Harvey Weinstein: 'Beautiful Girls' Scribe Scott Rosenberg

Re: 'Beautiful Girls' Scribe Scott Rosenberg On a Complicate

Postby admin » Fri Nov 03, 2017 3:02 am

Brett Ratner Rape Allegation Detailed by Ex-Endeavor Employee
by Gene Maddaus @GeneMaddaus Gene Maddaus
November 2, 2017

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A former employee of the Endeavor Talent Agency detailed a rape accusation against producer Brett Ratner in a Facebook post obtained by Variety. The allegation is the subject of a libel suit Ratner leveled against the woman, Melanie Kohler, on Wednesday.

Ratner was accused Wednesday of sexual harassment by six other women in a report in the Los Angeles Times.

According to the suit, which quotes short excerpts from the Oct. 20 post, she alleged that Ratner “preyed” on her when she was drunk at a club. The lawsuit calls the rape allegation “deliberately false and malicious.” The post was quickly deleted following a threat of litigation from Ratner’s lawyer.

In the post, Kohler says Ratner took her back to the home of producer Robert Evans and forced himself on her, even after she repeatedly said “no.” Ratner was living at Evans’ home at the time, according to his attorney, Marty Singer.


She wrote that Ratner is not a “public monster” and may treat the “somebodies” of the world with respect. But she said she was writing so that “he can be accountable for the way he’s treated the nobodies of the world or at least the way he treated me.” As alleged in the lawsuit, she wrote that Ratner “was a predator and a rapist on at least one night in Hollywood about 12 years ago.”

According to Kohler, she never told anyone what happened, not even her closest friends at the time of the incident. She said she decided to speak out in the wake of the Weinstein revelations in hopes of changing the culture of America and of Hollywood.

“I’m embarrassed, humiliated, ashamed, and wish I could go back to forgetting it ever happened,” she wrote. “But if I do that, if we all do that, then it keeps happening. We have to come forward. I can’t be an advocate for women speaking out if I don’t speak out, too. … Brett Ratner raped me. I’m saying his name, I’m saying it publicly. Now at least I can look at myself in the mirror and not feel like part of me is a coward or a hypocrite. I’m standing up and saying this happened to me and it was not ok. Come what may, it is the right thing to do.”


Singer, Ratner’s attorney, told Variety on Tuesday that he intended to sue Kohler.

“He did not rape this girl,” Singer said. “It’s completely fabricated. … The story doesn’t make any sense.”


The suit, filed in Hawaii federal court, came on the same day the L.A. Times reported that six other women accused Ratner of various forms of sexual misconduct. Natasha Henstridge alleged that Ratner cornered her in his home in the early 1990s and forced her to perform oral sex. Actress Olivia Munn said Ratner masturbated in front of her on a film set.

On Tuesday, Singer told Variety Kohler had detailed a different version of events than the one related in the Facebook post.

Kohler lives in Hawaii, where she and her husband operate a scuba school. She has recently retained attorney Roberta Kaplan, who argued the landmark gay rights case United States v. Windsor at the Supreme Court. She has also hired SKDKnickerbocker to handle communications.

Singer said shortly after the post went up, he contacted her and advised her that it defamed Ratner.

“I didn’t threaten her,” he said. “I said she can be sued if she didn’t take it down.”

Kohler quickly took down the post, though screenshots of it have circulated around Hollywood since then. She later posted an explanation: “Today was explained to me in five words: Lawyer up or shut up.”

The lawsuit alleges that Kohler’s post caused Ratner to suffer “emotional distress, worry, anger, and anxiety,” and had damaged his personal and professional reputation.


On Wednesday, following the L.A. Times report, Warner Bros. severed ties with Ratner, who is CEO of RatPac Entertainment.
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Re: 'Beautiful Girls' Scribe Scott Rosenberg On a Complicate

Postby admin » Fri Nov 03, 2017 3:09 am

‘Genius’ Producer Accuses Dustin Hoffman of Sexually Harassing Her in 1991
by Daniel Holloway @gdanielholloway
November 1, 2017

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Wendy Riss Gatsiounis was a struggling playwright working a temp job in New York City in 1991 when she got what she hoped would be her big break. Her play “A Darker Purpose” had been given a staged reading at the Public Theater, and she had scheduled a meeting with Dustin Hoffman and “Tootsie” screenwriter Murray Schisgal to discuss adapting it into a feature film for Hoffman to star in. “It was a huge thing,” she told Variety.

But, Riss Gatsiounis said, the two meetings that took place at the Rockefeller Center office of Hoffman’s Punch Productions led to confusion and self-doubt after Hoffman allegedly propositioned her and attempted to persuade her to leave the office and accompany him to a store in a nearby hotel. Riss Gatsiounis was in her 20s; Hoffman was 53.


A spokesperson for Hoffman declined to comment. Schisgal told Variety in a statement: “Dustin Hoffman and I took many meetings with writers and playwrights over many years. I have no recollection of this meeting or of any of the behavior or actions described.”

According to Riss Gatsiounis, the first meeting began with Schisgal asking whether she had a boyfriend or husband. Hoffman cut Schisgal off. “Dustin Hoffman was playfully like, ‘Murray, shut up. Don’t you know you can’t talk to women that way anymore? Times are changing,'” Riss Gatsiounis said.

The tenor of the meeting became more professional. Hoffman and Schisgal asked if Riss Gatsiounis would be willing to rework her pitch for a movie version of “A Darker Purpose” with Hoffman in mind. The play — and Riss Gatsiounis’ original movie pitch — featured a protagonist in his 20s. Riss Gatsiounis agreed and spent the next three weeks on the rewrite.

She then had a second meeting with Hoffman and Schisgal to give them the revised pitch. But she never got to discuss the new idea with them.

“I go in, and this time it’s, like, Dustin Hoffman’s really different,” Riss Gatsiounis said. “He says, ‘Before you start, let me ask you one question, Wendy — have you ever been intimate with a man over 40?'” Flustered, Riss Gatsiounis attempted to laugh off the comment. But Hoffman persisted.

“I’ll never forget — he moves back, he opens his arms, and he says, ‘It would be a whole new body to explore,'” she said. “I’m trying to go back to my pitch, and I’m trying to talk about my play. Then Dustin Hoffman gets up and he says he has to do some clothing shopping at a nearby hotel, and did I want to come along? He’s like, ‘Come on, come to this nearby hotel.'”

Riss Gatsiounis added that Schisgal, who was also present, encouraged her to go with Hoffman.

“I’m just completely flustered,” Riss Gatsiounis said. “I don’t know what to make of this whole thing. And Murray’s like, ‘You can go! It’s okay, go! Go!'”

But Riss Gatsiounis repeatedly declined to go with Hoffman.

“And Dustin Hoffman finally leaves, because I’m saying I don’t want to go to the hotel,” Riss Gatsiounis said. “And then Murray Schisgal says, ‘Look, we’re not really interested in your play, because it’s too film noir-ish.’ And that was it.”


Punch Productions at the time carried a staff of 10-12 people in an office at 75 Rockefeller Center in Manhattan. The late ’80s and early ’90s were a prolific time in Hoffman’s career, in which he appeared in several large studio films including “Rain Man,” “Billy Bathgate,” and “Hook.” In addition, Punch — where Schisgal served as a creative executive — developed several projects in which Hoffman starred, including “Tootsie,” “Death of a Salesman,” “American Buffalo,” and “Moonlight Mile.”

Riss Gatsiounis said that she left the meeting and, “close to tears,” called her agent Mary Meagher from a payphone and recounted the meeting to her. “She said that she didn’t want me to think that it was something I had done,” Riss Gatsiounis said. “She had heard rumors about him for years.”

Meagher died in 2006. Variety spoke with two other writers that Riss Gatsiounis was friends with at the time, both of whom said that Riss Gatsiounis described the second meeting with Hoffman and Schisgal to them shortly after it happened and verified her account of it.

“The whole thing was just a source of torment for me,” Riss Gatsiounis said. “I was just this writer and he had been my hero, and it stayed with me for a long time.” She recalled the self-doubt that she experienced in the “months and months and months” that followed, as she wondered whether she had blown an opportunity to advance her career by rebuffing Hoffman: “It was one voice in my head saying, ‘I was such an idiot. I should have just gone.’ And the other voice in my head saying, ‘Well, clearly he just wasn’t interested [in the play]. Why don’t you just realize he just wasn’t interested?'”

