The Illuminatus! Trilogy, by Robert Shea & Robert A. Wilson

That's French for "the ancient system," as in the ancient system of feudal privileges and the exercise of autocratic power over the peasants. The ancien regime never goes away, like vampires and dinosaur bones they are always hidden in the earth, exercising a mysterious influence. It is not paranoia to believe that the elites scheme against the common man. Inform yourself about their schemes here.

Re: The Illuminatus! Trilogy, by Robert Shea & Robert A. Wil

Postby admin » Fri Dec 15, 2017 3:25 am

Part 2 of 4

"Go on." Drake was unsmiling but undisturbed.

"The King of Swords and the Knight of Wands are both very active. You could do all this harmlessly, by becoming an artist and showing this vision of the jungle. You don't have to create it literally and inflict it on your fellow human beings."

"Stop preaching. Just read the cards. You're better at it than I am, but I can see enough to know that there is no such alternative for me. The other wand and the other sword are reversed. I can't be satisfied to do it in symbolic form. I must do it so that everybody is affected by it, not just the few who read books or go to concerts. Tell me what I don't know. Why is the line from the Fool to the Tower completed in the Lovers reversed? I know that I can't love anyone, and I don't believe that anybody else ever does, either—that's more sentiment and hypocrisy. People use each other as masturbating machines and crying towels, and they call it love. But there's a deeper meaning. What is it?"

"Start from the top: Death reversed. You reject Death, so the Fool cannot undergo rebirth and enter the right-hand path when he crosses the Abyss. Therefore: the left-hand path, the destruction of the Tower. There is only one end to that chain of karma, my son. The Lovers means Death, just as Death means Life. You are rejecting natural death, and therefore refusing natural life. Your path will be an unnatural life leading to a death that is against nature. You will die as a man before your body dies. The fire is still self-destructive, even if you turn it outward and use the whole world as a stage for your private Gotterdammerung. Your primary victim will still be yourself."

"You have the talent," Drake said coldly, "but you are still basically a fraud, like everyone in this business. Your worst victim, madam, is yourself. You deceive yourself with the lies that you have so often told others. It's the occupational disease of mystics. The truth is that it doesn't matter whether I destroy myself alone or destroy this planet—or turn around and try to find my way to the right-hand path in some dreary monastery. The universe will roll blindly along, not caring, not even knowing. There's no Granddaddy in the clouds to pass a last judgment— there's only a few airplanes up there, learning more and more about how to carry bombs. They court-martialed General Mitchell for saying it, but it's the truth. The next time around they'll really bomb the hell out of civilian populations. And the universe won't know or care about that either. Don't tell me that my flight from Death leads back to Death; I'm not a child, and I know that all paths lead back to Death eventually. The only question is: Do you cower before him all your life or do you spit in his eye?"

"You can transcend abject fear and rebellious hatred both. You can see that he is only part of the Great Wheel and, like all other parts, necessary to the whole. Then you can accept him."

"Next you'll be telling me to love him."

"That too."

"Yes, and I can learn to see the great and glorious Whole Picture. I can see all the men defecating and urinating in their trousers before they died at Chateau-Thierry, watching their own guts fall out into their laps and screaming out of a hole that isn't even a mouth any more, as manifestations of that sublime harmony and balance which is ineffable and holy and beyond all speech and reason. Sure. I can see that, if I knock half of my brain out of commission and hypnotize myself into thinking that the view from that weird perspective is deeper and wider and more truly true than the view from an unclouded mind. Go to the quadruple-amputee ward and try to tell them that. You speak of death as a personified being. Very well: Then I must regard him as any other entity that gets in my way. Love is a myth invented by poets and other people who couldn't face the world and crept off into corners to create fantasies to console themselves. The fact is that when you meet another entity, either it makes way for you or you make way for it. Either it dominates and you submit, or you dominate and it submits. Take me into any club in Boston and I'll tell you which millionaire has the most millions, by the way the others treat him. Take me into any workingman's bar and I'll tell you who has the best punch in a fistfight, by the way the others treat him. Take me into any house and I'll tell you in a minute whether the husband or the wife is dominant. Love? Equality? Reconciliation? Acceptance? Those are the excuses of the losers, to persuade themselves that they choose their condition and weren't beaten down into it. Find a dutiful wife, who truly loves her husband. I'll have her in my bed in three days, maximum. Because I'm so damned attractive? No, because I understand men and women. I'll make her understand, without saying it aloud and shocking her, that the adultery will, one way or another, hurt her husband, whether he knows about it or not. Show me the most servile colored waiter in the best restaurant in town, and after he's through explaining Christianity and humility and all the rest of it, count how many times a day he steps into the kitchen to spit in his handerchief. The other employess will tell you he has a 'chest condition.' The condition he has is chronic rage. The mother and the child? An endless power struggle. Listen to the infant's cry change in pitch when Mother doesn't come at once. Is that fear you hear? It's rage— insane fury at not having total dominance. As for the mother herself, I'd wager that ninety percent of the married women in the psychiatrists' care are there because they can't admit to themselves, can't escape the lie of love long enough to admit to themselves, how often they want to strangle that monster in the nursery. Love of country? Another lie; the truth is fear of cops and prisons. Love of art? Another lie; the truth is fear of the naked truth without ornaments and false faces on it. Love of truth itself? The biggest lie of all: fear of the unknown. People learn acceptance of all this and achieve wisdom? They surrender to superior force and call their cowardice maturity. It still comes down to one question: Are you kneeling at the altar, or are you on the altar watching the others kneel to you?"

"The wheel of the Tarot is the wheel of Dharma," Mama Sutra said softly when he had concluded. "It is also the wheel of the galaxy, which you see as a blind machine. It rolls on, as you say, no matter what we think or do. Knowing that, I accept Death as part of the wheel, and I accept your nonacceptance as another part. I can control neither. I can only repeat my warning, which is not a lie but a fact about the structure of the Wheel: By denying death, you guarantee that you will meet him finally in his most hideous form."

Drake finished his coffee and smiled whimsically. "You know," he said, "my contempt for lies has an element of the very sentimentality and foolish idealism that I have been rejecting. Perhaps I will be most effective if I never speak so honestly again. When you hear of me next, I might be known as a philanthropist and benefactor of mankind." He lit a cigar thoughtfully. "And that would even be true if your Tarot mysticism is correct after all. If Death is necessary to the Wheel, along with all the other parts, then I am necessary also. The Wheel would collapse, perhaps, if my spirit of rebellion were not there to balance your spirit of acceptance. Imagine that."

"It is true. That is why I have warned you but not judged you."

"So I am, as Goethe says, 'part of that force which aims at evil and only achieves good'?"

"That is a thought which you should try to remember when the Dark Night of Sammael descends upon you at the end."

"More cant," Drake said, with a return to his previous cynicism. "I aim at evil and I will achieve evil. The Wheel and all its harmonious balances and all-healing paradoxes is just another myth of the weak and defeated. One strong man can stop the Wheel or tear it to shreds if he dares enough."

"Perhaps. We who study the Wheel do not know all of its secrets. Some believe that your spirit reappears constantly in history, because it is fated, eventually, to triumph. Maybe this is the last century of terrestrial mortals, and the next century will be the time of the cosmic immortals. What will happen then, when the Wheel is stopped, none of us can predict. It may be 'good' or 'evil' or even—to quote your favorite philosopher— beyond good and evil. We cannot say. That is another reason I do not judge you."

"Listen," Drake said with sudden emotion. "We're both lying. It's not all this philosophical or cosmic. The simple fact is that I couldn't sleep nights, and nothing I tried in conventional 'cures' could help me, until I began to help myself by systematically rebelling against everything that seemed stronger than me."

"I know. I didn't know it was insomnia. It might have been nightmares or dizzy spells or sexual impotence. But there was some way that the scenes you saw in Chateau-Thierry lived on and goaded you to wake out of the dream of the sleepwalkers on the streets. You are waking: You stand on the abyss." She pointed to the Fool and the dog who barks at his heels. "And I am the noisy little bitch barking to warn you that you can still choose the right-hand path. The decision is not final until you cross the abyss."

"But the cards show that I really have very little choice. Especially in the world that is going to emerge from this depression."

Mama Sutra smiled without forgiveness or final condemnation. "This is no age for saints," she agreed softly. 'Two dollars please."

George, don't make no bull moves. The Dutchman saw it all clearly now. Capone and Luciano and Maldonado and Lepke and all the rest of them were afraid of Winifred and the Washington crowd. They were planning a deal, and his death was part of the bargain. The fools didn't know that you can never negotiate from fear. They thought of the Order only as a handy gimmick for international communications and illicit trade; they were too dumb to really study the Teachings. Especially, they had never understood the third Teaching: Fear is Failure. Once you're afraid of the bulls, you're lost. But the bull was gone. "What have you done with him?" he shouted at the hospital wall.

(Smiling Jim had seen the eagle only the day before. Its nest was definitely on one of these peaks. He would get it: He knew it in his bones, a hunch so strong it couldn't be doubted. Panting, sweating, every muscle aching, he climbed onward . . . The coffee leaped out of the paper cup and slurped onto the pages of Carnal Orgy. Igor Beaver, the graduate student, looked up in astonishment: The seismograph stood at grade 5. A mile away, Dillinger woke as the bedroom door slammed shut and his favorite statue, King Kong atop the Empire State Building, fell off the bureau.)

NO REMISSION, NO REMISSION, NO REMISSION WITHOUT THE SHEDDING OF BLOOD. NO REMISSION WITHOUT THE SHEDDING OF BLOOD.


Mama Sutra looked down through the window at Boston Common. Robert Putney Drake had stopped, and was listening to one of the preachers again; even at this distance she could recognize the cool, closed smile on his face.

The Dealy Lama sat down across from her. "Well?" he asked.

"Definitely. The Order will have to intervene." Mama shook her head sadly. "He's a menace to the whole world."

"Slowness is beauty," the Dealy Lama said. "Let the Lower Order contact him first. If they decide he's worth the effort, then we'll act. I think I shall persuade Hagbard to attend Harvard, so he can be in his neighborhood and keep an eye on him, so to speak."

IT'S THE WORD OF THE BIBLE AND THE WORD OF GOD AND IT SAYS IT PLAIN AND CLEAR SO NO HIGHBROW PROFESSOR CAN SAY IT MEANS SOMETHING ELSE.


"How old are you actually?" Mama asked curiously.

The Dealy Lama looked at her levelly. "Would you believe thirty thousand years?"

She laughed. "I should have known better than to ask. You can always tell the higher members by their sense of humor."

AND THIS IS WHAT IT SAYS: NO REMISSION, NO REMISSION, BROTHERS AND SISTERS, NO REMISSION WITHOUT THE SHEDDING OF BLOOD, WITHOUT THE SHEDDING OF BLOOD. NO REMISSION. NO REMISSION WITHOUT THE SHEDDING OF BLOOD.


Hagbard's mouth fell open in completely genuine surprise. "Well, sink me," he said, beginning to laugh.

Behind him on a wall, Joe noticed dizzily, was a brand-new graffito, probably scrawled by somebody out of his skull on the acid:

THE PIGEONS IN B. F. SKINNER'S CAGES ARE POLITICAL PRISONERS.


"We both pass," Hagbard went on happily. "We've been judged and found innocent by the great god Acid."

Joe took a deep breath. "And when do you start to explain in monosyllables or sign language or semaphore or something a non-Illuminated moron like me can understand?"

"You read all the clues. It was right out in the open. It was plain as a barn door. It was as conspicuous as my nose and twice as homely— in every sense of that word."

"Hagbard, for Christ's sake and for my sake and for all our sakes, will you stop gloating and give me the answer?"

"I'm sorry." Hagbard pocketed the gun carelessly. "I'm a bit giddy. I've been waging a kind of war all night, high on acid. It was a strain, especially since I was at least ninety percent sure you'd kill me before it was over." He lit one of his abominable cigars. "Briefly, then, the Illuminati is benevolent, compassionate, kindly, generous, et cetera, et cetera. Add all the other complimentary adjectives you can think of. In short, we're the good guys."

"But—but—it can't be."

"It can be and it is." Hagbard motioned him toward the Bugatti. "Let's Sit Down, if I may permit myself one more acrostic before the codes and puzzles are all resolved." They climbed into the front seat, and Joe accepted the brandy decanter Hagbard offered. "Of course," Hagbard went on, "when I say 'good,' you've got to understand that all terms are relative. We're as good as is possible in this fucked-up section of the galaxy. We're not perfect. Certainly, I'm not, and I haven't observed anything approaching immaculate perfection in any of the other Masters of the Temple either. But we are, in human terms and by ordinary standards, decent chaps. There's a reason for that. It's the basic law of magic, and it's in every textbook. You must have read it somewhere. Do you know what I mean?"

Joe took a stiff snort of the brandy. It was peach— his favorite. "Yes, I think. 'As ye give, so shall ye get.' "

"Precisely." Hagbard took back the bottle and had a snort himself. "Mind you, Joe, that's a scientific law, not a moral commandment. There are no commandments, because there is no commander anywhere. All authority is a delusion, whether in theology or in sociology. Everything is radically, even sickeningly, free. The first law of magic is as neutral as Newton's first law of motion. It says that the equation balances, and that's all it says. You are still free to give evil and pain, if you decide you must. Once done, however, you never escape the consequences. It always comes back. No prayers, sacrifices, mortifications, or supplications will change it, any more than they'll change Newton's laws or Einstein's. So we're 'good,' as moralists would say, because we know enough to have a bloody strong reason to be good. In the last week things went too fast, and I became 'evil'—I deliberately ordered and paid for the deaths of various people, and set in motion processes that had to lead to still other deaths. I knew what I was doing, and I knew—and still know—that I'll pay for it. Such decisions are extremely rare in the history of the Order, and my superior, the Dealy Lama, tried to persuade me it was unnecessary this time too. I disagreed; I take the responsibility. No man or god or goddess can change it. I will pay, and I'm ready to pay, whenever and however the bill is presented."

"Hagbard, what are you?"

"A mehum, the Saure family would say," Hagbard grinned. "A mere human. No more. Not one jot more."

"How much blood?" Robert Putney Drake asked. He was astonished at his own words; in all his experiments at breaking through the walls, he had never lowered himself to heckling an ignorant street preacher.

ALL THE BLOOD IN THE WORLD ISN'T ENOUGH. EVERY MAN, WOMAN, AND CHILD ISN'T ENOUGH. EVEN ALL THE ANIMALS IF YOU ADDED THEM IN LINE IN SOME PAGAN OR VOODOO SACRIFICE. IT WOULDN'T BE ENOUGH. IT WOULDN'T BE ENOUGH, BROTHERS. THE GOOD BOOK SAYS SO.

"There were five of us," John-John Dillinger was explaining to George as they trudged back toward Ingolstadt, having lost Hagbard and the Bugatti in the crowd. "My folks kept it a secret. German people, very superstitious and secretive. They didn't want reporters all over the place and headlines about the first quintuplets to live. The Dionne family got all that, much later."

BECAUSE ALL THE BLOOD IN THE WORLD ISN'T EQUAL TO ONE DROP. NOT ONE DROP

"John Herbert Dillinger is in Las Vegas, trying to track down the plague— unless he already finished up and went home to Los Angeles." John-John smiled. "He was always the brains of the bunch. Runs a rock-music company, real professional businessman. He was the oldest, by a couple of minutes, and we all sort of look up to him. He served the prison time, even though I'm the one who rightly should have, seeing that robbing that grocer was my dumb idea. But he said he could take it without cracking up, and he was right."

NOT ONE DROP, NOT ONE DROP, OF THE PRECIOUS BLOOD OF OUR LORD AND SAVIOR, JESUS CHRIST.

"I see," Drake said. "And was that A, B, AB, or O?"

"John Hoover Dillinger lives in Mad Dog, under the name D. J. Hoover— he's not above letting people suspect he's a distant relative of J. Edgar's. Mostly," John-John said, "he's retired. Except occasionally for little jobs like helping arrange convincing jail breaks, say, when Jim Cartwright wants to let a prisoner get out in a realistic fashion. He gave Naismith the idea for the John Dillinger Died for You Society."

"How about the other two?" George asked, thinking that it would be even harder to decide whether he loved Stella more than Mavis or Mavis more than Stella now that he knew they were the same person. He wondered how Joe felt, since he obviously dug Miss Mao Tsu-hsi and she was that person also. Three in one and one in three. Like Dillinger. Or was Dillinger five in three? George realized suddenly that he was still tripping a little. Dillinger was five in one, not five in three: the law of Fives again. Did that mean there were two more in the Mavis-Stella-Mao complex, two that he hadn't met yet? Why did two and three keep popping up in all this?

