Epstein Estate Documents - Batch 7 / TEXT / 002 from House

There is no shorter route to power than through the genitals of male leaders. This principle guided the Lolita Gambit, played by the Mossad through its "Agent" Jeffrey Epstein

Re: Epstein Estate Documents - Batch 7 / TEXT / 002 from Hou

Postby admin » Fri Nov 14, 2025 10:25 pm

HOUSE_OVERSIGHT_031988
txt

https://www.dropbox.com/scl/fo/9bq6uj0p ... tracking=1

From:
Sent: 2/6/2011 8:26:59 AM
To: [email protected]
Subject: You should see this movie/documentary
Inside Job (2010)

NYT Critics' PickThis movie has been designated a Critic's Pick by the film reviewers of The New York
Times.
Sony Pictures Classics
Henry Paulson, Ben Bernanke and Timothy Geithner in the documentary "Inside Job."
Who Maimed the Economy, and How
By A. 0. SCOTT
"Inside Job," a sleek, briskly paced film whose title suggests a heist movie, is the story of a crime
without punishment, of an outrage that has so far largely escaped legal sanction and societal stigma. The
betrayal of public trust and collective values that Mr. Ferguson chronicles was far more brazen and
damaging than the adultery in Nathaniel Hawthorne's novel, which treated Hester more as scapegoat than
villain.
The gist of this movie, which begins in a mood of calm reflection and grows angrier and more incredulous
as it goes on, is unmistakably punitive. The density of information and the complexity of the subject
matter make "Inside Job" feel like a classroom lecture at times, but by the end Mr. Ferguson has summoned
the scourging moral force of a pulpit-shaking sermon. That he delivers it with rigor, restraint and good
humor makes his case all the more devastating.
He is hardly alone in making it. Numerous journalists have published books and articles retracing the
paths that led the world economy to the precipice two years ago. The deregulation of the financial
services industry in the 1980s and '90s; the growing popularity of complex and risky derivatives; the
real estate bubble and the explosion of subprime lending — none of these developments were exactly
secret. On the contrary, they were celebrated as vindications of the power and wisdom of markets.
Accordingly, Mr. Ferguson recycles choice moments of triumphalism, courtesy of Lawrence H. Summers,
George W. Bush, Alan Greenspan and various cable television ranters and squawkers.
Even as stock indexes soared and profits swelled, there were always at least a few investors, economists
and government officials who warned that the frenzied speculation was leading to the abyss. Some of these
prophets without honor show up in front of Mr. Ferguson's camera, less to gloat than to present, once
again, the analyses that were dismissed and ignored by their peers for so long.
Dozens of interviews — along with news clips and arresting aerial shots of New York, Iceland and other
disaster areas — are folded into a clear and absorbing history, narrated by Matt Damon. The music (an
opening song, "Big Time," by Peter Gabriel, and a score by Alex Heffes) and the clean wide-screen
cinematography provide an aesthetic polish that is welcome for its own sake and also important to the
movie's themes. The handsomely lighted and appointed interiors convey a sense of the rarefied, privileged
worlds in which the Wall Street operators and their political enablers flourished, and the elegance of
the presentation also subliminally bolsters the film's authority. This is not a piece of ragged
muckraking or breathless advocacy. It rests its outrage on reason, research and careful argument.
The same was true of Mr. Ferguson's previous documentary, "No End in Sight," which focused on
catastrophic policies carried out in Iraq by President George W. Bush's administration just after the
overthrow of Saddam Hussein. But whereas that film concentrated on a narrow view of a complex subject —
the conduct of the war rather than the at least equally controversial rationale for fighting it — "Inside
Job" offers a sweeping synthesis, going as far back as the Reagan administration and as far afield as
Iceland in its anatomy of the financial crisis.
Perhaps unsurprisingly, many of the highest-profile players declined to be interviewed. Mr. Summers
appears only in news footage, and none of his predecessors or successors as Treasury secretary — not
Robert E. Rubin or Henry M. Paulson Jr. or Timothy F. Geithner — submit to Mr. Ferguson's questions. Nor
do any of the top executives at Goldman Sachs or the other big banks. Most of the interviewees are, at
least from the perspective of the filmmaker, friendly witnesses, adding fuel to the director's
comprehensive critique of the way business has been done in the United States and the other advanced
capitalist countries for the past two decades.
Both American political parties are indicted; "Inside Job" is not simply another belated settling of
accounts with Mr. Bush and his advisers, though they are hardly ignored. The scaling back of government
oversight and the weakening of checks on speculative activity by banks began under Reagan and continued
during the Clinton administration. And with each administration the market in derivatives expanded, and
alarms about the dangers of this type of investment were ignored. Raghuram Rajan, chief economist at the
International Monetary Fund, presented a paper in 2005 warning of a "catastrophic meltdown" and was
mocked as a "Luddite" by Mr. Summers.
Meanwhile, some investment bankers — at Goldman Sachs in particular — were betting against the positions
they were pushing on their customers. An elaborate house of cards had been constructed in which bad
consumer loans were bundled into securities, which, were certified as sound by rating agencies paid by
the banks and then insured via credit-default swaps. One risky bet was stacked on top of another, and in
retrospect the collapse of the whole edifice, along with the loss of jobs, homes, pensions and political
confidence, seems inevitable.
HOUSE OVERSIGHT 031988
How did this happen? Mr. Ferguson is no conspiracy theorist; nor is he inclined toward structural or
systemic explanations. Markets are not like tectonic plates, shifting on their own. Visible hands write
laws and make deals, and in this case a combination of warped values and groupthink seems to have driven
very intelligent men (and they were mostly men) toward folly. In addition to business and government, Mr.
Ferguson aims his critique at academia, suggesting that the discipline of economics and more than a few
prominent economists were corrupted by consulting fees, seats on boards of directors and membership in
the masters of the universe club.
when he challenges some of these professors, in particular those who held positions of responsibility in
the white House or in the Federal Reserve, they are reduced to stammering obfuscation — markets are
complicatedl Who could have predicted? I don't see any conflict of interest — and occasionally provoked
to testiness. Mr. Ferguson, for his part, cannot always contain his incredulity or rein in his sarcasm.
occasionally his voice pipes up from off camera, saying things like, "You can't be serious!"
But it is hard to imagine a movie more serious, and more urgent, than "Inside Job." There are a few
avenues that might have been explored more thoroughly, in particular the effects of the crisis on
ordinary, non-wall-street-connected workers and homeowners. The end of the film raises a disturbing
question, as Mr. Damon exhorts viewers to demand changes in the status quo so that the trends associated
with unchecked speculation of the kind that caused the last crisis — rising inequality, neglect of
productive capacity, endless cycles of boom and bust — might be reversed.
This call to arms makes you wonder why anger of the kind so eloquently expressed in "Inside Job" has been
so inchoate. And through no fault of its own, the film may leave you dispirited as well as enraged. Its
fate is likely to be that of other documentaries: praised in some quarters, nitpicked in others and
shrugged off by those who need its message most. Which is a shame.
"Inside Job" is rated PG-13 (Parents strongly cautioned). Some drug and sex references and pervasive
obscenity, though not the verbal kind.
HOUSE OVERSIGHT 031989
admin
Site Admin
 
Posts: 38693
Joined: Thu Aug 01, 2013 5:21 am

Re: Epstein Estate Documents - Batch 7 / TEXT / 002 from Hou

Postby admin » Fri Nov 14, 2025 10:28 pm

HOUSE_OVERSIGHT_031990
txt

https://www.dropbox.com/scl/fo/9bq6uj0p ... tracking=1

From:
Sent: 12/27/2010 9:04:41 PM
To: jeff epstein [[email protected]]
Subject: Fw: Ken Starr Aiming High as Head of Baylor
Sent via BlackBerry by AT&T
From: "Newsmax. corn" <newsmaxgreply.newsmax.corn>
Date: Mon, 27 Dec 2010 21:03:04 GMT
To:
ReplyTo: newsmaxgreply.newsmax.corn
Subject: Ken Starr Aiming High as Head of Baylor
Breaking from Newsmax.com
Ken Starr Aiming High as Head of Baylor
Bill Clinton's one-time legal nemesis is earning high marks for his new
role as president of Texas' Baylor University.
Whitewater prosecutor
Ken Starr is helping to heal divisions at the nation's largest Baptist
school as he seeks to raise its academic stature.
To Read the Full Story — Go Here Now
More Links:
The Healing Powers of Vinegar on Your Heart, Weight, More
Blood Pressure Can Be Cured Without Drugs
Terror Chatter High, Protect Your Family With Emergency Radio
Author Warns of End of 'American Empire', U.S. Stocks to Suffer
This e-mail is never sent unsolicited. You have received this Newsmax e-mail because you
subscribed to it or someone forwarded it to you. To opt out, see the links below.
TO ADVERTISE
For information on advertising, please contact Newsmax Advertising Sales via e-mail.
TO SUBSCRIBE
If this e-mail has been forwarded to you and you would like to sign up, please click here.
Remove your e-mail address from our list or modify your profile. We respect your right to
privacy. View our policy.
This e-mail was sent by:
Newsmax.com
HOUSE OVERSIGHT 031990
4152 West Blue Heron Blvd., Ste. 1114
Riviera Beach, FL 33404 USA
1042908
B5CC-1
HOUSE OVERSIGHT 031991
admin
Site Admin
 
