A Voyage to Arcturus, by David Lindsay

That's French for "the ancient system," as in the ancient system of feudal privileges and the exercise of autocratic power over the peasants. The ancien regime never goes away, like vampires and dinosaur bones they are always hidden in the earth, exercising a mysterious influence. It is not paranoia to believe that the elites scheme against the common man. Inform yourself about their schemes here.

A Voyage to Arcturus, by David Lindsay

Postby admin » Thu Jul 16, 2015 3:49 am

by David Lindsay
© 1963 by The Macmillan Company




Table of Contents

Introduction by Loren Eiseley
1. The Seance
2. In the Street
3. Starkness
4. The Voice
5. The Night of Departure
6. Joiwind
7. Panawe
8. The Lusion Plain
9. Oceaxe
10. Tydomin
11. On Disscourn
12. Spadevil
13. The Wombflash Flores
14. Polecrab
15. Swaylone's Island
16. Leehallfae
17. Corpang
18. Haunte
19. Sullenbode
20. Barey
21. Muspel
Site Admin
Posts: 31991
Joined: Thu Aug 01, 2013 5:21 am

Re: A Voyage to Arcturus, by David Lindsay

Postby admin » Thu Jul 16, 2015 3:51 am

"Try some grated Arcturan megadonkey."
-- The Hitchhiker's Guide to the Galaxy, by Douglas Adams


A Voyage to Arcturus is, in reality, a long earth journey. So interpreted it is a tale of travels that few among us possess the imagination, the courage, or the ever-present symbolism to sustain. The book is an amalgam of strange philosophies clothed in weird exterior forms that have taken shape in a fantastically gifted if somewhat elusive mind. As one of his Arcturian characters remarks of a haunting and formidable music which it is the aim of the hero to investigate: "The man that can play the instrument ... would be able to conjure up the most astonishing forms, which are not phantasms, but realities."

David Lindsay, the author of A Voyage to Arcturus, comes very close to being such a musician. In spite of a prose which is occasionally rude and awkward, in spite of characters which appear and vanish before, in some instances, we can quite grasp their significance, in spite of a plethora of overdramatic names like Maskull and Nightspore, Lindsay has produced a book which it is difficult if not impossible to lay down once one has entered the observatory tower where the journey starts and glimpsed the dread blue sun which revolves by far-off Tormance.

David Lindsay died young. One must be tolerant, therefore, if his message -- even his unearthly music -- is rasped from a not quite perfected instrument or if his compositions seem too complex for our ears. The importance of this young forgotten writer lies in the fact that his book has refused to die and that it has occupied the libraries of bibliophiles and received the devoted attention of such gifted men as Frank Lloyd Wright. The book, to hold such attention, must contain some message from the world of Nightspore, from the soul beyond death. The message is cryptic, admittedly. If, however, one reads, not lightly, but again and yet again, one is conscious of an always shifting point of view which is a true part of the fragmented world we occupy. The messages derived from the fragments cannot be the message from the whole. Even Maskull, the seeker, collapses before the labyrinthine thought which permeates Lindsay's conclusion. To it I will return, but first I wish to establish the reality of this Arcturian landscape and equate it with the things on earth. I do so for one purpose only: that we do not mistake Arcturus, in this day of easy science fiction, for a superficial tale of odd beings with odd organs on a planet remote from our own. This is not a common story of adventure. Rather, it is a story of the most dangerous journey in the world, the journey into the self and beyond the self. Let me illustrate.

A few days ago on a West Indian island I walked at low tide through the wet sand and coral which afforded the background of half a dozen living worlds. I thought, as I waded through this weird and glimmering domain of life, of a remark that the philosopher George Santayana had made long ago. "Prodigious complexity," he had observed, "is something to which nature is not averse, like a human artist, but on the contrary is positively prone." A jellyfish, ninety-five per cent water yet somehow alive, pumped past me, stoutly working its little translucent umbrella -- although it could neither hear nor see its way and was about to be dashed into oblivion upon the shore. Down in the weeds, his appropriated shell festooned with all manner of concealing bric-a-brac, lurked a hermit crab. Something unindentifiable with mottled green tentacles grasped at my sandals. In another spot a slippery proboscis just protruding from the sand descended faster than I could uncover it. Farther along a great tiger-colored slug whose pseudo-eyes gave it the expression of a formidable fish, grazed amidst the bottom plants. Once a bright blue butterfly object hovered in the water and, as I tried to grasp it, vanished with a total magical directness that was inexpressibly startling. I disturbed a delicate pale-blue shrimp hiding in the mouth of an anemone with stinging nettles. I encountered a sidling crab concealed behind claws which had been modeled to fit over his entire face like a medieval helmet; he could only momentarily be persuaded to drop this enormous guard. Just his eyes were alive, twiddling like small twin periscopes above his armor. It became obvious as I studied him that he was engaged in some effort at total disinvolvement with the world.

Now if I had chosen to walk through these tide pools with the mind and thirsty imagination of a David Lindsay I believe it would have been possible, even without the twin suns of Branchspell and Alppain, to have observed the whims of the country of Matterplay, and if I had been able, like Lindsay, to humanize and make articulate this fantastic and diverse array, its voices would have been equally dissembling in expressing their interpretations of the universe. The double-sexed would have spoken their views of life, as would the blind from the deep caves of the coral. The multiple-personed Portuguese man-of-war might have had a philosophy, or the starfish some radial pure delight unknown to creatures of mere bilateral symmetry.

In a similar and equally bewildered fashion Maskull, who is really a kind of symbolic Everyman, journeys through the wilds of the Arcturian planet Tormance, seeking from its strange inhabitants the meaning of the universe, some word of its creator. He follows a mysterious drum beat, which, toward the end of the story, we come to suspect is the exteriorized music of his own beating heart.

He encounters beings who speak of their god as of this nature: "He faces Nothingness in all directions. He has no back and no sides, but is all face; and this face is his shape. It must necessarily be so, for nothing else can exist between him and nothingness ... He draws his inspirations from it; in no other way could he feel himself ..." Each man, continues the speaker, is a miniature of this same god.

But God, before the end, is seen or hunted in many shifting guises. Is he Crystalman, or Shaping, who seems at first benign but whose subjects in the instant of death all break into a hideous grin as though taken with some final repulsive joke?

There is a Bergsonian glimpse of life as some kind of ineffable streaming radiance, an elan vital caught and trapped and diversified in matter and forever seeking escape from it. There is the beautiful moment toward the end in which the dying Maskull recognizes he has set himself against the infinite, that he is nothing and that the final extirpation of his will has left him free. Yet it is characteristic of Lindsay's work that we are not permitted to rest upon this note. Maskull, who had glimpsed the life around him in so many shapes -- even, with concentrated gaze, seen a living body dissolved until it was only a dance of blood corpuscles through invisible arteries, a ghostly starlike fountain hidden beneath a grotesque exterior shell -- Maskull in his spiritual shape of Nightspore had still a last dread journey into that tower of death before whose entrance he protests in vain to the ferryman: "I have forgotten everything."

Some moments later when he emerges hopeless from the tower to re-enter life again, we are not sure whether his decision is foredoomed and inescapable or an act of free will. We know only that amidst the stench and diversions of matter a tremendous spiritual struggle is in progress. Yet haunting our ears also throughout the book is the utterance of Maskull's mysterious supernatural companion: "The music was not playing for you, my friend."

Or, again, there is Nightspore's protest over the body of Maskull: "Why was all this necessary?" If, as readers, we expect from David Lindsay a clear answer to this age-old question we shall be disappointed. Instead, if we are perceptive, we shall have climbed with Nightspore that last grim tower in the night and returned with some kind of unearthly knowledge which it is not in our power to communicate adequately. In the end one arises from this book not as from an idle tale, but from a spiritual catharsis the more surprising because it will have been transmitted, like the music of the drum that Maskull followed, dimly and from far away. David Lindsay was perhaps too honest to record one voice alone among the many conflicting voices that represent the living world. It is both his strength and his weakness that certain of the questions asked on Tormance, as well as the responses to them, are locked in that Delphic ambiguity which torments our daily lives. The intellectual contribution of A Voyage to Arcturus lies in its author's willingness to ask such questions. In a highly original and vivid manner and to pursue them to the inevitable, if ennobling, end.
Site Admin
Posts: 31991
Joined: Thu Aug 01, 2013 5:21 am

Re: A Voyage to Arcturus, by David Lindsay

Postby admin » Thu Jul 16, 2015 3:51 am

Chapter 1: THE SEANCE

On a march evening, at eight o'clock, Backhouse, the medium -- a fast-rising star in the psychic world -- was ushered into the study at Prolands, the Hampstead residence of Montague Faull. The room was illuminated only by the light of a blazing fire. The host, eying him with indolent curiosity, got up, and the usual conventional greetings were exchanged. Having indicated an easy chair before the fire to his guest, the South American merchant sank back again into his own. The electric light was switched on. Faull's prominent, clear-cut features, metallic-looking skin, and general air of bored impassiveness, did not seem greatly to impress the medium, who was accustomed to regard men from a special angle. Backhouse, on the contrary, was a novelty to the merchant. As he tranquilly studied him through half closed lids and the smoke of a cigar, he wondered how this little, thickset person with the pointed beard contrived to remain so fresh and sane in appearance, in view of the morbid nature of his occupation.

"Do you smoke?" drawled Faull, by way of starting the Conversation.

"No? Then will you take a drink?"

"Not at present, I thank you."

A pause.

"Everything is satisfactory? The materialisation will take place?"

"I see no reason to doubt it."

"That's good, for I would not like my guests to be disappointed. I have your check written out in my pocket."

"Afterward will do quite well."

"Nine o'clock was the time specified, I believe?"

"I fancy so."

The conversation continued to flag. Faull sprawled in his chair, and remained apathetic.

"Would you care to hear what arrangements I have made?"

"I am unaware that any are necessary, beyond chairs for your guests."

"I mean the decoration of the seance room, the music, and so forth."

Backhouse stared at his host. "But this is not a theatrical performance."

"That's correct. Perhaps I ought to explain.... There will be ladies present, and ladies, you know, are aesthetically inclined."

"In that case I have no objection. I only hope they will enjoy the performance to the end."

He spoke rather dryly.

"Well, that's all right, then," said Faull. Flicking his cigar into the fire, he got up and helped himself to whisky.

"Will you come and see the room?"

"Thank you, no. I prefer to have nothing to do with it till the time arrives."

"Then let's go to see my sister, Mrs. Jameson, who is in the drawing room. She sometimes does me the kindness to act as my hostess, as I am unmarried."

"I will be delighted," said Backhouse coldly.

They found the lady alone, sitting by the open pianoforte in a pensive attitude. She had been playing Scriabin and was overcome. The medium took in her small, tight, patrician features and porcelain- like hands, and wondered how Faull came by such a sister. She received him bravely, with just a shade of quiet emotion. He was used to such receptions at the hands of the sex, and knew well how to respond to them.

"What amazes me," she half whispered, after ten minutes of graceful, hollow conversation, "is, if you must know it, not so much the manifestation itself -- though that will surely be wonderful -- as your assurance that it will take place. Tell me the grounds of your confidence."

"I dream with open eyes," he answered, looking around at the door, "and others see my dreams. That is all."

"But that's beautiful," responded Mrs. Jameson. She smiled rather absently, for the first guest had just entered.

It was Kent-Smith, the ex-magistrate, celebrated for his shrewd judicial humour, which, however, he had the good sense not to attempt to carry into private life. Although well on the wrong side of seventy, his eyes were still disconcertingly bright. With the selective skill of an old man, he immediately settled himself in the most comfortable of many comfortable chairs.

"So we are to see wonders tonight?"

"Fresh material for your autobiography," remarked Faull.

"Ah, you should not have mentioned my unfortunate book. An old public servant is merely amusing himself in his retirement, Mr. Backhouse. You have no cause for alarm -- I have studied in the school of discretion."

"I am not alarmed. There can be no possible objection to your publishing whatever you please."

"You are most kind," said the old man, with a cunning smile.

"Trent is not coming tonight," remarked Mrs. Jameson, throwing a curious little glance at her brother.

"I never thought he would. It's not in his line."

"Mrs. Trent, you must understand," she went on, addressing the ex-magistrate, "has placed us all under a debt of gratitude. She has decorated the old lounge hall upstairs most beautifully, and has secured the services of the sweetest little orchestra."

"But this is Roman magnificence."

"Backhouse thinks the spirits should be treated with more deference," laughed Faull.

"Surely, Mr. Backhouse -- a poetic environment..."

"Pardon me. I am a simple man, and always prefer to reduce things to elemental simplicity. I raise no opposition, but I express my opinion. Nature is one thing, and art is another."

"And I am not sure that I don't agree with you," said the ex-magistrate. "An occasion like this ought to be simple, to guard against the possibility of deception -- if you will forgive my bluntness, Mr. Backhouse."

"We shall sit in full light," replied Backhouse, "and every opportunity will be given to all to inspect the room. I shall also ask you to submit me to a personal examination."

A rather embarrassed silence followed. It was broken by the arrival of two more guests, who entered together. These were Prior, the prosperous City coffee importer, and Lang, the stockjobber, well known in his own circle as an amateur prestidigitator. Backhouse was slightly acquainted with the latter. Prior, perfuming the room with the faint odour of wine and tobacco smoke, tried to introduce an atmosphere of joviality into the proceedings. Finding that no one seconded his efforts, however, he shortly subsided and fell to examining the water colours on the walls. Lang, tall, thin, and growing bald, said little, but stared at Backhouse a good deal.

Coffee, liqueurs, and cigarettes were now brought in. Everyone partook, except Lang and the medium. At the same moment, Professor Halbert was announced. He was the eminent psychologist, the author and lecturer on crime, insanity, genius, and so forth, considered in their mental aspects. His presence at such a gathering somewhat mystified the other guests, but all felt as if the object of their meeting had immediately acquired additional solemnity. He was small, meagre-looking, and mild in manner, but was probably the most stubborn- brained of all that mixed company. Completely ignoring the medium, he at once sat down beside Kent-Smith, with whom he began to exchange remarks.

At a few minutes past the appointed hour Mrs. Trent entered, unannounced. She was a woman of about twenty-eight. She had a white, demure, saintlike face, smooth black hair, and lips so crimson and full that they seemed to be bursting with blood. Her tall, graceful body was most expensively attired. Kisses were exchanged between her and Mrs. Jameson. She bowed to the rest of the assembly, and stole a half glance and a smile at Faull. The latter gave her a queer look, and Backhouse, who lost nothing, saw the concealed barbarian in the complacent gleam of his eye. She refused the refreshment that was offered her, and Faull proposed that, as everyone had now arrived, they should adjourn to the lounge hall.

Mrs. Trent held up a slender palm. "Did you, or did you not, give me carte blanche, Montague?"

"Of course I did," said Faull, laughing. "But what's the matter?"

"Perhaps I have been rather presumptuous. I don't know. I have invited a couple of friends to join us. No, no one knows them.... The two most extraordinary individuals you ever saw. And mediums, I am sure."

"It sounds very mysterious. Who are these conspirators?"

"At least tell us their names, you provoking girl," put in Mrs. Jameson.

"One rejoices in the name of Maskull, and the other in that of Nightspore. That's nearly all that I know about them, so don't overwhelm me with, any more questions."

"But where did you pick them up? You must have picked them up somewhere."

"But this is a cross-examination. Have I sinned again convention? I swear I will tell you not another word about them. They will be here directly, and then I will deliver them to your tender mercy."