“A Darker Purpose” was staged later that year by the New York theater company Naked Angels in a production starring Fisher Stevens. Riss Gatsiounis went on to write the film adaptation, titled “The Winner,” which was directed by Alex Cox and starred Vincent D’Onofrio. She has since found success as a TV writer, working on A&E’s “The Killing” and the CW’s “Reign.” She is currently a co-executive producer on Season 2 of National Geographic’s “Genius,” which tells the life story of Pablo Picasso.

Riss Gatsiounis said that she chose to speak now about her experience with Hoffman and Schisgal in light of the recent allegations to surface against disgraced mogul Harvey Weinstein and others in the entertainment industry, including Hoffman, and to support other alleged victims who have spoken out.

On Wednesday, Anna Graham Hunter, a production assistant on “Death of a Salesman” in 1985, claimed in a guest column in the Hollywood Reporter that Hoffman harassed and assaulted her on set when she was 17 years old.

Hoffman has become the most recent industry heavyweight to be accused of sexual harassment after the New York Times and the New Yorker published exhaustive stories last month detailing decades of abusive behavior by Weinstein — who was subsequently fired from the production company he co-founded, the Weinstein Company.

Since then, Amazon Studios has parted ways with former president Roy Price following a harassment claim against him by a producer on “The Man in the High Castle”; directors James Toback and Brett Ratner have been accused of harassment or misconduct by multiple women; and on Tuesday, Netflix shut down production of “House of Cards” Season 6 after actor Anthony Rapp accused star Kevin Spacey of sexually assaulting him when the “Star Trek: Discovery” and “Rent” star was 14 years old.
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Re: 'Beautiful Girls' Scribe Scott Rosenberg On a Complicate

Postby admin » Fri Nov 03, 2017 3:22 am

Dustin Hoffman accused of sexual harassment against 17-year-old: Writer Anna Graham Hunter alleges the actor groped her and engaged in sexually inappropriate conversations on the set of 1985 TV movie Death of a Salesman
by Benjamin Lee
November 1, 2017

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Dustin Hoffman has been accused of sexual harassment against a 17-year-old intern in 1985.

Writer Anna Graham Hunter alleges that the actor, now 80, groped her on the set of TV movie Death of a Salesman and spoke inappropriately about sex with her.

“He asked me to give him a foot massage my first day on set; I did,” Hunter wrote in the Hollywood Reporter. “He was openly flirtatious, he grabbed my ass, he talked about sex to me and in front of me. One morning I went to his dressing room to take his breakfast order; he looked at me and grinned, taking his time. Then he said, ‘I’ll have a hard-boiled egg … and a soft-boiled clitoris.’ His entourage burst out laughing. I left, speechless. Then I went to the bathroom and cried.”

Hunter detailed Hoffman’s alleged treatment of her over her five weeks on set in a diary that she mailed to her sister at the time. “Today, when I was walking Dustin to his limo, he felt my ass four times,” she wrote. “I hit him each time, hard, and told him he was a dirty old man.”

She claims that on set, she was told to put up with his behavior by a supervisor who told her to “sacrifice” some of her values for the sake of the production.


“At 49, I understand what Dustin Hoffman did as it fits into the larger pattern of what women experience in Hollywood and everywhere,” she wrote, looking back. “He was a predator, I was a child, and this was sexual harassment. As to how it fits into my own pattern, I imagine I’ll be figuring that out for years to come.”

Hoffman has responded to the article with an apology: “I have the utmost respect for women and feel terrible that anything I might have done could have put her in an uncomfortable situation. I am sorry. It is not reflective of who I am.”

The Tootsie star’s reputation has often been troubling. On the set of Kramer vs Kramer, he slapped Meryl Streep to improve her performance in a dramatic scene while also taunting her about the death of her boyfriend. “I was getting divorced, I’d been partying with drugs and it depleted me in every way,” Hoffman said of his behavior at the time.

The story comes after a deluge of similar stories of sexual harassment within Hollywood against producer Harvey Weinstein, film-maker James Toback and actor Kevin Spacey. Today has also seen six women accuse director Brett Ratner of sexual harassment, including actors Natasha Henstridge and Olivia Munn.
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Re: 'Beautiful Girls' Scribe Scott Rosenberg On a Complicate

Postby admin » Fri Nov 03, 2017 3:28 am

Actress Tara Subkoff Says Harvey Weinstein Sexually Harassed Her
by Rebecca Rubin @rebeccaarubin
Variety
October 12, 2017

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Actress Tara Subkoff has opened up about her experience with Harvey Weinstein, alleging the producer sexually harassed her in the 1990s when she was up for a part in one of his movies.

“That night I was offered the role, and I went out to a premiere after party that Harvey Weinstein was also at,” she told Variety. “He motioned for me to come over to him, and then grabbed me to sit me on his lap. I was so surprised and shocked I couldn’t stop laughing because it was so awkward. But then I could feel that he had an erection. I got quiet, but got off his lap quickly. He then asked me to come outside with him and other things I don’t want to share, but it was implied that if I did not comply with doing what he asked me to do that I would not get the role that I had already been informally offered. I laughed in his face as I was in shock and so uncomfortable. I left the party right after that.”

Subkoff made her film debut in 1994’s thriller “When the Bough Breaks,” and appeared in the 1997 Jack Nicholson comedy “As Good as It Gets,” the 1997 “All Over Me,” and the 1998 Whit Stillman film “The Last Days of Disco.” Subkoff said after denying Weinstein’s advances that night, she was stripped of the informally offered part and blacklisted from acting in Hollywood.

“My reputation was ruined by false gossip, and I was called ‘too difficult to work with,'” she said. “It became impossible for me to get work as an actress after this, so I then had to start a new career path and started Imitation of Christ, a fashion and art label.

In 2015, Subkoff stepped back into entertainment and made her directorial debut with the feature film “#Horror.”

“The Weinstein company executives snuck into a cast and crew screening of my film and told me they loved it,” she recalled. “Then they took it to Harvey, who then refused to watch it but then bad-mouthed it to everyone all over Cannes.”

Still, the movie was picked up for distribution by IFC Midnight. “[IFC was] so supportive of me and the movie, even though Harvey tried to ruin any potential success it could have had,” she said.
“It is challenging enough to get work in Hollywood as a female, let alone being a female filmmaker producer/director. And when people attempt to ruin your reputation on top of that, it makes it next to impossible.”

Subkoff said she hopes the growing list of women coming forward with their stories will set a precedent for how women are treated in all places of work. “I have a 17 month old daughter, and I hope she never has a story like this to share.”

Though she has never shared her story before, Subkoff said she opened up about her experience to demonstrate how “powerful men abusing their power can affect not only a few careers, but all of ours,” adding, “I had it affect and ruin my career as an actress. And then almost twenty years later it almost affected my first feature film I wrote directed and produced getting distribution. That refusing to comply with one powerful man’s sexual advances could not only ruin my first career as an actress, but almost twenty years later also had the power to affect my first and only feature film to get distribution is so important to show how the abuse of power by the patriarchy is affecting all female artists everywhere.”
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Re: 'Beautiful Girls' Scribe Scott Rosenberg On a Complicate

Postby admin » Fri Nov 03, 2017 3:44 am

Minka Kelly Has A ‘Gross’ Harvey Weinstein Story Of Her Own: “I’m sorry for obliging his orders to be complicit in protecting his behavior.”
by Cole Delbyck

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Minka Kelly visits at SiriusXM Studios in 2017.


Like many women who’ve spoken out about Harvey Weinstein’s alleged sexual misconduct, actress Minka Kelly paints a familiar picture in an emotional story about her unsettling experience with the movie producer.

After meeting to [with] Weinstein at an industry party, Kelly claims he set up a “general meeting” via her agent in his hotel room the following day. When she refused to sit down with him in private, they changed the location and gathered in the hotel’s restaurant with his female assistant.

“He bullshit me for 5 minutes re: movies he could put me in, then asked the assistant to excuse us,” Kelly recalled in a lengthy post on Instagram. “As she walked away, he said, ‘I know you were feeling what I was feeling when we met the other night’ and then regaled me with offers of a lavish life filled with trips around the world on private planes etc. IF I would be his girlfriend. Or, ‘We could just keep this professional.’”

Choosing the latter option, Kelly rebuffed his advances and quickly excused herself from the restaurant.

“All I knew was not to offend this very powerful man and to get out of the situation as quickly as possible,” she wrote. “I told him while flattered, I’d like to keep things professional. He said ‘Fine. I trust you won’t tell anyone about this.’ I said ’Of course not. Thank you so much for taking the time to meet with me.”


