FREDA BEDI CONT'D (#4)

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Re: FREDA BEDI CONT'D (#4)

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Part 1 of 2

I. The World of the Counterfeiters, from "Stealing Lincoln's Body"
by Thomas J. Craughwell
2009

I. The World of the Counterfeiters

In 1647 the General Court of Rhode Island ordered the confiscation of all counterfeit wampum. The counterfeiters were Indians, members of the Algonquian nation, a large group of tribes that dominated what is now the northeastern United States. Their currency was wampum, strings of beads made from white whelk shells and purple-black quahog shells. In the Indian economy, the quahog shells were worth about twice as much as the whelk. It was an unfamiliar form of money to Europeans; but since the gold and silver coins of the Old Country were scarce in the New World, the English colonists of Rhode Island and the Dutch colonists of New Netherlands agreed among themselves to adopt wampum as legal tender. It wasn't long before the Indians realized that here was an opportunity to take advantage of the newcomers. They hoarded the valuable quahog shells for themselves, dyed the cheaper white shells a dark purplish black, then passed them off as the real thing to the undiscerning Europeans. (The record is sketchy, but it is probable that Europeans also manufactured counterfeit wampum.) It took some time, but eventually the white men discovered that they had been had. Soon thereafter, the colonists went off the "wampum standard" and returned to conducting their business with gold and silver coins.1

The Significance of Wampum

Soon after Henry Hudson claimed the land now know as the Hudson River valley for the Netherlands in 1609, the Dutch tried to exploit the area for a profit. Adventurous merchant traders came to the area as early as 1611-1612 and quickly discovered there was money to be made in the fur trade. From that point the trade in beaver pelts remained the basis of the New Netherland economy throughout the Dutch colonial period.

Furs were acquired from the Indians at a favorable rate and then shipped to Amsterdam where they commanded much higher prices. To be successful in this venture the traders needed to be able to deal with the Indians and therefore they needed to know what the Indians valued and what would be accepted in exchange for furs. From this rather pragmatic approach the Dutch learned the value of wampum. Therefore, even before the arrival of the first permanent New Netherland settlers in 1624, the Dutch had an keen understanding of wampum, which they called seawant and variously spelled as zeewant, zeawant, seawant, seewant, seewan, seawan or sewan.

Significantly, when the first colonists sent their initial shipment of beavers back to Amsterdam on the ship Wapen van Amsterdam (the Arms of Amsterdam), which departed New Amsterdam on September 23, 1626, the cargo included various symbolic gifts as evidence of the success of the colony. Among the items were strings of wampum, a tangible symbol of their command of the fur trade.

Indeed, it was Isaac de Rasiere, Secretary of New Netherland, who first brought wampum to Plymouth Plantation. As part of a diplomatic mission in October of 1627, de Rasiere presented Plymouth's Governor, William Bradford, with some colored cloth and a chest of white sugar; he also sold the governor 50 fathoms of wampum (a fathom was a six foot length containing about 360 beads, see Peña, p. 23). Later, in a letter to Samuel Blommaert, probably written in 1628, de Rasiere explained he had brought the wampum to Plymouth so the Pilgrims would not "seek after" wampum on their own. He felt a quest for wampum would lead to their discovering the fur trade and thus hurt Dutch interests (Narratives, p. 110). De Rasiere did not understand the Pilgrims were not trying to exploit the land for a quick profit but rather considered themselves to be permanent residents. In fact, the Pilgrims were already trading their surplus corn to the Indians for furs, but had no plans to emulate the Dutch and become full time fur traders.

The role of wampum in conducting trade with the Indians is mentioned in a letter of August 11, 1628 by one of the earliest Dutch settlers, the Reverend Jonas Michaelius. Michaelius, having recently arrived in Manhattan from Dutch West Africa, observed the Indians had products to sell, "but one who has no wares, such as knives, beads, and the like, or seewan [i.e. wampum], cannot come to any terms with them" (Narratives, p. 130). This is further elucidated in one of the earlier Dutch new world chronicles which discusses negotiations concerning the acquisition of pelts from the Indians for wampum and cloth. In the winter of 1634 three West India Company employees were sent from Fort Orange to negotiate a price for furs with the Iroquois Indians, located west of the fort. It seems some French traders from Lake Oneida had entered the area and were trying to gain control of the market. One of the three employees, a barber-surgeon named Harmen Meyndertsz van den Bogaert kept a journal of this adventure. On January 3, 1635 he was negotiating with the Iroquois, who offered to sell his company (the Dutch West India Company) all of their beaver pelts if they could agree to a price. Earlier, on December 30th, the Indians mentioned they had previously sold skins to French trappers. The Indians asked for four handfuls of wampum and four hand breaths of duffel cloth for each large beaver. Van den Bogaert replied he would need approval from the Director General in New Amsterdam before he could agree to the deal. Whether this agreement was approved was not related (Bogaert, pp. 15-17).

The importance of wampum to the Indian is best expressed in a letter from the Reverend Johannes Megapolensis, who was assigned to the fur trading center at Fort Orange, an outpost at present day Albany. On August 26, 1644, just over two years after Megapolensis had arrived at the fort, he wrote a short account of the Indians living in the region, the Mohawks. In this account he related the Indian attitude toward money as follows:
Their money consists of certain little bones, made of shells or cockles, which are found on the sea-beach; a hole is drilled through the middle of the little bones, and these they string upon thread, or they make of them belts as broad as a hand, or broader, and hang then on their necks, or around their bodies. They have also several holes in their ears, and there they likewise hang some. They value these little bones as highly as Christians do gold, silver and pearls; but they do not like our money, and esteem it no better than iron. I once showed one of their chiefs a rix-dollar; he asked how much it was worth among the Christians; and when I told him, he laughed exceedingly at us, saying we were fools to value a piece of iron so highly; and if he had such money, he would throw it into the river. (Narratives, p. 176)

Clearly the need to understand, use and accumulate wampum was essential if one was to participate in the fur trade. New Netherland Director General Pieter Stuyvesant clearly expressed the importance of wampum to the directors of the West India Company in a letter he sent to them on April 21, 1660, where he stated:
wampum is the source and the mother of the beaver trade, and for goods only, without wampum, we cannot obtain beavers from the savages. (Fernow, History, p. 470)

Typically the Dutch traded wampum and commodities, such as cloth, metal utensils and liquor to the Indians for beaver pelts. Also, although there were regulations against it, guns and gunpowder were traded for pelts. When finalizing major agreements or large purchases the commodities would typically be given as gifts, then during the negotiations the Indians would be plied with liquor and a final agreement would specify an amount of wampum to be paid per pelt.

Wampum Production on Long Island

In a fortunate coincidence for the Dutch, the east end of Long Island happened to be the center of wampum production for Indian tribes in the northeastern coastal region. Long Island wampum was well know and circulated widely. Because of the large quantity of wampum the Dutch called the island Seawanhackey, that is, place of seawan. British colonists also visited the area and considered it to be a rich source for beads; John Winthrop thought Long Island was the best location from which Massachusetts Bay would be able to acquire wampum.

The significance of the area was brought out during discussions of the realignment of the borders between New Netherland and the British colonies, which took place at the Hartford Convention in September of 1650. The secretary of New Netherland, Cornelis van Tienhoven, wrote several communications on the disputed lands. In a description of the boundaries of New Netherland written on February 22, 1650 van Tienhoven included a discussion of Long Island, in which he stated, "The greatest part of the Wampum, for which the furs are traded, is manufactured there by the Natives." (O'Callaghan, vol. 1, p. 360). In a supplemental letter written less that two weeks later, on March 4, 1650, he further explained the importance of the area:
I begin then at the most easterly point of Long Island ... This point is also well adapted to secure the trade of the Indians in Wampum, (the mine of New Netherland,) since in and about the abovementioned sea and the islands therein situated, lie the cockles whereof Wampum is made, from which great profit could be realized by those who would plant a colony or hamlet at the aforesaid Point, for the cultivation of the land, for raising all sorts of cattle, for fishing and the wampum trade. (O'Callaghan, vol. 1, p. 365)...


The Distribution of Wampum

Although we know where and in what manner wampum beads were produced, very little is understood about how wampum was put into circulation. A few incites [insights]on wampum distributed in New Amsterdam during the 1650's can be gleaned from the New Amsterdam court records. Among the seven volumes of summary records that survive, describing thousands of cases brought before the court from the years 1653-1674, a few cases briefly mention isolated information concerning wampum production and distribution insofar as they were pertinent to the case in question.

From these records we learn some Dutch were employed in stringing loose wampum beads. In a case of December 8, 1653 Madaleen Jansen demanded payment of 21 florin and 15 stuivers "for wages earned in stringing wampum for Andries Kristman deceased" (RNA, vol. 1, p. 137). From the minutes of the court at Fort Orange for February 18, 1659 Baefien Pietersen stated Evert Nolden was to employ her "for a year to string seawan" but let her go after six months (Minutes, Ft. Orange, vol. 2, pp. 117-118). In a New Amsterdam case of January 17, 1665 Adam Onckelbagh (plaintiff) sued Freryck Flipzen (defendant) because:
Pltf. says, that his wife strung seawant for the deft. and that the deft. will not pay here for the stringing as much wages, as she gets from others. Deft. says, he agreed with the pltfs. wife to pay four guilders per hundred for the white and two for the black, and that his wife did it again for him after that date. Pltf. denies it,. ...[the court ruled]... that deft. shall pay to the pltf. as wages for stringing according to the custom heretofore, five guilders per hundred guilders of the white, and two guilders ten stivers, of the black sewant. [RNA, vol 5, p. 176]

Clearly these were not isolated events but rather problematic cases in what seems to have been a longstanding business in which some Dutch merchants outsourced work to local women to string loose wampum. Elizabeth Peña lists additional examples in her 1990 dissertation (pp. 29-30), she also mentions a 1662 document that included the name Henry Zeewant ryger (Henry Seawant Stringer), possibly someone who operated (or worked for) one of these businesses.

The merchants who employed wampum stringers most likely obtained their beads from Indian manufacturers, for there is no evidence of large scale Dutch wampum production in early in New Amsterdam. However, we do know in the British colonies some settlers were involved in bead production during the early Seventeenth century. In 1648 John Winthrop, Jr. of Massachusetts acquired 1,000 wampum drills and 12,000 pins from Alexander Bryant and later supplied William Pynchon with wampum for his fur trade along the Connecticut River (see Peña, pp. 67-69). Rather than employing colonists to produce the beads it is more likely Winthrop made some arrangement with Indians whereby he supplied them with tools in exchange for wampum beads. The only suggestive evidence I have found possibly relating to bead production from early New York is a case from the British period. On July 7, 1668 a Mr. Young of Bermuda sold Mr. Isaac Bedloo 400 conch shells, which Bedloo then immediately sold to Fredrick Philips (RNA, vol. 6, p. 141). As conch shells were the preferred material for making wampum, it is possible these 400 shells were purchased with that end in mind.

Little is know about wampum manufacture by the european colonists during the Seventeenth century, but more information is available on the later periods. From archaeological excavations and various extant records we do know that from the 1690's through the mid Eighteenth century there were several British factories in the colony of New York producing wampum for the Indian trade, with some surviving into the Nineteenth century.
(see Peña, pp. 29, 78-84 and 150-160)

Although there is no direct evidence of New Netherland colonists mass producing wampum it is probable some individuals produced what may be called "counterfeit" wampum. A New Netherland ordinance of May 30, 1650 mentioned there had been problems with loose wampum for a long time and that imitation beads of "Stone, Bone, Glass, Muscle-shells, Horn, yea even of Wood" were found in circulation (Laws, p. 115). The ordinance suggested these beads came from New England, and no doubt several did, however, it is also possible some were locally produced. Most probably these "counterfeit" beads were made by colonists hoping to turn a quick profit. Similar problems were recorded in the Plantation of New Haven for, in the New Haven General Court session of October 16, 1648 it was stated any stone wampum offered in payment of a debt should be destroyed. (New Haven Records, p. 405)

Thus, although some illegal or "counterfeit" loose wampum was probably produced by colonists, it seems during the Dutch period the wampum stringers used beads produced by the Indians. Unfortunately New Netherland court records do not mention specific lengths of strung wampum. One of the few references to wampum string lengths in New Netherland is from a letter of Director General Pieter Stuyvesant dated July 23, 1659, where it stated wampum was, "not now bartered by counting so many for a guilder or a stiver, but by the handful, length or fathom." (Fernow, History, pp. 438 439) This implied at some earlier point individual beads had been counted out but by 1659 bead counting was replaced by simply trading quantities of wampum; loose wampum was traded by the handful while strung wampum was traded by the length or fathom. Peña suggested the fathom, equal to a six foot string of about 360 beads, was the standard length in New Netherland (Peña, p. 23). Indeed that may have been the case, however it is likely bead strings of varying lengths were also traded. In an ordinance of January 3, 1657 it was stated there were several complaints of miscounting which the council intended to remidy by issuing stamped measures of wampum in strings of a quarter, a half and one guilder, that is: 5, 10 and 20 stuivers. This implies non standard lengths had been in use and often were represented as having more beads than were actually on the string. The desire was to replace both "short or long" wampum, that is lengths that were either shorter or longer than the standard. The ordinance stated:
in order to prevent in future the complaints of miscounting of the Wampum, with regard to which no few mistakes have been experienced, to the loss of the Honorable Company's Treasury; also, the taking out of short or long Wampum ... from this time forward, after the publication and posting hereof, Wampum shall not be paid out or received ... by the tale or stiver, but only by a stamped measure, authorized to be made and stamped for that purpose, by the Director General and Council, the smallest of which measures shall be five stivers; the whole ten, and the double 20 stivers. (Laws, pp. 290-291)

Based on the use of merchantable white beads this would calculate to lengths of 30, 60 and 120 beads. The ordinance also stated small change under 2.5 stuivers would be paid in loose wampum (that is, by the tale or piece). Thus clarifying the statement in the law that loose wampum would "not be paid out or received" as meaning it was not to be used in large quantities but only as small change. Other portions of this ordinance, discussed below in the section on regulating wampum, were vehemently opposed by local merchants so the entire law was suspended six days later on January 9, 1657 and never seems to have gone into effect.

In daily trade sums of wampum were usually expressed in guilders rather than by the number of strings of wampum or the string length, thus for the most part we only know that so many guilders worth of wampum were traded for an item. However, a few references exist that mention string length and the majority of those citations refer to the fathom. Many, but not all, of these references are in the context of dealings with Indians, as guilder amounts were meaningless to native americans. The one exception is the earliest surviving reference to fathoms of wampum, which does not involve Indians; it is in the ca. 1628 letter of Isaac de Rasiere, Secretary of New Netherland, discussed above, in which he mentioned he had sold Plymouth's Governor, William Bradford, 50 fathoms of wampum. However, even here de Rasiere anticipated the wampum would be traded to the Indians for other goods. Fathoms of wampum are also mentioned in the administrative minutes of the court of Fort Orange for July 15, 1654, where eleven prominent citizens offered amounts of between three to six fathoms of wampum each to be given to the Indians during treaty negotiations (Fort Orange Court Minutes, vol. 1, pp. 170-171). Also, in the New Amsterdam court minutes for March 20, 1656 we discover Pieter Monfoort purchased a canoe from an Indian for 10 fathoms of wampum (RNA, vol. 2, p. 67). Both the fathom and handfull (or a hand length) were mentioned in the ordinance of November 11, 1658. In the context of a discussion on increasing the number of beads needed to equal a stuiver, the ordinance stated, "the more Beads the Traders receive for a stiver, the greater length of hands or fathoms they will give for a Beaver" (Laws, p. 358). Clearly in this context the phrase refers to the beads given by the traders to the Indians. What may represent some non standard length strings are mentioned in the court minutes from Fort Orange on June 16, 1657. In these minutes we learn of a meeting between local officials and three Indian sachems. During this meeting the three sachems offered three strings of wampum amounting to gl. 16:12, 16:9 and 13:10. Based on the then current valuation of beads at 6 white or 3 black per stuiver, the three lengths would be at least 996, 987 and 810 beads long, if exclusively black, or just under three fathoms in length or up to a maximum of 1,922; 1,974 and 1,620 beads long, if exclusively white, or over five fathoms in length. This assumes the word "string" in the text refers to a long strand of single beads rather than a belt or band with multiple rows of beads. (Fort Orange Court Minutes, vol. 2, p. 45). In the wampum charts included in this site, the guilder value of a fathom length of wampum has been included in tables 1a and 1b.

In daily New Netherland commerce strung wampum was often presented in a bag or a box. In a New Amsterdam case of September 1, 1653 we learn, "one bag of wampum labeled fl. 51:18, was deposited at the Secretary's office," (RNA, vol. 1, p. 112, the amount mentioned is 51 florin and 18 stuivers). In a case of June 28, 1665 the court was asked to rule if some wampum was good merchantable wampum valid for payment. The summary stated, "The deposited Seawan being produced in Court, the Court pronounced it good and merchantable. Two parcels, black, of fl. 22.4 and fl. 19.1, and one parcel white, of fl. 65.4." (RNA, vol. 1, p. 326). In another court case concerned with wampum quality from January 17, 1656, "a certain box of white stringed Zeewan to the amount of fl. 84.3" was presented in court. The ruling was, "that the Zeewan, exhibited by the petitioner is good merchantable Zeewan, and has, therefore, sealed the same [that is, sealed the box] in Court." (RNA, vol. 2, p. 12). In a letter from the company directors in Amsterdam sent to New Amsterdam on December 22, 1659 the complaint was made that wampum was not profitable as it could not be quickly exchanged, rather merchants and storekeepers had to hold onto "their boxes full of wampum" (Fernow, History, p.450) until the annual trading auctions. Again, on July 3, 1663 we read Marshal Mattheus de Vos deposited with the city 88 guiders 12 and a half stuivers from the goods of Nicholaas Langevlthuyzen (probably his estate) consisting of three boxes of seawan (one containing 8 florin and 8 stuivers; another containing 30 florin and 2.8 stuivers; and a third containing 30 florin) as well as one paper containing 20 florin and 8 stuivers of wampum (RNA, vol. 4, 272).

An interesting case of April 24, 1656 sheds some further light on distribution. It seems individuals purchased boxes of wampum from the wampum stringers. In this case Adriaen Blommart charged, "he received from deft. a box of Zeewan for fl. 142:3. And that only fl. 100 were found therein;" The defendant, Jacob Hendrik Varvanger stated, "he received it so counted from the Zeewan-Stringers..." Varvanger suggested the defendant's wife removed some wampum but Blommart's wife took an oath that she had not taken any. When the court asked Varvanger to take an oath that the full amount had been in the box when he handed it over, he stated he could not swear to it. In the end the court required Varvanger to pay the additional fl. 42:3.

From these few gleaning is seems some dealers obtained wampum beads at a wholesale or bulk purchase rate from the Indian bead makers. Local woman were then hired to string these beads, probably in fathom lengths, then the dealers sold boxes or bags of stringed wampum to the public.

In addition to locally made wampum the sources often mention poorer quality wampum brought into New Amsterdam from the outside, especially from the New England colonies. Indeed, the influx of poor unpolished wampum was given as a reason for the need to regulate wampum value in the ordinance of April 18, 1641, discussed below. This poorer quality wampum was strung but it sometimes circulated as loose wampum beads. Frequently loose wampum contained several broken beads that could not be strung. These broken beads, like the unpolished, chipped or blemished beads, were unacceptable to the Indians and thus were deemed unmerchantable. Sometimes individuals had the court inspect wampum to resolve a dispute as to whether the beads were of good merchantable quality or not. A few instances have been mentioned above in the context of wampum bags and boxes. In those cases the wampum was declared to be good but in a case of May 11, 1654 Willem Albertson deposited two bundles of wampum with the court in payment of a 100 guilder debt. The court ruled the wampum was unacceptable and would be sold to make partial payment. Albertson would be required to pay the balance of his debt in either beaver or good current wampum (RNA, vol. 1, p. 197). The problems caused by poor wampum are discussed below in the section on wampum regulations.

-- Money Substitutes in New Netherland and Early New York: Wampum


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The Indians giving a Talk to Colonel Bouquet in a Conference at a Council Fire, near his Camp on the Banks of Muskingum in North, America, in Oct. 1764.

When William Penn first settled in America, his primary task was to establish a peaceful rapport with the Lenape people native to the land. As part of their agreement of friendship, a precious belt of wampum was produced, with figures in purple clasping hands against a background of white; it was a physical reminder of their accordance. George Washington, as a young officer, found himself in possession of one of these shell bead belts -– a gift from the French to their Indian allies -– and the meaning of the belt was grim. Four houses were laid out in the beads, symbolizing the four posts the native tribe had agreed to defend. Washington would negotiate with the Indians and persuade them to return the belt to the French, in essence dissolving the treaty between them. Wampum or wampumpeag, though simple beads woven together with cord, carried enormous significance and played a pivotal role in the alliances and interactions between people throughout it’s history.

In the waters off Cape Cod stretching down through to New York, a variety of mollusk called the quahog is quite plentiful. What is remarkable about this particular clam is that after the meat is removed from the shells, brilliant purple or black striations ring the edges of the shell. To the native people whose lands covered the areas of the Northeastern shores, these shells were considered precious. Through an unfortunate series of events, wampum became recognized as a currency by European colonists and traders and to this day is still wrongfully described as “shell money”.

The Role of Wampum Prior to the Arrival of Europeans

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Iroquois Wampum Belt in the collection of the British Museum -– 1600-1800.

The coastal Algonquin speaking tribes have been making wampum from as early as 2500 BC -– this prehistoric form was a flat, disc-like bead. Later, tube shaped wampum would dominate the historic era.

The technique for producing wampum was one that had to be acquired through patience and practice, as the shells were very delicate when they were cut into beads. Using a stone drill called a puckwhegonnautick, was used to bore a hole into each bead for stringing -– drilling halfway on one end before flipping the bead to drill the rest of the way. The layers of calcium carbonate that compose the clam’s shell are brittle and while seemingly hard they could shatter into pieces if not worked carefully. Once completed, the wampum was strung on animal sinews or vegetable fibers and made into “belts” of solid beads, often with symbolic designs to record historical events.

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White beads, called wampi, were made from whelks called Meteauhock in Algonquin. Purple of Black beads, called mercenaria, were made from quahog clam shells. This is known by the Haudenosaunee Confederacy by several names: “the Remembrance belt”, “the Defeat of the French Record belt” or “the Peacemaker belt”.

While the idea of making beads suggests that wampum was for jewelry, for natives of the Atlantic shore these beads transcended mere ornamentation. Wampum was used as a means of communication, remembrance, or as a means to bestow honor. Tribes would call each other to meetings by sending a wampum belt. Treaties were made and recorded in wampum, as physical proof of the contract made between parties -– cutting up a belt of wampum meant that the treaty was violated or rejected. An exchange of wampum would constitute an engagement between a man and a woman. The dead would be buried with wampum. It was essential for conflict resolutions between individuals -– a gift of wampum would turn away the wrath of the wronged party. Wampum also denoted the status of the individuals wearing it within their sachem’s social strata. Belts of wampum recorded historical events. Foreigners describe the scenes at some of the great tournaments the Natives played -– games that were similar to soccer or rugby that lasted for days -– and they mention that enormous numbers of wampum strings were hung upon rafters or posts to be received by the winning team.

The Monetary Worth of Wampum Realized

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It was only during an encounter with the Dutch that wampum would take on a sense of monetary value in the eyes of Europeans. In 1622, a trader from the Dutch West Indies Company took a high ranking member of the Pequot sachem hostage, threatening to kill him if a hefty ransom was not received. Over 280 yards of wampum was the ransom deemed appropriate for the status of the captive -– to the Dutch trader, it seemed that the most prized possession of the native Americans were shell beads. While the reciprocal exchange of the wampum was not capitalistic exchange, the Europeans soon began to use the beads like currency to purchase beaver pelts and other valuable furs.
“After two years of trader persistence, wampum became an item of mass consumption, and Plymouth had effectively eliminated most of its small-scale competitors.… [Once] a symbol of prestige, wampum had become a medium of exchange and communication available to all, leading Indians through-out New England toward greater dependence on their ties with Europeans.”