"I don't know them," said Faull, "and nobody else seems to, but, of course, we will all be very pleased to have them.... Shall we wait, or what?"

"I said nine, and it's past that now. It's quite possible they may not turn up after all.... Anyway, don't wait."

"I would prefer to start at once," said Backhouse.

The lounge, a lofty room, forty feet long by twenty wide, had been divided for the occasion into two equal parts by a heavy brocade curtain drawn across the middle. The far end was thus concealed. The nearer half had been converted into an auditorium by a crescent of armchairs. There was no other furniture. A large fire was burning halfway along the wall, between the chairbacks and the door. The room was brilliantly lighted by electric bracket lamps. A sumptuous carpet covered the floor.

Having settled his guests in their seats, Faull stepped up to the curtain and flung it aside. A replica, or nearly so, of the Drury Lane presentation of the temple scene in The Magic Flute was then exposed to view: the gloomy, massive architecture of the interior, the glowing sky above it in the background, and, silhouetted against the latter, the gigantic seated statue of the Pharaoh. A fantastically carved wooden couch lay before the pedestal of the statue. Near the curtain, obliquely placed to the auditorium, was a plain oak armchair, for the use of the medium.

Many of those present felt privately that the setting was quite inappropriate to the occasion and savoured rather unpleasantly of ostentation. Backhouse in particular seemed put out. The usual compliments, however, were showered on Mrs. Trent as the deviser of so remarkable a theatre. Faull invited his friends to step forward and examine the apartment as minutely as they might desire. Prior and Lang were the only ones to accept. The former wandered about among the pasteboard scenery, whistling to himself and occasionally tapping a part of it with his knuckles. Lang, who was in his element, ignored the rest of his party and commenced a patient, systematic search, on his own account, for secret apparatus. Faull and Mrs. Trent stood in a corner of the temple, talking together in low tones; while Mrs. Jameson, pretending to hold Backhouse in conversation, watched them as only a deeply interested woman knows how to watch.

Lang, to his own disgust, having failed to find anything of a suspicious nature, the medium now requested that his own clothing should be searched.

"All these precautions are quite needless and beside the matter in hand, as you will immediately see for yourselves. My reputation demands, however, that other people who are not present would not be able to say afterward that trickery has been resorted to."

To Lang again fell the ungrateful task of investigating pockets and sleeves. Within a few minutes he expressed himself satisfied that nothing mechanical was in Backhouse's possession. The guests reseated themselves. Faull ordered two more chairs to be brought for Mrs. Trent's friends, who, however, had not yet arrived. He then pressed an electric bell, and took his own seat.

The signal was for the hidden orchestra to begin playing. A murmur of surprise passed through the audience as, without previous warning, the beautiful and solemn strains of Mozart's "temple" music pulsated through the air. The expectation of everyone was raised, while, beneath her pallor and composure, it could be seen that Mrs. Trent was deeply moved. It was evident that aesthetically she was by far the most important person present. Faull watched her, with his face sunk on his chest, sprawling as usual.

Backhouse stood up, with one hand on the back of his chair, and began speaking. The music instantly sank to pianissimo, and remained so for as long as he was on his legs.

"Ladies and gentlemen, you are about to witness a materialisation. That means you will see something appear in space that was not previously there. At first it will appear as a vaporous form, but finally it will be a solid body, which anyone present may feel and handle- and, for example, shake hands with. For this body will be in the human shape. It will be a real man or woman -- which, I can't say -- but a man or woman without known antecedents. If, however, you demand from me an explanation of the origin of this materialised form -- here it comes from, whence the atoms and molecules composing its tissues are derived -- I am unable to satisfy you. I am about to produce the phenomenon; if anyone can explain it to me afterward, I shall be very grateful.... That is all I have to say."

He resumed his seat, half turning his back on the assembly, and paused for a moment before beginning his task.

It was precisely at this minute that the manservant opened the door and announced in a subdued but distinct voice: "Mr. Maskull, Mr. Nightspore."

Everyone turned round. Faull rose to welcome the late arrivals. Backhouse also stood up, and stared hard at them.

The two strangers remained standing by the door, which was closed quietly behind them. They seemed to be waiting for the mild sensation caused by their appearance to subside before advancing into the room. Maskull was a kind of giant, but of broader and more robust physique than most giants. He wore a full beard. His features were thick and heavy, coarsely modelled, like those of a wooden carving; but his eyes, small and black, sparkled with the fires of intelligence and audacity. His hair was short, black, and bristling. Nightspore was of middle height, but so tough-looking that he appeared to be trained out of all human frailties and susceptibilities. His hairless face seemed consumed by an intense spiritual hunger, and his eyes were wild and distant. Both men were dressed in tweeds.

Before any words were spoken, a loud and terrible crash of falling masonry caused the assembled party to start up from their chairs in consternation. It sounded as if the entire upper part of the building had collapsed. Faull sprang to the door, and called to the servant to say what was happening. The man had to be questioned twice before he gathered what was required of him. He said he had heard nothing. In obedience to his master's order, he went upstairs. Nothing, however, was amiss there, neither had the maids heard anything.

In the meantime Backhouse, who almost alone of those assembled had preserved his sangfroid, went straight up to Nightspore, who stood gnawing his nails.

"Perhaps you can explain it, sir?"

"It was supernatural," said Nightspore, in a harsh, muffled voice, turning away from his questioner.

"I guessed so. It is a familiar phenomenon, but I have never heard it so loud."

He then went among the guests, reassuring them. By degrees they settled down, but it was observable that their former easy and good- humoured interest in the proceedings was now changed to strained watchfulness. Maskull and Nightspore took the places allotted to them. Mrs. Trent kept stealing uneasy glances at them. Throughout the entire incident, Mozart's hymn continued to be played. The orchestra also had heard nothing.

Backhouse now entered on his task. It was one that began to be familiar to him, and he had no anxiety about the result. It was not possible to effect the materialisation by mere concentration of will, or the exercise of any faculty; otherwise many people could have done what he had engaged himself to do. His nature was phenomenal -- the dividing wall between himself and the spiritual world was broken in many places. Through the gaps in his mind the inhabitants of the invisible, when he summoned them, passed for a moment timidly and awfully into the solid, coloured universe.... He could not say how it was brought about.... The experience was a rough one for the body, and many such struggles would lead to insanity and early death. That is why Backhouse was stern and abrupt in his manner. The coarse, clumsy suspicion of some of the witnesses, the frivolous aestheticism of others, were equally obnoxious to his grim, bursting heart; but he was obliged to live, and, to pay his way, must put up with these impertinences.

He sat down facing the wooden couch. His eyes remained open but seemed to look inward. His cheeks paled, and he became noticeably thinner. The spectators almost forgot to breathe. The more sensitive among them began to feel, or imagine, strange presences all around them. Maskull's eyes glittered with anticipation, and his brows went up and down, but Nightspore appeared bored.

After a long ten minutes the pedestal of the statue was seen to become slightly blurred, as though an intervening mist were rising from the ground. This slowly developed into a visible cloud, coiling hither and thither, and constantly changing shape. The professor half rose, and held his glasses with one hand further forward on the bridge of his nose.

By slow stages the cloud acquired the dimensions and approximate outline of an adult human body, although all was still vague and blurred. It hovered lightly in the air, a foot or so above the couch. Backhouse looked haggard and ghastly. Mrs. Jameson quietly fainted in her chair, but she was unnoticed, and presently revived. The apparition now settled down upon the couch, and at the moment of doing so seemed suddenly to grow dark, solid, and manlike. Many of the guests were as pale as the medium himself, but Faull preserved his stoical apathy, and glanced once or twice at Mrs. Trent. She was staring straight at the couch, and was twisting a little lace handkerchief through the different fingers of her hand. The music went on playing.

The figure was by this time unmistakably that of a man lying down. The face focused itself into distinctness. The body was draped in a sort of shroud, but the features were those of a young man. One smooth hand fell over, nearly touching the floor, white and motionless. The weaker spirits of the company stared at the vision in sick horror; the rest were grave and perplexed. The seeming man was dead, but somehow it did not appear like a death succeeding life, but like a death preliminary to life. All felt that he might sit up at any minute.

"Stop that music!" muttered Backhouse, tottering from his chair and facing the party. Faull touched the bell. A few more bars sounded, and then total silence ensued.

"Anyone who wants to may approach the couch," said Backhouse with difficulty.

Lang at once advanced, and stared awestruck at the supernatural youth.

"You are at liberty to touch," said the medium.

But Lang did not venture to, nor did any of the others, who one by one stole up to the couch -- until it came to Faull's turn. He looked straight at Mrs. Trent, who seemed frightened and disgusted at the spectacle before her, and then not only touched the apparition but suddenly grasped the drooping hand in his own and gave it a powerful squeeze. Mrs. Trent gave a low scream. The ghostly visitor opened his eyes, looked at Faull strangely, and sat up on the couch. A cryptic smile started playing over his mouth. Faull looked at his hand; a feeling of intense pleasure passed through his body.

Maskull caught Mrs. Jameson in his arms; she was attacked by another spell of faintness. Mrs. Trent ran forward, and led her out of the room. Neither of them returned.

The phantom body now stood upright, looking about him, still with his peculiar smile. Prior suddenly felt sick, and went out. The other men more or less hung together, for the sake of human society, but Nightspore paced up and down, like a man weary and impatient, while Maskull attempted to interrogate the youth. The apparition watched him with a baffling expression, but did not answer. Backhouse was sitting apart, his face buried in his hands.

It was at this moment that the door was burst open violently, and a stranger, unannounced, half leaped, half strode a few yards into the room, and then stopped. None of Faull's friends had ever seen him before. He was a thick, shortish man, with surprising muscular development and a head far too large in proportion to his body. His beardless yellow face indicated, as a first impression, a mixture of sagacity, brutality, and humour.

"Aha-i, gentlemen!" he called out loudly. His voice was piercing, and oddly disagreeable to the ear. "So we have a little visitor here."

Nightspore turned his back, but everyone else stared at the intruder in astonishment. He took another few steps forward, which brought him to the edge of the theatre.

"May I ask, sir, how I come to have the honour of being your host?" asked Faull sullenly. He thought that the evening was not proceeding as smoothly as he had anticipated.

The newcomer looked at him for a second, and then broke into a great, roaring guffaw. He thumped Faull on the back playfully -- but the play was rather rough, for the victim was sent staggering against the wall before he could recover his balance.

"Good evening, my host!"

"And good evening to you too, my lad!" he went on, addressing the supernatural youth, who was now beginning to wander about the room, in apparent unconsciousness of his surroundings. "I have seen someone very like you before, I think."

There was no response.

The intruder thrust his head almost up to the phantom's face. "You have no right here, as you know."

The shape looked back at him with a smile full of significance, which, however, no one could understand.

"Be careful what you are doing," said Backhouse quickly.

"What's the matter, spirit usher?"

"I don't know who you are, but if you use physical violence toward that, as you seem inclined to do, the consequences may prove very unpleasant."

"And without pleasure our evening would be spoiled, wouldn't it, my little mercenary friend?"

Humour vanished from his face, like sunlight from a landscape, leaving it hard and rocky. Before anyone realised what he was doing, he encircled the soft, white neck of the materialised shape with his hairy hands and, with a double turn, twisted it completely round. A faint, unearthly shriek sounded, and the body fell in a heap to the floor. Its face was uppermost. The guests were unutterably shocked to observe that its expression had changed from the mysterious but fascinating smile to a vulgar, sordid, bestial grin, which cast a cold shadow of moral nastiness into every heart. The transformation was accompanied by a sickening stench of the graveyard.

The features faded rapidly away, the body lost its consistence, passing from the solid to the shadowy condition, and, before two minutes had elapsed, the spirit-form had entirely disappeared.

The short stranger turned and confronted the party, with a long, loud laugh, like nothing in nature.

The professor talked excitedly to Kent-Smith in low tones. Faull beckoned Backhouse behind a wing of scenery, and handed him his check without a word. The medium put it in his pocket, buttoned his coat, and walked out of the room. Lang followed him, in order to get a drink.

The stranger poked his face up into Maskull's.

"Well, giant, what do you think of it all? Wouldn't you like to see the land where this sort of fruit grows wild?"

"What sort of fruit?"

"That specimen goblin."

Maskull waved him away with his huge hand. "Who are you, and how did you come here?"

"Call up your friend. Perhaps he may recognise me." Nightspore had moved a chair to the fire, and was watching the embers with a set, fanatical expression.

"Let Krag come to me, if he wants me," he said, in his strange voice.

"You see, he does know me," uttered Krag, with a humorous look. Walking over to Nightspore, he put a hand on the back of his chair.

"Still the same old gnawing hunger?"

"What is doing these days?" demanded Nightspore disdainfully, without altering his attitude.

"Surtur has gone, and we are to follow him."

"How do you two come to know each other, and of whom are you speaking?" asked Maskull, looking from one to the other in perplexity.

"Krag has something for us. Let us go outside," replied Nightspore. He got up, and glanced over his shoulder. Maskull, following the direction of his eye, observed that the few remaining men were watching their little group attentively.
Site Admin
Posts: 31991
Joined: Thu Aug 01, 2013 5:21 am

Re: A Voyage to Arcturus, by David Lindsay

Postby admin » Thu Jul 16, 2015 3:51 am

Chapter 2: IN THE STREET

The three men gathered in the street outside the house. The night was slightly frosty, but particularly clear, with an east wind blowing. The multitude of blazing stars caused the sky to appear like a vast scroll of hieroglyphic symbols. Maskull felt oddly excited; he had a sense that something extraordinary was about to happen "What brought you to this house tonight, Krag, and what made you do what you did? How are we understand that apparition?"

"That must have been Crystalman's expression on face," muttered Nightspore.

"We have discussed that, haven't we, Maskull? Maskull is anxious to behold that rare fruit in its native wilds."

Maskull looked at Krag carefully, trying to analyse his own feelings toward him. He was distinctly repelled by the man's personality, yet side by side with this aversion a savage, living energy seemed to spring up in his heart that in some strange fashion was attributable to Krag.

"Why do you insist on this simile?" he asked.

"Because it is apropos. Nightspore's quite right. That was Crystalman's face, and we are going to Crystalman's country."

"And where is this mysterious country?"


"That's a quaint name. But where is it?"

Krag grinned, showing his yellow teeth in the light of the street lamp.

"It is the residential suburb of Arcturus."

"What is he talking about, Nightspore? ... Do you mean the star of that name?" he went on, to Krag.

"Which you have in front of you at this very minute" said Krag, pointing a thick finger toward the brightest star in the southeastern sky. "There you see Arcturus, and Tormance is its one inhabited planet."

Maskull looked at the heavy, gleaning star, and again at Krag. Then he pulled out a pipe, and began to fill it.

"You must have cultivated a new form of humour, Krag."

"I am glad if I can amuse you, Maskull, if only for a few days."

"I meant to ask you -- how do you know my name?"

"It would be odd if I didn't, seeing that I only came here on your account. As a matter of fact, Nightspore and I are old friends."

Maskull paused with his suspended match. "You came here on my account?"

"Surely. On your account and Nightspore's. We three are to be fellow travellers."

Maskull now lit his pipe and puffed away coolly for a few moments.

"I'm sorry, Krag, but I must assume you are mad."

Krag threw his head back, and gave a scraping laugh. "Am I mad, Nightspore?"

