CHAPTER II: OVER THE TOP! It was only about a quarter of an hour before we reached "The Dog"; but the time passed heavily. I had been annexed by the white maggot. Her presence made me feel as if I were already a corpse. It was the limit.
But I think the ordeal served to bring up in my mind some inkling of the true nature of my feeling for Lou.
The Smoking Dog, now ingloriously extinct, was a night club decorated by a horrible little cad who spent his life pushing himself into art and literature. The dancing room was a ridiculous, meaningless, gaudy, bad imitation of Klimmt.
Damn it all, I may not be a great flyer, but I am a fresh-air man. I detest these near-artists with their poses and their humbug and their swank. I hate shams.
I found myself in a state of furious impatience before five minutes had passed. Mrs. Webster and Lou had not arrived. Ten minutes—twenty—I fell into a blind rage, drank heavily of the vile liquor with which the place was stinking, and flung myself with I don’t know what woman into the dance.
A shrill-voiced Danish siren, the proprietress, was screaming abuse at one of her professional entertainers —some long, sordid, silly story of sexual jealousy, I suppose. The band was deafening. The fine edge of my sense was dulled. It was in a sort of hot nightmare that I saw, through the smoke and the stink of the club, the evil smile of Mrs. Webster.
Small as the woman was, she seemed to fill the doorway. She preoccupied the attention in the same way as a snake would have done. She saw me at once, and ran almost into my arms excitedly. She whispered something in my ear. I didn’t hear it.
The club had suddenly been, so to speak, struck dumb. Lou was coming through the door. Over her shoulders was an opera cloak of deep rich purple edged with gold, the garment of an empress, or (shall I say?) of a priestess.
The whole place stopped still to look at her. And I had thought she was not beautiful!
She did not walk upon the ground. "Vera incessu patuit dea,” as we used to say at school. And as she paced she chanted from that magnificent litany of Captain J. F. C. Fuller, "Oh Thou golden sheaf of desires, that art bound by a fair wisp of poppies! I adore thee, Evoe! I adore thee, I A O!"
She sang full-throated, with a male quality in her voice. Her beauty was so radiant that my mind ran to the breaking of dawn after a long night flight.
"In front the sun climbs slow, how slowly, but westward, look! the land is bright!"
As if in answer to my thought, her voice rolled forth again:—
"O Thou golden wine of the sun, that art poured over the dark breasts of night! I adore Thee, Evoe! I adore Thee, I A O!"
The first part of the adoration was in a sort of Gregorian chant varying with the cadence of the words. But the chorus always came back to the same thing.
I a-dore Thee, Evoe! I adore Thee, I A O! EE-AH-OH gives the enunciation of the last word. Every vowel is drawn out as long as possible. It seemed as if she were trying to get the last cubic millimetre of air out of her lungs every time she sang it.
"O Thou crimson vintage of life, that art poured into the jar of the grave! I adore Thee, Evoe! I adore Thee, I A O!"
Lou reached the table, with its dirty, crazy cloth, at which we were sitting. She looked straight into my eyes, though I am sure she did not see me.
"O Thou red cobra of desire, that art unhooded by the hands of girls! I adore Thee, Evoe! I adore Thee, I A O!"
She went back from us like a purple storm-cloud, sun-crested, torn from the breasts of the morning by some invisible lightning.
"O Thou burning sword of passion, that art torn on the anvil of flesh! I adore Thee, Evoe! I adore Thee, I A O!"
A wave of almost insane excitement swept through the club. It was like the breaking out of anti-aircraft guns. The band struck up a madder jazz.
The dancers raved with more tumultuous and breathless fury.
Lou had advanced again to our table. We three were detached from the world. Around us rang the shrieking laughter of the crazy crowd. Lou seemed to listen. She broke out once more.
"O Thou mad whirlwind of laughter, that art meshed in the wild locks of folly! I adore Thee, Evoe! I adore Thee, I A O!"
I realised with nauseating clarity that Mrs. Webster was pouring into my ears an account of the character and career of King Lamus.