— NEAL SALISBURY – MANITOU AND PROVIDENCE

The Power Struggles Behind Mass Production Of Wampum

The Dutch encouraged tribes to devote themselves solely to the production of wampum (called Zeewant in Dutch, so the Pequot and the Narragansett tribes busied themselves with the manufacture of what would be known for centuries following as “Indian money”. Tribes that were left out of this monopoly on wampum production would pay tribute to the more influential tribes, to keep their alliances strong and ensure their protection. Later, the tensions and power struggles between English and Dutch colonies and these two influential tribes producing wampum would result in the Pequot War, where the main wampum production or wampum storage villages were targeted and the entire Pequot tribe would be destroyed. With the Pequots being removed from the trade, the Narragansetts gladly stepped into the void left in the market.

Wampum was considered legal tender from 1637 to 1661 (and even up through the 1670’s in some colonies) with a set exchange rate against the Dutch stuiver.
… It answers all occasions, as gold and silver doth with us.

— DANIEL GOOKIN, MASSACHUSETTS MISSIONARY TO THE WAMPONOAG

[As] This wampum’s value as currency [was] realized, the culture behind the production of the beads altered. The Dutch were already using Venetian glass beads for trading with other indigenous peoples they interacted with in Africa and India, and the natives living in North America were amiable to innovative products, to the idea of acquiring new spiritual power and to engaging socially and making alliances with newcomers, expecting that there would be balance and reciprocity as it existed within their own culture. In some wampum belts, glass beads are mixed with authentic shell beads as part of a repair -– or simply used as interchangeable in meaning and power with the shell beads.

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An 18th c wampum belt in the collection of the Penn Museum, showing a single blue glass bead incorporated.

Wampum Looses Monetary Status

A change that took effect when wampum was used as currency is one that most everyone familiar with minted currencies: counterfeit.4 The rates for beads were based on their rarity -– the white beads begin [being] most prevalence [prevalent] and least costly, the purple being rarer and more costly and the black beads being the rarest and highest in rate of exchange. The temptation to dye inexpensive white beads with black dye to pass them off as more expensive black beads was too much for some enterprising souls, so the market was flooded with counterfeit currency. Laws were passed to try to curb the influx of counterfeit wampum, stating: “All wampum was to be strung in uniform units of one, three, and twelve pence in white and blacke at values of a pence 6 pence, 2 shillings 6, and 10 shillings…“5 Connecticut ordered that “no peaque, white or blacke, be paid or received but what is strung in some measure, suitably, and not small. great. uncomely. or disorderly mixt, as formerly it hath been.“6

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A 18th c. portrait of Tee Yee Neen Ho Ga Row, one of the four Mohawk “kings”, holding a belt of wampum.

Around this same time, the lucrative business of the American fur trade died down as the West Indies imports of sugar, molasses, indigo, tobacco and cloth became highly profitable -– as was the timber exported from the colonies for shipbuilding. Minted silver coins were being used in exchange for goods in the islands, and in the 1650’s they ended up in the American colonies as well. The Massachusetts Bay Company set up a mint in Boston, and began producing their own coinage, the Boston or Bay Shilling. The sudden abundance of coin and the shifting market demands caused wampum to become obsolete as a legal tender. In 1661, the wampum valuation laws were repealed and wampum would no longer have a set exchange rate, only that agreed on by the parties involved in the transaction. Tribes like the Narragansetts, who had focused their communal efforts so completely on the production of wampum, would find they had no other enterprise to fall back on. While the once precious shell beads were still made in following years, their ancient spiritual and communicative powers remained somewhat undermined and their monetary value was completely diminished.

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Inside Jahon. W. Campbell’s wampum factory set up in 1810 to supply the demand for wampum among plains tribes.

-- Wampumpeag, The Bead Of The Realm: America’s First Currency, by Niobe, hitorforum.com

From Pascack To The Plains: The Story Of Campbell Wampum
by Pascack Historical Society
February 14, 2016



The Pascack’s Campbell connection started when John W. Campbell (1747-1826) of Closter moved with his wife Letitia Van Valen to a farm they purchased on Kinderkamack Road North in Montvale, close to the New York State border. John W., like many farmers of his day, found a second job during the long winter months. He chose to create wampum, beads made out of clam shells, that the Indians used for a medium of exchange.

John W. is credited with inventing the shell “hairpipe” wampum made from Caribbean queen conch shells that came as ballast on trade ships heading for New York City. These tubular beads can be seen in early photographs on the breastplates of Indian warriors. These shell hair pipes put the Campbells on the map.
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Pablino Diaz (Kiowa) wearing a hair pipe breastplate, 1899

In 1878, Joseph H. Sherburne became a trader to the Ponca people. The Ponca purchased great quantities of corn cob pipes from Sherburne, but only used the stem of the pipes as beads. White Eagle showed the trader a necklace made of the pipestems and asked if they could be ordered in bulk. Sherburne contacted S. A. Frost in New York about producing tubular bone beads and within a year, he had enough hair pipe beads to sell to the Ponca as well as other Indian traders.

-- Hair pipe, by Wikipedia

In 1808 John W.’s son Abraham (1782-1847) moved to Main Street (Pascack Road) Park Ridge, where he opened a blacksmith shop and wampum bead business. Abraham’s sons John A., James A., David A., and Abraham Jr. eventually became partners in the blacksmithing business and expanded the production of wampum.

The four weathered ledgers, never before seen by the public, were donated to the museum by Campbell descendants Linda Gifford VanOrden of Allendale and Susan Accardi of Simsbury, Connecticut. The sisters, who were raised in Hillsdale, inherited the ledgers from their uncle, the late Howard I. Durie (1919-1990), noted historian, genealogist and author of the Kakiat Patent.

To most people a wampum belt means any beaded belt made by Indians. Glass beads were introduced by white traders, and with these the Indian people did beautiful embroidery work. Before the introduction of glass beads, embroidery work was made with porcu­pine quills. The long hair from the bell or chin whiskers of moose was also used. With the introduction of the crude glass bead, the far more artistic porcupine quill and moose hair embroidery became a lost skill.

The true wampum bead was not made of glass. Along the Atlantic coastal waters from Cape Cod to Florida is found the quahog or round clam shell. Using this material the coastal Indian peoples made wampum beads. These were long, cylinder-shaped beads about one-fourth inch long and one-eighth of an inch in diameter in both white and purple. In ancient times wampum was strung on thread made of twisted elm bark. The word wampum is an Algonquin Indian term for these shell beads used by the Indians of the New England states. In the Seneca language it is called Ote-ko-a, a word that is the name of a small fresh water spiral shell. “Wampum” is the name that has sur­vived to the present day. The early Indians of the Atlantic seaboard used this white and purple wampum for personal decorations as well as for trading purposes. Belts, wrist bands, earrings, necklaces, and headbands of wampum were observed by early white colonists while visiting New England Indians. The Indian people originally drilled this wampum shell with stone or reed drills. Later, iron drills were substi­tuted.

Long Island Indians were especially skilled at manufacturing wampum. The process was simple, but it took long hours of practice before one was good at it. It took a great deal of patience and labor to make these beads. First the shell had to be broken into white or pur­ple cubes. These cubes were clamped into a fissure split of a nar­row stick. This was placed into a larger sapling splint in the same way. They were put on a firm support and a weight adjusted to cause the split to grip the shell firmly, holding it securely. A drill was braced against a solid object on the worker’s chest and adjusted to the center of the cubes. A pump or bow drill rotated the drill. From a container placed over the closely clamped shell cube drops of water fell on the drill to keep it cool. One had to be careful that the shell did not break because of overheating caused by friction. According to Iroquois tradition, peach pits were broken and boiled in water. The resulting liquid made the shell soft during the drilling process. When a hole was drilled half way through the shell, it was reversed and a hole was drilled from the other side. The next part of the process was to shape and smooth the outside of the wampum bead. The beads were strung on lengths of thread or string and worked back and forth in a grooved stone. Five- to ten-foot lengths of wampum could be made in one day.

Even European settlers became wampum makers, and the first money of the American colonists was wampum. Wampum has often been called the money of Indians, but this is not true. Indians did not use it as currency in any way. By 1627 the Dutch were busy making counterfeit wampum. As late as the year 1875, a German community in Bergen, New Jersey, was busy making wampum for trade with the Indians.


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Fig. 73. Tools for making "Dutch" wampum.

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Fig. 74. Wampum making: Roughly shaping a piece of shell before drilling.

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Fig. 75. Wampum making: Squaring the ends of the shell by grinding.

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Fig. 76. Wampum making: Perforating a roughly shaped bead.

From: Beads and Beadwork of the American Indians, by William C. Orchard, 1975, Museum of the American Indian, Heye Foundation (pp. 84-86.

At first only the coastal Indians had wampum. The east end of Long Island was the original seat of wampum trade. The Narragansett Indians who were related to these Long Island people soon controlled the wampum trade. They supplied the nations of the interior with their wampum, which was exchanged for furs from the western Indians.

-- Wampum Belts, by Indian Time

But hard money was still in short supply, so in 1652 the government of Massachusetts authorized the first mint in British North America. The Massachusetts mint issued a series of silver coins, some stamped simply "NE," for "New England," others engraved with images of oak, pine, or willow trees. Today, collectors covet these coins as the first examples of American-made money. But coins from Massachusetts bear another distinction -- among them were the first coins counterfeited in America, beginning around 1674, when John du Plessis was found guilty of turning out pewter imitations.2 Alas, the du Plessis case was not an isolated incident. Very quickly, counterfeiting became rife in the colonies.

In 1682 William Penn complained that he could not bring his "holy experiment" in Pennsylvania to fruition when half the coinage in his colony was phony. Counterfeit shillings were so common in Connecticut in 1721 that the colonial government despaired of ever getting them out of circulation. Delegates from the lower house of the Connecticut legislature suggested they accept the bogus coins as legitimate currency and assign them an actual value of two pence. In 1735 the governing council of South Carolina conceded that the colony's paper money was so debased by counterfeits that the colony had no choice but to recall all the fifteen-, ten-, four-, and three-pound notes. Making the matter worse was the English custom of transporting felons to America. In 1770 the convict ship Trotman docked in Maryland. Among the exiles were a number of counterfeiters, who within days of coming ashore were back in business.3

Poverty and illiteracy allowed counterfeiting to flourish. Since few colonists had ever seen a gold coin, they would accept any shiny, circular, gold-colored piece of metal as the genuine article. In the case of paper currency, so few colonists could read that sloppily printed counterfeit currency bearing such absurd spelling errors as "Instice" for "Justice," or "Two Crowes" for "Two Crowns," passed undetected through the hands of the unlettered. Consequently, colonists who were barely scraping by suffered the most from bad money, while the literate and well-to-do spotted these crude jobs at once and refused to accept them.4

Initially, the courts treated counterfeiting as a misdemeanor. A New York silversmith caught producing false coins in 1703 was punished with a small fine. But as counterfeit money took a greater toll on America's economy, the judges' sentences became harsher. In 1720 a Philadelphia counterfeiter was hanged, and in Newport, Rhode Island, a counterfeiter had his ears sliced off as a prelude to being sold into indentured servitude. To show that it meant business, New Jersey's colonial government adopted a motto for its three-shilling note: "To Counterfeit is Death."5

In spite of the shoddy coins and paper money in circulation, some ambitious counterfeiters understood that they would realize greater profits by turning out a superior product. In the early part of the eighteenth century two of the most successful counterfeiters in America were women. In 1712 Freelove Lippencott, the wife of a Rhode Island sailor, traveled to England, where she had plates engraved, patterned on the paper money of Rhode Island, Massachusetts, and Connecticut. Back home she recruited a gang of men known as shovers to put her false currency into circulation.6

The most ingenious of the eighteenth-century American counterfeiters was Mary Butterworth, the wife of a prosperous house builder in Rehoboth, Massachusetts. She was thirty years old and the mother of seven children in 1716, when she started making paper currency in her kitchen. Butterworth's method was breathtakingly original. First, she placed a piece of damp muslin over the bill she planned to counterfeit, then ran over it with a hot iron -- the one she used to press clothes. The heat, by causing some of the ink to adhere to the muslin, created a pattern. Next, Butterworth laid the pattern on a blank piece of paper and ran the iron over the muslin again, a process that transferred the ink to the paper. With a fine pen she filled in the rest of the details of the bill, then burned the muslin pattern, thereby eliminating the evidence. It was a brilliant method, one that worked so well that Mary Butterworth turned her counterfeiting into a cottage industry employing three of her brothers, Israel, Steven, and Nicholas Peck, as well as Nicholas's wife Hannah, to help her produce high-quality forgeries of Massachusetts, Rhode Island, and Connecticut currency. Mary Butterworth sold her product (she never used her bogus money herself) at half its face value to her shovers, among whom were a neighborhood innkeeper, some of the carpenters who worked for her husband, and the local deputy sheriff.

For seven years Mary churned out her bad money without attracting the attention of the law. Then, in 1723, she came under suspicion of counterfeiting. The authorities searched her house, but they found not a scrap of evidence against her. After all, there is nothing incriminating about a clothes iron and a fine pen. Nonetheless, the episode unnerved Mary; she gave up counterfeiting and lived quietly until her death in 1775 at eighty-nine years of age.7

The undisputed king of eighteenth-century American counterfeiters was a Morristown, New Jersey, engraver named Samuel Ford. In the I760s and 1770s he produced imitations of New Jersey, New York, and Pennsylvania currency so good that even the provincial treasurers of those colonies could not tell the difference between a forgery by Ford and the real thing. Small wonder that he was never caught.8

With the outbreak of the American Revolution, the Continental Congress authorized a national paper currency -- popularly known as continentals -- backed by the credit of the United States. This was a problematic claim, for no European power had recognized that the American rebellion marked the birth of a legitimate new nation, let alone that the rebels possessed the type of credit international bankers would respect. There was also the matter of the American treasury -- in essence, none existed. The thirteen states collected customs duties and taxes, and precious little of what they took in made its way to the congressional coffers in Philadelphia. Realizing that the new American currency had an unstable foundation, the British concluded that it would not take much to depreciate it. So around January 1776 a printing press was hauled out to the warship HMS Phoenix in New York harbor; the ship became a British-sanctioned counterfeiting workshop. The British counterfeits of continentals were excellent -- so good, in fact, that in April 1777 the king's counterfeiters ran an ad in a New York newspaper offering to sell their false currency to loyal subjects of the Crown at a rock-bottom price -- the cost of the paper it was printed on. The counterfeiters boasted about their bills: "[They] are so neatly and exactly executed that there is no Risque ... it being almost impossible to discover, that they are not genuine."9

The British found an indigenous distribution network for their phony money among the Tories, Americans who remained loyal to King George. One such loyalist, Colonel Stephen Holland, operated a network of shovers that extended from his home in New Hampshire down to the colonies in the South. Two other distributors, David Farnsworth and John Blair, were arrested by supporters of the American cause in Danbury, Connecticut, with ten thousand dollars' worth of false continentals on their persons. They tried to excuse themselves, saying that they were petty criminals compared with other members of their gang, who had passed forty thousand or fifty thousand dollars in bad currency elsewhere.10

The British lost the war, but they won the campaign to undermine America's finances. By 1779, less than three years after it was first issued, the continental currency was so debased that Congress declined to print any more. Fortunately for the new United States, its finances were rescued by the timely arrival of loans from France and the creative accounting of Robert Morris, the financial wizard of the Revolution.11

After the continental currency debacle, the general trend after the Revolution was toward establishing a monetary system based on gold and silver coins, a movement that gained momentum in 1792 when Congress authorized the establishment of the U.S. Mint. This did not stop the counterfeiters, however: they simply acquired new equipment to manufacture coins. A story has come down to us of an English counterfeiter named Peach who set up shop in the basement of a house on James Street on Manhattan's East Side, in what is now Chinatown. Peach manufactured "gold" Spanish doubloons, which had been esteemed good money in America since colonial times and were still in circulation in the 1820s. He was a man who took pride in his work; his false doubloons were of exactly the same weight and stamped with precisely the same design as authentic doubloons. Peach even took the trouble to "age" his coins. He churned his finished product in a barrel of sawdust, which rubbed the shine off the new coins and gave them a much-handled appearance. Next, he scattered the coins on a sheet of iron, then held the iron over a fire until the doubloons were slightly tarnished around the edges. This was a nice, authentic touch, because genuine doubloons really were tarnished, as a result of the coins' soaking in bilgewater in the hold of the Spanish treasure ships that distributed doubloons to Spain's colonies in the New World.12

Although the United States shied away from instituting a national paper currency, individual banks issued their own paper money known as banknotes. Unlike a national currency, the banknotes had no uniform design -- bankers adopted whatever style they found appealing. This absence of a single, universally accepted banknote proved a bonanza for counterfeiters. By 1859, the eve of the Civil War, nearly four thousand different types of counterfeit bills were in circulation. Some were authentic banknotes whose denomination had been tampered with -- a one-dollar bill became a ten; a five-dollar bill became a fifty. Others were outright counterfeits, ostensibly drawn against real or imaginary banks.13

Like all criminal professions, counterfeiting had its own vocabulary. Coney and queer were terms for counterfeit currency. The person who manufactured the false money was a coney man or a koniacker. Boodle meant bundles of counterfeit bills. A boodle carrier sold the counterfeit currency to distributors known as shovers. To shove meant to pass counterfeits in public as real money. As for real currency itself, that was rhino, nails, putty, or spondulics.14

In the years before the Civil War, counterfeiters began to congregate in carefully selected urban areas. Before 1820 counterfeiters had set up shop in any place that suited them; some were in small towns, others out in rural areas. Some even operated out of Canada. After 1820 almost all counterfeiters relocated to cities -- especially cities that had a substantial printing industry and were major transportation hubs. Since there were more printing and engraving businesses in the lower Manhattan neighborhood bounded by Broadway, the Bowery, Houston, and Chatham Streets than anywhere else in the country, this area became the unofficial capital of American counterfeiting. St. Louis did not have many printing businesses, but it enjoyed two other assets that counterfeiters prized. First, its location on the Mississippi River and its proximity to the Ohio and Missouri Rivers made it a natural distribution center for channeling the queer into the Midwest and the Far West. Second, Missourians hated banks. Time and again voters had rejected proposals to charter a state bank. As a result, the only paper currency in Missouri was banknotes from out-of-state banks, a situation that made the citizens of St. Louis and the rest of the state especially easy marks for counterfeiters.15

Yet in the years before the Civil War, as counterfeiting spread across the United States, it met with only haphazard resistance from local law enforcement. Certainly arrests were made: nineteen counterfeiters were arrested in New York City in 1830; thirty-one were picked up in 1840. Arrests dropped, inexplicably, to thirteen in 1850, then skyrocketed to ninety in 1860. In spite of these statistics, neither New York nor any other American metropolis ever launched an all-out campaign to eliminate counterfeiting from its jurisdiction. City police forces of the pre-Civil War era were not designed to fight counterfeiters. City cops were not trained as detectives. They were patrolmen who walked an assigned area of the city, the rationale being that the presence of a uniformed officer on the streets would make the criminals of the neighborhood think twice. A different type of lawman was required to track down counterfeiters, someone who had informants among the criminal underclass, who perhaps could work effectively undercover, and whose duties permitted him to spend months closing in on a suspect. No such crime-fighting organization existed in the United States of the 1860s. It took the crisis of civil war to bring such an agency into existence.16
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Re: FREDA BEDI CONT'D (#4)

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Part 2 of 2

From the moment the first artillery shell was fired at Fort Sumter in Charleston harbor, the finances of the United States slid into a crisis. The Union's largest immediate expenditure was for recruiting a vast new army, equipping it, and keeping it well supplied. In April 1861 the U.S. government had sixteen thousand regular troops, most of whom were deployed out West against hostile Indians. By December 1861, the number had exploded to six hundred thousand men in the Union army. The cost of weapons, ammunition, uniforms, equipment, food, and salaries for such a force was staggering, but government income was not keeping up with it.17

During April, May, and June of 1861 -- the first three months of the Civil War -- the federal government's revenue amounted to $5.8 million; its expenditures for the same period totaled $23.5 million.18 And it only got worse. On October 2, 1861, Salmon P. Chase of Ohio, the newly appointed secretary of the treasury, wrote to his friend Judge Simeon Nash, "The expenditures everywhere are frightful. ... The average daily drafts on the Treasury for two weeks past have been a million and three-quarters at least." Faced with such enormous outlays of cash, the U.S. government went into "slow pay" mode, holding back payments to merchants, manufacturers, and other suppliers. Of course, this caused cash-flow headaches for the suppliers, who responded by raising their prices.19

Chase attacked the problem on several fronts. He issued more than $414 million in bonds and treasury notes. In early July he went to Capitol Hill, where he assured Congress that since the war was certain to be over in a year, the $80 million that would derive from customs duties, sale of public lands, and such taxes as Congress might approve, plus $240 million in loans, would be sufficient to cover the government's expenses.20 A few weeks later, in August, Chase negotiated a loan from a consortium of New York, Philadelphia, and Boston banks -- $150 million in gold to be delivered to the treasury in three installments between August and mid-November 1861.21

The New York, Philadelphia, and Boston bankers assumed that they would be following the standard practice of opening a line of credit against which the government could draw funds as the need arose. Chase, however, insisted on receiving the three $50 million installments in gold coin, a demand that strained the resources of the banks, drained their gold reserves, and made the bankers very uneasy. If the public lost confidence in the North's ability to win the war, it would start hoarding gold coin and stop buying treasury notes. In other words, the gold the banks had lent to the federal government would not return through the usual method of payments, deposits, and investments, and the shortfall would place in jeopardy the ability of the banks to meet their obligations.22

The bankers' fears proved well founded. The autumn months brought the defeat of General Ulysses S. Grant at Belmont; Great Britain appeared poised to enter the war on the side of the South; and in his annual report, Chase conceded that, given the financial burdens placed upon the government, the treasury could expect a deficit of approximately $260 million. The public panicked, responding to the rash of bad news exactly as the bankers had said it would -- Northerners hoarded their gold coins as a hedge against political and economic disaster and stopped buying treasury notes.23

On December 28, 1861, representatives of the banks of New York met to discuss the looming financial crisis. Rather than deplete their gold reserves further, the New York bankers voted, twenty-five to fifteen, to suspend making payments to the treasury in gold coin. A few days later, the bankers in Philadelphia and Boston passed the same resolution. Once gold ceased flowing in from the banks, the treasury could no longer pay its bills with hard currency. With the gold supply drying up, the nation's powerbrokers in Washington began discussing what many perceived as their only option -- the authorization of a national paper currency.24

Such an alteration in the administration of the nation's finances would require an act of Congress. The legislators on Capitol Hill, recognizing that the country was on the verge of a serious economic crisis, acted with surprising speed. On February 24, 1862, the Legal Tender Act authorized the treasury to issue $150 million in paper currency, to be recognized throughout the country as legal tender. The next day President Abraham Lincoln signed the bill into law.25 It was a farsighted piece of legislation, but one element was missing -- Congress failed to charge any law enforcement agency with safeguarding the integrity of the new national currency.26 Any thought of counterfeiters appears to have been far from the minds of the congressmen. Like everyone else in Washington, they were anxious to see how the buying public would respond to paper money.

