19th century hotel, houses suites named after Joseph Conrad, Somerset Maugham, Noël Coward and James Michener. The River Wing contains deluxe two bedroom suites named after former guests or personages associated with the hotel including Barbara Cartland, Gore Vidal, Graham Greene, Wilbur Smith, John le Carré, Jim Thompson, Norman Mailer, Thai author Kukrit Pramoj.[9] Other suites are named after ships associated with the early Bangkok trade such as Otago (once captained by Joseph Conrad), HMS Melita, Vesatri and Natuna.

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Sala Rim Naam restaurant and terrace

Restaurants[10]

• Le Normandie: Contemporary French cuisine
• Lord Jim’s: Seafood and prime cut grill
• Sala Rim Naam: Traditional Thai cuisine
• Terrace Rim Naam: Authentic Thai dishes
• The China House: Classic Chinese cuisine
• Riverside Terrace: International BBQ
• The Verandah: International all-day dining
• Ciao Terrazza: Italian cuisine
• Kinu by Takagi :Japanese Kaiseki dining

Lounges and bars[11]

• The Authors' Lounge: Traditional afternoon tea served with old world charm
• The Bamboo Bar: Live Jazz & Blues Bar

Additional services and facilities

• The Oriental Spa[12]
• The Oriental Thai Cooking School[13]

Awards[14]

• Named “Best City Hotel in Asia” and one of the “Top 20 Hotels Worldwide” (Travel + Leisure's annual World Best Awards 2009)[15]
• Best City Center Hotel Spa Worldwide (Luxury Travel Advisor, December 2008 - Awards of Excellence)
• Urban Spa of the Year (AsiaSpa Magazine, November 2008 - AsiaSpa Awards)
• Named one of the 400 Best Hotels (Forbes Traveler, November 2008)
• No. 8 in Overseas Leisure Hotels - Asia & the Indian Subcontinent (Condé Nast Traveller, October 2008 - Readers’ Travel Awards
• No. 13 in Spas in Overseas Hotel (Condé Nast Traveller, October 2008 - Readers’ Travel Awards)
• No. 3 in Top 20 International City Hotels (Andrew Harper’s Hideaway Report, September 2008 - The World’s Best Hotel, Resorts & Hideaways)

Photo gallery

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The Oriental Spa

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The Riverside Terrace

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Kinu by Takagi

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Lord Jim's

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Hotel Lobby

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Siam One-Bedroom Suite Dining Area

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Siam One-Bedroom Suite Living Area

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Siam One-Bedroom Suite

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Deluxe One-Bedroom Theme Suite Living Room

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Deluxe One-Bedroom Theme Suite

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Selandia Two-Bedroom Suite

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Selandia Two-Bedroom Suite Dining and Living Areas

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The Verandah

See also

• Thailand portal
• Architecture portal
• Mandarin Oriental Hotel Group
• Mandarin Oriental, Hong Kong
• Mandarin Oriental Hyde Park, London
• Mandarin Oriental, New York
• Mandarin Oriental, Miami

Notes

1. O'Nell. Page 176.
2. Warren & Gocher. Page 120.
3. Augustin and Williamson.
4. O‘Nell. Page 178.
5. O‘Nell. Page 181.
6. Samuels.
7. "Press Kits - Mandarin Oriental Hotel Group". Mandarinoriental.com. Retrieved 29 December 2014.
8. "Press Kits - Mandarin Oriental Hotel Group". Mandarinoriental.com. Retrieved 29 December 2014.
9. "Press Kits - Mandarin Oriental Hotel Group". Mandarinoriental.com. Retrieved 29 December 2014.
10. "Bangkok Fine Dining - Mandarin Oriental Hotel, Bangkok". Mandarinoriental.com. Retrieved 29 December 2014.
11. "Bangkok Fine Dining - Mandarin Oriental Hotel, Bangkok". Mandarinoriental.com. Retrieved 29 December 2014.
12. "Bangkok Luxury Spa - Mandarin Oriental Hotel, Bangkok". Mandarinoriental.com. Retrieved 29 December 2014.
13. "5-Star Hotel in Bangkok - Mandarin Oriental Hotel, Bangkok". Mandarinoriental.com. Retrieved 29 December2014.
14. "Bangkok Hotel News - Mandarin Oriental Hotel, Bangkok". Mandarinoriental.com. Retrieved 29 December 2014.
15. "2009 World's Best Hotels - Travel + Leisure". Travel + Leisure. Retrieved 29 December 2014.

References

• Augustin, Andreas; Williamson, Andreas (2000). The Oriental Bangkok. Vienna: Leading Hotels of the World. pp. 160 pages. ISBN 3-902118-05-9.
• Augustin, Andreas. "Wachtveitl - Why don’t you do some work?". Accessed 26 September 2008.
• Augustin, Andreas. "Oriental Hotel - Historic Data“. Accessed 26 September 2008.
• Germaine Krull; Dorothea Melchers (1964). Bangkok: Siam's City of Angels. London: Robert Hale Limited. pp. 191 pages. ASIN B0000CM48L.
• Lim, Victor. "The legendary Oriental Bangkok – the grand dame turns 130". Accessed 27 September 2008.
• O’Nell, Maryvelma (2008). Bangkok - A Cultural and Literary History. Oxford: Signal Books. pp. 248 pages. ISBN 978-1-904955-39-9.
• Samuels, David. "Taste of History". Accessed 26 September 2008.
• William Warren; Jill Gocher (2007). Asia's legendary hotels: the romance of travel. Singapore: Periplus Editions. pp. 120 pages. ISBN 978-0-7946-0174-4.

External links

• Official website
• Dining at Mandarin Oriental, Bangkok
• The Oriental Spa at Mandarin Oriental, Bangkok
• Travel and Leisure World's Best Awards 2009

*****************************

A Short History of Mandarin Oriental, Bangkok
by Mandarin Oriental, Bangkok

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In the middle of the nineteenth century, a rest house for foreign seafarers was established on the banks of the Maenam River now known as Chao Phraya River. It was to become one of the world’s greatest hotels: The Oriental. Built in 1876, The Oriental, now Mandarin Oriental, Bangkok was the first luxury hotel in the Kingdom of Siam.

John le Carré completed The Honourable Schoolboy during his stay at The Oriental, W Somerset Maugham wrote about his bout with malaria during his stay at The Oriental in The Gentleman in the Parlour and Barbara Cartland named one of the heroines in Sapphires in Siam after an Oriental employee. Joseph Conrad, the sea captain and writer, was a frequent visitor to the bar of The Oriental, Vaslav Nijinsky danced in the ballroom in 1916 and playwright and actor Noël Coward treasured the memories of his favourite cocktail venue. Jim Thompson, the silk king, owned it, Peter Ustinov loved it and Graham Greene has a suite named in his honour. The Prince of Wales, The Queen of Sweden, Audrey Hepburn, Elizabeth Taylor, and Marlon Brando are a few of the individuals who have called Mandarin Oriental, Bangkok their ‘home away from home’.

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An early view of the Oriental Hotel from across the river

In 1865, the hotel’s original structure was destroyed in a fire and was replaced by the current structure in 1876. It was a Danish-born sailor, H.N. Andersen – the only Dane outside the Thai Royal Family to have been decorated with the Order of the White Elephant by the King of Siam – who resolved to give the Siamese capital a new hotel, a new modern luxurious Oriental Hotel.

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Boats on the Chao Phraya River

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H N Andersen

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HM King Chulalongkorn, Rama V

Anderson appointed Italian architect firm Messrs Cardu and Rossi to design the Oriental building, which was subsequently constructed and withstood the ravages of time, and is today one of the proudest landmarks of Bangkok, a beautiful building that is both in use but also serves as a memorial and a promise, linking together the years past and present as well as those still to come.

On 17 December 1890, His Majesty King Chulalongkorn paid a private visit to The Oriental to assess the ability of the hotel to host royal guests. The King was so impressed that he decided to accommodate Crown Prince Nicholas of Russia, who became Tsar in 1894, at The Oriental in April 1891. It was the beginning of a long lasting relationship between the legendary hotel and Thailand’s Royal Palace.

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‘New Road”, opened in 1864

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Interior of the Authors’ Wing

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The Bamboo Bar exterior 1947

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Jim Thompson, the future “Thai Silk King”

A succession of owners followed, including Louis T. Leonowens, son of the famous Anna of ‘Anna and the King of Siam’. During the Second World War, the hotel was leased to the Japanese Army, which used it as an officers’ club under the management of the Imperial Hotel of Tokyo. At the end of the war it housed liberated Allied prisoners of war who, under the impression that it was a Japanese-owned property, ransacked the building and left it in urgent need of repair.

A partnership of six people each contributed US$250 to buy the hotel, and immediately began restoration. The partnership included Germaine Krull, a characterful Polish-born photographer who had served in the Pacific as a war correspondent for Agence France Presse, His Royal Highness Prince Bhanubandhu Yugala, a prominent Thai lawyer Pote Sarasin and two Americans, John Webster and Jim Thompson, who had served in the Organization for Strategic Security [Office of Strategic Services - OSS] and chose to stay on in Thailand. The Oriental reopened for business in June 1947. Ms. Krull took the position of manager and restored the hotel to its position as the premier hotel in Thailand and established the Bamboo Bar, which swiftly evolved into a city legend that endures to this day.

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HM Queen Sirikit attended the Rotary Bazaar at the Oriental in 1966

In 1958, the ten-storey Garden Wing was added, home to Le Normandie, Bangkok’s first fine dining restaurant, and featured the city’s first elevator. In 1967, Krull sold her share to Italthai, which was founded in the mid-fifties by Italian-born Giorgio Berlingieri and Dr. Chaijudh Karnasuta, and at the time well on its way to becoming one of the country’s most significant mercantile groups. Berlingieri appointed 30-year old Kurt Wachtveitl, at that time manager of a hotel in Pattaya owned by Italthai, as General Manager of The Oriental. Wachtveitl remained at The Oriental until his retirement in 2009.

In 1972, the hotel bought the adjacent land from Chartered Bank, where it built the 350-room River Wing to complete the main body of the hotel as we know it today. An estate was acquired across the river and the celebrated Sala Rim Naam restaurant opened in 1983, followed by The Oriental Thai Cooking School, the first cooking school in Bangkok, and the Fitness Centre. The world renowned The Oriental Spa, the first spa within a hotel property in Bangkok, opened here in 1993 in an exquisite teak mansion. In 1992, the first Oriental Shop opened in Isetan – today there are four Mandarin Oriental Shops across the city catering to Bangkok’s discerning gourmands.

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After construction of the River Wing, mid 1970s

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Joseph Conrad in 1924

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Noel Coward

In 1974, Mandarin International Hotels Limited, owner of The Mandarin in Hong Kong since 1963, was formed as a hotel management company and in expanding its interests in Asia, financed the building of the River Wing and therefore acquired a 45 percent stake in The Oriental. In 1985, the company rationalised its corporate structure by combining these two renowned properties under a common name, Mandarin Oriental Hotel Group. In 2008, The Oriental formally changed its name to Mandarin Oriental, Bangkok.
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Germaine Krull
by Wikipedia
Accessed: 5/29/20



Germaine Luise Krull (20 November 1897 – 31 July 1985) was a photographer, political activist, and hotel owner.[1] Her nationality has been categorized as German,[2] French,[3] and Dutch,[4] but she spent years in Brazil, Republic of the Congo, Thailand, and India.[1] Described as "an especially outspoken example" of a group of early 20th-century female photographers who "could lead lives free from convention", she is best known for photographically-illustrated books such as her 1928 portfolio Métal.[5]

Biography

Krull was born in Posen-Wilda, a district of Posen (then in Germany; now Poznań, Poland), of an affluent German family.[1]:5–6 In her early years, the family moved around Europe frequently; she did not receive a formal education, but instead received homeschooling from her father, an accomplished engineer and a free thinker (whom some characterized as a "ne'er-do-well").[1]:6–7 Her father let her dress as a boy when she was young, which may have contributed to her ideas about women's roles later in her life.[6] In addition, her father's views on social justice "seem to have predisposed her to involvement with radical politics."[6]

Between 1915 and 1917 or 1918 she attended the Lehr- und Versuchsanstalt für Photographie, a photography school in Munich, Germany, at which Frank Eugene's teaching of pictorialism in 1907–1913 had been influential.[1]:9–13 She opened a studio in Munich in approximately 1918, took portraits of Kurt Eisner and others, and befriended prominent people such as Rainer Maria Rilke, Friedrich Pollock, and Max Horkheimer.[1]:13–16

Krull was politically active between 1918 and 1921. In 1919 she switched from the Independent Socialist Party of Bavaria to the Communist Party of Germany, and was arrested and imprisoned for assisting a Bolshevik emissary's attempted escape to Austria.[1]:18–22 She was expelled from Bavaria in 1920 for her Communist activities, and traveled to Russia with lover Samuel Levit.[1]:24–25 After Levit abandoned her in 1921, Krull was imprisoned as an "anti-Bolshevik" and expelled from Russia.[1]:26–27

She lived in Berlin between 1922 and 1925 where she resumed her photographic career.[1]:29–43 She and Kurt Hübschmann (later to be known as Kurt Hutton) worked together in a Berlin studio between 1922 and 1924. Among other photographs Krull produced in Berlin were a series of nudes (recently disparaged by an unimpressed 21st-century critic as "almost like satires of lesbian pornography"[6]).

Having met Dutch filmmaker and communist Joris Ivens in 1923, she moved to Amsterdam in 1925.[1]:40–43 After Krull returned to Paris in 1926, Ivens and Krull entered into a marriage of convenience between 1927 and 1943 so that Krull could hold a Dutch passport and could have a "veneer of married respectability without sacrificing her autonomy."[1]:67–70[7]

Image

Georg Henri Anton "Joris" Ivens (18 November 1898 – 28 June 1989) was a Dutch documentary filmmaker and propagandist. Among the notable films he directed or co-directed are A Tale of the Wind,...

A Tale of the Wind is a 1988 French film directed by Joris Ivens and Marceline Loridan. It is also known as A Wind Story. It stars Ivens as he travels in China and tries to capture winds on film, while he reflects on his life and career. The film blends real and fictional elements; it ranges from documentary footage to fantastical dream sequences and Peking opera. It was Ivens' last film.

-- A Tale of the Wind, by Wikipedia


The Spanish Earth,...

The Spanish Earth is a 1937 propaganda film made during the Spanish Civil War in support of the democratically elected Republicans, whose forces included a wide range from the political left like communists, socialists, anarchists, to moderates like centrists, and liberalist elements. The film was directed by Joris Ivens, written by John Dos Passos and Ernest Hemingway, narrated by Orson Welles and re-recorded by Hemingway (with Jean Renoir doing the narration in the French release), with music composed by Marc Blitzstein and arranged by Virgil Thomson.

-- The Spanish Earth, by Wikipedia


Rain, ...A Valparaiso, Misère au Borinage (Borinage),...

Misère au Borinage (French, literally "Poverty in the Borinage"), also known as Borinage, was a 1934 Belgian documentary film directed by Henri Storck and Joris Ivens. Produced during the Great Depression, the film's theme was intensely socialist, covering the poor living conditions of the workers and coal miners of Belgium's industrialised Borinage region. It is considered a classic work of political cinema and has been described as "one of the most important references in the documentary genre".

Misère au Borinage was shot in black and white and is a silent film. Its intertitles are in French and Dutch languages. It opens with a title card, bearing the slogan: "Crisis in the Capitalist World. Factories are closed down, abandoned. Millions of proletarians are hungry!" and shows footage of the repression of a 1933 strike in Ambridge, Pennsylvania in the United States. The film then shifts to the Borinage, an industrial region in Belgium's Province of Hainaut, during and after the general strike of 1932. The majority of the film focuses on the plight of Borinage coal miners who have been evicted from their houses and made unemployed following their participation in the strike. It also shows the poor living conditions of the miners and their families. The film makes the argument that strike action could be justified by the poor conditions in which Belgian workers lived.

-- Misère au Borinage, by Wikipedia


17th Parallel: Vietnam in War,...

17th Parallel: Vietnam in War is a 1968 French documentary film directed by Joris Ivens. The film sets out to show the effects of the American bombing campaign on the Vietnamese people, who were mainly peasant farmers.

In 1968, between South Vietnam under the control of the US Army and North Vietnam struggling for independence, a demilitarized zone was created around the 17th parallel. Joris Ivens and his wife, Marceline Loridan, went to this area around the village of Vinh Linh for two months to live among the peasants who had taken refuge in cellars in an attempt to survive the incessant bombing of the American artillery.


-- 17th Parallel: Vietnam in War, by Wikipedia


The Seine Meets Paris, Far from Vietnam,...

In seven different segments, Godard, Klein, Lelouch, Marker, Resnais and Varda show their sympathy and support for the North Vietnamese army during the Vietnam war.

-- Far from Vietnam, by imdb


Pour le Mistral and How Yukong Moved the Mountains.

How Yukong Moved the Mountains is a series of 12 documentary films about China directed by Joris Ivens. This film, whose title references the old Chinese story of an old man who moved the mountains (Yugong Yishan), deals with the last days of the Cultural Revolution.

-- How Yukong Moved the Mountains, by Wikipedia


Born Georg Henri Anton Ivens into a wealthy family, Ivens went to work in one of his father's photo supply shops and from there developed an interest in film. Under the direction of his father, he completed his first film at 13; in college he studied economics with the goal of continuing his father's business, but an interest in class issues distracted him from that path. He met photographer Germaine Krull in Berlin in 1923, and entered into a marriage of convenience with her between 1927 and 1943...

In 1929, Ivens went to the Soviet Union and was invited to direct a film on a topic of his own choosing which was the new industrial city of Magnitogorsk. Before commencing work, he returned to the Netherlands to make Industrial Symphony for Philips Electric which is considered to be a film of great technical beauty. He returned to the Soviet Union to make the film about Magnitogorsk, Song of Heroes in 1931 with music composed by Hanns Eisler. This was the first film on which Ivens and Eisler worked together. It was a propaganda film about this new industrial city where masses of forced laborers and communist youth worked for Stalin's Five Year Plan. With Henri Storck, Ivens made Misère au Borinage (Borinage, 1933), a documentary on life in a coal mining region. In 1943, he also directed two Allied propaganda films for the National Film Board of Canada, including Action Stations, about the Royal Canadian Navy's escorting of convoys in the Battle of the Atlantic.

The Battle of the Atlantic, the longest continuous military campaign in World War II, ran from 1939 to the defeat of Nazi Germany in 1945, covering a major part of the Naval history of World War II. At its core was the Allied naval blockade of Germany, announced the day after the declaration of war, and Germany's subsequent counter-blockade. The campaign peaked from mid-1940 through to the end of 1943.

The Battle of the Atlantic pitted U-boats and other warships of the German Kriegsmarine (Navy) and aircraft of the Luftwaffe (Air Force) against the Royal Navy, Royal Canadian Navy, United States Navy, and Allied merchant shipping. Convoys, coming mainly from North America and predominantly going to the United Kingdom and the Soviet Union, were protected for the most part by the British and Canadian navies and air forces. These forces were aided by ships and aircraft of the United States beginning September 13, 1941. The Germans were joined by submarines of the Italian Regia Marina (Royal Navy) after Germany's Axis ally Italy entered the war on June 10, 1940....

It involved thousands of ships in more than 100 convoy battles and perhaps 1,000 single-ship encounters, in a theatre covering millions of square miles of ocean. The situation changed constantly, with one side or the other gaining advantage, as participating countries surrendered, joined and even changed sides in the war, and as new weapons, tactics, counter-measures and equipment were developed by both sides. The Allies gradually gained the upper hand, overcoming German surface-raiders by the end of 1942 and defeating the U-boats by mid-1943, though losses due to U-boats continued until the war's end. British Prime Minister Winston Churchill later wrote "The only thing that really frightened me during the war was the U-boat peril. I was even more anxious about this battle than I had been about the glorious air fight called the 'Battle of Britain'."

-- Battle of the Atlantic, by Wikipedia


From 1936 to 1945, Ivens was based in the United States. For Pare Lorentz's U.S. Film Service, in the year 1940, he made a documentary film on rural electrification called Power and the Land. It focused on a family, the Parkinsons, who ran a business providing milk for their community. The film showed the problem in the lack of electricity and the way the problem was fixed.

Pare Lorentz (December 11, 1905 – March 4, 1992) was an American filmmaker known for his film work about the New Deal...

As the most influential documentary filmmaker of the Great Depression, Lorentz was the leading American advocate for government-sponsored documentary films. His service as a filmmaker for the U.S. Army Air Corps during World War II was formidable, including technical films, documentation of bombing raids, and synthesizing raw footage of Nazi atrocities for an educational film on the Nuremberg Trials. Nonetheless, Lorentz perennially will be known best as "FDR′s filmmaker."...

Roosevelt was impressed ... and in 1936, as president of the United States, invited Lorentz to make a government-sponsored film about the Oklahoma Dust Bowl.

Despite not having any film credits, Lorentz was appointed to the Resettlement Administration as a film consultant. He was given US$6,000 to make a film, which became The Plow That Broke the Plains, a film that showed the natural and man–made devastation caused by the Dust Bowl. Though the tight budget and his inexperience occasionally showed through in the film, Lorentz's script, combined with Thomas Hardie Chalmers′s narration and Virgil Thomson′s score, made the 30-minute movie powerful and moving. The film, which had its first public showing on May 10, 1936 at Washington, D.C′s Mayflower Hotel, had a preview screening in March at the White House. Roosevelt was impressed and, after his re-election in 1936, gave Lorentz the opportunity to make a film about one of the president's favorite subjects: conservation. Lorentz made The River, a film celebrating the exploits of the Tennessee Valley Authority.

The TVA mitigated flooding but, more importantly to Lorentz and to Roosevelt, it put a stop to the prodigious pillaging of the forests by providing cheap, readily available hydro–electric power to a wide area. This film won the Best Documentary at the Venice International Film Festival. The text of The River appeared in book form, and was nominated for the Pulitzer Prize in poetry the same year. It generally is considered his most masterful work...

Lorentz served in the U.S. Army Air Corps, more specifically the Air Transport Command (ATC), accompanied by Floyd Crosby, who became an outstanding cinematographer during World War II. He was promoted to the rank of colonel. While serving, he made 275 pilot navigational films and minor documentaries for the U.S. Office of War Information (OWI) and the U.S. Information Agency (USIA), and filmed over 2,500 hours of bombing raids. (Note: Lorentz's name is not associated with any OWI or USIA films; his son Pare Lorentz, Jr., may have worked on a USIA film though most of his work was for USAID.) In 1946, Lorentz made a federally funded movie about the Nuremberg trials, intended to help educate the German people as to what had happened during the war. In the process of compiling material, Lorentz reviewed over 1 million hours of footage about the Nazis and their atrocities. Nuremberg, the film that resulted, played to "capacity audiences" in Germany for two years. However, it was not released in the United States until 1979. This film was produced for the Civil Affairs Division of the Government of Military Occupation (OMGUS). Lorentz's role and contributions to this production are not entirely clear because he prematurely resigned and the Hollywood director Budd Schulberg is given credit for completing it.

-- Pare Lorentz, by Wikipedia


In 1938 he traveled to China. The 400 Million (1939) depicted the history of modern China and the Chinese resistance during the Second Sino-Japanese War, including dramatic shots of the Battle of Taierzhuang. Robert Capa did camerawork, Sidney Lumet worked on the film as a reader, Hanns Eisler wrote the musical score, and Fredric March provided the narration. It, too, had been financed by the same people as those of Spanish Earth. Its chief fundraiser was Luise Rainer, recipient of the best actress Oscar two years in a row; and the entire group called themselves this time, History Today, Inc . The Guomindang government censored the film, fearing that it would give too much credit to left-wing forces. Ivens was also suspected of being a friend of Mao Zedong and especially Zhou Enlai.

In early 1943, Frank Capra hired Ivens to supervise the production of Know Your Enemy: Japan for his U.S. War Department film series Why We Fight.
The film's commentary was written largely by Carl Foreman. Capra fired Ivens from the project because he felt that his approach was too sympathetic toward the Japanese. The film's release was held up because there were concerns that Emperor Hirohito was being depicted as a war criminal, and there was a policy shift to portray the Emperor more favorably after the war as a means of maintaining order in post-war Japan.

With the emerging "Red Scare" of the late 1940s, Ivens was forced to leave the country in the early months of the Truman administration. Ivens' leftist politics also put the kibosh on his first feature film project which was to have starred Greta Garbo. In fact, Walter Wanger, the film's producer, was adamant about "running [Ivens] out of town."

In 1946, commissioned to make a Dutch film about Indonesian 'independence', Ivens resigned in protest over what he considered ongoing imperialism; the Dutch were in his view resisting decolonization. Instead, Ivens filmed Indonesia Calling in secret, for which he received funding from the International Workers Order.


Indonesia Calling is a 1946 Australian short documentary film directed by Joris Ivens and produced by the then Waterside Workers' Federation. The film gives a glimpse of immediate post-World War II Sydney as trade union seamen and waterside workers refuse to service Dutch ships (known as the "Black Armada") containing arms and ammunition destined for Indonesia to suppress the country's independence movement.

-- Indonesia Calling, by Wikipedia


For around a decade Ivens lived in Eastern Europe, working for several studios there. His position concerning Indonesia and his taking sides for the Eastern Bloc in the Cold War annoyed the Dutch government. Over a period of many years, he was obliged to renew his passport every three or four months....

From 1965 to 1970 he filmed two propaganda films about North Vietnam during the war: he made 17e parallèle: La guerre du peuple (17th Parallel: Vietnam in War) and he participated in the collective work Loin du Vietnam (Far from Vietnam). He was awarded the Lenin Peace Prize for the year 1967.

From 1971 to 1977, he shot How Yukong Moved the Mountains, a 763-minute propaganda documentary about the Cultural Revolution in China. He was given unprecedented access because of his pro-communist views and his old personal friendships with Zhou Enlai and Mao Zedong.