"I don't know how he dares to come to England at all," she said. "He lives in a place called Telepylus, wherever that is. He's over a hundred years old, in spite of his looks. He’s been everywhere, and done everything, and every step he treads is smeared with blood. He’s the most evil and dangerous man in London. He’s a vampire, he lives on ruined lives.”
I admit I had the heartiest abhorrence for the man. But this fiercely bitter denunciation of one who was evidently a close friend of two of the world’s greatest artists, did not make his case look blacker. I was not impressed, frankly, with Mrs. Webster as an authority on other people’s conduct.
"O Thou Dragon-prince of the air, that art drunk on the blood of the sunsets! I adore Thee, Evoe! I adore Thee, I A O!"
A wild pang of jealousy stabbed me. It was a livid, demoniac spasm. For some reason or other I had connected this verse of Lou’s mysterious chant with the personality of King Lamus.
Gretel Webster understood. She insinuated another dose of venom.
"Oh yes, Mr. Basil King Lamus is quite the ladies’ man. He fascinates them with a thousand different tricks. Lou is dreadfully in love with him.”
Once again the woman had made a mistake. I resented her reference to Lou. I don’t remember what I answered. Part of it was to the effect that Lou didn’t seem to have been very much injured.
Mrs. Webster smiled her subtlest smile.
"I quite agree,” she said silkily, "Lou is the most beautiful woman in London to-night.”
"O Thou fragrance of sweet flowers, that art wafted over blue fields of air! I adore Thee, Evoe! I adore Thee, I A O!"
The state of the girl was extraordinary. It was as if she possessed two personalities in their fullest possibilities—the divine and the human. She was intensely conscious of all that was going on around her, absolute mistress of herself and of her environment; yet at the same time she was lost in some unearthly form of rapture of a kind which, while essentially unintelligible to me, reminded me of certain strange and fragmentary experiences that I had had while flying.
I suppose every one has read The Psychology of Flying by L. de Giberne Sieveking. All I need do is to remind you of what he says:—
"All types of men who fly are conscious of this very obscure, subtle difference that it has wrought in them. Very few know exactly what it is. Hardly any of them can express what they feel. And none of them would admit it if they could. . . . One realises without any formation into words how that one is oneself, and that each one is entirely separate and can never enter into the recesses of another, which are his foundation of individual life.”
One feels oneself out of all relation with things, even the most essential. And yet one is aware at the same time that everything of which one has ever been aware is a picture invented by one’s own mind. The Universe is the looking-glass of the soul.
In that state one understands all sorts of nonsense.
"O Thou foursquare Crown of Nothing, that circlest the destruction of Worlds! I adore Thee, Evoe! I adore Thee, I A O!"
I flushed with rage, understanding enough to know what Lou must be feeling as she rolled forth those passionate, senseless words from her volcanic mouth. Gretel’s suggestion trickled into my brain.
"This beastly alcohol brutalises men. Why is Lou so superb? She has breathed the pure snow of Heaven into her nostrils.”
"O Thou snow-white chalice of Love, that art filled up with the red lusts of man! I adore Thee, Evoe! I adore Thee, I A O!"
I tingled and shivered as she sang; and then something, I hardly know what, made me turn and look into the face of Gretel Webster. She was sitting at my right; her left hand was beneath the table, and she was looking at it. I followed her glance.
In the little quadrilateral of the veins whose lower apex is between the first and middle fingers, was a tiny heap of sparkling dust. Nothing I had ever seen before had so attracted me. The sheer bright infinite beauty of the stuff! I had seen it before of course, often enough, at the hospital; but this was quite a different thing. It was set off by its environment as a diamond is by its setting. It seemed alive. It sparkled intensely. It was like nothing else in Nature, unless it be those feathery crystals, wind-blown, that glisten on the lips of crevasses.
What followed sticks in my memory as if it were a conjurer’s trick. I don’t know by what gesture she constrained me. But her hand slowly rose not quite to the level of the table; and my face, hot, flushed, angry and eager, had bent down towards it. It seemed pure instinct, though I have little doubt now that it was the result of an unspoken suggestion. I drew the little heap of powder through my nostrils with one long breath. I felt even then like a choking man in a coal mine released at the last moment, filling his lungs for the first time with oxygen.