In April 1862 the New York Times announced that the paper currency had won "almost universal confidence" across the country. Three months later a jubilant and relieved Secretary Chase boasted, "Not a single requisition from any department upon the Treasury remained unanswered. Every audited and settled claim on the government and every quartermaster's check for supplies furnished which had reached the Treasury had been met."27

Like the rest of the American public, counterfeiters adjusted to the new national currency quickly. In fact, they preferred it to the old banknotes. A Philadelphia shopkeeper who would have studied a fifty-dollar banknote from the Planter's Bank of Tennessee would accept a U.S. fifty-dollar bill without a second thought. Even loyal sons and daughters of the Confederacy were eager to get hold of the new Yankee dollars, since their own government's paper currency was losing more of its value with each passing day. To meet the demand in Dixie, enterprising shovers carried bags of false currency down South, where no one was familiar enough with the new Yankee money to be able to distinguish between the real and the counterfeit.28

Nonetheless, it was in the North that counterfeit currency caused the most trouble. By 1864 approximately half the paper money in circulation in the North was counterfeit. And if the American lost faith in the value of the new paper money, the federal government would not be able to finance the war. With the economy teetering on the brink of disaster, Secretary of the Treasury Chase asked Secretary of War Edwin Stanton for a favor -- would he relieve William P. Wood of his duties as superintendent of the Old Capitol Prison, so that the Treasury Department could employ him in tracking down counterfeiters? 29

Wood was an interesting choice. A tall, square-jawed man, he was a hero of the Mexican-American War, in which he had distinguished himself through acts of daring that some celebrated as swashbuckling and others derided as half-mad. Once back in the United States, however, Wood had earned a reputation as a shady character. In 1854 Edwin Stanton was a member of a prestigious Washington legal team involved in an important patent-infringement case; Wood, who as a young man had been trained as a model-maker, was brought in as a consultant. Thanks to his expertise, Stanton's firm won the case. But it was whispered around town that Wood had doctored the evidence in Stanton's favor.

Wood's appointment as superintendent of the Old Capitol Prison at the start of the Civil War gave Washington gossips even more material. Some claimed he was spying for the South. Persistent rumors had it that Wood had exceeded his authority by negotiating prisoner-of-war exchanges with the Confederate government. And there were stories of Wood's sending counterfeit currency to Union prisoners of war, so that they could buy food, clothes, and other necessities from their clueless Confederate guards.30 That last rumor may have been true. What other reason could Chase have had to select Wood, a prison warden, as his point man for a new law enforcement agency, unless Wood already knew the world of counterfeiting intimately?

Technically, Chase and Stanton should have sought the approval of Congress, or endorsement from President Lincoln, before they created what was in essence a new government bureau. But counterfeiting had reached crisis proportions, and neither man had the patience at that moment to drag the new idea through the usual government channels. Instead, they just turned Wood loose. "I was permitted to use my own methods," Wood said later.31

Wood was not working alone. In 1864 he hired three men to assist him, all of them rough characters. He found his first recruit, Henry O. Wright, in a Chicago jail; the Chicago police suspected that Wright was involved in a counterfeiting ring. Virgil Barlow, another of Wood's early picks, had been making counterfeit money in New Jersey. Wood's third man, George Hyer, was under arrest for forgery and was suspected of murdering five men.32 Given the backgrounds of these recruits, it came as no surprise to anyone that they played fast and loose with accepted law enforcement procedures. One typical case was a February 1865 raid on a den of counterfeiters. While searching the premises, operative John Eagan, an ex-cop from St. Louis, found $14,500 in false currency and $600 in legal tender. The counterfeit $14,500 he turned over to his superiors, but the $600 in good money he kept for himself.33

Wood's men ran a variety of scams. They offered suspects immunity, even protection, in return for a fee. Sometimes they kept a portion of the counterfeit currency they confiscated, sold it to shovers, and pocketed the proceeds. A counterfeiter who had earned -- or bought -- the goodwill of Wood and his men could count on having at least one Secret Service operative show up in court to testify on the crook's behalf.34

Wood's unorthodox methods might have been scandalous but they were also effective. "In eight months," Wood bragged, "I rounded up counterfeiters in nearly every state east of the Alleghenies."35 And he was not exaggerating. Within a year of his appointment, Wood and his band of unlikely agents of the law had seized over two hundred counterfeiters and confiscated an enormous amount of counterfeit currency, as well as engravers' tools, plates, and other essential materials.36

Chase and Stanton's ad hoc agency became an official part of the United States government in July 1865. Hugh McCulloch, the man who replaced Salmon P. Chase as secretary of the treasury in Lincoln's second term, claimed to have discussed the counterfeiting problem with the president on April 14, 1865, just hours before the Lincolns left the White House for Ford's Theatre. McCulloch laid out the problems for the president -- the spate of fake money that was undermining the American public's confidence in the national currency and the ineffectual efforts of local and private law enforcement agencies to fight counterfeiters. McCulloch recommended the creation of a permanent, aggressive organization of government operatives trained to target counterfeiters. After hearing McCulloch out, Lincoln said, "Work it out your own way, Hugh. I believe you have the right idea." The assassination of the president and the arrest, trial, and execution of the conspirators occupied official Washington for the next three months, so it was not until July 5, 1865, that William P. Wood was sworn in as the first chief of the United States Secret Service. Almost immediately, Wood hired more men; by the end of 1865, he had thirty Secret Service operatives in the field.37

Wood and his men are often remembered today for their scams, but they were adept at persuading counterfeiters to turn on each other. On one occasion the operatives had captured a boodle carrier who went by the name of the Flying Dutchman. The Dutchman's territory included Indiana, Ohio, and parts of Pennsylvania. But he had a rival -- Lewis "Mysterious Bob" Roberts -- who made monthly road trips by mule through the Midwest, selling $50,000 in counterfeit currency each time to his distributors. As the Dutchman sat in jail, he resolved that if he was going to prison, he would take Mysterious Bob with him. Once Bob and the Dutchman were both in custody, however, the two rivals teamed up to cut a deal with the Secret Service: in exchange for a lesser charge, they agreed to reveal the identity of thirty fellow counterfeiters.38

Police and other law enforcement officers, not to mention the general public, regarded the methods employed by Wood and his crew as underhanded, even downright unethical. But there was no denying that by making up its own rules, the Secret Service had done serious damage to counterfeiting rings in the North. In 1869, when Wood was succeeded by Hiram C. Whitley, the new chief defended Wood's unorthodox methods. In an open letter to the American public Whitley wrote, "The system of using one counterfeiter against another has created greater distrust and caused more alarm among [counterfeiters], as a class, than the untiring labor of the most skilled detectives. It is impossible for them to guard against this kind of treachery." Adopting a mocking tone, Whitley wondered what the critics of the Secret Service would like his operatives to do. Should they treat counterfeiters as gentlemen, approaching them "in a differential [sic] manner, with hat in hand and with many apologies for the intrusion, announce themselves as detective officers and request the suspected criminal to furnish the evidence necessary to convict and send him to the State Prison"?39

Very quickly, Secret Service men became skilled undercover agents. Cincinnati in the late 1860s was a mecca for counterfeiters, and the hottest spot in town was the home of a shapely widow who went by the name of Mother Roberts. She had a reputation for selling counterfeit currency out of her house and taking her favorite clients to bed. An operative who passed himself off as a Missouri farmer and occasional shover insinuated himself into Mother Roberts's circle and eventually became one of her lovers. On a day when the widow and the "farmer" planned to combine business with pleasure, he showed up at Mother Roberts's house with some friends in tow. While the friends -- all of them Secret Service operatives in disguise -- made themselves comfortable, Mother Roberts invited the farmer up to her room, where she opened the front of her dress and began a seductive striptease. When she got to her bustle, she opened it, revealing an enormous stash of counterfeit money. Calling to his friends for help, the farmer seized Mother Roberts, while his fellow agents nabbed two other counterfeiters who happened to be in the house. Mother Roberts went to prison, and her counterfeiting ring was destroyed.40

Whitley may have defended the freewheeling methods of his predecessor, but when it came to recruiting new operatives, the new chief of the Secret Service was looking for a different caliber of person. Wood had had a penchant for jailbirds; Whitley preferred such solid, dependable men from the middle class as Thomas E. Lonergan. Intelligent and courageous, Lonergan had dropped out of Notre Dame, the little Catholic college he had been attending in South Bend, Indiana, to fight for the Union. Not long after he enlisted, Lonergan's superiors recognized his natural leadership abilities and sent him to West Point. Thomas Lonergan proved to be one of Whitley's finest recruits; in time he would serve as superintendent of a succession of the most important offices of the Secret Service, including Chicago and New York.41

One of the minor players among Midwest counterfeiters was James "Big Jim" Kennally. He had been born in Ireland in 1839; it is unknown when he emigrated to the United States. By the early 1860s he was in the counterfeiting business. His earliest arrest record dates to January 15, 1865, when he was picked up in St. Louis for dealing in and passing counterfeit currency.42 In April 1870 he was arrested in Peoria, Illinois, for having in his possession $102 in counterfeit bills. The court found him guilty and sentenced him to eighteen months at the Illinois State Penitentiary in Joliet.43

In the nineteenth century the Joliet prison authorities kept the Convict Register, in which they recorded a host of personal details about each convict, including physical traits, religion, profession, and place of birth. From the Convict Register we learn that Kennally stood nearly five feet, eleven inches tall. He had a fair complexion, light-colored hair, and gray eyes. He stated that his parents were dead and that he had no wife or children. He also said he had no religion. The admitting officer recorded that Kennally could read and write and that he drank. Under the column heading "Habits of Life" is the notation "Intemp.," an abbreviation that tells us Kennally was not abstemious with alcohol. He gave his profession as "Railroader."44 When the collector for the 1870 United States Census visited the Joliet penitentiary, he put Kennally down as a U.S. citizen.45

After serving his sentence in Joliet, Big Jim Kennally traveled to St. Louis, where he opened a livery stable that would become the front for his counterfeiting ring. By 1876 he was also a silent partner in a saloon and billiard hall called the Hub on Chicago's Near West Side.46 Although Kennally was a small-timer among counterfeiters, he had one extremely valuable asset -- Benjamin Boyd, one of the best engravers of counterfeit plates in the country, worked for him.

Benjamin Boyd had been born in Cincinnati, Ohio, in 1834. His father was a master engraver -- the honest kind -- and Boyd learned the rudiments of the art from him. Young Benjamin showed promise, so his father arranged for him to study for a year with James Edward Smith, one of Cincinnati's finest engravers. Although he was still a teenager, Boyd's skills were impressive -- so much so that he attracted the attention of yet another Cincinnati engraver, Nat Kinsey, who offered to teach Boyd his particular area of expertise. Kinsey had been born in Delaware in 1828, and his legitimate profession was engraving landscapes. William P. Wood, the first chief of the Secret Service, commented on Kinsey's "gentlemanly appearance." His one physical flaw was that he had lost all his upper teeth; he compensated by wearing a set of dentures.47 At what juncture Kinsey made the transition to counterfeiting is unknown, but he became one of the best. The high point of his career came in 1864, when he engraved the plate for a bogus hundred-dollar greenback that became a counterfeiting classic; it escaped detection for years.

Encouraged or at least inspired by Kinsey, Boyd cut his first counterfeit plate when he was only twenty-one years old.48 By then he had reached his full height -- five feet, nine and a half inches. He was a stout, round-shouldered young man with a dark complexion, dark gray eyes, and a head of hair that would turn prematurely gray. He did not drink, and he belonged to no church.49

At the same time that he apprenticed himself to Kinsey, Boyd met Pete McCartney, one of the best-connected counterfeiters in the Midwest. Nearly thirty years old at the time, McCartney was a strong, handsome man, just shy of six feet tall, with a charming personality. Even Secret Service operatives admired his "quiet, gentlemanly manners."50 McCartney, an itinerant scholar of the counterfeiting arts, traveled from one skilled engraver to the next, with an eye toward becoming a master engraver himself. He stayed for a time with Kinsey and Boyd in Cincinnati, then moved on to Indianapolis to continue his education under a German immigrant named Aikman, whose two daughters, Martha and Almiranda, were themselves promising novice counterfeiters. During McCartney's visit old Aikman died; but the widow Aikman did not mourn long. In less than a year she married John B. Trout, a much-admired Missouri counterfeiter. As for McCartney, he married the Aikmans' older girl, Martha.51

By now McCartney was engraving his own counterfeit plates and using Aikman and Trout's connections to distribute his false currency throughout the Midwest. Then he met a Prussian immigrant named Frederick Biebusch, the biggest distributor of counterfeit currency in the West and Southwest, who was famous among counterfeiters for having been arrested fifty times but never convicted.52 He had begun his criminal career as a horse (and mule) thief. Around the time he was achieving fame in counterfeiting circles, Wood described him as "a notorious villain ... open for the transaction of any species of rascality whereby he can make money illegitimately."53 Impressed by the quality of McCartney's counterfeit banknotes, Biebusch became one of his biggest clients, buying bundles of boodle, which he sold out West to his shovers -- most of whom were women and children. With Biebusch as an ally, McCartney moved into the big leagues of counterfeiting.54

Then came the break every American counterfeiter dreamed of. The federal government's decision in 1862 to issue a national currency gave engravers like M.cCartney, Boyd, and Kinsey, along with distributors like Biebusch and Kennally, an unprecedented opportunity to strike it rich. Boyd and McCartney decided to pool their talents and set up shop in Mattoon, Illinois -- and that is where Secret Service agents arrested them in 1865. It was [a] two-pronged operation. While Boyd and McCartney were being cuffed and hauled off to jail in Mattoon, another squad of operatives had staked out the Everett House, the Springfield, Illinois, hotel where Boyd and McCartney's boodle carriers, Edward Pierce and Almiranda Aikman, were staying. When the Secret Service burst into Aikman and Pierce's rooms, they found a basket stuffed with thirty thousand dollars in counterfeit bills.55

Pierce went to trial and was sentenced to prison, but Boyd managed to win his own release and that of Almiranda Aikman by cutting a deal -- in return for his and Almiranda's freedom, he agreed to turn over an engraved plate for printing counterfeit fifty-dollar bills. The confiscation of the plate was a coup for the Secret Service but no hardship for Boyd -- it was one of McCartney's plates that he gave up.

Boyd was smitten with Almiranda Aikman. In 1865 the petite, slender brunette was about twenty years old.56 Soon after their release, Benjamin and Almiranda were married in Marine City, Michigan. For the next ten years the couple stayed on the move, setting up shop in Des Moines and Le Claire, Iowa; Decatur, Clinton, and Fulton, Illinois; and Prairie du Chien, Wisconsin. Boyd kept busy engraving plates and passing queer. His masterpiece from this period was a five-dollar bill so accurate that it fooled most experts. Boyd was not only a great engraver, he was also a successful businessman. Even John S. Dye, the celebrated counterfeit-detector, praised Boyd as "sagacious, wary and fortunate in his selection of partners."57

Since his brush with the Secret Service in 1865, Boyd had had no more trouble with the Feds. His brother-in-law, McCartney, was not so lucky, but Pete took it in stride. Experience had taught him how easy it was to break out of most local jails. In fact, he thought jailbreaks were fun. He claimed that escaping from the St. Louis jail was "as easy as falling off a log!" After dismissing the Springfield lockup as "a mighty poor structure," he went on to explain, ''It wasn't a comfortable place and I didn't like my quarters. So I stepped out early one morning and left."58 But jailbreaks were not McCartney's only means of escape from tight situations. Counterfeiting had made him a wealthy man, and experience had taught him that a bribe could make almost any Secret Service operative look the other way. Toward the end of his life he claimed, "I have paid away over $70,000 to escape the clutches of the law."59

As for Boyd, his luck ran out when he came to the attention of Elmer Washburn, onetime Chicago chief of police and, starting in 1874, the new chief of the Secret Service. Washburn had been born in 1834 in Plymouth County, Massachusetts. For a time he was division superintendent of the Illinois Central Railroad. After the Civil War he was warden of the Illinois State Penitentiary in Joliet. In an age when the term public servant was often a synonym for "crook," Washburn was a man of integrity. Once he sold some surplus state land attached to the prison, made a tidy profit on the deal, then faithfully deposited the entire amount in the prison treasury. When the reform candidate Joseph Medill took office as mayor of Chicago in 1872, he appointed honest Elmer Washburn chief of police. Unfortunately for Washburn, Mayor Medill was almost his sole admirer in Chicago.

Even before Washburn arrived in town, Chicago's police commissioners decided they didn't like him. They felt it was their right to name the chief of police. Not only had Mayor Medill usurped their authority, but he had not even bothered to ask for their opinion about Washburn. They found Washburn self-important, haughty, and bureaucratic. An eyewitness recorded that after Washburn moved into Chicago police headquarters, "there was no longer any interchange of opinion between the chief and his captains. He would listen to no suggestions, simply waving his subordinates off." When Washburn wanted to communicate with the department, he issued a memo. And because he enjoyed issuing written orders to his officers, Chicago police headquarters was adrift in a blizzard of paper. "Written orders were a weakness with him," the same witness recalled. "A question which might have been answered by a nod of the head, was replied to with ponderous verbosity and a bombardment of officialisms over the length and breadth of a sheet of legal cap."60

Having alienated his police force, Washburn went on to antagonize almost the entire city. Medill tried to put into effect an old law decreeing that Chicago's saloons and beer gardens must remain closed on Sunday. Other mayors had tried to enforce the statute, always with disastrous results -- particularly in 1855, when Irish and German workingmen and -women had rioted in the streets until the taverns were reopened.61 Washburn, inflexible as ever, tried to enforce Medill's Sunday closing proclamation. This time the citizens of Chicago expressed their outrage at the polls. In the 1873 election, Medill was tossed out of city hall, and Washburn lost his job as chief of police.62

Washburn's unemployment was short-lived, however. His exacting standards, his unshakable integrity, and his experience running a big-city police department were qualities that recommended him to Bluford Wilson, the attorney who had been charged with reorganizing the Secret Service. He offered Washburn the job of chief of the Secret Service, with the understanding that he would reform and revitalize the organization. For Wilson, improved relations between the Secret Service and local law enforcement would be the cornerstone of the revitalized agency. The first two chiefs of the Secret Service had been dismissive, even contemptuous, of the police and U.S. deputy marshals. Wilson believed that rather than provoke the local law enforcement officers, it would be more productive if Secret Service operatives solicited their help.63

Then Washburn had an inspiration -- the Secret Service really ought to be secretive. In a general order dated October 31, 1874, Washburn instructed all operatives to keep their names and their crime-busting activities out of the newspapers and to let the police take the spotlight instead. It was a brilliant idea that generated immense goodwill among local police officers, who became the heroes of every case. As for the Secret Service operatives, by keeping their names and activities secret, they could be even more effective in the struggle against counterfeiters. 64

Washburn differed from his predecessors in another respect. Wood and Whitley had been hands-on Secret Service chiefs, often going out on cases with their operatives and collaring criminals personally. Washburn, by contrast, remained at his desk at the agency's new headquarters in Washington, D.C. It was just as well -- Washburn always had been better at formulating policy than at working with people one-on-one. In fact, during his administration, Washburn introduced valuable new methods and regulations that improved the performance and enhanced the reputation of the Secret Service. He spelled out clearly what he expected. Operatives would "be judged by the character they sustain, by the results they accomplish and by the manner in which they accomplish them." With this single sentence Washburn intended to sweep away both the corrupt methods that had been common practice under William Wood and the pragmatic philosophy of Hiram Whitley, in whose view the ends justified the means. Washburn's operatives would be honest enforcers of the law.

But Washburn did more than hold his men to a lofty ideal; he demanded documentation of everything they were doing. And for once, at least, Washburn's love affair with paperwork produced a result other than clutter. He required his operatives to file written reports of their day-to-day activities. If they went undercover and bought counterfeit currency, they must say who sold it to them, where the transaction took place, how much bad money they bought, and how much they paid for it. Operatives who had informants on their payroll had to report each informant's name and address, how much the informant was being paid, and all related expenses.65 The Secret Service files from this period show that Washburn's new procedures were put into practice immediately. And one of the most methodical operatives was a new Secret Service agent, Patrick D. Tyrrell.

Tyrrell was the kind of recruit Washburn looked for --honest, respectable, incorruptible. Not only was he a good detective, but he had a high tolerance for filing reports and filling out forms. Tyrrell was a handsome, beefy, broad-shouldered man with a high forehead, a prominent nose, and a cleft chin. He had been born in 1831 in Dublin, Ireland.66 He lived with his wife and children in Chicago, in a handsome house at 867 North Clark Street, right at the corner of Centre (now Armitage) Street. From their front porch the Tyrrells enjoyed a beautiful view of the new park and the vast blue expanse of Lake Michigan beyond. But the area around North Clark and Centre Streets had not always been so pleasant.67

Before the Great Chicago Fire of 1871 this had been a shabby neighborhood. By the lakeshore had stood a poorhouse, and nearby had been an unkempt graveyard. The Great Fire burned the area clean, and in the rebuilding of Chicago the neighborhood experienced a new incarnation. The scruffy old burial ground was transformed into the lovely lakefront Lincoln Park. Attractive cottages and frame houses were built on the ashes of the old shacks and hovels. And as for the area's new residents -- the Tyrrells and their neighbors -- they were ambitious, hardworking Irish and German families, proud of what they had accomplished so far and relieved to have left the slums behind them.68

Unlike so many Irish immigrants in Chicago, Patrick Tyrrell had moved rapidly into the middle class. Now Washburn was giving him a career-making opportunity. If Tyrrell nabbed Boyd, he would be a hero, and so, by association, would Washburn. The chief's instructions were simple: Tyrrell had free rein to use whatever methods he believed would result in Benjamin Boyd's arrest and conviction.

_______________

Notes:

I. The World of the Counterfeiters


1. Lynn Glaser, Counterfeiting in America: The History of an American Way to Wealth (Philadelphia: Clarkson N. Potter, 1960), 11.

2. Ibid., 12.

3. Ibid., 12, 13, 16, 18.

4. Kenneth Scott, Counterfeiting in Colonial America (New York: Oxford University Press, 1957), 7.

5. Glaser, Counterfeiting in America, 15, 36.

6. Ibid., 19.

7. Ibid., 22.

8. Scott, Counterfeiting in Colonial America, 242.

9. Glaser, Counterfeiting in America, 37-39.

10. Ibid., 40-41.

11. Ibid., 47.

12. Ibid., 66.

13. Ibid., 82.

14. George P. Burnham, Three Years with Counterfeiters, Smugglers and Boodle Carriers, with Accurate Portraits of Prominent Members of the Detective Force in the Secret Service (Boston: J. P. Dale, 1875), 418-422.

15. David Johnson, Illegal Tender: Counterfeiting and the Secret Service in Nineteenth-Century America (Washington, D.C.: Smithsonian Institution Press, 1995), 43, 46.

16. Ibid., 12, 39.

17. Bray Hammond, Sovereignty and an Empty Purse: Banks and Politics in the Civil War (Princeton, N.J.: Princeton University Press, 1970), 134.

18. Robert P. Sharkey, Money, Class, and Party: An Economic Study of Civil War and Reconstruction (Baltimore, Md.: Johns Hopkins University Press, 1995), 18.

19. Hammond, Sovereignty and an Empty Purse, 125-126.

20. Sharkey, Money, Class, and Party, 18-19.

21. Irwin Unger, The Greenback Era: A Social and Political History of American Finance, 1865-1879 (Princeton, N.J.: Princeton University Press, 1964), 14.

22. Sharkey, Money, Class, and Party, 22-23.

23. Unger, The Greenback Era, 14.

24. Wesley Clair Mitchell, A History of the Greenbacks, with Special Reference to the Economic Consequences of Their Issue: 1862-65 (Chicago: University of Chicago Press, 1903), 40, 44.

25. Sharkey, Money, Class, and Party, 46.

26. Johnson, Illegal Tender, 66.

27. Hammond, Sovereignty and an Empty Purse, 245-246.

28. Glaser, Counterfeiting in America, 103.

29. Ibid., 105.

30. Johnson, Illegal Tender, 70.

31. Glaser, Counterfeiting in America, 105-106.

32. Johnson, Illegal Tender, 76.

33. General Register of the Secret Service: Description and information of Criminals, 1863-1906, National Archives, College Park, Md., vol. 1, 441.