While Kelly immediately informed her agent about the uncomfortable exchange, she didn’t share her encounter with others, considering Weinstein’s behavior to be part of the “day-to-day bullshit of being an actress.”

Her recollection of the incident, of course, was put into relief after dozens of women have accused Weinstein of sexual harassment and assault. The producer was fired from the Weinstein Company on Sunday, after a New York Times exposé revealed decades of alleged abuse. Days later, three women accused him of rape in a bombshell New Yorker report, which also caught the attention of the NYPD.

“I’m sorry for obliging his orders to be complicit in protecting his behavior, which he obviously knew was wrong or he wouldn’t have asked me not to tell anyone in the first place,” Kelly wrote. “For making him feel OK about the gross things he was saying and that I felt my only route was to say I was flattered. For not insisting that my reps never allow anyone to take a meeting in a hotel room (with him or anyone else), because I honestly don’t know what might have happened if I’d just showed up as originally scheduled.”

She concluded her caption with a message to those who’ve come forward in the days since, standing in solidarity with women in the film industry who’ve suffered at the hands of Weinstein.

“No more Harvey Weinstein in Hollywood does not solve the problem,” she wrote, “but maybe the more voices sharing their stories and adding support to the countless women and men who have suffered through abuse of power, the less it will be tolerated.”

Read Kelly’s full post below.

minkakelly Verified
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I met Harvey at an industry party. The following day, my agent said he wanted to see me for a general meeting. The location was set for his hotel room. I wasn’t comfortable with going to his room & said so. The following day, we sat down with an assistant in the hotel restaurant. He bullshit me for 5 minutes re: movies he could put me in, then asked the assistant to excuse us. As she walked away, he said, "I know you were feeling what I was feeling when we met the other night” and then regaled me with offers of a lavish life filled with trips around the world on private planes etc. IF I would be his girlfriend. Or, “We could just keep this professional.” All I knew was not to offend this very powerful man and to get out of the situation as quickly as possible. I told him while flattered, I'd like to keep things professional. He said “Fine. I trust you won't tell anyone about this.” I said “Of course not. Thank you so much for taking the time to meet with me,” - the only way I could think to shut it down gracefully and excuse myself. I immediately told my agent what happened. We marveled at his audacity, reinforced my instinct not to offend him & laughed at how glad I was to get out of there. Neither of us were that surprised as this wasn’t far off from the day-to-day bullshit of being an actress. I'm sorry for obliging his orders to be complicit in protecting his behavior, which he obviously knew was wrong or he wouldn’t have asked me not to tell anyone in the first place. For making him feel ok about the gross things he was saying and that I felt my only route was to say I was flattered. For not insisting that my reps never allow anyone to take a meeting in a hotel room (with him or anyone else), because I honestly don’t know what might have happened if I’d just showed up as originally scheduled. I am appalled for all the women being told these occurrences are in any way their fault. No more Harvey Weinstein in Hollywood does not solve the problem but maybe the more voices sharing their stories and adding support to the countless women and men who have suffered through abuse of power, the less it will be tolerated.
OCTOBER 13
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Re: 'Beautiful Girls' Scribe Scott Rosenberg On a Complicate

Postby admin » Fri Nov 03, 2017 3:55 am

Harvey Weinstein scandal: A complete list of the 76 accusers
by Sara M Moniuszko
USA TODAY
11:27 a.m. ET Oct. 27, 2017
Updated 2:03 p.m. ET Nov. 1, 2017

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Another woman came forward alleging Hollywood mogul Harvey Weinstein sexually assaulted her. Actress Natassia Malthe told reporters on Wednesday that the incident occurred back in 2010, after Weinstein barged into her London hotel room late at night. (Oct. 25) AP

Since the New York Times and New Yorker published bombshell reports detailing decades of alleged sexual harassment and assault by producer Harvey Weinstein early this month, dozens of women have come forward with similar claims against the movie mogul.

76 women have accused Weinstein of inappropriate to potentially criminal behavior ranging from requests for massages to intimidating sexual advances to rape.

Here is a complete (and developing) list of his accusers:

1. Amber Anderson, an actress known for The Riot Club, posted to Instagram on Oct. 16 that Weinstein “coerced” her into a private meeting. “He behaved inappropriately and propositioned a ‘personal’ relationship to further my career whilst bragging about other actresses he had ‘helped’ in a similar way,” she wrote. “He tried to take my hand and put it in his lap which is when I managed to leave the room.”

2. Lysette Anthony, an English model and actress of Husbands and Wives, told ‘The Sunday Times’ on Oct. 15 that Weinstein raped her in her home in the late 1980s.

3. Asia Argento, an Italian actress, model and director, told The New Yorker that in 1997 when she was 21, Weinstein asked for a massage and forcibly performed oral sex on her at a hotel in France.

4. Rosanna Arquette, 58, told The New Yorker she rebuffed an early 1990s advance from Weinstein, saying he asked for a massage while wearing only a bathrobe. She says the producer told her she was making a “big mistake” by rejecting him and claims he has made things “very difficult for (her) for years.” Arquette is an actress, director and producer known for her work in Pulp Fiction and The Executioner's Song.

5. Jessica Barth, the 37-year-old actress from the Ted films, told The New Yorker Weinstein invited her to a business meeting at his Beverly Hills hotel room after the 2011 Golden Globes. Barth later recalls he had champagne waiting, and alternated between offering to cast her in a film and demanding a naked massage. She claims that when she moved toward the door to leave, Weinstein lashed out, saying that she needs to lose weight “to compete with Mila Kunis.”

6. Ambra Battilana Gutierrez, an Italian model, can be heard being pressured by Weinstein in audiotapes from a New York Police Department sting in 2015. In the tapes, he seemingly admits to groping the model on the previous day. Weinstein reaches a settlement with Gutierrez, according to the Times.

7. Kate Beckinsale, 44, posted to Instagram on Oct. 12 accusing Weinstein of offering her alcohol during their first meeting when she was just 17. “I assumed it would be in a conference room which was very common,” she wrote. “When I arrived, reception told me to go to his room. He opened the door in his bathrobe.” Beckinsale is an English actress who has starred in Much Ado About Nothing and Pearl Harbor.

8. Juls Bindi, a massage therapist, alleged in a 20/20 interview that Weinstein masturbated in front of her while he groped her chest in 2010. She was 29 years-old at the time and says that Weinstein discussed a possible book deal with her before the incident happened.

9. Zoe Brock, a New Zealand model, told The Guardian and wrote in a 2,700-word post on Medium that Weinstein cornered her in a hotel room during the Cannes Film Festival in 1997, asking her for a massage while he was naked. The model, who was 23 at the time, says she locked herself in a bathroom to escape.

10. Cynthia Burr, now 62, told the New York Times in an interview published Oct. 30 that as a young actress in New York, she met Weinstein in a hotel lobby and he unzipped his fly and forced her to perform oral sex on him in a hallway. “It was just him and me alone,” she said. “I was fearful I didn’t have the wherewithal to get away.”

11. Liza Campbell, a Scottish artist and writer, told The Sunday Times that Weinstein invited her to take a bath with him after meeting with him in his hotel room in 1995.

12. Marisa Coughlan, a 43-year-old actress who starred in Super Troopers, told The Hollywood Reporter on Oct. 18 that Weinstein asked her to meet at a hotel in 1999 to discuss a film role, alleging that, once she was there, he requested a massage from her.

13. Hope Exiner d’Amore worked for Weinstein’s concert promotion company, Harvey and Corky Productions, in the late ‘70s, she told the Times. On a business trip to New York City, she says Weinstein claimed there was a mistake at the hotel and only one room was available. In the middle of the night, Exiner d’Amore, now 62, says Weinstein forcibly performed oral sex and intercourse on her.

14. Florence Darel, a 49-year-old French actress, told People on Oct. 12 that Weinstein pursued her in the mid ‘90s and then propositioned her in a hotel room while his wife at the time, Eve Chilton, was in the room next door. Darcel starred in The Stolen Children and Uranus.

15. Emma de Caunes, a French actress, told The New Yorker that Weinstein invited her to his hotel room in Cannes in 2010. While she takes a call from a friend, he goes into his bathroom, where she hears the shower being turned on. She later says that he came out with an erection and demanded she lie on the bed. “It was like a hunter with a wild animal,” she said. “The fear turns him on.” De Caunes starred in The Science of Sleep and Mr. Bean’s Holiday.