I don’t know whether this is a common experience. I suspect that my medical training and reading, and hearing people talk, and the effect of all those ghoulish articles in the newspapers had something to do with it.
On the other hand, we must make a good deal of allowance, I think, for such an expert as Gretel Webster. No doubt she was worth her wage to the Boche. No doubt she had picked me out for part of "Die Rache.” I had downed some pretty famous flyers.
But none of these thoughts occurred to me at the time. I do not think I have explained with sufficient emphasis the mental state to which I had been reduced by the appearance of Lou. She had become so far beyond my dreams—the unattainable.
Leaving out of account the effect of the alcohol, this had left me with an intolerable depression. There was something brutish, something of the baffled rat, in my consciousness.
"O Thou vampire Queen of the Flesh, wound as a snake around the throats of men! I adore Thee, Evoe! I adore Thee, I A O!"
Was she thinking of Gretel or of herself? Her beauty had choked me, strangled me, torn my throat out. I had become insane with dull, harsh lust. I hated her. But as I raised my head; as the sudden, the instantaneous madness of cocaine swept from my nostrils to my brain—that's a line of poetry, but I can't help it—get on!—the depression lifted from my mind like the sun coming out of the clouds.
I heard as in a dream the rich, ripe voice of Lou:—
"O Thou fierce whirlpool of passion, that art sucked up by the mouth of the sun! I adore Thee, Evoe! I adore Thee, I A O!"
The whole thing was different—I understood what she was saying, I was part of it. I recognised, for one swift second, the meaning of my previous depression. It was my sense of inferiority to her! Now I was her man, her mate, her master!
I rose to catch her by the waist; but she whirled away down the floor of the club like an autumn leaf before the storm. I caught the glance of Gretel Webster’s eyes. I saw them glitter with triumphant malice; and for a moment she and Lou and cocaine and myself were all inextricably interlocked in a tangled confusion of ruinous thought.
But my physical body was lifting me. It was the same old, wild exhilaration that one gets from rising from the ground on one’s good days. I found myself in the middle of the floor without knowing how I had got there. I, too, was walking on air. Lou turned, her mouth a scarlet orb, as I have seen the sunset over Belgium, over the crinkled line of shore, over the dim blue mystic curve of sea and sky; with the thought in my mind beating in tune with my excited heart. We didn’t miss the arsenal this time. I was the arsenal too. I had exploded. I was the slayer and the slain! And there sailed Lou across the sky to meet me.
"O Thou outrider of the Sun, that spurrest the bloody flanks of the wind! I adore Thee, Evoe! I adore Thee, I A O!"
We came into each other’s arms with the inevitableness of gravitation. We were the only two people in the Universe—she and I. The only force that existed in the Universe was the attraction between us. The force with which we came together set us spinning.
We went up and down the floor of the club; but, of course, it wasn’t the floor of the club, there wasn’t the club, there wasn’t anything at all except a delirious feeling that one was everything, and had to get on with everything. One was the Universe eternally whirling. There was no possibility of fatigue; one's energy was equal to one’s task.
"O Thou dancer with gilded nails, that unbraidest the star hair of the night! I adore Thee, Evoe! I adore Thee, I A O!"
Lou’s slim, lithe body lay in my arm. It sounds absurd, but she reminded me of a light overcoat. Her head hung back, the heavy coils of hair came loose.
All of a sudden the band stopped. For a second the agony was indescribable. It seemed like annihilation. I was seized with an absolute revulsion against the whole of my surroundings. I whispered like a man in furious haste who must get something vital done before he dies, some words to the effect that I couldn't "stick this beastly place any longer—"
"Let's get some air."
She answered neither yes nor no. I had been wasting words to speak to her at all.
"O Thou bird-sweet river of Love, that warblest through the pebbly gorge of Life! I adore Thee, Evoe! I adore Thee, I A O!"