34. Johnson, Illegal Tender, 77.

35. Glaser, Counterfeiting in America, 106.

36. Johnson, Illegal Tender, 76.

37. Glaser, Counterfeiting in America, 106-107.

3S, Ibid., 108.

39. Ibid., 108-109.

40. Ibid., 110-111.

41. Johnson, Illegal Tender, 79-80.

42. General Register of the Secret Service, vol. I, 28.

43. Peoria Transcript, April 9, 1870.

44. Convict Register, State Penitentiary, Joliet, Illinois, May 7, 1870.

45 . United States Census 1870, Joliet, Will County, Illinois, 35.

46. Chicago City Directory, 1876.

47. General Register of the Secret Service, vol. 1, 20, 75.

48. John Carroll Power, History of the Attempt to Steal the Body of Abraham Lincoln (Late President of the United States of America) including a History of the Lincoln Guard of Honor, with Eight Years Lincoln Memorial Services (Springfield, Ill.: H.W. Rooker, 1890), 29.

49. General Register of the Secret Service, vol. 10, 331-333; Convict Register, February 16, 1876.

50. Burnham, Three Years with Counterfeiters, 45.

51. Glaser, Counterfeiting in America, 133.

52. Burnham, Three Years with Counterfeiters, 63-64.

53. General Register of the Secret Service, vol. I , 92.

54. Burnham, Three Years with Counterfeiters, 68.

55. Power, History of the Attempt, 30.

56. General Register of the Secret Service, vol. 10, 334.

57. Power, History of the Attempt, 31.

58. Burnham, Three Years with Counterfeiters, 47-48.

59. Glaser, Counterfeiting in America, 135.

60. Johnson, Illegal Tender, 88.

61. Herbert Asbury, The Gangs of Chicago: An Informal History of the Chicago Underworld (New York: Knopf, 1940),43.

62. Johnson, Illegal Tender, 88.

63. Ibid., 87.

64. Ibid., 89.

65. Ibid., 94.

66. State of Illinois Department of Public Health -- Division of Vital Statistics, Standard Certificate of Death, Registration No. 13237, April 3, 1920.

67. E. Robinson and Roger H. Pidgeon, Robinson's Atlas of the City of Chicago, Illinois: Compiled and Published from Official Records, Private Plans, and Actual Surveys (New York: Robinson, 1886).

68. Chicago Fact Book Consortium, Local Community Fact Book: Chicago Metropolitan Area (Chicago: University of Illinois at Chicago, n.d.), 18.
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Re: FREDA BEDI CONT'D (#4)

Postby admin » Mon Oct 31, 2022 12:11 am

Hobby Lobby smuggling scandal
by Wikipedia
Accessed 10/30/22

Image
One of the ancient clay tablets showing Cuneiform script which Hobby Lobby bought

The Hobby Lobby smuggling scandal started in 2009 when representatives of the Hobby Lobby chain of craft stores received a large number of clay bullae and tablets originating in the ancient Near East. The artifacts were intended for the Museum of the Bible, funded by the Evangelical Christian Green family, which owns the Oklahoma-based chain.[1] Internal staff had warned superiors that the items had dubious provenance and were potentially looted from Iraq.

Several shipments of the artifacts were seized by US customs agents in 2011, triggering a struggle between Hobby Lobby and the federal government that culminated in a 2017 civil forfeiture case United States of America v. Approximately Four Hundred Fifty Ancient Cuneiform Tablets and Approximately Three Thousand Ancient Clay Bullae. As a result of the case, Hobby Lobby agreed to return the artifacts and pay a fine of US$3,000,000. U.S. Immigration and Customs Enforcement returned 3,800 items seized from Hobby Lobby to Iraq in May 2018.[2] In March 2020 the Hobby Lobby president agreed to return 11,500 items to Egypt and Iraq.[3]


Purchase and provenance

Image
United States versus Approximately 450 Ancient Cuneiform Tablets, a court filing from July 2017

In December 2010, Hobby Lobby purchased $1.6 million worth of Iraqi artifacts from dealers in the United Arab Emirates. The artifacts were largely cuneiform tablets, clay bullae, and cylinder seals, with some likely originating from the ancient city of Irisaĝrig on the Tigris.[4] Many of the artifacts lacked any supporting evidence of their history or ownership, raising the possibility that the artifacts had been possibly looted or sold on the black market.[5]

[P]rosecutors say Mehrdad Sadigh, a New York antiquities dealer whose Sadigh Gallery has operated for decades in the shadow of the Empire State Building, decided not to go to the trouble of acquiring ancient items.

He made bogus copies instead, they say, creating thousands of phony antiquities in a warren of offices just off his display area and then marketing them to unsophisticated and overeager collectors.

“For many years, this fake antiquities mill based in midtown Manhattan promised customers rare treasures from the ancient world and instead sold them pieces manufactured on-site in cookie-cutter fashion”...

Among the people he sold to, according to prosecutors, were undercover federal investigators who bought a gold pendant depicting the death mask of Tutankhamen and a marble portrait head of an ancient Roman woman — paying $4,000 for each. Those sales became the basis for a visit to the gallery in August by members of the district attorney’s office and Homeland Security investigations, who said they found hundreds of fake artifacts displayed on shelves and inside glass cases. Thousands more, they said, were found in the rooms behind the gallery — including scarabs, statuettes and spear heads in differing stages of preparation.

Matthew Bogdanos, the chief of the district attorney’s Antiquities Trafficking Unit, said in an interview that the visit revealed a sort of assembly-line process that seemed designed to distress and otherwise alter mass-produced items of recent vintage so they would appear aged. Investigators, he said, found varnish, spray paints, a belt sander and mudlike substances of different hues and consistencies, among other tools and materials....

The district attorney’s office said that Mr. Sadigh appeared to be among the biggest purveyors of fake artifacts in the country....

Established in 1978 as a small mail-order company, the website said that in 1982 the gallery moved to a suite of offices on an upper floor of a building at Fifth Avenue and East 31st Street.

From his location there, Mr. Sadigh offered for sale items that he said were ancient Anatolian, Babylonian, Byzantine, Greco-Roman, Mesopotamian and Sumerian. The gallery’s website featured a blog on antiquities and testimonials from satisfied customers....

Among the items listed for sale on the website in late 2020 and early 2021 were a mummified falcon dated to 305-30 B.C. ($9,000), an Egyptian sarcophagus mask carved from wood and dated to 663-525 B.C. ($5,000), and an iron and nickel fragment from a meteorite that landed in Mongolia ($1,500).

“All of our antiquities are guaranteed authentic,” the site stated....

Among the items Mr. Bogdanos recognized in the gallery was a copy of an 11th-century ceramic Khmer sculpture of a Buddha; the original had been seized by the district attorney’s office in a separate case. Other items in the gallery appeared to be modeled after objects that had been stolen from the Iraq Museum, thefts Mr. Bogdanos had a hand in investigating while serving as a Marine colonel in Iraq in 2003.

(Mr. Bogdanos led an effort to recover thousands of items taken by looters during the fall of Baghdad.)


-- He Sold Antiquities for Decades, Many of Them Fake, Investigators Say: The owner of a Manhattan gallery was charged with grand larceny and other crimes by prosecutors who say he mass-produced objects that he passed off as ancient artifacts, by Colin Moynihan


The company became subject to investigation by the U.S. government for these actions.[6][7][8][9][10]

Archaeologists say some items may have come from the National Museum of Iraq, which had been looted after the American invasion of Iraq in 2003. Hobby Lobby made mass purchases with few pieces of vague paperwork and scant descriptions,[11] and "having commissioned inexperienced scholars to analyze ancient texts" according to Bible scholars in the book Bible Nation.[12][13] The Museum's chief curator in 2017 summarized "We can't even tell sometimes which particular item belonged to which acquisition, because it just wasn't documented either at the acquisition point or at the delivery point. ... So we have no way of knowing where these came from."[11]

Through the 2000s, the entire antiquities market—especially Hobby Lobby staff—had been widely and publicly warned of the proliferation of fakes, all manufactured with the same cheap flaws that are obvious to expert analysts.[12][14] Further, the scholar community disparaged the Museum's entire mission, including this statement from Jodi Magness, president of the Archaeological Institute of America: "[If] archaeology is being used as a means of proving the historicity and accuracy of the biblical text, that is extremely problematic". She generally warned, "Many [unprovenanced] antiquities surely come from illegal excavations or looting of archaeological sites".[15]

Importation, seizure, and litigation

When the cuneiform tablets were shipped to the United States, they were misrepresented on declarations as being ceramic and clay tile samples, and contained false designations of origin stating that the objects were from Turkey and Israel.[16] US Immigrations and Customs Enforcement seized the shipments.[16]

In early July 2017, US federal prosecutors filed a civil complaint in the Eastern District of New York under the case name United States of America v. Approximately Four Hundred Fifty Ancient Cuneiform Tablets and Approximately Three Thousand Ancient Clay Bullae.[17] The Justice Department wrote that:

In October 2010, an expert on cultural property law retained by Hobby Lobby warned the company that the acquisition of cultural property likely from Iraq, including cuneiform tablets and cylinder seals, carries a risk that such objects may have been looted from archaeological sites in Iraq. The expert also advised Hobby Lobby to review its collection of antiquities for any objects of Iraqi origin and to verify that their country of origin was properly declared at the time of importation into the United States. The expert warned Hobby Lobby that an improper declaration of country of origin for cultural property could lead to seizure and forfeiture of the artifacts by CBP.[6]


On July 5, 2017, Hobby Lobby consented to a settlement requiring forfeiture of the artifacts and payment of a fine of $3 million and the return of more than 5500 artifacts.[18][9][19]

In the early hours of July 30, 2017, Israeli authorities raided several private residences and storefronts in Jerusalem belonging to five antiquities dealers of Palestinian origin and confiscated several historical artifacts, including a papyrus fragment from the Egyptian Book of the Dead and a Pompeiian fresco, and more than US$200,000 in cash.[20][9] The Israeli Antiquities Authority had been contacted in 2016 by the United States Department of Homeland Security, and provided Israeli authorities with evidence of money transfers between Green and Israeli-licensed antiquities dealers. In all, five individuals were arrested for tax evasion.[21] Biblical scholars in the book Bible Nation: The United States of Hobby Lobby report that the Green family's philanthropic activities—including antiquities donations to its own museum—have always followed a set ratio of 3:1, of the appraised value to the purchase price.[13]: 24  This is reportedly with the goal of a large profit margin by way of tax write-off, wherein "the government is effectively paying the Greens to amass a collection of dubious antiquities".[12]

Retrospective

The 2019 book Tablets From the Irisaĝrig Archive mentions the scandal in its analysis of more than one thousand cuneiform tablets, possibly stolen from Irisaĝrig, a 4,000-year-old lost city in Iraq.[22] The tablets, purchased by Hobby Lobby, were studied over a four-year period while in the company's Oklahoma storerooms. "The new find shows that the company Hobby Lobby — whose co-owner, Steve Green, helped found the Museum of the Bible in November 2017 in Washington, D.C. — had far more cuneiform tablets obtained (possibly illegally) from this city, and other sites in Iraq, than previously believed." Up to 1,400 artifacts to be returned to Iraq appear to be missing from the Hobby Lobby collection.[23]

Collections management controversy

Counterfeit items


In October 2018, the Museum of the Bible revealed that five of its sixteen Dead Sea Scrolls fragments are counterfeit;[24] and in March 2020, independent art fraud investigators hired by the museum revealed that all sixteen fragments are counterfeit, made from ancient leather and modern inks.[25]

The museum removed the display of another disputed artifact, a miniature bible which a NASA astronaut had purportedly carried to the moon.[26][27]

Stolen items

Image
The Gilgamesh Dream Tablet

In October 2019, officials from the British Egypt Exploration Society, a nonprofit organization that manages the Papyri Project, alleged that Oxford academic Dirk Obbink engaged in the theft and sale of "at least 11 ancient Bible fragments to the Green family, the Hobby Lobby owners who operate a Bible museum and charitable organization in Washington". The museum said it will return the fragments to the Egypt Exploration Society and Oxford University.[28][29]

In March 2020, National Geographic reported that the museum was "reevaluating the provenance of all the material in its collection" with the intent of returning stolen objects.[30] Steve Green, the museum's board chairman and the president of Hobby Lobby, announced the museum will be returning 11,500 artifacts to Egypt and Iraq, including thousands of papyrus scraps and ancient clay pieces. Green admitted, "I knew little about the world of collecting ... The criticism of the museum resulting from my mistakes was justified." Manchester University papyrologist Roberta Mazza stated that the Green family "poured millions on the legal and illegal antiquities market without having a clue about the history, the material features, cultural value, fragilities, and problems of the objects".[31]

This return includes the Gilgamesh Dream Tablet, containing part of the Epic of Gilgamesh, discovered in Iraq in 1853, sold by the Jordanian Antiquities Association to an antiquities dealer in 2003,[32] and sold again by Christie's auction house to Hobby Lobby in 2014 for $1.6 million. The auction house lied about how the artifact had entered the market, claiming it had been on the market in the United States for decades. In September 2019, federal authorities seized the tablet, and in May 2020, a civil complaint was filed to forfeit it.[33][34][35]

In January 2021, 8,000 clay objects were transferred to the Iraq Museum, and Steve Green announced, "we transferred control of the fine art storage facility that housed the 5,000 Egyptian items to the U.S. government as part of a voluntary administrative process. We understand the U.S. government has now delivered the papyri to Egyptian officials."[36]

In July 2021, the United States Department of Justice announced it had seized the Gilgamesh tablet from Hobby Lobby for repatriation to Iraq. Acting U.S. Attorney Jacquelyn M. Kasulis for the Eastern District of New York stated, “This office is committed to combating the black-market sale of cultural property and the smuggling of looted artifacts.” Hobby Lobby failed to follow expert advice on antiquities collecting which has resulted in multiple seizures and fines.[37][38]

In August 2021, Iraq reclaimed 17,000 looted artifacts previously held by the Museum of the Bible.[39]

References

1. Taylor, Kate (October 23, 2018). "The $500 million Museum of the Bible founded by Hobby Lobby's controversial president has admitted it displayed fake Dead Sea Scrolls". Business Insider. Retrieved January 7, 2018.
2. "ICE returns thousands of ancient artifacts seized from Hobby Lobby to Iraq". http://www.ice.gov. Retrieved May 3, 2018.
3. Crow, Kelly (27 March 2020). "Hobby Lobby President to Return 11,500 Antiquities to Iraq and Egypt". Wall Street Journal.
4. McGlone, Peggy (2 May 2018). "Hobby Lobby's illicit artifacts are returned to their Iraqi homeland". The Washington Post.
5. Henry, Andrew (October 24, 2018). "A Dead Sea Scrolls Forgery Casts Doubt on the Museum of the Bible". The Atlantic. Retrieved March 14, 2020.
6. "United States Files Civil Action To Forfeit Thousands Of Ancient Iraqi Artifacts Imported By Hobby Lobby". U.S. DEPARTMENT OF JUSTICE. July 5, 2017. Retrieved August 2, 2017.
7. Baden, Candida Moss|Joel (January 30, 2017). "Exclusive: Feds Investigate Hobby Lobby Boss for Illicit Artifacts". The Daily Beast. Retrieved July 5, 2017.
8. Pilkington, Ed (October 28, 2015). "Hobby Lobby investigated for trying to import ancient artifacts from Iraq". The Guardian. ISSN 0261-3077. Retrieved July 5, 2017.
9. Feuer, Alan (July 5, 2017). "Hobby Lobby Agrees to Forfeit 5,500 Artifacts Smuggled Out of Iraq". The New York Times. ISSN 0362-4331. Retrieved July 6, 2017.
10. "Hobby Lobby: Christian firm's artefact smuggling case settled". BBC News. July 6, 2017. Retrieved July 6, 2017.
11. Arraf, Jane (June 23, 2020). "After 'Missteps' And Controversies, Museum Of The Bible Works To Clean Up Its Act". NPR. Retrieved July 4, 2020.
12. Press, Michael (October 24, 2018). "Dead Sea Scrolls at the Museum of the Bible Revealed as Forgeries". Hyperallergic. Retrieved July 4, 2020.
13. Moss, Candida R.; Baden, Joel S. (September 22, 2017). Bible Nation: The United States of Hobby Lobby. Princeton University Press. ISBN 9781400888313. Retrieved July 4, 2020.
14. Cascone, Sarah (March 16, 2020). "'It's the First Domino': After the Museum of the Bible Discovered Its Dead Sea Scrolls Are Fake, the Field Braces for More Revelations". Art World. Retrieved July 4, 2020.
15. Wade, Lizzie (October 16, 2017). "Can the Museum of the Bible overcome the sins of the past?". Science. Retrieved July 4, 2020.
16. U.S. Immigration and Customs Enforcement (2017-07-05). "Hobby Lobby settles $3 million civil suit for falsely labeling Cuneiform Tablets".
17. Green, Emma (July 5, 2017). "Hobby Lobby Purchased Thousands of Ancient Artifacts Smuggled Out of Iraq".
18. James, Mike (July 6, 2017). "Hobby Lobby fined $3M over 5,500 smuggled Iraqi artifacts". USA Today. Retrieved November 18, 2019.
19. Siu, Diamond Naga. "Hobby Lobby agrees to $3 million fine, forfeiture of thousands of Iraqi relics". POLITICO.
20. "NPR: Israeli authorities arrest antiquities dealers in connection with Hobby Lobby scandal". NPR. August 1, 2017. Retrieved August 2, 2017.
21. "5 Palestinians arrested in Hobby Lobby smuggling ring". The Jerusalem Post | JPost.com. Retrieved May 20, 2020.
22. Sigrist, Marcel; Ozaki, Tohru (2019). Tablets From the Irisaĝrig Archive Part One. Cornell University studies in Assyriology and Sumerology. Vol. 40. University Park, Pennsylvania Eisenbrauns. ISBN 9781575067285. OCLC 1137101426.
23. Jarus, Owen (January 7, 2020). "1,400 Ancient Cuneiform Tablets Identified from Lost City of Irisagrig in Iraq. Were They Stolen?". Live Science. Retrieved January 12, 2020.
24. Sullivan, Emily (October 23, 2018). "Museum Of The Bible Says 5 Of Its Most Famed Artifacts Are Fake". NPR. Retrieved January 7, 2019.
25. Luscombe, Richard (March 16, 2020). "'Dead Sea Scrolls fragments' at Museum of the Bible are all fakes, study says". The Guardian. Retrieved March 16, 2020.
26. Miller, Ken (October 5, 2019). "Museum of the Bible quietly replaces questioned artifact". Associated Press. Retrieved November 18, 2019.
27. Miller, Ken (October 6, 2019). "Museum of the Bible quietly replaces artifact purported to be brought to the moon by NASA". USA Today. Associated Press. Retrieved July 4, 2020.
28. Gleiter, Dan (October 15, 2019). "Oxford professor allegedly sold ancient, stolen Bible artifacts to Hobby Lobby". Washington Post. Retrieved November 18, 2019.
29. Sabar, Ariel (June 2020). "A Biblical Mystery at Oxford". The Atlantic. Retrieved 25 September 2021.
30. Greshko, Michael (March 13, 2020). "Exclusive: 'Dead Sea Scrolls' at the Museum of the Bible are all forgeries". National Geographic. Retrieved March 13, 2020.
31. Cascone, Sarah (March 30, 2020). "Amid Scrutiny, the Museum of the Bible's Founder Will Return a Staggering 11,500 Artifacts of Dubious Origin to the Middle East". ArtNet News. Retrieved April 18, 2020.
32. Meier, Martin Gottlieb With Barry (May 1, 2003). "AFTEREFFECTS: THE PLUNDER; Of 2,000 Treasures Stolen in Gulf War of 1991, Only 12 Have Been Recovered". The New York Times. ISSN 0362-4331. Retrieved May 19, 2020.
33. Stelloh, Tim (May 18, 2020). "Authorities announce forfeiture of ancient Gilgamesh tablet from Hobby Lobby's Museum of the Bible". NBC News. Retrieved May 19, 2020.
34. "Civil action filed to forfeit rare cuneiform tablet from Hobby Lobby". http://www.ice.gov. Retrieved May 19, 2020.
35. "United States of America vs. One Cuneiform Tablet Known as the "Gilgamesh Dream Tablet"". US Department of Justice. Retrieved May 21, 2020.
36. Goldstein, Caroline (January 29, 2021). "The Museum of the Bible Must Once Again Return Artifacts, This Time an Entire Warehouse of 5,000 Egyptian Objects". Artnet. Retrieved January 31, 2021.
37. "Rare Cuneiform Tablet Bearing Portion of Epic of Gilgamesh Forfeited to United States". United States Department of Justice. 27 July 2021. Retrieved 28 July 2021.
38. Stieb, Matt. "DOJ Seizes Tablet of Stolen 'Epic of Gilgamesh' From Hobby Lobby". New York Magazine. Retrieved 28 July 2021.
39. "Iraq Reclaims 17,000 Looted Artifacts, Its Biggest-Ever Repatriation". The New York Times. 3 August 2021.

External links

Wikimedia Commons has media related to Hobby Lobby smuggling scandal.
• Bible museum replaces chief executive after one year, Washington Post
• Hobby Lobby to pay $3 million fine, forfeit ancient artifacts, CNN
• Iraqi Artifacts Once Bought by Hobby Lobby Will Return Home, The New York Times
• Hobby Lobby's Smuggled Artifacts Will Be Returned To Iraq, NPR
• Some of Hobby Lobby’s Smuggled Artifacts May Come From Lost Sumerian City, Smithsonian
• Museum of the Bible Returns Artifacts to Egypt, The New York Times
• Feds Take Ownership Of Smuggled Ancient ‘Epic Of Gilgamesh’ Tablet Owned By Hobby Lobby, Forbes
• Here are 16 of the biggest controversies in the craft chain's nearly 50-year history, Business Insider
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Re: FREDA BEDI CONT'D (#4)

Postby admin » Mon Oct 31, 2022 12:12 am

He Sold Antiquities for Decades, Many of Them Fake, Investigators Say: The owner of a Manhattan gallery was charged with grand larceny and other crimes by prosecutors who say he mass-produced objects that he passed off as ancient artifacts.
by Colin Moynihan
New York Times
Published Aug. 25, 2021
Updated Nov. 17, 2021

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Investigators said the operator of the Sadigh Gallery, on an upper floor of a building on Fifth Avenue in New York, was involved in the sale of fake antiquities. Credit...Manhattan District Attorney's Office

For years, looted antiquities have been a law enforcement priority, not only because the smuggling of ancient artifacts damages the cultural heritage of their countries of origin, but because illicit sales have sometimes financed the operation of drug gangs or terror organizations.

But prosecutors say Mehrdad Sadigh, a New York antiquities dealer whose Sadigh Gallery has operated for decades in the shadow of the Empire State Building, decided not to go to the trouble of acquiring ancient items.

He made bogus copies instead, they say, creating thousands of phony antiquities in a warren of offices just off his display area and then marketing them to unsophisticated and overeager collectors.

“For many years, this fake antiquities mill based in midtown Manhattan promised customers rare treasures from the ancient world and instead sold them pieces manufactured on-site in cookie-cutter fashion,”
the Manhattan district attorney, Cyrus Vance Jr., said in a statement after Mr. Sadigh was arrested earlier this month.

Mr. Sadigh has pleaded not guilty to charges of scheming to defraud, grand larceny, criminal possession of a forged instrument, forgery and criminal simulation.

Among the people he sold to, according to prosecutors, were undercover federal investigators who bought a gold pendant depicting the death mask of Tutankhamen and a marble portrait head of an ancient Roman woman — paying $4,000 for each. Those sales became the basis for a visit to the gallery in August by members of the district attorney’s office and Homeland Security investigations, who said they found hundreds of fake artifacts displayed on shelves and inside glass cases. Thousands more, they said, were found in the rooms behind the gallery — including scarabs, statuettes and spear heads in differing stages of preparation.