Posts: 38693
Joined: Thu Aug 01, 2013 5:21 am

Re: Epstein Estate Documents - Batch 7 / TEXT / 002 from Hou

Postby admin » Fri Nov 14, 2025 10:29 pm

HOUSE_OVERSIGHT_031992
txt

https://www.dropbox.com/scl/fo/9bq6uj0p ... tracking=1

From: Daniel Siad
Sent: 7/24/2010 5:10:54 PM
To: Jeffrey Epstein [[email protected]]
Subject: hello from ibiza
can you come to Ibiza or you can send us the ticket to come with
Tigrane and five girls to Paris because they have there return ticket
from Barcelona if they are living from here
it will be great if you can arrenge for us tickets for Paris
please let me know so we can get orgnized
On 7/24/10, Jeffrey Epstein <[email protected]> wrote:
> i will be in paris tom000rw night
> • On Sat Jul 24 2010 at 9:32 AM, Daniel Siad
wrote:
»• the other girl name is
» On Sat, Jul 24, 2010 at 2:28 PM, Daniel Siad <
wrote:
>» Can you call me
>» I am with tigrane he would like to meet you he is here with me in Ibiza
>» with 8 top girls he said he would like to build some thing with you
>» can you come to Ibiza we have a huge house or how can we orgnise this
>» meeting even Jean Luc could doo a great biz also
>» he has the most amizing top models on stand by I told him not to do any
>» deals with anybody before he meet with you .
>» he stoped working with IMG and Trump wi here please call me and let me
>» know what is your plans

>» warmest regards
>» Daniel


>» On Fri, Jul 23, 2010 at 2:38 PM, Jeffrey Epstein
>» <[email protected]>wrote:

»» what is your schedule?
>>>>

>>>>
>>>> ***********************************************************
»» The information contained in this communication is
»» confidential, may be attorney-client privileged, may
»» constitute inside information, and is intended only for
»» the use of the addressee. It is the property of
»» Jeffrey Epstein
»» Unauthorized use, disclosure or copying of this
»» communication or any part thereof is strictly prohibited
»» and may be unlawful. If you have received this
»» communication in error, please notify us immediately by
»» return e-mail or by e-mail to [email protected], and
»» destroy this communication and all copies thereof,
»» including all attachments.
>>>>
>>>
>>>
>>>
>» --
>» Confidentiality Notice: The information contained in this electronic
>» message is PRIVILEGED and confidential information intended only for the
>» use
>» of the individual entity or entities named as recipient or recipients. If
>» the reader is not the intended recipient, be hereby notified that any
>» dissemination, distribution or copy of this communication is strictly
>» prohibited. If you have received this communication in error, please
>» notify
>» me immediately by electronic mail or by telephone and permanently delete
>» this message from your computer system. Thank you.
> > >
HOUSE OVERSIGHT 031992
»
»
»
»
» Confidentiality Notice: The information contained in this electronic
» message is PRIVILEGED and confidential information intended only for the
» use
» of the individual entity or entities named as recipient or recipients. If
» the reader is not the intended recipient, be hereby notified that any
» dissemination, distribution or copy of this communication is strictly
» prohibited. If you have received this communication in error, please
» notify
» me immediately by electronic mail or by telephone and permanently delete
» this message from your computer system. Thank you.
> >
>
>
>
>
> ***********************************************************
> The information contained in this communication is
> confidential, may be attorney-client privileged, may
> constitute inside information, and is intended only for
> the use of the addressee. It is the property of
> Jeffrey Epstein
> Unauthorized use, disclosure or copying of this
> communication or any part thereof is strictly prohibited
> and may be unlawful. If you have received this
> communication in error, please notify us immediately by
> return e-mail or by e-mail to [email protected], and
> destroy this communication and all copies thereof,
> including all attachments.
>
- -
- -
--
Confidentiality Notice: The information contained in this electronic
message is PRIVILEGED and confidential information intended only for
the use of the individual entity or entities named as recipient or
recipients. If the reader is not the intended recipient, be hereby
notified that any dissemination, distribution or copy of this
communication is strictly prohibited. If you have received this
communication in error, please notify me immediately by electronic
mail or by telephone and permanently delete this message from your
computer system. Thank you.
HOUSE OVERSIGHT 031993
admin
Site Admin
 
Posts: 38693
Joined: Thu Aug 01, 2013 5:21 am

Re: Epstein Estate Documents - Batch 7 / TEXT / 002 from Hou

Postby admin » Fri Nov 14, 2025 10:35 pm

HOUSE_OVERSIGHT_031994
txt

https://www.dropbox.com/scl/fo/9bq6uj0p ... tracking=1

Donald J. Trump@realDonaldTrump

Now that the Democrats are using the Epstein Hoax, involving Democrats, not Republicans, to try and deflect from their disastrous SHUTDOWN, and all of their other failures, I will be asking A.G. Pam Bondi, and the Department of Justice, together with our great patriots at the FBI, to investigate Jeffrey Epstein’s involvement and relationship with Bill Clinton, Larry Summers, Reid Hoffman, J.P. Morgan, Chase, and many other people and institutions, to determine what was going on with them, and him. This is another Russia, Russia, Russia Scam, with all arrows pointing to the Democrats. Records show that these men, and many others, spent large portions of their life with Epstein, and on his “Island.” Stay tuned!!!

Nov 14, 2025, 7:35 AM


From: Tonja Haddad Coleman
Sent: 1/29/2015 8:33:35 PM
To: Darren Indyke [email protected]; Jack Goldberger
Subject: FW: National Enquirer Comment Request Re: Jeffrey Epstein
Importance: High
Tonja Haddad Coleman, Esq.
TONJA HADDAD, P.A.
Advocate Building
315 SE 7th Street
Fort Lauderdale, FL 33301
This e-mail contains PRIVILEGED AND CONFIDENTIAL information intended only for use of the addressee(s) named above. If you are not the intended recipient of this
e-mail, or an authorized employee or agent responsible for delivering it to the intended recipient, you are hereby notified that any dissemination or copying of this e-
mail is strictly prohibited. If you have received this e-mail in error, please notify us by reply e-mail and delete this e-mail from your records. Thank you for your
cooperation.
From: Gonzalez, Patricia [mailto
Sent: Thursday, January 29, 2015 3:29 PM
To: Tonja Haddad Coleman
Cc: Cartwright, Lachlan
Subject: National Enquirer Comment Request Re: Jeffrey Epstein
Importance: High
Tonja--
The National ENQUIRER is preparing to publish a story that Bill Clinton used a private "orgy" jet to travel to
Brunei for an extraordinary dinner with a royal accused of duping American women into "white slavery."
The ENQUIRER will report that Bill was accompanied by the 727's owner, billionaire pedophile Jeffrey Epstein,
when he landed in the tiny South-East Asian country on May 25, 2002. His entourage also included two
women who allegedly worked as "madams" for Epstein, luring teenaged girls into sex trysts with the tycoon
and his powerful and famous friends.
According to The ENQUIRER's investigation, Bill spent the day playing golf at a seven-star hotel -- and then was
invited to dine with Brunei's sultan, Hassanal Bolkiah .....who was charged with holding a deeply-religious
Christian beauty queen as a "human chattel." Far from being embarrassed by the ruler's tawdry
reputation, moreover, records for Bill's nonprofit foundation reveal that Brunei made a donation towards his
Clinton Presidential Library that year of between $1. million and $5 million.
Please kindly attempt to provide any comment by 4 pm ET tomorrow, Friday January 30th to Lachlan
Cartwright, Executive Editor, at [Office] or
HOUSE OVERSIGHT 031994
Thank You,
Patricia Gonzalez
The National Enquirer