Her voice had sunk to a clear murmur. We found ourselves in the street. The chucker-out hailed us a taxi. I stopped her song at last. My mouth was on her mouth. We were driving in the chariot of the Sun through the circus of the Universe. We didn’t know where we were going, and we didn’t care. We had no sense of time at all. There was a sequence of sensations; but there was no means of regulating them. It was as if one’s mental clock had suddenly gone mad.
I have no gauge of time, subjectively speaking, but it must have been a long while before our mouths separated, for as this happened I recognised the fact that we were very far from the club.
She spoke to me for the first time. Her voice thrilled dark unfathomable deeps of being. I tingled in every fibre. And what she said was this:—
"Your kiss is bitter with cocaine."
It is quite impossible to give those who have no experience of these matters any significance of what she said.
It was a boiling caldron of wickedness that had suddenly bubbled over. Her voice rang rich with hellish glee. It stimulated me to male intensity. I caught her in my arms more fiercely. The world went black before my eyes. I perceived nothing any more. I can hardly even say that I felt. I was Feeling itself! I was all the possibilities of Feeling fulfilled to the uttermost. Yet, coincident with this, my body went on automatically with its own private affairs.
She was escaping me. Her face eluded mine.
"O Thou storm-drunk breath of the winds, that pant in the bosom of the mountains! I adore Thee, Evoe! I adore Thee, I A O!"
Her breast sobbed out its song with weird intensity.
I understood in a flash that this was her way of resistance. She was trying to insist to herself that she was a cosmic force; that she was not a woman at all; that a man meant nothing to her. She fought desperately against me, sliding so serpent-like about the bounds of space. Of course, it was really the taxi— but I didn’t know it then, and I'm not quite sure of it now.
"I wish to God,” I said to myself in a fury, "I had one more sniff of that Snow. I’d show her!"
At that moment she threw me off as if I had been a feather. I felt myself all of a sudden no more good. Quite unaccountably I had collapsed, and I found myself, to my amazement, knocking out a little pile of cocaine from a ten-gramme bottle which had been in my trousers’ pocket, on to my hand, and sniffing it up into my nostrils with greedy relish.
Don’t ask me how it got there. I suppose Gretel Webster must have done it somehow. My memory is an absolute blank. That’s one of the funny things about cocaine. You never know quite what trick it is going to play you.
I was reminded of the American professor who boasted that he had a first-class memory whose only defect was that it wasn’t reliable.
I am equally unable to tell you whether the fresh supply of the drug increased my powers, or whether Lou had simply tired of teasing me, but of her own accord she writhed into my arms; her hands and mouth were heavy on my heart. There's some more poetry—that’s the way it takes one—rhythm seems to come natural—everything is one grand harmony. It is impossible that anything should be out of tune. The voice of Lou seemed to come from an enormous distance, a deep, low, sombre chant:—
"O Thou low moan of fainting maids, that art caught up in the strong sobs of Love! I adore Thee, Evoe! I adore Thee, I A O!"
That was it—her engine and my engine for the first time working together! All the accidents had disappeared. There was nothing but the unison of two rich racing rhythms.
You know how it is when you are flying—you see a speck in the air. You can't tell by your eyes if it is your Brother Boche coming to pot you, or one of our own or one of the allied 'planes. But you can tell them apart, foe from friend, by the different beat of their engines. So one comes to apprehend a particular rhythm as sympathetic—another as hostile.
So here were Lou and I flying together beyond the bounds of eternity, side by side; her low, persistent throb in perfect second to my great galloping boom.
Things of this sort take place outside time and space. It is quite wrong to say that what happened in the taxi ever began or ended. What happened was that our attention was distracted from the eternal truth of this essential marriage of our souls by the chauffeur, who had stopped the taxi and opened the door.
"Here we are, sir,” he said, with a grin.
Sir Peter Pendragon and Lou Laleham automatically reappeared. Before all things, decorum!
The shock bit the incident deeply into my mind. I remember with the utmost distinctness paying the man off, and then being lost in absolute blank wonder as to how it happened that we were where we were.