Matthew Bogdanos, the chief of the district attorney’s Antiquities Trafficking Unit, said in an interview that the visit revealed a sort of assembly-line process that seemed designed to distress and otherwise alter mass-produced items of recent vintage so they would appear aged. Investigators, he said, found varnish, spray paints, a belt sander and mudlike substances of different hues and consistencies, among other tools and materials.

Gary Lesser, a lawyer for Mr. Sadigh, declined to comment on Tuesday.

The district attorney’s office said that Mr. Sadigh appeared to be among the biggest purveyors of fake artifacts in the country based on the longevity of his business, the number of items seized from his gallery and his “substantial financial gains.”

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Thousands of objects were found in the back rooms of the gallery, where investigators said items were treated to make them seem ancient. Credit...Manhattan District Attorney's Office

Mr. Sadigh had operated his gallery for decades, advertising it on its website as “a family-owned art gallery specializing in ancient artifacts and coins from around the world.”

Established in 1978 as a small mail-order company, the website said that in 1982 the gallery moved to a suite of offices on an upper floor of a building at Fifth Avenue and East 31st Street.

From his location there, Mr. Sadigh offered for sale items that he said were ancient Anatolian, Babylonian, Byzantine, Greco-Roman, Mesopotamian and Sumerian. The gallery’s website featured a blog on antiquities and testimonials from satisfied customers.
Google reviews posted online were filled with accounts from clients, some of whom said they had been shopping there for years and many of whom mentioned personal service they appreciated.

Among the items listed for sale on the website in late 2020 and early 2021 were a mummified falcon dated to 305-30 B.C. ($9,000), an Egyptian sarcophagus mask carved from wood and dated to 663-525 B.C. ($5,000), and an iron and nickel fragment from a meteorite that landed in Mongolia ($1,500).

“All of our antiquities are guaranteed authentic,” the site stated.


Mr. Sadigh came to the attention of investigators when other dealers being pursued for trafficking looted antiquities complained, Mr. Bogdanos said, that “the guy selling all the fakes” was being overlooked.

When investigators looked into the Sadigh Gallery, Mr. Bogdanos said, they found not a sidewalk peddler of cheap knockoffs, but someone “too big to not investigate.”

Among the items Mr. Bogdanos recognized in the gallery was a copy of an 11th-century ceramic Khmer sculpture of a Buddha; the original had been seized by the district attorney’s office in a separate case. Other items in the gallery appeared to be modeled after objects that had been stolen from the Iraq Museum, thefts Mr. Bogdanos had a hand in investigating while serving as a Marine colonel in Iraq in 2003.

(Mr. Bogdanos led an effort to recover thousands of items taken by looters during the fall of Baghdad.)

After Mr. Sadigh’s arrest, prosecutors obtained a second warrant allowing them to search for tools used in the modification of antiquities or “objects purporting to be antiquities” as well as items like a sarcophagus valued at $50,000, a cylinder seal valued at $40,000 and a statue of the goddess Artemis valued at $25,000, all suspected of being fakes.

Despite his positive reviews online, Mr. Sadigh had previously been associated with a dispute over the authenticity of items he had sold.

In 2019, the Herbert Hoover Presidential Library and Museum in Iowa canceled a planned visiting exhibition after Bjorn Anderson, an art history professor at the University of Iowa, said that “the majority” of its items appeared to be fakes once sold by the Sadigh gallery.

“I don’t know anything about this,” Mr. Sadigh said in response, according to The West Branch Times, which reported the cancellation in 2019.

A version of this article appears in print on Aug. 26, 2021, Section C, Page 3 of the New York edition with the headline: Dealer Made and Sold Fake Antiquities, Investigators Say.
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Re: FREDA BEDI CONT'D (#4)

Postby admin » Mon Oct 31, 2022 12:21 am

The Tomb Raiders Of The Upper East Side: Inside the Manhattan DA’s Antiquities Trafficking Unit
by Ariel Sabar
The Atlantic
December 2021 Issue
November, 2021

NOTICE: THIS WORK MAY BE PROTECTED BY COPYRIGHT

YOU ARE REQUIRED TO READ THE COPYRIGHT NOTICE AT THIS LINK BEFORE YOU READ THE FOLLOWING WORK, THAT IS AVAILABLE SOLELY FOR PRIVATE STUDY, SCHOLARSHIP OR RESEARCH PURSUANT TO 17 U.S.C. SECTION 107 AND 108. IN THE EVENT THAT THE LIBRARY DETERMINES THAT UNLAWFUL COPYING OF THIS WORK HAS OCCURRED, THE LIBRARY HAS THE RIGHT TO BLOCK THE I.P. ADDRESS AT WHICH THE UNLAWFUL COPYING APPEARED TO HAVE OCCURRED. THANK YOU FOR RESPECTING THE RIGHTS OF COPYRIGHT OWNERS.


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Malike Sidibe for The Atlantic

When Matthew Bogdanos got a tip about a looted mummy coffin whose corpse had been dumped in the Nile, he approached the coffin’s buyer—the Metropolitan Museum of Art—with few of the courtesies traditionally accorded New York’s premier cultural institution.

Bogdanos, a 64-year-old prosecutor in the Manhattan District Attorney’s Office, is chief of its Antiquities Trafficking Unit. The only one of its kind in the world, his squad of prosecutors, criminal investigators, and art specialists polices the loftiest reaches of New York’s art market—a genteel club of museums, collectors, and auction houses that buy and sell the relics of ancient civilizations.

People in Manhattan’s antiquities trade tend to carry themselves with an air of refinement. Bogdanos does not. He’s a retired Marine colonel and amateur middleweight boxer who likes to drive opponents “into the corner and beat the living shit out of them,” his trainer told me.

In the case of the Met’s mummy coffin, Bogdanos got off the phone with a smuggler turned informant in Dubai and, by day’s end, had opened a grand-jury investigation in Manhattan. He subpoenaed the emails, texts, and handwritten notes of every Met employee involved in the coffin’s purchase.

What Bogdanos found “shocked the conscience,” he told me.
According to an official summary of the grand-jury investigation, the Met had acquired the golden first-century-B.C. coffin, for $4 million, despite what Bogdanos saw as a sea of red flags: three conflicting ownership histories, the involvement of known traffickers, a forged export license that bore the stamp Arab Republic of Egypt before the country used that name. The Met had allegedly deleted emails at the dealer’s request and deflected questions from Egypt. Smugglers had so hastily disposed of the coffin’s occupant—an Egyptian priest—that the museum’s conservators found a finger bone still stuck inside.

According to a 2019 search warrant, the Met was the probable site of criminal possession of stolen property in the first degree, a felony punishable by up to 25 years in prison. The intimation was that Met officials knew—or should have known—that the coffin was looted, but bought it anyway. (A Met spokesperson said the museum had been deceived by an “international criminal organization.” Though never charged, the Met apologized to the people of Egypt, reformed its acquisitions process, and forfeited the coffin to the DA.)


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Kim Kardashian at the Met Gala in 2018, posing with a coffin that the Manhattan DA later discovered had been looted from Egypt (Landon Nordeman / Trunk Archive)

Over the past decade, Bogdanos and his agents have impounded more than 3,600 antiquities, valued at some $200 million. They’ve raided art fairs on Park Avenue, and Christie’s in Rockefeller Center. They arrested a dealer at the five-star Mark Hotel and seized statues on display at the five-star Pierre.

Tips from scholars, dealers, and other informants have repeatedly led Bogdanos to the Upper East Side. The enclave of old-money families along Fifth Avenue’s Museum Mile is America’s worst neighborhood for antiquities crime.
It’s a long way, culturally, from Bogdanos’s New York. He grew up busing tables at his parents’ Greek restaurant in Kips Bay, and his court filings are salted with sarcastic, class-conscious asides. The problem with “these gentlemen of stature and breeding,” he told one judge, is that they “would never be so gauche” as to check the legal status of ancient art before buying it.

Some dealers have shut down rather than fight back. A 2019 journal article found that the number of ancient-art galleries with Manhattan storefronts had plunged over the preceding two decades from a dozen to three.
“If people in the trade are leaving New York, that speaks volumes about their own consciousness of guilt.”

Other Manhattan dealers continue to operate online or by appointment, but almost none has been spared Bogdanos’s subpoenas and search warrants. Sotheby’s ceased its New York auctions of ancient art in 2016, confining such sales to London. (Sotheby’s says this reflects “demand from collectors.”)

“Reputable galleries that have been in the business for a few decades or more have never seen an environment like this,” David Schoen, a lawyer for the venerable Safani Gallery (and also, incidentally, for former President Donald Trump at his second impeachment trial), told me. “It’s like being hit by snipers,” one person complained to The Art Newspaper.

When Bogdanos was 12, his mother, Claire, a waitress at the family restaurant, gave him a copy of The Iliad to stoke his pride in his Greek heritage. During his parents’ sometimes violent fights, he would take Homer’s epic into a closet and read it obsessively, electrified by Achilles’s rageful war on Troy. When I asked why the tale so moved him, he said, “Everyone acted with honor.”

After earning a law degree at Columbia, he stayed for a master’s in classics. His thesis was a psycho-historical study of how Alexander the Great galvanized followers despite being a genocidal alcoholic with parents who loathed each other. Of the masterworks of classical antiquity, he once said, “I don’t view them as literature,” but as “a travel guide for life.”

Bogdanos served as a military lawyer at Camp Lejeune for three years before joining the Manhattan DA’s Office in 1988 and becoming a top homicide prosecutor. When a jury returned an acquittal in his best-known case—the prosecution of the rapper Sean “Puffy” Combs in connection with a nightclub shooting—he took it as a personal failing and, he says, offered to resign. At the trial, Bogdanos had sat alone at the prosecution table, casting himself as a lone warrior against an army of high-powered defense attorneys. “But at times,” the Daily News reported, he “seemed more like a pit bull on the loose than a hero fighting the dark side.”

Six months later, on September 11, 2001, he was getting ready for work when an explosion rattled the windows of the building where he lived with his wife, Claudia, who is also a lawyer, and their young children. American Airlines Flight 11 had crashed into the North Tower of the World Trade Center, a block away.

Recalled to active duty, Bogdanos was tasked with improving security at the Kabul airport. He quickly got his hands on travel ledgers that led to the identification of hundreds of senior Taliban and al-Qaeda leaders, including 11 of the 25 most-wanted figures in the War on Terror. According to the citation for his Bronze Star, Bogdanos pulled off this improbable intelligence coup by “seizing unexpected opportunities and relying on his personal courage often at great personal risk.” He was promoted to colonel and named deputy director of the Joint Interagency Coordination Group, a counterterrorism team of agents from the armed forces, FBI, CIA, Treasury, and other agencies, under U.S. Central Command.

The group had decamped to a pair of southern-Iraq port cities in April 2003 when a scandal broke up north.
Just days after the U.S. invasion of Baghdad, looters sacked Iraq’s national museum.
The Pentagon was savaged for failing to protect the compound, which housed irreplaceable artifacts from the cradle of civilization.

Defense Secretary Donald Rumsfeld dismissed the controversy: “Stuff happens,” he told reporters. Bogdanos felt differently. “It just hit me in my gut … like a body blow,” he told me. “This stuff matters. It matters forever, and once it’s gone, it’s gone.”

He asked his superiors if he could borrow a dozen or so of his counterterrorism agents, drive them into downtown Baghdad, and get things under control at the museum.

“I said, ‘Well, that’s kind of a wild-ass idea,’ ” his then-commander, the retired four-star Air Force general Victor “Gene” Renuart Jr., told me. Historic preservation lay far outside Bogdanos’s counterterror mission. Bogdanos promised Renuart that the job would take just a few days, and Renuart relented, ordering the Marine not to get himself or anyone else killed. Bogdanos’s team bunked in the museum’s library and somehow extended the assignment to several months. Through a combination of amnesty offers and armed raids, the crew recovered thousands of antiquities across Iraq.

When Bogdanos got back to the States, he published a memoir called Thieves of Baghdad and shook hands with President George W. Bush, who awarded him a National Humanities Medal. A speaking tour and Warner Bros. movie option followed
. Military leaders liked the press, but made clear to Bogdanos that his foray into war-zone museum protection was over.

Bogdanos had other plans. In speeches, interviews, and op-eds, he began promoting the notion that Iraqi insurgents were using the antiquities trade as a major revenue source—“a cash cow”—for terrorism. “In a modern-day version of the old ‘molasses to rum to slaves’ triangle trade,” he wrote in a New York Times op-ed in 2005, “the cozy cabal of academics, dealers, and collectors who turn a blind eye to the illicit side of the trade is in effect supporting the terrorists killing our troops in Iraq.”

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Bogdanos in front of the Iraq Museum in 2003, briefing the press on the status of missing antiquities (Behrouz Mehri / AFP)

He’d identified—or, as critics saw it, invented—an alarming link between his official duties and his personal obsessions. A Rand Corporation study last year found insufficient evidence for his claim. (There are stronger signs of organized looting in Syria by the Islamic State, though few objects appear to have reached major markets.)

“I have never said and never will say that all antiquities trafficking is funding terrorism—that’s absurd,” Bogdanos said in one of our Zoom interviews, anticipating my questions about the Rand report. “But some is, and some’s enough.” He had focused on terrorism, he said, to keep antiquities in the news after interest in the Iraq Museum waned.

He’d also begun plotting a new assignment back home. In the same 2005 op-ed, published soon after his release from active duty, he declared that he would return to the Manhattan DA’s Office the next year and “head the city’s first task force dedicated to investigating and prosecuting antiquities theft and trafficking.”

When I asked why that unit took 12 years to materialize, he acknowledged that he’d gotten ahead of himself.
He said that then–District Attorney Robert Morgenthau had allowed him to pursue antiquities along with his other work. But Bogdanos had never asked about a task force, much less gotten approval for one.

So why had he pretended otherwise?

“You know how when you want something to happen, you say it as if it’s true?” he asked me.

Maybe some people do, I thought. But about your employer? In the Times?

On his first day back in the DA’s office, supervisors informed him that he could, in effect, “go fuck himself,” a high-ranking official in the Morgenthau administration told me. The antiquities unit “was completely a figment of his own imagination and his self-aggrandizing personality.”

In the end, Bogdanos prosecuted no antiquities cases under Morgenthau. He says his bosses rebuffed every request for a grand-jury investigation; those bosses, now retired, told me he never presented a viable case.

Undeterred, Bogdanos spent off-hours meeting with art dealers and law-enforcement agents, building contacts in hopes that one day things would change.

Morgenthau retired in 2009. Two years later [2011], Bogdanos received a visit from Brenton Easter, an investigator in the New York office of the Department of Homeland Security. Easter told him that a collector was bringing millions of dollars’ worth of suspect coins to the 40th New York International Numismatic Convention. The collector, a hand surgeon named Arnold-Peter Weiss, was a professor at Brown University’s medical school, a former treasurer of the American Numismatic Society, and a member of Harvard Art Museums’ collections committee.

Bogdanos began working his sources. He was at his family’s lakeside cabin in New Jersey on Christmas Eve when an officer he knew in the Italian Carabinieri called with the investigation’s missing piece: The coins, the officer told him, were Italian national property. Italy had never authorized their export.

Bogdanos called his supervisor, Karen Friedman Agnifilo: Could he set up a sting?

“You’ve lost your mind,” Agnifilo told him. Coin enthusiasts—“the nerdiest people”—hardly fit the criminal stereotype. “How sure are you about this?”

Bogdanos walked her through the evidence, and she gave the go-ahead. “It was indisputable,” she told me.

In January 2012, 10 officers in law-enforcement windbreakers raided the Waldorf Astoria.

Bogdanos and Easter prepped an informant to pose as a high-end buyer. Over pizza on the Upper East Side, Weiss told the informant about a rare coin—a fifth-century-B.C. tetradrachm bearing the head of Apollo. Weiss wanted $300,000 for it. “There’s no paperwork,” Weiss told the informant, according to the criminal complaint that Bogdanos’s team would file. “I know this is a fresh coin; this was dug up a few years ago.” (Weiss also knew that recently excavated coins were rightfully the property of the Italian government, he later admitted to a federal agent.)

A recording of the conversation—the informant was wearing a wire—seemed to give Bogdanos probable cause for arrest. But on what charge? Unlike federal prosecutors, who have broad jurisdiction over U.S. ports and customs, Bogdanos had only New York laws at his disposal. One of the plainest caught his eye: criminal possession of stolen property. The charge was typically brought against pawnbrokers, chop shops, and other businesses popular with thieves seeking no-questions-asked buyers. If a junkyard with an inexplicable surplus of copper wire could be charged, why not an antiquities collector with one too many Sumerian statues?

In January 2012, with the coin convention under way, 10 officers in law-enforcement windbreakers raided the Waldorf Astoria and arrested Weiss in the conference room where he had his booth. Weiss pleaded guilty to three misdemeanors, and the DA agreed to 70 hours of community service, a $3,000 fine, and a requirement that Weiss write an article for a numismatics journal on the perils of unprovenanced coins.
In a twist, all of the coins that Weiss and investigators thought had been looted from Italy—including the tetradrachm—turned out to be fake, so the charges were reduced to attempted criminal possession of stolen property. The Manhattan DA gave the fakes to the Smithsonian Institution to educate federal agents and returned other coins to Greece.


In a single stroke, Bogdanos had criminalized common behavior in the coin world. But as precedent for a broader dragnet, it was limited. Weiss admitted knowing—or believing—that his goods had been looted. What of the far greater number of dealers and collectors who didn’t know, because they didn’t ask?

Willful ignorance—the “ostrich defense,” as Bogdanos calls it—is endemic in the antiquities trade. For much of the 20th century, few Westerners cared to look too closely at how an ancient object came to be removed from its homeland. The important thing was that it had found its way to Europe or America. The grand civilizations that had produced the art were long gone, leaving behind people too poor and ignorant to appreciate, much less protect, their own cultural heritage. So went the colonialist mindset.

Bogdanos needed to pierce the ostrich defense, and he found an awl in the same stolen-property law that had brought down Weiss. A little-noted provision, absent from the New York law’s federal counterpart, said that if dealers failed to make a “reasonable inquiry” into an object’s true ownership, those dealers were “presumed” to know it was stolen. Willful ignorance, in other words, was tantamount to guilt. Bogdanos’s team began seizing not just antiquities, but computers, cellphones, emails, notes, and other personal records showing whether buyers had taken anything more than the most perfunctory steps to investigate provenance.

One recurring target of his search warrants and subpoenas has been the billionaire financier and collector Michael Steinhardt, who has a Greek-art gallery at the Met named after him. Bogdanos’s team has carted off 80 antiquities, valued at more than $20 million, from Steinhardt’s Fifth Avenue office and apartment. It also took one he’d loaned to the Met: a 2,300-year-old marble bull’s head that militants had stolen from Lebanon four decades ago. Steinhardt has openly wrestled with the temptations of the trade.[!!!] Years earlier he’d lost a federal lawsuit over an illegally imported golden bowl from Sicily—after paying $1 million for the relic and another $1 million for lawyers. “It should have turned me off antiquities,” Steinhardt told an interviewer, “but it’s like an addiction.” (Steinhardt, who has not been criminally charged, did not respond to requests for comment.)

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A 2,300-year-old marble bull’s head stolen by Lebanese militants.

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A 2,500-year-old limestone relief of a Persian soldier that Bogdanos’s team seized in 2017. (Manhattan District Attorney’s Office)

By 2017, Bogdanos had become so buried in antiquities work that he was sleeping in his office. Supervisors alerted Cyrus Vance Jr., the DA, to the swelling caseload, and that December Vance announced the formation of the Antiquities Trafficking Unit—the fulfillment of Bogdanos’s long-deferred fantasy. Vance obtained $2.2 million from a money-laundering settlement for five years of salaries. In addition to Bogdanos, its chief, who still spends at least half his time prosecuting homicides, the unit has three other assistant DAs, five analysts (with degrees in fields like art and archaeology), and two detectives, as well as half a dozen special agents from the Department of Homeland Security.

The DA’s office has returned more than 1,300 antiquities to their homelands: a marble sarcophagus fragment to Greece, a Buddha’s footprint to Pakistan, and, to Italy, a first-century mosaic from a ship in the emperor Caligula’s fleet.
The rest, a couple thousand artifacts, occupy so much space that Bogdanos has taken to referring to their storage sites—in Manhattan, Brooklyn, and, until recently, Long Island City—as “wings.”

The unit’s biggest case is a sprawling 86-count indictment against the renowned Manhattan dealer Subhash Kapoor, who is now on trial in India on similar charges and has denied wrongdoing. In July, the DA extradited from the United Kingdom a restorer who cleaned Kapoor’s antiquities, in part to hide dirt, rust, and other signs of their recent theft. “I avoided asking questions,” the restorer told a New York court before pleading guilty, “because I was suspicious that the answers would reveal that the objects were stolen.”

Though the FBI has an art-crime squad and some countries have police teams that chase antiquities, Bogdanos’s group appears to be the only unit led by a prosecutor. Advocates say the distinction is crucial: Too many police probes of antiquities theft go nowhere because prosecutors lack the expertise or political will to take them on.

The problem is plainly visible, scholars say, at the Department of Justice, which has a history of treating ill-gotten antiquities as a civil matter
. Federal prosecutors might sue to return relics to their homelands—a practice known as “seize and send”—but seldom charge the people who buy or transport them. This has been true even in cases as striking as Hobby Lobby’s import, a decade ago, of $1.6 million in illicit Iraqi artifacts, some in boxes labeled ceramic tiles. The arts-and-crafts chain paid $3 million to settle a federal civil action and has forfeited thousands of antiquities to the U.S. government. But federal prosecutors filed no criminal charges, even though the company had been warned against importing the objects by a hired expert.

The politics are especially delicate when collectors have reputations as public benefactors. More than 90 percent of the art in American museums has been loaned or donated by private collectors, a fact celebrated by the Association of Art Museum Directors as a “distinctly American tradition of philanthropy.”

Karen Friedman Agnifilo, who until her recent departure was Vance’s second in command, received a call a few years ago from a friend of someone whom Bogdanos was investigating. The caller described the target as “an important philanthropist, a good person,” and asked the DA to lay off. “I was appalled,” Agnifilo told me. “It showed me the world we’re dealing with: these very wealthy, very powerful, very connected people, some of whom think the law doesn’t apply to them.”

[Peter Nahum, Art Dealer] The point about authenticating a painting is, the first and most important thing is, looking at the picture, and judging the paint, the calligraphy, the way the brushstrokes are put on, and the color balance, etc., with authenticated works by the artist. The second most important thing, which is very important if the picture has provenance, histories of previous owners, especially if it takes you back to the artist, and also exhibitions the pictures have been in.

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So provenance is very important.

[Jonathan Searle, Fraud Squad, New Scotland Yard] And if you've got the provenance that's there, and the provenances were very, very professional. I've never seen anything like it. And if I had been a dealer, I'd have most certainly been fooled.

[Narrator] And to make the scam work, John Drewe presented himself as a darling of the art world.

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[Jonathan Searle, Fraud Squad, New Scotland Yard] John Drewe gave a donation of twenty thousand pounds to the Tate, and as a result of that, he was naturally thought of as a supporter of the arts. And he said he was interested in looking up the old archives -- which he did -- in the Tate. And he set to work. A very busy little bee.

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To my knowledge, the type of forgery of archival material, has never been done to this extent with paintings. And not on such a scale, and not so audacious.

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Because this was full-penetration of the Tate archives, and the V&A archives, and a number of other archives as well.

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[John Myatt] He would fabricate catalogues of exhibitions, by taking a catalogue out of an archive, inserting one of my new paintings into the catalogue, returning it to the archive, and then a researcher will say, "Oh yes, well, you know, that was obviously exhibited in in Brighton Art Gallery, or something, And that is the history which validates the painting -- however poor the quality.