Office#
E-mail:
HOUSE OVERSIGHT 031995
admin
Site Admin
 
Posts: 38693
Joined: Thu Aug 01, 2013 5:21 am

Re: Epstein Estate Documents - Batch 7 / TEXT / 002 from Hou

Postby admin » Fri Nov 14, 2025 10:48 pm

HOUSE_OVERSIGHT_031996
txt

https://www.dropbox.com/scl/fo/9bq6uj0p ... tracking=1

From: [email protected] [mailer-daemon@p3pIsmtp05-
03.prod.phx3.secureserver.net]
Sent: 1/6/2015 1:15:20 AM
To: [email protected]
Subject: failure notice
Your mail message to the following address(es) could not be delivered.
This is a permanent error. Please verify the address(es) and try again.
child status 100...The e-mail message could not be delivered because the user's mailfolder is full.
--- Below this line is a copy of the message.
Return-Path: <[email protected]>
Received: (qmail 19093 invoked by uid 30297); 6 Jan 2015 01:15:20 -0000
Received: from unknown (HELO p3plibsmtp03-01.prod.phx3.secureserver.net) ([68.178.213.113])
(envelope-sender <[email protected]>)
by p3p1smtp05-03.prod.phx3.secureserver.net (qmail-1.03) with SMTP
for <; 6 Jan 2015 01:15:20 -0000
Received: from mail-wi0-f180.google.com ([209.85.212.180])
by p3plibsmtp03-01.prod.phx3.secureserver.net with bizsmtp
id cRFK1p0133u5SEhOlRFLFp; Mon, 05 Jan 2015 18:15:20 -0700
Received: by mail-wi0-f180.google.com with SMTP id n3so4433763wiv.1
for Mon, 05 Jan 2015 17:15:19 -0800 (PST)
DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed;
d=gmail.com; s=20120113;
h=mi me-version : in-reply-to : references : date: message-id: subject: from: to
:content-type;
bh=buIihKI+751WU15BWGwKtOK2/0JcqYe/gvCCO4ClgIRY=;
b=z6YCyAQzipV5nA4ezYelUuzMbCO2F5qd7OFMrCxFpy6N8FXVytfaIAhOhzMOhVinWj
MZgeAmWYVA0zFrgvod6tJ9yUjyyHaqWYpTLBcNsxy6L0ZrMHHiiG8gyRPORH87Lelg5k
Po5bpIP9FKGuRK7eldlUnfgZ72zdfiEncYZ1BjTTBKez1vIukQq06shBJV+3FHqymtdX
Bf8of0N0PdI3dRligCloVSzNJ9XDi3kOgg+ipLnugD1DLX5A2dDgFLzfD6zYanOg6WHwH
EAsCVZxDOVb3SRhbd9W5dVjN082p/uKfq1qTsL/HmZKLlyewni:16GxSE02JRyIfjp9r6s
hObA==
MIME-Version: 1.0
X-Received: by 10.195.12.15 with SMTP id eml5mr166563452wjd.80.1420506919320;
Mon, 05 Jan 2015 17:15:19 -0800 (PST)
Received: by 10.194.47.1 with HTTP; Mon, 5 Jan 2015 17:15:19 -0800 (PST)
In-Reply-To: <CAE-V2w=outijAfJGNP4772M08wn9HWTfq4=_quBh3_k=CIDNnlw@mail.gmail.com>
References: <844D16BDCC83F5419485EEB1B49DCEE356FF9997@mbx027-wl-ca-2.exch027.domain.local>
<CAE-V2w=outijAfJGNP4772M08wn9HWTfq4=_quBh3_k=CIDNnlw@mail.gmail.com>
Date: Mon, 5 Jan 2015 21:15:19 -0400
Message-ID: <CA+t=u-ZBculmegS3ECP4+K9mcZHVw6UBFryJ8gFn98=Ju4TlyA@mail.gmail.com>
Subject: Re: High Profile
From: "jeffrey E." <[email protected]>
To: Christina Galbraith ____________________________________________
Content-Type: multipart/alternative; boundary=047d7bfcef3a53c24d050bfl8a12
--047d7bfcef3a53c24d050bfl8a12
Content-Type: text/plain; charset=UTF-8
Content-Transfer-Encoding: quoted-printable
thanks, what is david doing?
On Mon, Jan 5, 2015 at 6:12 PM, Christina Galbraith <
> • From: Jamie Rosenwald >
> Date: Mon, Jan 5, 2015___________________________________________________at 5:07 PM
> Subject: High Profile
> To: "[email protected]" <[email protected]>
> • Dear Jeff,
> • Your name popped up again in the Press and I thought it was time to
wrote:
Forwarded message
HOUSE OVERSIGHT 031996
> congratulate you on your wonderful financial successes since your days as
> my Physics prof at Dalton!! The young, bright options trader, who
> understood Black Sholes and how to use it, at Bear, made good!!
> • Unless your PR advisor is Donald Trump, I am not sure that current press
> provides you with much benefit. Perhaps I am wrong? Not the first time!!
> • Anyway, middle age has brought its own unique set of challenges. Aging
> certainly ain=E2=80=99t for sissy=E2=80=99s.
> • Regards,
> • Jamie Rosenwald
> • Ps. David Asch and I toasted to you during our Thanksgiving weekend in
> Amagansett in November.

> • Christina Galbraith
> MEDIA/PR
> VI Foundation
• 1111.1.11
--=20
please note
The information contained in this communication is
confidential, may be attorney-client privileged, may
constitute inside information, and is intended only for
the use of the addressee. It is the property of
JEE
Unauthorized use, disclosure or copying of this
communication or any part thereof is strictly prohibited
and may be unlawful. If you have received this
communication in error, please notify us immediately by
return e-mail or by e-mail to [email protected], and
destroy this communication and all copies thereof,
including all attachments. copyright -all rights reserved
--047d7bfcef3a53c24d050bfl8a12
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: quoted-printable
<div dir=3D"ltr">thanks,=C2=A0 what is david doing?<br></div><div class=3D"=
gmail_extra"><br><div class=3D"gmail_quote">On Mon, Jan 5, 2015 at 6:12 PM .=
Christina Galbraith <span dir=3D"ltr">&lt;<a href=3D"mailto:
MEN target=3D"_blank"› </a>&gt;</spa=
n> wrote:<br><blockquote class=3D"gmall_quote style=3D margin:0 0 0 .8ex;b=
order-left:lpx #ccc solid;padding-left:lex"><div dir=3D"ltr"><br><div class=
=3D"gmail_quote"›---------- Forwarded message ----------<br>From: <b class=
=3D"gm
mailto
> <span dir=3D"ltr">&lt;<a href=3D"=
target=3D"_blank"
< a>&gt;< span>< r>Date: Mon, Jan 5, 2015 > l a-.11.<r..a=
'
High &quot;<a href=3D"mailto:[email protected]=
g" target=3D"_blank">[email protected]</a>&quot; &lt;<a href=3D"ma=
ilto:[email protected]" target=3D"_blank">[email protected]=
rg</a>&gt;<br><br><br>
HOUSE OVERSIGHT 031997
<div vlink=3D"purple" link=3D"blue" lang=3D"EN-US"›
<div>
<p class=3D"MsoNormal">Dear Jeff,<u></u><u></u></p>
<p class=3D"MsoNormal"><u></u>=C2=A0<u></u></p>
<p class=3D"MsoNormal">Your name popped up again in the Press and I thought=
it was time to congratulate you on your wonderful financial successes sinc=
e your days as my Physics prof at Dalton!! The young, bright options trader=
, who understood Black Sholes and
how to use it, at Bear, made good!!<u></u><u></u></p>
<p class=3D"MsoNormal"><u></u>=C2=A0<u></u></p>
<p class=3D"MsoNormal">Unless your PR advisor is Donald Trump, I am not sur=
e that current press provides you with much benefit. Perhaps I am wrong? No=
t the first time!!<u></u><u></u></p>
<p class=3D"MsoNormal"><u></u>=C2=A0<u></u></p>
<p class=3D"MsoNormal">Anyway, middle age has brought its own unique set of=
challenges. Aging certainly ain=E2=80=99t for sissy=E2=80=99s.
<u></u><u></u></p>
<p class=3D"MsoNormal"><u></u>=C2=A0<u></u></p>
<p class=3D"MsoNormal">Regards,<span><font color=3D"#888888"><u></u><u></u>=
</font></span></p><span><font color=3D"#888888">
<p class=3D"MsoNormal"><u></u>=C2=A0<u></u></p>
<p class=3D"MsoNormal">Jamie Rosenwald<u></u><u></u></p>
</font></span><p class=3D"MsoNormal"><u></u>=C2=A0<u></u></p>
<p class=3D"MsoNormal">Ps. David Asch and I toasted to you during our Thank=
sgiving weekend in Amagansett in November. =C2=A0<span class=3D"HOEnZb"><fo=
nt color=3D"#888888"><u></u><u></u></font></span></p><span class=3D"HOEnZb"=
><font color=3D"#888888">
</font></span></div><span class=3D"HOEnZb"><font color=3D"#888888">
</font></span></div><span class=3D"HOEnZb"><font color=3D"#888888">
</font></span></div><span class=3D"HOEnZb"><font color=3D"#888888"><br><br =
clear=3D"all"><br>-- <br><div><div dir=3D"ltr"><div><font face=3D"arial nar=
row,sans-serif" color=3D"#0b5394">Christina Galbraith</font></div><div><fon=
t face=3D"arial narrow,sans-serif" color=3D"#0b5394">MEDIA/PR</font></div><=
div><font face=3D"arial narrow,sans-serif" color=3D"#0b5394">Jeffrey Epstei=
n VI Foundation</font></div><div><font face=3D"arial narrow sans-serif" col=
or=3D"#0b5394"><allairal =
tar et=3D"_blank" " /Tont></alv><alv><a nrer=3D" malits4MOMMEMMEM
' target=3D"_blank"><font face=3D"arial narrow,san=
s-serif"co or= D '> /font></a></div><di=
v><br></div><div><br></div></div></div>
</font></span></div>
</blockquote></div><br><br clear=3D"all"><br>-- <br><div class=3D"gmail_sig=
nature"><div dir=3D"ltr">—C2—AO—C2—A0—C2—A0—C2—A0—C2—A0—C2—A0—C2—A0 please =
note<br><div>The information contained in this communication is<br>confiden=
tial, may be attorney-client privileged, may<br>constitute inside informati=
on, and is intended only for<br>the use of the addressee. It is the propert=
y of<br>JEE<br>Unauthorized use, disclosure or copying of this<br>communica=
tion or any part thereof is strictly prohibited<br>and may be unlawful. If =
you have received this<br>communication in error, please notify us immediat=
ely by<br>return e-mail or by e-mail to <a href=3D"mailto:jeevacation@gmail=
.com" target=3D"_blank">[email protected]</a>, and<br>destroy this comm=
unication and all copies thereof,<br>including all attachments. copyright -=
all rights reserved<br></div></div></div>
</div>
--047d7bfcef3a53c24d050bfl8a12--
HOUSE OVERSIGHT 031998
admin
Site Admin
 