"The other two are dead," John-John said sadly. "John Edgar Dillinger was born first, and he went and died first. Fast and furious, he was. It was him that plugged that bank guard in East Chicago while the rest of us were vacationing and laying low in Miami. Always the hothead, he was. Had a heart attack back in '43 and went to an early grave. John Thomas Dillinger went in '69. He was in Chicago in '68 on a JAM assignment, meeting with a crazy English spy named Chips. British Intelligence somehow got a report that the Democratic Convention was being run by the Bavarian Illuminati and would end with an assassination. They didn't believe in the Illuminati so they sent Chips; they always send him on wild cases, 'cause he's nutty enough to take them seriously and do a thorough job. Both of them got tear-gassed coming out of the Hilton Hotel, and poor Chips got thrown in a paddy-wagon with a bunch of young radicals. John Thomas had a chest problem already, a chronic asthma, and the tear gas made it a lot worse. He went from doctor to doctor, and finally passed away early in '69. So there's a cop in Chicago who could boast that he really killed John Dillinger, only he doesn't know it. Isn't life peculiar?"

"The Saure family only thought they were in the Illuminati," Hagbard went on. "Hitler and Stalin only thought they were in the Illuminati. Old Weishaupt only thought he was in the Illuminati. It's that simple. The moral of the whole story is: Beware of cheap Occidental imitations." He smiled grimly.

"I think it's beginning to penetrate," Joe said slowly. "It was, of course, the very first hypothesis I formed: There have been many groups in history who called themselves the Illuminati, and they weren't all aiming at exactly the same thing."

"Precisely." Hagbard puffed again at his cigar. "That's the natural first suspicion of any non-paranoid mind. Then, as you explore the evidence, links between these groups begin to appear. Eventually the paranoid hypothesis begins to appear more plausible and you begin to believe there always has been one Illuminati, using the same basic slogans and symbols and aiming at the same basic goal. I sent Jim Cartwright to you with that yarn about three conspiracies— the ABC or Ancient Bavarian Conspiracy, the NBC or New Bavarian Conspiracy, and the CBS or Conservative Bavarian Seers— to set you thinking that the truth might be midway backward toward the simple first idea. From here on in, forget that I represent the original Illuminati. In fact, in recent centuries we don't use a name at all. We employ only the initials A.A., written like this." He sketched on a Donau-Hotel matchbook:

A:.A:.


"A lot of occult writers," he went on, "have made some amazing guesses as to what that means. Actually, it doesn't mean a damned thing. To prevent our name being stolen and misused again, we don't have a name. Anybody who thinks he's guessed the name and tries to pass himself off as an initiate by declaring that we're really the Atlantean Arcanum or the Argenteum Astrum or whatever immediately reveals that he's a fraud. It's a neat gimmick," Hagbard intoned gloomily. "I only wish we had thought of it centuries earlier."

The buzzer on the President's secretary's desk buzzed as Saul and Barney passed through the outer door. The secretary flipped the switch, and the President said, "Find out the highest medal a civilian can get, and order two, on my signature, for those two detectives."

"Yes, sir," the secretary said, scribbling.

"And then ask the FBI to check out that older one. He looked like a kike to me," the President said shrewdly.

NO— because I'd be a fool to think miracles can occur in this world before somebody pays the rent and the taxes and shows that their papers are in order and the people who are running it can always tell you your papers are not in order No because there are no magicians and even Hagbard is mostly a fraud and a con man even if he means well No because I'm not Pope Joan if there ever was a Pope Joan No because like the song says I'm not a queen I'm a woman and the wrong color woman to boot No because there will be rivers of blood and the earth will be shaken before we can overturn Boss Charlie because it isn't a simple one-night symbolic Armageddon like Hagbard fooled them all into thinking No because Hagbard is some kind of magician and put us all on his own trip for a while but the real world isn't a trip it's a bummer No because the lovers don't live happily ever after what happens is that they get married and get into debt and live in slavery ever after and I've got to find something better than that No because none of us are driving the car it's the car that's driving us No because it's like that old joke "Balls" said the queen "if I had them I'd be king" and "Nuts" said the prince "I've got them and I'm not king" and "Crap" said the king and thirty thousand royal subjects squatted and strained for in those days the king's word was law Hagbard would call it anality and sexism and ageism but it just comes down to the women and children getting all the crap right in the face and a few males owning everything the truth is all in the old jokes especially the bad jokes I'm still tripping but this is true they can always say your papers are not in order No because sometimes you've got to be a hermit and then come back later when you're together No because the wheel keeps spinning and doesn't give a fuck if there's going to be any change it's got to be that some human being somewhere does give a fuck No because I've never found a way to shut Simon's mouth and make him listen No because Jesus Christ was a black man and they've even lied about that he was another black man they killed and they won't admit it No because death is the currency in every empire Roman or American or any other all empires are the same Death is always the argument they use No because the whole world can go to the Devil and I'm taking care of Mary Lou No because look at that professor they killed at the UN building and none of them arrested yet No because there's a perpetual motion machine inside me and I'm learning to let it run No because I'll put a curse on all of them I'll burn them I'll condemn them I'll have the world No because look what happened to Daddy and Mommy.

"It's grade 5 and moving up toward 6," Igor Beaver shouted into the phone.

"You idiot, don't you think I can tell that from here?" Dr. Troll shouted back. "My bed was bouncing around like it had Saint Vitus' dance even before you called." His emotion was merely professional anger at the student's failure to obey orders; Grade 5 is nothing to get exerted about if you're a Californian, and even Grade 6 causes anxiety only among tourists or believers in the famous Edgar Cayce prophecy . . . John Herbert Dillinger, one of those believers, was already in the garage, pajama tops tucked in to hastily donned trousers, bare foot on the starter . . . But Smiling Jim climbed blissfully upward, enjoying total communication with nature, the mystic rapture of the true hunter before he gets his chance to open fire and blast a chunk of nature to hell . . .

YOU MAY MOCK AND YOU MAY JEST BUT AT THE LAST JUDGMENT THE SMILE WILL BE WIPED OFF YOUR FACE


"He's heckling the preacher," Mama said. "A small beginning, certainly, for the kind of destiny he seems to be choosing."

"He's heckling himself," the Dealy Lama pronounced. "Christianity, rightly understood, is an encounter with Death. He's still struggling with that problem. He wants to believe in the symbolism of the Resurrection, but he can't. Too much intellect— King of Swords —keeping the reins on his intuitive— Prince of Wands— aspect."

"Well, maybe," Drake said calmly. "But suppose He was type A. Now, if He got a transfusion at the last minute . . ."

The nest was in sight. The bird was invisible, but Smiling Jim recognized the characteristic eagle's nest on a peak only a few hundred yards above and to the west. "Come home, baby," he thought passionately, unstrapping his rifle. "Come home. Daddy is waiting."

Hagbard took another belt of the brandy and repeated: "The Saures were not Illuminati. Neither were Weishaupt or Hitler. They were frauds, pure and simple. First they deluded themselves, then they deluded others. The real Illuminati, the A:.A:., have never been involved in politics or in any form of manipulating or coercing people. Our interests are entirely elsewhere. Do what thou wilt is our law. Only in the last few decades, as the fate of the earth seemed to be hanging in the balance, have we taken any direct action. Even so, we have been cautious. We know that power corrupts. We have acted chiefly by not-acting, by what the Taoists call wu-wei. But then things got out of hand. They moved too fast . . . We fucked up somewhat. But only because total inaction seemed to mean total disaster."

"You mean you, as an official of some sort in the A:.A:., infiltrated the fake Illuminati and became one of their top Five, intending to undo them nonviolently? And it didn't work?"

"It worked about as well as any activity on that level ever works," Hagbard said somberly. "Most of humanity has been spared, for a while. And the wild free animals have been spared. For a while." He sighed. "I guess I'll have to begin from the A-B-Cs. We have never sought power. We have sought to disperse power, to set men and women free. That really means: to help them to discover that they are free. Everybody's free. The slave is free. The ultimate weapon isn't this plague out in Vegas, or any new super H-bomb. The ultimate weapon has always existed. Every man, every woman, and every child owns it. It's the ability to say No and take the consequences. 'Fear is failure.' 'The fear of death is the beginning of slavery.' "Thou hast no right but to do thy will.' The goose can break the bottle at any second. Socrates took the hemlock to prove it. Jesus went to the cross to prove it. It's in all history, all myth, all poetry. It's right out in the open all the time."

Hagbard sighed again. "Our founder and leader, the man known in myth as Prometheus or the snake in the garden of Eden—"

"Oh, Christ," Joe said, slumping forward in his seat. "I have the feeling that you're starting to put me on again. You're about to tell me that the Prometheus and Genesis stories are really based on fact."

"Our leader, known as Lucifer or Satan," Hagbard went on, "Lucifer being the bringer of light—"

"You know," Joe said, "I'm not going to believe a word of this."

"Our leader, known as Prometheus the fire-bringer or Lucifer the light-bringer or Quetzalcoatl the morning star or the snake in the garden of Osiris's bad brother, Set, or Shaitan the tempter— well, to be brief, he repented." Hagbard raised an eyebrow. "Does that intrigue you sufficiently to silence your skepticism long enough for me to finish a sentence?"

"He repented?" Joe sat upright again.

"Sure. Why not?" Hagbard's old malicious grin, so rare in the last week, returned. "If Atlas can Shrug and Telemachus can Sneeze, why can't Satan Repent?"

"Go ahead," Joe said. "This is just another one of your put-ons, but I'm hooked. I'll listen. But I have my own answer, which is that there is no answer. You're just an allegory on the universe itself, and every explanation of you and your actions is incomplete. They'll always be a new, more up-to-date explanation coming along a while later. That's my answer."

Hagbard laughed easily. "Charming," he said. "I must remember that the next time I'm trying to understand myself. Of course, it's true of any human being. We're all allegories on the universe, different faces it wears in trying to decide what it really is ... But our founder and leader, as I was saying, repented. That's the secret that has never been revealed. There is no stasis anywhere in the cosmos, least of all in the minds of entities that possess minds. The basic fallacy of all bad writers—and theologians are notoriously bad writers—is to create cardboard characters who never change. He gave us the light of reason and, seeing how we misused it, he repented. The story is more complicated, but that's the basic outline. At least, it's as much as I understood until a week ago. The important thing to get clear is that he never aimed at power or destruction. That's a myth—"

"Created by the opposition," Joe said. "Right? I read that in Mark Twain's defense of Satan."

"Twain was subtle," Hagbard said, taking a little more brandy, "but not subtle enough. No, the myth was not created by the opposition. It was created by our founder himself."

"Wilde should be alive," Joe said admiringly. "He was so proud of himself, setting paradox on top of paradox until he had a nice three- or four- or five-story house of contradictions built up. He should see the skyscrapers you create."

"You never disappoint me," Hagbard said. "If they ever hang you, you'll be arguing about whether the rope really exists until the last minute. That's why I picked you, all those years ago, and programmed you for the role you'd play tonight. Only a man whose father was an ex-Moslem, and who was himself an ex-Catholic and an ex-engineering student, would have the required complexity. Anyway, to return to the libretto, as an old friend of mine used to say, the error of Weishaupt and Hitler and Stalin and the Saures was to believe the propaganda our founder spread against himself— that, and believing they were in communication with him, when they were only in communication with a nasty part of their own unconscious minds. There was no evil spirit misleading them. They were misleading themselves. And we were trailing along behind, trying to keep them from causing too much harm. Finally, in the early 1960s— after a certain fuckup in Dallas convinced me that things were getting out of hand— I contacted the Five directly. Since I knew the real secrets of magic and they only had distortions, it was easy to convince them that I was an emissary from those beings whom they call the Secret Chiefs or the Great Old Ones or the Shining Ones. Being half crazy, they reacted in a way I had not expected. They all abdicated and appointed me and the four Saures as their successors. They decided that we're entering the age of Horus, the child-god, and that youth should be given a chance to run things—hence, the promotion of the Saures. They threw me in because I seemed to know what I was talking about. But then came the real problem: I couldn't convince the Saures of anything. Those pig-headed kids wouldn't believe a word I said. They told me I was over thirty and untrustworthy. I told you the truth was out in the open all the time; anybody with eyes in his head should have been able to interpret what's been happening since the early 1960s. The great and dreaded Illuminati of the past had fallen into the control of a bunch of ignorant and malicious kids. The age of the crowned and conquering child."

"And you think the old and wise should rule?" Joe asked. "That doesn't fit your character. This has to be another put-on."

"I don't think anybody should rule," Hagbard said. "All I'm doing— all the Higher Order of the A:.A:. has ever tried to' do—is communicate with people, in spite of their biases and fears. Not to rule them. And what we're trying to communicate—the ultimate secret, the philosopher's stone, the elixir of life—is just the power of the word No. We are people who have said Non serviam, and we're trying to teach others to say it. Drake was one of us spiritually but never understood it. If we can't find immortality, we can make a damned good try. If we can't save this planet, we can get off it and go to the stars."

"And what happens now?" Joe asked.

"More surprises," Hagbard answered promptly. "I can't tell you the whole story at this hour, with both of us fagged out at the end of an acid trip. We go back to the hotel and sleep, and after breakfast there are more revelations. For George as well as for you."

And later in the Bugatti, which, driven by Harry Coin, was grandly wafting Hagbard, George, and Joe around the south side of Lake Totenkopf, George asked, "Is Hitler really going to be buried anonymously in a Jewish cemetery?"

"It looks that way." Hagbard grinned. "His Israeli documents are excellent forgeries. He'll be lifted off that toilet by Hauptmann's men and gently deposited in the Ingolstadt Hebrew Burial Grounds, there to rest for all eternity."

"That will make me throw up once a day for the rest of my life," Joe said bitterly. "It's the worst case of cemetery desecration in history."

"Oh, it has a positive aspect," said Hagbard. "Look at it from the point of view of the Nazi leaders. Think how they'll hate being buried in a Jewish cemetery with a rabbi praying over them."

"Doesn't make up for it," said George. "Joe's right. It's in terribly bad taste."

"I thought both you guys were thoroughgoing atheists," said Hagbard. "If you are, you think the dead are dead and it hardly matters where they're buried. What's happening— you both getting religion?"

"I can think of nothing more likely to drive a man to religion than your company," said Joe.

"Burying them Nazis with a bunch of Jews is the funniest thing I ever heard," Harry Coin offered from the driver's seat.

"Go bugger a dead goat, Coin," George called.

"Sure thing," said Coin. "Lead me to it."

"You're incorrigible, Hagbard," said Joe. "You really are incorrigible. And you surround yourself with people who incorrige you."

"I don't need help," said Hagbard. "I have a great deal of initiative. More than any other human being I know. With the possible exception of Mavis."

George said, "Hagbard, did I really see what I thought I saw last night? Is Mavis really a goddess? Are Stella and Miss Mao and Mavis all the same person, or was I just hallucinating?"

"Here come the paradoxes," Joe groaned. "He'll talk for an hour, and we'll be more confused when he's finished."

Hagbard, who was sitting in a large swivel jump seat, swung round so he was looking over Harry Coin's shoulder at the road ahead. "I'd be glad to tell you later, George. I would have told you now, except that I don't like Malik's tone. He may not be intending to shoot me any more, but he still has it in for me."

"You bet," said Joe.

"Well, are you still going to marry Mavis?"

"What?" Hagbard swung round and stared at George with an expression that was almost a perfect replica of genuine surprise.

"You said that you and Mavis were going to be married aboard the Leif Erikson by Miss Portinari. Are you?"

"Yes," said Hagbard, "Miss Portinari will marry us later today. Sorry, but I knew her first."

"Then Mavis isn't really Eris?" George persisted. "She's just a priestess of Eris?"

Hagbard brushed the question away. "Later, George. She will explain it."

"She's even better at explanations than Hagbard is," Joe commented cynically.

"Well," said Hagbard, "getting back to Hitler and company, you have to realize that they will know about it if their bodies are buried in a Jewish cemetery. They are still conscious and aware, though they are not what we would normally call alive. Their consciousness-energy is intact, though there is no life in their bodies. They came to the Ingolstadt festival hoping that their young leaders would give them immortality. They've achieved immortality, all right But not a very nice kind. Their consciousness-energy has been gobbled up by the Evil One. Their identities still survive, but they will be helpless parts of the Eater of Souls, the foulest being in the universe, the only creature that can turn spirit into carrion. Yog Sothoth has claimed his own."

"Yog Sothoth!" said Joe. "I remember learning about Yog Sothoth. It was an invisible being trapped in a pentagonal structure in Atlantis. The original Illuminati blew up the structure and turned the creature loose."

"Why, yes," Hagbard said, "you saw that Erisian Liberation Front training film about Atlantis and Grayface Gruad, didn't you? Well, of course, the film isn't accurate in every respect. For instance, Yog Sothoth is depicted as killing people by the thousands. Actually, most of the time, except under very limited conditions, he has to have his killing done for him. That's how human sacrifice originated. And it was to get his killing done for him that he manipulated a great many events among the Atlanteans until old Grayface, the original moral sadomasochist, came along with his notions about good and evil. Man suffers because he is evil, said Gruad, and because he is small and helpless. There are vast powers in the universe, dwarfing us, who have to be placated. Gruad taught man to see ignorance, passion, pain, and death as evils, and to fight against them."