-- Inside Criminal Minds ... Con Men [The Cunning Genius Who Fooled The Art World: John Myatt], Narration by Anthony Wilson, by Real Crime

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The Ouroboros or uroborus is an ancient symbol depicting a serpent or dragon eating its own tail.

-- Ouroboros, by Wikipedia


The galleries of the Upper East Side have proved a tougher testing ground in some ways than the battlefields of Baghdad.

When Bogdanos executes search warrants, it’s “like their heads explode,” he told me. “You can’t believe the number of times lawyers will come in and say, ‘All you had to do was call me up on the phone … It’s the way we’ve always done business, the way the feds have always done it. Closed door. No one has to know anything.’

“Are you kidding me? I wouldn’t do that for a drug dealer on 155th Street or a gunrunner on 187th Street, but I’m going to do it for your client?”

Bogdanos’s crackdown comes amid a broader reckoning over the West’s extraction of wealth from poor countries and people of color. The fiercest activists want Western museums to return all antiquities to their homelands, on the grounds that even legal acquisitions were tainted by colonial-era imbalances of money and power.
Randall Hixenbaugh, one of Manhattan’s last surviving ancient-art dealers, told me that he has lost sales of well-provenanced objects, in part, he suspects, because sensational news stories have soured collectors on the entire sector. The push to make antiquities “unpalatable,” he contends, has less to do with the law than with an anti-European cultural politics.

Particularly galling to Bogdanos’s detractors are his seizures of antiquities that have circulated, unquestioned, for decades. Among them is a 2,500-year-old limestone relief of a spear-toting Persian soldier, valued at $3 million. In 2017 Bogdanos removed it from an art fair at the Park Avenue Armory, as its enraged British dealer sputtered curses. The object had been owned by the Montreal Museum of Fine Arts since the 1950s. Spurred by a tip from a scholar, Bogdanos’s team used archival records, decades-old photo negatives, and interviews in five countries to argue that the relief had been filched in the 1930s from an excavation in Iran. The British dealer and a colleague agreed to surrender the relief without admitting guilt, and in 2018, a New York judge ordered its repatriation.

If an object with seven decades of documented provenance could be labeled stolen, “then so can tens of thousands of other items in American museums,” Kate Fitz Gibbon, a lawyer who consults for art collectors, dealers, and museums, told me. Bogdanos is “applying standards today that simply didn’t exist in the past.” Some people have decided not to fight Bogdanos’s efforts to repatriate their art, even when they’ve done nothing wrong, Fitz Gibbon said. What spooks them are the stratospheric legal costs—and public opprobrium—if Bogdanos follows through on threats of criminal prosecution. A climate of fear, she said, is chilling the legal trade, imperiling the city’s vaunted cultural life.

Title, like a stream, cannot rise higher than its source. No one can, therefore, transfer a better title than he has, unless by the principle of estoppel the true owner is estopped to assert his superior title. One who has stolen a chattel cannot convey a good title, even to a bona fide purchaser.

-- Barthelmess v. Cavalier, 2 Cal.App.2d 477

Bogdanos counters that he’s not killing the market but saving it, by purging it of loot and effectively raising prices for pieces with unassailable provenance. Dealers who gripe about his clampdown are like pharmacists complaining about drug busts. “I’m ruining the illegal business,” he told me. “If people in the trade are leaving New York, that speaks volumes about their own consciousness of guilt.”

Bogdanos used to give interviews that sounded like closing arguments on Law & Order. “You want to know what will get the vast majority of them to stop?” he once said of unscrupulous dealers. Prison for “some 65-year-old person who has never seen the inside of a jail”—“a nice sentence among one of their own.”

Yet Bogdanos’s dream job, now that he has it, has been chastening. In all 11 of his antiquities convictions, the defendants pleaded guilty before trial. But none of those convictions resulted in prison, the one penalty that antiquities watchdogs had hoped to see more of.

The Met’s golden coffin had been the centerpiece of a new exhibit, visited by nearly half a million people. French officials used Bogdanos’s evidence to charge the coffin’s Paris dealers with money laundering, forgery, and fraud, and the Manhattan DA returned the relic to Egypt in 2019. But no Met employees were ever charged. The museum’s failures of due diligence were deplorable, Bogdanos told me, but fell short of a provable crime.

Nancy Wiener, a prominent Manhattan gallerist, pleaded guilty to three felony counts in September, after selling millions of dollars of stolen South Asian antiquities over more than a decade. She admitted in court that she had covered up evidence of theft by falsifying ownership histories and having a restorer rid objects of suspicious marks. Yet Bogdanos asked the judge to impose no penalty and no probation—nothing beyond the several hours she’d spent being fingerprinted and photographed at the DA’s office after her 2016 arrest. Her extensive help on other cases since then, he told the judge, warranted “evenhanded justice” rather than “absolute justice.”


I asked Bogdanos how he squared these nuanced outcomes with his once-strident calls for “shame and prison.” He rubbed a hand across his lips in a pained gesture, and there was a silence, the longest of our many interviews. “It’s a legitimate question,” he conceded.

Proving mens rea, a suspect’s guilty mind, has been harder than he imagined, he told me. He’s had to reconcile himself to extremely light sentences for some culprits in exchange for testimony against the worst offenders, most of whom have yet to face justice. And though New York is the world’s largest art market, some antiquities have slipped his grasp simply by crossing state lines. In the face of murders, robberies, and violent mayhem, few prosecutors outside his office—and truth be told, few in it—share his sense of urgency.

For a man who styles himself after the code-bound warriors of Greek myth, these deviations from the Platonic ideal haven’t been easy. The galleries of the Upper East Side have proved a tougher testing ground in some ways than the battlefields of Baghdad.

“Sometimes you have to make deals that make you sick,” he said.

This article appears in the December 2021 print edition with the headline “The Antiquities Cop.”

Ariel Sabar, a winner of the National Book Critics Circle Award, is the author of Veritas: A Harvard Professor, a Con Man and the Gospel of Jesus’s Wife.
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Re: FREDA BEDI CONT'D (#4)

Postby admin » Mon Oct 31, 2022 12:37 am

The Art Market is a Scam (And Rich People Run It)
Oct 5, 2021
Writing by Sam Denby
Research by Sam Denby and Tristan Purdy
Editing by Alexander Williard
Animation by Josh Sherrington
Sound by Graham Haerther

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Re: FREDA BEDI CONT'D (#4)

Postby admin » Mon Oct 31, 2022 2:55 am

Court of Palermo dismisses charges of mafia association against Gianfranco Becchina
by ARCA: Association For Research Into Crimes Against Art
art-crime.blogspot.com
October 24, 2018

The Getty kouros is an over-life-sized statue in the form of a late archaic Greek kouros. The dolomitic marble sculpture was bought by the J. Paul Getty Museum, Los Angeles, California, in 1985 for ten million dollars and first exhibited there in October 1986....

The kouros first appeared on the art market in 1983 when the Basel dealer Gianfranco Becchina offered the work to the Getty's curator of antiquities, Jiří Frel. Frel deposited the sculpture (then in seven pieces) at Pacific Palisades along with a number of documents purporting to attest to the statue's authenticity. These documents traced the provenance of the piece to a collection in Geneva of Dr. Jean Lauffenberger who, it was claimed, had bought it in 1930 from a Greek dealer. No find site or archaeological data was recorded. Amongst the papers was a suspect 1952 letter allegedly from Ernst Langlotz, then the preeminent scholar of Greek sculpture, remarking on the similarity of the kouros to the Anavyssos youth in Athens (NAMA 3851). Later inquiries by the Getty revealed that the postcode on the Langlotz letter did not exist until 1972, and that a bank account mentioned in a 1955 letter to an A.E. Bigenwald regarding repairs on the statue was not opened until 1963.

The documentary history of the sculpture was evidently an elaborate fake and therefore there are no reliable facts about its recent history before 1983. At the time of acquisition, the Getty Villa's board of trustees split over the authenticity of the work. Federico Zeri, founding member of board of trustees and appointed by Getty himself, left the board in 1984 after his argument that the Getty kouros was a forgery and should not be bought was rejected.

-- Getty kouros, by Wikipedia


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Following a formal request by the Deputy Prosecutor for the District Anti-Mafia Directorate Carlo Marzella, preliminary reexamination judge of of the Court of Palermo, Antonella Consiglio, has dismissed the charge of mafia association against the Castelvetrano antiquities dealer Gianfranco Becchina. In her decision, the judge cited that the accusations used for the basis of the charge, made via testimonies given by Vincenzo Calcara, an exMafia soldier and pentito (collaborator of justice), have been deemed "unreliable".

The link from Matteo Messina Denaro to Gianfranco Becchina is said to begin with Denaro's father, Francesco Messina Denaro, who was the capo mandamento in Castelvetrano and the head of the mafia commission of the Trapani region. Francesco Messina Denaro was believed to have been behind the theft of the famous Efebo of Selinunte, a 5th century BCE statue of Dionysius Iachos, stolen on October 30, 1962 and recovered in 1968 through the help of Rodolfo Siviero.

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Credit: Accademia degli incerti

The informant Calcara, who gave testimony against the art dealer, is a former protege of Francesco Messina Denaro of the Castelvetrano family and has faced his own legal dramas related to his involvement in international drug trafficking and money laundering, some underworld activities which purportedly also implicated the Vatican bank. Verbose mafia defector Calcara's claims of self importance, and connections to the upper echelons of the mafia, have lethal overtones. In the passed he has said he was originally tasked with killing antimafia Judge Paolo Borsellino in September 1991 with a sniper rifle but was arrested before he could carry out the plot.

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Involved in the trafficking of weapons, drugs, and political corruption Calcara was once offered a place in the government's witness protection program but refused. Later the Cosa Nostra determined his whereabouts and threatened his wife if she didn't get him to stop talking to authorities.

Back in 1992, Calcara and now deceased former drug dealer Rosario Spatola incriminated Becchina for alleged association with the Campobello di Mazara and Castelvetrano clans implying that there was a gang affiliate active in Switzerland whose role was to excavate and sell ancient artefacts on the black market. At the time of Spatola's testimony, much of his information was also discounted as many were skeptical that he had actual knowledge or whether he invented things for his own benefit.

To dismantle Denaro's operational funding, which authorities believe has helped him remain at large as a fugitive from justice, Italy's Anti-Mafia Investigative Directorate (DIA), through the Court of Trapani's penal and preventive measures section, seized all movable assets related to Becchina in November 2017 including real estate and corporate enterprises on the basis of an order issued from the District Attorney of Palermo. This included Becchina's cement trade business, Atlas Cements Ltd., Olio Verde srl., his olive oil production company, Demetra srl., Becchina & company srl., and Palazzo Pignatelli, once the noble residence of the family Tagliavia-Aragona-Pignatelli, which is part of the ancient Castello Bellumvider (the public part is owned by the city and houses the town hall). Investigators also seized Becchina's land, vehicles and bank accounts.

What will happen with the seized properties and businesses remains a manner for the Preventive Measures Section of the Trapani court to decide but given his close ties with other incarcerated mafia affiliates, Becchina's story is not yet finished.

In 1991 Sicilian building magnate Rosario Cascio became connected with Becchina's Atlas Cements Ltd., and took over as reference shareholder and director. Before his incarceration, Cascio was a Mafia Associate to several bosses in multiple families including fugitive Matteo Messina Denaro with strong ties to the Castelvetrano family. Known as the "cashier of Cosa Nostra." Cascio once had a hit put out on him by mobster Angelo Siino only to have Matteo Messina Denaro intervene on his behalf. Cascio managed the family's economic activities and sub-contracts, and monopolized the concrete market and the sale of and construction equipment. He also steered public contracts towards mafia businesses and managed an extortion racket which imposed sub contracts and labor.

So, while there are no (longer) "reliable" statements proving Becchina is formally "affiliated" with the Castelvetrano organized crime family, his connections to other individuals who are or were, and the properties connected to joint operations with mafia collaborators, are still subject to judicial consideration.
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Re: FREDA BEDI CONT'D (#4)

Postby admin » Mon Oct 31, 2022 3:01 am

Part 1 of 2

Jiri Frel [Jiri Frohlich]
by Wikipedia
Accessed: 10/17/22

The Getty kouros is an over-life-sized statue in the form of a late archaic Greek kouros. The dolomitic marble sculpture was bought by the J. Paul Getty Museum, Los Angeles, California, in 1985 for ten million dollars and first exhibited there in October 1986....

The kouros first appeared on the art market in 1983 when the Basel dealer Gianfranco Becchina offered the work to the Getty's curator of antiquities, Jiří Frel. Frel deposited the sculpture (then in seven pieces) at Pacific Palisades along with a number of documents purporting to attest to the statue's authenticity. These documents traced the provenance of the piece to a collection in Geneva of Dr. Jean Lauffenberger who, it was claimed, had bought it in 1930 from a Greek dealer. No find site or archaeological data was recorded. Amongst the papers was a suspect 1952 letter allegedly from Ernst Langlotz, then the preeminent scholar of Greek sculpture, remarking on the similarity of the kouros to the Anavyssos youth in Athens (NAMA 3851). Later inquiries by the Getty revealed that the postcode on the Langlotz letter did not exist until 1972, and that a bank account mentioned in a 1955 letter to an A.E. Bigenwald regarding repairs on the statue was not opened until 1963.

The documentary history of the sculpture was evidently an elaborate fake and therefore there are no reliable facts about its recent history before 1983. At the time of acquisition, the Getty Villa's board of trustees split over the authenticity of the work. Federico Zeri, founding member of board of trustees and appointed by Getty himself, left the board in 1984 after his argument that the Getty kouros was a forgery and should not be bought was rejected.

-- Getty kouros, by Wikipedia

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Was Jiri Frel a Spy?

Jason Felch and Ralph Frammolino undertook a Freedom of Information Act request for the FBI’s file on former Getty Curator Jiri Frel, and posted the FBI file. The FBI was very interested in Frel, sparking rumors over whether Arthur Houghton was tasked with keeping “an eye on” Frel.

Espionage allegations aside, the Frel file is a fascinating study of a complicated personality. It hints at Frel’s famously chaotic love life. More importantly, it demonstrates how adept the charismatic polymath, connoisseur and political shape-shifter was at manipulating situations and spinning answers for his own survival. Colleagues at the Getty knew Frel as an Old World snob who constantly complained about America, its broken education system, its obsession with pop culture, its hot dogs and unpalatable mustard. Indeed, years later, when he was caught conducting a massive tax fraud scheme and falsifying provenance for million-dollar fakes at the Getty, Frel left America and never looked back. Yet during his 1971 FBI interview, the reporting agent noted how Frel gushed that “he considers the United States to be in his words ‘a great and good country.

-- Was Jiri Frel a Spy?, by Illicit Cultural Property, illicitculturalproperty.com

Jiří Frel (often spelled as Jiri Frel, 1923, Dolní Újezd, Czechoslovakia — 29 April 2006, Paris[1][2]) was a Czech and American archaeologist. Between 1973 and 1986 he served as a curator for the J. Paul Getty Museum. He is credited with the expansion of the collection of antiquities of the museum, but he was also involved in a number of controversies, including a tax manipulation scheme to buy artifacts of dubious provenance and purchase of a number of artifacts widely considered to be fake.[3]

Frel was born in Moravia [Moravia is a historical region in the east of the Czech Republic and one of three historical Czech lands, with Bohemia and Czech Silesia.] and studied in Paris. He returned to Czechoslovakia after World War II and obtained a doctorate from Charles University in Prague. Subsequently, he was employed by the Greek and Roman art department of Charles University and taught there. In 1969, following the Soviet invasion, Frel emigrated to the United States. For a short period, he taught at Princeton University,

5/24/71

[DELETE] advised there were no records at her institution concerning FREL. His location or activities in the New York City area are unknown to [DELETE]

Inquiry at Princeton University showed he was not employed there.


-- FBI Freedom of Information Act Request on JIRI FREL

... subsequently worked as an associate curator of Greek and Roman art at the Metropolitan Museum of Art, and in 1973, he became the curator of the department of antiquities at the J. Paul Getty Museum.[3]

During his tenure as curator, Frel considerably expanded the collection of Greek and Roman artifacts, transforming it to one of the leading museums of the world. He also recruited collectors to donate their items to the museum, apparently frustrated by the refusal of the management to buy new items which were not high-profile. To facilitate this, Frel designed a tax evasion scheme in which fictitious donors paid to an intermediary to get tax reductions for donations of artifact they have never seen.The scam was uncovered by Thomas Hoving, and Frel had to resign in 1984.
[Geraldine Norman] The number of Japanese tourists who come to worship at the van Gogh shrine in Auvers, got a big boost when Yasuda bought the sunflowers in 1987. It will be a terrible disappointment to the nation if they discover their famous sunflower picture is not really by Van Gogh.

[To Tom Hoving, Ex-Director Metropolitan Museum of Art, NYC] What do you think Yasuda is going to say if they actually have to face the fact that they are landed with a fake?

[Tom Hoving, Ex-Director Metropolitan Museum of Art, NYC] Oh, I don't think they'll face it. I think they hope it'll go away. I do not think that the people in charge of the insurance company are going to let regiments of experts in to take it off the exhibition, and look at it, and maybe even do some analysis, and so on. I just don't think they're gonna do that. I think it would be a very great loss of face. I think the picture was purchased because the only other Vincent van Gogh in Japan prior to the United States firebombing of Tokyo, was a sunflowers, which was destroyed.

[Geraldine Norman] It is said that the painting was relined after its arrival in Japan, which may mean that important evidence has been lost. We asked Yasuda if we could talk to them about this, and our views on the sunflowers problem. Yasuo Goto, the chairman of the company, replied, "We have no intention of participating in any discussion of sunflowers' authenticity, as we hold no doubts whatsoever that it is genuine. We also have no intention of answering the questions mentioned in your letter." I personally find it impossible to believe that the Yasuda sunflowers is by Van Gogh. There's too much evidence against it. It's not mentioned in the letters, or other early documents. It first appears in the hands of Emile Schuffenecker, whose name has long been linked with faking. And it is generally agreed that it is visually inferior to the other two. It does disturb me, however, that so many experts still think it genuine. They aren't talking to each other, and don't know each other's arguments. Which is why the muddle persists. If the experts, the Van Gogh Foundation, and Mr. Goto from Yasuda, could be persuaded to divulge what they know, the truth about the Yasuda picture could be found. Using secrecy to protect their reputations and huge investments just won't do. Christie's has both money and reputation at stake, and has opted for silence. They refused to be interviewed, and issued a statement saying, "We see no reason, on the evidence so far produced, to alter our original opinion that the sunflowers is an authentic work by Van Gogh."

[Tom Hoving, Ex-Director Metropolitan Museum of Art, NYC] You don't ever get a concert of opinion in art. Very seldomly you get it. And so this, I think, will just kind of go on forever. And since it's not going to ever be for resale, does it matter?


[Dr. Bogomila Welsh-Ovcharov, Prof. History of Art, University of Toronto] Most of us who know Van Gogh -- and I think a lot of us do, or profess to know a lot about Van Gogh -- know that this very simple man, filled with great humility and compassion for mankind, saw these works as different legacies than financial ones. I think he would be horrified, and distraught beyond anything you can imagine, to see himself somersaulted to such tremendous value, and such crass commercialism. I think it would have been something that he couldn't have ever tolerated.

[url]-- Is Van Gogh's 'Sunflowers' A Fake?: The Fake Van Gogh's, Narrated by Geraldine Norman, World History Documentaries[/url]

Before leaving the Getty Museum in 1986 he hired Marion True, the new curator, who was later charged with laundering stolen artifacts.[3]

References

1. Kennedy, Randy (17 May 2006). "Jiri Frel, Getty's Former Antiquities Curator, Dies at 82". The New York Times. Archived from the original on 4 March 2017. Retrieved 3 March 2017.
2. Bouzek, Jan (2006). "Jiří Frel" (PDF). Classical Tradition and Czech Culture. Archived (PDF) from the original on 15 September 2016. Retrieved 24 April 2016.
3. Frammolino, Ralph (13 May 2006). "Jiri Frel, 82; Colorful Curator Who Left Getty Under a Cloud". Los Angeles Times. Archived from the original on 13 May 2016. Retrieved 24 April 2016.

*****************************

Jiri Frel: Scholar, Refugee, Curator…Spy?
by Jason Felch and Ralph Frammolino
Chasing Aphrodite: The Hunt for Looted Antiquities in the World's Museums
September 12, 2011

[The Authors

This blog is written and maintained by Jason Felch. The book Chasing Aphrodite was written by Jason Felch and Ralph Frammolino.

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Jason Felch

Image
Ralph Frammolino

Jason is an award-winning author and investigative reporter who has spent a decade researching the illicit antiquities trade. He has also written on topics such as arms trafficking, forensic DNA, disaster fraud, money laundering, and public education.

In 2006, Felch and Frammolino were finalists for the Pulitzer Prize in Investigative Reporting for exposing the role of the J. Paul Getty Museum and other American museums in the black market for looted antiquities. Their book on the topic, Chasing Aphrodite, was a Los Angeles Times best-seller and has been awarded the California Book Award, the SAFE Beacon Award and the ARCA Award for Art Crime Scholarship.

SPEAKING

Jason is available for speaking engagements on topics including museum ethics; the illicit antiquities trade; art crime and international law enforcement; the ethics and law of collecting; the history of the J. Paul Getty Museum; crisis management; and investigative journalism.

The museum scandals described in the book have local relevance for cities including Los Angeles, New York, Boston, Chicago, Detroit, Cleveland, Toledo, Princeton, Dallas/Ft. Worth, St. Louis, Minneapolis, Denver, New Haven, and Washington DC.

CONTACT

Please send inquiries to: chasingaphrodite@gmail.com]




In the early 1980s, the antiquities department at the J. Paul Getty Museum was a hotbed of whispered political intrigue.

Rumors swirled that the department’s Czech curator, Jiri Frel, was a Communist spy. And many believed the deputy curator, former State Department official Arthur Houghton, was a CIA plant tasked with keeping an eye on Frel’s activities.


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Frel’s once-classified FBI file, obtained by the authors under the Freedom of Information Act, reveals that the US Government asked similar questions about Frel in 1971, when an investigation was conducted into his “possible intelligence connections.”

As part of our Hot Documents series, we’ve posted the entire FBI file here.

Frel was born in Czechoslovakia 1923 as Jiri Frohlich to a Czech father and Austrian mother, the FBI records show. (The family changed the surname to Frel in 1940s, possibly to hide Jewish roots.) Frel entered the United States in 1969 as a visiting scholar at Princeton University’s Institute for Advanced Studies. The Institute had long been an intellectual home base for leading scholars, including Albert Einstein.

After a year at the Institute, Frel was granted political asylum with the help of lawyers at the Metropolitan Museum of Art, where he had begun working as an research associate in the Greek and Roman Department under Dietrich von Bothmer. Interestingly, Frel cites additional assistance from George Kennan, the former US Ambassador to the Soviet Union and a leading historian at the IAS.
Unknown to the public, Gene Sharp formulated a theory on non violence as a political weapon. Also he first helped NATO and then CIA train the leaders of the soft coups of the last 15 years. Since the 50s, Gene Sharp studied Henry D. Thoreau and Mohandas K. Gandhi’s theory of civil disobedience. For these authors, obedience and disobedience were religious and moral matters, not political ones. However, to preach had political consequences; what could be considered an aim could be perceived as a mean. Civil disobedience can be considered then as a political, even military, action technique.