Who had given the address to the man, and where were we?
I can only suppose that, consciously or subconsciously, Lou had done it, for she showed no embarrassment in pressing the electric bell. The door opened immediately. I was snowed under by an avalanche of crimson light that poured from a vast studio.
Lou’s voice soared high and clear:—
"O Thou scarlet dragon of flame, enmeshed in the web of a spider! I adore Thee, Evoe! I adore Thee, I A O!"
A revulsion of feeling rushed over me like a storm; for in the doorway, with Lou’s arms round his neck, was the tall, black, sinister figure of King Lamus.
"I knew you wouldn’t mind our dropping in, although it is so late,” she was saying.
It would have been perfectly simple for him to acquiesce with a few conventional words. Instead, he was pontifical.
"There are four gates to one palace; the floor of that palace is of silver and gold; lapis-lazuli and jasper are there; and all rare scents; jasmine and rose, and the emblems of death. Let him enter in turn or at once the four gates; let him stand on the floor of the palace.”
I was unfathomably angry. Why must the man always act like a cad or a clown? But there was nothing to do but to accept the situation and walk in politely.
He shook hands with me formally, yet with greater intensity than is customary between well-bred strangers in England. And as he did so, he looked me straight in the face. His deadly inscrutable eyes burned their way clean through to the back of my brain and beyond. Yet his words were entirely out of keeping with his actions.
"What does the poet say?" he said loftily—"Rather a joke to fill up on coke —or words to that effect, Sir Peter.”
How in the devil’s name did he know what I had been taking?
"Men who know things have no right to go about the world,” something said irritably inside myself. But something else obscurely answered it.
"That accounts for what the world has always done —made martyrs of its pioneers.”
I felt a little ashamed, to tell the truth; but Lamus put me at my ease. He waved his hand towards a huge arm-chair covered with Persian tapestries. He gave me a cigarette and lighted it for me. He poured out a drink of Benedictine into a huge curved glass, and put it on a little table by my side. I disliked his easy hospitality as much as anything else. I had an uncomfortable feeling that I was a puppet in his hands.
There was only one other person in the room. On a settee covered with leopard skins lay one of the strangest women I had ever seen. She wore a white evening dress with pale yellow roses, and the same flowers were in her hair. She was a half-blood negress from North Africa.
"Miss Fatma Hallaj,” said Lamus.
I rose and bowed. But the girl took no notice. She seemed in utter oblivion of sublunary matters. Her skin was of that deep, rich night-sky blue which only very vulgar eyes imagine to be black. The face was gross and sensual, but the brows wide and commanding.
There is no type of intellect so essentially aristocratic as the Egyptian when it happens to be of the rare right strain.
"Don’t be offended,” said Lamus, in a soft voice, "she includes us all in her sublime disdain.”
Lou was sitting on the arm of the couch; her ivory-white, long crooked fingers groping the dark girl’s hair. Somehow or other I felt nauseated; I was uneasy, embarrassed. For the first time in my life I didn’t know how to behave.
A thought popped into my mind: it was simply fatigue—I needn't bother about that.
As if in answer to my thought, Lou took a small cut-glass bottle with a gold-chased top from her pocket, unscrewed it and shook out some cocaine on the back of her hand. She flashed a provocative glance in my direction.
The studio suddenly filled with the reverberation of her chant:—
"O Thou naked virgin of love, that art caught in a net of wild roses! I adore Thee, Evoe! I adore Thee, I A O!"
"Quite so,” agreed King Lamus cheerfully. "You’ll excuse me, I know, if I ask whether you have any great experience of the effects of cocaine.”
Lou glowered at him. I preferred to meet him frankly. I deliberately put a large dose on the back of my hand and sniffed it up. Before I had finished, the effect had occurred. I felt myself any man’s master.
"Well, as a matter of fact,” I said superciliously, "to-night’s the first time I ever took it, and it strikes me as pretty good stuff.”
Lamus smiled enigmatically.
“Ah, yes, what does the old poet say? Milton, is it?