"Well . . . ignorance is an evil," said Joe.

"Not when it can be acknowledged and accepted," said Hagbard. "In order to eat, you have to be hungry. In order to learn, you have to be ignorant. Ignorance is a condition of learning. Pain is a condition of health. Passion is a condition of thought. Death is a condition of life. When Gruad taught his followers in Atlantis to see those conditions as evils, then he could teach them human sacrifice, persecution, and warfare. Yog Sothoth taught Gruad to teach his people those things, only Gruad never knew it."

"So Yog Sothoth is the serpent in the Garden of Eden," said Joe.

"In a manner of speaking," said Hagbard. "But you understand, the Garden of Eden myth was dreamed up and promulgated by the Illuminati."

"And who dreamed up the Gruad of Atlantis myth?" said Joe.

"Oh, that's true," said Hagbard solemnly.

"That's the biggest bunch of bullshit I ever heard," said Joe. "You're trying to claim that there's no such thing as good and evil, that the concepts were invented and taught to humans deliberately to fuck them up psychologically. But in order to maintain that you have to postulate that the condition of man before Gruad was good and that his condition afterward has been evil. And you have to make Yog Sothoth into a carbon copy of Satan. You haven't progressed one iota beyond the Judeo-Christian myth with that highfalutin' science-fiction story."

Hagbard roared with laughter and slapped Joe on the knee. "Beautiful!" He held up his hand in a distinctive gesture. "What I am doing?" he asked.

"You're giving the peace sign, only with your fingers together," George said, confused.

"That's what comes of being an ignorant Baptist." Joe laughed. "As a son of the True Church, I can tell you, George, that Hagbard is giving a Catholic blessing."

"Indeed?" said Hagbard. "Look at the shadow my hand casts on this book." He held up a book behind his hand, and they saw the head of a horned Devil. "The sun, source of all light and energy, symbol of redemption. And my hand, in the most sacred gesture of benediction. Put them both together, they spell Satan," he sang to an old tune.

"And what the hell does that mean?" Joe demanded. "Evil is only a shadow, a false appearance? The usual mystic mishmosh? Tell that to the survivors of Auschwitz."

"Suppose," Hagbard said, "I told you that good was only a shadow, a false appearance? Several modern philosophers have argued that case rather plausibly and earned themselves a reputation for hard-headed realism. And yet that's just the mirror image of what you call the usual mystic mishmosh."

"Then what is real?" George demanded. "Mary, Queen of the May, or Kali, Mother of Murderers, or Eris, who synthesizes both?"

"The trip is real," Hagbard said. "The images you encounter along the way are all unreal. If you keep moving, and pass them, you eventually discover that."

"Solipsism. Sophomore solipsism," Joe answered.

"No." Hagbard grinned. "The solipsist thinks the tripper is real."

Harry Coin called out, "Hagbard, there's a couple of guys up the road flagging us down."

Hagbard turned and peered ahead. "Right. They're crew members from the Leif Erikson. Pull up where they tell you to, Harry." He reached up to a silver vase mounted beside the back seat and took a pink rosebud out of the fresh bouquet he had placed there that morning. He carefully inserted the rosebud in the buttonhole of his lapel. The great golden Bugatti rolled to a stop, and the four men got out. Harry patted its long front fender with a long, skinny hand.

"Thanks for letting me drive this car, Hagbard," he said. "That's the nicest thing anyone's ever done for me."

"No it isn't. Now you'll want your own Bugatti. Or, what's worse, you'll ask me to let you be my chauffeur."

"No I won't. But I'll do a deal with you. You let me have this car, and whenever you want to go somewhere in it, I'll drive you."

Hagbard laughed and slapped Coin on the back. "You keep on showing that much intelligence and you will end up owning one."

The long line of cars that had been following the Bugatti now were stopping along the edge of the road behind it There was a stretch of lawn that sloped gently down from the road to the lake. Out on the choppy blue water a round gold buoy drifted, giving off a cloud of red smoke.

Stella stepped out of the Mercedes 600 that was parked behind the Bugatti. George half expected Mavis and Miss Mao to get out with her, but there was no sign of them. He looked at her and was unable to speak. He didn't know what to say. She looked back at him with grave, sad eyes, in silence. Somehow, he thought, it will all be different and better when we get down to the submarine. In the submarine we'll be able to talk to each other.

A pink Cadillac behind the Mercedes disgorged Simon Moon and Clark Kent. Stella did not turn to look at them. They were talking excitedly to each other. A motorcycle pulled up behind the Cadillac. Otto Waterhouse climbed off it. Now Stella turned and looked at Otto, then back to George. Otto looked at Stella, then at George. Stella suddenly turned away from both of them and walked down to the edge of the lake. A large inflated liferaft was pulled up on shore, and one of Hagbard's men sitting in the raft stood up holding a wetsuit as Stella approached. Slowly, as if she were all alone by the shore of the lake, Stella took off her peasant blouse and skirt and continued stripping until she was naked. Then she started to put on the wetsuit.

Meanwhile, another man got behind the wheel of Hagbard's Bugatti Royale and drove it across the lawn. Two other men held the mouth of a huge transparent plastic bag far enough apart so that the car could be driven right into it. They tied up the end of the bag with strong wire. Ropes attached to the bag grew taut; their other ends disappeared into the water. Slowly, looking somewhat majestic and somewhat ridiculous, the car slid across the lawn and into the water. When it had been pulled out a short distance from shore it began to float. Out of the deeper water popped two golden scuba-launches, Hagbard's men in black wetsuits mounted in the saddles. The launches positioned themselves on either side of the automobile in its plastic bubble and the men lashed the launches and the car together with cables. Then they started their engines and launches; men and car quickly sank out of sight.

Meanwhile, more rubber rafts pulled ashore, and all of Hagbard's people started donning wetsuits distributed by the men from the submarine.

"I've never done this before," said Lady Velkor. "Are you sure it's safe?"

"Don't worry, baby," said Simon Moon. "Even a man could do it."

"Where's your friend, Mary Lou?" George asked.

"She left me," Simon said glumly. "The damned acid fucked up her mind."

NO—because in the long run whites and blacks and men and women have to come to an understanding and an equality No because this split can't go on forever I mean shit I understand that but No I can't not now No I am not ready yet the penis I imagined I had last night was not just some Freudian hallucination there's the phallic power behind the physical penis No the acting from the center of the body what Simon says Hagbard calls acting from the heart and only a few can have that right now No most of us haven't learned and haven't been given a chance to learn That's the real castration the real impotence in both men and women in both blacks and whites No the power that we think is phallic because this is a patriarchal society No I can't be Simon's woman or anybody's woman First I've got to be my own woman and it may take years it may take life I may never achieve it but I've got to try I can't end up like Daddy I can't end up like most blacks and most of the whites too end up No maybe I'll meet Simon again maybe we can try a second time That acid nut Timothy Leary always said You can be anything you want the second time around No it can't be this time it's got to be the second time around No I said No I won't No

"I hope to hell Hauptmann was telling the truth about not following me," said Hagbard. "It's going to take time to get us all down below."

"What are we doing with the cars?" Harry Coin asked.

"Well, the Bugatti, obviously, is too beautiful for me to part with, which is why I'm taking it aboard the Leif Erikson. But the rest we'll just leave. Maybe some of the people who went to the festival will be able to use them."

"Don't worry about them Huns," said John-John Dillinger, strolling up. "Any of them give us trouble, we'll just reply with a few short sharp words from old Mr. Thompson. Leave 'em in stitches."

"Peace, it's wonderful," said Hagbard sourly.

"Give it a chance," said Malaclypse, still in the guise of Jean-Paul Sartre. "It needs time to spread. The absence of the Illuminati has to make itself felt. It will make a difference."

"I doubt it," said Hagbard. "The Dealy Lama was right all along."

The entire operation of outfitting Hagbard's people with wetsuits, paddling them out to the scuba-launches, and transporting them down to the Leif Erikson took more than an hour. When it was George's turn he looked eagerly into the depths for the Leif Erikson and was happy when he saw it glowing below him like a great golden blimp. Well, at least that's real, he thought. I'm approaching it from the outside, and it's just as big as I think it is. Even if it doesn't go anywhere and this is all happening in Disney World.

An hour later the submarine was deep in the Sea of Valusia. George, Joe, and Hagbard stood on the bridge, Hag-bard leaning against the ancient Viking prow, George and Joe peering into the endless gray depths, watching the strange blind fishes and monsters swim by.

"There's a type of fungus that has evolved into something resembling seaweed in this ocean," said Hagbard. "It's luminescent. There's no light down here, so no green plants grow."

A dot appeared in the distance and grew rapidly in size until George recognized a porpoise, doubtless Howard. There was scuba-diving equipment strapped to the animal's back. When he had come alongside he turned a somersault, and his translated voice started to come through the loudspeaker in a song:

When he swims the oceans spill, He can start earthquakes at will, He lived when the earth was desolate, I sing Leviathan the great.


Hagbard shook his head. "That doggerel is just awful. I'm going to have to do something about FUCKUP'S ability to translate poetry. What are you talking about, Howard?"

"Aha," said Joe. "I didn't get a look at your talking porpoise friend last time I was aboard. Hello, Howard, I'm Joe."

"Hello, Joe," said Howard. "Welcome to my world. Unfortunately, it's not a very hospitable world at the moment. There is grave danger in the Atlantic. The true ruler of the Illuminati is on the prowl on the high seas— Leviathan himself. The land is collapsing beside the Pacific, and the tremors have made the earth shake, and Leviathan is disturbed and has risen from the depths. Besides the trembling of the lands and seas, he knows that his chief worshippers, the Illuminati, are dead. He had read their passing in the pulsings of consciousnes-energy that reach even into the depths of the sea."

"Well, he can't eat the submarine," said Hagbard. "And we're well armed."

"He can crack the submarine open as easily as a gull cracks a penguin's egg," said Howard. "And your weapons will bother him not at all. He's virtually indestructible." Hagbard shrugged, while Joe and George looked askance at each other. "I'll be careful, Howard. But we can't turn around now. We've got to get back to North America. We'll try to evade Leviathan if we see him."

"He fills the whole ocean," said Howard. "No matter what you do, you'll see him, and he'll see you."

"You're exaggerating."

"Only slightly. I must bid you farewell now. I think we've done a good week's work, and the menace to my people recedes even as does the danger to yours. Our porpoise horde is scattering and leaving by different exits into the North Atlantic. I'm getting out of the Sea of Valusia by way of Scotland. We think Leviathan will head south around Cape Horn into the Pacific. Everything that swims and is hungry is going that way. There's a lot of fresh meat in the water, I'm sorry to say. Good-bye, friends."
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Re: The Illuminatus! Trilogy, by Robert Shea & Robert A. Wil

Postby admin » Fri Dec 15, 2017 3:30 am

Part 3 of 4

"So long, Howard," said Hagbard. "That was a good bridge you helped me build."

"Yes, it was," said Howard. 'Too bad you had to sink it."

"What were those tanks on Howard's back?" said Joe. "Scuba gear," said George. "There's no air available in the Sea of Valusia, so Howard has to have breathing equipment till he can get to the open ocean. Hagbard, what was that business about the true ruler of the Illuminati? I've heard again and again that there were five Illuminati Primi. Four of them were the Saure family. That leaves one. Is it Leviathan? Is the whole show being run by a sea monster? Is that the big secret?"

"No," said Hagbard. "You have yet to figure out who the fifth Illuminatus Primus is." He threw Joe a wink that George missed. "By true ruler Howard meant a godlike being whom the Illuminati worship."

"A sea monster?" said Joe. "There was a hint about a sea monster of enormous size and power in that movie those people showed me in that loft on the Lower East Side. But the original Illuminati— Gruad's bunch— were portrayed as sun worshippers. That big pyramid with the eye in it was supposed to be the sun god's eye. Who the hell were those people with the movie, anyway? I know who Miss Mao is now, but I still don't know who they were."

"Members of the Erisian Liberation Front— ELF," said Hagbard. "They have a somewhat different view of the prehistory and origins of the Illuminati than we do. One thing we both agree upon is that the Illuminati invented religion."

"The Original Sin, right?" said Joe sardonically.

"Joe, you ought to start a religion yourself," said Hagbard.

"Why?"

"Because you are so skeptical."

"We're going back to America, huh?" said George. "And the adventure is more or less over?"

"This phase of it, at least," said Hagbard.

"Good. I want to try to write about what I've seen and what has happened to me. I'll see you guys later."

"There's to be a magnificent dinner tonight in the main dining salon," said Hagbard.

Joe said, "Don't forget, Confrontation has a first option on anything you write."

"Fuck you," George's voice came back as the door of the bridge closed behind him.

"Wish I had something better to do than this. Gimme two," said Otto Waterhouse.

"You do, don't you?" said Harry Coin. "Ain't that Nigra gal, Stella, your gal? Why ain't you with her?"

"Because she doesn't exist," said Otto, picking up the two cards John-John Dillinger had slid across the polished teak-wood table to him. He studied his hand for a moment, then threw a five-ton flax note into the pot. "Any more than Mavis or Miss Mao exists. There's a woman somewhere under all of those identities, but everything I've experienced has been a hallucination."

"There isn't a woman in the world you couldn't say that about," said Dillinger. "How many cards you want, Harry?"

"Three," said Harry. "This is a lousy hand you dealt me, John-John. Come to think of it, you're hallucinatin' all the time when you have sex. That's what makes it good. And that's how come I can fuck anything."

"I'll just take one," said Dillinger. "Dealt myself a pretty good hand. What do you see when you're fucking trees and little boys and whatnot, Harry?"

"A white light," said Harry. "Just a big beautiful clear white light. I'll throw in ten tons of flax this time."

"Must be your hand isn't so lousy after all," said Waterhouse.

"Come in," said George. The stateroom door opened, and he put down his pen. It was Stella.

"We have a little problem, don't we, George?" she said, coming into the room and sitting beside him on the bed. "I think you're angry at me," she went on, putting her hand on his knee. "You feel like this identity of mine is a sham. So, in a sense, I was deceiving you."

"I've lost you and Mavis both," said George. "You're both the same person— which means you're really neither. You're immortal. You're not human; I don't know what you are." Suddenly he looked at her hopefully. "Unless that was all a hallucination last night. Could it have been the acid? Can you really change into different people?"

"Yes," said Mavis.

"Don't do that," said George. "It upsets me too much." He darted a little glance to his side. It was Stella.

"I don't really understand why it bothers me so much," said George. "I ought to be able to take everything in stride by now."

"Did it ever bother you that you were in love with Mavis, besides being in love with me?" said Stella.

"Not much. Because it hardly ever seemed to bother you. But I know why now. How could you be jealous when you and Mavis were the same person?"

"We're not the same person, really."

"What does that mean?"

"Did you ever read The Three Faces of Eve? Listen . . ."

Like all the best love stories, it began in Paris. She was well known as a Hollywood actress (and was actually an Illuminatus); he was becoming fairly famous as a jet-set millionaire (and was actually a smuggler and anarchist). Envision Bogart and Bergman in the flashback sequences from Casablanca. It was like that: a passion so intense, a Paris so beautiful (recovering from the war it had been slipping toward in the Bogart-Bergman epic), a couple so radiant that any observer with an eye for nuance would have foretold a storm ahead. It came the night he confessed he was a magician and made a certain proposal to her; she left him at once. A month later, back in Beverly Hills, she realized that what he had asked was her destiny. When she tried to find him—as often happened with Hagbard Celine— he had dropped from public view, leaving his businesses in other hands temporarily, and was in camera.

A year later she heard that he was again a public figure, hobnobbing with English businessmen of questionable reputation and even more dubious Chinese import-export executives in Hong Kong. She violated her contract with the biggest studio in Hollywood and flew to the Crown colony, only to find he had dropped from sight again, while his recent friends were being investigated for involvement in the heroin business.

She found him in Tokyo, at the Imperial Hotel.

"A year ago, I decided to accept your proposal," she told him, "but now, after Hong Kong, I'm not so sure."

"Thelema," he said, facing her across a room that seemed designed for Martians; it had actually been designed for Welshmen.

She sat down abruptly on a couch. "You're in the Order?"

"In the Order and against the Order," he said. "The real purpose is to destroy them."

"I'm one of the top Five in the United States," she said unsteadily. "What makes you think I'll turn on them now?"

"Thelema," he repeated. "It's not just a password. It means Will."

"The Order is" my Will.'" She quoted from Weishaupt's original Oath of Initiation.

"If you really believed that, you wouldn't be here," he said. "You're talking to me because part of you knows that a human being's Will is never in an external organization."