16. Juliana De Paula, a former model, told the Los Angeles Times that Weinstein groped her and forced her to kiss other models in New York a decade ago. She added that when she tried to leave, he chased her around naked, and she had to fight him off with broken glass.

17. Cara Delevingne, the 25-year-old English actress and model shared in an Instagram post on Oct. 11 and in a statement to New York Magazine and Huffington Post that the movie producer attempted to kiss her in a hotel room. "As soon as we were alone he began to brag about all the actresses he had slept with and how he had made their careers and spoke about other inappropriate things of a sexual nature," she wrote. Delevingne stars in Valerian and Tulip Fever.

18. Sophie Dix, an English actress known for her role in The Advocate, told TheGuardian on Oct. 13 that she was sexually assaulted by Weinstein in the Savoy hotel in London in the ‘90s.

19. Lacey Dorn, a recently-graduated documentary filmmaker, told the Times she ran into Weinstein at a Halloween party at the Gramercy Park Hotel in 2011, where he grabbed between her legs, touching her buttocks and crotch through her clothes.

20. Dawn Dunning, a waitress and aspiring actress, told the Times that in 2003 Weinstein lured her to his hotel, where he waited in a bathrobe in front of what he said were contracts for his next three films -- but she could only sign them on a condition: She would have to have three-way sex with him. Dunning laughed, assuming he was joking. Weinstein grew angry, she recalls. “You’ll never make it in this business,” she said he told her. “This is how the business works.” Dunning fled.

21. Lisa Esco, the 32-year-old S.W.A.T. actress and director, told the Washington Post and later People that Weinstein propositioned her with a kiss, and when she brushed him off, he threatened her career.

22. Alice Evans, a British actress, wrote in The Telegraph on Oct. 14 that Weinstein tried to touch and kiss her during the 2002 Cannes Film Festival. In the essay, she also claims that her rejection of Weinstein negatively impacted her and her husband's careers. Evans starred in The Christmas Card and The Vampire Diaries.

23. Lucia Evans (formally Lucia Stoller), told The New Yorker that she was approached by Weinstein at a New York club and invited to a meeting in 2004. Upon arrival, she was escorted to an office, where he both flattered her and recommended she lose weight to be on his reality show, Project Runway. “After that is when he assaulted me,” Evans told the newspaper. “He forced me to perform oral sex on him. I said, over and over, ‘I don’t want to do this, stop, don’t.' ” In the end, she said, “He’s a big guy. He overpowered me.”

24. Angie Everhart, an actress (Take Me Home Tonight) and former model came forward on the KLOS morning show alleging Weinstein masturbated in front of her while on a boat during the Venice Film Festival. The former model and actress claims Weinstein told her, "You're a really nice girl, you shouldn't tell anybody about this.”

25. Claire Forlani, an English actress (Meet Joe Black and Boys and Girls), took to Twitter on Oct. 12 to claim she dodged five different advances from Weinstein over the years.

26. Romola Garai, an English actress, told The Guardian that in 2004 during the audition process for Havana Nights, she was told to arrive at Weinstein’s hotel room, alone. “He answered the door in his bathrobe," she said. "I was only 18. I felt violated by it, it has stayed very clearly in my memory.”

27. Louisette Geiss, a former actress and screenwriter, said at a press conference on Oct. 10 that at the Sundance Film Festival in 2008, Weinstein invited her to his room to discuss her script, but after about 30 minutes, he returned from the bathroom in nothing but a robe with the front open. Weinstein proceeded to get in the bathtub and “just kept asking me to watch him masturbate," she said. Geiss says she moved to leave his hotel room, and Weinstein trailed her to the door, promising to introduce her to his brother, Bob, greenlight her script and give her a three-picture deal. But she had to watch him masturbate first.

28. Louise Godbold, a co-executive director of the non-profit Echo Parenting & Education, wrote in a blog post published on Oct. 9 that in the early ‘90s she was also a victim of Weinstein. She describes being trapped in an empty meeting room, being propositioned for a massage and being touched on her shoulders.

29. Judith Godreche. At 24-years-old, the French actress (The Man in the Iron Mask) was invited to breakfast with Weinstein during the Cannes Film Festival in 1996, she tells the Times. Afterward, the mogul, who had just acquired her film Ridicule, allegedly lured her to his room, promising to talk about planning an Oscar campaign. Then he asked to give her a massage. She said no. “The next thing I know, he’s pressing against me and pulling off my sweater,” she recalls. She pulls away and leaves the suite.

30. Trish Goff, a former model and actress, told the Times that Weinstein allegedly groped her during a lunch meeting in 2003. "When we finally stood up to go, he really started groping me, grabbing my breasts, grabbing my face and trying to kiss me," she said.

31. Heather Graham, an actress known for her role in The Hangover films, wrote an essay for Variety on Oct. 10 describing a time in the early 2000s when Weinstein allegedly insinuated that she would need to have sex with him in order to get a role in one of his upcoming films. She was never hired for one of his films.

32. Eva Green, an actress known for Casino Royale and Weinstein Company’s Sin City, told Variety that she had to push Weinstein off of her during a business meeting in Paris.

33. Larissa Gomes, an actress known for Saw VI, told the Los Angeles Times that Weinstein asked her to bare her chest while working on the Toronto set of the Miramax-produced film Get Over It about 17 years ago. Weinstein also tried to kiss her, she says. She was 21 at the time.

34. Mimi Haleyi, a former production assistant, said she met Weinstein at the 2004 premiere of The Aviator, and again at the Cannes Film Festival in 2006, where she offered to help on his productions in New York. He told her to come by his hotel. When she did, he suggested she massage him. "I felt the meeting was going nowhere and I left," Haleyi said with lawyer Gloria Allred at a press conference Oct. 24. Later in New York, Weinstein orally forced himself on her while she was on her period, she said.

35. Daryl Hannah, an actress known for Steel Magnolias and the Kill Bill films, told The New Yorker on Oct. 27 that Weinstein sexually harassed her on two different occasions in the past decade.

36. Lena Headey, 44, who plays Cersei on Game of Thrones, shared a series of tweets on Oct. 17 describing an incident in 2005 involving "some suggestive comment, a gesture” from Weinstein. Years later, she said she also experienced him asking her personal questions about her love life before asking her up to his hotel room.

37. Lauren Holly said on the Canadian talk show The Social on Oct. 16 that Weinstein, who she met while working on the 1996 film Beautiful Girls, acted inappropriately towards her during a meeting in his hotel room. After what appeared to be a normal business meeting, she claims Weinstein left the room before returning in a bathrobe and asking her to follow him into the bedroom. She says he then dropped the robe and took a shower. Once out of the shower he approached her naked before she fled the room.

38. Dominique Huett, 35, a New York-based actress, filed a lawsuit in Los Angeles Oct. 24 against The Weinstein Company, alleging that Harvey Weinstein pressured her into sex at the Peninsula Hotel in Beverly Hills in 2010 and that his company knew about multiple allegations of sexual misconduct against him dating back to the ‘90s.

39. Angelina Jolie, a 42-year-old actress, filmmaker and humanitarian, told the Times that during the release of Playing By Heart, she rejected advances by Weinstein in a hotel room. She was 23 at the time. “I had a bad experience with Harvey Weinstein in my youth, and as a result, chose never to work with him again and warn others when they did,” Jolie explained in an email to the newspaper.

40. Ashley Judd, 49, told the Times that during a 1997 breakfast meeting at Weinstein’s hotel room in Beverly Hills, the producer propositioned her, saying he could give her a massage or she could watch him shower. She was starring in Miramax’s Kiss the Girls at the time.

41. Katherine Kendall, a 48-year-old actress from Swingers, told the Times that Weinstein convinced her to stop by his apartment in 1993 when she was 23 years old. Once there, he came out of his bathroom in a robe, asking for a massage. She refused; he left the room and returned nude, she says. “He literally chased me,” she told the newspaper. “He wouldn’t let me pass him to get to the door.”

42. Minka Kelly, a 37-year-old actress from Friday Night Lights, took to Instagram on Oct. 13, describing how Weinstein allegedly propositioned her to be his girlfriend at a meeting.

43. Heather Kerr, a 56-year-old former actress, read a statement on Oct. 20 at a press conference with attorney Gloria Allred, describing a 1989 encounter with Weinstein where he exposed himself to her and told her she had to sleep with him and other Hollywood producers in order to succeed in the industry.