In 1983, Sharp designed the Non Violent Sanctions Program in the Center for International Affairs of Harvard University where he did some social sciences studies on the possible use of civil disobedience by Western Europe population in case of a military invasion carried out by the troops of the Warsaw Pact. At the same time, he founded in Boston the Albert Einstein Institution with the double purpose of financing his own researches and applying his own models to specific situations. In 1985, he published a book titled "Making Europe Unconquerable " whose second edition included a preface by George Kennan, the Father of the Cold War. In 1987, the association was funded by the U.S. Institute for Peace and hosted seminars to instruct its allies on defense based on civil disobedience. General Fricaud-Chagnaud, on his part, introduced his "civil deterrence" concept at the Foundation of National Defense Studies.

General Edward B Atkeson, seconded by the US Army to the Director of the CIA, integrates the institute into the apparatus of the US stay-behind network interfering in the affairs of allied states. Focusing on the morality of the means of action avoids debate on the legitimacy of the action. Non-violence, accepted as good in itself and an integral part of democracy, facilitates whitewashing of covert actions which are intrinsically non-democratic.

-- The Albert Einstein Institution: non-violence according to the CIA, by Thierry Meyssan, Voltaire Network

During an interview with FBI agents in September 1971, Frel was “extremely cooperative,” the records show. Frel denied ever being a spy but he admitted to providing Communist government officials with the names, background information and psychological assessments of those he met on his scholarly travels throughout Europe during the Cold War. “He stated that while he was never aware of this information being used for intelligence purposes, he often suspected that the Chechoslovak [sic] Intelligence Service reviewed copies of this form,” the report notes.

The FBI seemed particularly interested in Frel’s ties to his mentor at Charles University, a woman whose name is redacted in the FBI file. We shared the FBI file with an expert on academic life under Communist Prague, UC Berkeley Associate Professor John Connelly, who was able to identify the woman as Ruzena Vackova, a professor of classical architecture in Prague who was condemned to 22 yrs. prison in 1952.

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According to Connelly, Vackova was one of the few in academia to speak openly against the Communist regime and was the only professor in Prague to march with student protesters. In Connelly’s book “Captive University,” he describes Vackova telling a group in March 1948, “…if a criteria for dismissing these students was participation in these demonstrations, then I would like to share their fate.” (p.194) Vackova spent 16 years in prison and her dissent continued after her release, Connelly told us in an email.

“She was an extraordinary, outstanding person,” he said.

The FBI had picked up on whispers that Frel may have been a Communist agent who turned Vackova in to the authorities. “Since he was one of her protégés at Charles University in Prague, a rumor began to spread of which he was aware, that he had somehow cooperated with the Communist government in her demise,” the report notes.

Frel denied the claim and railed against the Soviet overlords in his Czech homeland, saying he “vehemently disagrees with the Communist regime.” Yet the curator also volunteered (we imagine somewhat sheepishly, but the bland FBI prose doesn’t say) how he cultivated the regime’s approval by once applying for the Communist party. Frel said he applied “to keep his position at the university,” and was rejected because of his incompatible political views.


Connelly believes that it is unlikely that Frel had any role in Vackova’s arrest. “He was probably a conformist (like the overwhelming majority) who tried to anticipate the will of the regime,” Connelly wrote to us. Few who knew him at the Getty would think of Frel as a conformist, but during his years there he certainly showed a flare for telling those in power what they wanted to hear while doing what he damn well pleased.

Espionage allegations aside, the Frel file is a fascinating study of a complicated personality. It hints at Frel’s famously chaotic love life. More importantly, it demonstrates how adept the charismatic polymath, connoisseur and political shape-shifter was at manipulating situations and spinning answers for his own survival. Colleagues at the Getty knew Frel as an Old World snob who constantly complained about America, its broken education system, its obsession with pop culture, its hot dogs and unpalatable mustard. Indeed, years later, when he was caught conducting a massive tax fraud scheme and falsifying provenance for million-dollar fakes at the Getty, Frel left America and never looked back. Yet during his 1971 FBI interview, the reporting agent noted how Frel gushed that “he considers the United States to be in his words ‘a great and good country.”

The story told by the documents is not complete: 10 pages were redacted, citing exemptions for national security and privacy. But it’s clear the FBI closed its case in 1971, concluding Frel had no ties to foreign intelligence services. Frel died in Paris on April 29, 2006.

As for Houghton and his ties to the CIA, the rumors were not far off. Before coming to the Getty in 1982, he had spent a decade working for the State Department, including time in its bureau of intelligence and research as a Mid East analyst. Houghton was fond of cultivating his image as a man of mystery. In truth, he had burned out on the diplomatic bureaucracy and chose a career that brought him closer to his long time passion — ancient coins. Houghton remains active in the field to this day.
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Re: FREDA BEDI CONT'D (#4)

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Part 2 of 2



U.S. Department of Justice
Federal Bureau of Investigation
Washington, D.C. 20535

December 14, 2007

MR. RALPH A FRAMMOLINO
APARTMENT 2
33 NORTH EL MOLINO AVENUE
PASADENA, CA 91101

Subject FREL, JIRI
FOIPA No. 1075190-000

Dear Requester:

The enclosed documents were reviewed under the Freedom of Information/ Privacy Acts (FOIPA), Title 5, United States Code, Section 552/552a. Deletions have been made to protect information which is exempt from disclosure, with the approximate exemptions noted on the page next to the excision. In addition, a deleted page information sheet was inserted in the file to indicate where pages were withheld entirely. The exemptions used to withhold information are marked below and explained on the enclosed Form OPCA-16a:

Section 552

(b)(1)
(b)(2)
(b)(6)
(b)(7)(C)

41 page(s) were removed and 31 page(s) are being released.

You have the right to appeal any denials in this release. Appeals should be directed in writing to the Director, Office of Information and Privacy, U.S. Department of Justice, 1425 New York Ave., NW, Suite 11050, Washington, D.C. 20530-0001 within sixty days from the date of this letter. The envelope and the letter should be clearly marked "Freedom of Information Appeal" or "Information Appeal." Please cite the FOIPA number assigned to your request so that it may be easily identified.

Sincerely yours,

David M. Hardy
Section Chief
Record/Information
Dissemination Section
Records Management Division

Enclosure(s)

EXPLANATION OF EXEMPTIONS

SUBSECTIONS OF TITLE 5, UNITED STATES CODE, SECTION 552


(b)(1) (A) specifically authorized under criteria established by an Executive order to be kept secret in the interest of national defense or foreign policy and (B) are in fact properly classified to such Executive order;

(b)(2) related solely to the internal personnel rules and practices of an agency;

(b)(6) personnel and medical files and similar files the disclosure of which would constitute a clearly unwarranted invasion of personal privacy.

b)(7) records or information compiled for law enforcement purposes, but only to the extent that the production of such law enforcement records or information ( A ) could be reasonably be expected to interfere with enforcement proceedings, ( B ) would deprive a person of a right to a fair trial or an impartial adjudication, ( C ) could be reasonably expected to constitute an unwarranted invasion of personal privacy,

FEDERAL BUREAU OF INVESTIGATION
FOIPA
DELETED PAGE INFORMATION SHEET


Serial Description - COVER SHEET

Total Deleted Page(s) - 10
Page 7 - b1, b6, b7c
Page 8 - b1, b6, b7c
Page 9 - b1
Page 32 - Duplicate
Page 33 - Duplicate
Page 34 - Duplicate
Page 35 - Duplicate
Page 36 - Duplicate
Page 37 - Duplicate
Page 38 - b1, b6, b7c

***

FOIPA # 1075190
MCRP
Jiri Froblich
R53-3-28-72
ALL FBI INFORMATION CONTAINED HEREIN IS UNCLASSIFIED
DATE 10-25-2007 BY 60324 auc baw/rs/ljm

DEPARTMENT OF STATE
AIRGRAM
NO: A-286
UNCLASSIFIED

TO: Department of State (VO)
FROM: American Embassy, PRAGUE
DATE: July 18, 1969
SUBJECT: VISAS: NIV SPLEX Case of Jiri FREL.

1. VISAS DONKEY Jiri FREL, born Nov. 13, 1923 at Veselicko, CSSR, University Prof., Classical Archeology, Charles University, Prague, [DELETE]. Both regular passports.

2. To accept appointment at School of Historical Studies, Institute for Advanced Study, Princeton, NJ. under Prof. [DELETE]. Has valid DSP-66 signed by [DELETE]. ETA 20 Sept. 1969 by air at New York for 10 months.

3. Aliens claim no political affiliations. No apparent ineligibilities.

1969 JUL 24 AM 10 41
MCT-18
REC-73
105-195963
RECORDED
3 JUL 28 1969
Copy to Newark
FORM 4-62 ds-323
UNCLASSIFIED
51 AUG 12 1969
REC'D DOM INTELL DIV
JUL 30 1969
JUL 28 1 47 PM 1969

Federal Bureau of Investigation Records Branch
Attention [DELETE]
Return to [DELETE] OPD
All References (Subversive & Nonsubversive)
Subject: Jiri Frel
Birthdate & Place: 11-13-23
Date: 7-28

Federal Bureau of Investigation Records Branch
Attention [DELETE]
Return to [DELETE]
All References (Subversive & Nonsubversive)
Subject: JIRI FREL
Birthdate & Place: 11-13-23, CZECH
Date: 4-2
FILE NUMBER
105-195963

Federal Bureau of Investigation Records Branch
Attention [DELETE] 818 D.
Return to [DELETE]
All References (Subversive & Nonsubversive)
Subject: [DELETE]
Birthdate & Place: 11-13-23, CZECH
Date: 4-7
FILE NUMBER
105-195963

***

CLASSIFICATION PER OGA LETTER
DATED: 10-22-2007
DATE: 10-26-2007
CLASSIFIED BY 60324 auc baw/rs/ljm
DECLASSIFY ON: 25X 3.3(1) B6 B7C
10-26-2032
4/12/71
REC-15
105-195963-2

SAC, Newark
Director, FBI
JIRI FREL
IS - CZ

[DELETE]

Newark refer to Department of State airgram July 18, 1969, indicating subject with [DELETE] was to enter United States under the East-West Exchange Program, September 20, 1969, to accept an appointment at the school of Historical Studies, Princeton University, Princeton, New Jersey.
The East–West Center (EWC), or the Center for Cultural and Technical Interchange Between East and West, is an education and research organization established by the U.S. Congress in 1960 to strengthen relations and understanding among the peoples and nations of Asia, the Pacific, and the United States. It is headquartered in Honolulu, Hawaii.

The East–West Center originated as a University of Hawaii at Manoa faculty initiative with a February 16, 1959, memo from professor Murray Turnbull, then acting Dean of the College of Arts and Sciences, to political science professor Norman Meller, then chairperson of the faculty senate, that proposed the creation of an International College of Cultural Affairs. However, University of Hawaii President Laurence H. Snyder stated that budgetary constraints prevented proceeding at the time with the idea.

Two months later, following radio reports of an April 16, 1959 speech in Washington, D.C. by then Sen. Lyndon Johnson (D-TX) that proposed the creation of an international university in Hawaii "as a meeting place for the intellectuals of the East and the West," history professor John Stalker and Meller urged President Snyder to respond at once to Johnson's suggestion. With the prospect of federal funding, President Snyder appointed a faculty committee chaired by Turnbull to rapidly prepare a substantive proposal for creating an international college.

On June 9, 1959, Sen. Johnson introduced a bill in the U.S. Senate to establish an educational center in Hawaii to provide for "cultural and technical interchange between East and West," with a companion bill introduced in the U.S. House by Delegate John A. Burns (D-T.H.); the Mutual Security Act of 1959, signed by U.S. President Eisenhower on July 24, 1959, called on the State Department to study the idea and report back to Congress by January 3, 1960.

On May 14, 1960, President Eisenhower signed the Mutual Security Act of 1960 which authorized the creation of a Center for Cultural and Technical Interchange Between East and West (East–West Center) at the University of Hawaii, and on August 31, 1960, signed the Department of State Appropriation Act, 1961, which appropriated $10 million for the Center (including $8.2 million in capital spending for six new buildings), and on September 30, 1961, President Kennedy signed Supplemental Appropriation Act, 1962, which appropriated an additional $3.3 million for the Center.

On October 25, 1960, the University of Hawaii signed a grant-in-aid agreement with the State Department to establish and operate the East–West Center, and received its first installment of $1.1 million in federal funding on November 8, 1960.

University of Hawaii art professor Murray Turnbull served as interim director and acting chancellor of the East–West Center through 1961,[8] when anthropologist Alexander Spoehr, the former director (1953–1961) of the Bernice Pauahi Bishop Museum in Honolulu, was appointed as the East–West Center's first chancellor, serving for two years before resigning at the end of 1963. University of Hawaii president Thomas H. Hamilton served as acting chancellor of the East–West Center for a year and a half from January 1964–June 1965. In July 1965, he was succeeded by former newspaper publisher and diplomat Howard P. Jones, the former U.S. ambassador to Indonesia (1958–1965), who served as chancellor for three years before being succeeded in August 1968 by linguist Everett Kleinjans, the former vice president of International Christian University in Tokyo, who had lived in Asia for sixteen years.

On May 9, 1961, then U.S. Vice President Lyndon Johnson was a guest at groundbreaking ceremonies for the East–West Center's first six buildings. Five of the new buildings, designed by architect I. M. Pei, were built along the new East–West Road where a new 21-acre (85,000 m2) East–West Center campus just west of Manoa Stream on the east side of the university campus replaced chicken coops, temporary wooden buildings for faculty housing, and the Hawaii Agricultural Experiment Station. A sixth building built under the federal grant for the East–West Center was Edmondson Hall, designed by architect Albin Kubala and built on McCarthy Mall.

-- East–West Center, by Wikipedia

Also refer to New York letterhead memorandum, November 13, 1969, reporting subject's arrival at New York on October 7, 1969. Copies of both communications have been furnished to Newark. Bureau files contain no additional information identifiable with subject [DELETE] or any information he has requested political asylum in the United States.

Newark, through established sources only, determine if subject is still at Princeton University and obtain all available data pertaining to him. Check local INS records to determine his status in the U.S. in view of allegation he has requested political asylum.

WFO check appropriate State Department records to determine subject's status. Submit results by letterhead memorandum and Newark include recommendation for further handling.

Enclosures (2)

2 - WFO (Enclosures-2)

WRS:klk
(7)

SEE NOTE PAGE TWO
MAILED 25
APR - 9 1971
FBI
57 APR 19 1971
SECRET

Letter to Newark
Re: Jiri Frel

NOTE:

[DELETE]

***

DATE: 10-25-2007
CLASSIFIED BY 60324 auc baw/rs/ljm
DECLASSIFY ON: 25X 3.3(1) 10-26-2032
10-25-2032
SECRET

UNITED STATES GOVERNMENT
Memorandum

DATE: 4/28/71
TO: DIRECTOR, FBI
FROM: SAC, NEWARK (105-27435) (P)
SUBJECT: JIRI FREL
IS-CZ
RE: Bulet to Newark, 4/12/71, no copy for New York.

[DELETE]

[DELETE] [Handwritten: JIRI FREL]

Department of State Airgram dated 7/18/69 indicates subject with [DELETE] was to enter the U.S. under the East-West Exchange Program, 9/20/69 to accept an appointment at the School of Historical Studies, Princeton, University, Princeton, N.J.

Subject was born 11/13/23, Valelicko, Czechoslovakia.

On 4/28/71, inquiry was made at INS, Newark, N.J., and it was ascertained that INS file A18 587 955 pertaining to JIRI FREL, born 11/13/23, was transferred to INS, New York, N.Y., on 9/25/70.

INS records indicate FREL entered the U.S. at New York, N.Y., on 10/7/69. No record at INS, Newark was found for [DELETE]

NEW YORK

Will expeditiously review INS file A18 587 955 at INS, New York, and submit results by LHM.

REC 16
105-195963-3
MAY 3, 1971

F376
61 MAY 13 1971
ESPIONAGE
SECRET

***

UNITED STATES GOVERNMENT
Memorandum

DATE: 5/24/71
TO: DIRECTOR, FBI
FROM: SAC, NEWARK (105-27435) -P-
SUBJECT: JIRI FREL
IS - CZ
Re: Bulet to Newark, 4/12/71.
Newark letter to Bureau, dated 4/28/71.

Enclosed for the Bureau are five copies of an LHM dated and captioned as above. Enclosed for New York is 2 copies.

[DELETE] advised there were no records at her institution concerning FREL. His location or activities in the New York City area are unknown to [DELETE]

Inquiry at Princeton University showed he was not employed there.


Identity of source contained in Newark file.

LEAD

NEWARK

AT NEWARK, NEW JERSEY:
On basis of information obtained by NYO from INS file of subject, will determine necessary investigative steps.

REC-35
105-195963-4
ST-102
2 MAY 25, 1971
ESPIONAGE
61 JUN 3 1971

***

UNITED STATES DEPARTMENT OF JUSTICE
FEDERAL BUREAU OF INVESTIGATION
Newark, New Jersey

May 24, 1971

JIRI FREL
INTERNAL SECURITY - CZ

[DELETE], a knowledgeable source in a position to have information of this type, advised that Frel was a member of the Institute for Advanced Study, (IAS), Princeton, New Jersey, for the 1969-70 academic year. His major interest is Greek Archeology and while at IAS was in the Historical Studies group.

Einstein sailed permanently for the United States in October 1933 and never went back to Germany. He became a faculty member at the Institute for Advanced Study in Princeton, New Jersey, a center for research and postgraduate training organized by Jewish educator Abraham Flexner on an endowment by Jewish department store magnate Louis Bamberger and his sister, Caroline Bamberger Fuld.

-- The Third Reich in the Ivory Tower: Complicity and Conflict on American Campuses, by Stephen H. Norwood

The governing board of Memorial Sloan Kettering Cancer Institute, called the Board of Managers, reads like a financial statement of the various Rockefeller holdings. Its principal director for many years was the late Lewis Lichtenstein Strauss, partner of Kuhn, Loeb Co., the Rothschild bankers in the United States. Strauss listed himself in Who's Who as "financial advisor to the Messrs. Rockefeller." He was also a director of Studebaker, Polaroid, NBC, RCA, and held government posts as Secretary of Commerce and as head of the Atomic Energy Commission. For many years he funneled Rockefeller funds into the notorious Communist front, the Institute of Pacific Relations. Strauss was also president of the Institute for Advanced Study, a Rockefeller think tank at Princeton, and financial director of the American Jewish Committee, for which he raised the funds to publish the propaganda organ, Commentary magazine.

Another prominent director of Sloan Kettering was Dorothy Peabody Davison, a leading New York socialite for some fifty years. She had married F. Trubee Davison, son of Henry Pomeroy Davison, a Rockefeller relative who had been the right-hand man for J. P. Morgan. Davison was one of the group of five leading bankers who met with Senator Nelson Aldrich (his daughter married John D. Rockefeller, Jr.) at Jekyll Island in a secret conference to draft the Federal Reserve Act in November of 1910. The Dictionary of National Biography notes that Davison "soon won recognition from J. P. Morgan, frequently consulting with him, particularly during the monetary crisis of 1907 . . . In association with Senator Aldrich, Paul M. Warburg, Frank A. Vanderlip and A. Piatt Andrew, he took part in drawing up the Jekyll Island report that led to the crystallization of sentiment resulting in the creation of the Federal Reserve System." As head of the Red Cross War Council during the First World War, Davison raised $370,000,000, of which a considerable number of millions were diverted to Russia to salvage the floundering Bolshevik government. His son and namesake, Henry P. Davison married Anne Stillman, daughter of James Stillman, head of the National City Bank which handled the enormous cash flow accruing to the Standard Oil Company. H. P. also became a partner of J. P. Morgan Co.; his brother, F. Trubee Davison, married Dorothy Peabody, the nation's leading philanthropic family. The Peabodys may be said to have invented the concept of foundation philanthropy, the first major foundation being the Peabody Education Fund, set up in 1865 by George Peabody, founder of the J. P. Morgan banking firm; it later became the Rockefeller Foundation. Dorothy Peabody's father was the renowned Endicott Peabody, founder of the Establishment training school, Groton, where Franklin D. Roosevelt and many other front men were educated. Dorothy Peabody was on the national board of the American Cancer Society for many years, as well as director of Sloan Kettering. She was also a noted big game hunter, making many forays to India and Africa, and winning many trophies for her prize animals. Her husband was Secretary of War for air from 1926-32, and was president of the American Museum of Natural History for many years; this was Theodore Roosevelt's favorite charity. Her son, Endicott Peabody Davison, became secretary to the J. P. Morgan Co., and then general manager of the London branch of the firm; he has been president of U.S. Trust since 1979, director of the defense firms Scovill Corporation and Todd Shipyards, also the Discount Corporation. He is a trustee of the Metropolitan Museum of Art and the Markle Foundation, which makes key grants in the communications media. Eisenhower's Secretary of State, John Foster Dulles, was also related to the Rockefellers through the Pomeroy family.

-- Murder by Injection: The Story of the Medical Conspiracy Against America, by Eustace Mullins

Source advised that Frel allegedly sent [DELETE] home and was residing in the New York City area. [DELETE] advised source of this information was unrecalled and the reliability of the information was unknown.

Source said to the best of his knowledge Frel is not in the Princeton, New Jersey area.

This document contains neither recommendations nor conclusions of the FBI. It is the property of the FBI and is loaned to your agency.

105-195963-4
ENCLOSURE

***

UNITED STATES DEPARTMENT OF JUSTICE
Immigration and Naturalization Service
Office: NYC
File No.: A 18 585 955 (S)
Date: 5/5/71 S/JG

DIRECTOR, FEDERAL BUREAU OF INVESTIGATION,
DEPARTMENT OF JUSTICE,
Washington, D.C. 20537

Attention: RECORDS BRANCH

Please furnish any derogatory information contained in any file -- other than fingerprint records which your Bureau may have concerning the following person:

NAME: FREL, Jiri
DATE OF BIRTH: 11/13/23
PRESENT NATIONALITY: Czech
PLACE OF BIRTH: Veselicko, Czech.
MALE
PARENTS' NAMES / DATE AND PLACE OF BIRTH / ADDRESS
Father: (till 1945 Frohlich) FREL, Antonin/ 6/11/1894 / Doini / Ujezd, Czechoslovakia
Mother: TOMANOVA, Marie / 2/1/27 / Vienna, Austria / Deceased
RESIDENCE LAST: c/o Metropolitan Museum of Art, Fifth Avenue & 82nd. Street
Institute for advanced Study, Princeton, New Jersey.
EMPLOYMENT LAST: Metropolitan Museum of Art, Fifth Avenue, 82nd. Street, N.Y.
LAST ADMISSION TO U.S.: 10/7/69 NYC N-1
PRIOR ENTRIES AND DEPARTURES: 105-195963
SOCIAL SECURITY # 054 48 1251
FOR RELIEF OF: Investigations

NOT RECORDED
9 MAY 25, 1971
Please resubmit in 60
105-195963
60 MAY 284971
[Handwritten note: xerox copy to Newark, Nw Jersey for action 5/25/71. WRS/hrm. Remarks: Note attached from INS. NY and WVO expedite investigation and RK submit [ineligible] & your recommendation for further action.

***

UNITED STATES GOVERNMENT
Memorandum

DATE: 5/27/71
TO: DIRECTOR, FBI
FROM: SAC, NEW YORK (105-111900) (P)
SUBJECT: JIRI FREL
IS - CZ
(00: NEW YORK)

ReBulet to newark, 4/12/71, no copy for NY, and Newark letter to Bureau, 4/28/71, two copies for NY.

It is noted for the information of Newark that subject's INS File Number is A18 585 955, and not A18 587 955, as previously reported. Numerous contacts with the NYC office of INS concerning this case were unproductive due to the fact that the INS file could not be located until 5/21/71, at which time it was reviewed.

[DELETE] [Handwritten: Jiri, Frel, Czech]

Subject is currently a Research Fellow at the Metropolitan Museum of Art, NYC, and resides in the NY area with [DELETE]. Subject's previous position was visiting scholar at the Institute for Advanced Study, Princeton, NJ, from October, 1969 until April, 1970. Subject is divorced from [DELETE]. Subject is estranged from his [DELETE] who is also currently residing in [DELETE].