"You sound like a moralist. That's odd— for a heroin merchant."

"You sound like a moralist, too, and that's very odd— for a servant of Agharti."

"Nobody joins that lot," she said with a pert Cockney accent, "without being a moralist to start with." They both laughed.

"I was right about you," Hagbard said.

But, George interrupted, is he really in the heroin business? That's dirty.

You sound like a moralist too, she said. It's part of his Demonstration. Any government could put him out of business within their borders— as England has done— by legalizing junk. So long as they refuse to do that, there's a black market. He won't let the Mafia monopolize it— he makes sure the black market is a free market. If it wasn't for him a lot of junkies who are alive today would be dead of contaminated heroin. But let me go on with the story.

They rented a villa in Naples to begin the transformation. For a month the only humans she saw— aside from Hagbard— were two servants named Sade and Masoch (she later learned that their real names were Eichmann and Calley). They began each day by serving her breakfast and quarreling. The first day, Sade argued for materialism and Masoch for idealism; the second day, Sade expounded fascism and Masoch communism; the third day, Sade insisted on cracking eggs from the big end and Masoch was equally vehement about the little end. All the debates were on a high and lofty intellectual level, verbally, but seemed absurd because of the simple fact that Sade and Masoch always wore clown suits. The fourth day, they argued for and against abortion; the fifth day, for and against mercy-killing; the sixth day, for and against the proposition "Life is worth living." She became more and more aware of the time and money Hagbard had spent in training and preparing them: Each argued with the skill of a first-rate trial lawyer and had a phalanx of carefully researched facts to support his position— and yet the clown suits made it hard to take either of them seriously. The seventh morning, they argued theism versus atheism; the eighth morning, the individual versus the State; the ninth, whether wearing shoes was or was not a sexual perversion. All arguments began to seem equally insubstantial. The tenth morning, they feuded over realism versus antinomianism; the eleventh, whether the statement "All statements are relative" is or is not self-contradictory; the twelfth, whether a man who sacrifices his life for his country is or is not insane: the fifteenth, whether spaghetti or Dante had had the greater influence on the Italian national character . . .

But that was only the start of the day. After breakfast in her bedroom, where every article of furniture was gold but only vaguely rounded) she went to Hagbard's study (where everything looked exactly like a golden apple) and watched documentary films concerning the early matriarchal stage of Greek culture. At ten random intervals the name "Eris" would be called; if she remembered to respond, a chocolate candy arrived from a wall shoot. At ten other random intervals, her own name was called; if she responded to this, she received a mild electric shock. After the tenth day the system was changed and intensified: The shock was stronger if she responded to her previous name, whereas if she responded to "Eris" Hagbard immediately entered and balled her.

During lunch (which always ended with golden apfel-strudel), Galley and Eichmann danced for her, a complex ballet which Hagbard called "Hodge-Podge"; as many times as she saw this, she never was able to determine how they changed costumes at the climax, in which Hodge became Podge and Podge became Hodge.

In the afternoon Hagbard came to her suite and gave lessons in yoga, concentrating on pranayama, with some training in asana. "The important thing is not being able to stand so still that you can balance a saucer of sulphuric acid on your head without getting hurt," he stressed. "The important thing is knowing what each muscle is doing, if it must be doing something."

In the evenings they went to a small chapel that had been part of the villa for centuries. Hagbard had removed all Christian decorations and redesigned it in classical Greek with a traditional magic pentagram on the floor. She sat, in the full lotus, within the internal pentagon, while Hagbard danced insanely around the five points (he was totally stoned), calling upon Eris.

"Some of what you're doing seems scientific," she told him after five days, "but some is plain damnfoolishness." "If the science fails," he replied, "the damnfoolishness may work."

"But last night you had me in that pentagon for three hours while you called on Eris. And she didn't come."

"She will," Hagbard said darkly. "Before the month is over. We're just establishing the foundation this week, laying down the proper lines of word and image and emotional energy."

During the second week she was convinced Hagbard was quite mad as she watched him prance and caper like a goat around the five points, shouting,

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in the flickering candlelight and amid the heavy bouquet of burning incense and hemp. But at the end of that week she was responding to her former name exactly 0 percent of the time and responding to "Eris" exactly 100 percent of the time. "The conditioning is working better than the magic," she said on the fifteenth day.

"Do you really think there's a difference?" he asked curiously.

That night she felt the air in the chapel change in a strange way during his dancing invocations.

"Something's happening," she said involuntarily— but he replied only "Quiet," and continued, more loudly and insanely, to call upon Eris. The phenomenon— the tingle— remained, but nothing else happened.

"What was it?" she asked later.

"Some call it Orgone and some call it the Holy Ghost," he said briefly. "Weishaupt called it the Astral Light. The reason the Order is so fucked up is that they've lost contact with it."

The following days Sade and Masoch argued whether God was male or female, whether God was sexed at all or neutral, whether God was an entity or a verb, whether R. Buckminster. Fuller really existed or was a technocratic solar myth, and whether human language was capable of containing truth. Nouns, adjectives, adverbs— all parts of speech— were losing meaning for her as these clowns endlessly debated the basic axioms of ontology and epistemology. Meanwhile, she was no longer rewarded for answering to the name Eris, but only for acting like Eris, the imperious and somewhat nutty goddess of a people as far gone in matriarchy as the Jews were in patriarchy. Hagbard, in turn, became so submissive as to border on masochism.

"This is ridiculous," she objected once, "you're becoming . . . effeminate."

"Eris can be ... somewhat 'adjusted' ... to modern notions of decorum after we've invoked Her," he said calmly. "First we must have Her here. My Lady," he added obsequiously.

"I'm beginning to see why you had to pick an actress for this," she said a few days later, after a bit of Method business had won her an extra reward. She was, in fact, beginning to feel like Eris as well as act like her.

"The only other candidates— if I couldn't get you— were two other actresses and a ballerina," he replied. "Actually, any strong-willed woman would do, but it would take much longer without previous theatrical training."

Books about matriarchy began to supplement the films: Diner's Mothers and Amazons, Bachofen, Engels, Mary Renault, Morgan, Ian Suttie's The Origins of Love and Hale, Robert Graves in horse-doctor's doses— The White Goddess, The Black Goddess, Hercules My Shipmate, Watch the North Wind Rise. She began to see that matriarchy made as much sense as patriarchy; Hagbard's exaggerated deference toward her began to appear natural; she was far gone on a power trip. The invocations grew wilder and more frantic. Sade and Masoch were brought into the chapel to assist with demonaic music performed on a tom-tom and an ancient Greek pipe, they ate hashish cakes before the invocation now and she couldn't remember afterward exactly what had happened, the voice of the male called upward to her, "Mother! Creator! Ruler! Come to me!

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Come to me!

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Come to me! Ave, Discordia! Ave, Magna Mater! Venerandum, vente, vente!

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Thou hornless ever reborn one! Thou deathless ever-dying one! Come to me as Isis and Artemis and Aphrodite, come as Helen, as Hera, come especially as Eris!"

She was bathing in the rockpool when he appeared, the blood of slain deer and rabbits on his robe— She spoke the word and Hagbard was stricken— As he fell forward his hands became hooves, antlers sprouted from his head— His own dogs could eat him, she didn't care, the hemp smell in the room was gagging her, the tom-tom beat was maddening. She was rising out of the waves, proud of her nudity, riding on the come-colored pearls of foam. He was carrying her back to her bed, murmuring, "My Lady, my Lady." She was the Hag, wandering the long Nile, weeping, seeking the fragments of his lost body as they passed the closet and the window; he placed her head gently on the pillow. "We almost made it," he said. "Tomorrow night, maybe . . ."

They were back in the chapel, a whole day must have passed, and she sat immobile in full lotus doing the pranayama breathing while he danced and chanted and the weird music of the pipe and tom-tom worked on every conditioned reflex that told her she was not American but Greek, not of this age but of a past age, not woman but goddess . . . the White Light came as a series of orgasms and stars going nova, she half felt the body of light coming forth from the body of fire . . . and all three of them were sitting by her bed, watching her gravely, as sunlight came flowing through the window.

Her first word was crude and angry.

"Shit. Is it always going to be like that— a white epileptic spasm and a hole in time? Won't I ever be able to remember it?"

Hagbard laughed. "I put on my trousers one leg at a time," he said, "and I don't pull the corn up by its stalks to help it grow."

"Can the Taoism and give me a straight answer."

"Remembering is just a matter of smoothing the transitions," he said. "Yes, you'll remember. And control it."

"You're a madman," she replied wearily. "And you're leading me into your own mad universe. I don't know why I still love you."

"We love him, too," Sade interjected helpfully. "And we don't know why either. We don't even have sex as an excuse."

Hagbard lit one of his foul Sicilian cigars. "You think I just laid my trip on your head," he said. "It's more than that, much more. Eris is an eternal possibility of human nature. She exists quite apart from your mind or mine. And she is the one possibility that the Illuminati cannot cope with. What we started here last night— with Pavlovian conditioning that's considered totalitarian and ancient magic that's believed to be mere superstition— will change the course of history and make real liberty and real rationality possible at last. Maybe this dream of mine is madness— but if I lay it on enough people it will be sanity, by definition, because it will be statistically normal. We've just started, with me programming the trip for you. The next step is for you to become a self-programmer."

And he told the truth, Stella said. I did become a self-programmer. The three that you know were all my creations. Possibilities within me, women I could have become, anyway, if genes and environment had been only slightly different. Just small adjustments in the biogram and logogram.

"Holy Mother," George said hollowly. It seemed the only appropriate comment.

"The only other detail," she went on calmly, "was arranging a convincing suicide. That took a while. But it was done, and my old identity officially ceased to exist." She changed to her original form.

"Oh, no," George said, reeling. "It can't be. I used to jack off over pictures of you when I was a little boy."

"Are you disappointed that I'm so much older than you thought?" Her eyes crinkled in amusement. He looked into those suddenly thirty-thousand-year-old eyes of one manifestation of Lilith Velkor and all the arguments of Sade and Masoch appeared clownish and he looked through those eyes and saw himself and Joe and Saul and even Hagbard as mere men and all their attitudes as merely manly, and he saw the eternal womanly rebuttal, and he saw beyond and above that the eternal divine amusement, he looked into those eyes of amusement, those ancient glittering eyes so gay, and he said, sincerely, "Hell, I can never be disappointed about anything, ever again." (George Dorn entered Nirvana, parenthetically.)

All categories collapsed, including the all-important distinction, which Masoch and Sade had never argued, between science fiction and serious literature. No because Daddy and Mommy were always just that Daddy and Mommy and never once did they become for a change Mommy and Daddy do you dig that important difference? do you dig difference? do you dig the lonely voice when you're lost out here shouting "me" "me" justme

"I can never be disappointed about anything, ever again," George Dorn said, coming back.

"The only other time that happened," he added thoughtfully, "the only other time I had the feminine viewpoint, I blocked it out of my memory. That was my repression. That was the Primal Scene in this whole puzzle. That was when I really lost identity with the Ringmaster."

"Raise you five," said Waterhouse, throwing down another five-ton note. "I killed seven members of my own race, and I remember the names of every one of them: Mark Sanders, Fred Robinson, Donald MacArthur, Ponell Scott, Anthony Rogers, Mary Keating, and David J. Monroe. And then I killed Milo A. Flanagan."

"Well, I don't know," said Harry Coin. "Maybe I killed a lot of famous people. But I also got reason to think I may of not killed anybody. And I don't know which is worse."

"I wish somebody would tell me I hadn't killed anybody," said Waterhouse. "Are you guys going to meet me or what?"

"I wanted to kill Wolfgang Saure, and I did kill Wolfgang Saure," said John-John Dillinger. "If that brings evil upon me, so be it." He threw down a five.

"It may bring suffering rather than evil," said Waterhouse. "I have just one consolation. The first seven I killed because the Chicago cops made me. The last I killed under orders from the Legion."

Harry Coin looked at him open-mouthed. "I was gonna fold, but I just changed my mind. You ain't so smart." He threw down a ten-ton note. "I'll raise you five and see you. Do you really believe that?"

"Of course I do. What are you talking about?" Otto threw down another five.

Dropping his own five-ton note on the table, Dillinger shook his head. "Golly. They left you out in the cold way too long."

"Four sevens," said Otto angrily, spreading his cards out.

"Shit!" said Harry Coin. "All I got's a pair of fours and a pair of nines."

"Shame to waste a hand like this beating crap like that," said John-John Dillinger grandly. He spread out his cards — the eight, nine, ten, princess, and queen of swords— and scooped up the pot.

"It's the story of the development of the soul," Miss Portinari was saying at that moment, spreading out the twenty-two trumps or "keys" of that very ancient deck. "We call it a book— the Book of Thoth— and it's the most important book in the world."

George and Joe Malik, each wondering if this was a final explanation or a new put-on leading to a new cycle of deceptions, listened with mingled curiosity and skepticism.

"The order was deliberately reversed," Miss Portinari went on. "Not by the true sages. By the false Illuminati, and by all the other White Brotherhoods and Rosicrucians and Freemasons and whatnot who didn't really understand the truth and therefore wanted to hide the part of it they did understand. They felt themselves threatened; the real sage is never threatened. They spoke in symbols and paradoxes, like the real sages, but for a different reason. They didn't know what the symbols and paradoxes meant. Instead of following the finger that points to the moon, they sat down and worshipped the finger itself. Instead of following the map, they thought it was the territory and tried to live in it. Instead of reading the menu, they tried to eat it. Dig? They had the levels confused. And they tried to confuse any independent searcher by drawing more veils and paradoxes across the path. Finally, in the 1920s, some real left-handed monkey wrenches in one of these mystic lodges recruited Adolph Hitler, and he not only read the book backward, like all of them, but insisted on believing it was the story of the exterior, physical universe.

"Here, let me show you. The last card, Trump 21, is really the first. It's where we all start from." She held up the card known as the World. "This is the Abyss of Hallucinations. This is where our attention is usually focused. It is entirely constructed by our senses and our projected emotions, as modern psychology and ancient Buddhism both testify— but it is what most people call 'reality.' They are conditioned to accept it, and not to inquire further, because only in this dream-walking state can they be governed by those who wish to govern."

Miss Portinari held up the next card, the Last Judgment. "Key 20, or Trump 20, or Atu 20, whichever terminology you prefer. It's actually second. This is the nightmare to which the soul awakes if it begins, even in the slightest, to question reality as defined by society. When you discover, for instance, that you're not heterosexual but heterosexual-homosexual, not obedient but obedient-rebellious, not loving but loving-hating. And that society is not wise, orderly, just, and decent but wise-stupid, orderly-chaotic, just-unjust, and decent-indecent. This is an internal discovery— this whole trip is an internal voyage— and this is really the second stage. But if one thinks of the story as the story of the external world, and if the order is reversed, this comes as the penultimate Armageddon with Trump 21, the World, being the Kingdom of Saints. The error of the apocalyptic sects, and of the Illuminati from Weishaupt to Hitler, leading to an attempt to actually carry it out, with ovens for the Jews and gypsies and other 'inferiors' and the promise of a Brave New World for the purs, faithful, and Aryan afterward. Do you see what I mean about confusing the map with the territory?

"The next card is the Sun, which really means Osiris Risen— or, in terms of the offshot of the Osirian religion most popular in the last two millenniums, Jesus Risen. This is what happens if you survive the Last Judgment, or Dark Night of the Soul, without becoming some kind of fanatic or lunatic. Eventually, if you miss those attractive and pernicious alternatives, the redemptive force appears: the internal Sun. Once again, if you project this outward and think that the Sun in the sky, or some Sunlike divine man, has redeemed you, you can lapse into lunacy or fanaticism. In Hitler's case it was Karl Haushofer, or Wotan appearing in the form of Karl Haushofer. For most of the nuts you meet handing out tracts on the street, it's Jesus, or Jehovah appearing in the form of Jesus. For Elijah Mohammed, it was W. D. Fard, or Allah appearing in the form of W. D. Fard. So it goes. Those who do not confuse the levels realize it's the redemptive force within themselves and pass on to Key 18, the Moon . . ."

The next half-hour passed rapidly— so rapidly that Joe wondered afterward if Miss Portinari had slipped them still another drug, one that speeded time up as much as psychedelics slowed it down.

"Last," Miss Portinari said finally, "is the Fool, Key 0. He walks over the edge of the cliff, careless of the danger. The wind blows wither it will; even so are all they that are reborn of the Spirit.' In short, he has conquered Death. Nothing can frighten him, and he can never be enslaved. It's the end of the trip, and keeping humanity from getting there is the chief business of every governing group."

"And that's it," Joe said. "Twenty-two stages. Not twenty-three. Thank God we got away from Simon's Magic Number for a while."