"Has Surtur gone to Tormance?" ejaculated Nightspore in a strangled voice, fixing his eyes on Krag's face.

"Yes, and he requires that we follow him at once."

Maskull's heart began to beat strangely. It all sounded to him like a dream conversation.

"And since how long, Krag, have I been required to do things by a total stranger.... Besides, who is this individual?"

"Krag's chief," said Nightspore, turning his head away.

"The riddle is too elaborate for me. I give up."

"You are looking for mysteries," said Krag, "so naturally you are finding them. Try and simplify your ideas, my friend. The affair is plain and serious."

Maskull stared hard at him and smoked rapidly.

"Where have you come from now?" demanded Nightspore suddenly.

"From the old observatory at Starkness.... Have you heard of the famous Starkness Observatory, Maskull?"

"No. Where is it?"

"On the north-east coast of Scotland. Curious discoveries are made there from time to time."

"As, for example, how to make voyages to the stars. So this Surtur turns out to be an astronomer. And you too, presumably?"

Krag grinned again. "How long will it take you to wind up your affairs? When can you be ready to start?"

"You are too considerate," said Maskull, laughing outright. "I was beginning to fear that I would be hauled away at once.... However, I have neither wife, land, nor profession, so there's nothing to wait for.... What is the itinerary?"

"You are a fortunate man. A bold, daring heart, and no encumbrances." Krag's features became suddenly grave and rigid. Don't be a fool, and refuse a gift of luck. A gift declined is not offered a second time."

"Krag," replied Maskull simply, returning his pipe to his pocket. "I ask you to put yourself in my place. Even if were a man sick for adventures, how could I listen seriously to such an insane proposition as this? What do I know about you, or your past record? You may be a practical joker, or you may have come out of a madhouse -- I know nothing about it. If you claim to be an exceptional man, and want my cooperation, you must offer me exceptional proofs."

"And what proofs would you consider adequate, Maskull?"

As he spoke he gripped Maskull's arm. A sharp, chilling pain immediately passed through the latter's body and at the same moment his brain caught fire. A light burst in upon him like the rising of the sun. He asked himself for the first time if this fantastic conversation could by any chance refer to real things.

"Listen, Krag," he said slowly, while peculiar images and conceptions started to travel in rich disorder through his mind. "You talk about a certain journey. Well, if that journey were a possible one, and I were given the chance of making it, I would be willing never to come back. For twenty-four hours on that Arcturian planet, I would give my life. That is my attitude toward that journey.... Now prove to me that you're not talking nonsense. Produce your credentials."

Krag stared at him all the time he was speaking, his face gradually resuming its jesting expression.

"Oh, you will get your twenty-four hours, and perhaps longer, but not much longer. You're an audacious fellow, Maskull, but this trip will prove a little strenuous, even for you.... And so, like the unbelievers of old, you want a sign from heaven?"

Maskull frowned. "But the whole thing is ridiculous. Our brains are overexcited by what took place in there. Let us go home, and sleep it off."

Krag detained him with one hand, while groping in his breast pocket with the other. He presently fished out what resembled a small folding lens. The diameter of the glass did not exceed two inches.

"First take a peep at Arcturus through this, Maskull. It may serve as a provisional sign. It's the best I can do, unfortunately. I am not a travelling magician.... Be very careful not to drop it. It's somewhat heavy."

Maskull took the lens in his hand, struggled with it for a minute, and then looked at Krag in amazement. The little object weighed at least twenty pounds, though it was not much bigger than a crown piece.

"What stuff can this be, Krag?"

"Look through it, my good friend. That's what I gave it to you for."

Maskull held it up with difficulty, directed it toward the gleaming Arcturus, and snatched as long and as steady a glance at the star as the muscles of his arm would permit. What he saw was this. The star, which to the naked eye appeared as a single yellow point of light, now became clearly split into two bright but minute suns, the larger of which was still yellow, while its smaller companion was a beautiful blue. But this was not all. Apparently circulating around the yellow sun was a comparatively small and hardly distinguishable satellite, which seemed to shine, not by its own, but by reflected light.... Maskull lowered and raised his arm repeatedly. The same spectacle revealed itself again and again, but he was able to see nothing else. Then he passed back the lens to Krag, without a word, and stood chewing his underlip.

"You take a glimpse too," scraped Krag, proffering the glass to Nightspore.

Nightspore turned his back and began to pace up an down. Krag laughed sardonically, and returned the lens to his pocket. "Well, Maskull, are you satisfied?"

"Arcturus, then, is a double sun. And is that third point the planet Tormance?"

"Our future home, Maskull."

Maskull continued to ponder. "You inquire if I am satisfied. I don't know, Krag. It's miraculous, and that's all I can say about it.... But I'm satisfied of one thing. There must be very wonderful astronomers at Starkness and if you invite me to your observatory I will surely come."

"I do invite you. We set off from there."

"And you, Nightspore?" demanded Maskull.

"The journey has to be made," answered his friend in indistinct tones, "though I don't see what will come of it."

Krag shot a penetrating glance at him. "More remarkable adventures than this would need to be arranged before we could excite Nightspore."

"Yet he is coming."

"But not con amore. He is coming merely to bear you company."

Maskull again sought the heavy, sombre star, gleaming in solitary might, in the south-eastern heavens, and, as he gazed, his heart swelled with grand and painful longings, for which, however, he was unable to account to his own intellect. He felt that his destiny was in some way bound up with this gigantic, far-distant sun. But still he did not dare to admit to himself Krag's seriousness.

He heard his parting remarks in deep abstraction, and only after the lapse of several minutes, when, alone with Nightspore, did he realise that they referred to such mundane matters as travelling routes and times of trains.

"Does Krag travel north with us, Nightspore? I didn't catch that."

"No. We go on first, and he joins us at Starkness on the evening of the day after tomorrow."

Maskull remained thoughtful. "What am I to think of that man?"

"For your information," replied Nightspore wearily, "I have never known him to lie."
Site Admin
Posts: 31991
Joined: Thu Aug 01, 2013 5:21 am

Re: A Voyage to Arcturus, by David Lindsay

Postby admin » Thu Jul 16, 2015 3:52 am

Chapter 3: STARKNESS

A couple of days later, at two o'clock in the afternoon, Maskull and Nightspore arrived at Starkness Observatory, having covered the seven miles from Haillar Station on foot. The road, very wild and lonely, ran for the greater part of the way near the edge of rather lofty cliffs, within sight of the North Sea. The sun shone, but a brisk east wind was blowing and the air was salt and cold. The dark green waves were flecked with white. Throughout the walk, they were accompanied by the plaintive, beautiful crying of the gulls.

The observatory presented itself to their eyes as a self-contained little community, without neighbours, and perched on the extreme end of the land. There were three buildings: a small, stone-built dwelling house, a low workshop, and, about two hundred yards farther north, a square tower of granite masonry, seventy feet in height.

The house and the shop were separated by an open yard, littered with waste. A single stone wall surrounded both, except on the side facing the sea, where the house itself formed a continuation of the cliff. No one appeared. The windows were all closed, and Maskull could have sworn that the whole establishment was shut up and deserted.

He passed through the open gate, followed by Nightspore, and knocked vigorously at the front door. The knocker was thick with dust and had obviously not been used for a long time. He put his ear to the door, but could hear no movements inside the house. He then tried the handle; the door was locked.

They walked around the house, looking for another entrance, but there was only the one door.

"This isn't promising," growled Maskull "There's no one here..... Now you try the shed, while I go over to that tower."

Nightspore, who had not spoken half a dozen words since leaving the train, complied in silence, and started off across the yard. Maskull passed out of the gate again. When he arrived at the foot of the tower, which stood some way back from the cliff, he found the door heavily padlocked. Gazing up, he saw six windows, one above the other at equal distances, all on the east face -- that is, overlooking the sea. Realising that no satisfaction was to be gained here, he came away again, still more irritated than before. When he rejoined his friend, Nightspore reported that the workshop was also locked.

"Did we, or did we not, receive an invitation?" demanded Maskull energetically.

"The house is empty," replied Nightspore, biting his nails. "Better break a window."

"I certainly don't mean to camp out till Krag condescends to come."

He picked up an old iron bolt from the yard and, retreating to a safe distance, hurled it against a sash window on the ground floor. The lower pane was completely shattered. Carefully avoiding the broken glass, Maskull thrust his hand through the aperture and pushed back the frame fastening. A minute later they had climbed through and were standing inside the house.

The room, which was a kitchen, was in an indescribably filthy and neglected condition. The furniture scarcely held together, broken utensils and rubbish lay on the floor instead of on the dust heap, everything was covered with a deep deposit of dust. The atmosphere was so foul that Maskull judged that no fresh air had passed into the room for several months. Insects were crawling on the walls.

They went into the other rooms on the lower floor -- a scullery, a barely furnished dining room, and a storing place for lumber. The same dirt, mustiness, and neglect met their eyes. At least half a year must have elapsed since these rooms were last touched, or even entered.

"Does your faith in Krag still hold?" asked Maskull. "I confess mine is at vanishing point. If this affair isn't one big practical joke, it has every promise of being one. Krag never lived here in his life."

"Come upstairs first," said Nightspore.

The upstairs rooms proved to consist of a library and three bedrooms. All the windows were tightly closed, and the air was insufferable. The beds had been slept in, evidently a long time ago, and had never been made since. The tumbled, discoloured bed linen actually preserved the impressions of the sleepers. There was no doubt that these impressions were ancient, for all sorts of floating dirt had accumulated on the sheets and coverlets.

"Who could have slept here, do you think?" interrogated Maskull. "The observatory staff?"

"More likely travellers like ourselves. They left suddenly."

Maskull flung the windows wide open in every room he came to, and held his breath until he had done so. Two of the bedrooms faced the sea; the third, the library, the upward-sloping moorland. This library was now the only room left unvisited, and unless they discovered signs of recent occupation here Maskull made up his mind to regard the whole business as a gigantic hoax.

But the library, like all the other rooms, was foul with stale air and dust-laden. Maskull, having flung the window up and down, fell heavily into an armchair and looked disgustedly at his friend.

"Now what is your opinion of Krag?"

Nightspore sat on the edge of the table which stood before the window. "He may still have left a message for us."

"What message? Why? Do you mean in this room? -- I see no message."

Nightspore's eyes wandered about the room, finally seeming to linger upon a glass-fronted wall cupboard, which contained a few old bottles on one of the shelves and nothing else. Maskull glanced at him and at the cupboard. Then, without a word, he got up to examine the bottles.

There were four altogether, one of which was larger than the rest. The smaller ones were about eight inches long. All were torpedo- shaped, but had flattened bottoms, which enabled them to stand upright. Two of the smaller ones were empty and unstoppered, the others contained a colourless liquid, and possessed queer-looking, nozzle-like stoppers that were connected by a thin metal rod with a catch halfway down the side of the bottle. They were labelled, but the labels were yellow with age and the writing was nearly undecipherable. Maskull carried the filled bottles with him to the table in front of the window, in order to get better light. Nightspore moved away to make room for him.

He now made out on the larger bottle the words "Solar Back Rays"; and on the other one, after some doubt, he thought that he could distinguish something like "Arcturian Back Rays."

He looked up, to stare curiously at his friend. "Have you been here before, Nightspore?"

"I guessed Krag would leave a message."

"Well, I don't know -- it may be a message, but it means nothing to us, or at all events to me. What are 'back rays'?"

"Light that goes back to its source," muttered Nightspore.

"And what kind of light would that be?"

Nightspore seemed unwilling to answer, but, finding Maskull's eyes still fixed on him, he brought out: "Unless light pulled, as well as pushed, how would flowers contrive to twist their heads around after the sun?"

"I don't know. But the point is, what are these bottles for?"

While he was still talking, with his hand on the smaller bottle, the other, which was lying on its side, accidentally rolled over in such a manner that the metal caught against the table. He made a movement to stop it, his hand was actually descending, when -- the bottle suddenly disappeared before his eyes. It had not rolled off the table, but had really vanished -- it was nowhere at all.

Maskull stared at the table. After a minute he raised his brows, and turned to Nightspore with a smile. "The message grows more intricate."

Nightspore looked bored. "The valve became unfastened. The contents have escaped through the open window toward the sun, carrying the bottle with them. But the bottle will be burned up by the earth's atmosphere, and the contents will dissipate, and will not reach the sun."

Maskull listened attentively, and his smile faded. "Does anything prevent us from experimenting with this other bottle?"

"Replace it in the cupboard," said Nightspore. "Arcturus is still below the horizon, and you would succeed only in wrecking the house."

Maskull remained standing before the window, pensively gazing out at the sunlit moors.

"Krag treats me like a child," he remarked presently. "And perhaps I really am a child.... My cynicism must seem most amusing to Krag. But why does he leave me to find out all this by myself -- for I don't include you, Nightspore.... But what time will Krag be here?"

"Not before dark, I expect," his friend replied.
Site Admin
Posts: 31991
Joined: Thu Aug 01, 2013 5:21 am

Re: A Voyage to Arcturus, by David Lindsay

Postby admin » Thu Jul 16, 2015 3:52 am

Chapter 4: THE VOICE

It was by this time past three o'clock. Feeling hungry, for they had eaten nothing since early morning, Maskull went downstairs to forage, but without much hope of finding anything in the shape of food. In a safe in the kitchen he discovered a bag of mouldy oatmeal, which was untouchable, a quantity of quite good tea in an airtight caddy, and an unopened can of ox tongue. Best of all, in the dining- room cupboard he came across an uncorked bottle of first-class Scotch whisky. He at once made preparations for a scratch meal.

A pump in the yard ran clear after a good deal of hard working at it, and he washed out and filled the antique kettle. For firewood, one of the kitchen chairs was broken up with a chopper. The light, dusty wood made a good blaze in the grate, the kettle was boiled, and cups were procured and washed. Ten minutes later the friends were dining in the library.

Nightspore ate and drank little, but Maskull sat down with good appetite. There being no milk, whisky took the place of it; the nearly black tea was mixed with an equal quantity of the spirit. Of this concoction Maskull drank cup after cup, and long after the tongue had disappeared he was still imbibing.

Nightspore looked at him queerly. "Do you intend to finish the bottle before Krag comes?"

"Krag won't want any, and one must do something. I feel restless."

"Let us take a look at the country."

The cup, which was on its way to Maskull's lips, remained poised in the air. "Have you anything in view, Nightspore?"

"Let us walk out to the Gap of Sorgie."

"What's that?"

"A showplace," answered Nightspore, biting his lip.

Maskull finished off the cup, and rose to his feet. "Walking is better than soaking at any time, and especially on a day like this.... How far is it?"

"Three or four miles each way."

"You probably mean something," said Maskull, "for I'm beginning to regard you as a second Krag. But if so, so much the better. I am growing nervous, and need incidents."

They left the house by the door, which they left ajar, and immediately found themselves again on the moorland road that had brought them from Haillar. This time they continued along it, past the tower.

Maskull, as they went by, regarded the erection with puzzled interest. "What is that tower, Nightspore?"

"We sail from the platform on the top."

"Tonight?" -- throwing him a quick look.


Maskull smiled, but his eyes were grave. "Then we are looking at the gateway of Arcturus, and Krag is now travelling north to unlock it."

"You no longer think it impossible, I fancy," mumbled Nightspore.