44. Mia Kirshner, a 42-year-old Canadian actress (The L Word), wrote an op-ed for The Globe and Mail on Oct. 13 that alleged Weinstein harassed her in a hotel room.

45. Myleene Klass, a British singer-turned-TV-host , was propositioned by Weinstein during a film festival lunch at Cannes in 2010, according to UK’s The Sun. The report claims she immediately declined his offer, telling him to “(expletive) off,” and left the meeting “disgusted and angry.” She was 32 at the time.

46. Ivana Lowell, a former Miramax employee and former girlfriend of Bob Weinstein, wrote in her 2010 memoir Why Not Say What Happened? that Harvey Weinstein showed up at her apartment, lay naked on her bed and asked for a massage. In an article for The Daily Mail, she recounted her experience with the movie mogul and revealed he threatened to sue her after the memoir was released.

47. Laura Madden, a London-based assistant, told the Times that Weinstein asked her for massages at hotels in Dublin and London in 1991, adding he had a way of making anyone who objected feel like an outlier. “It was so manipulative,” she recalled, two decades after the original incident.

48. Natassia Malthe, 43, said Weinstein barged into her London hotel room and raped her in 2008 after she met him at the BAFTA Awards. After the rape, he masturbated in front of her, the Norwegian-born actress said in her statement at a press conference with attorney Gloria Allred on Oct. 25.

49. Brit Marling, the OA actress/writer shared in an essay for The Atlantic that Weinstein pulled the hotel room-massage act on her in 2014. "I, too, was asked if I wanted a massage, champagne, strawberries. I, too, sat in that chair paralyzed by mounting fear when he suggested we shower together," she wrote.

50. Sarah Ann Masse, a writer and actress (Awkward Exes), told Variety on Oct. 11 that Weinstein hugged her in his underwear and told her he loved her during an interview for a nanny job in 2008.

51. Ashley Matthau, a dancer who worked on Dirty Dancing: Havana Nights, which was produced by Weinstein's company, told the Times that Weinstein began hitting on her on set. He asked her to get in his car and took her to a hotel room, where she says she refused his sexual advances but he pushed her onto the bed and fondled her breasts before stripping, straddling her and masturbating on top of her. She hired an attorney from Gloria Allred’s firm, but says Weinstein and his lawyer threatened to drag her through the mud if she went public, so she took a settlement.

52. Rose McGowan, 44-year-old Charmed actress, reached a previously undisclosed settlement with Weinstein in 2007 after an episode in a hotel room during the Sundance Film Festival, the Times reported in early October. In 2016, she tweeted that she was raped by a studio head in 2007, but didn’t identify Weinstein at the time.

53. Katya Mtsitouridze, a Russian TV host, told The Hollywood Reporter on Oct. 19 that she was harassed by Weinstein, alleging he arranged a private meeting in 2004 during the Venice Film Festival where he greeted her in a bathrobe and suggested she give him a massage.

54. Emily Nestor, who had worked just one day as a temporary employee for the Weinstein Company in 2014, was invited to a hotel room and propositioned by Weinstein, according to the Times and New Yorker.

55. Connie Nielsen, a 52-year-old Danish actress (The Devil’s Advocate), wrote a guest column for Variety on Oct. 24, adding her name to the list of women allegedly harassed by Weinstein, who produced her 2005 film The Great Raid. The actress claims the producer put his hand on her thigh during the opening night of the film.

56. Lupita Nyong’o, a 34-year-old Academy Award-winning actress, penned a lengthy column in the Times on Oct. 19 recounting her experience with Weinstein. "Harvey led me into a bedroom — his bedroom — and announced that he wanted to give me a massage. I thought he was joking at first. He was not," Nyong'o wrote. She said Weinstein’s advances continued later during a dinner in New York. Weinstein issued a written response via Variety the following day. “Mr. Weinstein has a different recollection of the events, but believes Lupita is a brilliant actress and a major force for the industry," the statement read.

57. Gwyneth Paltrow, 45, told the Times that before shooting Emma when she was 22, Weinstein summoned her to his suite at the Peninsula Beverly Hills hotel for a work meeting which ended with Weinstein placing his hands on her and suggesting they head to the bedroom for massages. “I was a kid, I was signed up, I was petrified,” she said.

58. Samantha Panagrosso, a model, told Variety that Weinstein made unwanted sexual advances toward her during the Cannes Film Festival in 2003 while on a friend’s yacht, and groped her underwater at a nearby hotel pool.

59. Zelda Perkins, a former assistant to Weinstein, broke her NDA for an interview with the Financial Times, saying she confronted the producer after being subjected to harassment on a near daily basis during the time she worked for him. At the Venice Film Festival in 1998, she told the Times, he assaulted a colleague, and the women entered a settlement agreement for approximately $330,000.

60. Vu Thu Phuong, a Vietnamese actress, came forward in a Facebook post on Oct. 12 claiming Weinstein made sexual advances towards her during a hotel room meeting in 2008, attempting to teach her how to perform in a sex scene, Vulture and The Huffington Post reported.

61. Tomi-Ann Roberts. In 1984, the then 20-year-old college junior and waitress was hoping to start an acting career. She says Weinstein, a customer, sent her scripts and asked her to meet to discuss the film. When she arrived, he was nude in the bathtub, she told The New York Times. According to the newspaper’s account, he suggested she get naked as part of her audition because the character she might play would have a topless scene. Roberts recalls apologizing, excusing herself as prudish, and leaving.

62. Lisa Rose, a then-aspiring actress who worked for Miramax in London when she was 22, told BBC News that Weinstein harassed her in 1988 at the Savoy hotel. She claims Weinstein asked her for a massage and, when she declined, said “nasty things” to her. She later resigned.

63. Erika Rosenbaum, a Canadian actress (The Last Kiss), said in an interview with CBC (Canadian Broadcasting Corporation) that Weinstein held her by the back of her neck and masturbated in front of her in a hotel room during the Toronto International Film Festival in the mid-2000s.

64. Melissa Sagemiller told The Huffington Post that Weinstein harassed her when she was 24-years-old while she worked on Get Over It, which was distributed by Weinstein’s Miramax. During a meeting in his hotel room, the producer allegedly refused to let her leave until she kissed him.

65. Annabella Sciorra, an actress known for her work in Reversal of Fortune and The Hand That Rocks the Cradle, told The New Yorker on Oct. 27 that Weinstein violently raped her in the early 1990s and repeatedly sexually harassed her over the next several years.

66. Léa Seydoux, 32-year-old French actress of Blue is the Warmest Colour, wrote an op-ed for The Guardian on Oct. 11 describing an interaction she had with Weinstein, which involved him inviting her to his hotel room for a drink and later lunging at her and attempting to kiss her.

67. Lauren Sivan, a New York TV reporter, says she was cornered by Weinstein in the kitchen of a restaurant in which he is an investor in 2007, according to The Huffington Post. When she avoids his kiss, he reportedly tells her to “stand there and shut up” while he masturbates and ejaculates into a nearby potted plant.

68. Chelsea Skidmore, an actress known for Leah & Chelsea Have a Sleepover, told the Washington Post that Weinstein asked her for a massage after a meeting at the Peninsula Hotel in 2013. After declining, she claims he masturbated in front of her.

69. Mira Sorvino, 50, told The New Yorker that while promoting Mighty Aphrodite at the 1995 Toronto International Film Festival, Weinstein “started massaging my shoulders, which made me very uncomfortable, and then tried to get more physical, sort of chasing me around.” Weeks later, she says he evaded her doorman and showed up at the door of her New York apartment, but was able to scare him off on both occasions.

70. Tara Subkoff, a 44-year-old actress (The Cell), told Variety that Weinstein sexually harassed her in the 1990s, recounting a time when he “grabbed” her to sit on his lap. “I could feel that he had an erection,” she recalled.

71. Paula Wachowiak, 62, told The Buffalo News that Weinstein exposed himself to her when she was a 24-year-old production assistant on his first film, The Burning, in 1980. Wachowiak says she left the room in tears. Later, she says, he asked, “Was seeing me naked the highlight of your internship?"

72. Sean Young, a 57-year-old actress (Blade Runner), said Weinstein exposed himself to her while on the set of the 1992 Miramax film Love Crimes, during an interview Oct. 20 on KLBJ's Dudley and Bob With Matt Show Daily Podcast. She says she "personally experienced him pulling his you-know-what out of his pants."

Anonymous accusers:

73. An unidentified woman, who worked for Weinstein and told the New Yorker she was too afraid to use her name for fear of legal retaliation, said Weinstein brought her to a hotel room under professional pretext, then changed into a bathrobe and forced himself on her sexually.