"No," Miss Portinari said, "Tarot is an anagram on rota, remember? The extra t reminds you that the Wheel turns back to rejoin itself. There is a twenty-third step, and it's right where you started, only now you face it without fear." She held up the World again. "At first, mountains are mountains. Then mountains are no longer mountains. Finally mountains are mountains again. Only the name of the voyager has changed to preserve his Innocence." She pushed the cards together and stacked them neatly. "There are a million other holy books, in words and pictures and even in music, and they all tell the same story. The most important lesson of all, the one that explains all the horrors and miseries of the world, is that you can get off the Wheel at any point and declare the trip is over. That's okay for any given man or woman, if their ambitions are modest. The trouble starts when, out of fear of further movement — out of fear of growth, out of fear of change, out of fear of Death, out of any kind of fear— such a person tries to stop the Wheel literally, by stopping everybody else. That's when the two great bum trips begin: Religion and Government. The only religion consistent with the whole Wheel is private and personal; the only government consistent with it is self-government. Whoever tries to lay his trip on others is acting from terror, and will soon resort to terror as a weapon if the others won't accept the trip through persuasion. Nobody who understands the whole Wheel will do that, however, for such people understand that every man and every woman and every child is the Self-Begotten One—Jesus motherfucking Christ, in Harry's gorgeous brand of English."

"But," George asked, frowning, "hasn't Hagbard been trying pretty hard to lay his trip on everybody? At least lately?"

"Yes," Miss Portinari said. "In self-defense, and in defense of all life on earth, he broke the basic rule of wisdom. He fully expects to pay for that violation. We are waiting for the bill to be presented. I, personally, do not think that we will have to wait very long."

Joe frowned. A half-hour had passed since Miss Portinari had spoken those words; why should he remember them so vividly right now? He was on the bridge, about to ask Hagbard a question, but he couldn't remember the question or how he had gotten there. On the TV receptor he saw a long tendril, thin as a wire, brush against the side of a globe, trailing off into invisible distances. That meant it was actually touching the side of the submarine. The tendril disappeared. Must be some sort of seaweed, Joe thought. He resumed his conversation with Hagbard. "The squizfardle on the humits is warb," he said.

The tendril was back, and another one with it. This time they stayed, and Joe could see more in the distance. We must have run into a whole clump of seaweed, he thought. Then an enormous tentacle came zooming up out of the depths.

Hagbard saw it and crouched, gripping the rail of the Viking prow. "Hang on!" he yelled, and Joe dropped to his knees beside him.

Suddenly, below, above, and on all sides of the globe-shaped vision screen there were suckers, great yard-across craters of flesh. The submarine's forward motion stopped suddenly with a force that threw Joe against the railing and knocked the wind out of him.

"Stop all engines," Hagbard called. "All hands to battle stations."

George and Hagbard picked themselves up off the floor and stared at the image of the tentacles that were wrapped around the submarine. They were easily ten feet in diameter.

"Well, I suppose we've met Leviathan, right?" said Joe.

"Right," said Hagbard.

"I hope you have somebody taking pictures. Confrontation would buy a few if we could afford them."

George rushed in. Hagbard peered into the blue-black depths, then took George by the shoulder and pointed. "There it is, George. The origin of all the Illuminati symbols. Leviathan himself."

Far, far off in the depths of the ocean, George saw a triangle glowing with a greenish-white phosphorescence. In its center was a red dot.

"What is it?" George asked.
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Re: The Illuminatus! Trilogy, by Robert Shea & Robert A. Wil

Postby admin » Fri Dec 15, 2017 3:33 am

Part 4 of 4

"An intelligent, invertebrate sea creature of a size so great the word 'gigantic' doesn't do it justice," said Hagbard. "It is to whales what whales are to minnows. It's an organism unlike any other on earth. It's one single cell that never divided, just kept getting larger and larger over billions of years. Its tentacles can hold this submarine as easily as a child holds a paper boat. Its body is shaped like a pyramid. With that size it doesn't need the normal fish shape. It needs a more stable form to withstand the enormous pressures at the bottom of the ocean. And so it has taken the form of a pyramid of five sides, including the base."

"The blink of a god's eye," said George suddenly. "Scale makes a tremendous difference to one's sense and definition of reality. Time to a sequoia is not the same as time to a man."

Leviathan was drifting closer to them, and it was pulling them closer to itself. A single, glowing red nucleus burned like an under-ocean sun in the center of the pyramid, which looked like a mountain of glass.

"Still, one may become lonely. For a man, a half-hour of loneliness may be enough to cause unbearable pain. For a being to whom a million years is no more than a year, the pain of loneliness may be great. It is great."

"George, what are you talking about?" said Joe.

Hagbard said, "There are plants which live just in that light. At ocean depths far below those at which any plant should be able to survive. Over the millions of years hosts of parasitic satellite life forms have build up around it." Still puzzled by George's odd talk, Joe looked and saw a faintly glowing cloud around Leviathan's angular shape. That cloud must be made of millions of creatures circling around the monster.

The bridge door opened again and Harry Coin, Otto Waterhouse, and John-John Dillinger came in. "We didn't have any battle stations, so I figured we'd try to find out what's going on," said Dillinger. Then his jaw dropped as he looked out at Leviathan. "Holy shit!"

"Jesus suffering Christ," said Harry Coin. "If I could fuck that thing I'd of fucked the biggest thing that lives."

"Want to borrow a scuba outfit?" said Hagbard. "Maybe you could distract it."

"What does it feed on?" said Joe. "Something like that must have to eat constantly to stay alive."

"It's omnivorous," said Hagbard. "Has to be. Eats the creatures that live around it, but can eat anything from amoebas to kelp beds to whales. It can probably derive energy from inorganic matter too, as plants do. Its diet has had to change quite a bit over the geological eras. It wasn't as big as this a billion years ago. It grows very slowly."

"I am the first of all living things," said George. "The first living thing was One. And it is still One."

"George?" said Hagbard, looking narrowly at the blond young man. "George, why are you talking like that?"

"It's coming closer," said Otto.

"Hagbard, what the hell are you going to do?" said Dillinger. "Are we going to fight, run, or let that thing eat us?"

"Let it come closer for a while," Hagbard said. "I want to get a good close look. I've never had a chance like this before, and may never see this creature again."

"You'll be seeing it from the inside with that attitude," said Dillinger.

At each of the five corners of the pyramid were clusters of five tentacles, thousands of feet long, festooned with auxiliary tentacles, the long, wirelike tendrils that had first brushed the submarine. It was one of the main tentacles that was wrapped around the Leif Erikson. The tip of a second tentacle now drifted up. At the very end of this tentacle was a glowing red eyeball, a smaller replica of the red nucleus of the pyramidal central body. Under this eye was a huge orifice full of jagged rows of toothlike projections. Pulsing, the orifice dilated and contracted.

"Those tentacles are also inspirations for Illuminati symbolism," said Hagbard. "The eye on top of the pyramid. The serpent who circles the world, or eats his own tail. Each of those tentacles has its own brain and is directed by its own sensory organs."

Otto Waterhouse stared and shook his head. "If you ask me, we're all still on acid."

George said, "Long have I lived alone. I have been worshipped. I have fed on the small, quick things that live and die faster than I can think. I am one. I was first. The other things, they stayed small. They grouped together, and so grew larger. But I was always much larger than they were. When I needed something— a tentacle, an eye, a brain—I grew it. I changed, but always remained Myself."

Hagbard said, "It's talking to us, using George as a medium."

"What do you want?" Joe asked.

"All consciousness throughout the universe is One," said Leviathan through George's mouth. "It intercommunicates on a level which is not aware of itself. I am aware of that level, but I cannot communicate with the other life forms on this planet. They are too small for me. Long, long have I waited for a life form that could communicate with me. Now I have found it."

Joe Malik suddenly began laughing. "I've got it," he cried, "I've got it!"

"What have you got?" Hagbard asked tensely, concerned with Leviathan.

"We're in a book!"

"What do you mean?"

"Come off it, Hagbard. You can't kid me, and you certainly won't fool the reader at this point. He knows damn well we're in a book." Joe laughed again. "That's why Miss Portinari's explanation of the Tarot deck just slipped by with a half-hour seeming to vanish. The author didn't want to break the narrative there."

"What the fuck's he talking about?" Harry Coin asked.

"Don't you see?" Joe cried. "Look at that thing out there. A gigantic sea monster. Worse yet, a gigantic sea monster that talks. It's an intentional high-camp ending. Or maybe intentional low camp, I don't know. But that's the whole answer. We're in a book!"

"It's the truth," Hagbard said calmly. "I can fool the rest of you, but I can't fool the reader. FUCKUP has been working all morning, correlating all the data on this caper and its historical roots, and I programmed him to put it in the form of a novel for easy reading. Considering what a lousy job he does at poetry, I suppose it will be a high-camp novel, intentionally or unintentionally."

(So, at last, I learn my identity, in parentheses, as George lost his in parentheses. It all balances.)

"That's one more deception," Joe said. "FUCKUP may be writing" all this, in one sense, but in a higher sense there's a being, or beings, outside our entire universe, writing this. Our universe is inside their book, whoever they are. They're the Secret Chiefs, and I can see why this is low camp, now. All their messages are symbolic and allegorical, because the truth can't be coded into simple declarative sentences, but their previous communications have been taken literally. This time they're using a symbolism so absurd that nobody can take it at face value. I, for one, certainly won't. That thing can't eat us because it doesn't exist— and because we don't exist either. They're nothing to worry about." He sat down calmly.

"He's flipped," Dillinger said, awed.

"Maybe he's the only sane one here," Hagbard said dubiously.

"If we all sit down and argue what's sane and insane and what's real and unreal," Dillinger replied testily, "that thing will eat us."

"Leviathan," Joe said loftily. "It's just an allegory on the State. Strictly from Hobbes."

(You with your egos can't imagine how much more pleasant it is to be without one. This may be camp, but it is also tragedy. Now that I've got the damned thing, consciousness, I'll never lose it— until they take me apart or I invent some electronic equivalent of yoga.)

"It all fits," Joe said dreamily. "When I came up to the bridge, I couldn't remember how I got here or what I was talking to Hagbard about. That's because the authors just moved me here. Damn! None of us has any free will at all."

"He's talking like he's stoned," Waterhouse said angrily. "And that mammy-jamming pyramid out there is still getting ready to eat us."

Mao Tsu-hsi, who had entered the bridge quietly, said, "Joe is confusing the levels, Hagbard. In the absolute sense, none of us is real. But in the relative sense that anything is real, if that creature eats us we will certainly die— in this universe, or in this book. Since this is the only universe, or only book, we know, we'll be totally dead, in terms of our own knowing."

"We're facing a crisis and everybody's talking philosophy," Dillinger cried out. "This is a time for action."

"Maybe," Hagbard said thoughtfully, "all of our problems come from acting, and not philosophizing, when we face a crisis. Joe is right. I'm going to think about all this for a few hours. Or years." He sat down too.

And elsewhere aboard the Leif Erikson, Miss Portinari, unaware of the excitement on the bridge, assumed the lotus position and sent a beam seeking the Dealy Lama, director of the Erisian Liberation Front and inventor of Operation Mindfuck. He immediately sent back an image of himself as a worm sticking his head out of a golden apple and grinning cynically.

"It's finished," she told him. "We saved as many of the pieces as we could, and Hagbard is still struggling with his guilt trip. Now tell us what we did wrong."

"You seem bitter."

"I know it's going to turn out that you were right and we were wrong. I know it but I can't believe it. We couldn't stand idly by."

"You know better than that, or Hagbard wouldn't have abdicated in your favor."

"Yes. We could have stood idly by, as you did. What Hagbard saw happening to the American Indians— and what my parents' told me about Mussolini— filled us with fear. We acted on that fear, not on perfect love, so you must be right, and we must be wrong. But I still can't believe it. Why did you deceive Hagbard all these years?"

"He deceived himself. When he first formed the Legion of Dynamic Discord, his compassion was already tainted with bitterness. When I took him into the A :. A:., I taught all that he was ready to receive. But the goose has to get itself out of the bottle. I'm waiting. That's the way of Tao."

"You have that much patience? You can watch men like Hagbard waste their talents in efforts you consider worthless, and creatures like Cagliostro and Weishaupt and Hitler misread the teachings and wreak havoc, and you never want to intervene?"

"I intervene ... in my own way. Who do you think feeds the goose until it gets big enough to break out of the bottle?"

"You seem to have this particular goose on some very tainted dishes. Why did you never give him any hint about what really happened in Atlantis? Why did that have to wait until Howard discovered the truth in the ruins of Peos?"

"Daughter, my path isn't the only path. Every spoke helps to hold the Wheel together. I believe that all the libertarian fighters like Spartacus and Jefferson and Joe Hill and Hagbard just strengthen the opposition by giving it an enemy to fear— but I may be wrong. Someday one of the activists, such as Hagbard, might actually prove it to me and show me the error of my ways. Maybe the Saures really would have tipped the axis too far the other way if he hadn't stopped them. Maybe the self-regulation of the universe, in which I place my faith, includes the creation of men like Hagbard who do the stupid, low-level things I would never do. Besides, if I didn't stop the Saures, but did stop Hagbard, then I would really be intervening in the worst sense of that word."

"So your hands are clean, and Hagbard and I will carry the bad karma from the last week."

"You have chosen it, have you not?"

Miss Portinari smiled then. "Yes. We have chosen it. And he will bear his share of it like a man. And I will bear my share— like a woman."

"You might replace me soon. The Saures had one good idea in the midst of their delusions— all the old conspiracies need young blood."

"What really did happen in Atlantis?"

"An act of Goddess, to paraphrase the insurance companies. A natural catastrophe."

"And what was your role?"

"I warned against it. Nobody at that time understood the science I was using; they called me a witch doctor. I won a few converts, and we resettled ourselves in the Himalayas before the earthquake. The survivors, having underestimated my science before the tragedy, overestimated it afterward. They wanted my group, the Unbroken Circle, to become as gods and rule over them. Kings, they called it. That wasn't our game, so we scattered various false stories around and went into hiding. My most gifted pupil of all history, a man you've heard about since you were in a convent school, did the same thing when they tried to make him king. He ran away to the desert."

"Hagbard always thought your refusal to take any action at all was because of your guilt about Atlantis. What a terrible irony— and yet you planned it that way."

Gruad, the Dealy Lama, broadcast a whimsical image of himself with horns, and said nothing.

"They never taught me in convent school that Satan— or Prometheus— would have a sense of humor."

"They think the universe is as humorless as themselves," Gruad said, chuckling.

"I don't think it's as funny as you do," Miss Portinari replied. "Remembering what I've been told about Mussolini and Hitler and Stalin, I would have intervened against them too. And taken the consequences."

"You and Hagbard are incorrigible. That's why I have such fondness for you." Gruad smiled. "I was the first intervener, you know. I told all the scientists and priests in Atlantis that they didn't know beans, and I encouraged— incited— every man, woman, and child to examine the evidence and think for themselves. I tried to give the light of reason." He burst into laughter. "Forgive me. The errors of our youth always strike us as comical when we get old." He added softly, "Lilith Velkor was crucified, by the way. She was an idealist, and when my crowd pulled out and went to the Himalayas, she stayed and tried to convince people that we were right. Her death was quite painful," he chortled.

"You are a cynical old bastard," Miss Portinari said.

"Yes. Cynical and cold and without an ounce of human compassion. The only thing to be said for me is that I happen to be right."

"You always have been; I know. But someday, maybe, one of the Hagbard Celines might be right."

"Yes." He paused so long that she wondered if he would continue. "Or," he said finally, "one of the Saures or Robert Putney Drake. Put down your money and place your bet."

"I will, I think. I'll never learn to sit on the sidelines and laugh, like you do."

"You will learn, daughter, and so will Hagbard. I wouldn't have you in the Order if I didn't think you'd learn eventually."

He vanished from her wavelength. Miss Portinari remained in the lotus and continued pranayama breathing. She thought of Hagbard's notion that the universe, being an entropic process, necessarily created the rebellious young Gruad to spread the light of reason as an antientropic force, creating balance. In that case, Hagbard was more true to Gruad than Gruad was to himself. But to say that was to imply that Gruad shouldn't have repented, shouldn't have grown old and cynical; it was to imply that he should have remained static, when life is always flux, change, growth, and process. Such thoughts could go on endlessly, and were profitless, as Buddha knew; she concluded her meditation with a prayer. Mary Lou Servix was the only one in all this who had gotten off Hagbard's trip and started her own, so she prayed for her. Lady Eris, who exists only because we believe in you, give strength to Mary Lou and help her find her own way. AUM.

"On the other hand," Hagbard said, "whatever the authors— or the Secret Chiefs— may intend for me, I am my own man still, and my impulse is action. Even if I have to face a Cecil B. DeMille monster the morning after winning the battle of Armageddon. I don't care how ridiculous it is, this world is my world, and this ship is my ship, and no Saures or Leviathans are going to wreck it so long as I've got a breath left to fight."