Posts: 38693
Joined: Thu Aug 01, 2013 5:21 am

Re: Epstein Estate Documents - Batch 7 / TEXT / 002 from Hou

Postby admin » Fri Nov 14, 2025 10:53 pm

HOUSE_OVERSIGHT_031999
txt

https://www.dropbox.com/scl/fo/9bq6uj0p ... tracking=1

From: Jeffrey Epstein [[email protected]]
Sent: 1/12/2010 11:18:58 AM
To: Peggy Siegal
Subject: Re: My Wall Street 2 Story
sorry you are sick, go slow., no cleaning, stay in bed.. sorry..
On Tue, Jan 12, 2010 at 6:17 AM, Peggy Siegal -________________________________wrote:
Will call you later. I am sick as a dog with a cold. I am supposed to go to Dr. Magnani this morning for a cleaning. If you get a
cleaning with a cold does it make it worse of just infect the dental hygenist?
Had a great lunch for Woody Harrelson and Ben Foster for "The Messenger" at Monkey Bar yesterday and hung with Clooney at the
New York Film Critics Awards last night. Tonight is the National Board of Review and I am thinking of staying in bed till show
time. Have a party for Clooney Wednesday nigh Graydon is hosting at Monkey Bar that we are working on.
I have to fly to LA Jan. 14 and I am worried.. .1 have emailed three doctors this morning!
Will call later...Mattie keeps saying she is going to show me how to email photos- will try to do today and call.
I think I got sick in economy class from Lamu, Nairobi, Amsterdan, Newark from all those wanna be terrorists breathing on me in
the planes.
Did you see "Avator". I do not have a dvd because its 3D.
The white American marines are wiped out by black people painted blue... its going to be highest grossing film in the world is an
few weeks beating out "Titanic" and will win the Oscar for "Best Picture."
xoxo Peg
-----Original Message-----
From: Jeffrey Epstein <[email protected]>
To: Peggy Siegal
Sent: Mon Jan 11 19:28:25 2010
Subject: Re: My Wall Street 2 Story
terrific. i want to hear more about the trip
On Mon, Jan 11, 2010 at 6:32 PM, Peggy Siegal wrote:
Wrote this for the February issue of AVENUE Magazine. Thought it would amuse you. Tell me what you think of it.
xoxo Peggy
HD: Wall Street, Take Two
HOUSE OVERSIGHT 031999
DEK: In the upcoming sequel to Oliver Stone's groundbreaking film, Gordon Gekko gets out of jail and back to business. Peggy
Siegal takes us behind the scenes where she got herself on camera along with a few of her famous friends. Nice work if you can get
it.
In 1987, right after director Oliver Stone won the Academy Award for "Platoon," he immediately turned to a domestic arena
and began working on "Wall Street" in New York City where his father had been a stockbroker. Although the film was widely seen
as a scathing critique of the culture of Wall Street, Stone has said that part of the film is a defense of capitalism, his father's vision of
finance (as seen through the Hal Holbrook character) and an homage to his father.
At the time Oliver was also fascinated with the connection between the psyche of Latino Miami drug dealers from his earlier
"Scarface" script and the American-born 28- to 35-year-old, white collar stockbrokers. Both groups had an animalistic need to obtain
big and fast money. They shared an obsession with corruption and greed.
Oliver sent his actors to Bear Stearns for research, including then-newcomer Charlie Sheen, who played Bud Fox, a kid from
nowhere. When he learns to cold call, and lands one big client, Gordon Gekko, Fox is thrust into the fast lane with a rock star
financial mentor who teaches him corruption.
Oliver needed an old-fashioned villain to create drama, and he cast Michael Douglas as Gekko against type. Michael was not
known as a heavy at the time, but as a charming, handsome, sensitive leading man. Oliver also saw the anger, confidence,
salesmanship and style that Michael brought to the role. Michael's Gekko looked a bit like Laker's coach Pat Riley with his slicked
back hair and well-cut suits, and it became Michael's most important role, winning him the Academy Award for the villain no one
could ever forget.
When Gekko delivers his speech, "Greed, for lack of a better word, is good. Greed is right. Greed works," cinematic history was
made.
"Wall Street" was set in 1985, a time before ten financial news networks broadcasting 24/7 existed. The entire financial services
industry was largely unknown and Oliver Stone nailed it.
Four years ago, Wall Street's producer Ed Pressman decided it was time for a sequel and met with Fox Film Entertainment co-
chairmen Tom Rothman and Jim Gianopulos. Michael Douglas was immediately on-board pending script approval. Steven Schiff
wrote the first script before the global economic crash of 2008 rendered it obsolete.
Alan Loeb was brought in for a rewrite. Pressman asked me to meet Loeb at the Carlyle Hotel to explain the social rhythms of
New York's financial high society. Whereas Gekko 's character was modeled after '70s junk bond kings (Michael Milken) and '80s
mergers and acquisitions killers (Henry Kravis), Loeb bases the new villain on hedge fund billionaires like John Paulson and Mike
Novogratz, geniuses who have created stratospheric wealth beyond Gordon Gekko 's wildest dreams. When Oliver Stone agreed to
direct, he rewrote a portion of the script to focus on bankers as well as hedge funders, taking no screen credit.
This past September, Oliver yelled, "action" as Gordon Gekko, with long grey hair, comes back to life as he emerges from a
lengthy prison stint shot outside of Sing Sing in Ossining, New York. Gekko is desperate to redefine himself in a different era. The
New York Post runs a full-page photo of Gekko and New Yorkers immediately become obsessed with the filming of Wall Street 2.
A week into shooting, a glorious fall day. Ed Pressman invites me on the set at the Central Park Zoo. Oliver designs an elaborate
tracking shot around the seal pool where Gekko, fresh from jail, walks and talks to Jake Moore, a young idealistic investment banker
played by Shia LaBoeuf. They discuss Gekko's daughter Winnie, Moore's fiancee, played by Carrie Mulligan, who is also having an
off-screen romance with LaBoeuf. Oliver played Cupid. Moore invites Gekko to the Alzheimer's Ball at the Metropolitan Museum
HOUSE OVERSIGHT 032000
of Art. Gekko, who used to be a sponsor or honoree of such events, cannot even afford a ticket.
The shot starts with a barking seal jumping for fish, then pans down to the actors. Extras weave in and out. In one take Michael
makes a wrong turn and ends up at the monkey house. Everyone laughs. The atmosphere on the set is courteous but quick and tense.
There is pressure when you are making a sequel to a hit.
I watch the action on monitors while sitting on the producers canvas chairs with Pressman, Eric Kopeloff ("Monsters Ball") and
Celia Costas, who was a location manager on the first "Wall Street." They have asked me to be an extra in the Alzheimer's Ball scene
and bring some friends to play rich Upper East Side socialites. Oliver wants over the top glam, go-to-the-vault jewels and couture
gowns. "Give me the night before the Titanic goes down," were his exact words. Not a problem.
I pay a quick visit to Michael in his trailer on Fifth Avenue where he is resting. We go way back. I was his personal publicist
when he won the Golden Globe and Oscar for Best Actor for "Wall Street" and we have remained great friends. Gekko is just as
challenging for him the second time because of endless pages of technical financial dialogue. We discuss Catherine Zeta-Jones'
Broadway debut in a "Little Night Music." Michael has a stack of partially finished handwritten thank you notes next to him for gifts
received for their shared birthday party on September 25th at the St. Regis. Her 40th and his 65th.
I tell him I have been cast as an extra in two scenes and he laughs knowing I am desperate to hang around him and the
production.
8:30 a.m. on Wednesday, October 21st, another warm, stunning fall day. I report to the wardrobe trailer on 65th Street and
Madison Avenue. I carry four elaborate cocktail dresses and bags of matching accessories. My hair is in rollers. Statuesque Julia
Koch walks over from her Park Avenue apartment carrying her white Valentino and long diamond earrings. Her real-life financial
titan husband David is unaware where she is this morning.
Vanity Fair's keeper of the Best Dressed List, Amy Fine Collins, arrives totally organized in turquoise vintage Geoffrey Beene,
and Vogue's fashion editor Hamish Bowles wears a riot of plaids, patterns and a large yellow fake flower on his lapel. Costume
Designer Ellen Mirojnick, who created Gordon Gekko's rich slick look in the first film, is ecstatic with the extras I invited.
Oliver is shooting a scene with Josh Brolin (the star of Stone's "W"). His character Bretton (never Bret) James, a ruthless Wall
Street kingpin, and his perfect wife Samantha (Noelle Beck) are hosting a benefit piano recital for a 13-year-old child prodigy in their
huge, art-filled townhouse at 41 East 65th Street. The building actually belongs to Baby Jane Holzer, a wealthy art collector still
famous for hanging with Andy Warhol in the '60s. The production designer had Jane's fabulous Warhols moved to storage and
replaced with matching photographic copies. Very expensive contemporary art is again an important production element of Oliver's
vision.
At 10:30 a.m., all the extras are placed around the living room set. Oliver's French mother, Jacqueline Stone, and her friend
Monique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them.
Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate
wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy,
Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops.
Oliver appears on the set with eagle eyes and a sly grin and quickly re-positions everyone. He explains the scene, gives out lines
to his favored extras, and on his way out to the monitors in the next room mentions that my earrings are too small. Wardrobe
jumps. Josh rehearses and Oliver finally yells, "Action." The kid plays the piano, Josh explains why we are in his home, asks for
money, the camera dollies as extras say their lines and Shia appears at the door uninvited for a confrontation with Josh. Three hours
later a PA yells, "Lunch".
In costume, Amy, Hamish and I run to The Monkey Bar. I am late to meet "The Harpies," including Liz Smith, Barbara
Walters, Cynthia McFadden, Nora Ephron, Jennifer Isham, Maury Perl and Beth Kseniak.
Graydon Carter is at the next table. I tell him Oliver Stone wants him in "Wall Street 2" as an extra. (I make this up.) Graydon
jokes that he only works with lines. I say, "Not a problem." (This will be news to Oliver.)
HOUSE OVERSIGHT 032001
Back on the set I tell Oliver that Graydon is willing to be in the film with lines. Oliver finds that intriguing.
Oliver shoots the piano recital scene over and over again from different angles all afternoon. Financial wizard Don Marron
saunters on the set to visit and Oliver spontaneously puts him in a scene chatting with Josh. Carrie Mulligan hangs out watching
boyfriend Shia work.
At sundown Julia Koch has to race from reel to real life and explain to her husband where she has been all day. (He loves it.)
Chuck Pfieffer plants a "Page Six" item and the next day socialites begin calling me to get into the film.
Thursday, November 5, Shun Lee Restaurant, West 65th Street
Oliver shoots a crowded tight interior scene with Michael, Carrie and Shia, who are having an intimate Chinese dinner.
Spontaneously, Oliver decides this is the perfect scene for Graydon Carter. After a flurry of calls, Graydon arrives on set, and playing
himself, sashays by the table. Gekko jumps up to say hello and Graydon brushes him off with a few dismissive lines.
Monday, November 9, 25 Broadway
One hundred swells show up at the former Canard Shipping building, a massive Italianate hall, at the crack of dawn for the
Alzheimer's Ball, a grand charity event.
Susan Hess and I are chauffeured downtown with our Vera Wang gowns and report to the VIP extra holding area where we join
Prince Dimitri of Yugoslavia in a bespoke dinner jacket, journalist Christopher Mason, songstress Yanna Avis, photographer Kelly
Klein, art dealer Larry Gagosian's girl friend Shala Monroque in see-through Rodarte, beauty executive Olivia Chantecaille, producer
Lawrence Robins, author Jackie Weld Drake, Vogue film critic Joan Juliet Buck, fashion consultant Jill Fairchild, CNN's Felicia
Taylor and Italian newsman Mario Calvo-Platero.
Ellen Mirojnick and her costume department have assembled racks of the most expensive elaborate designer gowns and work at
break neck speed styling while we wildly strip to our undies in a makeshift dressing area. Ellen pours me into a black tulle Marchesa
with a enormous wired silver bow. Twenty hairdressers and make-up artists systematically work on 250 extras. A mile of tables are
alternately filled with steaming coffee, fattening breakfast foods, hair sprays, mirrors, shoes and jewelry. It's a madhouse of
excitement.
We are led to the part of the set used for the cocktail reception and placed around Michael Douglas and Charlie Sheen stand-ins.
Charlie has been flown in from LA for half a days work to reprise his original character. He is now the highest paid television actor
commanding two million dollars an episode of "Two and a Half Men."
Oliver arrives on the set greeting, examining, tweaking the shot and always pulling the prettiest girls closest to the
camera. Michael and Charlie arrive from their trailers and run their lines as socials drift into their sight lines challenging their
concentration on pages of dialogue. Oliver yells, "Action" as the extras aggressively jockey for face time. Charlie is not having an
easy day and they do take after take. My corporate husband Chuck Pfieffer has gotten his real girlfriend Lisa Crosby in the film and
my marriage has become a threesome.
Sensing our concern of not making it onto the silver screen Oliver tells his first assistant director to seat a dinner table with
Susan Hess, Jill Fairchild, Prince Dimitri, Chuck Pfieffer, Grace Meigher and Mario Calvo-Platero. He directs us to chat with each
other turning left and right as the camera closely pans past our faces.
Elsewhere on the set are John Buffalo Mailer, as Shia's character's best friend, Austin Pendleton, 94-year-old Eli Wallach and
Natalie Morales. Also in this film are: the magnificent Frank Langella, as Shia's boss, who throws himself in front of a train early in
the film, Susan Sarandon as Shia's real-estate broker mother, Sylvia Miles, who reprises her hilarious cameo as another real-estate
HOUSE OVERSIGHT 032002
agent and Jean Pigozzi as an international banker.
Lunch is called at 4 p.m. and Michael Douglas takes seven heavily made-up and bejeweled women including Susan, Jill and me
to a restaurant around the corner. Gordon Gekko hosts a hen party talking about children, schools, country houses and vacations.
Back on the set Oliver is shooting the actual dinner. Assistant directors ask for volunteers to dance to the live music. Prince
Dimitri twirls and dips Jackie Weld. Kelly Klein, in her own Karl Lagerfeld sheer black organza, watches from a table with scattered
champagne glasses half-filled with apple juice along with her 86-year-old father, Tulley Rector. Charlie Sheen leaves for LA and
Shia is very annoyed he was not introduced to his hero. Carrie Mulligan, costumed like Audrey Hepburn, chats with us between
takes.
The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m. and
Lord William Astor arrives to pick me up for Amalia Dayan and Adam Lindemann's dinner for artists uptown.
Oliver is introduced to William and delights in calling him Lord as he immediately moves him into the top of the shot and
instructs him to tell Eli Wallach, "We must do lunch". Ever the proper English gentleman, William advises Oliver that Lords do not
use American slang and improvises his own lines. The tracking shot continues for numerous takes following Josh and Noelle as
every VIP extra gets another shot at instant stardom with one-line greetings.
At last, "It's a wrap" is screamed after 10 p.m. Prince Dimitri tells The Wall Street Journal it was, "a day of electrifying
glamour," and "the longest gala of my life. I was in black tie for thirteen hours."
November 25, Tommy Gun Salon, Ludlow Street, last day of shooting
Donald Trump is on set at 7 a.m. ready for his close up. He is trying to make a mid-day departure on his jet from Teterboro
with wife Melania and son Baron for Thanksgiving weekend in Palm Beach. Back in September, Oliver had invited Donald Trump to
dinner at "21" to meet his leading men Josh and Shia so they could observe New York's most charismatic powerbroker in his natural
environment.
The scene is London so the grey skies are perfect. Gekko has moved abroad to make his financial comeback. The scene opens
on the back of his head in a barber's chair as he watches the financial news on TV. The camera pulls back and Gordon Gekko is
finally revealed as the powerful bull he once was in an exquisite suit and signature slicked-back hair. Donald Trump walks into the
shop for a cut and the banter begins about the money market.
From his chair, Donald leans into Michael and suggests a "comb over"
like his famous do. Gekko, with a slight grin, says, "No thanks Donald, I am a gel man."
The crew is yucking it up and Donald feels great. Paparazzi shoot the whole scene with long lenses from across the street. The
unit publicist is helpless to keep this under wraps. Donald emerges, poses and gives interviews. Michael comes out, and the press
think they have a scoop on the ending. Gekko is back in all his lovable titan splendor. Full-page photos of Michael and Donald run
the next day in the tabloids. Never underestimate Oliver Stone's surprise endings.
Twentieth Century Fox releases "Wall Street 2: The Money Never Sleeps" on April 23rd and its got hit written all over it.
***********************************************************
The information contained in this communication is
confidential, may be attorney-client privileged, may
constitute inside information, and is intended only for
the use of the addressee. It is the property of
HOUSE OVERSIGHT 032003
Jeffrey Epstein
Unauthorized use, disclosure or copying of this
communication or any part thereof is strictly prohibited
and may be unlawful. If you have received this
communication in error, please notify us immediately by
return e-mail or by e-mail to [email protected], and
destroy this communication and all copies thereof,
including all attachments.
***********************************************************
The information contained in this communication is
confidential, may be attorney-client privileged, may
constitute inside information, and is intended only for
the use of the addressee. It is the property of
Jeffrey Epstein
Unauthorized use, disclosure or copying of this
communication or any part thereof is strictly prohibited
and may be unlawful. If you have received this
communication in error, please notify us immediately by
return e-mail or by e-mail to [email protected], and
destroy this communication and all copies thereof,
including all attachments.
HOUSE OVERSIGHT 032004
admin
Site Admin
 