After a mile or two, the road parted from the sea coast and swerved sharply inland, across the hills. With Nightspore as guide, they left it and took to the grass. A faint sheep path marked the way along the cliff edge for some distance, but at the end of another mile it vanished. The two men then had some rough walking up and down hillsides and across deep gullies. The sun disappeared behind the hills, and twilight imperceptibly came on. They soon reached a spot where further progress appeared impossible. The buttress of a mountain descended at a steep angle to the very edge of the cliff, forming an impassable slope of slippery grass. Maskull halted, stroked his beard, and wondered what the next step was to be.

"There's a little scrambling here," said Nightspore. "We are both used to climbing, and there is not much in it."

He indicated a narrow ledge, winding along the face of the precipice a few yards beneath where they were standing. It averaged from fifteen to thirty inches in width. Without waiting for Maskull's consent to the undertaking, he instantly swung himself down and started walking along this ledge at a rapid pace. Maskull, seeing that there was no help for it, followed him. The shelf did not extend for above a quarter of a mile, but its passage was somewhat unnerving; there was a sheer drop to the sea, four hundred feet below. In a few places they had to sidle along without placing one foot before another. The sound of the breakers came up to them in a low, threatening roar.

Upon rounding a corner, the ledge broadened out into a fair-sized platform of rock and came to a sudden end. A narrow inlet of the sea separated them from the continuation of the cliffs beyond.

"As we can't get any further," said Maskull, "I presume this is your Gap of Sorgie?"

"Yes," answered his friend, first dropping on his knees and then lying at full length, face downward. He drew his head and shoulders over the edge and began to stare straight down at the water.

"What is there interesting down there, Nightspore?"

Receiving no reply, however, he followed his friend's example, and the next minute was looking for himself. Nothing was to be seen; the gloom had deepened, and the sea was nearly invisible. But, while he was ineffectually gazing, he heard what sounded like the beating of a drum on the narrow strip of shore below. It was very faint, but quite distinct. The beats were in four-four time, with the third beat slightly accented. He now continued to hear the noise all the time he was lying there. The beats were in no way drowned by the far louder sound of the surf, but seemed somehow to belong to a different world....

When they were on their feet again, he questioned Nightspore. "We came here solely to hear that?"

Nightspore cast one of his odd looks at him. "It's called locally 'The Drum Taps of Sorgie.' You will not hear that name again, but perhaps you will hear the sound again."

"And if I do, what will it imply?" demanded Maskull in amazement.

"It bears its own message. Only try always to hear it more and more distinctly.... Now it's growing dark, and we must get back."

Maskull pulled out his watch automatically, and looked at the time. It was past six.... But he was thinking of Nightspore's words, and not of the time.

Night had already fallen by the time they regained the tower. The black sky was glorious with liquid stars. Arcturus was a little way above the sea, directly opposite them, in the east. As they were passing the base of the tower, Maskull observed with a sudden shock that the gate was open. He caught hold of Nightspore's arm violently. "Look! Krag is back."

"Yes, we must make haste to the house."

"And why not the tower? He's probably in there, since the gate is open. I'm going up to look."

Nightspore grunted, but made no opposition.

All was pitch-black inside the gate. Maskull struck a match, and the flickering light disclosed the lower end of a circular flight of stone steps. "Are you coming up?" he asked.

"No, I'll wait here."

Maskull immediately began the ascent. Hardly had he mounted half a dozen steps, however, before he was compelled to pause, to gain breath. He seemed to be carrying upstairs not one Maskull, but three. As he proceeded, the sensation of crushing weight, so far from diminishing, grew worse and worse. It was nearly physically impossible to go on; his lungs could not take in enough oxygen, while his heart thumped like a ship's engine. Sweat coursed down his face. At the twentieth step he completed the first revolution of the tower and came face to face with the first window, which was set in a high embrasure.

Realising that he could go no higher, he struck another match, and climbed into the embrasure, in order that he might at all events see something from the tower. The flame died, and he stared through the window at the stars. Then, to his astonishment, he discovered that it was not a window at all but a lens.... The sky was not a wide expanse of space containing a multitude of stars, but a blurred darkness, focused only in one part, where two very bright stars, like small moons in size, appeared in close conjunction; and near them a more minute planetary object, as brilliant as Venus and with an observable disk. One of the suns shone with a glaring white light; the other was a weird and awful blue. Their light, though almost solar in intensity, did not illuminate the interior of the tower.

Maskull knew at once that the system of spheres at which he was gazing was what is known to astronomy as the star Arcturus.... He had seen the sight before, through Krag's glass, but then the scale had been smaller, the colors of the twin suns had not appeared in their naked reality.... These colors seemed to him most marvellous, as if, in seeing them through earth eyes, he was not seeing them correctly.... But it was at Tormance that he stared the longest and the most earnestly. On that mysterious and terrible earth, countless millions of miles distant, it had been promised him that he would set foot, even though he might leave his bones there. The strange creatures that he was to behold and touch were already living, at this very moment.

A low, sighing whisper sounded in his ear, from not more than a yard away. "Don't you understand, Maskull, that you are only an instrument, to be used and then broken? Nightspore is asleep now, but when he wakes you must die. You will go, but he will return."

Maskull hastily struck another match, with trembling fingers. No one was in sight, and all was quiet as the tomb.

The voice did not sound again. After waiting a few minutes, he redescended to the foot of the tower. On gaining the open air, his sensation of weight was instantly removed, but he continued panting and palpitating, like a man who has lifted a far too heavy load.

Nightspore's dark form came forward. "Was Krag there?"

"If he was. I didn't see him. But I heard someone speak."

"Was it Krag?"

"It was not Krag -- but a voice warned me against you."

"Yes, you will hear these voices too," said Nightspore enigmatically.
Site Admin
Posts: 31991
Joined: Thu Aug 01, 2013 5:21 am

Re: A Voyage to Arcturus, by David Lindsay

Postby admin » Thu Jul 16, 2015 3:52 am


When they returned to the house, the windows were all in darkness and the door was ajar, just as they had left it; Krag presumably was not there. Maskull went all over the house, striking matches in every room -- at the end of the examination he was ready to swear that the man they were expecting had not even stuck his nose inside the premises. Groping their way into the library, they sat down in the total darkness to wait, for nothing else remained to be done. Maskull lit his pipe, and began to drink the remainder of the whisky. Through the open window sounded in their ears the trainlike grinding of the sea at the foot of the cliffs.

"Krag must be in the tower after all," remarked Maskull, breaking the silence.

"Yes, he is getting ready."

"I hope he doesn't expect us to join him there. It was beyond my powers -- but why, heaven knows. The stairs must have a magnetic pull of some sort."

"It is Tormantic gravity," muttered Nightspore.

"I understand you -- or, rather, I don't -- but it doesn't matter."

He went on smoking in silence, occasionally taking a mouthful of the neat liquor. "Who is Surtur?" he demanded abruptly.

"We others are gropers and bunglers, but he is a master."

Maskull digested this. "I fancy you are right, for though I know nothing about him his mere name has an exciting effect on me.... Are you personally acquainted with him?"

"I must be... I forget..." replied Nightspore in a choking voice.

Maskull looked up, surprised, but could make nothing out in the blackness of the room.

"Do you know so many extraordinary men that you can forget some of them? ... Perhaps you can tell me this... will we meet him, where we are going?"

"You will meet death, Maskull.... Ask me no more questions -- I can't answer them."

"Then let us go on waiting for Krag," said Maskull coldly.

Ten minutes later the front door slammed, and a light, quick footstep was heard running up the stairs. Maskull got up, with a beating heart.

Krag appeared on the threshold of the door, bearing in his hand a feebly glimmering lantern. A hat was on his head, and he looked stern and forbidding. After scrutinising the two friends for a moment or so, he strode into the room and thrust the lantern on the table. Its light hardly served to illuminate the walls.

"You have got here, then, Maskull?"

"So it seems -- but I shan't thank you for your hospitality, for it has been conspicuous by its absence."

Krag ignored the remark. "Are you ready to start?"

"By all means -- when you are. It is not so entertaining here."

Krag surveyed him critically. "I heard you stumbling about in the tower. You couldn't get up, it seems."

"It looks like an obstacle, for Nightspore informs me that the start takes place from the top."

"But your other doubts are all removed?"

"So far, Krag, that I now possess an open mind. I am quite willing to see what you can do."

"Nothing more is asked.... But this tower business. You know that until you are able to climb to the top you are unfit to stand the gravitation of Tormance?"

"Then I repeat, it's an awkward obstacle, for I certainly can't get up."

Krag hunted about in his pockets, and at length produced a clasp knife.

"Remove you coat, and roll up your shirt sleeve," he directed.

"Do you propose to make an incision with that?"

"Yes, and don't start difficulties, because the effect is certain, but you can't possibly understand it beforehand."

"Still, a cut with a pocket-knife -- " began Maskull, laughing.

"It will answer, Maskull," interrupted Nightspore.

"Then bare your arm too, you aristocrat of the universe," said Krag. "Let us see what your blood is made of."

Nightspore obeyed.

Krag pulled out the big blade of the knife, and made a careless and almost savage slash at Maskull's upper arm. The wound was deep, and blood flowed freely.

"Do I bind it up?" asked Maskull, scowling with pain.

Krag spat on the wound. "Pull your shirt down, it won't bleed any more."

He then turned his attention to Nightspore, who endured his operation with grim indifference. Krag threw the knife on the floor.

An awful agony, emanating from the wound, started to run through Maskull's body, and he began to doubt whether he would not have to faint, but it subsided almost immediately, and then he felt nothing but a gnawing ache in the injured arm, just strong enough to make life one long discomfort.

"That's finished," said Krag. "Now you can follow me."

Picking up the lantern, he walked toward the door. The others hastened after him, to take advantage of the light, and a moment later their footsteps, clattering down the uncarpeted stairs, resounded through the deserted house. Krag waited till they were out, and then banged the front door after them with such violence that the windows shook.

While they were walking swiftly across to the tower, Maskull caught his arm. "I heard a voice up those stairs."

"What did it say?"

"That I am to go, but Nightspore is to return."

Krag smiled. "The journey is getting notorious," he remarked, after a pause. "There must be ill-wishers about.... Well, do you want to return?"

"I don't know what I want. But I thought the thing was curious enough to be mentioned."

"It is not a bad thing to hear voices," said Krag, "but you mustn't for a minute imagine that all is wise that comes to you out of the night world."

When they had arrived at the open gateway of the tower, he immediately set foot on the bottom step of the spiral staircase and ran nimbly up, bearing the lantern. Maskull followed him with some trepidation, in view of his previous painful experience on these stairs, but when, after the first half-dozen steps, he discovered that he was still breathing freely, his dread changed to relief and astonishment, and he could have chattered like a girl.

At the lowest window Krag went straight ahead without stepping, but Maskull clambered into the embrasure, in order to renew his acquaintance with the miraculous spectacle of the Arcturian group. The lens had lost its magic property. It had become a common sheet of glass, through which the ordinary sky field appeared.

The climb continued, and at the second and third windows he again mounted and stared out, but still the common sights presented themselves. After that, he gave up and looked through no more windows.

Krag and Nightspore meanwhile had gone on ahead with the light, so that he had to complete the ascent in darkness. When he was near the top, he saw yellow light shining through the crack of a half-opened door. His companions were standing just inside a small room, shut off from the staircase by rough wooden planking; it was rudely furnished and contained nothing of astronomical interest. The lantern was resting on a table.

Maskull walked in and looked around him with curiosity. "Are we at the top?"

"Except for the platform over our heads," replied Krag.

"Why didn't that lowest window magnify, as it did earlier in the evening?"

"Oh, you missed your opportunity," said Krag, grinning. "If you had finished your climb then, you would have seen heart-expanding sights. From the fifth window, for example, you would have seen Tormance like a continent in relief; from the sixth you would have seen it like a landscape.... But now there's no need."

"Why not -- and what has need got to do with it?"

"Things are changed, my friend, since that wound of yours. For the same reason that you have now been able to mount the stairs, there was no necessity to stop and gape at illusions en route."

"Very well," said Maskull, not quite understanding what he meant.

"But is this Surtur's den?"

"He has spent time here."

"I wish you would describe this mysterious individual, Krag. We may not get another chance."

"What I said about the windows also applies to Surtur. There's no need to waste time over visualising him, because you are immediately going on to the reality."

"Then let us go." He pressed his eyeballs wearily.

"Do we strip?" asked Nightspore.

"Naturally," answered Krag, and he began to tear off his clothes with slow, uncouth movements.

"Why?" demanded Maskull, following, however, the example of the other two men.

Krag thumped his vast chest, which was covered with thick hairs, like an ape's. "Who knows what the Tormance fashions are like? We may sprout limbs -- I don't say we shall."

"A-ha!" exclaimed Maskull, pausing in the middle of his undressing.

Krag smote him on the back. "New pleasure organs possible, Maskull. You like that?"

The three men stood as nature made them. Maskull's spirits rose fast, as the moment of departure drew near.

"A farewell drink to success!" cried Krag, seizing a bottle and breaking its head off between his fingers. There were no glasses, but he poured the amber-coloured wine into some cracked cups.

Perceiving that the others drank, Maskull tossed off his cupful. It was as if he had swallowed a draught of liquid electricity.... Krag dropped onto the floor and rolled around on his back, kicking his legs in the air. He tried to drag Maskull down on top of him, and a little horseplay went on between the two. Nightspore took no part in it, but walked to and fro, like a hungry caged animal.

Suddenly, from out-of-doors, there came a single prolonged, piercing wail, such as a banshee might be imagined to utter. It ceased abruptly, and was not repeated.

"What's that?" called out Maskull, disengaging himself impatiently from Krag.

Krag rocked with laughter. "A Scottish spirit trying to reproduce the bagpipes of its earth life -- in honour of our departure."

Nightspore turned to Krag. "Maskull will sleep throughout the journey?"

"And you too, if you wish, my altruistic friend. I am pilot, and you passengers can amuse yourselves as you please."

"Are we off at last?" asked Maskull.

"Yes, you are about to cross your Rubicon, Maskull. But what a Rubicon! ... Do you know that it takes light a hundred years or so to arrive here from Arcturus? Yet we shall do it in nineteen hours."

"Then you assert that Surtur is already there?"

"Surtur is where he is. He is a great traveller."

"Won't I see him?"

Krag went up to him and looked him in the eyes. "Don't forget that you have asked for it, and wanted it. Few people in Tormance will know more about him than you do, but your memory will be your worst friend."

He led the way up a short iron ladder, mounting through a trap to the flat roof above. When they were up, he switched on a small electric torch.

Maskull beheld with awe the torpedo of crystal that was to convey them through the whole breadth of visible space. It was forty feet long, eight wide, and eight high; the tank containing the Arcturian back rays was in front, the car behind. The nose of the torpedo was directed toward the south-eastern sky. The whole machine rested upon a flat platform, raised about four feet above the level of the roof, so as to encounter no obstruction on starting its flight.

Krag flashed the light on to the door of the car, to enable them to enter. Before doing so, Maskull gazed sternly once again at the gigantic, far-distant star, which was to be their sun from now onward. He frowned, shivered slightly, and got in beside Nightspore. Krag clambered past them onto his pilot's seat. He threw the flashlight through the open door, which was then carefully closed, fastened, and screwed up.

He pulled the starting lever. The torpedo glided gently from its platform, and passed rather slowly away from the tower, seaward. Its speed increased sensibly, though not excessively, until the approximate limits of the earth's atmosphere were reached. Krag then released the speed valve, and the car sped on its way with a velocity more nearly approaching that of thought than of light.