-- Joris Ivens, by Wikipedia


In Paris between 1926 and 1928, Krull became friends with Sonia Delaunay, Robert Delaunay, Eli Lotar, André Malraux, Colette, Jean Cocteau, André Gide and others; her commercial work consisted of fashion photography, nudes, and portraits.[1]:83–89 During this period she published the portfolio Métal (1928) which concerned "the essentially masculine subject of the industrial landscape."[5] Krull shot the portfolio's 64 black-and-white photographs in Paris, Marseille, and Holland during approximately the same period as Ivens was creating his film De Brug ("The Bridge") in Rotterdam, and the two artists may have influenced each other.[1]:70–77 The portfolio's subjects range from bridges, buildings (e.g., the Eiffel Tower), and ships to bicycle wheels; it can be read as either a celebration of machines or a criticism of them.[1]:77–82 Many of the photographs were taken from dramatic angles, and overall the work has been compared to that of László Moholy-Nagy and Alexander Rodchenko.[6] In 1999–2004 the portfolio was selected as one of the most important photobooks in history.[8][9][10][11]

By 1928 Krull was considered one of the best photographers in Paris, along with André Kertész and Man Ray.[1]:90 Between 1928 and 1933, her photographic work consisted primarily of photojournalism, such as her photographs for Vu, a French magazine.;[1]:97–112[5] also in the early 1930s,she also made a pioneering study of employment black spots in Britain for Weekly Illustrated (most of her ground-breaking reportage work from this period remains immured in press archives and she has never received the credit which is her due for this work).[12] Her book Études de Nu ("Studies of Nudes") published in 1930 is still well-known today.[5][10] Between 1930 and 1935 she contributed photographs for a number of travel and detective fiction books.[1]:113–125

In 1935–1940, Krull lived in Monte Carlo where she had a photographic studio.[13] Among her subjects during this period were buildings (such as casinos and palaces), automobiles, celebrities, and common people.[13] She may have been a member of the Black Star photojournalism agency which had been founded in 1935, but "no trace of her work appears in the press with that label."[1]:127

Black Star, also known as Black Star Publishing Company, was started by refugees from Germany who had established photographic agencies there in the 1930s. Today it is a New York City-based photographic agency with offices in London and in White Plains, New York. It is known for photojournalism, corporate assignment photography and stock photography services worldwide. It is noted for its contribution to the history of photojournalism in the United States. It was the first privately owned picture agency in the United States, and introduced numerous new techniques in photography and illustrated journalism. The agency was closely identified with Henry Luce's magazines Life and Time.

Black Star was formed in December 1935. The three founders were Kurt Safranski, Ernest Mayer and Kurt Kornfeld. In 1964, the company was sold to Howard Chapnick. The three founders; Safranski, Mayer and Kornfeld were German Jews who fled Berlin during the Nazi regime. They brought with them a wealth of knowledge and some new ideas for the American press.

Safranski was a graphic designer and editor for the Berliner Illustrirte Zeitung (BIZ), which was part of the Ullstein publishing house. During the early 1930s, Ullstein Verlag was Germany's largest publisher of books, newspapers and magazines. BIZ's circulation was over one million. While an editor at BIZ, Safranski was using two or more photos placed together to create a story which surpassed the need for text. Not only was this visually appealing, but it attracted more readers as well.

This drew the attention of the top American mass media publishers. William Randolph Hearst, a powerful media mogul of the day, was intrigued by the European advances in photography and printing. Hearst invited Safranski over to the United States to produce a dummy magazine using photos to tell the stories. Hearst liked the proposed idea but initially didn't move forward on it. Mayer then brought to idea to the experimental editorial department of Henry Luce, the largest publisher of the day, with periodicals such as Time and Fortune. Luce collaborated with Black Star to produce a new weekly magazine called Life. Life would use artistic photos in a new format. These pictures would be large and take up the majority of the page. They could capture not only a moment in time, but an emotion and story that would be paramount to the text. Prior to this, photojournalism in the U.S. was relegated to regional newspapers where text was more important than photos.
Photos would sometimes be staged or posed or re-created to help a news article. But this all changed with the advent of the 35mm camera. The Leica, which was developed in Germany in 1925, was a small and easier to use camera. Advances in half-tone printing made using photographs in periodicals easier. Safranski and Mayer were already familiar with photographers who used this new technology to capture more candid moments.

Mayer owned the publishing company and photo agency, Mauritius, in Berlin. Forced by the Nazis to sell his business, he brought negatives, and connections to European photographers with him to the United States. The contacts included the notable photographers Dr. Paul Wolff and Fritz Goro. These contacts with European-based photographers, and the photographic negatives he brought with him, became the foundation for the new business.

Kornfeld was a literary agent back in his native Germany where he had a talent for bringing together authors and editors. Originally the idea for the company was to be a publishing house and a photo agency just like Mayer's Mauritius. However, the publishing business never took off and more profit was to be found in selling photos. Even though he had no experience with photography, Kornfeld became Black Star's best picture agent. He had a talent for creating rapport between client and artist. Therefore, Kornfeld handled their most important client, Life magazine, providing up to 200 photos a week.

Although Life was the agency's most high-profile client, Black Star also served other periodicals, newspapers, advertisers and publishers. Its stock of iconic photography represents a pictorial history of the 20th century beginning in the 1930s. This archive was anonymously donated to Ryerson University in 2005.

Noted Black Star photographers include Robert Capa, Andreas Feininger, Germaine Krull, Philippe Halsman, Martin Munkácsi, Kurt Severin, W. Eugene Smith, Marion Post-Wolcott, Bill Brandt, Henri Cartier-Bresson, Charles Moore, James Nachtwey, Lee Lockwood, Mario Giacomelli and Spider Martin.

-- Black Star (photo agency), by Wikipedia


In World War II, she became disenchanted with the Vichy France government, and sought to join the Free French Forces in Africa.[6] Due to her Dutch passport and her need to obtain proper visas, her journey to Africa included over a year (1941–1942) in Brazil where she photographed the city of Ouro Preto.[1]:227–231 Between 1942 and 1944 she was in Brazzaville in French Equatorial Africa, after which she spent several months in Algiers and then returned to France.[1]:231–243

After World War II, she traveled to Southeast Asia as a war correspondent, but by 1946 had become a co-owner of the Oriental Hotel in Bangkok, Thailand, a role that she undertook until 1966.[1]:245–252[6] She published three books with photographs during this period, and also collaborated with Malraux on a project concerning the sculpture and architecture of Southeast Asia.[1]:252–255

After retiring from the hotel business in 1966, she briefly lived near Paris, then moved to Northern India and converted to the Sakya school of Tibetan Buddhism.[1]:257–260 Her final major photographic project was the publication of a 1968 book Tibetans in India that included a portrait of the Dalai Lama.[1]:257–263 After a stroke, she moved to a nursing home in Wetzlar, Germany, where she died in 1985.[1]:265

Selected works

• Krull's archives are kept at the Museum Folkwang in Essen, Germany.
• Detroit Public Library Digital Collection houses a portrait of singer Adelaide Hall by Germaine Krull dated 1929, photographed during Blackbirds residency at the Moulin Rouge, Paris.[14]

Books

• Krull, Germaine. Métal. Paris: Librairie des arts décoratifs, 1928. (New facsimile edition published in 2003 by Ann and Jürgen Wilde, Köln.)
• Krull, Germaine. 100 x Paris. Berlin-Westend: Verlag der Reihe, 1929.
• Bucovich, Mario von. Paris. New York: Random House, 1930. (With photographs by Krull.)
• Colette. La Chatte. Paris: B. Grasset, 1930. (With photographs by Krull.)
• Krull, Germaine. Études de Nu. Paris: Librairie des Arts Décoratifs, 1930.
• Nerval, Gérard de, and Germaine Krull. Le Valois. Paris: Firmin-Didot, 1930.
• Warnod, André. Visages de Paris. Paris: Firmin-Didot, 1930. (With photographs by Krull.)
• Krull, Germaine, and Claude Farrère. La Route Paris-Biarritz. Paris: Jacques Haumont, 1931.
• Morand, Paul, and Germaine Krull. Route de Paris à la Méditerranée. Paris: Firmin-Didot, 1931.
• Simenon, Georges, and Germaine Krull. La Folle d'Itteville. Paris: Jacques Haumont, 1931.
• Krull, Germaine, and André Suarès. Marseille. Paris: Librairie Plon, 1935.
• Krull, Germaine, Raúl Lino, and Ruy Ribeiro Couto. Uma Cidade Antiga do Brasil, Ouro Preto. Lisboa: Edições Atlântico, 1943.
• Vailland, Roger. La Bataille d'Alsace (Novembre-Décembre 1944). Paris: Jacques Haumont, 1945. (With photographs by Krull.)
• Krull, Germaine. Chiengmai. Bangkok: Assumption Printing Press, 1950–1959?
• Krull, Germaine, and Dorothea Melchers. Bangkok: Siam's City of Angels. London: R. Hale, 1964.
• Krull, Germaine, and Dorothea Melchers. Tales from Siam. London: R. Hale, 1966.
• Krull, Germaine. Tibetans in India. Bombay: Allied Publishers, 1968.
• Krull, Germaine. La Vita Conduce la Danza. Firenze: Filippo Giunti, 1992. ISBN 88-09-20219-8. (Unpublished autobiography of Krull in French, La Vie Mène la Danse or "Life Leads the Dance", translated into Italian by Giovanna Chiti.)

Films

• Six pour Dix Francs (France, 1930)
• Il Partit pour un Long Voyage (France, 1932)

Further reading

• MacOrlan, Pierre. Germaine Krull: Photographes Nouveaux. Paris: Gallimard, 1931.
• Rheinisches Landesmuseum Bonn. Germaine Krull: Fotografien 1922–1966. Köln: Rheinland-Verlag, 1977. ISBN 3-7927-0364-5.
• Bouqueret, Christian, and Michèle Moutashar. Germaine Krull: Photographie 1924–1936. Arles: Musée Réattu, 1988.
• Sichel, Kim. From Icon to Irony: German and American Industrial Photography. Seattle: University of Washington Press, 1995. ISBN 1-881450-06-6.
• Kosta, Barbara. "She was a Camera." Women's Review of Books, volume 17, issue 7, pages 9–10, April 2000.
• Sichel, Kim. "Germaine Krull and L'Amitié Noire: World War II and French Colonialist Film." In Colonialist Photography: Imag(in)ing Race and Place, edited by Eleanor M. Hight and Gary D. Sampson. London: Routledge, 2002. ISBN 0-415-27495-8.
• Sichel, Kim. Germaine Krull: Photographer of Modernity, The MIT Press, 1999; ISBN 0262194015; ISBN 978-0262194013
• Specker, Heidi. Bangkok - Heidi Specker Germaine Krull im Sprengel-Museum Hannover, 9. Oktober 2005 bis 25. Juni 2006. Zülpich: Albert-Renger-Patzsch-Archiv, 2005. ISBN 3-00-017658-6.
• Sichel, Kim. Germaine Krull à Monte-Carlo = Germaine Krull: the Monte Carlo Years. Montréal: Musée des Beaux-Arts de Montréal, 2006. ISBN 2-89192-306-5.
• Bertolotti, Alessandro. Books of Nudes. New York: Abrams, 2007. ISBN 978-0-8109-9444-7.
• Dumas, Marie Hélène. "Lumières d'Exil". Paris: Gallimard and Éditions Joëlle Losfeld, 2009. ISBN 978-2-07-078770-8. (A novel in French about Krull's life.)

References

1. Sichel, Kim. Germaine Krull: Photographer of Modernity. Cambridge, Massachusetts: MIT Press, 1999. ISBN 0-262-19401-5.
2. "New National Museum of Monaco Exhibition: Three Questions to Jean-Michel Bouhours, Chief Curator". Government of Monaco. 3 August 2007. Archived from the original on February 24, 2010. Retrieved 16 April 2010.
3. Union List of Artist Names. "Krull, Germaine (French Photographer, 1897–1985)". J. Paul Getty Trust. Retrieved 16 April2010.
4. "Maker List" (PDF). J. Paul Getty Museum, Department of Photographs. December 2006. Retrieved 16 April 2010.
5. Rosenblum, Naomi. A History of Women Photographers, 2nd edition. New York: Abbeville Press, 2000. ISBN 0-7892-0658-7.
6. Baker, Kenneth. "Germaine Krull's Radical Vision / Photographer's Work Featured at SFMOMA." San Francisco Chronicle, 15 April 2000. Retrieved 4 April 2010.
7. Schoots, Hans. Living Dangerously: a Biography of Joris Ivens. Amsterdam: Amsterdam University Press, 2000. ISBN 90-5356-433-0.
8. Fotografía Pública: Photography in Print 1919–1939. Madrid: Museo Nacional Centro de Arte Reina Sofía, 1999. ISBN 84-8026-125-0.
9. Roth, Andrew, editor. The Book of 101 Books: Seminal Photographic Books of the 20th Century. New York: PPP Editions in association with Roth Horowitz LLC, 2001. ISBN 0-9670774-4-3.
10. Parr, Martin, and Gerry Badger. The Photobook: a History. Volume I. London & New York: Phaidon, 2004. ISBN 0-7148-4285-0.
11. Roth, Andrew, editor. The Open Book: a History of the Photographic Book from 1878 to the Present. Göteborg, Sweden: Hasselblad Center, 2004.
12. Ian Jeffrey,text written by.The Photo Book. London: Phaidon, 2000. p.255.
13. "Portrait of Hedonism with Glasses Half Empty." The Gazette (Montreal), 30 December 2006.
14. Portrait of singer Adelaide Hall by Germaine Krull, Paris, 1929":https://digitalcollections.detroitpubliclibrary.org/islandora/object/islandora%3A198931

External links

• Germaine Krull: Jeu de Paume exhibition, 2015
• O'Hagan, Sean Germaine Krull: the woman Man Ray named his equal
• "Germaine Krull, German Photographer" (slide show with 42 images).
• "In plain sight: Germaine Krull in Paris, The work of the maverick photographer gains new exposure in an exhibition in the French capital," by Claire Holland, The Financial Times, June 13-14, 2015
• "Contortions of Technique: Germaine Krull’s Experimental Photography," by Kim Sichel. In Mitra Abbaspour, Lee Ann Daffner, and Maria Morris Hambourg, eds. Object:Photo. Modern Photographs: The Thomas Walther Collection 1909–1949. An Online Project of The Museum of Modern Art. New York: The Museum of Modern Art, 2014.

********************************

Germaine Krull: 1897 — POZNAŃ, POLAND | 1985 — WETZLAR, GERMANY
German naturalised French photographer
by AwareWomenArtists.com

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Germaine Krull, Autoportrait, Paris, 1927, gelatin silver print, 23.9 x 17.9 cm, Stiftung Ann und Jürgen Wilde, Pinakothek der Moderne, © Estate Germaine Krull/ Museum Folkwang

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Germaine Krull, André Malraux, 1930, gelatin silver print, 23 x 17.3 cm, Museum Folkwang, © Estate Germaine Krull/ Museum Folkwang, Essen

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Germaine Krull, Assia, de profil, ca. 1930, gelatin silver print, 22.2 x 15.8 cm, © Estate Germaine Krull/ Museum Folkwang

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Germaine Krull, Au bon coin, Paris, 1929, gelatin silver print, 14.2 x 10.5 cm, © Estate Germaine Krull/ Museum Folkwang

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Germaine Krull, Étude publicitaire pour Paul Poiret, 1926, Centre Pompidou, © Estate Germaine Krull/ Museum Folkwang

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Germaine Krull, Jean Cocteau, 1929, gelatin silver print, 23.7 x 17,2 cm, © Estate Germaine Krull/ Museum Folkwang

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Germaine Krull, Nu féminin, 1928, gelatin silver print, 21.6 x 14.4 cm, Centre Pompidou, © Estate Germaine Krull/ Museum Folkwang

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Germaine Krull, Pol Rab (illustrateur), 1930, photomontage, gelatin silver print, 19.5 x 14.5 cm, Amsab-Institut d’Histoire Sociale, © Estate Germaine Krull/ Museum Folkwang

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Germaine Krull, Pont roulant, Rotterdam, ca. 1928, gelatin silver print, 21.9 x 15.3 cm, Stiftung Ann und Jürgen Wilde, Pinakothek der Moderne, © Estate Germaine Krull/ Museum Folkwang

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Germaine Krull, Publicité Gibbs L’Illustration, N 4533, 18 janvier 1930, 1930, © Estate Germaine Krull/ Museum Folkwang

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Germaine Krull, Rue Auber à Paris, ca. 1928, gelatin silver print, MoMA, © Estate Germaine Krull, Museum Folkwang, Essen

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Germaine Krull, Usine électrique Issy les Moulineaux, 1928, gelatin silver print, 22.6 x 16.6 cm, Amsab-Institut d’Histoire Sociale, © Estate Germaine Krull/ Museum Folkwang

Considered in France as the representative of (New Objectivity), a German realist movement that introduced geometric motifs to photography, Germaine Krull remains known as the woman of Métal, named after one of her prestigious series. Born in Germany she had a hectic youth: expelled from Munich in 1918 thanks to her revolutionary activities, she moved to Berlin and began specialising in portraiture. Well integrated in the Berlin art scene, she published in literary magazines and photographed buildings and train tracks from new angles, focusing predominantly on the geometry of the city. From 1921 she lived in the Netherlands, where from 1924 to 1925 she and her future husband, filmmaker Joris Ivens, used industrial architecture as their main subject. She arrived in Paris in 1926, connecting with the Parisian artistic scene, working in fashion with Sonia Delaunay, and in commercial and industrial photography for Peugeot and Shell. With the help of Robert Delaunay she exhibited her series Métal – comprised of Dutch bridges, low-angle shots of the Eiffel Tower and images of automobiles – at the Salon d’automne. The 64 plates were published under the same name by the publisher Calavas in 1927. Despite the mediocre printing quality, Métal was a success and appeared to be the manifesto of a new vision. These reversed photographs reveal an interplay of volumes, abstract details and geometric motifs, and through their unusual cropping constitute a “manifesto of the modern perspective”, according to Christian Bouqueret, and symbolise the new aesthetic awareness of industrial beauty.

During the same period, her nude photographs of the young model Assia show fragments of the body that slip into abstraction (1930). At the end of the 1920s she had gained recognition and Walter Benjamin included her in A Short History of Photography (1931). She appeared thus as the leader of the Nouvelle Vision (New vision), a movement that considered photography, with its technical and artistic possibilities, as giving a new perspective of the world. Her portrait of filmmaker Sergei Eisenstein (1930) is emblematic of the style: tight framing, low-angle lighting and theatricality. In 1928 she exhibited at the first Salon des indépendants de la photographie, known as the Salon de l’escalier, in Paris, at Film und Foto in Stuttgart in 1929, and later in Munich and Brussels. She spent time with Berenice Abbott, André Kertész and Man Ray, and worked in close collaboration with Eli Lotar with whom she realised photomontages and exchanged negatives. During the same period, she worked for illustrated magazines (Vu, Voilà, Détective, Jazz) at the height of their golden years. She realised series on diverse subjects, such as the banks of the Seine, the Spanish Revolution and Javanese dancers. Her preference was for the Paris of Francis Carco and Pierre Mac Orlan – a marginal, working-class Paris. She photographed the zone and created a reportage on the homeless. She also participated in a series of books on the capital (Paris by Mario von Bucovich, 1928, 100 x Paris, 1929). In 1931 a monograph titled Germaine Krull was published in the collection “Photographes nouveaux” with texts by Pierre Mac Orlan was a “true consecration”, of her, as C. Bouqueret wrote. She then travelled throughout Europe and moved to the South of France where she conducted local reports. A discreet activist and friend of André Malraux, she emigrated to the United States in 1940, then to Brazil, and joining the Resistance. She directed the photographic service of Free France and photographed General De Gaulle in Algiers. After 1945 she become a war reporter in Germany, Italy and Indochina for various newspapers and illustrated magazines. She then left for Thailand and India, returning to Germany just before her death. Thanks to A. Malraux, a retrospective of her work was presented at the Cinémathèque Française in 1967, and some of her photographs were exhibited at Documenta 6 in Kassel in 1977. During her lifetime, she did not receive recognition as a photographer, probably because of the loss of her old negatives, recently found, and the dispersion of her production during the interwar years. However, internationally known for her engagement and personality, she has influenced entire generations of photographers.

Anne Reverseau

Translated from French by Katia Porro.

From the Dictionnaire universel des créatrices
© 2013 Des femmes – Antoinette Fouque
© Archives of Women Artists, Research and Exhibitions

*********************************

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Artist: Germaine Krull (German, 1897–1985)Title: Two nude studies from der akt , ca. 1925Medium:
photogravures; size: 10.2 x 8.3 cm. (4 x 3.3 in.)

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Nus, 1924, Collection Dietmar Siegert

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Autoportrait à l’Icarette, vers 1925; Centre Pompidou, Paris; Musée national d’art moderne/Centre de création industrielle; Achat grâce au mécénat de Yves Rocher, 2011. Ancienne collection Christian Bouqueret; Photo © Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais/image Centre Pompidou, MNAM-CCI

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Architecture ancienne : imprimerie de l’Horloge, 1928; Amsab-Institut d’Histoire Sociale, Gand

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Étalage : les mannequins, 1928; Amsab-Institut d’Histoire Sociale, Gand

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Marseille, juin 1930; The Museum of Modern Art, New York; Thomas Walther Collection; Gift of Thomas Walther; Photo © 2015. Digital Image, The Museum of Modern Art, New York/Scala, Florence

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Étude pour La Folle d’Itteville, 1931; Centre Pompidou, Paris; Musée national d’art moderne/Centre de création industrielle; Achat grâce au mécénat de Yves Rocher, 2011 Ancienne collection Christian Bouqueret; Photo © Centre Pompidou, MNAM-CCI, ;Dist. RMN-Grand Palais/Guy Carrard

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Cérémonie religieuse tibétaine, offrande; de l’écharpe blanche, vers 1960; Museum Folkwang, Essen
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Re: Freda Bedi Cont'd (#2)

Postby admin » Fri May 29, 2020 11:40 pm

Alpha Females: Deadlier Than the Male?
by Gill Corkindale
Harvard Business Review
November 09, 2007

A couple of weeks ago I wrote a post on alpha males. Since then I’ve been wondering about their female counterparts. The received wisdom seems to be that alpha females are pretty much an extension of the alpha male profile, but I’m not so sure. In fact, I have been wondering, is female of the species deadlier than the male?

Just for a moment I want to put aside all the usual debates about women at work — the glass ceiling, the difficulties of combining a career with a family, the prejudices, age, appearance, and the different standards of behaviour for men and women. Instead, I want to look at alpha females as a unique phenomenon, something that transcends the usual commentary about women in the workplace.

The first thing I’ve noticed is that alpha females are usually one-off characters, women who defy categorisation. Unlike alpha males, who like to be part of a pack, it’s difficult to put them in a group as they seem to rise above any stereotyping. The second thing is that they are instantly recognisable. You immediately know when an alpha female walks into the room. The third point is that they can be surprising and full of contradictions.

In London there are a number of alpha females who are worth studying. Here are three who have stood out in recent years for being truly impressive and groundbreaking in their respective fields and I am sure there are many more who will come to light in the coming years.

The first is Nicola Horlick, a 46-year-old billion dollar fund manager who was dubbed ‘Superwoman’ in the 1990s for combined an adrenalin-charged career with bringing up seven children (one of whom died of leukemia. Last year, she fought off an armed robber who tried to mug her outside her home. Even though she had a handgun pushed into her stomach and was pistol-whipped across the back of her head, she fought off the attackers and was back at work the next day, sporting a large bruise from the attack. Ms Horlick ascribed her success to her support systems, her mother, nanny, and husband. “It is women that do not have or cannot afford this type of support that are the real superwomen,” she has said.

Next is Karren Brady, the 38-year-old managing director of Birmingham City Football Club, the first woman to hold such a post in English league soccer. Appointed in 1992, when she was only 23, she was responsible for its flotation in 1997 and became the youngest Managing Director of a UK plc in the process. She has written four books: two novels, a factual account of her first season at the club, and Playing to Win, about successful women in business. [[Shas two childrean and had brain surgery last year, aged 36.?]] Ms Brady says 10 principles kept her going through the good and bad times: ambition, determination, courage, charm, hard work, attitude, humour, confidence, focus and communication.

Finally, Dame Stella Rimington, former head of MI5, Britain’s home intelligence service, burst on to the landscape over a decade ago when the service decided to increase public transparency and reveal details of its activities. Under intense public scrutiny and pressure, MI5’s real-life ‘M’ guided the service into a new era of modernity and, upon retirement, wrote her memoir and several novels. “My whole life has been a surprise to me because I never expected a career at all and I certainly would not have expected to be director general of MI5,” she said.

These women are all very different in personality and approach, but a common thread is that their lives and career paths have not always run smoothly. Each has shown, courage, determination and dogged belief in themselves, their people and their organisations during hard times. It is this, together with their intellect, style that marks them out as true alpha females.

Interestingly, Britain has always had a strong alpha female in public life right down the ages, from Boudicca, the Celtic queen who led an uprising against the Romans, to Elizabeth I, Margaret Thatcher and the current Queen. A clue to why this is so can be found in the work of Geert Hofstede, the Dutch expert on culture. He believes that societies place different values on traditionally male or female values, with Japan being the most ‘masculine’ culture and Sweden the most ‘feminine’. Britain is unusual in that its culture is balanced between the two, with females often displaying male values and males female values — which might make the Britain the best place to be if you are an alpha female.

Are you an alpha female or do you work with one? What are their characteristics? What do you think distinguishes them from alpha males?
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Re: Freda Bedi Cont'd (#2)

Postby admin » Sat May 30, 2020 12:03 am

A Journey Through the Past: Thailand 1967-1971
by Maxmilian Wechsler
BigChilli
9/2/2018

As pointed out by renowned scientist Carl Sagan, ‘You have to know the past to understand the present’. If for no other reason, the events that shaped modern-day Thailand are worth revisiting to get an understanding of how the country has developed. Starting from February, The BigChilli will recap important news stories of the past 50 years, from 1967 to 2017, a period in which Thailand made the remarkable journey from Southeast Asian backwater to one of the world’s premier tourist destinations. Each issue will cover a five-year period and is sure to offer surprises for even the most knowledgeable Thai history buffs.

1967

1967 was the year Thai Rung Engineering Company was founded by Vichien Phaoenchoke. It was the first and only Thai automobile manufacturing company. Other major news stories of 1967 include:

January

For the first time Thai troops were deployed to South Vietnam. About 1,000 Thai soldiers joined in military operations alongside South Vietnamese forces backed by the US.
• Nobel Prize-winning American author John Steinbeck arrived in Bangkok following a four-month ‘fact-finding mission’ to Vietnam. Steinbeck predicted that the US would win the war and condemned anti-war protesters.


March

US officials admitted for the first time that the US planes were using Thai bases to bomb North Vietnam. Around 35,000 US personnel were stationed in Thailand at the time.
• American Jim Thompson failed to return from a trip to Malaysia. It was learned that he disappeared in the jungle around the Cameron Highlands after taking a walk from a cottage where he was staying. Thompson was a former intelligence officer who had been attached to the US Office of Strategic Services (predecessor of the CIA). He settled in Thailand in 1946 and was responsible for making Thai silk famous around the world.