74. An unnamed 38-year-old Italian actress whose accusation that Weinstein raped her in 2013 is now being investigated by Los Angeles police.

75. A former Miramax employee going by the alias Sarah Smith told The Daily Mail that Weinstein raped her in the basement of his London office in 1992. “He grabbed me and he was so big and powerful. He just ripped my clothes away and pushed me, threw me down,” she said.

76. The Washington Post reported an account from 1984 on Oct. 14, in which a young crew member on Weinstein’s film Playing for Keeps was reportedly asked to visit Weinstein’s hotel room where he attempted to perform oral sex on her.

Cara Kelly contributed to this report.
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Re: 'Beautiful Girls' Scribe Scott Rosenberg On a Complicate

Postby admin » Fri Nov 03, 2017 4:11 am

Lauren Holly Describes Harvey Weinstein Harassment: ‘I Wanted to Flee’
by Erin Nyren @ecnyren
Variety
October 16, 2017

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“Beautiful Girls” actress Lauren Holly is the latest woman to share her story of harassment at the hands of Harvey Weinstein, describing an encounter she had with him in a hotel room on Canadian talk show “The Social.”

The actress, who has been on “The Social” several times previously, explained her decision to reach out to the show as a platform to share her story. “I realized that I had a responsibility that I needed to come forward and say it,” she said. “I didn’t want to go chasing after some publication, I didn’t want to post it on social media, it seemed like my voice was too quiet if I did that.”

Holly described her initial reaction to the New York Times expose on Weinstein, stating that she was floored when she initially read it because it felt like her story as well. The actress continued: “This happened in the late 1990s; I was in my 30s. I was not a young ingenue, and I was certainly not new to Hollywood; I was a seasoned, Hollywood person.”

She explained that she was already familiar with Weinstein, having worked with him on “Beautiful Girls” and interacted with him socially.

A meeting was set up between her and Weinstein at a hotel to talk about her future with his company, which she didn’t find “abormal at all” because she had routinely met with producers, writers, and directors in hotel suites.

She described the early stages of their meeting as normal: “Everything was absolutely professional from the get-go.” After some small talk, Holly said that Weinstein asked to be excused, and returned to the main part of the suite wearing a hotel bathrobe. “No doubt it was odd,” she said, “however, when he walked in and he was in the bathrobe, he said, ‘Okay, let’s get to it, this is what we’ve got going on at my company, these are the scripts we have in the pipeline, this is what I think might be right for you,’ and he gestured for me to follow him.”

Holly recounted that she followed him into the bedroom part of the suite as he continued talking. After entering the suite, she said that Weinstein dropped his robe, went into the bathroom, and began using the toilet.

“At this point my head was exploding,” she said. “He keeps the conversation going, he finishes, he turns on the shower, he gets in the shower. He’s continually talking to me, he’s in the shower washing himself. Leaning out, asking me for responses.

“My head is going crazy at this point. He’s acting like the situation is normal. He’s acting like we’re having a normal encounter. I’m thinking to myself, ‘Am I just a prude? Am I supposed to be more open minded?’ I didn’t quite know how to handle myself at that moment.”

According to Holly, Weinstein left the shower, dried off, and began approaching her while still naked.

“The adrenaline rush I felt, I wanted to flee, I was scared. He told me that I looked stressed and he thought maybe I could use a massage, maybe I could give him a massage. I began just sort of babbling like I was a child, I think it was just the fear.” She told him she didn’t have a massage license and that maybe they could call the front desk to have a masseuse come up.

Holly said Weinstein began to threaten her, stating that she needed to “keep him as [her] ally” and that it would be a “bad decision” if she left the room. At that point, Holly said, she “pushed him and ran.”

After leaving the hotel, Holly went to a previously planned dinner with other Hollywood notables, who, when she explained why she arrived distraught, said that since Weinstein hadn’t raped or assaulted her, she should “keep [her] mouth shut because it’s Harvey Weinstein.”


The actress continued that although she isn’t certain the encounter had any negative impacts on her career, she did pivot away from film in the intervening years. Holly also recounted a later experience with Weinstein, in which the two were staying at the same hotel and he requested to meet her. She, however, went to great lengths to avoid him.

More than 30 women have come forward since the New York Times published an investigative report on the Hollywood producer, alleging sexual harassment and assault. Fired from The Weinstein Company, Weinstein was also expelled from the Producers Guild and the Motion Picture Academy. His wife Georgina Chapman has also filed for divorce.
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Re: 'Beautiful Girls' Scribe Scott Rosenberg On a Complicate

Postby admin » Fri Nov 03, 2017 4:19 am

Russian TV Hostess Alleges "Disgusting" Harvey Weinstein Incident: "I Was Frozen"
by Nick Holdsworth
The Hollywood Reporter
10:00 AM PDT 10/19/2017

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Courtesy of Katya Mtsidouridze
Katya Mtsitouridze


Katya Mtsitouridze, also the head of Russian film body Roskino, recalls numerous encounters with the disgraced mogul, including one in which he told her, "Don't even think about saying anything."


The head of Russia's international film promotion body Roskino claims she was sexually harassed by Harvey Weinstein.

Katya Mtsitouridze, hostess of This Is Cinema (a popular show on Russia's national television station Channel One) and, as head of film promotional body Roskino, a well-known and influential figure in the Russian film industry, says Weinstein repeatedly pressed her for personal meetings for more than a decade. He also, during the Venice Film Festival, greeted her in his hotel room wearing only a bathrobe and suggested she give him a massage.

Mtsitouridze also says the disgraced Hollywood film producer warned her not to speak out about his behavior toward her.

"I first met Mr. Weinstein in the Regent hotel at the Berlin film festival [in 2003], where I was doing a television interview with George Clooney for Channel One," Mtsitouridze tells The Hollywood Reporter. "Harvey was co-producer of Clooney's directorial debut, Confessions of a Dangerous Mind. After the interview, he came up to me saying that he liked my questions and would love to have lunch in his room — that he loved Russian culture, especially Chekhov, and that his grandparents were originally from Russia — and that we could have an interesting conversation. I was surprised and told him, rather ironically, that, of course, it would be an honor, but I was afraid my boyfriend would not be happy about our cultural tete-a-tete, but if he wished to invite him, there would be no problem."

Weinstein was nonplussed by her reply, Mtsitouridze recalls: "He said, 'Don't you understand me?' and wrote his mobile number down, adding he was waiting for my call at any time."


Busy with festival work, Mtsitouridze put the incident out of her mind and soon forgot about it.

"Later, our paths crossed a few times at various events," she says, adding that she tried to avoid Weinstein because he would always "with such passion ask, 'When will you call me?' Or 'Let me fly you to New York.'" Again, Mtsitouridze says she used her wits and humor to sidestep these proposals.

It was in Venice in 2004 that she says the most threatening incident occurred.

"We met at the premiere of Finding Neverland, starring Johnny Depp and Kate Winslet," she recalls. "This was the famous screening which was delayed by an hour — unthinkable for any self-respecting festival — when Harvey, half-joking, threatened the festival director in comments made from the stage, with words to the effect of, 'If this happens again with my movie, I'll drown you in the lagoon.'"

It was immediately following the screening that Weinstein again approached Mtsitouridze.

"He invited me to meet him in his room after the party, saying he had a great idea for working with contemporary Russian writers, reminding me that he was a publisher as well as a filmmaker," she says.

She refused but diplomatically suggested a meeting the following day at the cafe of the Excelsior, the luxurious five-star hotel frequented by top filmmakers on the Lido during the Venice fest.

Knowing that many movie companies and press people stayed at the hotel, she chose a public place for the meeting. When she turned up the next day, she was greeted by an assistant, who said Weinstein was feeling unwell and suggested she join him for lunch in his room upstairs.

"The assistant said that he would be joining us, so I went up," Mtsitouridze says. But when she walked into the room, she noticed the "table was set for two" and that the "assistant instantly disappeared."

The shock of what happened next is still with Mtsitouridze 13 years later: "I was frozen into immobility like a statue, because a well-known producer with whom I've come to discuss modern Russian writers, was in a bathrobe."

What is now a familiar approach unfolded, echoed in the testimonies of dozens of women recently. Weinstein looked at Mtsitouridze and told her: "I waited for the masseuse, but she's late. We can have fun without her. Let's relax."