[DELETE] [Handwritten: Jiri, Frel]

In view of the foregoing, the NYO will assume Origin in this case.

Newark is requested to provide the NYO with any pertinent information concerning the subject and specifically a copy of reBulet to Newark, dated 4/12/71. In addition, copies

REC-23
EX-103
105-195963-5
MAY 28 1971
54 JUN 10 1971
T249

ESPIONAGE

DOM INTELL DIV.
JUN 3 10 46 AM '71
DOM INTELL DIV.
JUN 8 3 00 PM '71

NY 105-111900

[In addition, copies] of any further information concerning subject's possible intelligence connections should be forwarded to the NYO.

Upon receipt of the necessary information from Newark, NY will submit results of INS file review and investigation by LHM.

***

UNITED STATES GOVERNMENT
Memorandum

DATE: 5/28/71
TO: DIRECTOR, FBI
FROM: SAC, WFO (105-104484) (RUC)
SUBJECT: JIRI FREL
IS-CZ
(OO:NK)

Re Bureau Letter, 4/12/71.

Enclosed for the Bureau are five copies of an LHM; two copies each for Newark and New York.

The information from the USDS, EUR/SES, was furnished to SA [DELETE]. SA [DELETE] reviewed the Visa file, USDS. SA [DELETE] received the negative information from the Office of Security, USDS.

IC [DELETE] was advised the files of the Central Office, INS, reveal that subject's file A-18-585-955 is located at INS New York City. The lead to have this file reviewed is being left to the discretion of the office of origin.

The LHM is classified "Confidential" as it [DELETE]
Confidential

This is the lowest classification level of information obtained by the government. It is defined as information that would "damage" national security if publicly disclosed, again, without the proper authorization.

Examples include information related to military strength and weapons.


-- Classified information in the United States, by Wikipedia

ENCLOSURE

ST 101
REC-38
105-195963-6
2 JUN 2 1971
54 JUN
T249

ESPIONAGE

***

UNITED STATES DEPARTMENT OF JUSTICE
FEDERAL BUREAU OF INVESTIGATION
Washington, D.C. 20535

May 28, 1971

JIRi FREL
INTERNAL SECURITY - CZ

[DELETE]

The files of the Visa Office, USDS, were reviewed May 25, 1971. They contained a letter of April 27, 1970, wherein it was noted Frel had previously asked for asylum in the United States, giving the reasons that under conditions in Czechoslovakia he would be persecuted for coming to the United States and he would be unable to con-

CONFIDENTIAL
GROUP 1
Excluded from automatic downgrading and declassification
ENCLOSURE
105-195963-6

JIRI FREL

[They contained a letter of April 27, 1970, wherein it was noted Frel had previously asked for asylum in the United States, giving the reasons that under conditions in Czechoslovakia he would be persecuted for coming to the United States and he would be unable to con-] tinue his work in classical archaeology.

A letter dated September 17, 1970, from the USDS to the Immigration and Naturalization Service advised the USDS interposed no objection to Frel's remaining in the United States.

A representative of the Federal Bureau of Investigation was advised on April 26, 1971, that the files of the Office of Security, USDS, contain no record of Frel.


This document contains neither recommendations nor conclusions of the FBI. It is the property of the FBI and is loaned to your agency. It and its contents are not to be distributed outside your agency.

CONFIDENTIAL

***

UNITED STATES GOVERNMENT
Memorandum

DATE: SEP 17 1971
TO: DIRECTOR, FBI
FROM: SAC, NEW YORK (105-111900) (C)
SUBJECT: CHANGED
JIRI FREL aka
Jiri Frohlich
IS CZ
(OO:NY)

Title is marked "Changed" to reflect former birth name of subject, before the name FROHLICH was legally changed to the name FREL.

ReBulet to NK, 4/12/71, no copy for NY: NKlets to Bu, 4/28/71; and 5/24/71; NYlet to Bu, 5/27/71; WFOlet to Bu, 5/28/71; and NKlet to NY, 6/9/71.

[DELETE]

One copy of this LHM is being sent to INS locally.

Subject was interviewed on 9/7/71, with SAC authority. The results of the interview are set forth in the enclosed LHM. It is noted that numerous attempts made to interview the subject prior to this date were unsuccessful due to a short illness of the subject as well as his vacation during August, 1971, which extended until 9/7/71.

EX-102
ENCLOSURE
REC-10
105-195963-7
MCT-28
SEP 20 1971
7 SEP 28 1971

ESPIONAGE

NY 105-1119000

It is further noted that FREL was extremely cooperative during the interview and volunteered information concerning his alleged part in the [DELETE] trial in Czechoslovakia, in 1953.

During the interview, FREL accurately substantiated the information set forth in his INS file number A18 585 955.

He advised that he is not in contact with members of the United States Czech community and does no have any knowledge of any activities of Soviet-Bloc intelligence services nor is he acquainted with anyone affiliated with these services.

In view of the fact that FREL appears to pose no security threat to the United States and has little informant potential at the present time, this case is being placed in a closed status.

NYO indices reflect no further information regarding FREL. Credit and criminal checks of the Greater New York area were negative concerning the subject.


In the event information is received by the NYO concerning FREL which would merit further investigation, the Bureau will be immediately advised, and investigation will be instituted pursuant to the provisions of Section 105, M of I.

***

UNITED STATES DEPARTMENT OF JUSTICE
FEDERAL BUREAU OF INVESTIGATION
New York, New York
SEP 17 1971
Par 1-3, pg 1 & par 1, pg 2

Jiri Frel also known as
Jiri Frohlich
Internal Security - Czechoslovakia

[DELETE]

SECRET
GROUP 1
Excluded from automatic downgrading and declassification.

This document contains neither recommendations nor conclusions of the FBI. It is the property of the FBI and is loaned to your agency; it and its contents are not to be distributed outside your agency.

105-195963-7
ENCLOSURE
SECRET

Jiri Frel also known as
Jiri Frohlich
Internal Security - Czechoslovakia

[DELETE]

On September 7, 1971, Jiri Frel was interviewed by Special Agents of the Federal Bureau of Investigation (FBI) at New York City, and furnished the following information:

Frel advised that he was born as Jiri Frohlich on November 13, 1923, at Veselicko, Czechoslovakia. His father Antonin Frel was born June 11, 1894, at Dolni Ujezd, Czechoslovakia. His mother Maria Frohlichova, maiden name Tomanova was born February 23, 1900. Frel stated that both his parents are deceased. On September 24, 1946, the name of Jiri Frohlich was officially changed as requested by Frel to the name Jiri Frel by the authority of a local district court within Czechoslovakia, having legal jurisdiction over such matters.

[handwritten: Czech]

Frel has been twice married. He is legally divorced from his [DELETE]. On July 5, 1948, in Prague, Frel [DELETE] followed on [DELETE]. On December 26, 1958, in Zbraslav, Czechoslovakia, Frel was legally divorced from [DELETE] who was granted permanent [DELETE]

Shortly after the divorce, Frel married [DELETE] is currently estranged from Jiri Frel and is [DELETE]. Frel advised that upon his first arrival in the United States on October 7, 1969, [DELETE] followed him to the United States on November 7, 1969, but later departed on February 2, 1970.

DELETE]

[handwritten: USA]

-2-

SECRET

Jiri Frel also known as
Jiri Frohlich
Internal Security - Czechoslovakia

Jiri Frel is a full professor of Greek and Roman Art and Archaeology and as such, was employed as a professor and lecturer at Charles University, Prague, from July, 1948, through October, 1969. During World War II, and immediately thereafter, Frel was a student at Charles University studying for his advanced degrees. During his professorship at Charles University, he resided at Mikovcova 3, in Prague. While engaged in his work at Charles University, Frel stated that he had many occasions to visit and study at various institutions of higher learning and universities throughout Western Europe and the Mediterranean. he stated that he often performed work and study at the Museum of the Louvre in Paris, as well as various universities and museums engaged in archaeological study in Greece.

On October 7, 1969, Frel arrived in the United States at New York City, with a J-1 visa which was to expire July 20, 1970. His travel was in connection with an East-West cultural and educational exchange program, which provided a position for him as a visiting scholar in the School of Historical Studies, Institute for Advanced Study, at Princeton University, Princeton, New Jersey. While at Princeton, Frel resided at 103 Einstein Drive, Princeton, New Jersey. Frel held this position from October, 1969, through April, 1970. He is a current member of the American Archaeological Institute.

During April, 1970, Frel officially requested the authorities of the New York City Office of the Immigration and Naturalization Service that he be allowed to permanently remain in the United States. In addition, during April, 1970, Frel was offered and accepted a position of Research Fellow at the Metropolitan Museum of Art, 5th Avenue and 82nd Street, New York City, where Frel continues to be employed.
At the time of the acceptance of this position, he transferred his residence to 110-18 64th Avenue, Forest Hills, New York,

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SECRET

Jiri Frel also known as
Jiri Frohlich
Internal Security - Czechoslovakia

[DELETE]. Presently, Frel is the Associate Curator of the Greek and Roman Art Department at the Metropolitan Museum of Art. Recently, Frel changed his residence to 67-25 Kessel Street, Forest Hills, New York. [DELETE].

[DELETE], who was also born in Czechoslovakia and educated at the [DELETE] of the United States. [DELETE], also of Czechoslovak extraction, is employed as an [DELETE]

Frel was officially aided and assisted in his application for permanent resident status by [DELETE] and by his attorney [DELETE] of Lord, Day and Lord, 25 Broadway, New York City, which law firm also represents the Metropolitan Museum of Art. In addition, Frel advised that he was also assisted by former United States Ambassador to the Soviet Union, George Kennan, who is now at the School of Historical Studies, Institute for Advanced Study, at Princeton.

George Frost Kennan (February 16, 1904 – March 17, 2005) was an American diplomat and historian. He was best known as an advocate of a policy of containment of Soviet expansion during the Cold War. He lectured widely and wrote scholarly histories of the relations between the USSR and the United States. He was also one of the group of foreign policy elders known as "The Wise Men".

During the late 1940s, his writings inspired the Truman Doctrine and the U.S. foreign policy of "containing" the Soviet Union. His "Long Telegram" from Moscow during 1946 and the subsequent 1947 article The Sources of Soviet Conduct argued that the Soviet regime was inherently expansionist and that its influence had to be "contained" in areas of vital strategic importance to the United States. These texts provided justification for the Truman administration's new anti-Soviet policy. Kennan played a major role in the development of definitive Cold War programs and institutions, notably the Marshall Plan.

Soon after his concepts had become U.S. policy, Kennan began to criticize the foreign policies that he had helped articulate. By late 1948, Kennan became confident that positive dialogue could commence with the Soviet government. His proposals were discounted by the Truman administration and Kennan's influence was marginalized, particularly after Dean Acheson was appointed Secretary of State in 1949. Soon thereafter, U.S. Cold War strategy assumed a more assertive and militaristic quality, causing Kennan to lament what he believed was an abrogation of his previous assessments.

In 1950, Kennan left the State Department—except for a brief ambassadorial stint in Moscow and a longer one in Yugoslavia—and became a realist critic of U.S. foreign policy. He continued to analyze international affairs as a faculty member of the Institute for Advanced Study from 1956 until his death in 2005 at age 101.

-- George F. Kennan, by Wikipedia

On March 25, 1971, [DELETE] petitioned the Immigration and Naturalization Office at New York City, to reclassify the status of [DELETE] Jiri Frel to that of an permanent resident, and requested that the issuance of an immigrant visa be effected for Frel. On April 23, 1971, the petition was approved. As of August 11, 1971, Frel advised that he has become a United States permanent resident.

Frel stated that while at Charles University he was a candidate for the Czechoslovak Communist Party. He stated that he became a candidate only in order to keep his position at the university. Subsequent to making application however, he advised that his candidacy was rejected and he was expelled on the grounds of his independent political philosophy which did not conform to the accepted Party precepts and maxims. Frel advised that he has never been affiliated

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Jiri Frel also known as
Jiri Frohlich
Internal Security - Czechoslovakia

with any type of intelligence service either in the United States or abroad and is not connected with anyone whom he believes to be intelligence affiliated. He stated that during his extensive travels while a professor at Charles University, he was never assigned any type of intelligence mission nor did he receive any financial assistance or reward for any work performed. He did state, however, that when he would return to Czechoslovakia from his travels, he was required to report to the educational authorities of the Czechoslovak government and report his activities and contacts while outside of Czechoslovakia. He stated that he was also required to fill out a lengthy form enumerating any acquaintances made during his trips and furnish background information about them including personality assessments. He stated that while he was never aware of this information being used for intelligence purposes, he often suspected that the Czechoslovak Intelligence Service reviewed copies of this form. He advised that while travelling in connection with his studies he rarely, if ever, met anyone outside of his field of academic study.

With regard to his political activities while in Czechoslovakia, Frel advised that he was very inactive in any matters political. He did state, however, that he was somewhat suspected of siding with the Communists due to the results of a political trial in Czechoslovakia, in 1953, which sentenced [DELETE] professor at Charles University to prison.

He stated that he never testified at this trial nor had any part in it whatsoever. He advised that to his knowledge, the trial was held in secret and was publicized only after the conviction of [DELETE] [LC: Ruzena Vackova, a professor of classical architecture in Prague]. He did state, however, that since he was one of her proteges at Charles University in Prague, a rumor began to spread of which he was aware, that he had somehow cooperated with the Communist government in
her demise. He stated that this was patently false and that he continues to


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Jiri Frel also known as
Jiri Frohlich
Internal Security - Czechoslovakia

be a friend of [DELETE], although they do not correspond with each other. In 1969, while in Prague, he stated that he inadvertently ran into [DELETE] in the Charles University Library. From that meeting, he stated that it was obvious that he and [DELETE] continue to remain friends.

He stated that he does not keep in contact with members of the United States-Czech community and continues, generally speaking, to associate only with academic figures involved in Greek and Roman archaeological research. He stated that he has never been contacted by anyone whom he thought to be connected with any type of intelligence service while in the United States.

He stated that he does not intend to return to Czechoslovakia and hopes to become a United States citizen. Because of this fact, he has never been in contact with any officials of any Soviet-Bloc country. He stated that furthermore, he would not ever make contact in view of the fact that he vehemently disagrees with the Communist regime in Czechoslovakia, and considers the United States to be in his words "a great and good country.

Frel stated that in the even that he is contacted in the future by anyone who he deems to be connected with any type of Soviet-Bloc intelligence service, he will immediately notify the FBI.

A short physical description of Frel follows:

Race: White
Sex: Male
Height: Six feet two inches
Weight: 185 pounds
Build: Medium
Complexion: Medium
Hair: Thick, gray, wavy
Eyes: Gray
Scars and Marks: None

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CONFIDENTIAL

PAGE 1 OF 2
DATE: 5/30/85
301939Z MAY 85

FROM: FM DIRECTOR FBI
TO: TO LEGAL ATTACHE PARIS ROUTINE
BT
SECRET
JIRI FREL, AKA JIRI FROHLICH; [DELETE]

THIS COMMUNICATION IS CLASSIFIED "CONFIDENTIAL" IN ITS ENTIRETY.

RE PARIS TELEPHONE CALL, MAY 20, 1985. [Handwritten note: U.S.]

ACCORDING TO A NEW YORK TO FBIHQ LETTERHEAD MEMORANDUM DATED SEPTEMBER 17, 1971, JIRI FREL, A CZECHOSLOVAKIAN PROFESSOR OF GREEK AND ROMAN ART AND ARCHAEOLOGY, ARRIVED IN THE UNITED STATES OF AMERICA ON OCTOBER 7, 1969, IN CONNECTION WITH A WORK EXCHANGE PROGRAM BETWEEN THE TWO COUNTRIES. IN APRIL, 1970, SUBJECT MADE A REQUEST OF THE IMMIGRATION AND NATURALIZATION SERVICE FOR PERMANENT RESIDENCY. SUBJECT CAME TO FBI ATTENTION AT THIS TIME, AND IT WAS DETERMINED THAT SUBJECT WAS NEITHER A CZECH OPERATIVE NOR A SECURITY THREAT TO THE

DRAFTED BY: CDF:RCY
DATE: 5/30/85
ROOM: 4634

[SEE NOTE, PAGE 3]

105-195963-9
JUN 5, 1985
AUG 6, 1985
JUL 15, 1985
8/6/85
30 MAY 85

FEDERAL BUREAU OF INVESTIGATION
DEPARTMENT OF JUSTICE
FEDERAL BUREAU OF INVESTIGATION COMMUNICATION MESSAGE FORM

PAGE 2

CONTINUATION SHEET

PAGE TWO: DE HQ 0192 SECRET

UNITED STATES. CASE WAS PLACED IN A CLOSED STATUS BY THE NEW YORK OFFICE ON SEPTEMBER 17, 1971.

SECRET

BUTEL TO LEGAT PARIS
RE: JIRI FREL
ETC.

NOTE: THIS IS IN RESPONSE TO INDICES CHECK BY ASSISTANT LEGAL ATTACHE R. L'ALLIER, PARIS.

***
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Re: FREDA BEDI CONT'D (#4)

Postby admin » Mon Oct 31, 2022 3:03 am

Robert E. Hecht
by Wikipedia
Accessed: 10/17/20

Image

Robert Emmanuel Hecht, Jr. (3 June 1919 – 8 February 2012) was an American antiquities art dealer based in Paris.

He was on trial in Italy from 2005 to just before his death in 2012, on charges of conspiring to traffic in looted antiquities artifacts.

Personal life

Robert Hecht was born in Baltimore, Maryland. He was a descendant of the family that founded The Hecht Company, a chain of department stores based in Baltimore, where he grew up.

He graduated from Haverford College in 1941, having majored in Latin, was a naval officer during World War II, and after it spent a stint as interpreter at the War Crimes Investigation in Nuremberg and one year at the University of Zurich studying archaeology and classical philology before winning a Rome Prize Fellowship for the American Academy in Rome (1947–49).

In 1953 he married Elizabeth Chase, a graduate student of the American School of Classical Studies at Athens. Robert Hecht had three daughters: Daphne Howat by his first marriage to Anita Liebman; and Andrea and Donatella Hecht by his marriage to Ms. Chase. He lived for many years in Paris and died at home there.[1]

Career

Hecht made his first significant sales in the 1950s, including the dispersal of the collection of Ludwig Curtius, former director of the German Archaeological Institute in Rome, and later the sale of a late 6th century BCE red figure vase to the Metropolitan Museum of Art. In the 1960s and 1970s he reached a pre-eminent position in the trade. Known throughout the museum world for his scholarship and his 'eye' for antiquities,[citation needed] he sold to all the world's major museums including the British Museum, the Louvre, the Metropolitan, the Ny Carlsberg Glyptotek, the Museum of Fine Arts, Boston, and to many private collectors all over the world. Other dealers tended to give him first refusal on their 'finds'.[citation needed]

It was a period when major museums and serious collectors in Europe, the U.S., and Japan did not feel it their responsibility to enforce the export laws of southern European countries.[citation needed] Hecht always worked on the assumption that it was the preservation and study of ancient art that really mattered, not provenance.[citation needed] In the 1970s Bruce McNall was his "secret United States partner."[2]

Provenance issues

Image
The Euphronios Krater, or "Sarpedon krater"

The sale of a Euphronios Krater to the Metropolitan Museum of Art for $1 million in 1972 catapulted Hecht into instant fame and international problems. The Italian authorities claimed that the vase was excavated illegally in Cerveteri, north of Rome. An American Grand Jury, investigating the Euphronios Krater at the request of the Italian authorities — whose evidence came from a tomb robber — found the provenance unproven. In 2000, the Italian authorities found Hecht’s handwritten memoir in his house in Paris and those were used as evidence against him at his Italian criminal trial. In 2006, continuing pressure from Italy led Philippe de Montebello, director of the Metropolitan Museum of Art, to negotiate a deal that gave the Italian Republic ownership of the vase.

Hecht had wrangles with both the Italian and Turkish authorities but was acquitted in the only lawsuit to reach Italy's Supreme Court of Cassation (Suprema Corte di Cassazione).

After his death in 2012, a stolen Roman stone coffin (Sarcofago delle Quadriglie) returned from his private collection in London to the town of Aquino, Italy.[3] The coffin was stolen from the “Madonna della Libera” church in Aquino in September 1991. After 21 years of investigations, the artifact came back to the collection of the municipal museum of Aquino.


J. Paul Getty Museum controversy

In 2005 Hecht was indicted by the Italian government, together with Marion True, the former curator of antiquities at the J. Paul Getty Museum in Los Angeles, for conspiracy to traffic in illegal antiquities. The primary evidence in the case came from the 1995 raid of a Geneva, Switzerland warehouse which had contained a fortune in stolen artifacts.

Italian art dealer Giacomo Medici was eventually arrested in 1997; his operation was thought to be "one of the largest and most sophisticated antiquities networks in the world, responsible for illegally digging up and spiriting away thousands of top-drawer pieces and passing them on to the most elite end of the international art market".[4] Medici was sentenced in 2004 by a Rome court to ten years in prison and a fine of 10 million euros, "the largest penalty ever meted out for antiquities crime in Italy".[4]

The court hearings of the case against Hecht and True ended in 2012 and 2010, respectively, as the statute of limitations, under Italian law, for their alleged crimes had expired.[5]

See also

• Illicit antiquities trade
• Looted art
• Art and cultural repatriation

References

1. Weber, Bruce. "Robert Hecht, Antiquities Dealer, Dies at 92." The New York Times. 19 February 2012.
2. Hoving, Thomas, Making the Mummies Dance, New York: Simon & Schuster. ISBN 0-671-73854-2
3. FABIO TONACCI, FRANCESCO VIVIANO. "[https://www.repubblica.it/speciali/arte/2012/07/19/news/sarcofago_quadrighe_aquino-39309683/Torna a casa il Sarcofago delle Quadrighe fu rubato ad Aquino nel 1991: vale milioni]." La Repubblica. 19 July 2012
4. Men's Vogue, Nov/Dec 2006, Vol. 2, No. 3, pg. 46.
5. Povoledo, Elisabetta. "Italian Trial of American Antiquities Dealer Comes to an End." The New York Times. 18 January 2012.

Bibliography

• Questions for Philippe de Montebello Stolen Art? Interview by Deborah Solomon. The New York Times Feb. 19, 2006
• The New York Times June 21, 2006. Antiquities Dealer on Trial in Getty Case Is Vexed but Unbowed. By Elisabetta Povoledo
• The New York Times January 14, 2006. Defendant in Antiquities Case Speaks Up, Angrily. By Elisabetta Povoledo
• Peter Watson and Cecilia Todeschini, 2006. The Medici Conspiracy: The Illicit Journey of Looted Antiquities: From Italy's Tomb Raiders to the World's Greatest Museums (New York:Public Affairs, 2006)
• The New York Review of Books Volume 53, Number 9 • May 25, 2006. Review Notes from Underground by Hugh Eakin
• The New York Times April 5, 2006. A Clash Over Antiquities by John Henry Merryman
• The New York Times February 28, 2006. Met Chief, Unbowed, Defends Museum's Role. By Randy Kennedy and Hugh Eakin
• The New York Review of Books Volume 53, Number 12 • July 13, 2006 by Cecilia Todeschini, Peter Watson, Reply by Hugh Eakin In response to Notes from Underground (May 25, 2006)
• Eleanor Robson, Luke Treadwell and Chris Gosden (eds), 2006. "Who Owns Objects:The Ethics and Politics of Collecting Cultural Artefacts" (Oxford:Oxbow Books)
• Thomas Hoving, 1993. Making the Mummies Dance (New York: Simon and Schuster)
• John L. Hess, 1974. The Grand Acquisitors (New York: Houghton Mifflin) Two chapters are devoted to the Metropolitan Museum's cautious acquisition of the Euphronios krater.
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