Maskull had no opportunity of examining through the crystal walls the rapidly changing panorama of the heavens. An extreme drowsiness oppressed him. He opened his eyes violently a dozen times, but on the thirteenth attempt he failed. From that time forward he slept heavily.

The bored, hungry expression never left Nightspore's face. The alterations in the aspect of the sky seemed to possess not the least interest for him.

Krag sat with his hand on the lever, watching with savage intentness his phosphorescent charts and gauges.
Site Admin
Posts: 31991
Joined: Thu Aug 01, 2013 5:21 am

Re: A Voyage to Arcturus, by David Lindsay

Postby admin » Thu Jul 16, 2015 3:52 am

Chapter 6: JOIWIND

IT WAS DENSE NIGHT when Maskull awoke from his profound sleep. A wind was blowing against him, gentle but wall-like, such as he had never experienced on earth. He remained sprawling on the ground, as he was unable to lift his body because of its intense weight. A numbing pain, which he could not identify with any region of his frame, acted from now onward as a lower, sympathetic note to all his other sensations. It gnawed away at him continuously; sometimes it embittered and irritated him, at other times he forgot it.

He felt something hard on his forehead. Putting his hand up, he discovered there a fleshy protuberance the size of a small plum, having a cavity in the middle, of which he could not feel the bottom. then he also became aware of a large knob on each side of his neck, an inch below the ear.

From the region of his heart, a tentacle had budded. It was as long as his arm, but thin, like whipcord, and soft and flexible.

As soon as he thoroughly realised the significance of these new organs, his heart began to pump. Whatever might, or might not, be their use, they proved one thing that he was in a new world.

One part of the sky began to get lighter than the rest. Maskull cried out to his companions, but received no response. This frightened him. He went on shouting out, at irregular intervals -- equally alarmed at the silence and at the sound of his own voice. Finally, as no answering hail came, he thought it wiser not to make too much noise, and after that he lay quiet, waiting in cold blood for what might happen.

In a short while he perceived dim shadows around him, but these were not his friends.

A pale, milky vapour over the ground began to succeed the black night, while in the upper sky rosy tints appeared. On earth, one would have said that day was breaking. The brightness went on imperceptibly increasing for a very long time.

Maskull then discovered that he was lying on sand. The colour of the sand was scarlet. The obscure shadows he had seen were bushes, with black stems and purple leaves. So far, nothing else was visible.

The day surged up. It was too misty for direct sunshine, but before long the brilliance of the light was already greater than that of the midday sun on earth. The heat, too, was intense, but Maskull welcomed it -- it relieved his pain and diminished his sense of crushing weight. The wind had dropped with the rising of the sun.

He now tried to get onto his feet, but succeeded only in kneeling. He was unable to see far. The mists had no more than partially dissolved, and all that he could distinguish was a narrow circle of red sand dotted with ten or twenty bushes.

He felt a soft, cool touch on the back of his neck. He started forward in nervous fright and, in doing so, tumbled over onto the sand. Looking up over his shoulder quickly, he was astounded to see a woman standing beside him.

She was clothed in a single flowing, pale green garment, rather classically draped. According to earth standards she was not beautiful, for, although her face was otherwise human, she was endowed -- or afflicted -- with the additional disfiguring organs that Maskull had discovered in himself. She also possessed the heart tentacle. But when he sat up, and their eyes met and remained in sympathetic contact, he seemed to see right into a soul that was the home of love, warmth, kindness, tenderness, and intimacy. Such was the noble familiarity of that gaze, that he thought he knew her. After that, he recognised all the loveliness of her person. She was tall and slight. All her movements were as graceful as music. Her skin was not of a dead, opaque colour, like that of an earth beauty, but was opalescent; its hue was continually changing, with every thought and emotion, but none of these tints was vivid -- all were delicate, half-toned, and poetic. She had very long, loosely plaited, flaxen hair. The new organs, as soon as Maskull had familiarised himself with them, imparted something to her face that was unique and striking. He could not quite define it to himself, but subtlety and inwardness seemed added. The organs did not contradict the love of her eyes or the angelic purity of her features, but nevertheless sounded a deeper note -- a note that saved her from mere girlishness.

Her gaze was so friendly and unembarrassed that Maskull felt scarcely any humiliation at sitting at her feet, naked and helpless. She realised his plight, and put into his hands a garment that she had been carrying over her arm. It was similar to the one she was wearing, but of a darker, more masculine colour.

"Do you think you can put it on by yourself?"

He was distinctly conscious of these words, yet her voice had not sounded.

He forced himself up to his feet, and she helped him to master the complications of the drapery.

"Poor man -- how you are suffering!" she said, in the same inaudible language. This time he discovered that the sense of what she said was received by his brain through the organ on his forehead.

"Where am I? Is this Tormance?" he asked. As he spoke, he staggered.

She caught him, and helped him to sit down. "Yes. You are with friends."

Then she regarded him with a smile, and began speaking aloud, in English. Her voice somehow reminded him of an April day, it was so fresh, nervous, and girlish. "I can now understand your language. It was strange at first. In the future I'll speak to you with my mouth."

"This is extraordinary! What is this organ?" he asked, touching his forehead.

"It is named the 'breve.' By means of it we read one another's thoughts. Still, speech is better, for then the heart can be read too."

He smiled. "They say that speech is given us to deceive others."

"One can deceive with thought, too. But I'm thinking of the best, not the worst."

"Have you seen my friends?"

She scrutinised him quietly, before answering. "Did you not come alone?"

"I came with two other men, in a machine. I must have lost consciousness on arrival, and I haven't seen them since."

"That's very strange! No, I haven't seen them. They can't be here, or we would have known it. My husband and I -- "

"What is your name, and your husband's name?"

"Mine is Joiwind -- my husband's is Panawe. We live a very long way from here; still, it came to us both last night that you were lying here insensible. We almost quarrelled about which of us should come to you, but in the end I won." Here she laughed. "I won, because I am the stronger-hearted of the two; he is the purer in perception."

"Thanks, Joiwind!" said Maskull simply.

The colors chased each other rapidly beneath her skin. "Oh, why do you say that? What pleasure is greater than loving-kindness? I rejoiced at the opportunity.... But now we must exchange blood."

"What is this?" he demanded, rather puzzled.

"It must be so. Your blood is far too thick and heavy for our world. Until you have an infusion of mine, you will never get up."

Maskull flushed. "I feel like a complete ignoramus here.... Won't it hurt you?"

"If your blood pains you, I suppose it will pain me. But we will share the pain."

"This is a new kind of hospitality to me," he muttered.

"Wouldn't you do the same for me?" asked Joiwind, half smiling, half agitated.

"I can't answer for any of my actions in this world. I scarcely know where I am.... Why, yes -- of course I would, Joiwind."

While they were talking it had become full day. The mists had rolled away from the ground, and only the upper atmosphere remained fog-charged. The desert of scarlet sand stretched in all directions, except one, where there was a sort of little oasis -- some low hills, clothed sparsely with little purple trees from base to summit. It was about a quarter of a mile distant.

Joiwind had brought with her a small flint knife. Without any trace of nervousness, she made a careful, deep incision on her upper arm. Maskull expostulated.

"Really, this part of it is nothing," she said, laughing. "And if it were -- a sacrifice that is no sacrifice -- what merit is there in that? ... Come now -- your arm!"

The blood was streaming down her arm. It was not red blood, but a milky, opalescent fluid.

"Not that one!" said Maskull, shrinking. "I have already been cut there." He submitted the other, and his blood poured forth.

Joiwind delicately and skilfully placed the mouths of the two wounds together, and then kept her arm pressed tightly against Maskull's for a long time. He felt a stream of pleasure entering his body through the incision. His old lightness and vigour began to return to him. After about five minutes a duel of kindness started between them; he wanted to remove his arm, and she to continue. At last he had his way, but it was none too soon -- she stood there pale and dispirited.

She looked at him with a more serious expression than before, as if strange depths had opened up before her eyes.

"What is your name?"


"Where have you come from, with this awful blood?"

"From a world called Earth.... The blood is clearly unsuitable for this world, Joiwind, but after all, that was only to be expected. I am sorry I let you have your way."

"Oh, don't say that! There was nothing else to be done. We must all help one another. Yet, somehow -- forgive me -- I feel polluted."

"And well you may, for it's a fearful thing for a girl to accept in her own veins the blood of a strange man from a strange planet. If I had not been so dazed and weak I would never have allowed it."

"But I would have insisted. Are we not all brothers and sisters? Why did you come here, Maskull?"

He was conscious of a slight degree of embarrassment. "Will you think it foolish if I say I hardly know? -- I came with those two men. Perhaps I was attracted by curiosity, or perhaps it was the love of adventure."

"Perhaps," said Joiwind. "I wonder... These friends of yours must be terrible men. Why did they come?"

"That I can tell you. They came to follow Surtur."

Her face grew troubled. "I don't understand it. One of them at least must be a bad man, and yet if he is following Surtur -- or Shaping, as he is called here -- he can't be really bad."

"What do you know of Surtur?" asked Maskull in astonishment.

Joiwind remained silent for a time, studying his face. His brain moved restlessly, as though it were being probed from outside. "I see.... and yet I don't see," she said at last. "It is very difficult.... Your God is a dreadful Being -- bodyless, unfriendly, invisible. Here we don't worship a God like that. Tell me, has any man set eyes on your God?"

"What does all this mean, Joiwind? Why speak of God?"

"I want to know."

"In ancient times, when the earth was young and grand, a few holy men are reputed to have walked and spoken with God, but those days are past."

"Our world is still young," said Joiwind. "Shaping goes among us and converses with us. He is real and active -- a friend and lover. Shaping made us, and he loves his work."

"Have you met him?" demanded Maskull, hardly believing his ears.

"No. I have done nothing to deserve it yet. Some day I may have an opportunity to sacrifice myself, and then I may be rewarded by meeting and talking with Shaping."

"I have certainly come to another world. But why do you say he is the same as Surtur?"

"Yes, he is the same. We women call him Shaping, and so do most men, but a few name him Surtur."

Maskull bit his nail. "Have you ever heard of Crystalman?"

"That is Shaping once again. You see, he has many names -- which shows how much he occupies our minds. Crystalman is a name of affection."

"It's odd," said Maskull. "I came here with quite different ideas about Crystalman."

Joiwind shook her hair. "In that grove of trees over there stands a desert shrine of his. Let us go and pray there, and then we'll go on our way to Poolingdred. That is my home. It's a long way off, and we must get there before Blodsombre."

"Now, what is Blodsombre?"

"For about four hours in the middle of the day Branchspell's rays are so hot that no one can endure them. We call it Blodsombre."

"Is Branchspell another name for Arcturus?"

Joiwind threw off her seriousness and laughed. "Naturally we don't take our names from you, Maskull. I don't think our names are very poetic, but they follow nature."

She took his arm affectionately, and directed their walk towards the tree-covered hills. As they went along, the sun broke through the upper mists and a terrible gust of scorching heat, like a blast from a furnace, struck Maskull's head. He involuntarily looked up, but lowered his eyes again like lightning. All that he saw in that instant was a glaring ball of electric white, three times the apparent diameter of the sun. For a few minutes he was quite blind.

"My God!" he exclaimed. "If it's like this in early morning you must be right enough about Blodsombre." When he had somewhat recovered himself he asked, "How long are the days here, Joiwind?"

Again he felt his brain being probed.

"At this time of the year, for every hour's daylight that you have in summer, we have two."

"The heat is terrific -- and yet somehow I don't feel so distressed by it as I would have expected."

"I feel it more than usual. It's not difficult to account for it; you have some of my blood, and I have some of yours."

"Yes, every time I realise that, I -- Tell me, Joiwind, will my blood alter, if I stay here long enough? -- I mean, will it lose its redness and thickness, and become pure and thin and light-coloured, like yours?"

"Why not? If you live as we live, you will assuredly grow like us."

"Do you mean food and drink?"

"We eat no food, and drink only water."

"And on that you manage to sustain life?"

"Well, Maskull, our water is good water," replied Joiwind, smiling.

As soon as he could see again he stared around at the landscape. The enormous scarlet desert extended everywhere to the horizon, excepting where it was broken by the oasis. It was roofed by a cloudless, deep blue, almost violet, sky. The circle of the horizon was far larger than on earth. On the skyline, at right angles to the direction in which they were walking, appeared a chain of mountains, apparently about forty miles distant. One, which was higher than the rest, was shaped like a cup. Maskull would have felt inclined to believe he was travelling in dreamland, but for the intensity of the light, which made everything vividly real.

Joiwind pointed to the cup-shaped mountain. "That's Poolingdred."

"You didn't come from there!" he exclaimed, quite startled.

"Yes, I did indeed. And that is where we have to go to now."

"With the single object of finding me?"

"Why, yes."

The colour mounted to his face. "Then you are the bravest and noblest of all girls," he said quietly, after a pause. "Without exception. Why, this is a journey for an athlete!"

She pressed his arm, while a score of unpaintable, delicate hues stained her cheeks in rapid transition. "Please don't say any more about it, Maskull. It makes me feel unpleasant."

"Very well. But can we possibly get there before midday?"

"Oh, yes. And you mustn't be frightened at the distance. We think nothing of long distances here -- we have so much to think about and feel. Time goes all too quickly."

During their conversation they had drawn neat the base of the hills, which sloped gently, and were not above fifty feet in height. Maskull now began to see strange specimens of vegetable life. What looked like a small patch of purple grass, above five feet square, was moving across the sand in their direction. When it came near enough he perceived that it was not grass; there were no blades, but only purple roots. The roots were revolving, for each small plant in the whole patch, like the spokes of a rimless wheel. They were alternately plunged in the sand, and withdrawn from it, and by this means the plant proceeded forward. Some uncanny, semi-intelligent instinct was keeping all the plants together, moving at one pace, in one direction, like a flock of migrating birds in flight.

Another remarkable plant was a large, feathery ball, resembling a dandelion fruit, which they encountered sailing through the air. Joiwind caught it with an exceedingly graceful movement of her arm, and showed it to Maskull. It had roots and presumably lived in the air and fed on the chemical constituents of the atmosphere. But what was peculiar about it was its colour. It was an entirely new colour -- not a new shade or combination, but a new primary colour, as vivid as blue, red, or yellow, but quite different. When he inquired, she told him that it was known as "ulfire." Presently he met with a second new colour. This she designated "jale." The sense impressions caused in Maskull by these two additional primary colors can only be vaguely hinted at by analogy. Just as blue is delicate and mysterious, yellow clear and unsubtle, and red sanguine and passionate, so he felt ulfire to be wild and painful, and jale dreamlike, feverish, and voluptuous.

The hills were composed of a rich, dark mould. Small trees, of weird shapes, all differing from each other, but all purple-coloured, covered the slopes and top. Maskull and Joiwind climbed up and through. Some hard fruit, bright blue in colour, of the size of a large apple, and shaped like an egg, was lying in profusion underneath the trees.

"Is the fruit here poisonous, or why don't you eat it?" asked Maskull.

She looked at him tranquilly. "We don't eat living things. The thought is horrible to us."

"I have nothing to say against that, theoretically. But do you really sustain your bodies on water?"

"Supposing you could find nothing else to live on, Maskull -- would you eat other men?"

"I would not."

"Neither will we eat plants and animals, which are our fellow creatures. So nothing is left to us but water, and as one can really live on anything, water does very well."