She says he then referred to his recent abdominal surgery, in what appeared to be an attempt to garner her sympathy. "He tried to show me his stomach," Mtsitouridze says. "I was disgusted."

Frozen to the spot, desperately trying to work out how to extricate herself from the alarming situation, Mtsitouridze recalled that in the corridor outside there was a press junket taking place. She wondered if she screamed loud enough would her cries be heard?

Mtsitouridze heard Weinstein say, "You will love it. I'm a guru in this matter. You never met a man like me." She says it's unclear if he was referring to a massage or something more intimate.

Mtsitouridze says she was saved, "like a scene from a bad movie," when a waiter entered the room without knocking, bringing in an ice bucket for champagne.

"It seems he had set the table and returned to finish everything," she says.

Seizing the moment, she turned and ran.


The incident, she says today, "seemed to go on for so long it felt like forever, but in reality, it was only a few minutes."

Outside in the corridor, she bumped into "some friends from Dutch television, who, seeing my condition, began to ask what happened. I was so nervous and frightened that I preferred to say that I felt bad because of something I had eaten and since then have simply tried to forget this incident like a bad dream."

Mtsitouridze did her best in the following years to avoid Weinstein at the festivals and events they both attended.

"[But] one day, it was the opening of the Cannes film festival, in 2014 or 2015. I was standing in the company of friends, including producer and investor Len Blavatnik, and Harvey walked over to say hello," she remembers. "Len, not knowing that we had met, introduced us, noting that I'm promoting Russian film worldwide, producing movies and know the Russian industry very well, so we could discuss any common projects."

It was, she says, the "usual nice intro," but she was left feeling awkward in Weinstein's presence. "I did not know how to behave. I was so frustrated. But Harvey, acting as if nothing had happened, kissed my hand and said quietly so that only I could hear: 'Don't even think about saying anything. Forget all about it. Be a smart girl.'"


It was, she says, "all so disgusting. I had no idea that it was his usual way of communicating with women."

Mtsitouridze did not plan to go public with her experiences, even as more and more women spoke to the press but, when approached by THR, decided the time was right.

"I'm sure all the victims of violence, regardless of whether they are well known or unknown to the public, deserve sympathy and support," she says.

She emphasizes that she does not intend for her story to become part of a "witch hunt," recalling that "in Soviet times we experienced the public exposure of famous people, writers, directors or state officials [for inappropriate behavior or other criminal charges]. Later it turned out that many of these cases were wrong."

But she adds: "In Harvey's case — and he is certainly one of the most famous producers in Hollywood — we have to understand that this does not give him the right to behave like this and he needs to take responsibility for his actions. In my opinion, as soon as this topic is raised, we should use this to ensure that in the future such stories will not be repeated. And this applies to both traditional and gay relationships. If a director or producer tries to harass a gay actor, it's also unacceptable, as is the situation with women. I think the creative industries around the world draw conclusions from this sad story. Thanks to the internet, the world today has become much more open and many things begin to change."
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Re: 'Beautiful Girls' Scribe Scott Rosenberg On a Complicate

Postby admin » Fri Nov 03, 2017 4:33 am

1980s actress Heather Kerr says Harvey Weinstein made her touch his genitals
by Nardine Saad
October 20, 2017, 01:30 PM

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Heather Kerr, left, who alleges Harvey Weinstein sexually assaulted her, attends a news conference with her attorney, Gloria Allred, at Allred's Los Angeles office on Oct. 20. (Mel Melcon / Los Angeles Times)

Former actress Heather Kerr said Friday that she too was a victim of Harvey Weinstein, charging that the now-disgraced film mogul sexually assaulted her during a business meeting in 1989.

Kerr, speaking during a news conference alongside her attorney, Gloria Allred, alleged that Weinstein forced her to touch his genitals and told her that she had to be good in bed, as well as sleep with him and others, if she wanted a career in Hollywood.

"What he wanted to know was whether she could satisfy him sexually in order to obtain roles in their films," Allred said. "He told her that this was 'how things worked in Hollywood and that all actresses made it that way… by sleeping their way into the jobs that they had."

Kerr, 56, is the latest of Allred's clients to accuse the former studio mogul of assault. Allred also represents former actress Louisette Geiss, who came forward earlier this month in a similar news conference.

The high-profile civil rights attorney said Friday that numerous women have come to her with accounts of abuse and that she has retained several of them since the Weinstein scandal broke earlier this month. She also said more would be coming forward in New York next week.

Reading a prepared statement, Kerr said that she was in her 20s when she met Weinstein during a private meeting, and that he proceeded to tell her how things worked in Hollywood.

"He asked me if I was good," she said, repeating the phrase often, assuming he was asking about her professional training.

"I started to tell him about my training and acting experience, and he said, 'No, I need to know if you're good.' He said that if he was going to introduce me around town … he needed to know if I was any good," she said.


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Gloria Allred, left, comforts Heather Kerr at Friday's press conference. (Mel Melcon / Los Angeles Times )

Kerr, who appeared on the TV show "The Facts of Life," described him wearing a "sly, sleazy smile" and sitting close to her on a couch.

"I started to get a sick feeling in my stomach. The next thing I knew, he had unzipped his fly and pulled out his penis," she said. "My heart started pounding. My mind started racing. How do I deal with this? How do I get out of this. Am I going to get out of this?

"He then grabbed my hand and forced my hand onto his penis and then held it there. I was frozen with fear, trying to remain calm," she added, saying there was nobody else in the office.

She said she pulled her hand away "as casually as possible."


"He told me this was how things work in Hollywood and that all the actresses that had made it had made it this way. He said, 'name anyone,'" she recalled. "He told me that first I would have sex with him and then he would take me to parties and show me who I had to sleep with after that. But first he needed to know how good I was."

Weinstein told her that she wasn't that good-looking but that he was willing to help her anyway, she said, and that he was doing her a favor. She said that she got up and backed out of the room, thanked him for his time and rushed to an elevator, calling the experience a "nightmare."


I didn't think anyone would believe me. I was nobody. Why would they?
-- HEATHER KERR


Kerr said she resigned from her job and quit acting not long after that. She said she continued doing theater for a while and told parts of her story to very few people.

"I felt so powerless because he is, after all, very powerful and very well known and very successful. I didn't think anyone would believe me. I was nobody. Why would they?" she said.

At that moment, she began sobbing and hugged Allred, who then took over the news conference.

"While that may be the way it was, that may not be the way it is in the future because, Harvey, you are done," Allred declared. "Women won't take it anymore. We are taking our power back, and we will never allow things to go back to the way they were. You and your kind will someday be in a museum, or worse."


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Heather Kerr, right, and Gloria Allred. (Mel Melcon / Los Angeles Times )

Weinstein is currently being investigated by law enforcement officials in Los Angeles, New York and London, where women have accused the "Shakespeare in Love" producer of rape. His spokesperson has said that he "unequivocally denies allegations of non-consensual sex."

Allred said that Kerr "lost her willingness to act" because "the price she had to pay as an actress was too high." She gave up on her dream, and no woman should have to do that, she said, adding that Weinstein's proposition was a quid pro quo and against the law.

"To all the women placed in this situation, I have the following advice: Go to a sexual harassment lawyer for a consultation," she said.

Allred also declared that "the balance of power has shifted in Hollywood" and said that the Academy of Motion Picture Arts ans Sciences "did the right thing" by expelling the producer from the institution.

"It's a new day. They made a strong statement and sent a message," she said. "It's no longer business as usual."

A representative for Weinstein could not immediately be reached for comment.
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Re: 'Beautiful Girls' Scribe Scott Rosenberg On a Complicate

Postby admin » Fri Nov 03, 2017 4:42 am

Harvey Weinstein and the Economics of Consent: The blunt power of the gatekeeper is the ability to enforce not just artistic, but also financial, exile.
by Brit Marling
October 23, 2017

NOTICE: THIS WORK MAY BE PROTECTED BY COPYRIGHT

YOU ARE REQUIRED TO READ THE COPYRIGHT NOTICE AT THIS LINK BEFORE YOU READ THE FOLLOWING WORK, THAT IS AVAILABLE SOLELY FOR PRIVATE STUDY, SCHOLARSHIP OR RESEARCH PURSUANT TO 17 U.S.C. SECTION 107 AND 108. IN THE EVENT THAT THE LIBRARY DETERMINES THAT UNLAWFUL COPYING OF THIS WORK HAS OCCURRED, THE LIBRARY HAS THE RIGHT TO BLOCK THE I.P. ADDRESS AT WHICH THE UNLAWFUL COPYING APPEARED TO HAVE OCCURRED. THANK YOU FOR RESPECTING THE RIGHTS OF COPYRIGHT OWNERS.