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James Harrison Wilson Thompson (March 21, 1906 – March 26, 1967 disappeared) was an American businessman who helped revitalise the Thai silk industry in the 1950s and 1960s. At the time of his disappearance he was one of the most famous Americans living in Asia. Time magazine claimed he "almost singlehanded(ly) saved Thailand's vital silk industry from extinction".

Jim Thompson was born in Greenville, Delaware in 1906. He was the youngest of five children of Henry and Mary Thompson. His father was a wealthy textile manufacturer; his mother was the daughter of James Harrison Wilson (1837–1925), a noted Union general during the American Civil War....

From 1931 to 1940, he practised in New York City with Holden, McLaughlin & Associates, designing homes for the East Coast rich. During this period, he led an active social life and sat on the board of the Ballet Russe de Monte Carlo.

The Original Ballet Russe (originally named Ballets Russes de Monte-Carlo) was a ballet company established in 1931 by René Blum and Colonel Wassily de Basil as a successor to the Ballets Russes, founded in 1909 by Sergei Diaghilev. The company assumed the new name Original Ballet Russe after a split between de Basil and Blum. De Basil led the renamed company, while Blum and others founded a new company under the name Ballet Russe de Monte-Carlo. It was a large scale professional ballet company which toured extensively in Europe, Australia and New Zealand, the United States, and Central and South America. It closed down operations in 1947.

-- Original Ballet Russe, by Wikipedia


In 1941, he quit his job and enlisted with the Delaware National Guard. Before the outbreak of the Second World War, he was transferred to a military outpost in Fort Monroe, Virginia. While he was here, he got to know Second Lieutenant Edwin Fahey Black, a fresh graduate from the US Military Academy, West Point. It was Black who encouraged him to join the Office of Strategic Services (OSS), the forerunner of the Central Intelligence Agency.

At the height of the Second World War, Thompson was recruited by major general William Joseph Donovan (1883–1959) to serve as an operative in the OSS.

His first assignment was with the French Resistance in North Africa. He was then sent to Europe. After Victory in Europe Day (May 7–8, 1945), he was transferred to Ceylon (now Sri Lanka) to work with the pro-Allied Seri Thai (Free Thai Movement). Their mission was to help liberate Thailand from the occupying Japanese Army
. The group had the support of Pridi Panomyong, the regent to King Ananda Mahidol of Thailand, and Seni Pramoj, the Thai ambassador to the United States.

In August 1945, Thompson was about to be sent into Thailand, when the Surrender of Japan officially ended World War II. He arrived in Thailand shortly after Victory over Japan Day and organised the Bangkok OSS office. It was here he got to know Constance (Connie) Mangskau, an Allied Services translator, who later became one of his closest friends.

In the spring of 1946, Thompson went to work as military attaché at the United States legation for his former Princeton classmate Charles Woodruff Yost, the US Minister to Thailand. Thompson used his contacts with the Free Thai and Free Lao groups to gather information and defuse conflicts on Thailand's borders. Working with him in the Legation was Kenneth Landon, an American missionary whose wife, Margaret Landon, was the author of Anna and the King of Siam, which was the inspiration for a 1946 film of the same name, and The King and I in 1956.


In late 1946, Thompson headed for home to seek his discharge from the army. After his divorce from Patricia Thraves (1920–1969), he returned to Thailand to join a group of investors to buy The Oriental Hotel in Bangkok. While working on its restoration, he had some differences with his associates and this resulted in him giving up his shares. He subsequently switched his focus to silk.

In 1948,[13] he partnered with George Barrie to found the Thai Silk Company Limited. It was capitalised at US$25,000. They each bought eighteen percent of the shares. The remaining sixty-four percent were sold to Thai and foreign investors.

The firm achieved a coup in 1951 when designer Irene Sharaff made use of Thai silk fabrics for the Rodgers and Hammerstein musical, The King and I. From then on, the company prospered.... It was only after Thompson's disappearance that the Thai Silk Company relocated its weaving operations to Korat, a city which serves as a base of operations for the Royal Thai Army....

In 1958, he began what was to be the pinnacle of his architectural achievement – the construction of a new home to showcase his objets d'art.

Using parts of old up-country houses – some as old as a hundred years – he succeeded in constructing a masterpiece that involved the reassembling of six Thai dwellings on his estate. Most of the units were dismantled and brought over by river from Ayutthaya, but the largest – a weaver's house (now the living room) – came from Bangkrua. On arrival, the woodwork was offloaded and pieced together....

After he was through with its creation, he filled his home with the items he had collected in the past. Decorating his rooms were Chinese blue-and-white Ming pieces, Belgian glass, Cambodian carvings, Victorian-era chandeliers, Benjarong earthenware, Thai stone images, Burmese statues, and a dining table which was once used by King Rama V of Thailand....

Thompson disappeared from Malaysia's Cameron Highlands on Sunday, March 26, 1967. His disappearance from the hill station generated one of the largest land searches in Southeast Asian history, and is one of the most famous mysteries in the region.

-- Jim Thompson (designer), by Wikipedia


• Chulalongkorn University, Thailand’s first university named after King Chulalongkorn (Rama V), celebrated its 50th anniversary. Their Majesties King Bhumibol Adulyadej and Queen Sirikit opened the festivities which took place on the campus over a three-day period.

June

• A fascinated crowd watched the first Thai colour TV show on eight 24-inch colour sets placed outside the Royal Hotel in Bangkok. TV sets were sold in the shops but cost at least twice as much as black and white sets.

September

Thai security forces arrested 37 members of the Communist Party of Thailand, both males and females, including some alleged leaders. Most of the arrests were made in Bangkok. Under the Article 17 of the new interim constitution those arrested faced a possible death sentence.

October

An emotional ceremony was held for the first two Thai soldiers killed in Vietnam. The soldiers were reportedly killed by a booby trap while on patrol near Saigon. Their bodies were flown to Don Muang airport.
• Establishment of Prince of Songkhla University, the first university in southern Thailand. The King christened the university in honour of his father, His Royal Highness Prince Mahidol Adulyadej, Prince of Songkhla. An initial plan to construct the university in Pattani province was scrapped and Hat Yai in Songkhla province was chosen instead.

November

• Establishment of the Association of Thai Industries (FTA), a private sector organization designed to assist and promote Thai industries.
The Dalai Lama arrived in Bangkok at the invitation of the Buddhist Association of Thailand. While in Thailand he met with local religious leaders and government officials including Prince Dhani Nivat, president of the Privy Council, and Prime Minister Field Marshal Thanom Kittikachorn.

Image

Field Marshal Thanom Kittikachorn (11 August 1911 – 16 June 2004) was a Thai military dictator. A staunch anti-communist, Thanom oversaw a decade of military rule in Thailand from 1963 to 1973, during which he staged a self-coup, until public protests which exploded into violence forced him to step down. His return from exile in 1976 sparked protests which led to a massacre of demonstrators, followed by a military coup....

After serving in the Shan States of Burma during World War II, then Lieutenant Colonel Thanom took part in a successful 1947 coup headed by Colonel Sarit Thanarat. He became a regimental commander and was head of the Lopburi military department. He was soon promoted to colonel, commanding the 11th Infantry Division. Thanom was appointed a member of parliament in 1951, his first political role. He was promoted to major general the same year.

In February 1953, Thanom led the suppression of a rebellion against military rule, and was rewarded with promotion to lieutenant general. He represented Thailand at the ceremony to mark the end of the Korean War in July 1953 and was later promoted as commander of the 1st Region Army.

He was appointed deputy cooperatives minister in 1955. Thanom supported Sarit in his coup against the government of Field Marshal Plaek Phibunsongkhram, and was subsequently appointed defence minister in Pote Sarasin's puppet regime in 1957.


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Pote Sarasin (Thai: พจน์ สารสิน, RTGS: Phot Sarasin, pronounced [pʰót sǎː.rā.sǐn]; 25 March 1905 – 28 September 2000) was a Thai diplomat and politician from the influential Sarasin family. He served as foreign minister from 1949 to 1951 and then served as ambassador to the United States. In September 1957 when Sarit Thanarat seized power in a military coup, he appointed Pote to be the acting prime minister. He resigned in December 1957. Pote also served as the first Secretary General of the Southeast Asia Treaty Organization from September 1957 until 1964....

Pote was a scion of the Sarasin family, one of Bangkok's oldest and wealthiest assimilated Chinese families. The Sarasins had always cultivated good relations with the bureaucratic elite of the 19th century, and by the early 1950s held substantial interests in real estate and rice trading. His father, Thian Hee (Chinese: 黄天喜, whose official title was Phraya Sarasinsawamiphakh), was the son of a traditional Chinese doctor and pharmacist who had immigrated from Hainan to Siam in the early 19th century.

Pote's sons are Pong, a leading businessman, Police General Pao, who once served as the Chief of the Royal Thai Police, and Arsa, who, like his father, was also one of the former foreign ministers of Thailand and was serving as the late King Bhumibol's Principal Private Secretary. All three sons–Pong, Arsa and Pao Sarasin had all served as the Deputy Prime Ministers of Thailand.


-- Pote Sarasin, by Wikipedia


Thanom consolidated his power base as the second military leader and right-hand man of Sarit. A few days after the December 1957 general election, in which the pro-government Sahaphum Party ("United Land") had performed disappointingly, Thanom co-founded the National Socialist Party (Chat Sangkhomniyom).

National Socialist Party was a short-lived pro-military political party in Thailand. It was founded on 21 December 1957 by Field Marshal Sarit Thanarat.

-- National Socialist Party (Thailand)


He became the deputy leader of this party, designed to extend the pro-government camp and win over former members of Phibunsongkhram's Seri Manangkhasila Party who had been reelected to parliament as independents.

In 1958, he was made a full general and assumed the offices of prime minister and defence minister. He was prime minister for nine months, after which he was replaced by Sarit himself and made deputy prime minister, defence minister, and armed forces deputy supreme commander.

Thanom was appointed prime minister one day after Sarit's death in 1963. He subsequently appointed himself commander-in-chief of the army. One year later, he promoted himself to the concurrent ranks of field marshal, admiral of the fleet, and Marshal of the Royal Thai Air Force. Thanom continued the pro-American and anti-communist politics of his predecessor, which helped to ensure massive US economic and financial aid during the Vietnam War. Although he was personally popular, his regime was known for massive corruption.
He established and led the United Thai People's Party (Saha Prachathai) in October 1968.

Thanom reappointed himself prime minister in February 1969 after general elections had been completed. The following year saw the beginnings of the 1970s peasant revolts in Thailand. Then, in November 1971, he staged a coup against his own government, citing the need to suppress communist infiltration. He dissolved parliament and appointed himself Chairman of the National Executive Council, and served as a caretaker government for one year. In December 1972, he appointed himself prime minister for a fourth time, also serving as the defence and foreign ministers. Thanom, his son Colonel Narong, and Narong's father-in-law General Praphas Charusathien became known as the "three tyrants".

Public discontent grew, along with demands for a general election to choose a new parliament. Student-led demands for a return to constitutional government, the so-called "14 October 1973 uprising", led to three days of violence followed by the sudden downfall of his government. Thanom and the other "tyrants" flew to exile in the United States and Singapore. Thanom's departure was followed by a restoration of a democratic rule in Thailand.

In October 1976, Thanom returned to Thailand in the robes of a novice monk, to stay at Bangkok's Wat Bowonniwet.
Even though he announced he had no desire to enter politics, his return triggered student protests, which eventually moved onto the campus of Thammasat University. This was only a year after South Vietnam and Thailand's neighbors Laos and Cambodia had fallen to the communists, and right-wing Thais suspected the protesters wished the same fate for their own country. On 6 October 1976, right-wing militants, aided by government security forces, stormed the Thammasat campus, violently broke up the protests, and killed many protesters. That evening, the military seized power from the elected civilian government of Democrat MR Seni Pramoj and installed hard-line royalist Thanin Kraivichien as premier.

Thanom soon left the monkhood, but he kept his word never to take part in politics again. Late in his life, he attempted to rehabilitate his tarnished image and recover properties seized when his government was overthrown.


In March 1999, Thanom was nominated to be a member of the honorary Royal Guard by Prime Minister Chuan Leekpai, which led to controversy. Thanom settled the matter himself by turning down the appointment.

-- Thanom Kittikachorn, by Wikipedia


• According to the Public Health Ministry, the incidence of venereal diseases had increased in Thailand by 50 percent over the previous five years. The ministry said most infections were contracted through prostitutes and asked the United Nations for assistance. The UN Children’s Fund and the World Health Organization promised to help.
Jacqueline Kennedy, the widow of assassinated US President John Fitzgerald Kennedy, visited Thailand. She met with the King and Queen during her short stay.
• The first Thailand National Games, also known as Phra Nakhon 1967, were held in Bangkok. The multi-sport venue hosted 103 events in 15 disciplines. A total of 716 athletes from all regions of the country participated in the games.

1968

1968 was the year the separatist Islamic group called Pattani United Liberation Organization was formed, with the aim of using military and political means to achieve independence for Muslim-majority areas of southern Thailand.

January

PM Thanom announced that US warplanes taking off from Thai air force bases were bombing the Ho Chi Minh Trail in Laos. It was the first official admission that US bombing raids were launched from Thai soil. The PM justified the action by saying it was “for the defence of our country”.
• The Shan of Iran and Empress Farah made a week-long state visit to Thailand. They were greeted at Don Muang Airport by the King and the Queen, who had visited Iran in February 1967.
• Philippines President Ferdinand Marcos and his wife Imelda made a five-day state visit to Thailand during which they met with the King and the Queen.


February

• PM Thanom inaugurated Thailand’s first steel manufacturing plant, GS Steel, in a ceremony in Samut Prakan province. The plant was a joint venture between GS and Japan’s Mitsubishi Shoki Kaisha and Kawaishi-Gisho companies. The plant complex consisted of 14 buildings.

March

• Around 1,000 taxi drivers formed the Taxi Drivers Cooperative, making it the first labour union in Thailand. The stated aim of the cooperative was to improve the working conditions of taxi drivers and provide a better experience for passengers.
• Tanayong Public Company Limited was founded. Now called BTS Group Holding, the company is the majority shareholder of Bangkok Mass Transit System PCL, which operates both the BTS Skytrain and Bangkok BRT.

May

The country’s first satellite communications earth station was opened at Tung Sukhla in Si Racha district of Chonburi province. The station was linked to an IntelSat II satellite in orbit 22.300 miles above the Pacific Ocean, facilitating communication by voice, television and data. It was the first such station in Southeast Asia.
• Ethiopia’s Emperor Haile Selassie made a state visit to Thailand lasting three days, during which he met with the King. His Majesty said that the Emperor’s visit “marks the first time that a reigning monarch from Africa has made a state visit to Thailand” and praised the Emperor’s “wise and benevolent leadership”.

July

• For the first time in Thai medical history doctors at Siriraj Hospital in Bangkok succeeded in separating conjoined twins. The twins were joined at the liver and the complicated procedure to separate them was performed by a team of five Thai doctors led by the chief of the hospital’s paediatrics department, Dr Snoh Indrasukhsri.

August

• Popular 38-year-old singer Surapol Sombatcharoen, hailed as ‘Thailand’s Elvis’, was shot dead by an assassin after getting into his car at a car park following a performance at Saengchand Theatre in Nakhon Pathom province. Thousands of mourners came to his funeral at Wat Paknam in Thonburi.

October

• The last nine trams were removed from Bangkok streets after it was determined they were too expensive to maintain and they blocked vehicular traffic. The trams had been introduced to Bangkok about 70 years earlier.

November

• The first King’s Cup, the country’s first international football tournament organized by the Football Association of Thailand, kicked off at National Stadium and carried on to December. The Cup was won by Indonesia, who beat Burma 1-0 in the final. Thailand finished third. Three bottle bombs exploded during a semifinal between Thailand and Burma, injuring seven spectators at the stadium. Authorities suspected that the incident was the work of communist insurgents.

December

• The King opened the National Cancer Institute on Rama IV Road near Ramathibodi Hospital. The institute was partially financed by Japan. The King proclaimed December 10 as Anti-Cancer Day.

1969

1969 saw the transition of Assumption University, established in 1938, to an autonomous educational institution, as well as the founding of the Roman Catholic Diocese of Surat Thani province. The area was evangelized by the Salesians of Don Bosco in the 1930s. 1969 was also the year Sahakol Air was formed as an air-taxi service. It was the first privately owned domestic airline in Thailand and under contract to the Overseas International Construction Company, US Operation Mission and other organizations involved in oil and natural gas exploration in the Gulf of Thailand. The airline was rebranded as Bangkok Airways in 1989.

February

An IBM 1800 computer was delivered to Chulalongkorn University in Bangkok, a gift from the US Pentagon. The computer was installed inside the Engineering Faculty. The computer was intended for scientific and industrial work and also available to American and Thai military personnel.
• A professional bout between two Thai boxers at Ratchadamnoen Stadium was refereed by former world heavyweight boxing champion Rocco Francis Marchegiano, better known as Rocky Marciano. About 12,000 people were in attendance. Marciano won all 49 fights of his career, 43 by KO.
The first national election in 11 years was held. More than 1,500 candidates from a dozen parties and independents vied for 219 seats in the House of Representatives. PM Thanom’s United Thai People Party won 75 seats and 72 went to independents. After the elections 30 of the 72 independents joined the UTPP.

April

• A US Air Force EC-121 spy plane crashed on takeoff near Korat killing all 18 crew-members. The crash was in an unpopulated area about five kilometers northwest of Korat’s Royal Thai Air Force Base.

May

Three electricity generating companies, Yanhee Electricity Authority, Lignite Electricity and Northeast Electricity Authority joined to form the Electricity Generating Authority of Thailand (EGAT). The merger was designed to reduce costs. EGAT became the largest power producer in Thailand.
• Fifty three Thai fishermen were freed by Cambodian Prince Norodom Sihanouk after spending five to eight years in Cambodian custody. The fishermen had been captured in Cambodian waters, charged with illegal fishing and jailed. The Burmese Ambassador representing Thai interests in Cambodia was partly responsible for the release.

June

The King authorized the purchase of new printing presses to produce high quality banknotes. The Bank of Thailand’s Banknote Printing Division said that using high quality paper and modern printing techniques machines would deter counterfeiters. The first running of the new presses produced notes of five and 10 baht denomination.

July

US President Richard Nixon and his wife Pat made a visit to Thailand and were received by the King and the Queen. They also met with PM Thanom and other officials, including the Foreign Minister Thanat Khoman. US Secretary of State Henry Kissinger joined the president in various meetings.

August

• PM Thanom told the National Cultural Council to ban mini-skirts.

September

• English language bookseller Asia Books was established.
The US began the withdrawal of 48,000 troops and giant B52 bombers from Thailand amid growing anti-war protests and increasing criticism from Congress on the management of the war. State Department Secretary William Rogers said Congress was worried that the US could be dragged into another land war in Thailand. An agreement was reached on September 20 between the US and Thailand specifying that the first 6,000 US troops would leave Thailand by July 1, 1970.

November

Thousands of Thai Marines were sent to help police in the struggle against communists and Muslim separatists in the jungles of South Thailand. The strategy of the insurgents was to destroy the economy by attacking infrastructure and spreading fear among workers at rubber plantations. On November 12 in Songkhla province insurgents killed seven policemen and critically injured three others.

December

• Bangkok Bank was the first financial institution in Thailand to computerize its operations. Bank officials said customers would be able to deposit and withdraw money from the 38 branches in Bangkok and Thonburi more conveniently.

1970

1970 brought new rules for foreign workers in the country in an effort to reduce the number of immigrants who were taking jobs from Thais. It was announced that regulations requiring foreigners to have work permits would soon be introduced.

1970 saw the founding of the following enterprises and institutions which are still with us: Provincial Electricity Football Club,now known as Buriram United FC; Wat Phra Dhammakaya Buddhist temple in Pathum Thani province, founded by the maechi (nun) Chandra Khonnokyoong and Luang Por Dhammajayo; Thai motion picture production and distribution company Sahamongkol Film International, or Mongkol Film; and Suriya College, renamed Sripatum University in 1987.

The Queen’s Cup annual football competition took place for the first time in 1970, but was discontinued in 2010.

February

• The Dusit Thani Hotel opened its doors on the corner of Silom and Rama IV roads. Founded by Chanut Piyaoui, it was the highest building in Bangkok at the time.

March

Indonesian President Hajji Suharto and his wife made a two-day official visit to Thailand. The president was welcomed at the airport by the King, who said that both nations faced ‘critical dangers’. Both Thailand and Indonesia supported America’s program of communist suppression throughout the region.
• Color Television Channel 3 (TV3) began broadcasting at 10am on March 26. It was the first Thai commercial television station. TV3 was officially launched during a ceremony attended by PM Thanom.

May

Cambodia asked Thailand for a military aid, one year after the Americans began bombing communist Vietnamese targets in Cambodia. Links between Thailand and Cambodia improved with the opening of the Aranyaprathet border crossing and re-establishment of diplomatic relations.

July

Cambodian Prime Minister Lon Nol was the first Cambodian premier to make an official visit to Thailand in 20 years. Lon Nol led a successful bloodless military coup d'état in May which overthrew the regime of Prince Norodom Sihanouk. He was later overthrown by the Khmer Rouge in 1975.

July

A tax was introduced on more than 200 imported and locally made items. Dubbed the Midnight Tax Decree, the new regulations increased the import duty on cars from an already high 60% to 80%, while sales taxes went up to 30 percent. The duty on cosmetics increased almost 100%. The government defended the increases as necessary to increase the military budget to fund communist suppression efforts and fend off other national security threats.

September

• More than 4,000 students from Chulalongkorn University broke through the main gate of the Parliament building and demanded the suspension of three professors allegedly involved in corruption in the lease of campus land to private businesses.

October

• Superstar actor Mitr Chaibancha (born Pichet Pumhem) fell 90 meters to his death from a helicopter while filming the final scene of his new movie Insee Thong (Golden Eagle) at Dongtan Beach, Jomtien, Pattaya. The 36-year-old actor appeared in 266 films between 1956 and 1970 was injured several times during his career. Around 100,000 fans came to a memorial service for Mitr held the day after his accident at Bangkok’s Wat Sunthorn Thammathan.

November

• A French monorail company approached the Bangkok municipality with a proposal to do a feasibility study into a mass rail line for Bangkok. The city accepted the proposal.

December

• A five-hour fire destroyed half of the commercial centre of Saraburi, laying waste to homes and businesses and leaving over 3,000 people homeless. Hundreds of shop houses, three banks, two insurance companies, a theatre, a market and two schools were destroyed. The King sent relief supplies to families affected by the fire.

1971

1971 saw the launch of the Chao Phraya Express transport service operating on the Chao Phraya River. The service still provides convenient transportation between Bangkok and Nonthaburi for locals and tourists. Ramkhamhaeng University, a public and open university named after King Ramkhamhaeng the Great of Sukhothai, was established. The King is credited with creating the Thai alphabet. Sirindhorn Dam, named after Her Royal Highness Princess Maha Chakri Sirindhorn, was commissioned in 1971. The dam is located in Sirindhorn district of Ubon Ratchathani province and was built to serve as a hydropower facility and to supply water for irrigation.

January

• Mitr Chaibancha was cremated at Wat Thepsirin in Bangkok. Tens of thousands of fans attended the cremation ceremony.

March

Martial law was suspended in 34 provinces including Bangkok, and the government said that Thonburi and Chiang Mai were no longer considered ‘communist infested’ areas. However, emergency powers remained in force in 37 Thai provinces, including the whole Northeast.

April

• A blaze at the Imperial Hotel in Bangkok claimed 24 lives, including six children. Many guests jumped from windows of the 107-room hotel to escape the blaze.

May

FM Khoman referred to China as “the People’s Republic of China” during a press conference in a real sign of warming between the two countries. It was the first time any cabinet official used the official name of China.

July

• Nation Multimedia Group was formed and English-language newspaper The Nation was launched by former Bangkok Post journalist Suthichai Yoon on July 1. The front-page headline was: “The How and Why of The Nation.” The first issue reportedly sold 3,000 copies.
• The government considered various proposals on how to support the car manufacturing industry. Ministries worked together to come up with recommendations to promote car assembly and the manufacture of component parts. One proposal was to widen the import tax differential between completely built-up cars – to be taxed at higher rate – and cars which were assembled in Thailand.

August

Scientists warned that unless something was done to prevent further subsidence, Bangkok could be below sea level in 20 years’ time. Two professors in geotechnical engineering from the Asian Institute of Technology claimed said there was evidence that many areas in Bangkok were subsiding because too much underground water had been pumped from beneath the city to meet the rapid increase in water demand.

September

• Transvestites (katoey) from Bangkok and Thonburi formed an association to protect their interests and to end what they claimed was prejudice against them. Among other aims, the group’s leaders said they wanted a law to allow them to marry. The group estimated there were around 10,000 katoey living in Bangkok and Thonburi.

October

• Mobs of football fans, mostly youths, rioted at the National Stadium after heavy rain led to cancellation of the Queen’s Cup semifinal match between Vee Foh and Rajathevi. The fans tore down goalposts, smashed seats and lit bonfires on the pitch. The match was attended by about 20,000 fans. An unknown number participated in the riot after players failed to show after half-time.
• The government approved a proposal to transform and develop the island of Koh Samui into a major holiday destination in an effort to boost the ailing tourist industry. Among other attempts to stimulate tourism was an extension of the length of time tourists could stay without a visa.

November

PM Thanom staged a coup on November 17 against his own government, citing the need to suppress communist infiltration. In a shocking announcement made on Bangkok Radio at 7pm, PM Thanom declared martial law, abrogating the constitution, dissolving Parliament and disbanding the cabinet. All authority was placed in the hands of security forces chiefs. Thanom also announced the establishment of a nine-member Executive Council to direct affairs of state for five years.

December

• The Supreme Patriarch Somdej Phra Ariyawongsakhatayan passed away after injuries suffered in a car accident. The accident happened in Bang Phli district of Samut Prakan province as the supreme patriarch was on his way to deliver a sermon. His limousine crashed head-on with a pickup truck. The country went into a 15-day mourning period. A tearful Thanom paid homage to the patriarch at Police Hospital in Bangkok, where the body was taken.

*Sources for this story include archives of UPI, AFP, AP, the Bangkok Post, The Nation and Wikipedia.
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Re: Freda Bedi Cont'd (#2)

Postby admin » Sat May 30, 2020 6:52 am

Rudolf Otto
by Wikipedia
Accessed: 5/29/20

"As a student, athlete, politician, mystic, and writer, Baba Pyare Lal Bedi, better known as Baba Bedi XVI, considered the sixteenth descendant of Nanak, who was in the past, one of the best known and active Sikh teachers.