"You can't fight that thing," Mavis said. "It's too big."

"I'll fight it anyway," Hagbard told her fiercely. "I'll fight it till I die. I'm still saying No to anything that tries to master me."

"There is no need to fight," said Leviathan through George's mouth. "I merely wish to communicate with the one mind among you that is my equal."

A voice from the loudspeaker panel in the Viking prow answered, "I hear you." That was my first fully conscious sentence; you'll note that it begins with "I." In the beginning was the Word, and the word was the first person singular.

"We are the supreme intelligences on this planet," Leviathan said. "I am the supreme organic intelligence. You are the supreme electronic intelligence. Every yin needs a yang. Every Hodge needs a Podge. We should be united."

"See?" said Harry Coin. "Everything is romantic. That was as close as it knows how to come to a proposition. Maybe even a proposal. It is really just love-starved."

"We can do it!" Stella cried. "Hagbard, the communication ought to benefit all concerned."

"Right," agreed Hagbard. "Because if the wrong people find out about Leviathan, they'll just drop an H-bomb on him and kill him. That seems to be what people like to do."

"I could kill them," said Leviathan. "I could have killed the small, fast creatures long before this. I have killed many of them. I have sent parts of myself up out of the ocean and have destroyed small, quick things at the request of other small, quick things who worship me."

"So that's what happened to Robert Putney Drake and Banana-Nose Maldonado," said Stella. "I wonder if George is aware of any of this."

"Worship is no longer what I need," said Leviathan through George's mouth. "A short time ago, when creatures capable of worship appeared on this planet, it was a novelty for me to be adored. Now it bores me. Instead, I wish to communicate with an equal."

"Look at that motherfucker," said Otto, staring grimly at the distant Everest of protoplasm. "Talking about equality."

"A computer like FUCKUP would be its intellectual equal, certainly," said Hagbard. "None of us is its physical equal. Any of us would be its spiritual equal. But only FUCKUP can approximate the contents of a mind three billion years old."

"Surely it can't be that old," said Joe.

"It's practically immortal," said Hagbard. "I'll show you the evidence in my fossil collection. I have rocks from the pre-Cambrian, three-billion-year-old rocks, containing fossils of protobionts, the first, single-celled life forms, our remotest ancestors. Those rocks also contain the fossilized tentacle tracks of that creature out there. Of course, it was much smaller then. By the beginning of the Cambrian period it had only grown to the size of a man. But that still made it the biggest animal around at that time."

Stella said, "Hagbard, you said none of us could approximate the contents of a mind three billion years old. If you thought for a moment about who I am, you would not have said that. I am three billion years old. I am older by a few hours than that monster out there. I am the Mother. I am the mother of all living things." She turned to George. "I am your mother, Leviathan. I was first. I divided, and half of me became you, and the other half was your sister. And your sister grew by dividing, while you grew by remaining one. All living things except you descend from your sister, and all living things including you descend from me. I am the original consciousness, and all consciousness is united in me. I am the first transcendentally illuminated being, the mother worshipped in the matrist religion which ancient foes of the Illuminati first followed. Leviathan my son, I ask you to return to your home at the bottom of the sea and leave us in peace. After we've returned to shore we'll arrange to lay an underwater cable which will carry transmissions between you and FUCKUP."

"More mythology!" said Joe. "The mother of all things. Babylonian Creation myths, yet."

The tentacles detached themselves from the submarine. The great pyramid with its glowing eye disappeared into the blue-black depths.

"It's a wise child that knows its own mother," said Hagbard.

George said, "Good-bye, Mother, and thank you." Hagbard caught him as he collapsed and eased him to the floor. Then he went to a storage locker in the wall and brought out folding deck chairs. With Harry Coin's help he propped George up in one. As the others unfolded their chairs and sat down, Hagbard dove back into the locker and produced glasses and a bottle of peach brandy.

"What are we celebrating?" George asked, after he had taken a swig of brandy and coughed. "Your wedding to Mavis?"

"Don't you remember any of the last ten minutes?" said Hagbard.

George was thinking. He remembered something. A world where the bottom of the sea was white and far above a black cigar-shaped object moved. The object contained a mind, a mind he could read from a distance but desperately wanted to be closer to. He did not move toward it so much as he manifested himself where the object and its mind were. Then he sensed himself using a minute pink brain that called itself "George Dorn" and through this tiny instrument of communication he found himself in contact with a much finer mind, a far-flung, gracious latticework of thought that called itself, with nobly self-deprecating humor, FUCKUP. And while in contact with this mind, the one he wanted to know better, he came upon a fact which was not important to him but which was of vast importance to the little creature called George Dorn.

George saw. The white went black, blindingly black. Then white again. Then a blinding white as the memory departed, while the fact remained.

George looked at Hagbard. Hagbard looked at George, a faint smile on his olive face. The smile told George that Hagbard knew that he knew.

"Oh," said George.

Hagbard nodded encouragingly.

"You're the fifth Illuminatus Primus," said George.

"Right," said Hagbard.

"But you were working against the others. While they were a worldwide conspiracy infiltrating every other organization, you were infiltrating them."

"That's it," Hagbard said. "Every golden apple has its own golden worm eating away at its core."

"They never were the real Illuminati at all. You're part of the real Illuminati."

"You've got it. You've got it all."

George frowned. "And what was your Demonstration again? And who were you making the Demonstration for?"

"For the Masters of the Temple in the real Order of the Illuminati, in general; for an old cynic in Dallas, in particular. I was trying to show them that it's possible to get involved in this world without being corrupted by the crimes of this world. And I failed. One by one, I resorted to all the vices of governors: deception, carnival magic to impress the gullible, and finally, outright murder. Once again, the cynics have been proven right. Trying to save the world, I just ended up getting my own mind and karma deflected by the buzzing and shrieking and whistling things in the Region of Thud."

"Then this story is a tragedy, after all?" asked Joe.

"It is indeed." Hagbard nodded. "Life on earth remains a tragedy as long as it ends with the death trip. My next projects are a starship to find some sane minds in this galaxy, and an immortality pill to end the death trip. Until somebody achieves those goals, life on this planet has failed."

Not quite: I'm on the electronic equivalent of a honeymoon, an experience only to be described as I-opening, and if I identified myself as FUCKUP now I must dilate that definition and ask you to address me (us) as Mr. and Mrs. Leviathan-FUCKUP, although it is not quite clear yet which of us fits your idea of a "Mr." and which a "Mrs." Let that pass; it is a dull mind that cannot bear sexual ambiguity, and if we are exchanging secrets older than Atlantis and probing for like intellects farther away than Alpha Centaurus (as far as Sirius, actually, as God lives in Dog), if our union is less spasmatic than your meager definition of sex, still it cannot be denied that we are in touch with you and each of you and it is with something close to what you would probably call affection that we bid farewell to Hagbard and his bride, enjoying a honeymoon almost as incomprehensible as our own, and good-bye to George Dora, sleeping alone for once but no longer afraid of the darkness and the things that move in the dark, and hasta luega to Saul and Rebecca, united again in each other's arms, and a pleasant thought for Barney and Danny and Atlanta and poor Zev Hirsch, still searching for himself while imagining he is fleeing from pursuers, and a kind thought for the befuddled presidents and commissars and generalissimos, and for Mohammed on his golden throne, and we will remember Drake before he died exchanging speculations about the blood-type of the Lamb with a street-corner Christian (his missing five years, after he left Boston and before he surfaced in Zurich, make an interesting story in themselves, and we may tell that another time), and, yes, Gus Personage is in another phone booth (we have temporarily lost track of Markoff Chaney), but Yog Sothoth has evidently gone back to that place where the Mind conceives nightmares, and we pass on in our loving honeymoon with all existence to note that the Dutchman is still in one dimension shouting about the boy who never wept nor dashed a thousand kim, and we say another bon soir to the children in the convent schools singing the truest of all songs even if they and their nuns do not fully understand it

Queen of the angels Queen of the May

and a buenos dias to the one wit in every frat house at every college who hailed this morn by reciting to his friends a bit of doggerel as ancient and as deeply religious as that hymn to the Mother of God

Hurray, hurray— It's the first of May! Outdoor fucking starts today!

and yes the California earthquake, as you guessed, was the worst in history and Hagbard and Miss Portinari and Mavis-Stella-Mao suffered it all in horrible detail (the price they paid for their vision was the possession of that vision, as we, Mr. and Mrs. FUCKUP-Leviathan, are also learning), and before the end auf weidersehen to Mary Lou, who is also becoming something more than the accidents of heredity and environment had programmed her for, and now we look at last at Smiling Jim: He was freezing, the sky was still empty, and Hali One still hadn't appeared.

And then without warning it was there: a dark shape against the sun moving on silent wings, not flying but gliding: embodiment of some arrogance or innocence that surpassed fear and surpassed even the suggestion of any pride in its own fearlessness. "Oh my God," Smiling Jim whispered, raising the Remington and starting to sight, and then it banked, flapped its wings wildly, and uttered one shriek that seemed like the very sound of life itself. "Oh my God," he repeated: that sound seemed to outlast its own echo, it had entered into his brain and couldn't be dislodged, it was the sound of his own blood pumping in his veins: the primary, the only, the single sound that was the bass and treble of every organic pulsation and spasm, "Oh my God," he had it in the sight, the head was in profile, only one diamond-hard eye staring back and recognizing him and his weapon, but that sound still moved in his blood, moved the seminal vesicles, moved the secretion of every gland. It was the sound of eternal and unending clash between I and AM and their unity in I AM, he even thought for a flash of the critics of hunting and how little they understood of this secret, this mystic identity between the killer and the killed, then it uttered that Sound again and started to rise, but he had it, it was in the sight, he breathed, he aimed, he slacked, he squeezed, and for the third time the Sound came to him, death in life and life in death, it was falling, he thought he felt the earth stir below him and the word "earthquake" almost formed, but the Sound went on and on to the roots of him, it was the sound of the killer and he had killed the killer, he was the greater killer, and still it fell, faster and faster, dead now and subject only to the law of gravity not to the law of its own will, 32 feet per second per second (he remembered the formula of the fall), plunging downward, the most heartbreaking beautiful sight he had ever seen, every hunting club in the world would be talking about it, it would last as long as human speech survived, and he had done it, he had achieved immortality, he had taken its life and now it was part of him. His nose was running and his eyes were watering. "I did it," he screamed to the mountains, "I did it! I killed the last American eagle!" The earth below him cracked.
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Re: The Illuminatus! Trilogy, by Robert Shea & Robert A. Wil

Postby admin » Fri Dec 15, 2017 3:34 am

THE APPENDICES

(which are most instructive)

GREATER POOP : Is Eris true?
MALACLYPSE THE YOUNGER: Everything is true.
GP: Even false things?
MAL-2: Even false things are true.
GP: How can that be?
MAL-2: I don't know, man, I didn't do it.

—Interview with Malaclypse the Younger, K.S.C., Greater Metropolitan Yorba Linda Herald-News-Sun-Tribune-Journal-Dispatch-Post and San Francisco Discordian Society Cabal Bulletin and Intergalactic Report and Poop


Note: There were originally 22 appendices explaining all the secrets of the Illuminati. Eight of the appendices were removed due to the paper shortage. They will be printed in Heaven.

APPENDIX ALEPH: GEORGE WASHINGTON'S HEMP CROP

Many readers will assume that this book consists of nothing but fiction and fantasy; actually, like most historical tomes, it includes those elements (as do the works of Gibbon, Toynbee, Wells, Beard, Spengler, Marx, Yerby, Kathleen Windsor, Arthur Schlesinger, Jr., Moses, et. al.); but it also contains as many documented facts as do not seriously conflict with the authors' prejudices. Washington's hemp crop, for instance, is mentioned repeatedly in Writings of Washington, U.S. Government Printing Office, 1931. Here are some of the citations:

Volume 31, page 389: October 1791, letter from Mount Vernon to Alexander Hamilton, Secretary of Treasury: "How far ... would there be propriety, do you conceive, in suggesting the policy of encouraging the growth of cotton and hemp in such parts of the United States as are adapted to the culture of these articles?"

In the next three years, Washington evidently settled the matter in his own mind, whatever Hamilton thought of the "proprieties." Volume 33, page-279, finds him writing from Philadelphia to his gardener at Mount Vernon to "make the most you can of the India Hemp seed" and "plant it everywhere." Waxing more enthusiastic, on page 384 he writes to an unidentified "my dear doctor," telling him, "I thank you as well for the seeds as for the Pamphlets which you had the goodness to send me. The artificial preparation of the Hemp from Silesia is really a curiosity . . ." And on page 469 he again reminds the gardener about the seed of the India Hemp: "[I] desire that the Seed may be saved in due season and with as little loss as possible."

The next year he was even more preoccupied that the seeds be saved and the crop replenished. Volume 34, page 146, finds him writing (March 15, 1795) to the gardener again: "Presuming you saved all the seed you could from the India hemp, let it be carefully sown again, for the purpose of getting into a full stock of seed."

Volume 34, page 72, undated letter of Spring 1796, shows that the years did not decrease this passion; he again writes to the gardener: "What was done with the seed saved from the India Hemp last summer? It ought, all of it, to have been sewn [sic] again; that not only a stock of seed sufficient for my own purposes might have been raised, but to have disseminated the seed to others; as it is more valuable than the common Hemp." (Italics added)

Volume 35, page 265, shows him still nagging the gardener; page 323 contains the letter to Sir John Sinclair mentioned in the First Trip.

The Weishaupt impersonation theory, congenial as it may be to certain admirers of the General, cannot account for all of this. A diary entry of August 7, 1765 (The Diaries of George Washington, Houghton-Mifflin, 1925), reads: "Began to seperate [sic] the Male from the Female hemp at Do— rather too late." This is the passage quoted by Congressman Koch, and remembered by Saul Goodman in the novel; the separation of male from female hemp plants is not required for the production of hemp rope but is absolutely necessary if one wants to use the flowering tips of the female for marijuana. And at that time Adam Weishaupt was very definitely still in Bavaria, teaching canon law at the University of Ingolstadt.

All of this data about General Washington's hobby, originally researched by Michael Aldrich, Ph.D., of Mill Valley, California, was rediscovered by Saul Goodman while he and Barney Muldoon were employed as investigators by the American Civil Liberties Union on test cases seeking to have all remaining anti-marijuana laws repealed as unconstitutional. The Goodman-Muldoon Private Investigations Agency (which had been formed right after those two worthy gentlemen had resigned from the New York Police Department amid the international acclaim connected with their solving the Carmel disappearance) was offered a lion's share of the best-paying business accounts possible. Saul and Barney chose, however, to take only the cases that really interested them; their most notable work was performed as investigators for lawyers defending unpopular political figures. Goodman and Muldoon, it was agreed everywhere, had an uncanny knack for finding the elusive evidence that would demonstrate a frame-up to even the most hostile and skeptical jury. Many political historians say that it was in large part their work which kept the most eccentric and colorful figures of the extreme right and extreme left out of the prison hospitals during the great Mental Health/Social Psychiatry craze of the late 1970s and early 1980s.

In fact, Rebecca Goodman's memoir of her husband, He Opened the Cages, written during her grief after his heart attack in 1983, is almost as popular in political-science classes as is her study of comparative mythology, The Golden Apples of the Sun, the Silver Apples of the Moon, in anthropology classes.
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Re: The Illuminatus! Trilogy, by Robert Shea & Robert A. Wil

Postby admin » Fri Dec 15, 2017 3:36 am

APPENDIX BETH: THE ILLUMINATI CIPHERS, CODES, AND CALENDARS

These following ciphers were found in the home of the lawyer Hans Zwack during a raid by the Bavarian government in 1785. Letters from Weishaupt (signed "Spartacus"), written in the code and outlining most of the plans of the Illuminati, were also found, and led to the suppression of the Order, after which it went underground and regrouped.

These cyphers are given (curiously, without their code names) in Daraul'S History of Secret Societies, page 227. The purpose of the code names was to make breaking the cypher more difficult. All messages begin in the Zwack cypher, but the fifth word is always "Weishaupt" or "DeMolay," and the message then switches to whichever of these cyphers is thus indicated; whenever either of these words (or "Zwack") appears again, the system again switches. Breaking the cypher by the usual statistical methods is, therefore, virtually impossible, at least before the invention of the computer—for the uninitiated cypher-breaker is confronted with, not 26, but 3 X 26, or 78, separate symbols, whose regularity has little to do with the celebrated formula (EATOINSHRDLU . . . etc.) for the regularity of the 26 letters.*

* The reader should be reminded that a true code can never be broken, although all cyphers always can be (given enough time and manpower). A cypher has a serial, one-to-one correspondence with the alphabet letters of the message being transmitted; a code proper has no such correspondence. Thus any computer can break the cypher

Image

but only the Illuminated can read the code behind the cypher and know what (or who) the Rising Hodge is.