Posts: 38693
Joined: Thu Aug 01, 2013 5:21 am

Re: Epstein Estate Documents - Batch 7 / TEXT / 002 from Hou

Postby admin » Fri Nov 14, 2025 10:58 pm

HOUSE_OVERSIGHT_032005
txt

https://www.dropbox.com/scl/fo/9bq6uj0p ... tracking=1

From: Jeffrey Epstein [[email protected]]
Sent: 1/12/2010 12:28:25 AM
To: Peggy Siegal
Subject: Re: My Wall Street 2 Story
terrific. i want to hear more about the trip
On Mon, Jan 11, 2010 at 6:32 PM, Peggy Siegal wrote:
Wrote this for the February issue of AVENUE Magazine. Thought it would amuse you. Tell me what you
think of it.
xoxo Peggy
HD: Wall Street, Take Two
DEK: In the upcoming sequel to Oliver Stone's groundbreaking film, Gordon Gekko gets out of jail and back
to business.
Peggy Siegal takes us behind the scenes where she got herself on camera along with a few of her
famous friends. Nice work if you can get it.
In 1987, right after director Oliver Stone won the Academy Award for "Platoon," he immediately turned to a
domestic arena and began working on "Wall Street" in New York City where his father had been a
stockbroker. Although the film was widely seen as a scathing critique of the culture of Wall Street, Stone has
said that part of the film is a defense of capitalism, his father's vision of finance (as seen through the Hal
Holbrook character) and an homage to his father.
At the time Oliver was also fascinated with the connection between the psyche of Latino Miami drug dealers
from his earlier "Scarface" script and the American-born 28- to 35-year-old, white collar stockbrokers. Both
groups had an animalistic need to obtain big and fast money. They shared an obsession with corruption and
greed.
Oliver sent his actors to Bear Stearns for research, including then-newcomer Charlie Sheen, who played Bud
Fox, a kid from nowhere. When he learns to cold call, and lands one big client, Gordon Gekko, Fox is thrust
into the fast lane with a rock star financial mentor who teaches him corruption.
Oliver needed an old-fashioned villain to create drama, and he cast Michael Douglas as Gekko against type.
Michael was not known as a heavy at the time, but as a charming, handsome, sensitive leading man. Oliver
also saw the anger, confidence, salesmanship and style that Michael brought to the role. Michael's Gekko
looked a bit like Laker's coach Pat Riley with his slicked back hair and well-cut suits, and it became Michael's
most important role, winning him the Academy Award for the villain no one could ever forget.
HOUSE OVERSIGHT 032005
When Gekko delivers his speech, "Greed, for lack of a better word, is good. Greed is right. Greed works,"
cinematic history was made.
"Wall Street" was set in 1985, a time before ten financial news networks broadcasting 24/7 existed. The entire
financial services industry was largely unknown and Oliver Stone nailed it.
Four years ago, Wall Street's producer Ed Pressman decided it was time for a sequel and met with Fox Film
Entertainment co-chairmen Tom Rothman and Jim Gianopulos. Michael Douglas was immediately on-board
pending script approval. Steven Schiff wrote the first script before the global economic crash of 2008 rendered
it obsolete.
Alan Loeb was brought in for a rewrite. Pressman asked me to meet Loeb at the Carlyle Hotel to explain the
social rhythms of New York's financial high society. Whereas Gekko's character was modeled after '70s junk
bond kings (Michael Milken) and '80s mergers and acquisitions killers (Henry Kravis), Loeb bases the new
villain on hedge fund billionaires like John Paulson and Mike Novogratz, geniuses who have created
stratospheric wealth beyond Gordon Gekko's wildest dreams. When Oliver Stone agreed to direct, he rewrote a
portion of the script to focus on bankers as well as hedge funders, taking no screen credit.
This past September, Oliver yelled, "action" as Gordon Gekko, with long grey hair, comes back to life as he
emerges from a lengthy prison stint shot outside of Sing Sing in Ossining, New York. Gekko is desperate to
redefine himself in a different era. The New York Post runs a full-page photo of Gekko and New Yorkers
immediately become obsessed with the filming of Wall Street 2.
A week into shooting, a glorious fall day. Ed Pressman invites me on the set at the Central Park Zoo. Oliver
designs an elaborate tracking shot around the seal pool where Gekko, fresh from jail, walks and talks to Jake
Moore, a young idealistic investment banker played by Shia LaBoeuf. They discuss Gekko's daughter Winnie,
Moore's fiancée, played by Carrie Mulligan, who is also having an off-screen romance with LaBoeuf. Oliver
played Cupid. Moore invites Gekko to the Alzheimer's Ball at the Metropolitan Museum of Art. Gekko, who
used to be a sponsor or honoree of such events, cannot even afford a ticket.
The shot starts with a barking seal jumping for fish, then pans down to the actors. Extras weave in and out. In
one take Michael makes a wrong turn and ends up at the monkey house. Everyone laughs. The atmosphere on
the set is courteous but quick and tense. There is pressure when you are making a sequel to a hit.
I watch the action on monitors while sitting on the producers' canvas chairs with Pressman, Eric Kopeloff
("Monsters Ball") and Celia Costas, who was a location manager on the first "Wall Street." They have asked
me to be an extra in the Alzheimer's Ball scene and bring some friends to play rich Upper East Side socialites.
Oliver wants over the top glam, go-to-the-vault jewels and couture gowns. "Give me the night before the
Titanic goes down," were his exact words. Not a problem.
I pay a quick visit to Michael in his trailer on Fifth Avenue where he is resting. We go way back. I was his
personal publicist when he won the Golden Globe and Oscar for Best Actor for "Wall Street" and we have
remained great friends. Gekko is just as challenging for him the second time because of endless pages of
technical financial dialogue. We discuss Catherine Zeta-Jones' Broadway debut in a "Little Night Music."
Michael has a stack of partially finished handwritten thank you notes next to him for gifts received for
their shared birthday party on September 25th at the St. Regis. Her 40th and his 65th.
HOUSE OVERSIGHT 032006
I tell him I have been cast as an extra in two scenes and he laughs knowing I am desperate to hang around him
and the production.
8:30 a.m. on Wednesday, October 21st, another warm, stunning fall day. I report to the wardrobe trailer on
65th Street and Madison Avenue. I carry four elaborate cocktail dresses and bags of matching accessories. My
hair is in rollers. Statuesque Julia Koch walks over from her Park Avenue apartment carrying her white
Valentino and long diamond earrings. Her real-life financial titan husband David is unaware where she is this
morning.
Vanity Fair's keeper of the Best Dressed List, Amy Fine Collins, arrives totally organized in turquoise vintage
Geoffrey Beene, and Vogue's fashion editor Hamish Bowles wears a riot of plaids, patterns and a large yellow
fake flower on his lapel. Costume Designer Ellen Mirojnick, who created Gordon Gekko's rich slick look in the
first film, is ecstatic with the extras I invited.
Oliver is shooting a scene with Josh Brolin (the star of Stone's "W"). His character Bretton (never Bret)
James, a ruthless Wall Street kingpin, and his perfect wife Samantha (Noelle Beck) are hosting a benefit piano
recital for a 13-year-old child prodigy in their huge, art-filled townhouse at 41 East 65th Street. The building
actually belongs to Baby Jane Holzer, a wealthy art collector still famous for hanging with Andy Warhol in the
'60s. The production designer had Jane's fabulous Warhols moved to storage and replaced with matching
photographic copies. Very expensive contemporary art is again an important production element of Oliver's
vision.
At 10:30 a.m., all the extras are placed around the living room set. Oliver's French mother, Jacqueline Stone,
and her friend Monique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French.
Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film,
and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to
the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey
Bradfield are right behind her. Josh is brought in and the kibitzing stops.
Oliver appears on the set with eagle eyes and a sly grin and quickly re-positions everyone. He explains the
scene, gives out lines to his favored extras, and on his way out to the monitors in the next room mentions that
my earrings are too small. Wardrobe jumps. Josh rehearses and Oliver finally yells, "Action." The kid plays
the piano, Josh explains why we are in his home, asks for money, the camera dollies as extras say their lines
and Shia appears at the door uninvited for a confrontation with Josh. Three hours later a PA yells, "Lunch".
In costume, Amy, Hamish and I run to The Monkey Bar. I am late to meet "The Harpies," including Liz