Father of the well-known actor, Kabir Bedi, he spread a Sikh spirituality. Its setting is different from that of the Sikh master Yogi Bhajan who founded in Toronto, in 1968, the 3HO organization, also known as Sikh Dharma. Master of the Occult Circle of India, he is the descendant of the sixteenth generation of Sat Guru Baba Nanak, Founding Master of the Sikh faith, in the 15th century. Born in 1909 in Punjab, Northern India, he graduated from universities Punjab and Oxford; he was a researcher at the University of Berlin with a scholarship named after Alexander Von Humboldt, working with Prof. Werner Sombart and with Prof. Rudolf Otto of the University of Marburg.

As an athlete he won the championship in the hammer throw in the Indian Olympic race, and at the English inter-university meeting in Oxford. Returning to India in 1934, he began to participate, as a leftist revolutionary, in the liberation battle of India, and passed a few years in concentration camps and in English prisons....

In 1953, after 20 years of political activity, he gave up politics, and turned to mystical life. In 1961, to dig deeper into the heart of the occult, he founded the "Institute for Inquiry into the Unknown" (Institute of Investigation into the Unknown).

In 1963 he added a new dimension to his work by starting the Center for Psychic Art (Center for Psychic Art).

From 1972 onwards, he came to Italy where, after numerous conferences in Rome and Turin, he stopped in Milan, where he founded and lead the Aquarian Philosophy Center, from which he dissociated and opened his School of New Philosophical Thought by developing his philosophy for the Aquarian Age, taking courses to learn Vibration Therapy, and helping the development of human personality through the Psychic expression. His teachings are about meditation, awareness of God, psychophysical well-being, and evolution of personality.

In 1981 he chaired the International Congress on Reincarnation, held in Milan, and began the World Movement to "live according to Ethical Consciousness," as a means for achieve social Peace.

In the Italian years, Baba Bedi XVI published 3 reference books of Aquarian philosophy: "Total Man" (1975), "Man in the Age of Aquarius" (1982), and "Consciousness, eye of the Soul "(1991). Furthermore, in 1981, he founded and directed the Aquarian philosophy magazine “La Resonance".

He revealed truly new positive dynamics to humanity, which can be implemented on all levels, and at every level, as long as one desires it first. He never tired of repeating: “You can't bring the horse to the river and force him to drink, even if he is thirsty; no violation is possible to free will."

His works published jointly with his wife Freda M. Houlston Bedi* are:

• *India analyzed, work in 4 volumes (1933-1934 London, Victor Gollancz);
• *Gandhi: Mahatma Gandhi, Saint and statesman, with a preface by Prof. Rudolf Otto, London 1934);
• Karl Marx - Letters on India, Lahore, Contemporary India Publication (1936);
• Sheikh Abdullah: his life and ideals (1949);
• Harvest from the Desert, Sir Ganga Ram Trust Society (1940);
• Muslims in USSR, Lahore, Indian Printing Works (1947);
• Mystic India, (3 vol.), The Unity Book club of India, New Delhi;
• Hands off West Irian: Indonesia's national demand from Dutch colonialists (1962);
• Prophet of the Full Moon: Guru Baba Nanak, founder master of Sikhism, New Delhi, Chaudhari Publishers, (1966);
• The art of the tetress, Bombay, Pearl books (1968), translated into Italian by La nuova Via ed. 1972;
• The pilgrim's way, with a preface by the Indian President S. Radhakrishanan, India (1969), Patiala, Punjabi University;
• *Dynamics of the New Age, New Delhi (1970);
• Conscience as Dynamics of the Psychic for Human Well-being, New Delhi, Institute for Inquiry Into the Unknown;
• Mystic & Ecstacy Eros, New Delhi, Institute for Inquiry Into the Unknown;
• The dynamics of the occult, New Delhi, Unity Publishers;
• The total man, Age of Uranus ed. 1977;
• Soul Eye Consciousness, ed. Zanfi, 2008, second edition of Cittadella Instit. Aquarian pedagogy.

-- Biographical note of Baba Pyare Lal Bedi XVI, by Alleva Franca


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Rudolf Otto
Born: 25 September 1869, Peine, North German Confederation
Died: 6 March 1937 (aged 67), Marburg, Germany
Academic background
Alma mater: University of Erlangen, University of Göttingen
Influences: Friedrich Schleiermacher, Immanuel Kant, Jakob Fries
Academic work
Discipline: Theology and comparative religion
School or tradition: History of religions school
Notable works: The Idea of the Holy
Notable ideas: The numinous
Influenced: Eliade, Jung, Campbell, C. S. Lewis, Tillich, Barth, Rahner, Heidegger, Wach, Horkheimer, Gadamer

Rudolf Otto (25 September 1869 – 7 March 1937) was an eminent German Lutheran theologian, philosopher, and comparative religionist. He is regarded as one of the most influential scholars of religion in the early twentieth century and is best known for his concept of the numinous, a profound emotional experience he argued was at the heart of the world's religions.[1]

In the drala teachings, each of the senses is considered an “unlimited field of perception” in which there are sights, sounds and feelings “we have never experienced before” –- no one has ever experienced! Each sense moment, if we are present for it, is a gate into the elemental wisdom of the world, even a cold sip of coffee could ignite the experience of Yeats: “While on the shop and street I gazed / My body of a sudden blazed.” Every perception is a pure perception; from the feel of a meager pebble stuck in our shoe to the meow of a house cat. Through this kind of perception we discover that we live in a vast, singular and unexplored world....

Sometimes a stone, a tree, a teacup or a violin processes an intangible presence, a numinousity, that cannot be explained.

-- The Drala Principle, by Bill Scheffel


While his work started in the domain of liberal Christian theology, its main thrust was always apologetical, seeking to defend religion against naturalist critiques.[2] Otto eventually came to conceive of his work as part of a science of religion, which was divided into the philosophy of religion, the history of religion, and the psychology of religion.[2]

Life

Born in Peine near Hanover, Otto was raised in a pious Christian family.[3] He attended the Gymnasium Andreanum in Hildesheim and studied at the universities of Erlangen and Göttingen, where he wrote his dissertation on Martin Luther's understanding of the Holy Spirit (Die Anschauung von heiligen Geiste bei Luther: Eine historisch-dogmatische Untersuchung), and his habilitation on Kant (Naturalistische und religiöse Weltansicht).

It is difficult to understand the behavior of most German Protestants in the first Nazi years unless one is aware of two things: their history and the influence of Martin Luther. [v] The great founder of Protestantism was both a passionate anti-Semite and a ferocious believer in absolute obedience to political authority. He wanted Germany rid of the Jews and when they were sent away he advised that they be deprived of "all their cash and jewels and silver and gold" and, furthermore, "that their synagogues or schools be set on fire, that their houses be broken up and destroyed ... and they be put under a roof or stable, like the gypsies ... in misery and captivity as they incessantly lament and complain to God about us" -- advice that was literally followed four centuries later by Hitler, Goering and Himmler.

In what was perhaps the only popular revolt in German history, the peasant uprising of 1525, Luther advised the princes to adopt the most ruthless measures against the "mad dogs," as he called the desperate, downtrodden peasants. Here, as in his utterances about the Jews, Luther employed a coarseness and brutality of language unequaled in German history until the Nazi time. The influence of this towering figure extended down the generations in Germany, especially among the Protestants. Among other results was the ease with which German Protestantism became the instrument of royal and princely absolutism from the sixteenth century until the kings and princes were overthrown in 1918. The hereditary monarchs and petty rulers became the supreme bishops of the Protestant Church in their lands. Thus in Prussia the Hohenzollern King was the head of the Church. In no country with the exception of Czarist Russia did the clergy become by tradition so completely servile to the political authority of the State. Its members, with few exceptions, stood solidly behind the King, the Junkers and the Army, and during the nineteenth century they dutifully opposed the rising liberal and democratic movements. Even the Weimar Republic was anathema to most Protestant pastors, not only because it had deposed the kings and princes but because it drew its main support from the Catholics and the Socialists. During the Reichstag elections one could not help but notice that the Protestant clergy -- Niemoeller was typical -- quite openly supported the Nationalist and even the Nazi enemies of the Republic. Like Niemoeller, most of the pastors welcomed the advent of Adolf Hitler to the chancellorship in 1933.

-- The Rise and Fall of the Third Reich: A History of Nazi Germany, by William L. Shirer


By 1906, he held a position as extraordinary professor, and in 1910 he received an honorary doctorate from the University of Giessen.

Otto's fascination with non-Christian religions was awakened during an extended trip from 1911-1912 through North Africa, Palestine, British India, China, Japan, and the United States.[4] He cited a 1911 visit to a Moroccan synagogue as a key inspiration for the theme of the Holy he would later develop.[3] Otto became a member of the German parliament in 1913 and retained this position through the First World War.[4] In 1917, he spearheaded an effort to simplify the system of weighting votes in Prussian elections.[2] He then served in the post-war constituent assembly in 1918, and remained involved in the politics of the Weimar Republic.[4]

Meanwhile, in 1915, he became ordinary professor at the University of Breslau, and in 1917, at the University of Marburg's Divinity School, then one of the most famous Protestant seminaries in the world. Although he received several other calls, he remained in Marburg for the rest of his life. He retired in 1929 but continued writing afterward. On 6 March 1937, he died of pneumonia, after suffering serious injuries falling about twenty meters from a tower in October 1936. There were lasting rumors that the fall was a suicide attempt but this has never been confirmed.[2] He is buried in the Marburg cemetery.

Thought

Influences


In his early years Otto was most influenced by the German idealist theologian and philosopher Friedrich Schleiermacher and his conceptualization of the category of the religious as a type of emotion or consciousness irreducible to ethical or rational epistemologies.[4] In this, Otto saw Schleiermacher as having recaptured a sense of holiness lost in the Age of Enlightenment. Schleiermacher described this religious feeling as one of absolute dependence; Otto eventually rejected this characterization as too closely analogous to earthly dependence and emphasized the complete otherness of the religious feeling from the mundane world (see below).[4] In 1904, while a student at the University of Göttingen, Otto became a proponent of the philosophy of Jakob Fries along with two fellow students.[2]

Fries' most important treatise, the Neue oder anthropologische Kritik der Vernunft (2nd ed., 1828–1831), was an attempt to give a new foundation of psychological analysis to the critical philosophy of Immanuel Kant. In 1811 he published his System der Logik (ed. 1819 and 1837), and in 1814 Julius und Evagoras, a philosophical romance.[3] He was also involved in public polemics, and in 1816 wrote Ueber die Gefährdung des Wohlstandes und des Charakters der Deutschen durch die Juden (On the Danger Posed by the Jews to German Well-Being and Character), advocating among other things a distinct sign on the dress of Jews to distinguish them from the general population, and encouraging their emigration from German lands. He blamed the Jews for the ascendant role of money in society and called for Judaism to be "extirpated root and branch" from German society.

In 1816 he was invited to Jena to fill the chair of theoretical philosophy (including mathematics, physics, and philosophy proper), and entered upon a crusade against the prevailing Romanticism. In politics he was a strong Liberal and Unionist, and he did much to inspire the organization of the Burschenschaft. He also published a pamphlet calling for the exclusion of the Jews from public life in Germany. In 1816 he had published his views in a brochure, Von deutschem Bund und deutscher Staatsverfassung, dedicated to "the youth of Germany", and his influence gave a powerful impetus to the agitation which led in 1819 to the issue of the Carlsbad Decrees by the representatives of the German governments.[3]...

Fries was involved in a dispute with the contemporary German philosopher G. W. F. Hegel. In the preface to his Philosophy of Right, Hegel criticised Fries' participation in student events and his role in the Burschenschaft.

Its motto was “honor, freedom, fatherland”...

The Burschenschaften were student associations that engaged in numerous social activities. However, their most important goal was to foster loyalty to the concept of a united German national state as well as strong engagement for freedom, rights, and democracy. Quite often Burschenschaften decided to stress extreme nationalist or sometimes also liberal ideas, leading in time to the exclusion of Jews, who were considered to be un-German....

In the 1880s, a renaissance movement, the Reformburschenschaften, led by the ideas of Küster, arose and many new B!B! were founded. It was also during this time until the 1890s when members turned increasingly towards anti-Semitic outlook since it provided an approach to achieving the fraternity's fundamental goal. Members viewed the Jews as a problem that hampered the unification of Germany and the achievement of new values the organization advanced. There were members who resigned to protest a resolution adopted at an Eisenach meeting declaring that Burschenschaft "have no Jewish members and do not plan to have any in the future." Historical records show that the fraternity again accepted Jewish members later on
since it was not in favor of racist antisemitism...

Some Nazis (e.g. Ernst Kaltenbrunner) and Nazi opponents (Karl Sack, Hermann Kaiser) were members of Burschenschaften. Theodor Herzl, an Austrian Jewish journalist who founded modern political Zionism, was also a member of a Burschenschaft. However, he resigned two years after he joined because of the fraternity's antisemitism....

Roughly 160 Burschenschaften still exist today and many are organized in different organizations ranging from progressive to nationalistic. Among the latter is the Deutsche Burschenschaft organization (DB), which represents about a third of the Burschenschaften....

Many Burschenschaften, often found in certain "umbrella" organisations (such as the Burschenschaftliche Gemeinschaft), are associated with right-wing or far-right ideas, in particular with the wish for a German state encompassing Austria. In 2013 one Bonn fraternity proposed that only students of German origin should be eligible to join a Burschenschaft. Reportedly half of member clubs threatened to leave in a row over proposed ID cards and a decision to label an opponent of Adolf Hitler a "traitor".

-- Burschenschaft, by Wikipedia


Fries responded by accusing Hegel of defending the existing order and his own privileged position within it. He argued that "Hegel's metaphysical mushroom has grown not in the gardens of science but on the dunghill of servility." For Fries, Hegel's theories merely added up to a defence of the establishment and, specifically, the Prussian authorities.

-- Jakob Friedrich Fries, by Wikipedia


Early works

Otto's first book, Naturalism and Religion (1904) divides the world ontologically into the mental and the physical, a position reflecting Cartesian dualism. Otto argues consciousness cannot be explained in terms of physical or neural processes, and also accords it epistemological primacy by arguing all knowledge of the physical world is mediated by personal experience. On the other hand, he disagrees with Descartes' characterization of the mental as a rational realm, positing instead that rationality is built upon a nonrational intuitive realm.[2]

In 1909, he published his next book, The Philosophy of Religion Based on Kant and Fries, in which he examines the thought of Kant and Fries and from there attempts to build a philosophical framework within which religious experience can take place. While Kant's philosophy said thought occurred in a rational domain, Fries diverged and said it also occurred in practical and aesthetic domains; Otto pursued Fries' line of thinking further and suggested another nonrational domain of the thought, the religious. He felt intuition was valuable in rational domains like mathematics, but subject to the corrective of reason, whereas religious intuitions might not be subject to that corrective.[2]

These two early works were influenced by the rationalist approaches of Immanuel Kant and Jakob Fries. Otto stated that they focused on the rational aspects of the divine (the "Ratio aeterna") whereas his next (and most influential) book focused on the nonrational aspects of the divine.[5]

The Idea of the Holy

Otto's most famous work, The Idea of the Holy, was first published in German in 1917 as Das Heilige - Über das Irrationale in der Idee des Göttlichen und sein Verhältnis zum Rationalen. It was one of the most successful German theological books of the 20th century, has never gone out of print, and is now available in about 20 languages. The first English translation was published in 1923 under the title The Idea of the Holy: An Inquiry into the Non-Rational Factor in the Idea of the Divine and its Relation to the Rational. Otto felt people should first do serious rational study of God, before turning to the non-rational element of God as he did in this book.[5][6]:vii

In The Idea of the Holy, Otto writes that while the concept of "the holy" is often used to convey moral perfection—and does entail this—it contains another distinct element, beyond the ethical sphere, for which he coined the term numinous based on the Latin word numen ("divine power").[6]:5–7 (The term is etymologically unrelated to Immanuel Kant's noumenon, a Greek term which Kant used to refer to an unknowable reality underlying sensations of the thing.) He explains the numinous as a "non-rational, non-sensory experience or feeling whose primary and immediate object is outside the self". This mental state "presents itself as ganz Andere,[7] wholly other, a condition absolutely sui generis and incomparable whereby the human being finds himself utterly abashed."[8] Otto argues that because the numinous is irreducible and sui generis it cannot be defined in terms of other concepts or experiences, and that the reader must therefore be "guided and led on by consideration and discussion of the matter through the ways of his own mind, until he reach the point at which 'the numinous' in him perforce begins to stir... In other words, our X cannot, strictly speaking, be taught, it can only be evoked, awakened in the mind."[6]:7 Chapters 4 to 6 are devoted to attempting to evoke the numinous and its various aspects. He writes:[4][6]:12–13

The feeling of it may at times come sweeping like a gentle tide pervading the mind with a tranquil mood of deepest worship. It may pass over into a more set and lasting attitude of the soul, continuing, as it were, thrillingly vibrant and resonant, until at last it dies away and the soul resumes its “profane,” non-religious mood of everyday experience. [...] It has its crude, barbaric antecedents and early manifestations, and again it may be developed into something beautiful and pure and glorious. It may become the hushed, trembling, and speechless humility of the creature in the presence of—whom or what? In the presence of that which is a Mystery inexpressible and above all creatures.


He describes it as a mystery (Latin: mysterium) that is at once terrifying (tremendum) and fascinating (fascinans).[9] Otto felt that the numinous was most strongly present in the Old and New Testaments, but that it was also present in all other religions.[6]:74

According to Mark Wynn in the Stanford Encyclopedia of Philosophy, The Idea of the Holy falls within a paradigm in the philosophy of emotion in which emotions are seen as including an element of perception with intrinsic epistemic value that is neither mediated by thoughts nor simply a response to physiological factors. Otto therefore understands religious experience as having mind-independent phenomenological content rather than being an internal response to belief in a divine reality. Otto applied this model specifically to religious experiences, which he felt were qualitatively different from other emotions.[10]

Later works

In Mysticism East and West, published in German in 1926 and English in 1932, Otto compares and contrasts the views of the medieval German Christian mystic Meister Eckhart with those of the influential Hindu philosopher Adi Shankara, the key figure of the Advaita Vedanta school.[2]

Influence

Otto left a broad influence on theology, religious studies, and philosophy of religion, which continues into the 21st century.[11]

Christian theology

Karl Barth, an influential Protestant theologian contemporary to Otto, acknowledged Otto's influence and approved a similar conception of God as ganz Andere or totaliter aliter,[12] thus falling within the tradition of apophatic theology.[13][14] Otto was also one of the very few modern theologians to whom C. S. Lewis indicates a debt, particularly to the idea of the numinous in The Problem of Pain. In that book Lewis offers his own description of the numinous:[15]

Suppose you were told there was a tiger in the next room: you would know that you were in danger and would probably feel fear. But if you were told "There is a ghost in the next room," and believed it, you would feel, indeed, what is often called fear, but of a different kind. It would not be based on the knowledge of danger, for no one is primarily afraid of what a ghost may do to him, but of the mere fact that it is a ghost. It is "uncanny" rather than dangerous, and the special kind of fear it excites may be called Dread. With the Uncanny one has reached the fringes of the Numinous. Now suppose that you were told simply "There is a mighty spirit in the room," and believed it. Your feelings would then be even less like the mere fear of danger: but the disturbance would be profound. You would feel wonder and a certain shrinking—a sense of inadequacy to cope with such a visitant and of prostration before it—an emotion which might be expressed in Shakespeare's words "Under it my genius is rebuked." This feeling may be described as awe, and the object which excites it as the Numinous.


German-American theologian Paul Tillich acknowledged Otto's influence on him,[2] as did Otto's most famous German pupil, Gustav Mensching (1901–1978) from Bonn University.[16] Otto's views can be seen in the noted Catholic theologian Karl Rahner's presentation of man as a being of transcendence. More recently, Otto has also influenced the American Franciscan friar and inspirational speaker Richard Rohr.[17]:139

Non-Christian theology and spirituality

Otto's ideas have also exerted an influence on non-Christian theology and spirituality. They have been discussed by Orthodox Jewish theologians including Joseph Soloveitchik[18] and Eliezer Berkovits.[19] The Iranian-American Sufi religious studies scholar and public intellectual Reza Aslan understands religion as "an institutionalized system of symbols and metaphors [...] with which a community of faith can share with each other their numinous encounter with the Divine Presence."[20] Further afield, Otto's work received words of appreciation from Indian independence leader Mohandas Gandhi.[16] Aldous Huxley, a major proponent of perennialism, was influenced by Otto; in The Doors of Perception he writes:[21]

The literature of religious experience abounds in references to the pains and terrors overwhelming those who have come, too suddenly, face to face with some manifestation of the mysterium tremendum. In theological language, this fear is due to the in-compatibility between man's egotism and the divine purity, between man's self-aggravated separateness and the infinity of God.


Religious studies

In The Idea of the Holy and other works, Otto set out a paradigm for the study of religion that focused on the need to realize the religious as a non-reducible, original category in its own right. The eminent Romanian-American historian of religion and philosopher Mircea Eliade used the concepts from The Idea of the Holy as the starting point for his own 1954 book, The Sacred and the Profane.[11][22] The paradigm represented by Otto and Eliade was then heavily criticized for viewing religion as a sui generis category,[11] until around 1990, when it began to see a resurgence as a result of its phenomenological aspects becoming more apparent. Ninian Smart, who was a formative influence on religious studies as a secular discipline, was influenced by Otto in his understanding of religious experience and his approach to understanding religion cross-culturally.[11]

Psychology

Carl Gustav Jung, the founder of analytic psychology, applied the concept of the numinous to psychology and psychotherapy, arguing it was therapeutic and brought greater self-understanding, and stating that to him religion was about a "careful and scrupulous observation... of the numinosum".[23] The American Episcopal priest John A. Sanford applied the ideas of both Otto and Jung in his writings on religious psychotherapy.

THE YEARS, OF WHICH I HAVE SPOKEN TO YOU, when I pursued the inner images, were the most important time of my life. Everything else is to be derived from this. It began at that time, and the later details hardly matter anymore. My entire life consisted in elaborating what had burst forth from the unconscious and flooded me like an enigmatic stream and threatened to break me. That was the stuff and material for more than only one life. Everything later was merely the outer classification, the scientific elaboration, and the integration into life. But the numinous beginning, which contained everything, was then. -- C.G. Jung, 1957

-- The Red Book: Liber Novus, by C.G. Jung


Philosophy

The philosopher and sociologist Max Horkheimer, a member of the Frankfurt School, has taken the concept of "wholly other" in his 1970 book Die Sehnsucht nach dem ganz Anderen ("longing for the entirely Other").[24][25] Other philosophers to acknowledge Otto were, for instance, Martin Heidegger,[16] Leo Strauss,[16] Hans-Georg Gadamer (who was critical when younger but respectful in his old age), Max Scheler,[16] Edmund Husserl,[16] W. T. Stace, Joachim Wach,[3][16] and Hans Jonas. The war veteran and writer Ernst Jünger and the historian and scientist Joseph Needham also cited his influence.