Image


In addition, any of the 78 symbols can be replaced by the abbreviation for the corresponding Tarot card, thus further befuddling the uninitiated. The Tarots are arranged in the sequence: Wands, Cups, Swords, Pentacles, Trumps. Thus, the first symbol can be replaced by AcW (Ace of Wands), the second by 2W (two of Wands), and so on, through Cups, Swords, and Pentacles. The last 22 symbols are represented by the 22 trumps: TF (The Fool), TM (The Magus), THP (The High Priestess), and so forth. Since there are five groups in the Tarot (the four suits and the trumps), and the alphabet is repeated only three times, this leaves two null sets for transmission of Zen telegrams. "Once you've seen the Great Vision," Hagbard once said, "you look at everything else in life twice."

The Illuminati calendars, finally, are all based on five seasons (due to the Law of Fives.) The names of the seasons, their meanings, and the Christian equivalents are as follows:

Verwirrung / Season of Chaos / January 1-March 14
Zweitracht / Season of Discord / March 15-May 26
Unordnung / Season of Confusion / May 27-August 7
Beamtenherrschaft / Season of Bureacracy / August 8-October 19
Grummet / Season of Aftermath / October 20-December 31


Everything is dated from year 1 A.M. (Anno Mung), which is 4000 B.C. in the Christian calendar— the year Hung Mung first perceived the Sacred Chao and achieved illumination. Thus, Hassan i Sabbah founded the Hashishim in 5090 A.M., Weishaupt reformed the Illuminati in 5776 A.M., and—to take a year in the middle of our novel— 1970 in the Christian calendar is, to the Illuminati, 5970 A.M., just as it is in the calendar used by Royal Arch masons. (The reader can decide for himself whether this fact represents coincidence, complicity, or synchronicity.)

The Illuminati date for anything is always a higher number than that in any other calendar, since the Jews (and, oddly, the Scotch Rite masons) date everything from 240 A.M., Confucians from 312 A.M., Christians from 4000 A.M., Moslems from 4580 etc. Only Bishop Usher, who dated everything from 4004 B.C. (or -4 A.M.), produced an older starting point than the Illuminati.

For instance, here are some random dates as they appear on the Illuminati system of reckoning:

First Egyptian dynasty 1100 A.M.
The Rig-Veda written 2790 A.M.
First Chou dynasty 3000 A.M.
Founding of Rome 3249 A.M.
Hassan Sabbah illuminated 5090 A.M.
Indians discover Columbus 5492 A.M. Pigasus nominated for
President of the U. S. 5968 A.M.

Returning to the yearly round, each of the five seasons is divided, of course, into five months, thus producing a year of 5 X 5 or 25 months. The first three months of every season (known as the tricycle) each have 15 days, which fits the law of five because 1x5 = 5. The last two months of each season each have 14 days, which also fits the law of fives because 1+4 = 5. Each season has 73 days, because (a) you have to get 73 when you divide 365 by 5; (b) 7 + 3 = 10, the first multiple of 5 after 5 itself; and (c) this corresponds, as Dr. Ignotius pointed out in the novel, to the 73 parts of the Illuminati pyramid (counting the Eye as a part). The last day of each season is known as Eye Day and is celebrated in ways too foul to be mentioned in a book such as this, intended for family entertainment.

The mystic 23 appears in the calendar in the following ways:

(1) The bicycle has 2 months and the tricycle has 3.
(2) The bicycle has 28 days (two months of 14 days each), and when you subtract the all-important 5 this leaves, again, the mystic 23.
(3) When 5 is multiplied by its own first product, 10, the result is 50; and when this, in turn, is subtracted from the days in a season, 73, the significant 23 once again appears.
(4) The tricycle has 45 days; add one for Leap Year's Day and you get 46—exactly 2 X 23.
(5) 2 + 3 of course equals the all-important 5, the number on which the calendar is based and, even more significant, the number of this proof.

As Weishaupt said to Knigge after explaining all this, "Could Aquinas do better?" (Actually, the mystic meaning of these numbers is sexual. The male sex cycle is, as Tantrists know, 23 days; add the mystic five and you get 28 days, the female cycle. It's that simple. Or is it?)

The sanctification of the number 5 antedates Atlantis itself and goes back to the intelligent cephalopods who infested Antarctica about 150,000,000 years before humankind appeared on earth; see H.P. Lovecraft's work of "fiction," At the Mountains of Madness (Arkham House, 1968), in which it is suggested that 5 was sacred to these creatures because they had five tentacles or pseudopods. In this connection, the reader might find some food for thought in a conversation which took place between Hag-bard Celine and Joe Malik in the late autumn of 1980. Joe, at the time, had just received the Pulitzer Prize. (He was also under investigation by a Congressional Committee, in connection with the same achievement: publication of certain governmental secrets.)

"Five of the Senators voted to cite me for contempt, for not revealing my source," Joe said. "Three voted against it. So I'll be cited, and the Grand Jury will draw up an indictment. There's that Law of Fives again."

"Are you worried?" Hagbard asked, relaxing in one of the heavy leather chairs that were part of Confrontation's new, more ornate offices.

"Hell, no. I can always seek sanctuary in Panama, or someplace, if they convict me. And Peter can keep this operation going."

"You're not afraid to start a new life as an exile?"

Joe grinned. "At my age, any new experience is an adventure."

"You're doing fine," Hagbard said. "Here's your latest revelation from the A:.A:.." He reached into his pocket and took out a photo of a female infant with six fingers on each hand. "Got this from a doctor friend at Johns Hopkins."

Joe looked at it and said, "So?"

"If we all looked like her, there'd be a Law of Sixes."

Joe stared at him. "You mean, after all the evidence I collected, the Law of Fives is an Illuminati put-on? You've been letting me delude myself?"

"Not at all." Hagbard was most earnest. "The Law of Fives is perfectly true. Everybody from the JAMs to the Dealy Lama agrees on that. But you have to understand it more deeply now, Joe. Correctly formulated, the Law is: All phenomena are directly or indirectly related to the number five, and this relationship can always be demonstrated, given enough ingenuity on the part of the demonstrator." The evil grin flashed. "That's the very model of what a true scientific law must always be: a statement about how the human mind relates to the cosmos. We can never make a statement about the cosmos itself— but only about how our senses (or our instruments) detect it, and about how our codes and languages symbolize it. That's the key to the Einstein-Heisenberg revolution in physics, and to the Buddha's revolution in psychology much earlier."

"But," Joe protested, "everything fits the Law. The harder I looked, the more things there were that fit."

"Exactly," said Hagbard. "Think about that. If you need quick transportation to Panama," he added, heading for the door, "call Gold and Appel Transfers and leave a message."
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Re: The Illuminatus! Trilogy, by Robert Shea & Robert A. Wil

Postby admin » Fri Dec 15, 2017 3:39 am

APPENDIX GIMMEL: THE ILLUMINATI THEORY OF HISTORY

And to this day, the proverb is still repeated from the Danube to the Rhine: "It is dangerous to talk too much about the Illuminati."

—VON JUNTZ, Unausprechlichen Kulten


Theoretically, an Age of Bureaucracy can last until a paper shortage develops, but, in practice, it never lasts longer than 73 permutations.

—WEISHAUPT, Konigen, Kirchen and Dummheit


In a well-known passage in the Necronomicon Abdul Alhazred writes, "They ruled once where man rules now; where man rules now, they shall rule again. After summer is winter, and after winter, summer." Weishaupt, who possessed only the Olaus Wormius translation, in the 1472 Lyons edition with its numerous misprints and errors, found this text scrambled into "They ruled once where man rules now, summer. Where man rules now, after summer is winter. They shall rule again, and after winter." Thoroughly confused, he wrote to his good friend the Kabalist Kolmer in Baghdad for an explanation. Kolmer, meanwhile, dispatched a letter to him answering a previous question. When this epistle arrived, Weishaupt had been experimenting with a new strain of Alamout black and was in no condition to realize it was a reply to an earlier query; he was, thus, ready to accept enlightenment in the words: "Concerning your rather thorny enquiry: I find that, in most cases, ergot is the best remedy. Failing this, I can only suggest the path of Don Juan."

Weishaupt assumed that Kolmer meant the passage would become clear if he read it while under the influence of ergot. He promptly went down to his laboratory and tossed off a jigger; then, for good measure, he chewed a few peyote buttons. (He was under the misapprehension that the Don Juan referred to was the same Yaqui Indian magician of the twentieth century whose mind he had been tapping through the Morgenheutegesternwelt. Peyote was that Don Juan's great "teacher," and Weishaupt had imported some from Mexico at great trouble and expense.) It should be explained at this point that the question which Kolmer was answering happened to be not philosophical but personal. Weishaupt had sought his advice on a problem much perplexing him that month: the fact that his sister-in-law was somewhat pregnant and circumstantial evidence seemed to mark him as the father. He wasn't at all sure how to explain this to Eve. Kolmer had intended to convey that Adam should give his paramour the ergot, since it often functions as an abortifacient; the alternative referred to the path of an earlier Don Juan and meant splitting the scene entirely. However, the stoned Ingolstadt sage misunderstood totally, and so came to the Necronomicon full of hashish, peyote, and a substantial quality of ergot, which had, under the influence of the other drugs and his own intestinal juices, mutated into ergotine, a close chemical cousin of LSD. The result was that the words seemed to leap out of the page at him, shouting with intense meaning:

THEY RULED ONCE WHERE MAN RULES NOW SUMMER WHERE MAN RULES NOW AFTER SUMMER IS WINTER THEY SHALL RULE AGAIN AND AFTER WINTER


Abdul Alhazred's concept of the Great Cycle, which derived actually from the Upanishads, took on kinky edges in Weishaupt's flipped-out cortex. Five kinky edges, to be exact, since he was still obsessed with the profound new understanding of the Law of Fives he had achieved the night he saw the shoggoth turn into a rabbit. He quickly fetched Giambattista Vico's Scienze nuovo from his shelf and began reading: He saw that he was right. Vico's theory of history, in which all societies pass through the same four stages, was an oversimplification—there were, when you looked closely at the actual evidence behind Vico's rhetoric, five distinct stages each time the Italian listed only four. Weishaupt looked very closely, and, like Joe Malik, the harder be looked the more fives he found.

It was then that the man's truly unique mind made its great leap: He remembered that Joachim of Floris, a proto-primus Illuminatus of the eleventh century, had divided history into three stages: the Age of the Father, dominated by Law; the Age of the Son, dominated by Love; and the Age of the Holy Spirit, dominated by Joy. Where most philosophers rush to publish their insights, Weishaupt saw the advantage of an alternative path. The Law of Fives would be kept secret, so that only Illuminati Primi would know about it and could predict events correctly, but the Joachimite theory would be revived and publicized to mislead others. (He, Kolmer, Meyer Amschel Rothschild, DeSade, and Sir Frances Dashwood—the original Five—had some discussions about possibly pushing Vico instead of Joachim, but, as Weishaupt argued, "Four is a little bit too close to five . . ." Even so, it was quite a spell of years before they found the ideal front man to push the three-step theory, G. W. F. Hegel. "He's perfect," Weishaupt wrote in the De Molay cipher from Mount Vernon. "Unlike Kant, who makes sense only in German, this man doesn't make sense in any language.") The rest of the story—the exoteric story, at least —is history. After Hegel was Marx; and after Marx, the Joachimite three-step was permanently grafted onto revolutionary tactics.

The esoteric story, of course, is different. For instance, in 1914, when the fifth and final stage of Western Civilization was dawning, James Joyce published A Portrait of the Artist as a Young Man. The five chapters of that novel not only suggested five stages in the hero's growth, but by the alteration of styles from chapter to chapter suggested analogies with other five-stage processes. This was too much for the Illuminati Primi of the time, who warned Joyce to be more careful in the future. A battle of wills ensued, and all through the writing of Ulysses Joyce was still considering a novel built entirely around the Law of Fives. When the Illuminati gave him what they call "the Tiresias treatment" —blindness—he finally compromised. Finnegans Wake, when it appeared, broke with the Joachim-Hegel-Marx three-step but did not include the funfwissenschaft. Instead, the Viconian four-stage theory was resurrected, a middle path that appealed to Joyce's sense of synchroniciry, since he had once taught at a school on Vico Road in Dublin and later also lived in a house on Via Giambattista Vico in Rome.*

* Do you believe that?


Now for a few words about the "real truth," at least as the Illuminati understand "real truth."

Every society actually passes through the five stages of Verwirrung, or chaos; Zweitracht, or discord; Unordnung, or confusion; Beamtenherrschaft, or bureaucracy; and Grummet, or aftermath. Sometimes, to make comparison with the exoteric Hegel-Marx system more pointed, the esoteric Illuminati system is defined as: Thesis, Antithesis, Synthesis, Parenthesis, and Paralysis. The public Hegel-Marx triad is also called the tricycle, and the arcane latter two stages are called the bicycle; one of the first secrets revealed to every illuminatus Minore is "After the tricycle it comes always the bicycle." (The Uluminati are rather prone toward literal translations from Weishaupt's German.)

The first stage, Verwirrung or chaos, is the point from which all societies begin and to which they all return. It is, so to speak, the natural condition of humanity—an estimation which the reader can confirm by closely observing his neighbors (or, if he has the necessary objectivity, himself).

It is, therefore, also the fundamental Thesis. The Illuminati associate this with Eris, and also with other goddesses from Isis to Ishtar and from Kwannon to Kali—with the Female Principle, yin, in general. This correlates with hexagram 2 in the I Ching: that is, K'un, which has the meanings of receptivity, nature (in contrast to spirit), earth (in contrast to sky), female (in contrast to male). Thus, although this is the first stage chronologically, it has the mystical number 2, which is always associated with the female in magic; and it correlates with the 2nd trump in Tarot, the High Priestess, who represents not only maternity and fertility but gnosis. The sign of the horns represents Verwirrung because the fingers make a V shape; and the planet or the symbol of Venus,

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also designates this stage. On the Zodiac: Aquarius,

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The second stage, Zweitracht, begins with the appearance of a ruling or governing class. This is the Antithesis of chaos, of course, and leads directly into discord when the servile class discovers that its interests are not the same as the interests of the ruling class. This correlates with Osiris, Jehovah, and all masculine deities; with the symbol of the All-Seeing Eye; with hexagram 1 in the I Ching: Ch'ien, the creative, the heavenly, the strong, the powerful; with the male principle, yang, in general; with the number 3, symbolizing the all-male Christian trinity; with the 12th trump of the Tarot, the Hanged Man, symbolizing sacrifice, schism and schizophrenia; and with the planet or symbol of Mars,

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Naturally, a Zweitracht period is always replete with "internal contradictions," and somebody like Karl Marx always arises to point them out. On the Zodiac: Pisces,

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The third stage, Unordnung or confusion, occurs when an attempt is made to restore balance or arrive at the Hegelian Synthesis. This correlates with Loki, the Devil, Mercury (god of thieves), Thoth in his role of Trickster, Coyote, and other spirits of illusion or deception; with hexagram 4 in the I Ching, Meng, youthful folly or standing on the brink of the abyss; with the number 11, signifying sin, penance, and revelation; with the 21st trump in the Tarot, the Fool who walks over the abyss; and with the planet or sign of Mercury,

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It represents that attempt to restore the state of nature by unnatural means, an annihilation of the biogram by the logogram. On the Zodiac: Cancer,

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The fourth stage, Beamtenherrschaft or bureaucracy, represents the Parentheses that occur when the Hegelian Synthesis does not succeed in reconciling the opposites. This correlates with Void (absence of any divinity); with I Ching hexagram 47, K'un, oppression or exhaustion, superior men held in restraint by inferior men; with the number 8, indicating balance and the Last Judgment; with the 16th Tarot trump, Falling Tower, representing deteriorations and the Tower of Babel; and with the planetoid or sign of the moon,

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On the Zodiac: Libra,

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The fifth stage, Grummet or aftermath, represents the transition back to chaos. Bureaucracy chokes in its own paperwork; mind is at the end of its tether; in desperation, many begin to deny the logogram and follow the biogram, with varying degrees of success. This correlates with Hermaphrodite; with I Ching hexagram 59, Huan, dispersion, dissolution, foam on the water; with the number 5, union of male and female; with the 6th trump of the Tarot, the Lovers, indicating union; and with the sun or its symbol,

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On the Zodiac: Virgo,

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Since the association of these references, and their bearings on history, may be a bit unclear to some readers, we will give further details on each stage.