‘Stab your demoniac smile to my brain,
Soak me in cognac, love, and cocaine.’"
"How silly you are,” cried Lou. "Cocaine wasn't invented in the time of Milton.”
"Was that Milton’s fault?" retorted King Lamus. The inaptitude, the disconnectedness, of his thought was somehow disconcerting.
He turned his back on her and looked me straight in the face.
"It strikes you as pretty good stuff, Sir Peter," he said, "and so it is. I’ll have a dose myself to show there’s no ill-feeling.”
He suited the action to the words.
I had to admit that the man began to intrigue me. What was his game?
"I hear you're one of our best flying men, Sir Peter,” he went on.
”I have flown a bit now and then,” I admitted.
"Well, an aeroplane’s a pretty good means of travel, but unless you're an expert, you’re likely to make a pretty sticky finish.”
"Thank you very much,” I said, nettled at his tone." As it happens, I’m a medical student.”
"Oh, that’s all right, then, of course.”
He agreed with a courtesy which somehow cut deeper into my self-esteem than if he had openly challenged my competence.
”In that case,” he continued, "I hope to arouse your professional interest in a case of what I think you will agree is something approaching indiscretion. My little friend here arrived to-night, or rather last night, full up to the neck with morphia. Dissatisfied with results, she swallowed a large dose of Anhalonium Lewinii, reckless of the pharmaceutical incompatability. Presumably to pass away the time, she has drunk an entire bottle of Grand Marnier Cordon Rouge; and now, feeling herself slightly indisposed, for some reason at which it would be presumptuous to guess, she is setting things right by an occasional indulgence in this pretty good stuff of yours.”
He had turned away from me and was watching the girl intently. My glance followed his. I saw her deep blue skin fade to a dreadful pallor. She had lost her healthy colour; she suggested a piece of raw meat which is just beginning to go bad.
I jumped to my feet. I knew instinctively that the girl was about to collapse. The owner of the studio was bending over her. He looked at me over his shoulder out of the corners of his eyes.
"A case of indiscretion,” he observed, with bitter irony.
For the next quarter of an hour he fought for the girl’s life. King Lamus was a very skilled physician, though he had never studied medicine officially.
But I was not aware of what was going on. Cocaine was singing in my veins. I cared for nothing. Lou came over impulsively and flung herself across my knees. She held the goblet of Benedictine to my mouth, chanting ecstatically:—
"O Thou sparkling wine-cup of light, whose foaming is the heart’s blood of the stars! I adore Thee, Evoe! I adore Thee, I A O!"
We swooned into a deep, deep trance. Lamus interrupted us.
"You mustn’t think me inhospitable,” he said. "She’s come round all right; but I ought to drive her home. Make yourselves at home while I’m away, or let me take you where you want to go.”
Another interruption occurred. The bell rang. Lamus sprang to the door. A tall old man was standing on the steps.
"Do what thou wilt shall be the whole of the Law,” said Lamus.
"Love is the law, love under will,” replied the other.
It was like a challenge and countersign.
"I’ve got to talk to you for an hour.”
"Of course, I’m at your service,” replied our host. "The only thing is-” He broke off.
My brain was extraordinarily clear. My self- confidence was boundless. I felt inspired. I saw the way out.
A little devil laughed in my heart: "What an excellent scheme to be alone with Lou!"
"Look here, Mr. Lamus,” I said, speaking very quickly, "I can drive any kind of car. Let me take Miss Hallaj home.”
The Arab girl was on her feet behind me.
"Yes, yes,” she said, in a faint, yet excited voice. "That will be much the best thing. Thanks awfully.”
They were the first words she had spoken.
“Yes, yes,” chimed in Lou. "I want to drive in the moonlight.”
The little group was huddled in the open doorway. On one side the dark crimson tides of electricity; on the other, the stainless splendour of our satellite.
"O Thou frail bluebell of moonlight, that art lost in the gardens of the stars
The scene progressed with the vivid rapidity of a dream. We were in the garage—out of it—into the streets—at the Egyptian girl’s hotel—and then—