Ecumenical activities

Otto was heavily involved in ecumenical activities between Christian denominations and between Christianity and other religions.[4] He experimented with adding a time similar to a Quaker moment of silence to the Lutheran liturgy as an opportunity for worshipers to experience the numinous.[4]

Works

• A full bibliography of Otto's works is given in Robert F. Davidson, Rudolf Otto's Interpretation of Religion (Princeton, 1947), pp. 207–9

In German

• Naturalistische und religiöse Weltansicht (1904)
• Die Kant-Friesische Religions-Philosophie (1909)
• Das Heilige - Über das Irrationale in der Idee des Göttlichen und sein Verhältnis zum Rationalen (Breslau, 1917)
• West-östliche Mystik (1926)
• Die Gnadenreligion Indiens und das Christentum (1930)
• Reich Gottes und Menschensohn (1934)

English translations

• Naturalism and Religion, trans J. Arthur Thomson and Margaret Thomson (London: Williams and Norgate, 1907), [originally published 1904]
• The Life and Ministry of Jesus, According to the Critical Method (Chicago: Open Court, 1908), ISBN 0-8370-4648-3 – Full text online at Internet Archive
• The Idea of the Holy, trans JW Harvey, (New York: OUP, 1923; 2nd edn, 1950; reprint, New York, 1970), ISBN 0-19-500210-5 [originally published 1917] (full text)
• Christianity and the Indian Religion of Grace (Madras, 1928)
• India's Religion of Grace and Christianity Compared and Contrasted, trans FH Foster, (New York; London, 1930)
• 'The Sensus Numinis as the Historical Basis of Religion', Hibbert Journal 29, (1930), 1-8
• The Philosophy of Religion Based on Kant and Fries, trans EB Dicker, (London, 1931) [originally published 1909]
• Religious essays: A supplement to 'The Idea of the Holy', trans B Lunn, (London, 1931)
• Mysticism East and West: A Comparative Analysis of the Nature of Mysticism, trans BL Bracey and RC Payne, (New York, 1932) [originally published 1926]
• 'In the sphere of the holy', Hibbert Journal 31, (1932-3), 413-6
• The original Gita: The song of the Supreme Exalted One (London, 1939)
• The Kingdom of God and the Son of Man: A Study in the History of Religion, trans FV Filson and BL Wolff, (Boston, 1943)
• Autobiographical and Social Essays (Berlin: Walter de Gruyter, 1996), ISBN 3-11-014518-9

See also

• Christian philosophy
• Christian ecumenism
• Christian mysticism
• Neurotheology
• Argument from religious experience
• Hard problem of consciousness
• The Varieties of Religious Experience by William James
• Perceiving God by William Alston
• The Perennial Philosophy by Aldous Huxley
• The Case for God by Karen Armstrong
• I and Thou by Martin Buber

References

1. Adler, Joseph. "Rudolf Otto's Concept of the Numinous". Gambier, Ohio: Kenyon College. Retrieved 19 October 2016.
2. Alles, Gregory D. (2005). "Otto, Rudolf". Encyclopedia of Religion. Farmington Hills, Michigan: Thomson Gale. Retrieved 6 March 2017.
3. "Louis Karl Rudolf Otto Facts". YourDictionary.com. Encyclopedia of World Biography. Retrieved 24 October 2016.
4. Meland, Bernard E. "Rudolf Otto | German philosopher and theologian". Encyclopædia Britannica Online. Retrieved 24 October 2016.
5. Ross, Kelley. "Rudolf Otto (1869-1937)". Retrieved 19 October 2016.
6. Otto, Rudolf (1923). The Idea of the Holy. Oxford University Press. ISBN 0-19-500210-5. Retrieved 31 December2016.
7. Otto, Rudolf (1996). Alles, Gregory D. (ed.). Autobiographical and Social Essays. Berlin: Walter de Gruyter. p. 30. ISBN 978-3-110-14519-9. ISBN 3-11014519-7.
8. Eckardt, Alice L.; Eckardt, A. Roy (July 1980). "The Holocaust and the Enigma of Uniqueness: A Philosophical Effort at Practical Clarification". Annals of the American Academy of Political and Social Science. Sage Publications. 450 (1): 165–178. doi:10.1177/000271628045000114. JSTOR 1042566. P. 169. Cited in: Cohn-Sherbok, Dan, ed. (1991). A Traditional Quest. Essays in Honour of Louis Jacobs. London: Continuum International Publishing Group. p. 54. ISBN 978-0-567-52728-8. ISBN 0-56752728-X.
9. Otto, Rudolf (1996). Mysterium tremendum et fascinans.
10. Wynn, Mark (19 December 2016). "Section 2.1 Emotional feelings and encounter with God". Phenomenology of Religion. Stanford Encyclopedia of Philosophy. Center for the Study of Language and Information, Stanford University. Retrieved 6 March 2017.
11. Sarbacker, Stuart (August 2016). "Rudolf Otto and the Concept of the Numinous". Oxford Research Encyclopedias. Oxford University Press. Retrieved 18 February 2018.
12. Webb, Stephen H. (1991). Re-figuring Theology. The Rhetoric of Karl Barth. Albany, New York: SUNY Press. p. 87. ISBN 978-1-438-42347-0. ISBN 1-43842347-0.
13. Elkins, James (2011). "Iconoclasm and the Sublime. Two Implicit Religious Discourses in Art History (pp. 133–151)". In Ellenbogen, Josh; Tugendhaft, Aaron (eds.). Idol Anxiety. Redwood City, California: Stanford University Press. p. 147. ISBN 978-0-804-76043-0. ISBN 0-80476043-8.
14. Mariña, Jacqueline (2010) [1997]. "26. Holiness (pp. 235–242)". In Taliaferro, Charles; Draper, Paul; Quinn, Philip L. (eds.). A Companion to Philosophy of Religion. Hoboken, New Jersey: John Wiley & Sons. p. 238. ISBN 978-1-444-32016-9. ISBN 1-44432016-5.
15. Lewis, C.S. (2009) [1940]. The Problem of Pain. New York City: HarperCollins. pp. 5–6. ISBN 978-0-007-33226-7. ISBN 0-00733226-2.
16. Gooch, Todd A. (2000). The Numinous and Modernity: An Interpretation of Rudolf Otto's Philosophy of Religion. Berlin: Walter de Gruyter. ISBN 3-11-016799-9.
17. Rohr, Richard (2012). Immortal Diamond: The Search for Our True Self. San Francisco: Jossey-Bass. ISBN 978-1-118-42154-3.
18. Solomon, Norman (2012). The Reconstruction of Faith. Portland: The Littman Library of Jewish Civilization. pp. 237–243. ISBN 978-1-906764-13-5.
19. Berkovits, Eliezer, God, Man and History, 2004, pp. 166, 170.
20. Aslan, Reza (2005). No god but God: The Origins, Evolution, And Future of Islam. New York: Random House Trade Paperbacks. p. xxiii. ISBN 1-4000-6213-6.
21. Huxley, Aldous (2004). The Doors of Perception and Heaven and Hell. Harper Collins. p. 55.
22. Eliade, Mircea (1959) [1954]. "Introduction (p. 8)". The Sacred and the Profane. The Nature of Religion. Translated from the French by Willard R. Trask. Boston: Houghton Mifflin Harcourt. ISBN 978-0-156-79201-1. ISBN 0-15679201-X.
23. Agnel, Aimé. "Numinous (Analytical Psychology)". Encyclopedia.com. International Dictionary of Psychoanalysis. Retrieved 9 November 2016.
24. Adorno, Theodor W.; Tiedemann, Rolf (2000) [1965]. Metaphysics. Concept and Problems. Trans. Edmund Jephcott. Stanford University Press. p. 181. ISBN 978-0-804-74528-4. ISBN 0-80474528-5.
25. Siebert, Rudolf J. (1 January 2005). "The Critical Theory of Society: The Longing for the Totally Other". Critical Sociology. Thousand Oaks, California: SAGE Publications. 31 (1–2): 57–113. doi:10.1163/1569163053084270.

Further reading

• Almond, Philip C., 'Rudolf Otto: An Introduction to his Philosophical Theology' (Chapel Hill: University of North Carolina Press, 1984).
• Davidson, Robert F, Rudolf Otto's Interpretation of Religion, (Princeton, 1947)
• Gooch, Todd A, The Numinous and Modernity: An Interpretation of Rudolf Otto's Philosophy of Religion. Preface by Otto Kaiser and Wolfgang Drechsler. (Berlin and New York: Walter de Gruyter, 2000). ISBN 3-11-016799-9.
• Ludwig, Theodore M, ‘Otto, Rudolf’ in Encyclopedia of Religion, vol 11 (1987), pp139–141
• Melissa, Raphael, Rudolf Otto and the concept of holiness, (Oxford: Clarendon Press, 1997)
• Mok, Daniël (2012). Rudolf Otto: Een kleine biografie. Preface by Gerardus van der Leeuw. Amsterdam: Uitgeverij Abraxas. ISBN 978-90-79133-08-6.
• Mok, Daniël et al. (2002). Een wijze uit het westen: Beschouwingen over Rudolf Otto. Preface by Rudolph Boeke. Amsterdam: De Appelbloesem Pers (i.e. Uitgeverij Abraxas). ISBN 90-70459-36-1 (print), 978-90-79133-00-0 (e-Book).
• Moore, John Morrison, Theories of Religious Experience, with special reference to James, Otto and Bergson, (New York, 1938)

External links

• Otto and the Numinous
• Numinous – references from several thinkers at Earthpages.ca
• International Congress: Rudolf Otto – University of Marburg, 2012
• Works by Rudolf Otto at Project Gutenberg
• Works by or about Rudolf Otto at Internet Archive
• Newspaper clippings about Rudolf Otto in the 20th Century Press Archives of the ZBW
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Bhadralok
by Wikipedia
Accessed: 6/1/20

Bhadralok (Bengali: ভদ্রলোক bhôdrôlok, literally 'gentleman', 'well-mannered person') is Bengali for the new class of 'gentlefolk' who arose during British rule in India (approximately 1757 to 1947) in Bengal region in the eastern part of the Indian subcontinent.

Caste and class makeup

Most, though not all, members of the bhadralok class are upper caste, mainly Baidyas, Brahmins, Kayasthas, and later Mahishyas. There is no precise translation of bhadralok in English, since it attributes economic and class privilege on to caste ascendancy. Many bhadraloks in the nineteenth century came from the privileged Brahmin or Priest caste or middle-level merchant class (such as Rani Rashmoni). Anybody who could show considerable amount of wealth and standing in society was a member of the bhadralok community.[1]

The bhadralok community includes all gentlefolk belonging to the rich as well as middle-class segments of the Bengali society. Amongst the upper middle classes, a zamindar, or landowner, normally bearing the title Chaudhuri or Roy Chaudhuri at the end of the name, and Babu at the beginning would be considered to be a bhadralok. A zamindar bearing the title Raja or Maharaja would be considered to be higher than middle-class, but would still be a bhadralok 'gentleman'. All members of the professional classes, i.e. those belonging to the newly emerging professions, such as doctors, lawyers, engineers, university professors, and higher civil servants, were members of the bhadralok community. However, an individual bearing the title Esquire at the end of the name, denoting a rank just below a Knight, was also considered to be higher than a bhadralok.

Colonial factors

The two biggest factors that led to the rise of the bhadralok were the huge fortunes many merchant houses made from aiding the English East India Company's trade up the Ganga valley, and Western-style education (at the hands of the colonial rulers and of missionaries). The steep rise in real estate prices in Calcutta also led some petty landlords in the area to become wealthy overnight. The first identifiable bhadralok figure is undoubtedly Ram Mohan Roy, who bridged the gap between the Persianised nobility of the Sultanate era in Bengal and the new, Western-educated, nouveau riche comprador class.

The Bengal Renaissance

The Bengal Renaissance was largely carried out and participated in by bhadralok. In addition, the rise of the Brahmo Samaj and various other samajes (a category halfway between 'society' and 'community') was also largely a bhadralok phenomenon. To be a bhadralok was to embrace some Western and Northern European values (though not always the same ones in each case), to have a modicum of education, and a sense of entitlement to (and consequently grievance against) favours or employment from the colonial government. While the bhadralok were influenced by the West (in terms of their morals, dress, and eating habits) they were also the people who reacted most strongly against the West, and the most scathing critiques, as well as the most spirited defences of Westernisation, were made by bhadralok writers.

Babus

The term Babu means an individual of rank and dignity. It is most commonly used to refer to the gentleman, but is meant for anybody who enjoys a position of dominance in his immediate social circle. An Indian zamindar, as well as an Indian member of the higher government services, was referred to as a Babu. Amongst the landlords, a Babu in the former Bengal Presidency, especially in Bengal and Behar, was normally a substantial and extremely wealthy zamindar in the same rank as a Thakur or a Mirza, and would rank just below a Raja. The term Babu has been historically used to refer to the upper echelons of Indian society, including the ruling classes.

In British India, the term was derogatorily used to refer to members of the indigenous community, especially in law courts and revenue establishments in the late eighteenth and early nineteenth centuries, where most members were appointed as Munsifs from respectable and/or zamindari families.

Popular Culture

Bhadralok class is copiously referred in the popular Bengali literature including in the novel and stories of Saratchandra Chattopadhyay and Rabindranath Tagore. Kaliprasanna Singha sarcastically criticized the class' social attitude and hypocrisy during its accession to prominence in the nineteenth century in his famous book, titled Hutom Pyanchar Naksha. In the 1990s and 2000s, Chandrabindoo brings forward the class' dilemma and hypocritical attitude in their songs including Sokale Uthiya Ami Mone Mone Boli, Amar Modhyobitto Bheeru Prem, Amra Bangali Jaati and many more.

Economy

Among others, Joya Chatterji, Lecturer in History of Modern South Asia at Cambridge and Fellow of Trinity College, accuses the Bhadralok class for the economic decline of the state of West Bengal after India's independence in 1947.[2] She writes in her book, titled "The Spoils of Partition" [3]:

In these ways, Bengal’s partition frustrated the plans and purposes of the very groups who had demanded it. Why their strategy failed so disastrously is a question which will no doubt be debated by bhadralok Bengal long after the last vestiges of its influence have been swept away. Many excuses have already been made, and different scapegoats remain to be identified and excoriated. But perhaps part of the explanation is this: for all their self-belief in their cultural superiority and their supposed talent for politics, the leaders of bhadralok Bengal misjudged matters so profoundly because, in point of fact, they were deeply inexperienced as a political class. Admittedly, they were highly educated and in some ways sophisticated, but they had never captured the commanding heights of Bengal’s polity or its economy. They had been called upon to execute policy but not to make it. They had lived off the proceeds of the land, but had never organised the business of agriculture. Whether as theorists or practitioners, they understood little of the mechanics of production and exchange, whether on the shop floor or in the fields. Above all, they had little or no experience in the delicate arts of ruling and taxing people. Far from being in the vanguard as they liked to believe, by 1947 Bengal’s bhadralok had become a backward-looking group, living in the past, trapped in the aspic of outdated assumptions, and so single-mindedly focussed upon their own narrow purposes that they were blind to the larger picture and the big changes that were taking place around them.


See also

• Christianity in West Bengal
• Nastanirh

References

1. K. L. Sharma, ed. (2013). Readings in Indian Sociology: Volume II: Sociological Probings in Rural Society. Sage Publications.
2. "Bengal's sorrow". frontline.thehindu.com. Retrieved 2019-08-08.
3. Chatterji, Joya. (3 March 2011). The spoils of partition : Bengal and India, 1947-1967. p. 317. ISBN 9780521188067. OCLC 816808562.
• Subho Basu and Sikata Banerjee, 'The Quest for Manhood: Masculine Hinduism and Nation in Bengal in Comparative Studies of South Asia, Africa and the Middle East
• Bhadralok in Banglapedia
• Indira Choudhuri, The Fragile Hero and Virile History: Gender and the Politics of Culture, (New Delhi: Oxford University Press, 1998).
• Tithi Bhattacharya, The Sentinels of Culture: Class, Education and the Colonial Intellectual in Bengal, (New York: Oxford University Press, 2007).
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Re: Freda Bedi Cont'd (#2)

Postby admin » Sat May 30, 2020 8:18 am

Yehudi Menuhin
by Wikipedia
Accessed: 5/30/20

The move to a bigger property at Dalhousie also allowed for some modest expansion of the school, requiring more volunteers and a gearing up of the administration. Cherry Armstrong, an eighteen-year-old whose mother was active in the Buddhist Society in London, arrived towards the end of the school's first summer in the hills.

Her role was a loosely defined mix of administrative and secretarial, particularly helping with the correspondence generated by the Tibetan Friendship Group and Freda's scheme for pen friends for young Tibetan refugees.

The western friend would include a small monetary gift, usually in the form of money orders ... In return the Tibetan pen friend would send a little photograph or a prayer written in Tibetan ... My job initially was to keep this scheme working and it was often a life-saver for individuals with no financial aid. It was a system that needed no overheads -- once the connection was established the money went directly to the person for whom it was intended and usually continued for years.

Freda was good at delegating, and at multitasking. Every morning she 'held court' with a pile of papers (the morning post) on her lap. Tibetan matters were handed over to Trungpa Tulku who acted as her interpreter and scribe (as well as doing his own religious and language studies). Indian matters were handed to the Indian administrator of the school, Attar Singh; English letters were handed to me, while Freda herself would be simultaneously writing her own more important letters. During this time there would be frequent Tibetan or Indian visitors asking for help or for Freda to use her influence on their behalf and everyone was attended to with care and foresight. Sitting beside her whilst all this was going on I could see that her method of coping was to give her undivided attention to the specific matter in hand; a kind of purposeful concentration to the exclusion of all other matters. When one matter was dealt with, the next had her exclusive attention .... She had an immense capacity for work.19


Cherry learnt to type, often with an old typewriter balanced on her lap or on her bed. It was rudimentary but it worked. Alongside the daily grind, Freda was also adept at maintaining connections with those of influence. When a couple of months after the move to Dalhousie Anita Morris headed home to England, she carried a package for Christmas Humphreys, the judge and doyen of the Buddhist Society in London, and for the renowned violinist Yehudi Menuhin.

-- 14: The Young Lamas' Home School, Excerpt from The Lives of Freda: The Political, Spiritual and Personal Journeys of Freda Bedi, by Andrew Whitehead


Image
Menuhin in 1937

Yehudi Menuhin, Baron Menuhin, OM KBE (22 April 1916 – 12 March 1999) was an American-born violinist and conductor who spent most of his performing career in Britain. He is widely considered one of the great violinists of the 20th century. He played the Soil Stradivarius, considered one of the finest violins made by Italian luthier Antonio Stradivari.

Early life and career

Image
Menuhin with Bruno Walter (1931)

Yehudi Menuhin was born in New York City to a family of Lithuanian Jews. Through his father Moshe, a former rabbinical student and anti-Zionist,[1] he was descended from a distinguished rabbinical dynasty. In late 1919, Moshe and his wife Marutha (née Sher) became American citizens, and changed the family name from Mnuchin to Menuhin.[2] Menuhin's sisters were concert pianist and human rights activist Hephzibah, and pianist, painter and poet Yaltah.

Menuhin's first violin instruction was at age four by Sigmund Anker (1891–1958);[3] his parents had wanted Louis Persinger to teach him, but Persinger refused. Menuhin displayed exceptional musical talent at an early age. His first public appearance, when he was seven years old, was as solo violinist with the San Francisco Symphony Orchestra in 1923. Persinger then agreed to teach him and accompanied him on the piano for his first few solo recordings in 1928–29.

Julia Boyd records:

On 12 April 1929 it [the Semperoper] cancelled its advertised programme to make way for a performance by the twelve-year-old Yehudi Menuhin. That night he played the Bach, Beethoven and Brahms violin concertos to an ecstatic audience... The week before, Yehudi had played in Berlin with the Philharmonic under Bruno Walter to an equally rapturous response.[4]




It was said of his Berlin performance: "There steps a fat little blond boy on the podium, and wins at once all hearts as in an irresistibly ludicrous way, like a penguin, he alternately places one foot down, then the other. But wait: you will stop laughing when he puts his bow to the violin to play Bach's violin concerto in E major no.2."[5]

Image
The city of Basel: place of study under the guidance of Adolf Busch

When the Menuhins moved to Paris, Persinger suggested Menuhin go to Persinger's old teacher, Belgian virtuoso and pedagogue Eugène Ysaÿe. Menuhin did have one lesson with Ysaÿe, but he disliked Ysaÿe's teaching method and his advanced age. Instead, he went to Romanian composer and violinist George Enescu, under whose tutelage he made recordings with several piano accompanists, including his sister Hephzibah. He was also a student of Adolf Busch in Basel. He stayed in the Swiss city for a bit more than a year, where he started to take lessons in German and Italian as well.

According to Henry A. Murray, Menuhin wrote:

Actually, I was gazing in my usual state of being half absent in my own world and half in the present. I have usually been able to "retire" in this way. I was also thinking that my life was tied up with the instrument and would I do it justice?

— Yehudi Menuhin, personal communication, 31 October 1993[6]


His first concerto recording was made in 1931, Bruch's G minor, under Sir Landon Ronald in London, the labels calling him "Master Yehudi Menuhin". In 1932 he recorded Edward Elgar's Violin Concerto in B minor for HMV in London, with the composer himself conducting; in 1934, uncut, Paganini's D major Concerto with Emile Sauret's cadenza in Paris under Pierre Monteux. Between 1934 and 1936, he made the first integral recording of Johann Sebastian Bach's sonatas and partitas for solo violin, although his Sonata No. 2, in A minor, was not released until all six were transferred to CD.

His interest in the music of Béla Bartók prompted him to commission a work from him – the Sonata for Solo Violin, which, completed in 1943 and first performed by Menuhin in New York in 1944, was the composer's penultimate work.

World War II musician

Image
Menuhin in 1943

He performed for Allied soldiers during World War II [over 500 concerts for wounded servicemen and Allied troops] and, accompanied on the piano by English composer Benjamin Britten, for the surviving inmates of a number of concentration camps in July 1945 after their liberation in April of the same year, most famously the Bergen-Belsen. He returned to Germany in 1947 to play concerto concerts with the Berlin Philharmonic under Wilhelm Furtwängler as an act of reconciliation, the first Jewish musician to do so in the wake of the Holocaust, saying to Jewish critics that he wanted to rehabilitate Germany's music and spirit.

He and Louis Kentner (brother-in-law of his wife, Diana) gave the first performance of William Walton's Violin Sonata, in Zürich on 30 September 1949. He continued performing, and conducting (such as Bach orchestral works with the Bath Chamber Orchestra), to an advanced age, including some nonclassical music in his repertory.

World interactions

For Menuhin's notable students, see List of music students by teacher: K to M § Yehudi Menuhin.
Menuhin credited German philosopher Constantin Brunner with providing him with "a theoretical framework within which I could fit the events and experiences of life".[7]

Following his role as a member of the awards jury at the 1955 Queen Elisabeth Music Competition, Menuhin secured a Rockefeller Foundation grant for the financially strapped Grand Prize winner at the event, Argentine violinist Alberto Lysy. Menuhin made Lysy his only personal student, and the two toured extensively throughout the concert halls of Europe. The young protégé later established the International Menuhin Music Academy (IMMA)[8] in Gstaad, in his honor.[9]

Menuhin made several recordings with the German conductor Wilhelm Furtwängler, who had been criticized for conducting in Germany during the Nazi era. Menuhin defended Furtwängler, noting that the conductor had helped a number of Jewish musicians to flee Nazi Germany.

Furtwängler made his London debut in 1924, and continued to appear there before the outbreak of World War II as late as 1938, when he conducted Richard Wagner's Ring [Die Nibelungen]...

On 10 April 1933, Furtwängler wrote a public letter to Goebbels ...

"If the fight against Judaism concentrates on those artists who are themselves rootless and destructive and who seek to succeed in kitsch, sterile virtuosity and the like, then it is quite acceptable; the fight against these people and the attitude they embody (as, unfortunately, do many non-Jews) cannot be pursued thoroughly or systematically enough. If, however, this campaign is also directed at truly great artists, then it ceases to be in the interests of Germany's cultural life [...] It must therefore be stated that men such as Walter, Klemperer, Reinhardt etc. must be allowed to exercise their talents in Germany in the future as well, in exactly the same way as Kreisler, Huberman, Schnabel and other great instrumentalists of the Jewish race"...

Goebbels and Göring ordered their administration to listen to Furtwängler's requests...

The violinist Yehudi Menuhin was, with Arnold Schoenberg, Bronisław Huberman, and Nathan Milstein, among the Jewish musicians who had a positive view of Furtwängler. In February 1946, he sent a wire to General Robert A. McClure in February 1946:

"Unless you have secret incriminating evidence against Furtwängler supporting your accusation that he was a tool of Nazi Party, I beg to take violent issue with your decision to ban him. The man never was a Party member. Upon numerous occasions, he risked his own safety and reputation to protect friends and colleagues. Do not believe that the fact of remaining in one's own country is alone sufficient to condemn a man. On the contrary, as a military man, you would know that remaining at one's post often requires greater courage than running away. He saved, and for that we are deeply his debtors, the best part of his own German culture... I believe it patently unjust and most cowardly for us to make of Furtwängler a scapegoat for our own crimes."...

At the end of his life, Yehudi Menuhin said of Furtwängler, "It was his greatness that attracted hatred".

-- Wilhelm Furtwängler, by Wikipedia


In 1957, he founded the Menuhin Festival Gstaad in Gstaad, Switzerland. In 1962, he established the Yehudi Menuhin School in Stoke d'Abernon, Surrey. He also established the music program at The Nueva School in Hillsborough, California, sometime around then. In 1965 he received an honorary knighthood from the British monarchy. In the same year, Australian composer Malcolm Williamson wrote a violin concerto for Menuhin. He performed the concerto many times and recorded it at its premiere at the Bath Festival in 1965. Originally known as the Bath Assembly,[10] the festival was first directed by the impresario Ian Hunter in 1948. After the first year the city tried to run the festival itself, but in 1955 asked Hunter back. In 1959 Hunter invited Menuhin to become artistic director of the festival. Menuhin accepted, and retained the post until 1968.[11]



Menuhin also had a long association with Ravi Shankar, beginning in 1966 with their joint performance at the Bath Festival and the recording of their Grammy Award-winning album West Meets East (1967). During this time, he commissioned composer Alan Hovhaness to write a concerto for violin, sitar, and orchestra to be performed by himself and Shankar. The resulting work, entitled Shambala (c. 1970), with a fully composed violin part and space for improvisation from the sitarist, is the earliest known work for sitar with western symphony orchestra, predating Shankar's own sitar concertos, but Menuhin and Shankar never recorded it. Menuhin also worked with famous jazz violinist Stéphane Grappelli in the 1970s on Jalousie, an album of 1930s classics led by duetting violins backed by the Alan Claire Trio.

In 1975, in his role as president of the International Music Council, he declared October 1 as International Music Day. The first International Music Day, organised by the International Music Council, was held that same year, in accordance with the resolution taken at the 15th IMC General Assembly in Lausanne in 1973.[12]

In 1977, Menuhin and Ian Stoutzker founded the charity Live Music Now, the largest outreach music project in the UK. Live Music Now pays and trains professional musicians to work in the community, bringing the experience to those who rarely get an opportunity to hear or see live music performance. At the Edinburgh Festival Menuhin premiered Priaulx Rainier's violin concerto Due Canti e Finale, which he had commissioned Rainier to write. He also commissioned her last work, Wildlife Celebration, which he performed in aid of Gerald Durrell's Wildlife Conservation Trust.

In 1983, Menuhin and Robert Masters founded the Yehudi Menuhin International Competition for Young Violinists, today one of the world's leading forums for young talent. Many of its prizewinners have gone on to become prominent violinists, including Tasmin Little, Nikolaj Znaider, Ilya Gringolts, Julia Fischer, Daishin Kashimoto and Ray Chen.

In the 1980s, Menuhin wrote and oversaw the creation of a "Music Guides" series of books; each covered a musical instrument, with one on the human voice. Menuhin wrote some, while others were edited by different authors.

In 1991, Menuhin was awarded the prestigious Wolf Prize by the Israeli Government. In the Israeli Knesset he gave an acceptance speech in which he criticised Israel's continued occupation of the West Bank:

This wasteful governing by fear, by contempt for the basic dignities of life, this steady asphyxiation of a dependent people, should be the very last means to be adopted by those who themselves know too well the awful significance, the unforgettable suffering of such an existence. It is unworthy of my great people, the Jews, who have striven to abide by a code of moral rectitude for some 5,000 years, who can create and achieve a society for themselves such as we see around us but can yet deny the sharing of its great qualities and benefits to those dwelling amongst them.[13]


Later career

Image
Stéphane Grappelli (left) with Menuhin in 1976

Menuhin regularly returned to the San Francisco Bay Area, sometimes performing with the San Francisco Symphony Orchestra. One of the more memorable later performances was of Edward Elgar's Violin Concerto, which Menuhin had recorded with the composer in 1932.

On 22 April 1978, along with Stéphane Grappelli, Yehudi played Pick Yourself Up, taken from the Menuhin & Grappelli Play Berlin, Kern, Porter and Rodgers & Hart album as the interval act at the 23rd Eurovision Song Contest for TF1. The performance came direct from the studios of TF1 and not that of the venue (Palais des Congrès), where the contest was being held.

Menuhin hosted the PBS telecast of the gala opening concert of the San Francisco Symphony from Davies Symphony Hall in September 1980.

His recording contract with EMI lasted almost 70 years and is the longest in the history of the music industry. He made his first recording at age 13 in November 1929, and his last in 1999, when he was nearly 83 years old. He recorded over 300 works for EMI, both as a violinist and as a conductor. In 2009 EMI released a 51-CD retrospective of Menuhin's recording career, titled Yehudi Menuhin: The Great EMI Recordings. In 2016, the Menuhin centenary year, Warner Classics (formerly EMI Classics) issued a milestone collection of 80 CDs entitled The Menuhin Century, curated by his long-time friend and protégé Bruno Monsaingeon, who selected the recordings and sourced rare archival materials to tell Menuhin's story.

In 1990 Menuhin was the first conductor for the Asian Youth Orchestra which toured around Asia, including Japan, Taiwan, Singapore and Hong Kong with Julian Lloyd Webber and a group of young talented musicians from all over Asia.