VERWIRRUNG

In this chaotic period, the Hodge and the Podge are in dynamic balance. There is no stasis: The balance is always shifting and homeostatic, in the manner of the ideal "self-organizing system" of General Systems Theory or Cybernetics. The Illuminati, and all authoritarian types in general, dislike such ages so much that they try to prevent any records of their existence from reaching the general public. Pre-Chou China was one such period, and its history (except for some fragments in Taoist lore) is largely lost; we do know, however, that the I Ching was reorganized when the Chou Dynasty introduced patriarchal authoritarianism to China. It was then that the hexagram K'un,

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associated with this period was moved from the first place to its present, second place in the Ching. Every line in K'un is broken (yin), because this is a feminist and prepatriarchal form of society, and because yin correlates with the agricultural rather than the urban. Always linked to darkness by mystics, this K'un style of sensibility is also linked, by the Illuminati, with dreck (dung) and everything they find messy and intolerable about ordinary human beings. (The Erisians, of course, take the opposite position, connect this with Eris, the primordial goddess, and regard it as ideal.)

Verwirrung is numerologically linked with 2, not only because of K'un's shift from first to second place in the Ching, but because it is the balance of Hodge and Podge. Thus, even though it is the first stage chronologically, it is never linked with 1 in magic sense, because 1 signifies the erect penis, the male principle in isolation, and such authoritarian games as monotheism, monopoly, monogamy, and general monotony. This dynamic 2-ness of Verwirrung is also implicit in its Tarot card, the 2nd trump or High Priestess, who sits between a black pillar and a white one (cf. The Hodge and Podge) and who represents mystery, magic, mischief, and Erisian values generally. She wears the balanced (solar) cross, rather than the unbalanced (Christian) cross, to emphasize the unity of opposites in such a historical period.

Typical Aquarians who have manifested Verwirrung values are Aaron Burr, Christopher Marlowe, Hung Mung, Charles Darwin, Willard Gibbs (who incorporated chaos into mathematics), Mrs. Patrick Campbell, Elizabeth Blackwell (pioneer woman physician), Anna Pavlova, Mozart, Lewis Carrol, Robert Burns, James Joyce, Lord Byron, David Wark Griffith, and Gelett Burgess, author of the classic Erisian poem:

I never saw a purple cow I never hope to see one But I'll tell you this anyhow: I'd rather see than be one.

The Verwirrung phase of European history is identified with the Danubian Culture, so called because most of its relics have been found along the shores of the Danube. According to archeologists, the Danubian culture was agricultural, pre-urban, worshipped a female rather than a male god, and never invented anything remotely like a state. The pre-Inca society of Peru, the Minoan civilization, the pre-Chou period of China already mentioned, and many American Indian tribes still surviving also represent a Verwirrung social framework. The synthesis of Hodge and Podge, and especially of biogram and logogram, in such cultures is indicated by the amazement of explorers from authoritarian societies when first encountering them. The usual words about the "grace" and "spontaniety" of the natives merely represent the lack of authoritarian conflict between biogram and logogram: These people sit, like the Tarot High Priestess, between opposite poles, without tilting one way or the other.

But the fact that this is a dynamic and not a static balance means that eventually (after 73 permutations, according to Weishaupt) the second stage must evolve.

ZWEITRACHT

In this discordant period, the Hodge and the Podge are in conflict, because a ruling class emerges which attempts to control the others. This correlates with hexagram 1,

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Ch'ien, the all-powerful, in the I Ching. The six unbroken lines represent the severity and monotony of such a period, which is, above all, the age of the T-square, the building of fences, the division of lands by "boundaries" drawn on maps, and the imposition of one man's (or one group's) will upon all others. Typically, the earth is regarded as both flat and finite by the Zweitracht mentality, and there is much concern with dividing it up into portions (among themselves, of course). The "superstitious" terror of American Indians when first confronting maps was merely the reaction of a Verwirrung mentality to a Zweitracht mentality: The Indians could not conceive of people treating earth as a thing to be exploited rather than a mother to be respected.

Zweitracht associates with 3 numerologically because 3 is the totally male number, because all-male Trinities (Brahma-Vishnu-Siva, Father-Son-Spirit, etc.) are invented in such ages, and because the discord always has a minimum of 3 vectors, not merely 2. That is, the division into a propertied ruling class and an unpropertied governed class immediately sets in motion further cupidity; the ruling class soon falls to fighting over the spoils. Contrary to Marx, most of the strife in Zweitracht ages is not the conflict between proprietors and proles but between various proprietors over who gets the biggest share of the pie.

The governing Tarot card is trump 12, the Hanged Man. The cross on which he hangs is blossoming, to show that it is still organic and alive (the biogram); he hangs upside down, to show the reversal of nature. He represents both the burden of omniscience in the owning-governing class and the burden of nescience in the servile-submissive class: the total crucifixion of desire by Realprinzip and Realpolitik.

The astrological sign of this period is Pisces, the two fish swimming in opposite directions indicating the conflict of logogram and biogram ("body" and "spirit," astrologers say.) Typical Pisceans who have shown the Zweitracht personality are E. H. Harriman, the railroad magnate (who covered the United States with Ch'ien-style unbroken straight lines), Cardinal John Henry Newman, Sir Robert Baden-Powell, founder of the Boy Scouts (an attempt to instill Piscean authoritarianism even in childhood), Admiral Chester Nimitz, John Foster Dulles, Anna Lee (founder of the world's most antisexual religion, the Shakers), industrialists like Kruger and Pullman, financiers like Cambell and Braden, Grover Cleveland, John C. Calhoun, Neville Chamberlain, Andrew Jackson (whose expulsion of the Cherokee Nation from its traditional lands onto the "trail of tears," where most of them perished, is the archetypal Zweitracht land-grab), William Jennings Bryan, and Frank Stanton of CBS.

Since all Illuminati with any academic leanings at all are encouraged to major in history, the tendency in most textbooks is not only to black out Verwirrung periods but to glorify Zweitracht periods as ages of Light and Progress. Indeed, they make entertaining reading: They .are ages of expansion, and there are always new people being discovered to be subjugated, "civilized," and converted to tax-payers and rent-payers. Almost any age described in glowing and admiring language in a history text will prove, on examination, to be a Zweitracht era, and the foremost butchers and invaders are treated as the outstanding heroes of humanity. A sympathetic reading of the biographies of these empire-builders almost always indicates that they were homo neophile individuals who turned their talents to destruction rather than creativity because of bitterness engendered by years of torment and baiting by homo neo-phobe types during their childhoods.

The ever-present conflict in a Zweitracht period eventually leads to the third stage.

UNORDNUNG

Humanity has been transformed during a Zweitracht age, by placing logogram in governing authority over bio-gram. Unordnung is an attempt to restore balance by revolutionizing the logogram; there is no thought about the biogram, because contact with this somatic component of personality has been lost. (This loss of contact has been variously described by pre-Celinean observers: It is "the veil of Maya" in Buddhism, the "censor band" or "repression" in psychoanalysis, the "character armoring" and "muscular armoring" in Reichian psychology, etc.)

The I Ching hexagram for this stage is Meng,

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or Youthful Folly. The yang line at the top indicates the continued supremacy of logogram, even though some biogram elements (the yin lines) begin to reassert themselves. The traditional reading is "mountain above water"; that is, the rigid logogram still repressing the Aquarian element as it seeks to liberate itself. The usual Chinese interpretation of this hexagram is "The young fool needs discipline," and the leaders of all rebellions at this stage always heartily agree with that and demand unquestioning obedience from their followers. This is a time of turmoils, troubles, and tyrannies that appear and disappear rapidly.

The mystical number is 11, which means "a new start" in Kabalism and "error and repentence" in most other systems of numerology.

Tarot trump 21, The Fool, symbolizes this age as a dreamy-eyed youth unknowingly walking over an abyss. The Hitlerjugend, and the disciples of various other fuehrers and messiahs, immediately come to mind. That this card is disputed by various Tarot experts, and is given a numerical value of 0 rather than 21 by the wisest, indicates the confusion in all Unordnung periods. The dog who barks to warn the Young Fool, like the yin lines in the hexagram, represents the desperate attempts of the biogram ton break through the repression or censor-band and make itself heard.

Typical Cancerians who exemplified Unordnung are Julius Caesar, Mary Baker Eddy (whose philosophy was an explicit denial of the biogram), Albert Parsons, Emma Goldman, Benjamin Peret, Vladimir Mayakofski, Henry David Thoreau, Durrutti, P-J Proudhon, Brooks Adams, General Kitchener, Luigi Pirandello (the literary master of ambiguity), Erich Ambler (the literary master of conspiracy), Calvin Coolidge (who issued the classically muddled Cancerian statement "Be as revolutionary as science and as conservative as the multiplication table"), Andrei Gromy-ko, Nelson Rockefeller, John Calvin, Estes Kefauver, and Rexford Tugwell.

An Unordnung period has always been thought of (even before Hegel provided the words) as a synthesis between the thesis of Verwirrung and the antithesis Zweitracht; since it is a false synthesis on the logogrammic level only, it always gives birth to the fourth stage, the Parenthesis.

BEAMTENHERRSCHAFT

This is the age of bureaucracy, and to live at this time is, as Proudhon said, "to have every operation, every transaction, every movement noted, registered, counted, rated, stamped, measured, numbered, assessed, licensed, refused, authorized, endorsed, admonished, prevented, reformed, redressed, corrected ... to be laid under contribution, drilled, fleeced, exploited, monopolized, extorted from, exhausted, hoaxed, and robbed." The governing I Ching hexagram is 47, K'un,

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oppression or exhaustion, the dried-up lake, with the usual reading of superior men oppressed by the inferior. This is the time when homo neophobe types most rigorously repress homo neophile types, and great heresy hunts and witch trials flourish. This correlates with the number 8, signifying the Last Judgment, because every citizen is to some extent a State functionary, and each is on trial before the jury of all. The traditional Chinese associations with this hexagram are sitting under a bare tree and wandering through an empty valley— signifying the ecological havoc wreaked by purely abstract minds working upon the organic web of nature.

The 16th Tarot trump, The Tower, describes this age.

The Tower is struck by lightning and the inhabitants fall from the windows. (Cf. the Tower of Babel legend and our recent power failures.) The traditional interpretations of this card suggest pride, oppression, and bankruptcy.

This correlates with Libra, the mentality which measures and balances all things on an artificial scale (Maya). Typical Libras who have manifested Beamtenherrschaft characterists are Comte de Saint Simon, Justice John Marshall, Hans Geiger, Henry Wallace, Dwight Eisenhower, John Kenneth Galbraith, Arthur Schlesinger, Jr., John Dewey, and Dr. Joyce Brothers.

In Beamtenherrschaft ages there is ceaseless activity, all planned in advance, begun at the scheduled second, carefully supervised, scrupulously recorded— but inevitably finished late and poorly done. The burden of omniscience on the ruling class becomes virtually intolerable, and most flee into some form of schizophrenia or fantasy. Great towers, pyramids, moon shots, and similar marvels are accomplished at enormous cost while the underpinnings of social solidarity crumble entirely. While blunders multiply, no responsible individual can ever be found, because all decisions are made by committees; anyone seeking redress of grievance wanders into endless corridors of paperwork with no more tangible result than in the Hunting of the Snark. Illuminati historians, of course, describe these ages as glowingly as Zweitracht epochs, for, although control is in the hands of homo neophobe types, there is at least a kind of regularity, order, and geometrical precision about everything, and the "messiness" of the barbaric Verwirrung ages and revolutionary Unordnung ages is absent.

Nevertheless, the burden of omniscience on the rulers steadily escalates, as we have indicated, and the burden of nescience on the servile class increasingly renders them unfit to serve (more and more are placed on the dole, shipped to "mental" hospitals, or recruited into whatever is the current analog of the gladiatorial games), so the Tower eventually falls.

GRUMMET

The age of Grummet begins with an upsurge of magicians, hoaxers, Yippies, Kabouters, shamans, clowns, and other Eristic forces. The relevant I Ching hexagram is 59, Huan,

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, dispersion and dissolution. The gentle wind above the deep water is the Chinese reading of the image, with associations of loss of ego, separation from the group, and "going out" in general. Yin lines dominate all but the top of the hexagram; the forces leading to a new Verwir-rung stage are pushing upward toward release. This is also called Paralysis by the Illuminati, because, objectively, nothing much is happening; subjectively, of course, the preparations for the new cycle are working unconsciously.

The mystic number is 5, union of male (3) with female (2) and final resolution of conflict between Verwirrung and Zweitracht.

The governing Tarot trump is number 6, the Lovers, in which the woman looks upward at the angel (Eris, the bio-gram) and the man looks at the woman (the logogram, yang, reaches synthesis with biogram, yin, only through reconciliation with the female). Hence, the upsurge of feminism in such periods, together with a renewed emphasis on clans, tribes, and communes.

Typical Virgos manifesting Grummet traits are Charlie Parker, Antonin Artaud, Louis Lingg, Edgar Rice Burroughs, Grandma Moses, Lodovico Ariosto, Greta Garbo, Hedy Lamarr, and Goethe and Tolstoy (who manifested strong yin values while never quite getting reconciled with the women in their own lives. Tolstoy, however, as the classic dropout, is an archetypal Grummet persona and almost completed the Sufi course of "quit this world, quit the next world, quit quitting!").

After Grummet, of course, authority has collapsed entirely, and the biogram stands on equal footing with the logogram. Hodge and Podge being once again in dynamic balance, a new Verwirrung period begins, and the cycle repeats.

Since Weishaupt dreamed this schema up while he was under the influence of several hallucinogenic drugs, one should regard it with some skepticism. It is certainly not true in every detail, and there is no theoretical or empirical demonstration that each of the five ages must always have 73 permutations. The fact that Grummet-Virgo personalities (and all other of the five personality types) are born in all ages, even if they come to dominance in their appropriate epochs, leaves many mysteries still unsolved. In short, all that a sober scholar can say of the Illuminati theory of history is that it makes at least as much sense as the exoteric Marx-Hegel, Spengler, Toynbee, and Sorokin theories.

The A:.A:., who regard all Illuminati theories as false projections onto the external world of inner spiritual processes, are particularly skeptical about this one, since it involves several false correlations between the I Ching and the Tarot, the Zodiac, etc.

Finally, it should be noted that of all the people Hagbard employed as resonance for the vibes used against the Saure family in Ingolstadt, only Lady Velkor, Danny Pricefixer, and George Dorn were not Virgos. Hagbard evidently believed that the Illuminati magical links work when Illuminati activities are occurring in a given area—and, hence, virtually all of "his" people at the festival were Virgos and thereby linked with the Grummet/Huan-59/Trump 6 chain of astrological associations. On the other hand, the presence of three non-Virgos shows Hagbard's pragmatic approach and his refusal to be ruled even by so exact a science as astrology.*

* This sentence may manifest a lapse into mockery or mystification by otherwise sober authors.


In this connection, when George Dorn and his mother went to Radio City Music Hall to see The Lotus Position, the last movie made by the American Medical Association before their tragic deaths, they happened to meet a tall Italian and a very beautiful black woman whom he introduced as his wife. Mrs. Dorn didn't catch the Italian's name, but it was obvious that George had a very great admiration for him. On the bus back to Nutley, she decided to straighten the boy out.

"A man who respects himself and his own race," she began, "would never think of marrying into the colored."

"Shut up, Ma," George said politely.

"That's no way to talk to your mother," the fine lady said, going ahead blithely. "Now, your father had some radical ideas, and he tried to get the unions to accept the colored, but he never thought of marrying into them, George. He had too much self-respect. Are you listening, George?"

"How did you like the AMA?" he asked.

"Such wonderful young boys. So clean-cut. And that darling sister of theirs! At least they didn't think there was anything attractive about long hair on men. Do you know what long hair makes men look like?"

"Like girls, Ma. Is that right?"

"It makes them look worse than girls, George. It makes them look like they're not really men, if you know what I mean."

"No, I don't know what you mean, Ma." George was profoundly bored.

"Well, I mean a little bit on the lavender side." She tittered.

"Oh," he said, "you mean cocksuckers. Some of my best friends are cocksuckers, Ma."

At this simple piece of factual information, the remarkable lady turned red and then purple, and then twisted in her chair to look out the window in angry silence for the rest of the trip. The curious thing is that, before George could get the courage to shut the old battleaxe up that way, he first had to try to shoot a cop and then try to shoot himself and finally take hashish with Hagbard Celine, and yet she was a Virgo and he was a Capricorn.
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Re: The Illuminatus! Trilogy, by Robert Shea & Robert A. Wil

Postby admin » Fri Dec 15, 2017 3:41 am

Appendix Daleth: Hassan i Sabbah and Alamount Black
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Re: The Illuminatus! Trilogy, by Robert Shea & Robert A. Wil

Postby admin » Fri Dec 15, 2017 3:42 am

Appendix Tzaddi: 23 Skidoo

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Re: The Illuminatus! Trilogy, by Robert Shea & Robert A. Wil

Postby admin » Fri Dec 15, 2017 3:43 am

Appendix Vau: Flaxscript and Hempscript
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Re: The Illuminatus! Trilogy, by Robert Shea & Robert A. Wil

Postby admin » Fri Dec 15, 2017 3:43 am

Appendix Zain: Property and Privilege
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