Maskull picked up one of the fruits and handled it curiously. As he did so another of his newly acquired sense organs came into action. He found that the fleshy knobs beneath his ears were in some novel fashion acquainting him with the inward properties of the fruit. He could not only see, feel, and smell it, but could detect its intrinsic nature. This nature was hard, persistent and melancholy.

Joiwind answered the questions he had not asked.

"Those organs are called 'poigns.' Their use is to enable us to understand and sympathise with all living creatures."

"What advantage do you derive from that, Joiwind?"

"The advantage of not being cruel and selfish, dear Maskull."

He threw the fruit away and flushed again.

Joiwind looked into his swarthy, bearded face without embarrassment and slowly smiled. "Have I said too much? Have I been too familiar? Do you know why you think so? It's because you are still impure. By and by you will listen to all language without shame."

Before he realised what she was about to do, she threw her tentacle round his neck, like another arm. He offered no resistance to its cool pressure. The contact of her soft flesh with his own was so moist and sensitive that it resembled another kind of kiss. He saw who it was that embraced him -- a pale, beautiful girl. Yet, oddly enough, he experienced neither voluptuousness nor sexual pride. The love expressed by the caress was rich, glowing, and personal, but there was not the least trace of sex in it -- and so he received it.

She removed her tentacle, placed her two arms on his shoulders and penetrated with her eyes right into his very soul.

"Yes, I wish to be pure," he muttered. "Without that what can I ever be but a weak, squirming devil?"

Joiwind released him. "This we call the 'magn,'" she said, indicating her tentacle. "By means of it what we love already we love more, and what we don't love at all we begin to love."

"A godlike organ!"

"It is the one we guard most jealously," said Joiwind.

The shade of the trees afforded a timely screen from the now almost insufferable rays of Branchspell, which was climbing steadily upward to the zenith. On descending the other side of the little hills, Maskull looked anxiously for traces of Nightspore and Krag, but without result. After staring about him for a few minutes he shrugged his shoulders; but suspicions had already begun to gather in his mind.

A small, natural amphitheatre lay at their feet, completely circled by the tree-clad heights. The centre was of red sand. In the very middle shot up a tall, stately tree, with a black trunk and branches, and transparent, crystal leaves. At the foot of this tree was a natural, circular well, containing dark green water.

When they had reached the bottom, Joiwind took him straight over to the well.

Maskull gazed at it intently. "Is this the shrine you talked about?"

"Yes. It is called Shaping's Well. The man or woman who wishes to invoke Shaping must take up some of the gnawl water, and drink it."

"Pray for me," said Maskull. "Your unspotted prayer will carry more weight."

"What do you wish for?"

"For purity," answered Maskull, in a troubled voice.

Joiwind made a cup of her hand, and drank a little of the water. She held it up to Maskull's mouth. "You must drink too." He obeyed. She then stood erect, closed her eyes, and, in a voice like the soft murmurings of spring, prayed aloud.

"Shaping, my father, I am hoping you can hear me. A strange man has come to us weighed down with heavy blood. He wishes to be pure. Let him know the meaning of love, let him live for others. Don't spare him pain, dear Shaping, but let him seek his own pain. Breathe into him a noble soul."

Maskull listened with tears in his heart.

As Joiwind finished speaking, a blurred mist came over his eyes, and, half buried in the scarlet sand, appeared a large circle of dazzlingly white pillars. For some minutes they flickered to and fro between distinctness and indistinctness, like an object being focused. Then they faded out of sight again.

"Is that a sign from Shaping?" asked Maskull, in a low, awed tone.

"Perhaps it is. It is a time mirage."

"What can that be, Joiwind?"

"You see, dear Maskull, the temple does not yet exist but it will do so, because it must. What you and I are now doing in simplicity, wise men will do hereafter in full knowledge.""

"It is right for man to pray," said Maskull. "Good and evil in the world don't originate from nothing. God and Devil must exist. And we should pray to the one, and fight the other."

Yes, we must fight Krag."

"What name did you say?" asked Maskull in amazement.

"Krag -- the author of evil and misery -- whom you call Devil."

He immediately concealed his thoughts. To prevent Joiwind from learning his relationship to this being, he made his mind a blank.

"Why do you hide your mind from me?" she demanded, looking at him strangely and changing colour.

"In this bright, pure, radiant world, evil seems so remote, one can scarcely grasp its meaning." But he lied.

Joiwind continued gazing at him, straight out of her clean soul. "The world is good and pure, but many men are corrupt. Panawe, my husband, has travelled, and he has told me things I would almost rather have not heard. One person he met believed the universe to be, from top to bottom, a conjurer's cave."

"I should like to meet your husband."

"Well, we are going home now."

Maskull was on the point of inquiring whether she had any children, but was afraid of offending her, and checked himself.

She read the mental question. "What need is there? Is not the whole world full of lovely children? Why should I want selfish possessions?"

An extraordinary creature flew past, uttering a plaintive cry of five distinct notes. It was not a bird, but had a balloon-shaped body, paddled by five webbed feet. It disappeared among the trees.

Joiwind pointed to it, as it went by. "I love that beast, grotesque as it is -- perhaps all the more for its grotesqueness. But if I had children of my own, would I still love it? Which is best -- to love two or three, or to love all?"

"Every woman can't be like you, Joiwind, but it is good to have a few like you. Wouldn't it be as well," he went on, "since we've got to walk through that sun-baked wilderness, to make turbans for our heads out of some of those long leaves?"

She smiled rather pathetically. "You will think me foolish, but every tearing off of a leaf would be a wound in my heart. We have only to throw our robes over our heads."

"No doubt that will answer the same purpose, but tell me -- weren't these very robes once part of a living creature?"

"Oh, no -- no, they are the webs of a certain animal, but they have never been in themselves alive."

"You reduce life to extreme simplicity," remarked Maskull meditatively, "but it is very beautiful."

Climbing back over the hills, they now without further ceremony began their march across the desert.

They walked side by side. Joiwind directed their course straight toward Poolingdred. From the position of the sun, Maskull judged their way to lie due north. The sand was soft and powdery, very tiring to his naked feet. The red glare dazed his eyes, and made him semi- blind. He was hot, parched, and tormented with the craving to drink; his undertone of pain emerged into full consciousness.

"I see my friends nowhere, and it is very queer."

"Yes, it is queer -- if it is accidental," said Joiwind, with a peculiar intonation.

"Exactly!" agreed Maskull. "If they had met with a mishap, their bodies would still be there. It begins to look like a piece of bad work to me. They must have gone on, and left me.... Well, I am here, and I must make the best of it, I will trouble no more about them."

"I don't wish to speak ill of anyone," said Joiwind, "but my instinct tells me that you are better away from those men. They did not come here for your sake, but for their own."

They walked on for a long time. Maskull was beginning to feel faint. She twined her magn lovingly around his waist, and a strong current of confidence and well-being instantly coursed through his veins.

"Thanks, Joiwind! But am I not weakening you?"

"Yes," she replied, with a quick, thrilling glance. "But not much -- and it gives me great happiness."

Presently they met a fantastic little creature, the size of a new-born lamb, waltzing along on three legs. Each leg in turn moved to the front, and so the little monstrosity proceeded by means of a series of complete rotations. It was vividly coloured, as though it had been dipped into pots of bright blue and yellow paint. It looked up with small, shining eyes, as they passed.

Joiwind nodded and smiled to it. "That's a personal friend of mine, Maskull. Whenever I come this way, I see it. It's always waltzing, and always in a hurry, but it never seems to get anywhere."

"It seems to me that life is so self-sufficient here that there is no need for anyone to get anywhere. What I don't quite understand is how you manage to pass your days without ennui."

"That's a strange word. It means, does it not, craving for excitement?"

"Something of the kind," said Maskull.

"That must be a disease brought on by rich food."

"But are you never dull?"

"How could we be? Our blood is quick and light and free, our flesh is clean and unclogged, inside and out.... Before long I hope you will understand what sort of question you have asked."

Farther on they encountered a strange phenomenon. In the heart of the desert a fountain rose perpendicularly fifty feet into the air, with a cool and pleasant hissing sound. It differed, however, from a fountain in this respect -- that the water of which it was composed did not return to the ground but was absorbed by the atmosphere at the summit. It was in fact a tall, graceful column of dark green fluid, with a capital of coiling and twisting vapours.

When they came closer, Maskull perceived that this water column was the continuation and termination of a flowing brook, which came down from the direction of the mountains. The explanation of the phenomenon was evidently that the water at this spot found chemical affinities in the upper air, and consequently forsook the ground.

"Now let us drink," said Joiwind.

She threw herself unaffectedly at full length on the sand, face downward, by the side of the brook, and Maskull was not long in following her example. She refused to quench her thirst until she had seen him drink. He found the water heavy, but bubbling with gas. He drank copiously. It affected his palate in a new way -- with the purity and cleanness of water was combined the exhilaration of a sparkling wine, raising his spirits -- but somehow the intoxication brought out his better nature, and not his lower.

"We call it 'gnawl water'," said Joiwind. "This is not quite pure, as you can see by the colour. At Poolingdred it is crystal clear. But we would be ungrateful if we complained. After this you'll find we'll get along much better."

Maskull now began to realise his environment, as it were for the first time. All his sense organs started to show him beauties and wonders that he had not hitherto suspected. The uniform glaring scarlet of the sands became separated into a score of clearly distinguished shades of red. The sky was similarly split up into different blues. The radiant heat of Branchspell he found to affect every part of his body with unequal intensities. His ears awakened; the atmosphere was full of murmurs, the sands hummed, even the sun's rays had a sound of their own -- a kind of faint Aeolian harp. Subtle, puzzling perfumes assailed his nostrils. His palate lingered over the memory of the gnawl water. All the pores of his skin were tickled and soothed by hitherto unperceived currents of air. His poigns explored actively the inward nature of everything in his immediate vicinity. His magn touched Joiwind, and drew from her person a stream of love and joy. And lastly by means of his breve he exchanged thoughts with her in silence. This mighty sense symphony stirred him to the depths, and throughout the walk of that endless morning he felt no more fatigue.

When it was drawing near to Blodsombre, they approached the sedgy margin of a dark green lake, which lay underneath Poolingdred.

Panawe was sitting on a dark rock, waiting for them.
Site Admin
Posts: 31991
Joined: Thu Aug 01, 2013 5:21 am

Re: A Voyage to Arcturus, by David Lindsay

Postby admin » Thu Jul 16, 2015 3:53 am

Chapter 7: PANAWE

The husband got up to meet his wife and their guest. He was clothed in white. He had a beardless face, with breve and poigns. His skin, on face and body alike, was so white, fresh, and soft, that it scarcely looked skin at all -- it rather resembled a new kind of pure, snowy flesh, extending right down to his bones. It had nothing in common with the artificially whitened skin of an over-civilised woman. Its whiteness and delicacy aroused no voluptuous thoughts; it was obviously the manifestation of a cold and almost cruel chastity of nature. His hair, which fell to the nape of his neck, also was white; but again, from vigour, not decay. His eyes were black, quiet and fathomless. He was still a young man, but so stern were his features that he had the appearance of a lawgiver, and this in spite of their great beauty and harmony.

His magn and Joiwind's intertwined for a single moment and Maskull saw his face soften with love, while she looked exultant. She put him in her husband's arms with gentle force, and stood back, gazing and smiling. Maskull felt rather embarrassed at being embraced by a man, but submitted to it; a sense of cool, pleasant languor passed through him in the act.

"The stranger is red-blooded, then?"

He was startled by Panawe's speaking in English, and the voice too was extraordinary. It was absolutely tranquil, but its tranquillity seemed in a curious fashion to be an illusion, proceeding from a rapidity of thoughts and feelings so great that their motion could not be detected. How this could be, he did not know.

"How do you come to speak in a tongue you have never heard before?" demanded Maskull.

"Thought is a rich, complex thing. I can't say if I am really speaking your tongue by instinct, or if you yourself are translating my thoughts into your tongue as I utter them."

"Already you see that Panawe is wiser than I am," said Joiwind gaily.

"What is your name?" asked the husband.


"That name must have a meaning -- but again, thought is a strange thing. I connect that name with something -- but with what?"

"Try to discover," said Joiwind.

"Has there been a man in your world who stole something from the Maker of the universe, in order to ennoble his fellow creatures?"

"There is such a myth, The hero's name was Prometheus."

"Well, you seem to be identified in my mind with that action -- but what it all means I can't say, Maskull."

"Accept it as a good omen, for Panawe never lies, and never speaks thoughtlessly."

"There must be some confusion. These are heights beyond me," said Maskull calmly, but looking rather contemplative.

"Where do you come from?"

"From the planet of a distant sun, called Earth."

"What for?"

"I was tired of vulgarity," returned Maskull laconically. He intentionally avoided mentioning his fellow voyagers, in order that Krag's name should not come to light.

"That's an honourable motive," said Panawe. "And what's more, it may be true, though you spoke it as a prevarication."

"As far as it goes, it's quite true," said Maskull, staring at him with annoyance and surprise.

The swampy lake extended for about half a mile from where they were standing to the lower buttresses of the mountain. Feathery purple reeds showed themselves here and there through the shallows. The water was dark green. Maskull did not see how they were going to cross it.

Joiwind caught his arm. "Perhaps you don't know that the lake will bear us?"

Panawe walked onto the water; it was so heavy that it carried his weight. Joiwind followed with Maskull. He instantly started to slip about -- nevertheless the motion was amusing, and he learned so fast, by watching and imitating Panawe, that he was soon able to balance himself without assistance. After that he found the sport excellent.

For the same reason that women excel in dancing, Joiwind's half falls and recoveries were far more graceful and sure than those of either of the men. Her slight, draped form -- dipping, bending, rising, swaying, twisting, upon the surface of the dark water -- this was a picture Maskull could not keep his eyes away from.

The lake grew deeper. The gnawl water became green-black. The crags, gullies, and precipices of the shore could now be distinguished in detail. A waterfall was visible, descending several hundred feet. The surface of the lake grew disturbed -- so much so that Maskull had difficulty in keeping his balance. He therefore threw himself down and started swimming on the face of the water. Joiwind turned her head, and laughed so joyously that all her teeth flashed in the sunlight.

They landed in a few more minutes on a promontory of black rock. The water on Maskull's garment and body evaporated very quickly. He gazed upward at the towering mountain, but at that moment some strange movements on the part of Panawe attracted his attention. His face was working convulsively, and he began to stagger about. Then he put his hand to his mouth and took from it what looked like a bright-coloured pebble. He looked at it carefully for some seconds. Joiwind also looked, over his shoulder, with quickly changing colors. After this inspection, Panawe let the object -- whatever it was -- fall to the ground, and took no more interest in it.

"May I look?" asked Maskull; and, without waiting for permission, he picked it up. It was a delicately beautiful egg-shaped crystal of pale green.

"Where did this come from?" he asked queerly.

Panawe turned away, but Joiwind answered for him. "It came out of my husband."

"That's what I thought, but I couldn't believe it. But what is it?"

"I don't know that it has either name or use. It is merely an overflowing of beauty."


Joiwind smiled. "If you were to regard nature as the husband, and Panawe as the wife, Maskull, perhaps everything would be explained."

Maskull reflected.

"On Earth," he said after a minute, "men like Panawe are called artists, poets, and musicians. Beauty overflows into them too, and out of them again. The only distinction is that their productions are more human and intelligible."

"Nothing comes from it but vanity," said Panawe, and, taking the crystal out of Maskull's hand, he threw it into the lake.