Smith, Barbara Walters, Cynthia McFadden, Nora Ephron, Jennifer Isham, Maury Perl and Beth Kseniak.
Graydon Carter is at the next table. I tell him Oliver Stone wants him in "Wall Street 2" as an extra. (I make
this up.) Graydon jokes that he only works with lines. I say, "Not a problem." (This will be news to Oliver.)
Back on the set I tell Oliver that Graydon is willing to be in the film with lines. Oliver finds that intriguing.
Oliver shoots the piano recital scene over and over again from different angles all afternoon. Financial wizard
Don Marron saunters on the set to visit and Oliver spontaneously puts him in a scene chatting with Josh. Carrie
Mulligan hangs out watching boyfriend Shia work.
At sundown Julia Koch has to race from reel to real life and explain to her husband where she has been all day.
(He loves it.)
HOUSE OVERSIGHT 032007
Chuck Pfieffer plants a "Page Six" item and the next day socialites begin calling me to get into the film.
Thursday, November 5, Shun Lee Restaurant, West 65th Street
Oliver shoots a crowded tight interior scene with Michael, Carrie and Shia, who are having an intimate
Chinese dinner. Spontaneously, Oliver decides this is the perfect scene for Graydon Carter. After a flurry of
calls, Graydon arrives on set, and playing himself, sashays by the table. Gekko jumps up to say hello and
Graydon brushes him off with a few dismissive lines.
Monday, November 9, 25 Broadway
One hundred swells show up at the former Canard Shipping building, a massive Italianate hall, at the crack of
dawn for the Alzheimer's Ball, a grand charity event.
Susan Hess and I are chauffeured downtown with our Vera Wang gowns and report to the VIP extra holding
area where we join Prince Dimitri of Yugoslavia in a bespoke dinner jacket, journalist Christopher Mason,
songstress Yanna Avis, photographer Kelly Klein, art dealer Larry Gagosian's girl friend Shala Monroque in
see-through Rodarte, beauty executive Olivia Chantecaille, producer Lawrence Robins, author Jackie Weld
Drake, Vogue film critic Joan Juliet Buck, fashion consultant Jill Fairchild, CNN's Felicia Taylor and Italian
newsman Mario Calvo-Platero.
Ellen Mirojnick and her costume department have assembled racks of the most expensive elaborate designer
gowns and work at break neck speed styling while we wildly strip to our undies in a makeshift dressing area.
Ellen pours me into a black tulle Marchesa with a enormous wired silver bow. Twenty hairdressers and make-
up artists systematically work on 250 extras. A mile of tables are alternately filled with steaming coffee,
fattening breakfast foods, hair sprays, mirrors, shoes and jewelry. It's a madhouse of excitement.
We are led to the part of the set used for the cocktail reception and placed around Michael Douglas and Charlie
Sheen stand-ins. Charlie has been flown in from LA for half a day's work to reprise his original character. He
is now the highest paid television actor commanding two million dollars an episode of "Two and a Half Men."
Oliver arrives on the set greeting, examining, tweaking the shot and always pulling the prettiest girls closest to
the camera. Michael and Charlie arrive from their trailers and run their lines as socials drift into their sight
lines challenging their concentration on pages of dialogue. Oliver yells, "Action" as the extras aggressively
jockey for face time. Charlie is not having an easy day and they do take after take. My corporate husband
Chuck Pfieffer has gotten his real girlfriend Lisa Crosby in the film and my marriage has become a threesome.
Sensing our concern of not making it onto the silver screen Oliver tells his first assistant director to seat a
dinner table with Susan Hess, Jill Fairchild, Prince Dimitri, Chuck Pfieffer, Grace Meigher and Mario Calvo-
Platero. He directs us to chat with each other turning left and right as the camera closely pans past our faces.
Elsewhere on the set are John Buffalo Mailer, as Shia's character's best friend, Austin Pendleton, 94-year-old
Eli Wallach and Natalie Morales. Also in this film are: the magnificent Frank Langella, as Shia's boss, who
throws himself in front of a train early in the film, Susan Sarandon as Shia's real-estate broker mother, Sylvia
Miles, who reprises her hilarious cameo as another real-estate agent and Jean Pigozzi as an international
banker.
Lunch is called at 4 p.m. and Michael Douglas takes seven heavily made-up and bejeweled women including
HOUSE OVERSIGHT 032008
Susan, Jill and me to a restaurant around the corner. Gordon Gekko hosts a hen party talking about children,
schools, country houses and vacations.
Back on the set Oliver is shooting the actual dinner. Assistant directors ask for volunteers to dance to the live
music. Prince Dimitri twirls and dips Jackie Weld. Kelly Klein, in her own Karl Lagerfeld sheer black organza,
watches from a table with scattered champagne glasses half-filled with apple juice along with her 86-year-old
father, Tulley Rector. Charlie Sheen leaves for LA and Shia is very annoyed he was not introduced to his
hero. Carrie Mulligan, costumed like Audrey Hepburn, chats with us between takes.
The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is
close to 9 p.m. and Lord William Astor arrives to pick me up for Amalia Dayan and Adam Lindemann's dinner
for artists uptown.
Oliver is introduced to William and delights in calling him Lord as he immediately moves him into the top of
the shot and instructs him to tell Eli Wallach, "We must do lunch". Ever the proper English gentleman,
William advises Oliver that Lords do not use American slang and improvises his own lines. The tracking shot
continues for numerous takes following Josh and NoeIle as every VIP extra gets another shot at instant stardom
with one-line greetings.
At last, "It's a wrap" is screamed after 10 p.m. Prince Dimitri tells The Wall Street Journal it was, "a day of
electrifying glamour," and "the longest gala of my life. I was in black tie for thirteen hours."
November 25, Tommy Gun Salon, Ludlow Street, last day of shooting
Donald Trump is on set at 7 a.m. ready for his close up. He is trying to make a mid-day departure on his jet
from Teterboro with wife Melania and son Baron for Thanksgiving weekend in Palm Beach. Back in
September, Oliver had invited Donald Trump to dinner at "21" to meet his leading men Josh and Shia so they
could observe New York's most charismatic powerbroker in his natural environment.
The scene is London so the grey skies are perfect. Gekko has moved abroad to make his financial
comeback. The scene opens on the back of his head in a barber's chair as he watches the financial news on TV.
The camera pulls back and Gordon Gekko is finally revealed as the powerful bull he once was in an exquisite
suit and signature slicked-back hair. Donald Trump walks into the shop for a cut and the banter begins about
the money market. From his chair, Donald leans into Michael and suggests a "comb over" like his famous
do. Gekko, with a slight grin, says, "No thanks Donald, I am a gel man."
The crew is yucking it up and Donald feels great. Paparazzi shoot the whole scene with long lenses from across
the street. The unit publicist is helpless to keep this under wraps. Donald emerges, poses and gives interviews.
Michael comes out, and the press think they have a scoop on the ending. Gekko is back in all his lovable titan
splendor. Full-page photos of Michael and Donald run the next day in the tabloids. Never underestimate Oliver
Stone's surprise endings.
Twentieth Century Fox releases "Wall Street 2: The Money Never Sleeps" on April 23rd and it's got hit written
all over it.
--
***********************************************************
The information contained in this communication is
HOUSE OVERSIGHT 032009
confidential, may be attorney-client privileged, may
constitute inside information, and is intended only for
the use of the addressee. It is the property of
Jeffrey Epstein
Unauthorized use, disclosure or copying of this
communication or any part thereof is strictly prohibited
and may be unlawful. If you have received this
communication in error, please notify us immediately by
return e-mail or by e-mail to [email protected], and
destroy this communication and all copies thereof,
including all attachments.
HOUSE OVERSIGHT 032010
admin
Site Admin
 
Posts: 38693
Joined: Thu Aug 01, 2013 5:21 am

Re: Epstein Estate Documents - Batch 7 / TEXT / 002 from Hou

Postby admin » Sat Nov 15, 2025 12:25 am

HOUSE_OVERSIGHT_032011
txt

https://www.dropbox.com/scl/fo/9bq6uj0p ... tracking=1

From: Nicholas Ribis
Sent: 5/29/2019 2:14:44 PM
To: Jeffrey Epstein [[email protected]]
Mueller statement at 11am will be interesting - I think it's because of Michael wolff's new book and the
reference to a draft indictment- it probably will be helpful to arr - talk after
sent from my iPhone
HOUSE OVERSIGHT 032011
admin
Site Admin
 