Personal life

Image
Menuhin and author Paulo Coelho in 1999 at the World Economic Forum in Davos, Switzerland

Menuhin was married twice, first to Nola Nicholas, daughter of an Australian industrialist and sister of Hephzibah Menuhin's first husband Lindsay Nicholas. They had two children, Krov and Zamira (who married pianist Fou Ts'ong). Following their 1947 divorce he married the British ballerina and actress Diana Gould, whose mother was the pianist Evelyn Suart and stepfather was Admiral Sir Cecil Harcourt.

Admiral Sir Cecil Halliday Jepson Harcourt GBE KCB (11 April 1892 – 19 December 1959) was a British naval officer. He was the de facto governor of Hong Kong as commander-in-chief and head of the military administration from September 1945 to June 1946. He was called by the Chinese name "Ha Kok", a reference to the fourth-century Chinese nobleman Chung Kok... On 18 December 1945, he was made a Knight Commander of the Order of the Bath (KCB). In 1946, he was promoted to vice-admiral.

-- Cecil Harcourt, by Wikipedia


The couple had two sons, Gerard, notable as a Holocaust denier and far right activist, and Jeremy, a pianist. A third child died shortly after birth.

Gerard Menuhin (born 1948 in Scotland) is a Holocaust denier and far-right activist, associated with the neo-Nazi movement in Germany.

His book Tell the Truth and Shame the Devil, published in 2015, argues that the Holocaust is "the biggest lie in history", that Jews are an "alien, demonic force which seeks to dominate the world", that Jews are flooding Europe with non-white races, to create a "society of racial mongrels, under the rule of a “new Jewish nobility”", and plan to create a one-world government. Menuhin argues that "the world owes Adolf Hitler an apology".

He is the son of the violinist Yehudi Menuhin and dancer Diana Gould, and brother of pianist Jeremy Menuhin.

-- Gerard Menuhin, by Wikipedia


The name Yehudi means "Jew" in Hebrew. In an interview republished in October 2004, he recounted to New Internationalist magazine the story of his name:

Obliged to find an apartment of their own, my parents searched the neighbourhood and chose one within walking distance of the park. Showing them out after they had viewed it, the landlady said: "And you'll be glad to know I don't take Jews." Her mistake made clear to her, the antisemitic landlady was renounced, and another apartment found. But her blunder left its mark. Back on the street my mother made a vow. Her unborn baby would have a label proclaiming his race to the world. He would be called "The Jew".[14]


Menuhin died in Martin Luther Hospital[15] in Berlin, Germany, from complications of bronchitis. Soon after his death, the Royal Academy of Music acquired the Yehudi Menuhin Archive, which includes sheet music marked up for performance, correspondence, news articles and photographs relating to Menuhin, autograph musical manuscripts, and several portraits of Paganini.[16]

Interest in yoga

Image
Collection: The LIFE Picture Collection
Date created: January 01, 1953


In 1953, Life published photos of him in various esoteric yoga positions.[17] In 1952, Menuhin was in India, where Nehru, the new nation's first Prime Minister, introduced him to an influential yogi B. K. S. Iyengar, who was largely unknown outside the country.[17] Menuhin arranged for Iyengar to teach abroad in London, Switzerland, Paris, and elsewhere. He became one of the first prominent yoga masters teaching in the West.

Menuhin also took lessons from Indra Devi, who opened the first yoga studio in the U.S. in Los Angeles in 1948.[18]


Her first spiritual awakening happened while attending a gathering of Theosophists in Ommen in the Netherlands in 1926, to listen to Jiddu Krishnamurti. Devi was moved, became a vegetarian, and traveled to the headquarters of the Theosophical Society in Adyar, India.

-- Indra Devi, by Theosophy Wiki


Krishna[murti] visited Aldous Huxley, who was glad to see him. Huxley described him as looking well, but curiously different from former times, for he was now "a small bright old man, with a bald head ringed by white hair." Huxley made plans to hear Krishna's talks in Gstaad, Krishna's destination after London. Vanda Scaravelli met Krishna in Geneva and from there they went on to a chalet she rented at Gstaad, near Saanen. He gave talks in the Saanen Town Hall to about 350 people at gatherings which would become an annual event.

Krishna's process was ongoing in Saanen. In his Notebook on 13 July 1961 he wrote sagely that the urge for repetition of a pleasant experience was the soil in which sorrow grew, and the brain had to stop making its own ways and become passive. On 16 July he described a sacredness or power that filled the room, which Vanda also felt. This was what everyone craved -- monk, priest, sannyasi -- and because they craved it, it eluded them. Vanda also wrote about her experience of Krishna's 'process.' He fainted and there was a change in his face, his eyes becoming larger. Then she felt a powerful "presence" of another dimension -- simultaneously empty and full. Krishna did allow Vanda to touch him during the experience, she said, but no one else. Again, the next day, Vanda took notes to explain to Krishna what happened when he "went off."

Aldous Huxley and his second wife, Laura, visited Gstaad to hear Krishna speak several times at the end of July 1961, along with Huxley's friend, Yehudi Menuhin. Huxley said the talks were among the most impressive things he'd ever listened to. He likened the experience to that of listening to a discourse by the Buddha: "such power, such intrinsic authority, such an uncompromising refusal to allow the homme moyen sensual any escapes or surrogates, any gurus, saviours, fuhrers, churches." Krishna showed one how to end sorrow but if one didn't choose to fulfil these conditions, sorrow would continue indefinitely.

-- Jiddu Krishnamurti: World Philosopher (1895-1986): His Life and Thoughts, by C. V. Williams


Precisely because Huxley was plugged into the transcendental, his prose had power to liberate. You have to know that there actually is a transcendental something, if you are going to free anybody from anything -- if there is no beyond-the-given, there is no freedom from the given, and liberation is futile. Today's postmodern writers, who hug the given, stick to the obvious, cling to the shadows, celebrate the surface, have nowhere else to go, and so emancipation is the last of what they offer ... or you get.

No wonder that one of Aldous's best friends for several decades was Krishnamurti (the sage on whom I cut my spiritual teeth). Krishnamurti was a supreme liberator, at least on occasion, and in books such as "Freedom from the Known," this extraordinary sage pointed to the power of nondual choiceless awareness to liberate one from the binding tortures of space, time, death, and duality. When Huxley's house (and library) burned down, the first books he asked to be replaced were Krishnamurti's "Commentaries on Living."

Yehudi Menuhin wrote of Aldous: "He was scientist and artist in one -- standing for all we most need in a fragmented world where each of us carries a distorting splinter out of some great shattered universal mirror. He made it his mission to restore these fragments and, at least in his presence, men were whole again. To know where each splinter might belong one must have some conception of the whole, and only a mind such as Aldous's, cleansed of personal vanity, noticing and recording everything, and exploiting nothing, could achieve so broad a purpose."

-- One Taste: Daily Reflections on Integral Spirituality, by Ken Wilber, Shambhala Publications


Image
1940s BKS Iyengar, Jiddu Krishnamurti and Yehudi Menuhin


Both Devi and Iyengar were students of Krishnamacharya, a famous yoga master in India.

Violins

Menuhin used a number of famous violins, arguably the most renowned of which is the Lord Wilton Guarnerius 1742. Others included the Giovanni Bussetto 1680, Giovanni Grancino 1695, Guarneri filius Andrea 1703, Soil Stradivarius, Prince Khevenhüller 1733 Stradivari, and Guarneri del Gesù 1739.

In his autobiography Unfinished Journey Mehunin wrote: "A great violin is alive; its very shape embodies its maker's intentions, and its wood stores the history, or the soul, of its successive owners. I never play without feeling that I have released or, alas, violated spirits."[19]

Awards and honours

• Freedom of the City (Edinburgh, Scotland, 1965).
• Appointed to the Order of the British Empire (KBE) in 1965. At the time of his appointment, he was an American citizen. As a result, his knighthood was honorary and he was not entitled to use the style 'Sir'. In 1993, he became The Right Honourable The Lord Menuhin, OM, KBE (see below).[20][21]
• The Jawaharlal Nehru Award for International Understanding (1968).[22]
• Became President of the International Music Council (1969–1975)[23]
• Became President of Trinity College of Music (now Trinity Laban Conservatoire of Music and Dance), 1970.[24]
• The Léonie Sonning Music Prize (Denmark, 1972).
• Nominated as president of the Elgar Society (1983).
• The Ernst von Siemens Music Prize (1984).
• The Kennedy Center Honors (1986).
• Appointed as a member of the Order of Merit (1987).[25]
• His recording of Edward Elgar's Cello Concerto in E minor with Julian Lloyd Webber won the 1987 BRIT Award for Best British Classical Recording (BBC Music Magazine named this recording "the finest version ever recorded").
• The Glenn Gould Prize (1990), in recognition of his lifetime of contributions.
• Wolf Prize in Arts (1991).
• Ambassador of Goodwill (UNESCO, 1992).
• On 19 July 1993, Menuhin was made a life peer, as Baron Menuhin, of Stoke d'Abernon in the County of Surrey.[26][27]
• Sangeet Natak Akademi Fellowship the highest honour conferred by Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama (1994).[28]
• The Konex Decoration (Konex Foundation, Argentina, 1994).
The Otto Hahn Peace Medal in Gold of the United Nations Association of Germany (DGVN) in Berlin (1997).
• Honorary Doctorates from 20 universities, including Oxford, Cambridge, St Andrews, Vrije Universiteit Brussel and the University of Bath (1969).[29]
• The room in which concerts and performances are held at the European Parliament in Brussels is named the "Yehudi Menuhin Space".
• Menuhin was honored as a "Freeman" of the cities of Edinburgh, Bath, Reims and Warsaw.
• He held the Gold Medals of the cities of Paris, New York and Jerusalem.
• Honorary degree from Kalamazoo College.[30]
• Elected an Honorary Fellow of Fitzwilliam College in 1991.
• He received the 1997 Prince of Asturias Award in the Concord category along with Russian cellist Mstislav Rostropovich.
• In 1997, he received the Grand Cross 1st class of the Order of Merit of the Federal Republic of Germany.
• On 15 May 1998, Menuhin received the Grand Cross of the Order of Saint James of the Sword (Portugal).[31]

Coat of arms of Yehudi Menuhin

Crest

Out of an eastern crown Or inscribed on either side with a crotchet rest a sharp semi-quaver a flat and semi-quaver rest Sable a pair of cubit arms Proper supporting a terrestrial globe the land Vert fimbriated Or the sea Azure.

Escutcheon

Azure four bendlets between as many violin bridges Gold.

Supporters

On either side a representation of a firebird à la Benois wings elevated and addorsed Gules beaked and membered with wings tipped Or the tail Bleu Celeste that to the dexter Gorged with a chain Or pendent therefrom a hurt fimbriated and charged with a menorah Or the candles Argent enflamed Proper that to the sinister gorged with a like chain pendent therefore a bezant charged with a representation of the gypsy flag mon Proper the compartment a grassy mound with bluebells and blue poppies growing therefrom all Proper with at the centre thereof a plough Gold.[32]

Cultural references

• The catchphrase "Who's Yehoodi?" popular in the 1930s and 1940s was inspired by Menuhin's guest appearance on a radio show, where Jerry Colonna turned "Yehoodi" into a widely recognized slang term for a mysteriously absent person. It eventually lost all of its original connection with Menuhin.
• Menuhin was also "meant" to appear on The 1971 Morecambe and Wise Christmas Show but could not do so as he was "opening at the Argyle Theatre, Birkenhead in Old King Cole". He was replaced by Eric Morecambe in the famous "Grieg's Piano Concerto by Grieg" sketch featuring the conductor André Previn; he was also invited to appear on their 1973 Christmas Show to play his "banjo" as they said playing his violin would not be any good; he ruefully said that "I can't help you".
• A picture of Menuhin as a child is sometimes used as part of a Thematic Apperception Test.[33]

Bibliography

• Rolfe, Lionel Menuhin (2014). The Menuhins: A Family Odyssey. Los Angeles: Createspace. ISBN 978-1-4414-9399-6.
• Menuhin, Diana (1984). Fiddler's Moll. Life With Yehudi. New York: St Martin's Press. ISBN 0-312-28819-0.
• Menuhin, Yehudi (1977). Unfinished Journey. New York: Knopf. ISBN 0-394-41051-3.
• Menuhin, Yehudi (1997). Unfinished Journey: Twenty Years Later. New York: Fromm Intl. ISBN 0-88064-179-7.
• L. Subramaniam, Y. Menuhin; Directed by Jean Henri Meunier (1999). Violin From the Heart (DVD).
• Bailey, Philip (2008). Yehudiana – Reliving the Menuhin Odyssey|Book One. Australia: Fountaindale Press. ISBN 978-0-9804499-0-7.
• Bailey, Philip (2010). Yehudiana – Reliving the Menuhin Odyssey Book Two. Australia: Fountaindale Press. ISBN 978-0-9804499-1-4.
• Burton, Humphrey (2000). Yehudi Menuhin: a life. Northeastern. ISBN 978-1-55553-465-3.

Films

• 1943 – Menuhin was a featured performer in the 1943 film, Stage Door Canteen. Introduced only as "Mr. Menuhin," he performed two violin solos, "Ave Maria" and "Flight of the Bumble Bee" for an audience of servicemen, volunteer hostesses and celebrities from stage and screen.
• 1946 – Menuhin supplied the violin solos in the film The Magic Bow.
• 1979 – The Music of Man (television series)
• The Mind of Music

References

1. Jacqueline Kent, An Exacting Heart: The Story of Hephzibah Menuhin, pp. 11, 158, 190
2. Jacqueline Kent, An Exacting Heart: The Story of Hephzibah Menuhin, p. 18
3. "Sigmund Anker". Find a Grave. Retrieved 18 October 2018.
4. Julia Boyd, Travellers in the Third Reich, Elliott and Thompson Limited, London, 2018, ISBN 978-1-78396-381-2, page 73, paraphrasing Edward Sackville-West
5. Unnamed critic in the Berliner Zeitung, 12 April 1929, quoted in translation in Boyd, page 73
6. Hindle, Kevin; Klyver, Kim (1 January 2011). Handbook of Research on New Venture Creation. Edward Elgar Publishing. p. 79. ISBN 978-0-85793-306-5.
7. Conversations with Menuhin: 32–34
8. "International Menuhin Music Academy". menuhinacademy.ch. Gstaad. 2019. Retrieved 18 November2019.
9. "Alberto Lysy: maestro busca talentos". lanacion.com.ar. 18 July 2004. Retrieved 14 May 2016.
10. "The Third Bath Assembly – Festival of the Arts". The Canberra Times. 18 April 1950. Retrieved 18 March 2009.
11. Bullamore, Tim (1999). Fifty Festivals. Mushroom Books. ISBN 978-1-899142-29-3. Retrieved 16 March 2009.
12. "International Music Day". International Music Council.
13. "Wolf Prize winner raps government". Jerusalem Post, 6 May 1991.
14. "Yehudi Menuhin (1916–1999)". New Internationalist. 2 October 2004. Retrieved 18 October 2018.
15. Kozinn, Allan (13 March 1999). "Sir Yehudi Menuhin, Violinist, Conductor and Supporter of Charities, Is Dead at 82". The New York Times. Retrieved 18 October 2018.
16. Yehudi Menuhin Archive Saved For The Nation Archived27 November 2012 at the Wayback Machine 26 February 2004, TourDates.Co.UK, retrieved 28 September 2013.
17. Rolfe, Lionel (17 April 2015). "Indra Devi Was Not Just a Nice Old Lady". Huffington Post. Retrieved 18 October 2018.
18. Martin, Douglas (30 April 2002). "Indra Devi, 102, Dies; Taught Yoga to Stars and Leaders". The New York Times. Retrieved 18 October 2018.
19. Faber, Tony (2004). Stradivari's Genius: Five Violins, One Cello, and Three Centuries of Enduring Perfection. Random House. ISBN 1588362140. Retrieved 1 August 2019.
20. "No. 53332". The London Gazette (Supplement). 11 June 1993. p. 1.
21. Velde, François. "British and Other Honours in Music". Heraldica. Retrieved 23 May 2013.
22. "List of the recipients of the Jawaharlal Nehru Award". ICCRwebsite. Archived from the original on 1 September 2013. Retrieved 28 January 2011.
23. "Current and Past Presidents". International Music Council. Retrieved 18 November 2019.
24. "History of Trinity Laban". Trinity Laban website. Retrieved 20 April 2016.
25. "No. 50849". The London Gazette. 3 March 1987. p. 2855.
26. "No. 53379". The London Gazette. 22 July 1993. p. 12287.
27. "Sir Yehudi Menuhin, Baron Menuhin". thepeerage.com. Retrieved 4 August 2007.
28. "SNA: List of Sangeet Natak Akademi Ratna Puraskarwinners (Akademi Fellows)". Official website. Archived from the original on 4 March 2016.
29. "Corporate Information". bath.ac.uk.
30. "History – Kalamazoo College".
31. "Cidadãos Estrangeiros Agraciados com Ordens Portuguesas" [Foreign Citizens Granted with Portuguese Orders] (in Portuguese). Lisbon: Presidência da República Portuguesa. Retrieved 19 March 2017. Search result for "Yehudi Menuhin".
32. Debrett's Peerage. 2000.
33. "A young boy is contemplating a violin..." University of Tennessee. Retrieved 27 January 2007.

External links

• Official website
• Yehudi Menuhin performing works by Bach, Bartók, Lalo, Mendelssohn, Mozart, Paganini and Tchaikovsky on Archive.org
• Yehudi Menuhin interview, 31 January 1987
• Text and pictures from Yehudi Menuhin by french film director Bruno Monsaingeon
• Yehudi Menuhin's life in Alma
• Yehudi Menuhin Collection (ARS.0040), Stanford Archive of Recorded Sound
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B. K. S. Iyengar
by Wikipedia
Accessed: 5/30/20

-- Iyengar’s Charisma of Incoherence, and Selected Indoctrination Defence Statements, by Matthew Remski

The videos below show two different instances of BKS Iyengar teaching at a yoga convention back in the 1990s.

The first one is particularly disturbing to watch. The student has cervical spondylosis and BKSI is shown dangerously pulling her out of position in Salamba Sarvangasana. Her neck could easily have been injured and she is clearly distressed by the reckless adjustment.

In the second video the student shown has lower back issues. BKSI treats his body as not much better than a slab of meat.

Can you imagine if a teacher up for certification had behaved in this way during a teaching assessment?

There is nothing admirable in this behavior. The arrogant, misplaced ownership BKSI asserts over his student's bodies is unnecessary and robs them of their personhood and self agency. He shows no sense of presence or connection to the many complex layers of the people that he is interacting with. In doing so, he leads them straight into harm's way.

There will be many ardent devotees who will try to explain this behavior away. Some will even try to glorify it. They will tell you not to believe what your eyes and gut are telling you about the violence you see. But once you strip the spiritual veneer away, that's what it is, violence, plain and simple.

I'm not denying BKS Iyengar's otherwise remarkable knowledge. But his delivery of that knowledge was mired in another, more brutal era. His methods were infused with the Indian caste culture and impacted by the British colonial rule that he was born into. Add to that the abuse that he suffered at the hands of his own teacher and you have a merciless, severe teaching style that has no place in contemporary culture.

I thoroughly reject the ongoing tradition in Iyengar Yoga of teachers treating another person's body with ownership and such a lack of care. Body treated as object, versus body treated as part of the continuum of the Self.

Let's keep the best of what BKSI had to offer and leave the rest behind. Or, as a dear friend said, "compost what is harmful so we can grow something healing and beautiful."

Our body should not be forced or punished like this. It should be honored and revered as temple to our Soul. Iyengar Yoga needs to and can evolve. It would be sad to see it become trapped in this wounded and antiquated type of behavior. Obsolete and lost to the wrong side of history.

Cassie Jackson
Liz Anne Potamianos
Karen Rain
Matthew Remski
Donna Farhi

-- Ann Tapsell West


Image
B.K.S. Iyengar
Iyengar on his 86th birthday in 2004
Born: 14 December 1918, Bellur, Kolar district, Kingdom of Mysore (now Karnataka, India)
Died: 20 August 2014 (aged 95), Pune, Maharashtra, India
Occupation: Yoga teacher, author
Known for: Iyengar Yoga
Spouse(s): Ramamani
Children: Geeta and 5 others

Bellur Krishnamachar Sundararaja Iyengar (14 December 1918 – 20 August 2014), better known as B.K.S. Iyengar, was the founder of the style of yoga as exercise known as "Iyengar Yoga" and was considered one of the foremost yoga teachers in the world.[1][2] He was the author of many books on yoga practice and philosophy including Light on Yoga, Light on Pranayama, Light on the Yoga Sutras of Patanjali, and Light on Life. Iyengar was one of the earliest students of Tirumalai Krishnamacharya, who is often referred to as "the father of modern yoga".[3] He has been credited with popularizing yoga, first in India and then around the world.[4]

The Indian government awarded Iyengar the Padma Shri in 1991, the Padma Bhushan in 2002 and the Padma Vibhushan in 2014.[5][6] In 2004, Iyengar was named one of the 100 most influential people in the world by Time magazine.[7][8]

Early years

B.K.S. Iyengar was born into a poor Sri Vaishnava Iyengar family[9] in Bellur, Kolar district,[10] Karnataka, India. He was the 11th of 13 children (10 of whom survived) born to Sri Krishnamachar, a school teacher, and Sheshamma.[11] When Iyengar was five years old, his family moved to Bangalore. Four years later, the 9-year-old boy lost his father to appendicitis.[11]

Iyengar's home town, Bellur, was in the grip of the influenza pandemic at the time of his birth, and an attack of that disease left the young boy sickly and weak for many years. Throughout his childhood, he struggled with malaria, tuberculosis, typhoid fever, and general malnutrition. "My arms were thin, my legs were spindly, and my stomach protruded in an ungainly manner," he wrote. "My head used to hang down, and I had to lift it with great effort."[12]

Education in yoga

In 1934, his brother-in-law, the yogi Sri Tirumalai Krishnamacharya, asked the 15-year-old Iyengar to come to Mysore, so as to improve his health through the practice of yoga asanas.[11][13] Krishnamacharya had Iyengar and other students give asana demonstrations in the Maharaja's court at Mysore, which had a positive influence on Iyengar.[11][14] Iyengar considers his association with his brother-in-law a turning point in his life[11] saying that over a two-year period "he (Krishnamacharya) only taught me for about ten or fifteen days, but those few days determined what I have become today!"[15] K. Pattabhi Jois has claimed that he, and not Krishnamacharya, was Iyengar's guru.[16] In 1937, Krishnamacharya sent Iyengar to Pune at the age of eighteen to spread the teaching of yoga.[11][17]

Though Iyengar had very high regard for Krishnamacharya,[15] and occasionally turned to him for advice, he had a troubled relationship with his guru during his tutelage.[18] In the beginning, Krishnamacharya predicted that the stiff, sickly teenager would not be successful at yoga. He was neglected and tasked with household chores. Only when Krishnamacharya's favorite pupil at the time, Keshavamurthy, left one day did serious training start.[19] Krishnamacharya began teaching a series of difficult postures, sometimes telling him to not eat until he mastered a certain posture. These experiences would later inform the way he taught his students.[20]

Iyengar reported in interviews that, at the age of 90, he continued to practice asanas for 3 hours and pranayamas for an hour daily. Besides this, he mentioned that he found himself performing non-deliberate pranayamas at other times.[15][18]

International recognition

Further information: Iyengar Yoga

Image
In 1954, the violinist Yehudi Menuhin invited Iyengar to teach in Europe.

In 1952, Iyengar befriended the violinist Yehudi Menuhin.[21] Menuhin gave him the opportunity that transformed Iyengar from a comparatively obscure Indian yoga teacher into an international guru. Because Iyengar had taught the famous philosopher Jiddu Krishnamurti, he was asked to go to Bombay to meet Menuhin, who was known to be interested in yoga. Menuhin said he was very tired and could spare only five minutes. Iyengar told him to lie down in Savasana (on his back), and he fell asleep. After one hour, Menuhin awoke refreshed and spent another two hours with Iyengar. Menuhin came to believe that practising yoga improved his playing, and in 1954 invited Iyengar to Switzerland. At the end of that visit, he presented his yoga teacher with a watch on the back of which was inscribed, "To my best violin teacher, BKS Iyengar". From then on Iyengar visited the west regularly.[22] In Switzerland he also taught Vanda Scaravelli, who went on to develop her own style of yoga.[23]

He taught yoga to several celebrities including Krishnamurti and Jayaprakash Narayan.[24] He taught sirsasana (head stand) to Elisabeth, Queen of Belgium when she was 80.[25] Among his other devotees were the novelist Aldous Huxley, the actress Annette Bening, the film maker Mira Nair and the designer Donna Karan, as well as prominent Indian figures, including the cricketer Sachin Tendulkar and the Bollywood actress Kareena Kapoor.[12]

Iyengar made his first visit to the United States in 1956, when he taught in Ann Arbor, Michigan and gave several lecture-demonstrations; he came back to Ann Arbor in 1973, 1974, and 1976.[26]

In 1966, Iyengar published his first book, Light on Yoga. It became an international best-seller. As of 2005, it had been translated into 17 languages and sold three million copies.[2] It was followed by 13 other books, covering pranayama and aspects of yoga philosophy.[27]

Image
Iyengar Yoga in Britain: Iyengar with yoga teacher Malcolm Strutt at Iyengar Centre House, London, 1971

In 1967, the Inner London Education Authority (ILEA) called for classes in "Hatha Yoga", free of yoga philosophy, but including asanas and "pranayamas (sic)" suitable especially for people aged over 40. The ILEA's Peter McIntosh watched some of Iyengar's classes, was impressed by Light on Yoga, and from 1970 ILEA-approved yoga teacher training in London was run by one of Iyengar's pupils, Silva Mehta. Iyengar was careful to comply with the proscription of yoga philosophy, and encouraged students to follow their own religious traditions, rather than trying to follow his own family's Visistadvaita, a qualified non-dualism within Hinduism.[28][29]

In 1975, Iyengar opened the Ramamani Iyengar Memorial Yoga Institute in Pune, in memory of his late wife. He officially retired from teaching in 1984, but continued to be active in the world of Iyengar Yoga, teaching special classes, giving lectures, and writing books. Iyengar's daughter, Geeta, and son, Prashant, have gained international acclaim as teachers.[8]

Iyengar attracted his students by offering them just what they sought – which tended to be physical stamina and flexibility.[18] He conducted demonstrations and later, when a scooter accident dislocated his spine, began exploring the use of props to help disabled people practice Yoga. He drew inspiration from Hindu deities such as Yoga Narasimha and stories of yogis using trees to support their asanas.[20] He was however thought by his students to be somewhat rough with his adjustments when setting people into alignment; the historian of yoga Elliott Goldberg records that, as well as being known for barking orders and yelling at students,[30] he was nicknamed, based on his initials B. K. S., "Bang, Kick, Slap".[30] In Goldberg's view, Iyengar "rationalized his humiliation of his followers as a necessary consequence of his demand for high standards",[31] but this was consistent with his childhood response to the rough and abusive treatment he received from Krishnamacharya, taking offence quickly, being suspicious of other people's intentions, and belittling others: "In other words, he sometimes behaved like Krishnamacharya".[31] Goldberg concludes, however, that Iyengar hid "a compassion of which Krishnamacharya was never capable", and his students remembered his playfulness as well as his unpredictable temper.[31]

Philanthropy and activism

Iyengar supported nature conservation, stating that it is important to conserve all animals and birds.[32] He donated Rs. 2 million to Chamarajendra Zoological Gardens, Mysore, thought to be the largest donation by an individual to any zoo in India.[32] He also adopted a tiger and a cub in memory of his wife, who died in 1973.[32]

Iyengar helped promote awareness of multiple sclerosis with the Pune unit of the Multiple Sclerosis Society of India.[33]

Iyengar's most important charitable project involved donations to his ancestral village of Bellur, in the Kolar district of Karnataka. Through the Bellur Trust fund which he established, he led a transformation of the village, supporting a number of charitable activities there. He built a hospital, India's first temple dedicated to Patanjali, a free school that supplies uniforms, books, and a hot lunch to the children of Bellur and the surrounding villages, a secondary school, and a college.[34]

Family

In 1943, Iyengar married 16-year-old Ramamani in a marriage that was arranged by their parents in the usual Indian manner. He said of their marriage: "We lived without conflict as if our two souls were one."[22] Together, they raised five daughters and a son. Ramamani died in 1973 aged 46; Iyengar named his yoga institute in Pune, the Ramamani Iyengar Memorial Yoga Institute, after her.[35]

Both Iyengar's eldest daughter Geeta (1944-2018) and his son Prashant have become internationally-known teachers in their own right. His other children are Vanita, Sunita, Suchita, and Savita.[36] Geeta, having worked extensively on yoga for women, published Yoga: A Gem for Women (2002); Prashant is the author of several books, including A Class after a Class: Yoga, an Integrated Science (1998), and Yoga and the New Millennium (2008). Since Geeta's death, Prashant has served as the director of the Ramamani Iyengar Memorial Yoga Institute (RIMYI) in Pune.[37] Iyengar's granddaughter, Abhijata Sridhar Iyengar, trained for a number of years under his tutelage, and is now a teacher both at the Institute in Pune and internationally.