The precipice they now had to climb was several hundred feet in height. Maskull was more anxious for Joiwind than for himself. She was evidently tiring, but she refused all help, and was in fact still the nimbler of the two. She made a mocking face at him. Panawe seemed lost in quiet thoughts. The rock was sound, and did not crumble under their weight. The heat of Branchspell, however, was by this time almost killing, the radiance was shocking in its white intensity, and Maskull's pain steadily grew worse.

When they got to the top, a plateau of dark rock appeared, bare of vegetation, stretching in both directions as far as the eye could see. It was of a nearly uniform width of five hundred yards, from the edge of the cliffs to the lower slopes of the chain of hills inland. The hills varied in height. The cup-shaped Poolingdred was approximately a thousand feet above them. The upper part of it was covered with a kind of glittering vegetation which he could not comprehend.

Joiwind put her hand on Maskull's shoulder, and pointed upward. "Here you have the highest peak in the whole land -- that is, until you come to the Ifdawn Marest."

On hearing that strange name, he experienced a momentary unaccountable sensation of wild vigour and restlessness -- but it passed away.

Without losing time, Panawe led the way up the mountainside. The lower half was of bare rock, not difficult to climb. Halfway up, however, it grew steeper, and they began to meet bushes and small trees. The growth became thicker as they continued to ascend, and
when they neared the summit, tall forest trees appeared.

These bushes and trees had pale, glassy trunks and branches, but the small twigs and the leaves were translucent and crystal. They cast no shadows from above, but still the shade was cool. Both leaves and branches were fantastically shaped. What surprised Maskull the most, however, was the fact that, as far as he could see, scarcely any two plants belonged to the same species.

"Won't you help Maskull out of his difficulty?" said Joiwind, pulling her husband's arm.

He smiled. "If he'll forgive me for again trespassing in his brain. But the difficulty is small. Life on a new planet, Maskull, is necessarily energetic and lawless, and not sedate and imitative. Nature is still fluid -- not yet rigid -- and matter is plastic. The will forks and sports incessantly, and thus no two creatures are alike."

"Well, I understand all that," replied Maskull, after listening attentively. "But what I don't grasp is this -- if living creatures here sport so energetically, how does it come about that human beings wear much the same shape as in my world?"

"I'll explain that too," said Panawe. "All creatures that resemble Shaping must of necessity resemble one another."

"Then sporting is the blind will to become like Shaping?"


"It is most wonderful," said Maskull. "Then the brotherhood of man is not a fable invented by idealists, but a solid fact."

Joiwind looked at him, and changed colour. Panawe relapsed into sternness.

Maskull became interested in a new phenomenon. The jale-coloured blossoms of a crystal bush were emitting mental waves, which with his breve he could clearly distinguish. They cried out silently, "To me To me!" While he looked, a flying worm guided itself through the air to one of these blossoms and began to suck its nectar. The floral cry immediately ceased.

They now gained the crest of the mountain, and looked down beyond. A lake occupied its crater-like cavity. A fringe of trees partly intercepted the view, but Maskull was able to perceive that this mountain lake was nearly circular and perhaps a quarter of a mile across. Its shore stood a hundred feet below them.

Observing that his hosts did not propose to descend, he begged them to wait for him, and scrambled down to the surface. When he got there, he found the water perfectly motionless and of a colourless transparency. He walked onto it, lay down at full length, and peered into the depths. It was weirdly clear: he could see down for an indefinite distance, without arriving at any bottom. Some dark, shadowy objects, almost out of reach of his eyes, were moving about. Then a sound, very faint and mysterious, seemed to come up through the gnawl water from an immense depth. It was like the rhythm of a drum. There were four beats of equal length, but the accent was on the third. It went on for a considerable time, and then ceased.

The sound appeared to him to belong to a different world from that in which he was travelling. The latter was mystical, dreamlike, and unbelievable -- the drumming was like a very dim undertone of reality. It resembled the ticking of a clock in a room full of voices, only occasionally possible to be picked up by the ear.

He rejoined Panawe and Joiwind, but said nothing to them about his experience. They all walked round the rim of the crater, and gazed down on the opposite side. Precipices similar to those that had overlooked the desert here formed the boundary of a vast moorland plain, whose dimensions could not be measured by the eye. It was solid land, yet he could not make out its prevailing colour. It was as if made of transparent glass, but it did not glitter in the sunlight. No objects in it could be distinguished, except a rolling river in the far distance, and, farther off still, on the horizon, a line of dark mountains, of strange shapes. Instead of being rounded, conical, or hogbacked, these heights were carved by nature into the semblance of castle battlements, but with extremely deep indentations.

The sky immediately above the mountains was of a vivid, intense blue. It contrasted in a most marvellous way with the blue of the rest of the heavens. It seemed more luminous and radiant, and was in fact like the afterglow of a gorgeous blue sunset.

Maskull kept on looking. The more he gazed, the more restless and noble became his feelings.

"What is that light?"

Panawe was sterner than usual, while his wife clung to his arm. "It is Alppain -- our second sun," he replied. "Those hills are the Ifdawn Marest.... Now let us get to our shelter."

"Is it imagination, or am I really being affected -- tormented by that light?"

"No, it's not imagination -- it's real. How can it be otherwise when two suns, of different natures, are drawing you at the same time? Luckily you are not looking at Alppain itself. It's invisible here. You would need to go at least as far as Ifdawn, to set eyes on it."

"Why do you say 'luckily'?"

"Because the agony caused by those opposing forces would perhaps be more than you could bear.... But I don't know."

For the short distance that remained of their walk, Maskull was very thoughtful and uneasy. He understood nothing. Whatever object his eye chanced to rest on changed immediately into a puzzle. The silence and stillness of the mountain peak seemed brooding, mysterious, and waiting. Panawe gave him a friendly, anxious look, and without further delay led the way down a little track, which traversed the side of the mountain and terminated in the mouth of a cave.

This cave was the home of Panawe and Joiwind. It was dark inside. The host took a shell and, filling it with liquid from a well, carelessly sprinkled the sandy floor of the interior. A greenish, phosphorescent light gradually spread to the furthest limits of the cavern, and continued to illuminate it for the whole time they were there. There was no furniture. Some dried, fernlike leaves served for couches.

The moment she got in, Joiwind fell down in exhaustion. Her husband tended her with calm concern. He bathed her face, put drink to her lips, energised her with his magn, and finally laid her down to sleep. At the sight of the noble woman thus suffering on his account, Maskull was distressed.

Panawe, however, endeavoured to reassure him. "It's quite true this has been a very long, hard double journey, but for the future it will lighten all her other journeys for her.... Such is the nature of sacrifice."

"I can't conceive how I have walked so far in a morning," said Maskull, "and she has been twice the distance."

"Love flows in her veins, instead of blood, and that's why she is so strong."

"You know she gave me some of it?"

"Otherwise you couldn't even have started."

"I shall never forget that."

The languorous beat of the day outside, the bright mouth of the cavern, the cool seclusion of the interior, with its pale green glow, invited Maskull to sleep. But curiosity got the better of his lassitude.

"Will it disturb her if we talk?"


"But how do you feel?"

"I require little sleep. In any case, it's more important that you should hear something about your new life. It's not all as innocent and idyllic as this. If you intend to go through, you ought to be instructed about the dangers."

"Oh, I guessed as much. But how shall we arrange -- shall I put questions, or will you tell me what you think is most essential?"

Panawe motioned to Maskull to sit down on a pile of ferns, and at the same time reclined himself, leaning on one arm, with outstretched legs.

"I will tell some incidents of my life. You will begin to learn from them what sort of place you have come to."

"I shall be grateful," said Maskull, preparing himself to listen.

Panawe paused for a moment or two, and then started his narrative in tranquil, measured, yet sympathetic tones.


"My earliest recollection is of being taken, when three years old (that's equivalent to fifteen of your years, but we develop more slowly here), by my father and mother, to see Broodviol, the wisest man in Tormance. He dwelt in the great Wombflash Forest. We walked through trees for three days, sleeping at night. The trees grew taller as we went along, until the tops were out of sight. The trunks were of a dark red colour and the leaves were of pale ulfire. My father kept stopping to think. If left uninterrupted, he would remain for half a day in deep abstraction. My mother came out of Poolingdred, and was of a different stamp. She was beautiful, generous, and charming -- but also active. She kept urging him on. This led to many disputes between them, which made me miserable. On the fourth day we passed through a part of the forest which bordered on the Sinking Sea. This sea is full of pouches of water that will not bear a man's weight, and as these light parts don't differ in appearance from the rest, it is dangerous to cross. My father pointed out a dim outline on the horizon, and told me it was Swaylone's Island. Men sometimes go there, but none ever return. In the evening of the same day we found Broodviol standing in a deep, miry pit in the forest, surrounded on all sides by trees three hundred feet high. He was a big gnarled, rugged, wrinkled, sturdy old man. His age at that time was a hundred and twenty of our years, or nearly six hundred of yours. His body was trilateral: he had three legs, three arms, and six eyes, placed at equal distances all around his head. This gave him an aspect of great watchfulness and sagacity. He was standing in a sort of trance. I afterward heard this saying of his: 'To lie is to sleep, to sit is to dream, to stand is to think.' My father caught the infection, and fell into meditation, but my mother roused them both thoroughly. Broodviol scowled at her savagely, and demanded what she required. Then I too learned for the first time the object of our journey. I was a prodigy -- that is to say, I was without sex. My parents were troubled over this, and wished to consult the wisest of men.

"Old Broodviol smoothed his face, and said, 'This perhaps will not be so difficult. I will explain the marvel. Every man and woman among us is a walking murderer. If a male, he has struggled with and killed the female who was born in the same body with him -- if a female, she has killed the male. But in this child the struggle is still continuing.'

"'How shall we end it?' asked my mother.

"'Let the child direct its will to the scene of the combat, and it will be of whichever sex it pleases.'

"'You want, of course, to be a man, don't you?' said my mother to me earnestly.

"'Then I shall be slaying your daughter, and that would be a crime.'

"Something in my tone attracted Broodviol's notice.

"'That was spoken, not selfishly, but magnanimously. Therefore the male must have spoken it, and you need not trouble further. Before you arrive home, the child will be a boy.'

"My father walked away out of sight. My mother bent very low before Broodviol for about ten minutes, and he remained all that time looking kindly at her.

"I heard that shortly afterward Alppain came into that land for a few hours daily. Broodviol grew melancholy, and died.

"His prophecy came true -- before we reached home, I knew the meaning of shame. But I have often pondered over his words since, in later years, when trying to understand my own nature; and I have come to the conclusion that, wisest of men as he was, he still did not see quite straight on this occasion. Between me and my twin sister, enclosed in one body, there never was any struggle, but instinctive reverence for life withheld both of us from fighting for existence. Hers was the stronger temperament, and she sacrificed herself -- though not consciously -- for me.

"As soon as I comprehended this, I made a vow never to eat or destroy anything that contained life -- and I have kept it ever since.

"While I was still hardly a grown man, my father died. My mother's death followed immediately, and I hated the associations of the land. I therefore made up my mind to travel into my mother's country, where, as she had often told me, nature was most sacred and solitary.

"One hot morning I came to Shaping's Causeway. It is so called either because Shaping once crossed it, or because of its stupendous character. It is a natural embankment, twenty miles long, which links the mountains bordering my homeland with the Ifdawn Marest. The valley lies below at a depth varying from eight to ten thousand feet -- a terrible precipice on either side. The knife edge of the ridge is generally not much over a foot wide. The causeway goes due north and south. The valley on my right hand was plunged in shadow -- that on my left was sparkling with sunlight and dew. I walked fearfully along this precarious path for some miles. Far to the east the valley was closed by a lofty tableland, connecting the two chains of mountains, but overtopping even the most towering pinnacles. This is called the Sant Levels. I was never there, but I have heard two curious facts concerning the inhabitants. The first is that they have no women; the second, that though they are addicted to travelling in other parts they never acquire habits of the peoples with whom they reside.

"Presently I turned giddy, and lay at full length for a great while, clutching the two edges of the path with both hands, and staring at the ground I was lying on with wide-open eyes. When that passed I felt like a different man and grew conceited and gay. About halfway across I saw someone approaching me a long way off. This put fear into my heart again, for I did not see how we could very well pass. However, I went slowly on, and presently we drew near enough together for me to recognise the walker. It was Slofork, the so-called sorcerer. I had never met him before, but I knew him by his peculiarities of person. He was of a bright gamboge colour and possessed a very long, proboscis-like nose, which appeared to be a useful organ, but did not add to his beauty, as I knew beauty. He was dubbed 'sorcerer' from his wondrous skill in budding limbs and organs. The tale is told that one evening he slowly sawed his leg off with a blunt stone and then lay for two days in agony while his new leg was sprouting. He was not reputed to be a consistently wise man, but he had periodical flashes of penetration and audacity that none could equal.

"We sat down and faced one another, about two yards apart.

"'Which of us walks over the other?' asked Slofork. His manner was as calm as the day itself, but, to my young nature, terrible with hidden terrors. I smiled at him, but did not wish for this humiliation. We continued sitting thus, in a friendly way, for many minutes.

"'What is greater than Pleasure?' he asked suddenly.

"I was at an age when one wishes to be thought equal to any emergency, so, concealing my surprise, I applied myself to the conversation, as if it were for that purpose we had met.

"'Pain,' I replied, 'for pain drives out pleasure.'

"'What is greater than Pain?'

"I reflected. 'Love. Because we will accept our loved one's share of pain.'

"'But what is greater than Love?' he persisted.

"'Nothing, Slofork.'

"'And what is Nothing?'

"'That you must tell me.'

"'Tell you I will. This is Shaping's world. He that is a good child here, knows pleasure, pain, and love, and gets his rewards. But there's another world -- not Shaping's and there all this is unknown, and another order of things reigns. That world we call Nothing -- but it is not Nothing, but Something.'

"There was a pause.

"'I have heard,' said I, 'that you are good at growing and ungrowing organs?'

"'That's not enough for me. Every organ tells me the same story. I want to hear different stories.'

"'Is it true, what men say, that your wisdom flows and ebbs in pulses?'

"'Quite true,' replied Slofork. 'But those you had it from did not add that they have always mistaken the flow for the ebb.'

"'My experience is,' said I sententiously, 'that wisdom is misery.'

"'Perhaps it is, young man, but you have never learned that, and never will. For you the world will continue to wear a noble, awful face. You will never rise above mysticism.... But be happy in your own way.'

"Before I realised what he was doing, he jumped tranquilly from the path, down into the empty void. He crashed with ever-increasing momentum toward the valley below. I screeched, flung myself down on the ground, and shut my eyes.

"Often have I wondered which of my ill-considered, juvenile remarks it was that caused this sudden resolution on his part to commit suicide. Whichever it might be, since then I have made it a rigid law never to speak for my own pleasure, but only to help others.

"I came eventually to the Marest. I threaded its mazes in terror for four days. I was frightened of death, but still more terrified at the possibility of losing my sacred attitude toward life. When I was nearly through, and was beginning to congratulate myself, I stumbled across the third extraordinary personage of my experience -- the grim Muremaker. It was under horrible circumstances. On an afternoon, cloudy and stormy, I saw, suspended in the air without visible support, a living man. He was hanging in an upright position in front of a cliff -- a yawning gulf, a thousand feet deep, lay beneath his feet. I climbed as near as I could, and looked on. He saw me, and made a wry grimace, like one who wishes to turn his humiliation into humour. The spectacle so astounded me that I could not even grasp what had happened.