Posts: 38693
Joined: Thu Aug 01, 2013 5:21 am

Re: Epstein Estate Documents - Batch 7 / TEXT / 002 from Hou

Postby admin » Sat Nov 15, 2025 12:30 am

HOUSE_OVERSIGHT_032012
txt

https://www.dropbox.com/scl/fo/9bq6uj0p ... tracking=1

From: Mitchell Bard
on behalf of Mitchell Bard____________________________________
Sent: 7/4/2019 12:46:27 PM
To: [email protected]
Subject: Reminder: AICE Update: Did the British promise the Arabs independence in Palestine?
HOUSE OVERSIGHT 032012
Did the British promise the Arabs independence in
Palestine?
In July 1915, Hussein ibn 'Ali, the Sherif of
Mecca, sent a letter to Sir Henry MacMahon,
the High Commissioner for Egypt, informing
him of the terms for Arab participation in the
war against the Turks. The letters between
Hussein and Mac-Mahon that followed outlined
the areas that Britain was prepared to cede to
the Arabs in exchange for their help.
-
HOUSE OVERSIGHT 032013
Click here to read more...
Donate Today
Trump's Saudi Arms Sale Is About Politics and
Economics, Not Security
by Mitchell Bard
President Trump wants to use his emergency
powers to sell billions of dollars' worth of
weapons to Saudi Arabia on national security
grounds. Congress wants to stop the sale
because of lingering anger over Saudi abuses
and the murder of journalist Jamal
Khashoggi, and the usurpation of its legal
authority to review arms sales. Both sides are
ingenuous. The willingness to sell the Saudis -
weapons has little to do with American national security, and
everything to do with economics and politics.

Click here to read more...
HOUSE OVERSIGHT 032014
HOUSE OVERSIGHT 032015
Travel
Israel
Religion
HOUSE OVERSIGHT 032016
New This Week
Arizona-Israel Cooperation
HOUSE OVERSIGHT 032017
The U.S.-Israel relationship is based on the twin pillars of shared
values and mutual interests. Given this commonality of interests and
beliefs, it should not be surprising that support for Israel is one of the
most pronounced and consistent foreign policy values of the American
people.

Today's interdependent global economy requires that trade policy be
developed at the national and state level. Many states have
recognized the opportunity for realizing significant benefits by seeking
to increase trade with Israel. Arizona is one of 33 states that have
cooperative agreements with Israel.
Click here to read more...
Views on Israel of U.S. Presidential Candidates 2020:
Amy Klobuchar
Amy Jean Klobuchar* was born on May 25, 1960, in Plymouth,
Minnesota. Klobuchar is the daughter of Rose (née Heuberger) and
Jim Klobuchar. She has one younger sister. Her parents divorced
when Klobuchar was 15.
Klobuchar attended public schools in Plymouth and was valedictorian
at Wayzata High School. In 1982, she graduated from Yale magna
cum laude with a B.A. in political science. During college, she was a
member of the Yale College Democrats, the Feminist Caucus, and the
improv troupe Suddenly Susan. During her time at Yale, Klobuchar
spent time as an intern for then Vice President, and former Minnesota
Senator, Walter Mondale. Her senior thesis was "Uncovering the
HOUSE OVERSIGHT 032018
Dome," a history of the ten years of politics surrounding the building of
the Hubert H. Humphrey Metrodome in Minneapolis.
Click here to read more...
Check our ongoing updates on 2020 presidential candidates
Nazi Collaborators - Mufti Amin al-Husseini
HOUSE OVERSIGHT 032019
June Israel Quiz
June Holocaust Quiz
Israel is 71! Test yourself with our
Israel quiz!
Click here to take the quiz
How much do you know about
the holiday of Passover?
Click here to take the quiz
Download the Jewish Virtual Library App!
Click Here to Download on the Google Play Store
Click Here to Download on the Apple App Store
Support AICE When You Shop at Amazon!
HOUSE OVERSIGHT 032020
When shopping at Amazon, please be sure
to shop using Amazon Smile, and select
AICE as your chosen charity. Its an easy
way to help out, and a portion of your
purchase supports our projects.
Click Here to Donate Today
HOUSE OVERSIGHT 032021
You can also text rosh2018 to 71777 to donate
Thank You for Your Support.
American-Israeli Cooperative Enterprise I 2810 Blaine Dr., Chevy Chase, MD 20815
Unsubscribe [email protected]
Update Profile I About Constant Contact
Sent by
in collaboration with
Try email marketing for free today!
HOUSE OVERSIGHT 032022
admin
Site Admin
 
Posts: 38693
Joined: Thu Aug 01, 2013 5:21 am

Re: Epstein Estate Documents - Batch 7 / TEXT / 002 from Hou

Postby admin » Sat Nov 15, 2025 12:34 am

HOUSE_OVERSIGHT_032023
txt

https://www.dropbox.com/scl/fo/9bq6uj0p ... tracking=1

From: Mitchell Bard
on behalf of Mitchell Bard__________________________________
Sent: 7/1/2019 12:46:20 PM
To: [email protected]
Subject: AICE Update: Did the British promise the Arabs independence in Palestine?
HOUSE OVERSIGHT 032023
Did the British promise the Arabs independence in
Palestine?
In July 1915, Hussein ibn 'Ali, the Sherif of
Mecca, sent a letter to Sir Henry MacMahon,
the High Commissioner for Egypt, informing
him of the terms for Arab participation in the
war against the Turks. The letters between
Hussein and Mac-Mahon that followed outlined
the areas that Britain was prepared to cede to
the Arabs in exchange for their help.
-
HOUSE OVERSIGHT 032024
Click here to read more...
Donate Today
Trump's Saudi Arms Sale Is About Politics and
Economics, Not Security
by Mitchell Bard
President Trump wants to use his emergency
powers to sell billions of dollars' worth of
weapons to Saudi Arabia on national security
grounds. Congress wants to stop the sale
because of lingering anger over Saudi abuses
and the murder of journalist Jamal
Khashoggi, and the usurpation of its legal
authority to review arms sales. Both sides are
ingenuous. The willingness to sell the Saudis -
weapons has little to do with American national security, and
everything to do with economics and politics.
Click here to read more...
HOUSE OVERSIGHT 032025
HOUSE OVERSIGHT 032026
Travel
Israel
Religion
HOUSE OVERSIGHT 032027
New This Week
Arizona-Israel Cooperation
HOUSE OVERSIGHT 032028
The U.S.-Israel relationship is based on the twin pillars of shared
values and mutual interests. Given this commonality of interests and
beliefs, it should not be surprising that support for Israel is one of the
most pronounced and consistent foreign policy values of the American
people.
Today's interdependent global economy requires that trade policy be
developed at the national and state level. Many states have
recognized the opportunity for realizing significant benefits by seeking
to increase trade with Israel. Arizona is one of 33 states that have
cooperative agreements with Israel.
Click here to read more...
Views on Israel of U.S. Presidential Candidates 2020:
Amy Klobuchar
Amy Jean Klobuchar* was born on May 25, 1960, in Plymouth,
Minnesota. Klobuchar is the daughter of Rose (née Heuberger) and
Jim Klobuchar. She has one younger sister. Her parents divorced
when Klobuchar was 15.
Klobuchar attended public schools in Plymouth and was valedictorian
at Wayzata High School. In 1982, she graduated from Yale magna
cum laude with a B.A. in political science. During college, she was a
member of the Yale College Democrats, the Feminist Caucus, and the
improv troupe Suddenly Susan. During her time at Yale, Klobuchar
spent time as an intern for then Vice President, and former Minnesota
Senator, Walter Mondale. Her senior thesis was "Uncovering the
HOUSE OVERSIGHT 032029
Dome," a history of the ten years of politics surrounding the building of
the Hubert H. Humphrey Metrodome in Minneapolis.
Click here to read more...
Check our ongoing updates on 2020 presidential candidates
Nazi Collaborators - Mufti Amin al-Husseini
HOUSE OVERSIGHT 032030
June Israel Quiz
June Holocaust Quiz
Israel is 71! Test yourself with our
Israel quiz!
Click here to take the quiz
How much do you know about
the holiday of Passover?
Click here to take the quiz
Download the Jewish Virtual Library App!
Click Here to Download on the Google Play Store
Click Here to Download on the Apple App Store
Support AICE When You Shop at Amazon!
HOUSE OVERSIGHT 032031
When shopping at Amazon, please be sure
to shop using Amazon Smile, and select
AICE as your chosen charity. Its an easy
way to help out, and a portion of your
purchase supports our projects.
Click Here to Donate Today
HOUSE OVERSIGHT 032032
You can also text rosh2018 to 71777 to donate
Thank You for Your Support.
American-Israeli Cooperative Enterprise I 2810 Blaine Dr., Chevy Chase, MD 20815
Unsubscribe [email protected]
Update Profile I About Constant Contact
Sent by
n collaboration with
Try email marketing for free today!
HOUSE OVERSIGHT 032033
admin
Site Admin
 
Posts: 38693
Joined: Thu Aug 01, 2013 5:21 am

PreviousNext

Return to Sacrifice Virgins, Get World by the Balls: The Mossad's Lolita Gambit

Who is online

Users browsing this forum: No registered users and 5 guests