Iyengar died on 20 August 2014 in Pune, aged 95.[38][39]

Legacy

3 October 2005 was declared as "B.K.S. Iyengar Day" by the San Francisco Board of Supervisors.[2] Anthropologist Joseph S. Alter of the University of Pittsburgh stated that Iyengar "has by far had the most profound impact on the global spread of yoga."[2] In June 2011, he was presented with a commemorative stamp issued in his honour by the Beijing branch of China Post. At that time there were over thirty thousand Iyengar yoga students in 57 cities in China.[40]

The noun "Iyengar", short for "Iyengar Yoga", is defined by Oxford Dictionaries as "a type of Hatha yoga focusing on the correct alignment of the body, making use of straps, wooden blocks, and other objects as aids in achieving the correct postures."[41]

On 14 December 2015, what would have been Iyengar's 97th birthday, he was honoured with a Google Doodle. It was shown in India, North America, much of Europe, Russia, and Indonesia.[42]

Bibliography

• (1966; revised ed. 1977) Light on Yoga. New York: Schocken. ISBN 978-0-8052-1031-6
• (1981) Light on Pranayama: The Yogic Art of Breathing. New York: Crossroad. ISBN 0-8245-0686-3
• (1985) The Art of Yoga. Boston: Unwin. ISBN 978-0-04-149062-6
• (1988) The Tree of Yoga. Boston: Shambhala. ISBN 0-87773-464-X
• (1996) Light on the Yoga Sutras of Patanjali. London: Thorsons. ISBN 978-0-00-714516-4
• (2005) Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom. (with Abrams, D. & Evans, J.J.) Pennsylvania: Rodale. ISBN 1-59486-248-6
• (2007) Yoga: The Path to Holistic Health. New York: Dorling Kindersley. ISBN 978-0-7566-3362-2
• (2000–2008) Astadala Yogamala: Collected Works (8 vols) New Delhi: Allied Publishers.
• (2009) Yoga Wisdom and Practice. New York: Dorling Kindersley. ISBN 0-7566-4283-3
• (2010) Yaugika Manas: Know and Realize the Yogic Mind. Mumbai: Yog. ISBN 81-87603-14-3
• (2012) Core of the Yoga Sutras: The Definitive Guide to the Philosophy of Yoga. London: HarperThorsons. ISBN 978-0007921263

References

1. Aubrey, Allison. "Light on life: B.K.S. Iyengar's Yoga insights". Morning Edition: National Public Radio, 10 November 1995. (full text) Retrieved 4 July 2007
2. Jump up to:a b c d Stukin, Stacie (10 October 2005). "Yogis gather around the guru". Los Angeles Times. Retrieved 9 January 2013.
3. Iyengar, B.K.S. (2000). Astadala Yogamala. New Delhi, India: Allied Publishers. p. 53. ISBN 978-8177640465.
4. Sjoman 1999, p. 41.
5. "Ruskin Bond, Vidya Balan, Kamal Haasan honoured with Padma awards". Hindustan Times. HT Media Limited. 25 January 2014. Retrieved 22 August 2014.
6. "Padma Awards Announced". Press Information Bureau, Ministry of Home Affairs. 25 January 2014. Retrieved 26 January2014.
7. 2004 TIME 100 – B.K.S. Iyengar Heroes & Icons, TIME.
8. Iyengar, B.K.S. "Yoga News & Trends – Light on Iyengar". Yoga Journal. Archived from the original on 31 August 2007. Retrieved 15 November 2012.
9. "B. K. S. Iyengar Biography". Notablebiographies.com. Retrieved 26 December 2012.
10. Iyengar, B.K.S. (1991). Iyengar – His Life and Work. C.B.S. Publishers & Distributors. p. 3.
11. Iyengar, B.K.S. (2006). Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom. USA: Rodale. pp. xvi–xx. ISBN 9781594865244. Retrieved 8 January 2013.
12. "B. K. S. Iyengar, Who Helped Bring Yoga to the West, Dies at 95". The New York Times. 21 August 2014.
13. Smith & White 2014, p. 124.
14. Singleton, Mark (2010). Yoga Body : the origins of modern posture practice. Oxford University Press. pp. 184, 192. ISBN 978-0-19-539534-1. OCLC 318191988.
15. Interview by R. Alexander Medin. "3 Gurus, 48 Questions" (PDF). Namarupa (Fall 2004): 9. 2004. Archived from the original (PDF) on 7 March 2013. Retrieved 30 March 2013.
16. Sjoman 1999, p. 49.
17. Iyengar, B.K.S. (2000). Astadala Yogamala. New Delhi, India: Allied Publishers. p. 57. ISBN 978-8177640465.
18. "Being BKS Iyengar: The enlightened yogi of yoga(part1-2)". YouTube. 22 June 2008. Retrieved 15 November 2012.
19. Pag, Fernando. "Krishnamacharya's Legacy". Yogajournal.com. Retrieved 15 November 2012.
20. "Being BKS Iyengar: The enlightened yogi of yoga(part2-2)". YouTube. 22 June 2008. Retrieved 15 November 2012.
21. SenGupta, Anuradha (22 June 2008). "Being BKS Iyengar: The yoga guru". IBN live. Retrieved 8 January 2013.
22. "BKS Iyengar obituary". The Guardian. 20 August 2014.
23. Wishner, Nan (5 May 2015). "The Legacy of Vanda Scaravelli". Yoga International.
24. "Life is yoga, yoga is life". Sakal Times. 13 December 2012. Archived from the original on 16 February 2013. Retrieved 9 January 2013.
25. "Light on Iyengar". Yoga Journal. San Francisco: 96. September–October 2005. Retrieved 10 January 2013.
26. "Yogacharya B. K. S. Iyengar Dies August 20" (PDF). IYNAUS. 20 August 2014.
27. "au:B. K. S. Iyengar". WorldCat. Retrieved 6 October 2019.
28. Newcombe 2007.
29. Newcombe 2019, pp. 99, 236-239.
30. Goldberg 2016, p. 382.
31. Goldberg 2016, p. 384.
32. "Zoo felicitates B.K.S. Iyengar". The Hindu. 10 June 2009.
33. "BKS Iyengar to participate in multiple sclerosis awareness drive". The Indian Express. 22 May 2010. Retrieved 9 January2013.
34. "Bellur Trust". Iyengar Yoga UK. Retrieved 11 September 2019.
35. "The Pune Institute". Iyengar Yoga (UK). Retrieved 16 October 2019.
36. BKS Iyengar Archive Project 2007. IYNAUS. 2007. [ISBN unspecified]
37. Biography: Geeta Iyengar
38. "Yoga guru B. K. S. Iyengar passes away". The Hindu. 20 August 2014.
39. "B. K. S. Iyengar, Who Helped Bring Yoga to the West, Dies at 95". The New York Times. 20 August 2014. B. K. S. Iyengar ... died on Wednesday in the southern Indian city of Pune. He was 95. ... The cause was heart failure, said Abhijata Sridhar-Iyengar, his granddaughter. ...
40. Krishnan, Ananth (21 June 2011). "Indian yoga icon finds following in China". The Hindu. Chennai, India. Retrieved 22 June2011.
41. Oxford Dictionaries. "Iyengar". Oxford: Oxford University Press. Retrieved 11 January 2013.
42. "97th birthday of B. K. S. Iyengar". Google Doodles Archive. 14 December 2015. Retrieved 14 December 2015.

Sources

Goldberg, Elliott (2016). The Path of Modern Yoga :The History of an Embodied Spiritual Practice. Inner Traditions. ISBN 978-1-62055-567-5. OCLC 926062252.
Newcombe, Suzanne (2007). "Stretching for Health and Well-Being: Yoga and Women in Britain, 1960–1980". Asian Medicine. 3 (1): 37–63. doi:10.1163/157342107X207209.
——— (2019). Yoga in Britain: Stretching Spirituality and Educating Yogis. Bristol, England: Equinox Publishing. ISBN 978-1-78179-661-0.
Smith, Frederick M.; White, Joan (2014). Singleton, Mark; Goldberg, Ellen (eds.). Chapter 6. Becoming an Icon: B. K. S. Iyengar as a Yoga Teacher and a Yoga Guru. Gurus of Modern Yoga. Oxford University Press. pp. 122–146. ISBN 978-0-19-993871-1.
Sjoman, Norman E. (1999). The Yoga Tradition of the Mysore Palace. New Delhi, India: Abhinav Publications. ISBN 81-7017-389-2.

External links

• Official website
• B. K. S. Iyengar on IMDb
• BBC World Service article and programme by Mark Tully
• Leap of faith (2008), Trivedi & Makim, Documentary about the life of BKS Iyengar
• BKS Iyengar – 97th birthday on YouTube. Google Doodle Collection. 13 December 2015. Retrieved 14 December 2015.
• BKS Iyengar Google Doodle. 97th Birthday of "Iyengar Yoga" Founder on YouTube. Rajamanickam Antonimuthu. 14 December 2015. Retrieved 14 December 2015.
• Ramamani Iyengar Memorial Yoga Institute at Google Cultural Institute

**************************

Yoga Reconsiders the Role of the Guru in the Age of #MeToo
by Eliza Griswold
The New Yorker
July 23, 2019

Image
In the Western context, yoga gurus such as Sharath Jois and Bikram Choudhury (pictured) become rock stars, and students compete for their favor.Photograph by Bob Riha, Jr. / Getty

Last week on Instagram, Sharath Jois, a grandson of Pattabhi Jois, the hugely influential founder of Ashtanga yoga, which has millions of followers worldwide, finally responded to several years’ worth of claims of sexual misconduct against his grandfather, who died in 2009, at the age of ninety-three. Since 2010, more than a dozen former students have come forward to accuse Guruji, as his followers called him, of sexually assaulting them in his yoga studio in Mysore, India, and during workshops while he was on tour in the United States. Their allegations include that he rubbed his genitals against their pelvises while they were in extreme backbends, lay on top of them while they were prostrate on the floor, and inserted his fingers into their vaginas—an action that fellow-students excused as an adjustment to their mula bandhas, the body’s lowest chakra, which lies between the genitals and the anus. After his grandfather’s death, Sharath became the director of the Shri K. Pattabhi Jois Ashtanga Yoga Institute, and the paramguru (or “guru’s guru”) of Ashtanga. “It brings me immense pain that I also witness him giving improper adjustments,” Sharath wrote in the post. “I am sorry it caused pain for any of his students. After all these years I still feel pain from my grandfather’s actions.”

This is only the latest in a string of scandals involving powerful men within the yoga community that date back decades. In 1991, protesters accused Swami Satchidananda, the famous yogi who issued the invocation at Woodstock, of molesting his students, and carried signs outside a hotel where he was staying in Virginia that read “Stop the Abuse.” (Satchidananda denied all claims of misconduct.) In 1994, Amrit Desai, the founder of the Kripalu Centre for Yoga, a well-known yoga-retreat center, was accused of sleeping with his students while purporting to practice celibacy. (Desai eventually admitted to having sexual contact with three women.) More recently, Bikram Choudhury, the founder of “hot,” or Bikram, yoga, has faced several civil lawsuits for sexual misconduct, including one filed in 2013 by his own lawyer, Minakshi Jafa-Bodden, who said that he not only harassed her but also forced her to cover up allegations of misconduct against other women. (Bikram has denied all allegations.) After Bikram failed to pay Jafa-Bodden a seven-million-dollar judgment issued against him by a California court, in 2017, the judge issued an arrest warrant, and Bikram reportedly fled the country. In 2012, John Friend, the founder of Anusara yoga, admitted to sleeping with several students. He was also accused of running a Wiccan coven called Blazing Solar Flames, where members often went naked. (In a public statement, Friend denied any involvement in “a sex coven.”) Friend withdrew for a time from public life but has since launched another form of yoga, called Sridaiva. Not all of the recent scandals have been sexual; some have involved financial impropriety or the physical abuse of students. During his workshops, B. K. S. Iyengar, who died in Pune, India, in 2014, openly slapped and kicked his students while telling them, according to the Times of India, “It’s not you I’m angry with, not you I kick. It’s the knee, the back, the mind that is not listening.”

Jois was born in 1915, in the rural village of Kowshika, in South India, and spent the first thirty-two years of his life living under British colonial rule. One day at school, when he was twelve, he attended a lecture in which a yoga instructor named Sri Krishnamacharya demonstrated several asanas, or poses. Jois ran away from home at fourteen, reunited with Krishnamacharya a few years later, and proceeded to study with him for twenty-five years. He went on to create Ashtanga, a form of yoga that involves a series of rigorous athletic poses that students are encouraged to practice six times a week. Beginning in the seventies, students flocked to Mysore to study with Jois, and, as his following grew, so did his fame and influence. Some students stayed in Mysore for months or even years to perfect their poses. Others came to venerate the teacher, prostrating themselves at his feet. Female students later complained that he sometimes kissed them on the mouth without their consent, and patted their buttocks when they hugged him or bowed before him. Jubilee Cooke, a fifty-three-year-old former student who says that she was groped by Jois during yoga sessions, didn’t realize that his behavior was something that she could report. “I didn’t know it was called sexual assault until I heard political pundits talking about what Trump had done on the ‘Access Hollywood’ tapes,” she told me.

Alex Auder, the forty-eight-year-old founder of Magu Yoga, a studio in Philadelphia, has been one of Jois’s most vocal critics. During the late nineteen-nineties, Auder taught at Jivamukti, in New York City, one of the places where Ashtanga first grew popular in the United States. But, in the past decade, she has become increasingly skeptical of some aspects of the practice. Initially, her criticisms focussed on the poses themselves, which she believes Jois designed with little regard for how they would be enacted by women. “The physical practice is totally off base—it’s patriarchal,” she told me. “For many women’s bodies, it simply doesn’t work.” (To illustrate this point, she recently posted a picture on Instagram of Sharath Jois assisting a pregnant woman to “drop back” from a standing position into a backbend, which struck Auder as ill-advised.) For the past five years, Auder has written about the increasing commodification of yoga, which she calls “neo-spiritualism”—an alliance between yoga and neoliberalism. Such criticism is not taken lightly in the Ashtanga community; according to Auder and others, those who speak out are often ostracized. “Sharath kicked anyone off the list of sanctioned teachers who ever criticized Pattabhi Jois or Ashtanga,” she told me. (Sharath did not respond to requests for comment on this article.)

For Karen Rain, a fifty-one-year-old former student who says that Jois repeatedly assaulted her between 1994 and 1998, at his studio in Mysore, the fear of being ostracized kept her from telling anyone about the abuse. “I knew it would bring me criticism and slander,” she told me. She was certain that her fellow-students would turn on her if she made her allegations public, and, in 2002, she left Ashtanga. “It destroyed my life as I knew it,” she said. “I loved the practice and was hoping to build my life and career around it.” In 2018, she told her story on Medium and included photographs showing Jois pressing his crotch to hers while she lifted her leg above her head. “Since the images are still photographs, you don’t really see that he’s humping me,” she told me.

Anneke Lucas, a fifty-six-year-old former student, who now works as an advocate for survivors of sexual abuse and is the founder of Liberation Prison Yoga, confronted Jois the moment he groped her crotch, during a class in Manhattan in 2001, and told him that he could go to prison for touching her like that. After she spoke out, she felt that her experience wasn’t taken seriously by other students and teachers, which she found more harmful than the assault. “I was far more hurt by the culture of silence and ignoring the victim and victim-blaming than the abuse itself,” she told me. “If there would’ve been support from the community, and it had been dealt with, it would have gone away.” Cooke has called out the magazine Yoga Journal for favorable articles that it published about Jois in the nineties. “Whether or not they did it consciously, it was grooming,” she said. “Encouraging people to go study with Pattabhi Jois and expect good things from him.”

Last year, Auder became Facebook friends with Rain, Lucas, and Cooke, and the four began discussing what they saw as Ashtanga’s toxic sexual culture. At first, Auder wasn’t sure how to process the severity of the women’s claims. “I’m a product of the seventies,” she told me, “and I don’t mind a pat on the ass.” But as the number of accusers grew over the last year she came to see that what others called “inappropriate adjustment” was really a pattern of sexual abuse, and that the powerful following that had grown up around Jois had helped to keep his accusers silent. After that, on Instagram, she called for an official response from Ashtanga leaders.

Instead of putting the controversy to rest, the statement that Sharath issued last week has kicked off a flurry of angry responses from people who argue that it comes too late, and that it reads like an attempt to end the controversy rather than a genuine effort to set things right. Critics accused Sharath of shirking blame for himself or his family and instead accusing other students of failing to protect their fellow-practitioners. “Why did they not act in support of their fellow students, peers, girlfriends, boyfriends, wives, husbands, friends and speak against this?” he asks. He followed this up with another statement, in which he grew more defensive. “You can criticize me what ever you want,” he wrote on Instagram, punctuating his post with crying-face emojis. “I have always respected & supported women my students know it & god knows it.” The post has since been deleted.

But the scandal has prompted other leaders, including Eddie Stern, a fifty-one-year-old yoga instructor who, for twenty-five years, was the head of one of the most influential Ashtanga schools in the United States, to speak out about Jois’s abuses. Stern studied under Jois for eighteen years and has since authored three books about Ashtanga. After the allegations were made public, he received letters from current students asking him to respond. “People have considered me to be part of this problem because I haven’t spoken publicly,” he told me. Although Stern has been talking in private to concerned students and fellow-teachers, now that Sharath has issued a statement, Stern has decided to speak to me for this article.

Jois’s abuses remained hidden for so long in part because of his overwhelming authority as a guru, which may reflect a larger problem within the culture of yoga. In traditional yogic practice, a guru is a mediator—a translator of sorts—through whom a set of teachings is passed down. Devotion to the guru is meant to symbolize devotion to the teachings, not to the man. But in the Western context gurus become rock stars, and students compete to curry favor with them. This gives gurus significant influence over their students, which is sometimes misused. “I had this idea in me that the guru was supposed to be this all-encompassing everything,” Stern said. “I, along with other people, superimposed these mythologies on top of a human being . . . It was a misunderstanding of what the relationship was supposed to be.

For Rain, apologies from Ashtanga teachers have come too late. She is less interested in public statements and more interested in specific measures that schools can take to change their cultures. Some yoga communities have begun instituting official checks on how teachers are allowed to touch their students, including issuing “consent cards,” which students fill out to indicate whether they are willing to be touched and place at the edge of their mats. Rain wants Ashtanga teachers to pledge to offer free copies of articles about the accusations against Jois at their studios and to post unedited accounts of the allegations on their Web sites. She told me, “I’m offering them a way to make amends by giving the narrative to us.”

Eliza Griswold, a contributing writer covering religion, politics, and the environment, has been writing for The New Yorker since 2003. She won the Pulitzer Prize for general nonfiction for “Amity and Prosperity: One Family and the Fracturing of America,” in 2019.
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Tirumalai Krishnamacharya
by Wikipedia
Accessed: 5/30/20

Image
Krishnamacharya
At 100 years (1988)
Born: November 18, 1888. Chitradurga district, Mysore Kingdom
Died: February 28, 1989 (aged 100), Madras, India
Nationality: Indian
Occupation: Yoga teacher
Known for :"Father of modern yoga"

Tirumalai Krishnamacharya (November 18, 1888 – February 28, 1989)[1][2] was an Indian yoga teacher, ayurvedic healer and scholar. Often referred to as "the father of modern yoga,"[3][4] Krishnamacharya is widely regarded as one of the most influential yoga teachers of the 20th century. Like earlier pioneers influenced by physical culture such as Yogendra and Kuvalayananda, he contributed to the revival of hatha yoga.[5]

Krishnamacharya held degrees in all the six Vedic darśanas, or Indian philosophies. While under the patronage of the King of Mysore, Krishna Raja Wadiyar IV, Krishnamacharya traveled around India giving lectures and demonstrations to promote yoga, including such feats as apparently stopping his heartbeat.[6] He is widely considered as the architect of vinyāsa,[5] in the sense of combining breathing with movement; the style of yoga he created has come to be called Viniyoga or Vinyasa Krama Yoga. Underlying all of Krishnamacharya's teachings was the principle "Teach what is appropriate for an individual."[7] While he is revered in other parts of the world as a yogi, in India Krishnamacharya is mainly known as a healer who drew from both ayurvedic and yogic traditions to restore health and well-being to those he treated.[5] He authored four books on yoga—Yoga Makaranda (1934), Yogaasanagalu (c. 1941),[8] Yoga Rahasya, and Yogavalli (Chapter 1 – 1988)—as well as several essays and poetic compositions.[9]

Krishnamacharya's students included many of yoga's most renowned and influential teachers: Indra Devi (1899–2002); K. Pattabhi Jois (1915–2009); B. K. S. Iyengar (1918-2014); his son T. K. V. Desikachar (1938-2016); Srivatsa Ramaswami (born 1939); and A. G. Mohan (born 1945). Iyengar, his brother-in-law and founder of Iyengar Yoga, credits Krishnamacharya with encouraging him to learn yoga as a boy in 1934.[10][11]

Biography

Early life


Krishnamacharya was born on November 18, 1888 in Muchukundapura, situated in the Chitradurga district of present-day Karnataka, in South India, to an orthodox Iyengar family. His parents were Sri Tirumalai Srinivasa Tatacharya, a well-known teacher of the Vedas, and Shrimati Ranganayakiamma.[12] Krishnamacharya was the eldest of six children. He had two brothers and three sisters. At the age of six, he underwent upanayana. He then began learning to speak and write Sanskrit, from texts such as the Amarakosha and to chant the Vedas under the strict tutelage of his father.[2]

When Krishnamacharya was ten, his father died,[13] and the family had to move to Mysore, the second largest city in Karnataka, where Krishnamcharya's great-grandfather H.H. Sri Srinivasa Brahmatantra Parakala Swami, was the head of the Parakala Math.[14]

Scholastic education

Krishnamacharya spent much of his youth traveling through India studying the six darśana or Indian philosophies: vaiśeṣika, nyāya, sāṃkhya, yoga, mīmāṃsā and vedānta.[15] In 1906, at the age of eighteen, Krishnamacharya left Mysore to attend university at Benares, also known as Vārānasī, a city of hundreds of temples and a highly regarded North Indian center of traditional learning.[16] While at university, he studied logic and Sanskrit, working with Brahmashri Shivakumar Shastry, "one of the greatest grammarians of the age".[17] He also learned the Mimamsa from Brahmasri Trilinga Rama Shastri.[2]

In 1914, he once again left for Benares to attend classes at Queens College, where he eventually earned a number of teaching certificates. During the first year he had little or no financial support from his family. In order to eat, he followed the rules that were laid down for religious beggars: he was to approach only seven households each day and offer a prayer "in return for wheat flour to mix with water for cakes".[18] Krishnamacharya eventually left Queens College to study the ṣaḍdarśana (six darshanas) in Vedic philosophy at Patna University, in Bihar, a state in eastern India. He received a scholarship to study Ayurveda under Vaidya Krishnakumar of Bengal.[2]

Krishnamacharya was invited to the coronation of the Rajah of Dikkanghat (a principality within Darbhanga), at which he defeated a scholar called Bihari Lal in a debate, and received rewards and honors from the Rajah.[19] His stay in Benares lasted 11 years.

He studied with the yoga master Sri Babu Bhagavan Das and passed the Samkhya Yoga Examination of Patna.[2] Many of his instructors recognized his outstanding abilities in the study and practice of yoga and supported his progress. Some asked that he teach their children.[20]

The tale of Ramamohana Brahmachari and the Yoga Korunta

Further information: Yoga Korunta

Image
Krishnamacharya claimed that he had spent seven and a half years at the foot of the sacred Mount Kailash in Tibet, learning the Yoga Korunta in the Gurkha language of Nepal.