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When the Harvey Weinstein story broke, I thought of something my mother told me when I was a little girl. She said: To be a free woman, you have to be a financially independent woman. She wasn’t wrong. I studied economics in college and went to New York to become an investment banker. To be blunt, I wanted the freedom money can buy.

I had a sudden change of heart while working at Goldman Sachs as a summer analyst. I decided that if the world required me to sell the hours of my life in exchange for access to what had long ago been free—food, water, shelter—I wanted to at least be doing something that stirred my soul. This is, granted, a privileged position. But as a young woman that was the conclusion I came to.

I had discovered acting and filmmaking in college, and the more time I spent immersed in it, the more I liked the person I became. I listened more acutely. I was more empathic and imaginative. These are qualities that seemed to me to be culturally on the decline; our culture likes forward-thinking talkers who can turn a profit without feeling too much about who may suffer the consequences—usually poor people, people of color, and women. Acting felt like a noble pursuit and maybe even a small act of resistance.

Hollywood was, of course, a rude awakening to that kind of idealism. I quickly realized that a large portion of the town functioned inside a soft and sometimes literal trafficking or prostitution of young women (a commodity with an endless supply and an endless demand). The storytellers—the people with economic and artistic power—are, by and large, straight, white men. As of 2017, women make up only 23 percent of the Directors Guild of America and only 11 percent are people of color.

Straight, white men tend to tell stories from their perspective, as one naturally does, which means the women are generally underwritten. They don’t necessarily even need names; “Bikini Babe 2” and “Blonde 4” are parts I auditioned for. If the female characters are lucky enough to have names, they are usually designed only to ask the questions that prompt the lead male monologue, or they are quickly killed in service to advancing the plot.

Once, when I was standing in line for some open-call audition for a horror film, I remember catching my reflection in the mirror and realizing that I was dressed like a sex object. Every woman in line to audition for “Nurse” was, it seemed. We had all internalized on some level the idea that if we were going to be cast we’d better sell what was desired—not our artistry, not our imaginations—but our bodies.

It was around this time that I remember sitting in a casual gathering where a straight, white male activist said, “Our gender and race has all the power. So when you want to have sex with a woman you have to ask and get her verbal consent.” He continued, “If that woman is a person of color, she is oppressed by both her gender and her race and then you should really ask twice.” The literalism of his ratio was ridiculously reductive, and his declarative tone off-putting, but I appreciated that he was trying to articulate how complicated it is to negotiate the invisible forces of privilege and power inside sexual encounters. He was trying to help other young men understand why it can sometimes be hard for any woman to find and voice “no” within a culture that has taught her to mistrust herself, or to value herself through male approval.

I emerged from this period thinking about the power dynamics inside Hollywood. If auditioning for parts was largely about seeking male approval, and the stories themselves were narratives I didn’t always politically or morally agree with, then the only way for me to navigate Hollywood with more agency was to become a storyteller myself.
That is an easy thing to say and a very hard thing to do. I stopped auditioning. I worked a day job and spent nights and weekends at the public library downtown reading screenwriting books. I did this for years. Eventually, I co-wrote and starred in two films and was very fortunate when they were programmed at Sundance in 2011.

I’m taking you through this brief history because I think it’s important to understanding that when Harvey Weinstein requested a meeting with me in 2014—when the industry had deemed I was legitimate fresh meat—I was, in some ways, in a slightly different position from many who had walked this gauntlet before me.

I, too, went to the meeting thinking that perhaps my entire life was about to change for the better. I, too, was asked to meet him in a hotel bar. I, too, met a young, female assistant there who said the meeting had been moved upstairs to his suite because he was a very busy man. I, too, felt my guard go up but was calmed by the presence of another woman my age beside me. I, too, felt terror in the pit of my stomach when that young woman left the room and I was suddenly alone with him. I, too, was asked if I wanted a massage, champagne, strawberries. I, too, sat in that chair paralyzed by mounting fear when he suggested we shower together. What could I do? How not to offend this man, this gatekeeper, who could anoint or destroy me?

It was clear that there was only one direction he wanted this encounter to go in, and that was sex or some version of an erotic exchange. I was able to gather myself together—a bundle of firing nerves, hands trembling, voice lost in my throat—and leave the room.

I later sat in my hotel room alone and wept. I wept because I had gone up the elevator when I knew better. I wept because I had let him touch my shoulders. I wept because at other times in my life, under other circumstances, I had not been able to leave.


Consent is a function of power. You have to have a modicum of power to give it.


At this point many women have come forward to tell their stories about being harassed or abused by Weinstein. All of them are courageous, including the women who could not find a way out. I think for me, I was able to leave Weinstein’s hotel room that day because I had entered as an actor but also as a writer/creator. Of those dual personas in me—actor and writer—it was the writer who stood up and walked out. Because the writer knew that even if this very powerful man never gave her a job in any of his films, even if he blacklisted her from other films, she could make her own work on her own terms and thus keep a roof over her head.

I’m telling this story because in the heat surrounding these brave admissions, it’s important to think about the economics of consent. Weinstein was a gatekeeper who could give actresses a career that would sustain their lives and the livelihood of their families. He could also give them fame, which is one of few ways for women to gain some semblance of power and voice inside a patriarchal world. They knew it. He knew it. Weinstein could also ensure that these women would never work again if they humiliated him. That’s not just artistic or emotional exile—that’s also economic exile.

It’s important, too, to keep in mind where this power imbalance comes from. In the U.S., women were only allowed to have credit cards in their own names as of 43 years ago. Men had a two-decade head start (the credit card was invented in 1950). In the 1960s a woman needed to bring a man along to cosign any credit application. It’s stunning how recently women were afforded no financial autonomy. This is, of course, connected to the fact that women didn’t have bodily autonomy either. A woman’s husband could beat her or have sex with her without her consent in this country with no real legal recourse until the 1970s.

For me, this all distills down to the following: The things that happen in hotel rooms and board rooms all over the world (and in every industry) between women seeking employment or trying to keep employment and men holding the power to grant it or take it away exist in a gray zone where words like “consent” cannot fully capture the complexity of the encounter. Because consent is a function of power. You have to have a modicum of power to give it. In many cases women do not have that power because their livelihood is in jeopardy and because they are the gender that is oppressed by a daily, invisible war waged against all that is feminine—women and humans who behave or dress or think or feel or look feminine.

It’s a powerful moment when courageous people begin speaking about how they have been harmed, which is a deeply difficult thing to do because it means wading through a swamp of shame you’ve been made to feel. I am inspired by them all. We should let their strength guide our way forward, which means beginning a much larger conversation about the role economic inequality often plays in rape culture.

Men hold most of the world’s wealth. In fact, just eight men own the same wealth as 3.6 billion people who make up the poorer half of humanity, the majority of whom, according to Oxfam, are women. As a gender whole, women are poor. This means that, in part, stopping sexual harassment and abuse will involve fighting for wage parity. This also means women and men in power need to turn around and hire more women, especially women of color, especially women who have not grown up with economic privilege.

Another important step forward would be for all of us to start telling and consuming different stories. If you don’t want to be a part of a culture in which sexual abuse and harassment are rampant, don’t buy a ticket to a film that promotes it. I am as guilty of this as anybody else; sometimes it’s nice to zone out to a film that’s a distraction of epic spectacle. But maybe it’s time to imagine more films that don’t use exploitation of female bodies or violence against female bodies as their selling points. Films with a gender balance and racial balance that better reflect the world we all actually live in. These are challenges I myself am trying to meet, as a series creator, and I have by no means closed the gap between what I aspire to and what I have achieved.

Part of what keeps you sitting in that chair in that room enduring harassment or abuse from a man in power is that, as a woman, you have rarely seen another end for yourself. In the novels you’ve read, in the films you’ve seen, in the stories you’ve been told since birth, the women so frequently meet disastrous ends. The real danger inside the present moment, then, would be for us all to separate the alleged deeds of Cosby, Ailes, O’Reilly, or Weinstein from a culture that continues to allow for dramatic imbalances of power. It’s not these bad men. Or that dirty industry. It’s this inhumane economic system of which we are all a part. As producers and as consumers. As storytellers and as listeners. As human beings. That’s a very uncomfortable truth to sit inside. But perhaps discomfort is what’s required to move in the direction of a humane world to which we would all freely give our consent.
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