"'I am Muremaker,' he cried in a scraping voice which shocked my ears. 'All my life I have sorbed others -- now I am sorbed. Nuclamp and I fell out over a woman. Now Nuclamp holds me up like this. While the strength of his will lasts I shall remain suspended; but when he gets tired -- and it can't be long now -- I drop into those depths.'

"Had it been another man, I would have tried to save him, but this ogre-like being was too well known to me as one who passed his whole existence in tormenting, murdering, and absorbing others, for the sake of his own delight. I hurried away, and did not pause again that day.

"In Poolingdred I met Joiwind. We walked and talked together for a month, and by that time we found that we loved each other too well to part."

Panawe stopped speaking.

"That is a fascinating story," remarked Maskull. "Now I begin to know my way around better. But one thing puzzles me."

"What's that?"

"How it happens that men here are ignorant of tools and arts, and have no civilisation, and yet contrive to be social in their habits and wise in their thoughts."

"Do you imagine, then, that love and wisdom spring from tools? But I see how it arises. In your world you have fewer sense organs, and to make up for the deficiency you have been obliged to call in the assistance of stones and metals. That's by no means a sign of superiority."

"No, I suppose not," said Maskull, "but I see I have a great deal to unlearn."

They talked together a little longer, and then gradually fell asleep. Joiwind opened her eyes, smiled, and slumbered again.
Site Admin
Posts: 31991
Joined: Thu Aug 01, 2013 5:21 am

Re: A Voyage to Arcturus, by David Lindsay

Postby admin » Thu Jul 16, 2015 3:53 am


Maskull awoke before the others. He got up, stretched himself, and walked out into the sunlight. Branchspell was already declining. He climbed to the top of the crater edge and looked away toward Ifdawn. The afterglow of Alppain had by now completely disappeared. The mountains stood up wild and grand.

They impressed him like a simple musical theme, the notes of which are widely separated in the scale; a spirit of rashness, daring, and adventure seemed to call to him from them. It was at that moment that the determination flashed into his heart to walk to the Marest and explore its dangers.

He returned to the cavern to say good-by to his hosts.

Joiwind looked at him with her brave and honest eyes. "Is this selfishness, Maskull?" she asked, "or are you drawn by something stronger than yourself?"

"We must be reasonable," he answered, smiling. "I can't settle down in Poolingdred before I have found out something about this surprising new planet of yours. Remember what a long way I have come.... But very likely I shall come back here."

"Will you make me a promise?"

Maskull hesitated. "Ask nothing difficult, for I hardly know my powers yet."

"It is not hard, and I wish it. Promise this -- never to raise your hand against a living creature, either to strike, pluck, or eat, without first recollecting its mother, who suffered for it."

"Perhaps I won't promise that," said Maskull slowly, "but I'll undertake something more tangible. I will never lift my hand against a living creature without first recollecting you, Joiwind."

She turned a little pale. "Now if Panawe knew that Panawe existed, he might be jealous."

Panawe put his hand on her gently. "You would not talk like that in Shaping's presence," he said.

"No. Forgive me! I'm not quite myself. Perhaps it is Maskull's blood in my veins.... Now let us bid him adieu. Let us pray that he will do only honourable deeds, wherever he may be."

"I'll set Maskull on his way," said Panawe.

"There's no need," replied Maskull. "The way is plain."

"But talking shortens the road."

Maskull turned to go.

Joiwind pulled him around toward her softly. "You won't think badly of other women on my account?"

"You are a blessed spirit," answered he.

She trod quietly to the inner extremity of the cave and stood there thinking. Panawe and Maskull emerged into the open air. Halfway down the cliff face a little spring was encountered. Its water was colourless, transparent, but gaseous. As soon as Maskull had satisfied his thirst he felt himself different. His surroundings were so real to him in their vividness and colour, so unreal in their phantom-like mystery, that he scrambled downhill like one in a winter's dream.

When they reached the plain he saw in front of them an interminable forest of tall trees, the shapes of which were extraordinarily foreign looking. The leaves were crystalline and, looking upward, it was as if he were gazing through a roof of glass. The moment they got underneath the trees the light rays of the sun continued to come through -- white, savage, and blazing -- but they were gelded of heat. Then it was not hard to imagine that they were wandering through cool, bright elfin glades.

Through the forest, beginning at their very feet an avenue, perfectly straight and not very wide, went forward as far as the eye could see.

Maskull wanted to talk to his travelling companion, but was somehow unable to find words. Panawe glanced at him with an inscrutable smile -- stern, yet enchanting and half feminine. He then broke the silence, but, strangely enough, Maskull could not make out whether he was singing or speaking. From his lips issued a slow musical recitative, exactly like a bewitching adagio from a low toned stringed instrument -- but there was a difference. Instead of the repetition and variation of one or two short themes, as in music, Panawe's theme was prolonged -- it never came to an end, but rather resembled a conversation in rhythm and melody. And, at the same time, it was no recitative, for it was not declamatory. It was a long, quiet stream of lovely emotion.

Maskull listened entranced, yet agitated. The song, if it might be termed song, seemed to be always just on the point of becoming clear and intelligible -- not with the intelligibility of words, but in the way one sympathises with another's moods and feelings; and Maskull felt that something important was about to be uttered, which would explain all that had gone before. But it was invariably postponed, he never understood -- and yet somehow he did understand.

Late in the afternoon they came to a clearing, and there Panawe ceased his recitative. He slowed his pace and stopped, in the fashion of a man who wishes to convey that he intends to go no farther.

"What is the name of this country?" asked Maskull.

"It is the Lusion Plain."

"Was that music in the nature of a temptation -- do you wish me not to go on?"

"Your work lies before you, and not behind you."

"What was it, then? What work do you allude to?"

"It must have seemed like something to you, Maskull."

"It seemed like Shaping music to me."

The instant he had absently uttered these words, Maskull wondered why he had done so, as they now appeared meaningless to him.

Panawe, however, showed no surprise. "Shaping you will find everywhere."

"Am I dreaming, or awake?"

"You are awake."

Maskull fell into deep thought. "So be it," he said, rousing himself. "Now I will go on. But where must I sleep tonight?"

"You will reach a broad river. On that you can travel to the foot of the Marest tomorrow; but tonight you had better sleep where the forest and river meet."

"Adieu, then, Panawe! But do you wish to say anything more to me?"

"Only this, Maskull -- wherever you go, help to make the world beautiful, and not ugly."

"That's more than any of us can undertake. I am a simple man, and have no ambitions in the way of beautifying life -- But tell Joiwind I will try to keep myself pure."

They parted rather coldly. Maskull stood erect where they had stopped, and watched Panawe out of sight. He sighed more than once.

He became aware that something was about to happen. The air was breathless. The late-afternoon sunshine, unobstructed, wrapped his frame in voluptuous heat. A solitary cloud, immensely high, raced through the sky overhead.

A single trumpet note sounded in the far distance from somewhere behind him. It gave him an impression of being several miles away at first; but then it slowly swelled, and came nearer and nearer at the same time that it increased in volume. Still the same note sounded, but now it was as if blown by a giant trumpeter immediately over his head. Then it gradually diminished in force, and travelled away in front of him. It ended very faintly and distantly.

He felt himself alone with Nature. A sacred stillness came over his heart. Past and future were forgotten. The forest, the sun, the day did not exist for him. He was unconscious of himself -- he had no thoughts and no feelings. Yet never had Life had such an altitude for him.

A man stood, with crossed arms, right in his path. He was so clothed that his limbs were exposed, while his body was covered. He was young rather than old. Maskull observed that his countenance possessed none of the special organs of Tormance, to which he had not even yet become reconciled. He was smooth-faced. His whole person seemed to radiate an excess of life, like the trembling of air on a hot day. His eyes had such force that Maskull could not meet them.

He addressed Maskull by name, in an extraordinary voice. It had a double tone. The primary one sounded far away; the second was an undertone, like a sympathetic tanging string.

Maskull felt a rising joy, as he continued standing in the presence of this individual. He believed that something good was happening to him. He found it physically difficult to bring any words out. "Why do you stop me?"

"Maskull, look well at me. Who am I?"

"I think you are Shaping."

"I am Surtur."

Maskull again attempted to meet his eyes, but felt as if he were being stabbed.

"You know that this is my world. Why do you think I have brought you here? I wish you to serve me."

Maskull could no longer speak.

"Those who joke at my world," continued the vision, "those who make a mock of its stern, eternal rhythm, its beauty and sublimity, which are not skin-deep, but proceed from fathomless roots -- they shall not escape."

"I do not mock it."

"Ask me your questions, and I will answer them."

"I have nothing."

"It is necessary for you to serve me, Maskull. Do you not understand? You are my servant and helper."

"I shall not fail."

"This is for my sake, and not for yours."

These last words had no sooner left Surtur's mouth than Maskull saw him spring suddenly upward and outward. Looking up at the vault of the sky, he saw the whole expanse of vision filled by Surtur's form -- not as a concrete man, but as a vast, concave cloud image, looking down and frowning at him. Then the spectacle vanished, as a light goes out.

Maskull stood inactive, with a thumping heart. Now he again heard the solitary trumpet note. The sound began this time faintly in the far distance in front of him, travelled slowly toward him with regularly increasing intensity, passed overhead at its loudest, and then grew more and more quiet, wonderful, and solemn, as it fell away in the rear, until the note was merged in the deathlike silence of the forest. It appeared to Maskull like the closing of a marvellous and important chapter.

Simultaneously with the fading away of the sound, the heavens seemed to open up with the rapidity of lightning into a blue vault of immeasurable height. He breathed a great breath, stretched all his limbs, and looked around him with a slow smile.

After a while he resumed his journey. His brain was all dark and confused, but one idea was already beginning to stand out from the rest -- huge, shapeless, and grand, like the growing image in the soul of a creative artist: the staggering thought that he was a man of destiny.

The more he reflected upon all that had occurred since his arrival in this new world -- and even before leaving Earth -- the clearer and more indisputable it became, that he could not be here for his own purposes, but must be here for an end. But what that end was, he could not imagine.

Through the forest he saw Branchspell at last sinking in the west. It looked a stupendous ball of red fire -- now he could realise at his ease what a sun it was! The avenue took an abrupt turn to the left and began to descend steeply.

A wide, rolling river of clear and dark water was visible in front of him, no great way off. It flowed from north to south. The forest path led him straight to its banks. Maskull stood there, and regarded the lapping, gurgling waters pensively. On the opposite bank, the forest continued. Miles to the south, Poolingdred could just be distinguished. On the northern skyline the Ifdawn Mountains loomed up- high, wild, beautiful, and dangerous. They were not a dozen miles away.

Like the first mutterings of a thunderstorm, the first faint breaths of cool wind, Maskull felt the stirrings of passion in his heart. In spite of his bodily fatigue, he in wished to test his strength against something. This craving he identified with the crags of the Marest. They seemed to have the same magical attraction for his will as the lodestone for iron. He kept biting his nails, as he turned his eyes in that direction -- wondering if it would not be possible to conquer the heights that evening. But when he glanced back again at Poolingdred, he remembered Joiwind and Panawe, and grew more tranquil. He decided to make his bed at this spot, and to set off as soon after daybreak as he should awake.

He drank at the river, washed himself, and lay down on the bank to sleep. By this time, so far had his idea progressed, that he cared nothing for the possible dangers of the night -- he confided in his star.

Branchspell set, the day faded, night with its terrible weight came on, and through it all Maskull slept. Long before midnight, however, he was awakened by a crimson glow in the sky. He opened his eyes, and wondered where he was. He felt heaviness and pain. The red glow was a terrestrial phenomenon; it came from among the trees. He got up and went toward the source of the light.

Away from the river, not a hundred feet off, he nearly stumbled across the form of a sleeping woman. The object which emitted the crimson rays was lying on the ground, several yards away from her. It was like a small jewel, throwing off sparks of red light. He barely threw a glance at that, however.

The woman was clothed in the large skin of an animal. She had big, smooth, shapely limbs, rather muscular than fat. Her magn was not a thin tentacle, but a third arm, terminating in a hand. Her face, which was upturned, was wild, powerful, and exceedingly handsome. But he saw with surprise that in place of a breve on her forehead, she possessed another eye. All three were closed. The colour of her skin in the crimson glow he could not distinguish.

He touched her gently with his hand. She awoke calmly and looked up at him without stirring a muscle. All three eyes stared at him; but the two lower ones were dull and vacant -- mere carriers of vision. The middle, upper one alone expressed her inner nature. Its haughty, unflinching glare had yet something seductive and alluring in it. Maskull felt a challenge in that look of lordly, feminine will, and his manner instinctively stiffened.

She sat up.

"Can you speak my language?" he asked. "I wouldn't put such a question, but others have been able to."

"Why should you imagine that I can't read your mind? Is it so extremely complex?"

She spoke in a rich, lingering, musical voice, which delighted him to listen to.

"No, but you have no breve."

"Well, but haven't I a sorb, which is better?" And she pointed to the eye on her brow.

"What is your name?"


"And where do you come from?"


These contemptuous replies began to irritate him, and yet the mere sound of her voice was fascinating.

"I am going there tomorrow," he remarked.

She laughed, as if against her will, but made no comment.

"My name is Maskull," he went on. "I am a stranger -- from another world."

"So I should judge, from your absurd appearance."

"Perhaps it would be as well to say at once," said Maskull bluntly, "are we, or are we not, to be friends?"

She yawned and stretched her arms, without rising. "Why should we be friends? If I thought you were a man, I might accept you as a lover."

"You must look elsewhere for that."

"So be it, Maskull! Now go away, and leave me in peace."

She dropped her head again to the ground, but did not at once close her eyes.

"What are you doing here?" he interrogated.

"Oh, we Ifdawn folk occasionally come here to sleep, for there often enough it is a night for us which has no next morning."

"Being such a terrible place, and seeing that I am a total stranger, it would be merely courteous if you were to warn me what I have to expect in the way of dangers."

"I am perfectly and utterly indifferent to what becomes of you," retorted Oceaxe.

"Are you returning in the morning?" persisted Maskull.

"If I wish."

"Then we will go together."

She got up again on her elbow. "Instead of making plans for other people, I would do a very necessary thing."

"Pray, tell me."

"Well, there's no reason why I should, but I will. I would try to convert my women's organs into men's organs. It is a man's country."

"Speak more plainly."

"Oh, it's plain enough. If you attempt to pass through Ifdawn without a sorb, you are simply committing suicide. And that magn too is worse than useless."

"You probably know what you are talking about, Oceaxe. But what do you advise me to do?"

She negligently pointed to the light-emitting stone lying on the ground.

"There is the solution. If you hold that drude to your organs for a good while, perhaps it will start the change, and perhaps nature will do the rest during the night. I promise nothing."

Oceaxe now really turned her back on Maskull.

He considered for a few minutes, and then walked over and to where the stone was lying, and took it in his hand. It was a pebble the size of a hen's egg, radiant with crimson light, as though red-hot, and throwing out a continuous shower of small, blood-red sparks.

Finally deciding that Oceaxe's advice was good, he applied the drude first to his magn, and then to his breve. He experienced a cauterising sensation -- a feeling of healing pain.
Site Admin
Posts: 31991
Joined: Thu Aug 01, 2013 5:21 am


Return to Ancien Regime

Who is online

Users browsing this forum: No registered users and 2 guests