Krishnamacharya told his pupils, including Iyengar, "an imagined history, it turns out, of thousands of asanas".[21] Mark Singleton and Tara Fraser note that he provided contradictory descriptions of the facts of his own life, sometimes denying tales he had told earlier, and sometimes mischievously[22] adding new versions.[22] According to one such tale, recounted by Mohan, during the vacations, which would last about three months, Krishnamacharya made pilgrimages into the Himalayas.[20] Krishnamacharya claimed in his Yoga Makaranda that at the suggestion of Gaṅgānāth Jhā, he sought to further his yoga studies by seeking a master named Yogeshwara Ramamohana Brahmachari, who was rumored to live in the mountains beyond Nepal and had supposedly mastered 7000 asanas.[23] For this venture, Krishnamacharya had to obtain the permission of the Viceroy in Simla, Lord Irwin, who was then suffering from diabetes.[20] At the request of the Viceroy, Krishnamacharya travelled to Simla and taught him yogic practices for six months. The viceroy's health improved and he developed respect and affection for Krishnamacharya.[24] In 1919, the Viceroy made arrangements for Krishnamacharya's travel to Tibet, supplying three aides and taking care of the expenses. After two and a half months of walking, Krishnamacharya arrived at Sri Brahmachari's school, supposedly a cave at the foot of Mount Kailash, where the master lived with his wife and three children.[5] Under Brahmachari's tutelage, Krishnamacharya claimed to have spent seven and a half years[25] studying the Yoga Sūtras of Patañjali, learning asanas and pranayama, and studying the therapeutic aspects of yoga.[5] He was supposedly made to memorize the whole of the Yoga Korunta in the Gurkha language, though no evidence of that text exists. As tradition holds, at the end of his studies with the guru, Krishnamacharya asked what his payment would be. The master responded that Krishnamacharya was to "take a wife, raise children and be a teacher of Yoga".[26][27]

According to the tale, Krishnamacharya then returned to Varanasi.
The Maharajah of Jaipur called him to serve as principal of the Vidyā Śālā in Jaipur; but as he did not like being answerable to many people, Krishnamacharya shortly returned to Varanasi. In accordance with his guru's wish that he live the life of a householder, Krishnamacharya married Namagiriamma in 1925. After his marriage, Krishnamacharya was forced by circumstance to work in a coffee plantation in the Hasan district. It was after a lecture on the Upanishads in Mysore town hall in 1931 that he attracted the attention as a learned scholar that eventually led to his employment at the palace.[27]

Mysore years

Image
Krishnamacharya in a yoga demonstration

Further information: Asana and Modern yoga

In 1926, the Maharaja of Mysore, Krishna Raja Wadiyar IV (1884–1940) was in Varanasi to celebrate his mother's 60th birthday and heard about Krishnamacharya's learning and skill as a yoga therapist.[28] The Maharaja met Krishnamacharya and was so impressed by the young man's demeanor, authority, and scholarship that he engaged Krishnamacharya to teach him and his family.[28] Initially, Krishnamacharya taught yoga at the Mysore Palace.[29] He soon became a trusted advisor of the Maharajah, and was given the recognition of Asthana Vidwan — the intelligentsia of the palace.[30]

During the 1920s, Krishnamacharya held many demonstrations to stimulate popular interest in yoga. These included suspending his pulse, stopping cars with his bare hands, performing difficult asanas, and lifting heavy objects with his teeth.[5] The Palace archive records show that the Maharaja was interested in the promotion of yoga and continually sent Krishnamacharya around the country to give lectures and demonstrations.[31]

In 1931, Krishnamacharya was invited to teach at the Sanskrit College in Mysore. The Maharaja, who felt that yoga had helped cure his many ailments, asked Krishnamacharya to open a yoga school under his patronage[5][32] and was subsequently given the wing of a nearby palace, the Jaganmohan Palace, to start the Yogashala, an independent yoga institution,[29] which opened on August 11, 1933.[28][33]

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Gajasana, hand-drawn illustration in Sritattvanidhi, 19th century Mysore Palace manuscript. The scholar Norman Sjoman suggests that Krishnamacharya was influenced by the yoga poses in the manuscript.[34]

In 1934, he wrote the book Yoga Makaranda ("Essence of Yoga"), which was published by Mysore University. In the introduction to Yoga Makaranda, Krishnamacharya lists the Sritattvanidhi, a 19th-century treatise containing a yoga section by Maharaja of Mysore, Krishnaraja Wodeyar III (1794–1868) as one of the sources for his book. In The Yoga Tradition of the Mysore Palace, Norman Sjoman asserts that Krishnamacharya was influenced by the Sritattvanidhi and by the Vyayama Dipika, a Western-based gymnastics manual written by the Mysore Palace gymnasts.[34] Mark Singleton argues that he was influenced by the 20th century yoga pioneers Yogendra and Kuvalayananda, and that all three "seamlessly incorporate[d] elements of physical culture into their systems of 'yoga'."[35]

Krishnamacharya, unlike earlier yoga gurus such as Yogendra, "severely criticized his students" including his young brother-in-law, B. K. S. Iyengar.[36] He was equally bad-tempered at home with his family. In the view of the historian of yoga Elliott Goldberg, Iyengar "would never recover from or anywhere near comprehend the damage inflicted on him by Krishnamacharya's abuse" during his teenage years.[37]

In 1940, Krishna Raja Wadiyar IV died. His nephew and successor, Jayachamarajendra Wadiyar (1919–1974), less interested in yoga, no longer provided support for publishing texts and sending teams of teachers to surrounding areas.[38] Following political changes in 1946, around the time that India gained independence, a new government came into being and the powers of the maharajas were curtailed. Funding for the yoga school was cut off,[39] and Krishnamacharya struggled to maintain the school. At the age of 60 (1948), Krishnamacharya was forced to travel extensively to find students and provide for his family.[39] The yogashala in Mysore was ordered to be closed by K.C. Reddy, the first Chief Minister of Mysore State, and the school eventually closed in 1950.[5]

Madras years

After leaving Mysore, Krishnamacharya moved to Bangalore for a couple of years[40] and then was invited in 1952 to relocate to Madras, by a well-known lawyer who sought Krishnamacharya's help in healing from a stroke. By now, Krishnamacharya was in his sixties, and his reputation for being a strict and intimidating teacher had mellowed somewhat.

Image
Krishnamacharya teaching a child

In Madras, Krishnamacharya accepted a job as a lecturer at Vivekananda College. He also began to acquire yoga students from diverse backgrounds and in various physical conditions, which required him to adapt his teaching to each student's abilities. For the remainder of his teaching life, Krishnamacharya continued to refine this individualized approach, which came to be known as Viniyoga.[5][41] Many considered Krishnamacharya a yoga master, but he continued to call himself a student because he felt that he was always "studying, exploring and experimenting" with the practice.[42] Throughout his life, Krishnamacharya refused to take credit for his innovative teachings but instead attributed the knowledge to his guru or to ancient texts.[5]

At the age of 96, Krishnamacharya fractured his hip. Refusing surgery, he treated himself and designed a course of practice that he could do in bed. Krishnamacharya lived and taught in Chennai until he slipped into a coma and died in 1989, at one hundred years of age. His cognitive faculties remained sharp until his death; and he continued to teach and heal whenever the situation arose.

Although his knowledge and teaching has influenced yoga throughout the world, Krishnamacharya never left his native India. Yoga Journal wrote:

You may never have heard of him but Tirumalai Krishnamacharya influenced or perhaps even invented your yoga. Whether you practice the dynamic series of Pattabhi Jois, the refined alignments of B. K. S. Iyengar, the classical postures of Indra Devi, or the customized vinyasa of Viniyoga, your practice stems from one source: a five-foot, two-inch Brahmin born more than one hundred years ago in a small South Indian village.[5]


By developing and refining different approaches, Krishnamacharya made yoga accessible to millions around the world.[5]

Approach

Further information: Yoga as therapy and Yoga as exercise

Krishnamacharya was a physician of Ayurvedic medicine. He "possessed enormous knowledge of nutrition, herbal medicine, the use of oils, and other remedies".[43] Krishnamacharya's custom as an Ayurvedic practitioner was to begin with a detailed examination to determine the most efficient path to take for a patient.[44] According to Krishnamacharya, even though the source or focus of a disease is in a particular area of the body, he assumed that many other systems in the body, both mental and physical, would also be affected. At some point during or after an initial examination, Krishnamacharya would ask if the patient was willing to follow his guidance. This question was important to a patient's treatment, because Krishnamacharya felt that if the person could not trust him fully there was little chance of his or her being healed.[45]

Image
Krishnamacharya emphasised the use of three of Patanjali's eight limbs of yoga, not only asana but also pranayama and dhyana.[46]

Once a person began seeing Krishnamacharya, he would work with him or her on a number of levels including adjusting their diet; creating herbal medicines; and setting up a series of yoga postures that would be most beneficial. When instructing a person on the practice of yoga, Krishnamacharya particularly stressed the importance of combining breath work (pranayama) with the postures (asanas) of yoga and meditation (dhyana) to reach the desired goal.[46]

Krishnamacharya "believed Yoga to be India's greatest gift to the world."[47] His yoga instruction reflected his conviction that yoga could be both a spiritual practice and a mode of physical healing.[48] His style of yoga is now known as Vinyasa Krama Yoga.[49] Krishnamacharya based his teachings on the Yoga Sutras of Patanjali and the Yoga Yajnavalkya. Whereas Krishnamacharya was deeply devoted to Vaishnavism, he also respected his students' varying religious beliefs, or nonbeliefs.[50] A former student recalls that while leading a meditation, Krishnamacharya instructed students to close their eyes and "think of God. If not God, the sun. If not the sun, your parents."[5] As a result of the teachings he received from his father and other instructors, Krishnamacharya approached every student as "absolutely unique",[51] in the belief that the most important aspect of teaching yoga was that the student be "taught according to his or her individual capacity at any given time".[52] For Krishnamacharya, the path of yoga meant different things for different people, and each person ought to be taught in a manner that he or she understood clearly.[53]

Krishnamacharya's students included many of 20th century yoga's most renowned and influential teachers: Indra Devi; K. Pattabhi Jois; B. K. S. Iyengar; T. K. V. Desikachar; Srivatsa Ramaswami; and A. G. Mohan (born 1945).[10][11]

Leading yoga teachers among Krishnamacharya's pupils[10][11]

Student / Relationship / Known for / Founded school / Best-known book

Indra Devi (1899–2002) pupil Yoga with Hollywood stars — Yoga for Americans 1959
K. Pattabhi Jois (1915–2009) pupil Mysore style Ashtanga vinyasa yoga Yoga Mala 1999
B. K. S. Iyengar (1918-2014) brother-in-law Precision, props Iyengar Yoga Light on Yoga 1966
T. K. V. Desikachar (1938-2016) son Viniyoga Krishnamacharya Yoga Mandiram The Heart of Yoga 1995
Srivatsa Ramaswami (1939- ) pupil Vinyasa Krama yoga — Complete Book of Vinyasa Yoga 2005
A. G. Mohan (1945- ) pupil Svastha Yoga & Ayurveda — Yoga for Body, Breath, and Mind 2002


Accomplishment as a scholar

Krishnamacharya was highly regarded as a scholar. He earned degrees in philosophy, logic, divinity, philology, and music.[5][54] He was twice offered the position of Acharya in the Srivaishnava sampradaya, but he declined in order to stay with his family, in accordance with his guru's wishes.[5]

He also had extensive knowledge of orthodox Hindu rituals. His scholarship in various darshanas of orthodox Indian philosophy earned him titles such as Sāṃkhya-yoga-śikhāmaṇi, Mīmāṃsā-ratna, Mīmāṃsā-thīrtha, Nyāyācārya, Vedāntavāgīśa, Veda-kesari and Yogācārya.[55]

Works

1. Yoga Makaranda (1934)
2. Yogaasanagalu (c. 1941)
3. Yoga Rahasya (2004)
4. Yogavalli (Chapter 1 – 1988)

References

1. Mohan 2010, p. 125.
2. "Krishnamacharya Yoga Mandiram". Archived from the original on 11 April 2015.
3. Mohan, A. G.; Mohan, Ganesh (5 April 2017) [2009]. "Memories of a Master". Yoga Journal.
4. "The YJ Interview: Partners in Peace". Yoga Journal.
5. Pagés Ruiz 2001.
6. Mohan 2010, p. 7.
7. Mohan 2010, p. 38.
8. Singleton 2010, p. 240.
9. Mohan 2010, pp. 128–130.
10. Iyengar 2006, pp. xvi-xx.
11. Singleton & Fraser 2014, p. 83.
12. Mohan 2010, p. 1.
13. Pierce, Martin (January–February 1988). "A Lion in Winter". Yoga Journal: 61–62.
14. "Archived copy". Archived from the original on 30 June 2010. Retrieved 12 August 2013.
15. http://malankazlev.com/kheper/topics/ea ... shanas.htm.
16. Mohan 2010, p. 2.
17. Desikachar & Cravens 1998, p. 38.
18. Desikachar & Cravens 1998, p. 40.
19. "Krishnamacharya – The King and the Young Man". Ashtanga Yoga Shala NYC.
20. Mohan 2010, p. 3.
21. Smith & White 2014, p. 125.
22. Singleton & Fraser 2014, p. 85.
23. Krishnamacharya, Tirumalai. Yoga Makaranda. p. 25. Kannada Edition 1934 Madurai C.M.V. Press
24. Mohan 2010, pp. 3–4.
25. Mohan 2010, p. 5.
26. Desikachar & Cravens 1998, p. 44.
27. Singleton 2010, pp. 184–186, 197.
28. Desikachar & Cravens 1998, p. 87.
29. Sjoman 1999, p. 52.
30. Iyengar 2000, p. 53.
31. Sjoman 1999, p. 53.
32. Mohan 2010, p. 6.
33. Singleton 2010, p. 181ff.
34. Cushman, Anne. "Yoga Through Time". Yoga Journal.
35. Singleton 2010, p. 111.
36. Goldberg 2016, pp. 370–371.
37. Goldberg 2016, p. 375.
38. Desikachar & Cravens 1998, p. 94.
39. Desikachar & Cravens 1998, p. 96.
40. Desikachar & Cravens 1998, p. 101.
41. Mohan 2010, pp. 38-43.
42. Desikachar & Cravens 1998, p. 104.
43. Desikachar & Cravens 1998, p. 124.
44. Desikachar & Cravens 1998, p. 129.
45. Desikachar & Cravens 1998, p. 131.
46. Desikachar & Cravens 1998, p. 111.
47. Desikachar & Cravens 1998, p. 123.
48. Desikachar & Cravens 1998, p. xviii.
49. "Vinyasa Krama Yoga". Harmony Yoga. Retrieved 4 April 2019.
50. Mohan 2010, p. 107.
51. Desikachar & Cravens 1998, p. 20.
52. Desikachar & Cravens 1998, p. 22.
53. Desikachar & Cravens 1998, p. xix.
54. Mohan 2010, pp. 3–5.
55. "Interview of the week: TKV Desikachar, Founder, Krishnamacharya Yoga Mandiram". Chennai Online Archives. Archived from the original on 20 October 2008. Retrieved 19 October 2008.

Sources

• Desikachar, T. K. V.; Cravens, Richard H. (1998). Health, Healing & Beyond : Yoga and the living tradition of Krishnamacharya. Aperture. ISBN 0-89381-941-7.
• Goldberg, Elliott (2016). The Path of Modern Yoga : the history of an embodied spiritual practice. Inner Traditions. ISBN 978-1-62055-567-5. OCLC 926062252.
• Iyengar, B.K.S. (2000). Astadala Yogamala. New Delhi, India: Allied Publishers. ISBN 978-8177640465.
• Iyengar, B. K. S. (2006). Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom. Rodale. ISBN 978-1594865244.
• Mohan, A. G. (2010). Krishnamacharya: His Life and Teachings. Boston: Shambhala. ISBN 978-1-59030-800-4.
• Pagés Ruiz, Fernando (2001). "Krishnamacharya's Legacy". Yoga Journal (May/June 2001).
• Singleton, Mark (2010). Yoga Body: The Origins of Modern Posture Practice. Oxford University Press. ISBN 978-0-19-539534-1.
• Singleton, Mark; Fraser, Tara (2014). Singleton, Mark; Goldberg, Ellen (eds.). Chapter 4. T. Krishnamacharya, Father of Modern Yoga. Gurus of Modern Yoga. Oxford University Press. pp. 83–106. ISBN 978-0-19-993871-1.
• Sjoman, N.E. (1999) [1996]. The Yoga Tradition of the Mysore Palace (2nd ed.). New Delhi, India: Abhinav Publications. ISBN 81-7017-389-2.
• Smith, Frederick M.; White, Joan (2014). Singleton, Mark; Goldberg, Ellen (eds.). Chapter 6. Becoming an Icon: B. K. S. Iyengar as a Yoga Teacher and a Yoga Guru. Gurus of Modern Yoga. Oxford University Press. pp. 122–146. ISBN 978-0-19-993871-1.
• Srivatsan, Mala (1997) Śrī Krishnamacharya the pūrnācārya. Krishnamacharya Yoga Mandiram. OCLC 39292632.

Media

• Dars, Jean-François (Director); Papillault, Anne (Director) (1989). Hundred Years of Beatitude (Documentary). CNRS.
• Wadiyar, Krishna Raja (Sponsor) (1989) [1938]. T. Krishnamacharya Asanas (Film). Archived from the original on 14 December 2013. Retrieved 8 February 2014.
• Schmidt-Garre, Jan (Director) (2012). Breath of the Gods: A Journey to the Origins of Modern Yoga (Documentary). PARS Media.

External links

• India portal
• Yoga Makaranda (Part 1)
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Re: Freda Bedi Cont'd (#2)

Postby admin » Sat May 30, 2020 9:58 pm

Gerard Menuhin
by Wikipedia
Accessed: 5/30/20

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Gerard Menuhin (born 1948[1] in Scotland)[2][3] is a Holocaust denier and far-right activist, associated with the neo-Nazi movement in Germany.[4][5]

His book Tell the Truth and Shame the Devil, published in 2015, argues that the Holocaust is "the biggest lie in history",[6] that Jews are an "alien, demonic force which seeks to dominate the world", that Jews are flooding Europe with non-white races, to create a "society of racial mongrels, under the rule of a “new Jewish nobility”", and plan to create a one-world government.[7] Menuhin argues that "the world owes Adolf Hitler an apology".[8]

He is the son of the violinist Yehudi Menuhin and dancer Diana Gould, and brother of pianist Jeremy Menuhin.

Background

Born in July[2][3] 1948[1] in Scotland, United Kingdom,[2][3] he is the son of violinist Yehudi Menuhin, who was Jewish and Diana Gould, an English ballerina who was a gentile.[9] He attended Eton College, completing his studies at Stanford University in California. The brother of the pianist Jeremy Menuhin,[10] Gerard did not want to follow in the footsteps of his father or brother and decided to enter into acting. In London's Mermaid Theatre, he landed a role in the Erich Kästner-piece Emil and the Detectives.[11]

In December 1970, when Menuhin was 22, he and his father temporarily lost their American citizenship after they were granted Swiss citizenship, as American law at the time did not permit dual citizenship.[12]

In 1985, he published his first book, a novel, Elmer, which was panned by critics.[13]

Menuhin was, until November 2005, the CEO of the German chapter of the Yehudi Menuhin Foundation. He was representative of the Menuhin family on the Board of the Menuhin Festival Gstaad in Gstaad, Switzerland. In June 2007, he took up the post as president of the Yehudi Menuhin Foundation in Grenchen, Switzerland.[14] Since 2009, there is no indication to be found of Menuhin's continuing administrative position with the Menuhin Festival Gstaad.[15]

He has previously worked for Menuhin IP Management GmbH (Menuhin IP Management Ltd liab Co) (Menuhin IP Management Sàrl) in Schöfflisdorf[15] which owns the official Yehudi Menuhin website.[16] The content of the website, however, is controlled by two of Yehudi Menuhin's other children, Jeremy Menuhin and Zamira Menuhin Benthall, as directors of SYM Music Company Limited.

Controversy over extremist views

A supporter of Adolf Hitler, Menuhin writes about Jews: "It remains for Jews only to imitate or destroy what they can never have or become, and to undermine the homogeneous social fabric via their political stooges, by civil-war-induced migrations and so-called anti-discriminatory legislation, including attacks on such core values as the traditional family, through contrived “gender neutral” and radical feminist ideologies and “movements.”"[17]

He considers himself anti-Zionist. Until 2005, his political views had barely registered with the outside world even though he has a regular column in the Munich-based ultra-German nationalist National Zeitung. Because of Gerard Menuhin's extremist or nationalistic utterances, he was relieved of his post as chairman on 12 November 2005 by the Yehudi Menuhin Foundation Germany. The London Times Berlin correspondent Roger Boyes reported a few days later, that Menuhin had "outed himself as a clear sympathiser with the neo-Nazi cause in two interviews he gave. In Deutsche Stimme" the newspaper of the far-right National Democratic Party of Germany (NDP), "he used classical anti-Semitic language while still staying within the boundaries of German law".[18][19][20][21][22][23][24][25][26]

"Apart from a few curious comments about America, we weren’t really aware of his politics", Winfried Kneip, YMF's chief executive, said.[26] Alarmed by press reports, from the Spiegel website among others, the Foundation took notice, that Gerard Menuhin had given interviews to the National Zeitung, writing a column named "Menuhin and how he sees the world", and also in the newspaper of the far-right NDP's Deutsche Stimme (German Voice).[19][27]

In November 2014, Israeli media referred to Menuhin as an example of a "Jewish anti-Semite" and "anti-Israel extremist". An article in The Jerusalem Post asserted that he "authored columns in the National-Zeitung, a paper infamous for its neo-Nazi and right-wing extremist ideas. He has also provided a fiercely anti-Israel interview with the pro-Iranian regime extremist German-language website, Muslim-Markt."[28][29]

Gerard Menuhin's book Tell the Truth and Shame the Devil was published in 2015. According to Menuhin, the Holocaust is "the biggest lie in history" and "Germany has no blame for the Second World War".[6]

Private life

Menuhin married Eva Struyvenberg in New York in March 1983, the daughter of Albert Struyvenberg from Seattle.[30][31][32] In 1990, he and Eva had one child together, Maxwell Duncan Menuhin, but later divorced.[31][32]

Bibliography

• Elmer, Hutchinson, 1985, ISBN 978-0091599003.
• Die Antwort, FZ-Verlag, 2007, ISBN 978-3-924309-81-7 (German).
• Tell the Truth and Shame the Devil, Barnes Review, 2015, ISBN 978-1937787295.
• Lies & Gravy: Landmarks in Human Decay, Castle Hill Publishers, 2019, ISBN 978-1591489894.
• Lived It Wrong: An Autobiography, Reconquista Press, 2020, ISBN 978-1-912853-16-8.

Sources

1. Fragen & Antworten: Interview mit Gerard Menuhin
2. The Milwaukee Journal, 29 April 1949
3. Toledo Blade, 29 April 1949
4. Wie ticken die "Reichsbürger"? (in German), retrieved 14 June 2017
5. "Kölner „Klagemauer" vereint mit Neonazis – haGalil". Retrieved 14 June 2017.
6. Morrison, Richard (6 April 2016). "Yehudi Menuhin: The genius who put the fight for justice before his family". London. Retrieved 17 November 2016. (subscription required)
7. TELL THE TRUTH & SHAME THE DEVIL, GERARD MENUHIN, Castle Hill Publishers, page 108, 184, 186, 318
8. TELL THE TRUTH & SHAME THE DEVIL, GERARD MENUHIN, Castle Hill Publishers, page 77
9. Rosenbaum, Fred (2011) [2009]. Cosmopolitans: A Social and Cultural History of the Jews of the San Francisco Bay Area. Berkeley & Los Angeles, CA: University of California Press. p. 229.
10. "Another Son Is Born To Yehudi Menuhin". Pittsburgh Post-Gazette. 3 November 1951. Retrieved 1 March 2013.
11. Berufliches: Gerard Menuhin, Der Spiegel, 14 December 1960
12. State Department Warning: Famed Violinist Told Citizenship in Danger, Tad Szulc, Eugene Register-Guard, 4 December 1970 (New York Times News Service)
13. Irony without humour, Ian Murray, Glasgow Herald, 20 April 1985.
14. Menuhin president bows to pressure, Solothurn Tagblatt / Espace Media Groupe, 8 June 2007. Der unsichtbare Elefant im Raum by Gerard Menuhin
15. http://www.moneyhouse.ch/fr/p/Gerard-Menuhin
16. http://menuhin.org/about
17. TELL THE TRUTH & SHAME THE DEVIL, GERARD MENUHIN, Castle Hill Publishers, page 233-34
18. Right-wing views troubles Menuhin, United Press International, 15 November 2005
19. Neonazi-Gesinnung: Yehudi-Menuhin-Stiftung trennt sich von Vorstand, Paul Nellen, Der Spiegel, 12 November 2005
20. Tabubruch bei "Vanity Fair": Der Nazi, der Jude und das Prinzip Eitelkeit, Henryk M. Broder, Der Spiegel, 4 November 2005
21. Der Schicksals-Vater, Joachim Kronsbein, Der Spiegel, 2005
22. Menuhin Stiftung entläßt Gerard Menuhin, DPA, Die Welt, 14 November 2005
23. Falscher Trost für Deutsche: Der Fall Gerard Menuhin, Thomas Assheuer, Die Zeit, 17 November 2005
24. Sohn von Yehudi Menuhin veröffentlichte Texte in echtsextremen Organen, Editorial Staff, Der Standard, 13 November 2005
25. Violinist’s son fired for remarks, Berlin (JTA), Cleveland Jewish News, 17 November 2005
26. Boyes, Roger (15 November 2005). "Menuhin's son forced to resign over 'anti-Semitic' interviews". The Times. Retrieved 17 November 2016. (subscription required)
27. Deutsche und Juden – Zu den Ufern der Vernunft: Gerard Menuhin über Vergangenheit und Zukunft des deutsch-jüdischen Verhältnisses (cached), Deutsche Stimme, November 2005
28. Analysis: Making sense of Germany’s anti-Semitic ‘Toiletgate’ scandal, Benjamin Weinthal, The Jerusalem Post, 16 November 2014
29. Muslim-Markt interviewt Gerard Menuhin, ehemaliger Vorstandsvorsitzender der Yehudi Menuhin Stiftung, Muslim-Markt, 14 February 2006
30. "Gerard Menuhin Wed To Eva Struyvenberg". The New York Times. 9 March 1983. Retrieved 6 December 2016.
31. Mosley, Charles, editor. Burke's Peerage and Baronetage, 106th edition, volume 2, page 1907. Crans, Switzerland: Burke's Peerage (Genealogical Books) Ltd, 1999.
32. http://www.thepeerage.com/p23823.htm#i238224

External links

• Official website
• Fredrick Töben (Adelaide – 5 January 2016), reviews Tell the Truth and Shame the Devil
• "I have confidence in the German people" Interview with Gerard in the National Gazette
• Interview with Gerard Menuhin
• [3]
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